All language subtitles for 1966 - Why 1966 Changed Music Forever - Documentary

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These are the user uploaded subtitles that are being translated: 1 00:00:00,120 --> 00:00:05,279 turn off your mind relax and flat down 2 00:00:05,279 --> 00:00:08,880 in 1966 music evolved from Mere sound to 3 00:00:08,880 --> 00:00:11,200 a catalyst for cultural revolution 4 00:00:11,200 --> 00:00:13,080 reflecting and shaping a rapidly 5 00:00:13,080 --> 00:00:15,759 changing Society the year wasn't just 6 00:00:15,759 --> 00:00:18,359 defined by songs but by the stories 7 00:00:18,359 --> 00:00:20,400 moments and cultural shifts they 8 00:00:20,400 --> 00:00:24,480 embodied what made 1966 so pivotal join 9 00:00:24,480 --> 00:00:26,840 us as we dive deep into the soundscape 10 00:00:26,840 --> 00:00:29,359 that redefined rock and roll and explore 11 00:00:29,359 --> 00:00:31,519 the legendary musicians behind this 12 00:00:31,519 --> 00:00:35,239 transformative year 1966 didn't just 13 00:00:35,239 --> 00:00:37,800 reflect the culture but reshaped it 14 00:00:37,800 --> 00:00:41,559 entirely let's find out why 1966 Changed 15 00:00:41,559 --> 00:00:43,820 music 16 00:00:43,820 --> 00:00:46,039 [Music] 17 00:00:46,039 --> 00:00:50,239 forever in January 1966 the year began 18 00:00:50,239 --> 00:00:52,800 with Simon and gar funkle The Sounds of 19 00:00:52,800 --> 00:00:54,920 Silence climbing to number one on the 20 00:00:54,920 --> 00:00:57,559 charts its haunting lyrics and electric 21 00:00:57,559 --> 00:01:00,000 reworking marked a turning point for 22 00:01:00,000 --> 00:01:02,239 folk music blending traditional 23 00:01:02,239 --> 00:01:05,800 storytelling with modern 24 00:01:07,140 --> 00:01:09,560 [Music] 25 00:01:09,560 --> 00:01:11,880 instrumentation Day Tripper and we can 26 00:01:11,880 --> 00:01:13,840 work it out by The Beatles We're Riding 27 00:01:13,840 --> 00:01:16,600 High showcasing their unmatched ability 28 00:01:16,600 --> 00:01:20,759 to dominate the charts with Innovative 29 00:01:21,000 --> 00:01:24,240 music meanwhile in the US you can tune 30 00:01:24,240 --> 00:01:27,119 in to the television show Halo and watch 31 00:01:27,119 --> 00:01:30,479 The Beatles review the hits from 1965 32 00:01:30,479 --> 00:01:32,439 the Everly Brothers Freddy and the 33 00:01:32,439 --> 00:01:34,479 dreamers and Smokey Robinson and the 34 00:01:34,479 --> 00:01:37,040 Miracles graced the Holo stage to 35 00:01:37,040 --> 00:01:39,600 perform as 36 00:01:41,399 --> 00:01:44,799 well elsewhere the Spencer Davis groups 37 00:01:44,799 --> 00:01:46,799 keep on running climb to the number one 38 00:01:46,799 --> 00:01:49,200 position in the UK bringing gritty 39 00:01:49,200 --> 00:01:51,799 rhythm and blues to the Forefront this 40 00:01:51,799 --> 00:01:53,880 song's success reflected the growing 41 00:01:53,880 --> 00:01:56,439 influence of soul and blues on British 42 00:01:56,439 --> 00:01:59,719 pop music 43 00:02:00,000 --> 00:02:02,250 and you feel 44 00:02:02,250 --> 00:02:08,310 [Music] 45 00:02:08,800 --> 00:02:13,360 so in January 1966 The Who solidified 46 00:02:13,360 --> 00:02:15,200 their reputation as one of the most 47 00:02:15,200 --> 00:02:17,640 dynamic live acts with a powerful 48 00:02:17,640 --> 00:02:20,080 performance on television captivating 49 00:02:20,080 --> 00:02:22,239 audiences with their raw energy on the 50 00:02:22,239 --> 00:02:25,080 show shindig along with the Kinks who 51 00:02:25,080 --> 00:02:28,440 also performed 52 00:02:30,080 --> 00:02:32,959 the small faces The Kinks Donovan and 53 00:02:32,959 --> 00:02:35,040 Dusty Springfield took the stage 54 00:02:35,040 --> 00:02:37,440 delivering energetic performances that 55 00:02:37,440 --> 00:02:39,200 captivated the audience on the British 56 00:02:39,200 --> 00:02:43,440 television show Ready Steady 57 00:02:45,790 --> 00:02:48,280 [Music] 58 00:02:48,280 --> 00:02:51,519 go London's Marquee Club hosted a series 59 00:02:51,519 --> 00:02:54,120 of incredible performers including David 60 00:02:54,120 --> 00:02:56,599 Bowie Pink Floyd in an interview with 61 00:02:56,599 --> 00:02:58,640 the record mirror The Kinks say Ray 62 00:02:58,640 --> 00:03:00,560 Davis said I've had had a lot of good 63 00:03:00,560 --> 00:03:02,920 luck this past year with my songs I mean 64 00:03:02,920 --> 00:03:05,080 Peggy Lee recorded one of them that was 65 00:03:05,080 --> 00:03:07,280 great I like her style of singing all 66 00:03:07,280 --> 00:03:09,560 breathy and throaty but my trouble is 67 00:03:09,560 --> 00:03:11,720 this lack of communication with people I 68 00:03:11,720 --> 00:03:13,879 like people like them fine but I can't 69 00:03:13,879 --> 00:03:15,599 talk to them in the way I really feel 70 00:03:15,599 --> 00:03:18,120 inside like I'd like to ask you about a 71 00:03:18,120 --> 00:03:20,000 recent football match but somehow I just 72 00:03:20,000 --> 00:03:22,120 can't I have to let it come from whoever 73 00:03:22,120 --> 00:03:24,120 I'm talking to I bet you feel 74 00:03:24,120 --> 00:03:26,440 uncomfortable talking to me people do 75 00:03:26,440 --> 00:03:28,040 they sometimes feel I'm just not 76 00:03:28,040 --> 00:03:30,200 contributing that's why I'm so glad I'm 77 00:03:30,200 --> 00:03:32,400 interested in music and songwriting 78 00:03:32,400 --> 00:03:34,519 through songs I can communicate I can 79 00:03:34,519 --> 00:03:36,159 get what I'm thinking about across to 80 00:03:36,159 --> 00:03:38,720 other people for this next year I want 81 00:03:38,720 --> 00:03:40,840 to advance in the songw writing field I 82 00:03:40,840 --> 00:03:42,599 want to write more descriptive songs 83 00:03:42,599 --> 00:03:44,599 more introvert numbers I want to get to 84 00:03:44,599 --> 00:03:47,400 a much deeper level as the vibrant music 85 00:03:47,400 --> 00:03:49,360 scene unfolded the kings's 86 00:03:49,360 --> 00:03:51,239 well-respected man is climbing the 87 00:03:51,239 --> 00:03:54,239 charts as is Stevie wonders uptight 88 00:03:54,239 --> 00:03:57,000 everything's all 89 00:03:57,680 --> 00:04:02,079 right looks as well as bu but every 90 00:04:02,079 --> 00:04:04,320 young 91 00:04:04,320 --> 00:04:07,880 [Music] 92 00:04:10,400 --> 00:04:14,360 man February 1966 continued as an 93 00:04:14,360 --> 00:04:16,560 exciting month for music with a variety 94 00:04:16,560 --> 00:04:19,320 of notable releases imagine waking up on 95 00:04:19,320 --> 00:04:21,519 a cold winter morning and turning on the 96 00:04:21,519 --> 00:04:23,400 radio to your favorite station and 97 00:04:23,400 --> 00:04:25,759 hearing one hit song after another all 98 00:04:25,759 --> 00:04:28,270 day long 99 00:04:28,270 --> 00:04:33,649 [Music] 100 00:04:33,759 --> 00:04:36,199 you know 101 00:04:36,199 --> 00:04:39,120 love makes the 102 00:04:39,120 --> 00:04:42,199 world the animals released their best of 103 00:04:42,199 --> 00:04:44,560 the animals compilation showcasing 104 00:04:44,560 --> 00:04:46,960 iconic hits such as House of the Rising 105 00:04:46,960 --> 00:04:49,720 Sun and we got to get out of this place 106 00:04:49,720 --> 00:04:51,560 cementing their place as one of the 107 00:04:51,560 --> 00:04:55,000 leading bands of the British 108 00:04:55,000 --> 00:04:57,680 Invasion meanwhile The Supremes 109 00:04:57,680 --> 00:04:59,479 continued their streak of success with 110 00:04:59,479 --> 00:05:02,080 the album I hear a symphony which 111 00:05:02,080 --> 00:05:03,759 included the title track that had 112 00:05:03,759 --> 00:05:05,960 recently topped the charts displaying 113 00:05:05,960 --> 00:05:08,479 Diana Ross's captivating vocals and 114 00:05:08,479 --> 00:05:11,639 mtown signature 115 00:05:14,840 --> 00:05:17,560 sound the Rolling Stones kept fans 116 00:05:17,560 --> 00:05:20,000 enthralled with their bluesy hit 19th 117 00:05:20,000 --> 00:05:22,120 nervous breakdown which highlighted 118 00:05:22,120 --> 00:05:26,400 their growing maturity and confidence as 119 00:05:27,479 --> 00:05:30,160 songwriters finally Peter and Gordon 120 00:05:30,160 --> 00:05:32,639 offered the poignant track woman penned 121 00:05:32,639 --> 00:05:34,759 by Paul McCartney under the pseudonym 122 00:05:34,759 --> 00:05:37,280 Bernard web adding a unique connection 123 00:05:37,280 --> 00:05:40,600 to the Beatles influence Donovan opens 124 00:05:40,600 --> 00:05:43,120 his US tour at Carnegie Hall and then 125 00:05:43,120 --> 00:05:45,580 films his appearance on 126 00:05:45,580 --> 00:05:48,720 [Music] 127 00:05:48,720 --> 00:05:52,000 Holo beyond the music societal behavior 128 00:05:52,000 --> 00:05:54,360 and language saw shifts that reflected 129 00:05:54,360 --> 00:05:57,039 broader changes in cultural acceptance 130 00:05:57,039 --> 00:05:59,440 Jet Baker is arrested in Hollywood and 131 00:05:59,440 --> 00:06:01,720 the same day Johnny Cash pleads guilty 132 00:06:01,720 --> 00:06:04,639 in El Paso Texas both are substance 133 00:06:04,639 --> 00:06:05,700 related 134 00:06:05,700 --> 00:06:10,840 [Music] 135 00:06:10,840 --> 00:06:13,319 charges the Rolling Stones kicked off 136 00:06:13,319 --> 00:06:15,720 their first major tour of Australia New 137 00:06:15,720 --> 00:06:19,319 Zealand in February 1966 thrilling fans 138 00:06:19,319 --> 00:06:21,400 down under with their energetic 139 00:06:21,400 --> 00:06:23,840 performances the tour solidified their 140 00:06:23,840 --> 00:06:25,319 reputation is one of the most 141 00:06:25,319 --> 00:06:27,960 electrifying live acts of the time and 142 00:06:27,960 --> 00:06:30,500 further expanded their global 143 00:06:30,500 --> 00:06:36,910 [Music] 144 00:06:37,160 --> 00:06:40,599 appeal in London the iconic Marquee Club 145 00:06:40,599 --> 00:06:42,840 was buzzing with activity hosting a 146 00:06:42,840 --> 00:06:44,759 stellar lineup that included The Yard 147 00:06:44,759 --> 00:06:47,520 Birds featuring Jeff Beck and emerging 148 00:06:47,520 --> 00:06:50,120 stars like Rod Stewart the venue 149 00:06:50,120 --> 00:06:51,840 continued to be a breeding ground for 150 00:06:51,840 --> 00:06:54,520 future Rock royalty and a hot spot for 151 00:06:54,520 --> 00:06:59,280 fans eager to get a front row spot 152 00:07:00,039 --> 00:07:02,039 John Lennon was interviewed by Melody 153 00:07:02,039 --> 00:07:04,720 Maker for their weekly special hot seat 154 00:07:04,720 --> 00:07:07,639 here are his takes on hot topics of 155 00:07:07,639 --> 00:07:10,199 1966 Vietnam I don't like what's 156 00:07:10,199 --> 00:07:14,720 happening there money nice great Playboy 157 00:07:14,720 --> 00:07:17,120 the magazine or the man the magazine 158 00:07:17,120 --> 00:07:20,360 it's nice guitars guitars are great part 159 00:07:20,360 --> 00:07:23,560 of life airplanes I don't like them at 160 00:07:23,560 --> 00:07:25,440 first they were a nice Adventure I like 161 00:07:25,440 --> 00:07:27,680 flying less the more we do we can get to 162 00:07:27,680 --> 00:07:30,080 most places well enough by Road we flown 163 00:07:30,080 --> 00:07:31,879 so much something could happen the more 164 00:07:31,879 --> 00:07:34,960 we do epie he's great you know when 165 00:07:34,960 --> 00:07:36,840 people talk about him they say he can be 166 00:07:36,840 --> 00:07:39,440 a bit harsh a bit of a bastard at times 167 00:07:39,440 --> 00:07:41,720 he's a businessman we only talk business 168 00:07:41,720 --> 00:07:44,000 about twice a year sometimes has a go at 169 00:07:44,000 --> 00:07:45,680 us and then we have a go back and it's 170 00:07:45,680 --> 00:07:48,720 forgotten Liverpool still home even 171 00:07:48,720 --> 00:07:50,520 though my aunt has moved away and I have 172 00:07:50,520 --> 00:07:54,039 to stay with Paul if I go 173 00:07:55,070 --> 00:07:57,360 [Music] 174 00:07:57,360 --> 00:07:59,840 there if you're one of the many people 175 00:07:59,840 --> 00:08:03,360 in 1966 looking to start a band or are a 176 00:08:03,360 --> 00:08:05,159 musician looking for work or an 177 00:08:05,159 --> 00:08:07,319 establishment looking to hire a band 178 00:08:07,319 --> 00:08:09,479 then you can turn to Melody makers pages 179 00:08:09,479 --> 00:08:11,479 of classified ads to get in on the 180 00:08:11,479 --> 00:08:13,400 action there was no shortage of 181 00:08:13,400 --> 00:08:15,000 opportunities to get involved in the 182 00:08:15,000 --> 00:08:18,360 music industry on some 183 00:08:22,800 --> 00:08:25,840 level in March the who released their 184 00:08:25,840 --> 00:08:28,599 latest single substitute meanwhile they 185 00:08:28,599 --> 00:08:30,440 get into a legal dispute with their 186 00:08:30,440 --> 00:08:32,680 producer shell taly after their deal 187 00:08:32,680 --> 00:08:34,919 with poor he is seeking a legal 188 00:08:34,919 --> 00:08:36,839 injunction against them releasing their 189 00:08:36,839 --> 00:08:39,599 bside to substitute as he States I have 190 00:08:39,599 --> 00:08:42,959 a valid contract with 191 00:08:44,220 --> 00:08:46,760 [Music] 192 00:08:46,760 --> 00:08:49,680 them the Beatles nowhere man is quickly 193 00:08:49,680 --> 00:08:51,560 moving up the Billboard charts along 194 00:08:51,560 --> 00:08:53,959 with love and spoon's latest release 195 00:08:53,959 --> 00:08:56,720 Daydream and Simon and gar funes home 196 00:08:56,720 --> 00:08:59,880 word bound 197 00:08:59,880 --> 00:09:04,399 he going to having a sweet 198 00:09:04,399 --> 00:09:09,360 dream I've been dreaming since I woke up 199 00:09:09,360 --> 00:09:15,040 today stands my suitc and guitar and 200 00:09:15,040 --> 00:09:17,680 is Pink Floyd gained the spot for the 201 00:09:17,680 --> 00:09:20,079 spontaneous underground a series of 202 00:09:20,079 --> 00:09:21,800 anything goes Sunday afternoon 203 00:09:21,800 --> 00:09:24,160 happenings at the Marquee Club featuring 204 00:09:24,160 --> 00:09:27,360 music poetry anti- Conjuring acts free 205 00:09:27,360 --> 00:09:29,720 haircuts and near naked audience members 206 00:09:29,720 --> 00:09:32,839 rolling in mounds of 207 00:09:32,839 --> 00:09:36,160 jelly Melody Maker top 50 features the 208 00:09:36,160 --> 00:09:39,040 kings's dedicated follower of fashion 209 00:09:39,040 --> 00:09:41,839 The mindbender's Groovy Kind of Love and 210 00:09:41,839 --> 00:09:45,279 the yard Bird's shape of things 211 00:09:45,279 --> 00:09:51,279 eing all the latest fat TRS 212 00:09:52,440 --> 00:09:56,360 a you and got 213 00:09:56,360 --> 00:09:59,800 aoy r 214 00:09:59,800 --> 00:10:02,120 have 215 00:10:03,160 --> 00:10:06,320 seen at the Flamingo catch John Ma's 216 00:10:06,320 --> 00:10:08,079 Blues Breakers then head over to the 217 00:10:08,079 --> 00:10:10,160 Marquee to catch the action performing 218 00:10:10,160 --> 00:10:12,600 land of a thousand dances and the small 219 00:10:12,600 --> 00:10:16,200 faces perform their latest hit 220 00:10:16,200 --> 00:10:23,120 [Music] 221 00:10:23,880 --> 00:10:31,320 singles I'll said n n n n n n n n n 222 00:10:35,580 --> 00:10:38,739 [Music] 223 00:10:42,720 --> 00:10:45,279 Melody makers National beat contest at 224 00:10:45,279 --> 00:10:47,040 Brighton's region Ballroom feature 225 00:10:47,040 --> 00:10:49,519 performances by the small faces Dave 226 00:10:49,519 --> 00:10:52,720 Barry and Georgie Fame the cavern club 227 00:10:52,720 --> 00:10:54,760 which was a beat music Mecca just a 228 00:10:54,760 --> 00:10:57,279 couple years prior is closed down and 229 00:10:57,279 --> 00:10:58,959 they're trying to Rally support from 230 00:10:58,959 --> 00:11:01,079 those who called the place home but so 231 00:11:01,079 --> 00:11:03,820 far doesn't seem to be going 232 00:11:03,820 --> 00:11:06,320 [Applause] 233 00:11:06,320 --> 00:11:08,760 anywhere Pete Townsen is interviewed by 234 00:11:08,760 --> 00:11:11,120 Melody Maker for their pop thinks column 235 00:11:11,120 --> 00:11:13,480 and here are a couple of his hot takes 236 00:11:13,480 --> 00:11:15,800 Keith Moon I've got all sorts of things 237 00:11:15,800 --> 00:11:17,760 I want to say about Keith Moon he used 238 00:11:17,760 --> 00:11:20,200 to be a lot of fun unfortunately he's 239 00:11:20,200 --> 00:11:22,040 turning into a little old man it's a 240 00:11:22,040 --> 00:11:24,519 shame he used to be young and unaffected 241 00:11:24,519 --> 00:11:26,600 by pop music but now he's obsessed with 242 00:11:26,600 --> 00:11:28,399 money I still like him and I don't 243 00:11:28,399 --> 00:11:30,200 really care what he thinks to me he's 244 00:11:30,200 --> 00:11:31,639 the only drummer in England I really 245 00:11:31,639 --> 00:11:33,800 want to play with he's not interested in 246 00:11:33,800 --> 00:11:35,800 jazz and won't ever be a jazz drummer 247 00:11:35,800 --> 00:11:37,519 because he's more interested in looking 248 00:11:37,519 --> 00:11:39,959 good and being screamed at Keith's age 249 00:11:39,959 --> 00:11:43,200 so much pop art it's still my favorite 250 00:11:43,200 --> 00:11:45,600 form of art my favorite artist are barry 251 00:11:45,600 --> 00:11:48,120 Fenton and Peter Blake what I like most 252 00:11:48,120 --> 00:11:51,000 of all is its English foreign pop art I 253 00:11:51,000 --> 00:11:52,760 hate I don't think you can enjoy it 254 00:11:52,760 --> 00:11:54,920 unless it's relevant to your own country 255 00:11:54,920 --> 00:11:57,279 it has no relevance to the who except we 256 00:11:57,279 --> 00:11:59,600 used its ideas I think we did did a lot 257 00:11:59,600 --> 00:12:01,839 for it in this country if we hadn't done 258 00:12:01,839 --> 00:12:03,560 it it might have taken another year to 259 00:12:03,560 --> 00:12:05,800 catch on pop art encompasses 260 00:12:05,800 --> 00:12:08,399 performances what are called happenings 261 00:12:08,399 --> 00:12:10,440 and autod destructive performances 262 00:12:10,440 --> 00:12:13,199 including smashing guitars kit Lambert 263 00:12:13,199 --> 00:12:14,959 and I are on the same wavelength and I 264 00:12:14,959 --> 00:12:17,040 used to go on about it to him I think 265 00:12:17,040 --> 00:12:18,199 the rest of the group tend to 266 00:12:18,199 --> 00:12:20,320 underestimate his ideas our 267 00:12:20,320 --> 00:12:22,399 deterioration now is proving how wrong 268 00:12:22,399 --> 00:12:24,839 they all were and we've gone back to our 269 00:12:24,839 --> 00:12:27,720 manager on our hands and knees anyway I 270 00:12:27,720 --> 00:12:29,959 used to talk to kid about po b a lot and 271 00:12:29,959 --> 00:12:32,079 suddenly he came up with this idea he 272 00:12:32,079 --> 00:12:33,720 told us Keith is going to have a 273 00:12:33,720 --> 00:12:35,839 bullseye on his T-shirt Pete is going to 274 00:12:35,839 --> 00:12:38,959 wear badges all these were his ideas at 275 00:12:38,959 --> 00:12:40,600 the beginning it took a lot of guts to 276 00:12:40,600 --> 00:12:41,110 wear 277 00:12:41,110 --> 00:12:45,990 [Music] 278 00:12:45,990 --> 00:12:47,639 [Applause] 279 00:12:47,639 --> 00:12:50,959 them building on the groundwork of 1965 280 00:12:50,959 --> 00:12:53,320 with the British Invasion Bob Dylan's 281 00:12:53,320 --> 00:12:56,000 genre defying bringing it all back home 282 00:12:56,000 --> 00:12:59,199 and the Beatles Rubber Soul 1966 283 00:12:59,199 --> 00:13:01,320 shattered conventions across the musical 284 00:13:01,320 --> 00:13:03,639 Spectrum musicians abandoned the 285 00:13:03,639 --> 00:13:06,480 predictable pop formula embracing Bolder 286 00:13:06,480 --> 00:13:09,160 more experimental sounds that transform 287 00:13:09,160 --> 00:13:11,639 popular music The Beach Boys say they 288 00:13:11,639 --> 00:13:15,240 have evolved 800% beyond their 1965 hit 289 00:13:15,240 --> 00:13:18,320 barbaran Brian Wilson elaborates for 290 00:13:18,320 --> 00:13:20,360 myself I don't go out on the tours at 291 00:13:20,360 --> 00:13:22,720 all now I just work on production I've 292 00:13:22,720 --> 00:13:24,480 spent five months working on this new 293 00:13:24,480 --> 00:13:26,320 album and I think this album and the 294 00:13:26,320 --> 00:13:27,920 batch of new singles I've been working 295 00:13:27,920 --> 00:13:29,760 on well it's like I'm right in the 296 00:13:29,760 --> 00:13:32,040 golden eror of what it's all about it's 297 00:13:32,040 --> 00:13:34,360 all just coming out like breathing now I 298 00:13:34,360 --> 00:13:36,560 give it a lot of credit a lot of it for 299 00:13:36,560 --> 00:13:38,839 everybody's success to The Beatles 300 00:13:38,839 --> 00:13:40,920 they've had a tremendous Universal 301 00:13:40,920 --> 00:13:43,560 influence that Rubber Soul album was a 302 00:13:43,560 --> 00:13:45,639 great new contribution it helped them 303 00:13:45,639 --> 00:13:48,120 Reach a new Plateau the birds well they 304 00:13:48,120 --> 00:13:50,480 represent a certain projected attitude 305 00:13:50,480 --> 00:13:52,600 they've got a place too no doubt of that 306 00:13:52,600 --> 00:13:54,680 I give Phil Spectre credit for being the 307 00:13:54,680 --> 00:13:57,120 single most influential producer he's 308 00:13:57,120 --> 00:13:59,079 Timeless he makes a milestone when 309 00:13:59,079 --> 00:14:02,160 whenever he goes into a 310 00:14:03,170 --> 00:14:05,920 [Music] 311 00:14:05,920 --> 00:14:08,759 studio Bob Dylan announces his upcoming 312 00:14:08,759 --> 00:14:10,800 tour of England in May which will prove 313 00:14:10,800 --> 00:14:13,079 to be a legendary contentious moment 314 00:14:13,079 --> 00:14:17,079 between artists and audience April 1966 315 00:14:17,079 --> 00:14:20,320 SE sh's bang bang my baby shot me down 316 00:14:20,320 --> 00:14:22,639 rising up the charts along with Johnny 317 00:14:22,639 --> 00:14:25,160 Rivers Secret Agent Man and The 318 00:14:25,160 --> 00:14:29,839 Outsiders time won't let me 319 00:14:31,279 --> 00:14:35,480 he given you a number I had taken away 320 00:14:35,480 --> 00:14:36,310 your 321 00:14:36,310 --> 00:14:43,000 [Music] 322 00:14:43,000 --> 00:14:45,839 name MC Jagger gives an insightful 323 00:14:45,839 --> 00:14:47,839 interview to Melody Maker And the 324 00:14:47,839 --> 00:14:49,839 reporter is surprised by Jagger's 325 00:14:49,839 --> 00:14:52,360 cheerfulness and sense of humor after 326 00:14:52,360 --> 00:14:54,560 all the Jagger bashing that has taken 327 00:14:54,560 --> 00:14:58,519 place Mick says of the 1966 music scene 328 00:14:58,519 --> 00:15:00,800 let's start with England The Beatles I 329 00:15:00,800 --> 00:15:02,759 think they are most creative songwriters 330 00:15:02,759 --> 00:15:05,040 and performers not only do they create 331 00:15:05,040 --> 00:15:07,040 material for themselves they practically 332 00:15:07,040 --> 00:15:09,560 throw song ideas away for others maybe 333 00:15:09,560 --> 00:15:11,600 they're not valid as the Yard Birds 334 00:15:11,600 --> 00:15:13,560 would say but the way they use their 335 00:15:13,560 --> 00:15:16,680 ideas is fantastic think of You've Got 336 00:15:16,680 --> 00:15:18,680 to Hide Your Love Away and Michelle and 337 00:15:18,680 --> 00:15:20,920 the way they threw them away on LPS 338 00:15:20,920 --> 00:15:22,800 that's confidence something we have 339 00:15:22,800 --> 00:15:25,399 always lacked I think the who are really 340 00:15:25,399 --> 00:15:27,920 creative actually generation showed just 341 00:15:27,920 --> 00:15:30,160 how fast things move there were lots of 342 00:15:30,160 --> 00:15:31,880 delays and when they finally brought it 343 00:15:31,880 --> 00:15:34,639 out it was a little bit P lyric wise 344 00:15:34,639 --> 00:15:37,199 there's certainly no death of Pop ideas 345 00:15:37,199 --> 00:15:39,160 but what I admire about the whole thing 346 00:15:39,160 --> 00:15:41,519 is that ideas and influences are coming 347 00:15:41,519 --> 00:15:43,920 from people who started out as amateurs 348 00:15:43,920 --> 00:15:45,720 they've done the best they can and with 349 00:15:45,720 --> 00:15:47,759 the talent they have and ended up being 350 00:15:47,759 --> 00:15:51,580 recognized as the most talented and 351 00:15:51,580 --> 00:15:54,649 [Music] 352 00:15:56,639 --> 00:15:59,279 professional Lulu drops out of her tour 353 00:15:59,279 --> 00:16:01,600 with Roy Orbison and the Walker Brothers 354 00:16:01,600 --> 00:16:04,519 due to a bad case of laryngitis The 355 00:16:04,519 --> 00:16:07,440 Young Rascals good loving the Beach Boys 356 00:16:07,440 --> 00:16:10,240 Sloop John B and Monday Monday by The 357 00:16:10,240 --> 00:16:12,839 Mamas and the Papas our fast CH climbers 358 00:16:12,839 --> 00:16:14,750 coming out of the 359 00:16:14,750 --> 00:16:19,350 [Music] 360 00:16:20,240 --> 00:16:23,240 US well 361 00:16:23,240 --> 00:16:28,560 broke I want to go home 362 00:16:31,360 --> 00:16:35,160 Mond Monday these releases illustrated 363 00:16:35,160 --> 00:16:38,720 The Incredible diversity of 1966's Music 364 00:16:38,720 --> 00:16:40,920 setting the tone for a transformative 365 00:16:40,920 --> 00:16:43,160 year 366 00:16:44,560 --> 00:16:48,600 ahead in May 1966 the music landscape 367 00:16:48,600 --> 00:16:50,920 was vibrant with groundbreaking releases 368 00:16:50,920 --> 00:16:52,800 and significant events that shaped the 369 00:16:52,800 --> 00:16:55,279 era sound The Beach Boys unveiled their 370 00:16:55,279 --> 00:16:58,440 seminal album Pet Sounds this Innovative 371 00:16:58,440 --> 00:17:00,720 record featuring tracks like wouldn't it 372 00:17:00,720 --> 00:17:03,560 be nice and God Only Knows showcase 373 00:17:03,560 --> 00:17:05,600 complex arrangements and introspective 374 00:17:05,600 --> 00:17:09,530 lyrics elevating pop music's artistic 375 00:17:09,530 --> 00:17:13,520 [Music] 376 00:17:13,520 --> 00:17:16,000 aspirations psychedelic influences 377 00:17:16,000 --> 00:17:18,079 emerged signaling a shift toward 378 00:17:18,079 --> 00:17:20,720 introspection and experimentation with 379 00:17:20,720 --> 00:17:23,360 Studios becoming tools of innovation 380 00:17:23,360 --> 00:17:25,039 albums showcase groundbreaking 381 00:17:25,039 --> 00:17:27,240 production techniques while Soul music 382 00:17:27,240 --> 00:17:29,240 achieved greater emotional depth than 383 00:17:29,240 --> 00:17:32,280 cultural resonance unlike 1965's 384 00:17:32,280 --> 00:17:35,760 emphasis on catchy hits 1966 was defined 385 00:17:35,760 --> 00:17:38,320 by a Fearless challenge to musical Norms 386 00:17:38,320 --> 00:17:39,600 setting the stage for the 387 00:17:39,600 --> 00:17:41,610 countercultural revolution 388 00:17:41,610 --> 00:17:42,270 [Music] 389 00:17:42,270 --> 00:17:44,559 [Applause] 390 00:17:44,559 --> 00:17:46,799 emerging the Rolling Stones made a 391 00:17:46,799 --> 00:17:48,679 notable impact with the release of their 392 00:17:48,679 --> 00:17:51,200 single Paint It Black the song's 393 00:17:51,200 --> 00:17:53,679 distinctive use of the sitar played by 394 00:17:53,679 --> 00:17:56,200 Brian Jones and its dark enigmatic 395 00:17:56,200 --> 00:17:58,280 lyrics marked a departure from their 396 00:17:58,280 --> 00:18:00,840 earlier work work reflecting the era's 397 00:18:00,840 --> 00:18:04,250 experimentation with diverse musical 398 00:18:04,250 --> 00:18:10,559 [Music] 399 00:18:10,559 --> 00:18:12,960 influences The Beatles were in the midst 400 00:18:12,960 --> 00:18:15,000 of recording sessions for their album 401 00:18:15,000 --> 00:18:17,760 revolver in may they participated in 402 00:18:17,760 --> 00:18:20,600 interviews for BBC Radio programs 403 00:18:20,600 --> 00:18:22,360 discussing their evolving musical 404 00:18:22,360 --> 00:18:25,440 Direction and upcoming projects how far 405 00:18:25,440 --> 00:18:27,640 do you feel that your individual talents 406 00:18:27,640 --> 00:18:29,320 are dependent upon each other I mean are 407 00:18:29,320 --> 00:18:31,280 you sort of Gilbert and Sullivan or 408 00:18:31,280 --> 00:18:32,919 Rogers and Hammerstein do you do you 409 00:18:32,919 --> 00:18:35,400 need to work together as composers no 410 00:18:35,400 --> 00:18:38,320 not really but it helps a lot just on 411 00:18:38,320 --> 00:18:39,880 the old maximum of two mons or better 412 00:18:39,880 --> 00:18:42,440 than one yeah you get another point of 413 00:18:42,440 --> 00:18:45,360 view as well thing is because we we we 414 00:18:45,360 --> 00:18:49,200 can do them on our own but often uh one 415 00:18:49,200 --> 00:18:51,120 of us will just do a song and there'll 416 00:18:51,120 --> 00:18:53,360 be say one verse in it that's very bad 417 00:18:53,360 --> 00:18:56,520 or something and it's very corny or and 418 00:18:56,520 --> 00:18:58,200 if if I've written it then I'll sort of 419 00:18:58,200 --> 00:19:01,120 take it along and sing it to John and 420 00:19:01,120 --> 00:19:02,679 he'll say that verse is terrible and 421 00:19:02,679 --> 00:19:05,039 that verse is corny come in Mrs Higgins 422 00:19:05,039 --> 00:19:06,559 you still get so involved with something 423 00:19:06,559 --> 00:19:08,760 you finish it if you're on your own you 424 00:19:08,760 --> 00:19:10,799 haven't got the energy to go over it and 425 00:19:10,799 --> 00:19:13,400 of see you know if it really makes 426 00:19:13,400 --> 00:19:15,600 exactly what you want so if you sing it 427 00:19:15,600 --> 00:19:16,760 over to each other even if it's a 428 00:19:16,760 --> 00:19:18,919 finished song you know with almost the 429 00:19:18,919 --> 00:19:21,840 arrangement it's still sort of yes 430 00:19:21,840 --> 00:19:23,720 that's that's fine your milk John thank 431 00:19:23,720 --> 00:19:27,200 you Mrs thank you nice of you that Mrs 432 00:19:27,200 --> 00:19:29,360 arriving with three glasses of milk it's 433 00:19:29,360 --> 00:19:33,120 not even Mrs hiin either oh 434 00:19:34,440 --> 00:19:35,210 [Music] 435 00:19:35,210 --> 00:19:37,400 [Applause] 436 00:19:37,400 --> 00:19:40,600 well top of the pops and Ready Steady go 437 00:19:40,600 --> 00:19:42,799 featured performances by emerging and 438 00:19:42,799 --> 00:19:45,400 established acts reflecting the dynamic 439 00:19:45,400 --> 00:19:47,200 music 440 00:19:47,200 --> 00:19:49,840 scene the small faces for instance 441 00:19:49,840 --> 00:19:52,400 appeared on the BBC's Saturday club with 442 00:19:52,400 --> 00:19:54,559 Steve Marriott engaging in interviews 443 00:19:54,559 --> 00:19:56,720 that provided insights into the band's 444 00:19:56,720 --> 00:19:58,880 creative process 445 00:19:58,880 --> 00:20:00,400 okay an interesting scene and now what 446 00:20:00,400 --> 00:20:01,919 about your new single record is this one 447 00:20:01,919 --> 00:20:04,080 of your own compositions yeah yeah it 448 00:20:04,080 --> 00:20:06,120 was written in a hotel about 6:00 in the 449 00:20:06,120 --> 00:20:09,960 morning yeah it's C how you 450 00:20:15,440 --> 00:20:17,620 go winter 451 00:20:17,620 --> 00:20:20,720 [Music] 452 00:20:20,720 --> 00:20:24,520 day deep as May rolls in I am a rock by 453 00:20:24,520 --> 00:20:27,280 Simon and Garfunkle and When a Man Loves 454 00:20:27,280 --> 00:20:29,440 a Woman by Percy slay jar on heavy 455 00:20:29,440 --> 00:20:31,640 rotation on your record player at home 456 00:20:31,640 --> 00:20:34,520 on the transistor radio the trogs wild 457 00:20:34,520 --> 00:20:38,039 thing is getting a lot of radio 458 00:20:42,730 --> 00:20:54,159 [Music] 459 00:20:54,159 --> 00:20:57,799 play fashion in May 1966 mirrored the 460 00:20:57,799 --> 00:21:00,360 music scenes eclecticism the mod 461 00:21:00,360 --> 00:21:02,880 subculture remained influential with its 462 00:21:02,880 --> 00:21:06,290 emphasis on Sharp tailoring and bold 463 00:21:06,290 --> 00:21:11,400 [Music] 464 00:21:11,400 --> 00:21:15,120 patterns thinks he is a flower to be 465 00:21:15,120 --> 00:21:19,919 looked at so I want to be a Pap 466 00:21:19,919 --> 00:21:22,140 writer 467 00:21:22,140 --> 00:21:24,240 [Music] 468 00:21:24,240 --> 00:21:26,159 paper 469 00:21:26,159 --> 00:21:29,860 know without you 470 00:21:29,860 --> 00:21:37,640 [Music] 471 00:21:40,900 --> 00:21:44,029 [Music] 472 00:21:47,580 --> 00:21:54,520 [Music] 473 00:21:54,520 --> 00:21:56,360 and here is your host for this week's 474 00:21:56,360 --> 00:22:00,230 Halo Paul Anor 475 00:22:00,230 --> 00:22:04,999 [Music] 476 00:22:09,640 --> 00:22:11,559 our next guest was only 16 when she had 477 00:22:11,559 --> 00:22:13,679 her first big hit since then she's had a 478 00:22:13,679 --> 00:22:15,080 whole string of hits she's been named 479 00:22:15,080 --> 00:22:16,960 top female vocalist by three National 480 00:22:16,960 --> 00:22:19,480 musical Publications graduation from 481 00:22:19,480 --> 00:22:22,080 high school enters college and at 19 482 00:22:22,080 --> 00:22:24,080 she's become even prettier and more 483 00:22:24,080 --> 00:22:26,480 talented than when she started ladies 484 00:22:26,480 --> 00:22:29,360 and gentlemen Leslie Gore 485 00:22:29,360 --> 00:22:31,400 Paul Lanka hosts the final episode of 486 00:22:31,400 --> 00:22:34,000 Holo which features performances by 487 00:22:34,000 --> 00:22:38,559 Leslie Gore Peter and Gordon and the 488 00:22:39,080 --> 00:22:40,600 circle 489 00:22:40,600 --> 00:22:43,040 Shin red 490 00:22:43,040 --> 00:22:43,640 [Music] 491 00:22:43,640 --> 00:22:48,580 [Applause] 492 00:22:48,580 --> 00:22:55,960 [Music] 493 00:22:55,960 --> 00:22:58,720 rber you see my electric guitar never 494 00:22:58,720 --> 00:23:00,720 goes out of 495 00:23:00,720 --> 00:23:06,559 tune the audience was hostile from the 496 00:23:07,600 --> 00:23:10,240 get-go oh I love you 497 00:23:10,240 --> 00:23:14,200 huh yeah so wonderful huh Bob Dylan's 498 00:23:14,200 --> 00:23:16,960 1966 tour of England was a pivotal and 499 00:23:16,960 --> 00:23:19,480 polarizing moment in music history 500 00:23:19,480 --> 00:23:22,080 having left his folk Roots behind Dylan 501 00:23:22,080 --> 00:23:24,600 emerged as a boundary pushing rock star 502 00:23:24,600 --> 00:23:27,200 possessed by creativity a shift that 503 00:23:27,200 --> 00:23:29,320 many of his earliest fans found 504 00:23:29,320 --> 00:23:31,400 difficult to accept everybody knew that 505 00:23:31,400 --> 00:23:33,360 they came to see the Bob Dylan that they 506 00:23:33,360 --> 00:23:34,159 were 507 00:23:34,159 --> 00:23:36,960 expecting rock and roll was something 508 00:23:36,960 --> 00:23:39,440 that no one 509 00:23:39,440 --> 00:23:41,720 expected night after night he faced 510 00:23:41,720 --> 00:23:43,880 booze insults and even things being 511 00:23:43,880 --> 00:23:46,080 thrown at them from audiences unwilling 512 00:23:46,080 --> 00:23:48,279 to accept his departure from the leftist 513 00:23:48,279 --> 00:23:49,080 folk 514 00:23:49,080 --> 00:23:51,799 movement they had an attitude about 515 00:23:51,799 --> 00:23:54,840 America already that we were a bunch of 516 00:23:54,840 --> 00:23:56,799 fascist 517 00:23:56,799 --> 00:23:59,440 warmongers they opened the second half 518 00:23:59,440 --> 00:24:01,840 with the biggest American flag that Bob 519 00:24:01,840 --> 00:24:04,760 could find in Paris and the audience 520 00:24:04,760 --> 00:24:07,880 didn't get the joke at 521 00:24:09,679 --> 00:24:12,880 all unfazed Dylan performed with the 522 00:24:12,880 --> 00:24:15,000 largest American flag they could find as 523 00:24:15,000 --> 00:24:17,520 his backdrop drawing strength from the 524 00:24:17,520 --> 00:24:20,200 controversy far from deterring him the 525 00:24:20,200 --> 00:24:23,279 hostility fueled his creative fire there 526 00:24:23,279 --> 00:24:24,720 was a lot of 527 00:24:24,720 --> 00:24:27,039 booing I mean it was practically 528 00:24:27,039 --> 00:24:30,480 everywhere we went the audiences were 529 00:24:30,480 --> 00:24:33,840 hostile and the band responded to the 530 00:24:33,840 --> 00:24:35,720 hostility of the Audience by playing 531 00:24:35,720 --> 00:24:36,710 more 532 00:24:36,710 --> 00:24:38,520 [Music] 533 00:24:38,520 --> 00:24:42,279 aggressively walk in the 534 00:24:42,399 --> 00:24:45,080 room it all came to a head during his 535 00:24:45,080 --> 00:24:47,080 performance at the Manchester free trade 536 00:24:47,080 --> 00:24:49,000 Hall on May 17th 537 00:24:49,000 --> 00:24:51,559 1966 as Dylan took the stage for the 538 00:24:51,559 --> 00:24:53,520 second half of the show backed by the 539 00:24:53,520 --> 00:24:55,840 electrified sound of the Hawks later 540 00:24:55,840 --> 00:24:58,480 known as the band The Atmosphere group 541 00:24:58,480 --> 00:25:01,200 increasingly charged folk purist in the 542 00:25:01,200 --> 00:25:03,120 crowd wanted Dylan's acoustic set to 543 00:25:03,120 --> 00:25:05,159 carry through the entire evening when he 544 00:25:05,159 --> 00:25:06,760 plugged in his electric guitar and 545 00:25:06,760 --> 00:25:08,919 launched into a blistering rendition of 546 00:25:08,919 --> 00:25:11,760 tell me Mama the audience's disapproval 547 00:25:11,760 --> 00:25:14,399 became evident scattered booze cheers 548 00:25:14,399 --> 00:25:17,279 and heckles punctuated his performance a 549 00:25:17,279 --> 00:25:19,279 stark contrast to the reverence he had 550 00:25:19,279 --> 00:25:22,559 once commanded 551 00:25:26,510 --> 00:25:42,720 [Music] 552 00:25:42,720 --> 00:25:45,520 you walk into the 553 00:25:45,520 --> 00:25:49,360 room with your pencil in your 554 00:25:49,360 --> 00:25:53,320 hand you see somebody 555 00:25:54,240 --> 00:25:57,880 naked that man the climactic moment came 556 00:25:57,880 --> 00:26:00,440 when a disillusion fan yelled Judas from 557 00:26:00,440 --> 00:26:03,760 the audience as Dylan appeared on stage 558 00:26:03,760 --> 00:26:06,559 right straight from the 559 00:26:12,200 --> 00:26:15,440 grave Dylan's response was as defiant as 560 00:26:15,440 --> 00:26:18,320 it was legendary the moment encapsulated 561 00:26:18,320 --> 00:26:20,320 Dylan's refusal to conform to 562 00:26:20,320 --> 00:26:23,000 expectations solidifying his position as 563 00:26:23,000 --> 00:26:25,320 an artist willing to push boundaries no 564 00:26:25,320 --> 00:26:28,760 matter the cost 565 00:26:29,000 --> 00:26:31,020 I don't believe 566 00:26:31,020 --> 00:26:34,810 [Applause] 567 00:26:34,810 --> 00:26:36,300 [Music] 568 00:26:36,300 --> 00:26:39,080 [Applause] 569 00:26:39,080 --> 00:26:41,690 you you're a 570 00:26:41,690 --> 00:26:45,009 [Music] 571 00:26:48,279 --> 00:26:51,080 liar the infamous tour is now celebrated 572 00:26:51,080 --> 00:26:53,240 as a testament to Dylan's unwavering 573 00:26:53,240 --> 00:26:56,880 commitment to authenticity 574 00:26:58,990 --> 00:27:02,039 [Music] 575 00:27:02,039 --> 00:27:04,799 the audience reaction that was 576 00:27:04,799 --> 00:27:07,039 mystifying to everybody it was 577 00:27:07,039 --> 00:27:09,799 mystifying to me I can remember like why 578 00:27:09,799 --> 00:27:12,159 doesn't everybody think this stuff is as 579 00:27:12,159 --> 00:27:14,799 great as I 580 00:27:21,600 --> 00:27:24,320 do that 581 00:27:24,320 --> 00:27:28,799 coner my mind 582 00:27:30,080 --> 00:27:34,039 touring all over North 583 00:27:34,039 --> 00:27:36,760 America all over 584 00:27:36,760 --> 00:27:39,399 Australia all over 585 00:27:39,399 --> 00:27:44,159 Europe and every night just about every 586 00:27:44,159 --> 00:27:48,519 place we played people threw stuff at 587 00:27:48,519 --> 00:27:53,039 us booed us and sometimes charge the 588 00:27:53,039 --> 00:27:55,320 stage finally lots of people were 589 00:27:55,320 --> 00:27:57,080 telling Bob you got to get rid of these 590 00:27:57,080 --> 00:27:59,760 guys they're ruining the music get rid 591 00:27:59,760 --> 00:28:02,399 of them we love you blah blah all this 592 00:28:02,399 --> 00:28:06,760 stuff he never budged he never took a 593 00:28:06,760 --> 00:28:10,720 step back so anyway on another night in 594 00:28:10,720 --> 00:28:12,679 the tour we're listening to the show 595 00:28:12,679 --> 00:28:16,519 back you know just trying to filter it 596 00:28:16,519 --> 00:28:20,320 think also like how can everybody be so 597 00:28:20,320 --> 00:28:24,480 against this how can that be and we were 598 00:28:24,480 --> 00:28:25,919 listening to the 599 00:28:25,919 --> 00:28:28,559 show and I said to the other other guys 600 00:28:28,559 --> 00:28:33,480 in the Hawks and I said to Bob they're 601 00:28:33,480 --> 00:28:38,960 wrong the world is wrong this is really 602 00:28:38,960 --> 00:28:44,000 good and and and at this point things 603 00:28:44,000 --> 00:28:48,440 turned and we started playing like in 604 00:28:48,440 --> 00:28:52,760 your face we started playing louder 605 00:28:52,760 --> 00:28:56,480 harder Bolder and and kind of just 606 00:28:56,480 --> 00:29:00,679 preaching our sermon of music and people 607 00:29:00,679 --> 00:29:03,679 were like what's wrong with these guys 608 00:29:03,679 --> 00:29:06,240 why do they keep insisting on doing this 609 00:29:06,240 --> 00:29:09,559 so there was this this back and forth 610 00:29:09,559 --> 00:29:11,120 thing going 611 00:29:11,120 --> 00:29:15,399 on and somewhere inside you have to 612 00:29:15,399 --> 00:29:18,720 believe in what you're doing and we 613 00:29:18,720 --> 00:29:21,640 actually thought what we were doing was 614 00:29:21,640 --> 00:29:25,600 really good and that everybody was wrong 615 00:29:25,600 --> 00:29:29,880 and in time the world came around and we 616 00:29:29,880 --> 00:29:33,760 didn't change enough June 1966 was alive 617 00:29:33,760 --> 00:29:36,360 with creativity and experimentation the 618 00:29:36,360 --> 00:29:38,399 Rolling Stones released their album 619 00:29:38,399 --> 00:29:40,919 aftermath solidifying their reputation 620 00:29:40,919 --> 00:29:44,120 as rock provocators songs like pain it 621 00:29:44,120 --> 00:29:46,279 black and under my thumb showcased the 622 00:29:46,279 --> 00:29:48,840 band's darker more experimental side 623 00:29:48,840 --> 00:29:50,880 with Brian Jones incorporating unique 624 00:29:50,880 --> 00:29:53,600 instruments like the citar and marimba 625 00:29:53,600 --> 00:29:55,679 the album reflected a growing maturity 626 00:29:55,679 --> 00:29:58,080 in their songwriting tackling themes of 627 00:29:58,080 --> 00:30:02,919 alienation power dynamics and societal 628 00:30:06,760 --> 00:30:09,120 pressure The Kinks were making waves 629 00:30:09,120 --> 00:30:11,720 with their hit single sunny afternoon a 630 00:30:11,720 --> 00:30:14,039 tongue and cheek commentary on class and 631 00:30:14,039 --> 00:30:16,679 Taxation which was released in June and 632 00:30:16,679 --> 00:30:19,670 quickly became a summer 633 00:30:19,670 --> 00:30:23,969 [Music] 634 00:30:24,600 --> 00:30:28,000 Anthem in literature Jacqueline suzan's 635 00:30:28,000 --> 00:30:30,279 novel Valley of the Dolls dominated 636 00:30:30,279 --> 00:30:32,919 bestseller list offering a provocative 637 00:30:32,919 --> 00:30:35,679 look at Fame and its pitfalls resonating 638 00:30:35,679 --> 00:30:37,799 deeply with readers captivated by the 639 00:30:37,799 --> 00:30:39,760 Glamour and Chaos of the 640 00:30:39,760 --> 00:30:42,559 1960s in swinging London the cultural 641 00:30:42,559 --> 00:30:45,080 transformation is in full swing women 642 00:30:45,080 --> 00:30:47,320 are sporting Mary Quan's shift dresses 643 00:30:47,320 --> 00:30:49,559 and Minik skirts Barbara holen Nikki's 644 00:30:49,559 --> 00:30:51,720 BBA Boutique and Mary Quan's bizarre 645 00:30:51,720 --> 00:30:53,600 Boutique are selling out of their latest 646 00:30:53,600 --> 00:30:55,840 designs as soon as they hit the racks 647 00:30:55,840 --> 00:30:57,679 the creativity coming out of London is 648 00:30:57,679 --> 00:31:00,399 taking the World by store it is felt in 649 00:31:00,399 --> 00:31:02,919 the music the fashion and culture from 650 00:31:02,919 --> 00:31:05,519 Europe to North America from music and 651 00:31:05,519 --> 00:31:07,919 literature to science and fashion it was 652 00:31:07,919 --> 00:31:09,960 a time when the world seemed poised on 653 00:31:09,960 --> 00:31:12,519 the edge of Endless Possibilities The 654 00:31:12,519 --> 00:31:14,760 Beatles continued to tease their highly 655 00:31:14,760 --> 00:31:17,679 anticipated revolver album with singles 656 00:31:17,679 --> 00:31:20,000 like Paperback Writer and its innovative 657 00:31:20,000 --> 00:31:22,880 bside rain both climbing the charts in 658 00:31:22,880 --> 00:31:25,880 June 659 00:31:29,039 --> 00:31:31,480 meanwhile mtown kept summer vibrant with 660 00:31:31,480 --> 00:31:33,600 tracks like Ain't Too Proud to Beg by 661 00:31:33,600 --> 00:31:36,279 the Temptations and You Can't Hurry Love 662 00:31:36,279 --> 00:31:39,000 by The Supremes both destined to become 663 00:31:39,000 --> 00:31:40,380 Timeless 664 00:31:40,380 --> 00:31:49,919 [Music] 665 00:31:49,919 --> 00:31:52,559 Classics Ready Steady go feature 666 00:31:52,559 --> 00:31:54,960 performances by Dusty Springfield who 667 00:31:54,960 --> 00:31:57,200 mesmerized the audience with her Soulful 668 00:31:57,200 --> 00:31:59,600 vocals The Kinks also appeared 669 00:31:59,600 --> 00:32:01,559 performing their latest hit sunny 670 00:32:01,559 --> 00:32:03,720 afternoon a song that captured the 671 00:32:03,720 --> 00:32:06,679 summer spirit while cising an aristocrat 672 00:32:06,679 --> 00:32:09,279 and the British tax system they also 673 00:32:09,279 --> 00:32:13,150 performed the not yet relased song Dandy 674 00:32:13,150 --> 00:32:25,110 [Applause] 675 00:32:25,110 --> 00:32:32,499 [Music] 676 00:32:36,170 --> 00:32:39,919 [Music] 677 00:32:39,919 --> 00:32:42,120 live music was thriving across London 678 00:32:42,120 --> 00:32:43,960 with venues like the Marquee and the 679 00:32:43,960 --> 00:32:46,919 flamingo the Spencer Davis Group led by 680 00:32:46,919 --> 00:32:49,360 the 17-year-old Steve Winwood brought 681 00:32:49,360 --> 00:32:51,960 their bluesy sound to packed 682 00:32:51,960 --> 00:32:56,919 houses I'm going to be the 683 00:32:57,000 --> 00:32:58,600 [Music] 684 00:32:58,600 --> 00:33:00,600 while John M and the Blues Breakers 685 00:33:00,600 --> 00:33:02,919 introduced audiences to Eric Clapton's 686 00:33:02,919 --> 00:33:05,440 fiery guitar playing The Moody Blues 687 00:33:05,440 --> 00:33:07,600 were captivating crowds with their blend 688 00:33:07,600 --> 00:33:09,290 of rock and 689 00:33:09,290 --> 00:33:12,349 [Music] 690 00:33:13,320 --> 00:33:16,279 R&B I'm you right 691 00:33:16,279 --> 00:33:19,519 now that July John May and the Blues 692 00:33:19,519 --> 00:33:21,600 Breakers released their album Blues 693 00:33:21,600 --> 00:33:23,519 Breakers it proved to be the 694 00:33:23,519 --> 00:33:25,399 Breakthrough that Mayo was seeking 695 00:33:25,399 --> 00:33:27,760 landing at number six on the UK album 696 00:33:27,760 --> 00:33:30,240 Alum charts in its first week musically 697 00:33:30,240 --> 00:33:32,360 it captured a short magical moment in 698 00:33:32,360 --> 00:33:35,039 time one that could never be repeated 699 00:33:35,039 --> 00:33:37,120 before Blues Breakers even hit record 700 00:33:37,120 --> 00:33:39,519 stores Clapton had already quit the band 701 00:33:39,519 --> 00:33:41,919 to form cream with Ginger Baker and Jack 702 00:33:41,919 --> 00:33:44,399 Bruce Peter Green who formed Fleetwood 703 00:33:44,399 --> 00:33:46,639 Mac a year later stepped in as his 704 00:33:46,639 --> 00:33:49,380 worthy replacement 705 00:33:49,380 --> 00:33:51,750 [Music] 706 00:33:51,750 --> 00:33:52,840 [Applause] 707 00:33:52,840 --> 00:34:02,679 [Music] 708 00:34:02,679 --> 00:34:04,240 The Beatles released their highly 709 00:34:04,240 --> 00:34:06,919 anticipated single Elanor Rigby yellow 710 00:34:06,919 --> 00:34:09,839 submarine a double aide showcasing their 711 00:34:09,839 --> 00:34:12,919 growing artistic range Eleanor Rigby 712 00:34:12,919 --> 00:34:15,000 with its haunting string Arrangement was 713 00:34:15,000 --> 00:34:17,560 a bold departure from traditional pop 714 00:34:17,560 --> 00:34:19,280 while Yellow Submarine offered a 715 00:34:19,280 --> 00:34:21,720 Whimsical singalong 716 00:34:21,720 --> 00:34:23,399 charm 717 00:34:23,399 --> 00:34:28,079 all do they all 718 00:34:28,079 --> 00:34:29,599 where I was 719 00:34:29,599 --> 00:34:30,760 born 720 00:34:30,760 --> 00:34:32,079 [Music] 721 00:34:32,079 --> 00:34:34,720 Liv meanwhile the Rolling Stones 722 00:34:34,720 --> 00:34:36,320 Mother's Little Helper climbed the 723 00:34:36,320 --> 00:34:38,839 charts addressing Suburban anxieties 724 00:34:38,839 --> 00:34:42,720 with biting wit and a driving 725 00:34:44,080 --> 00:34:45,480 [Music] 726 00:34:45,480 --> 00:34:47,599 Melody 727 00:34:47,599 --> 00:34:49,879 C the birds released their 728 00:34:49,879 --> 00:34:52,359 groundbreaking album Fifth Dimension 729 00:34:52,359 --> 00:34:53,960 introducing a blend of folk and 730 00:34:53,960 --> 00:34:56,320 psychedelia with tracks like 8 Miles 731 00:34:56,320 --> 00:34:58,640 High pushing lyric and musical 732 00:34:58,640 --> 00:35:00,680 boundaries to capture the Consciousness 733 00:35:00,680 --> 00:35:04,200 expanding ethos of the 734 00:35:05,400 --> 00:35:08,280 era 735 00:35:08,280 --> 00:35:11,240 Str summer anthems on heavy radio 736 00:35:11,240 --> 00:35:13,520 rotation include summer in the city by 737 00:35:13,520 --> 00:35:16,240 the love and Spoonful Sunshine Superman 738 00:35:16,240 --> 00:35:20,359 by Donovan and bus stop by the 739 00:35:22,640 --> 00:35:28,200 holes but it's world and just have a 740 00:35:28,200 --> 00:35:30,320 little 741 00:35:30,320 --> 00:35:34,079 scene when I say be 742 00:35:34,079 --> 00:35:37,079 cool 743 00:35:38,010 --> 00:35:39,440 [Music] 744 00:35:39,440 --> 00:35:41,560 see do you think you're a mod do you 745 00:35:41,560 --> 00:35:44,240 know what a mod is 746 00:35:44,720 --> 00:35:48,440 ring no I'm not a mod or a rocker you're 747 00:35:48,440 --> 00:35:50,920 nothing no no I'm a mocker These Boots 748 00:35:50,920 --> 00:35:52,200 are 749 00:35:52,200 --> 00:35:54,720 Made the mod aesthetic reached New 750 00:35:54,720 --> 00:35:56,640 Heights with mini skirts becoming 751 00:35:56,640 --> 00:35:59,280 shorter color more vibrant and prints 752 00:35:59,280 --> 00:36:01,839 more daring Space Age influences 753 00:36:01,839 --> 00:36:04,119 continued to dominate with metallic 754 00:36:04,119 --> 00:36:06,280 fabrics and geometric designs making 755 00:36:06,280 --> 00:36:08,079 their way into boutiques on carnaby 756 00:36:08,079 --> 00:36:10,800 Street White goo boots and oversized 757 00:36:10,800 --> 00:36:13,280 sunglasses were the musthave accessories 758 00:36:13,280 --> 00:36:16,400 epitomizing the era's futuristic Chic 759 00:36:16,400 --> 00:36:18,720 the influence of op art and pop art 760 00:36:18,720 --> 00:36:20,400 could have been seen in everything from 761 00:36:20,400 --> 00:36:23,079 clothing to album covers mirroring the 762 00:36:23,079 --> 00:36:25,440 vibrant and transformative energy of the 763 00:36:25,440 --> 00:36:29,560 time summer 196 6 also saw the emergence 764 00:36:29,560 --> 00:36:31,720 of songs and films that challenge the 765 00:36:31,720 --> 00:36:35,000 status quo Bob Dylan's blondon blonde 766 00:36:35,000 --> 00:36:37,720 album is undefinable with its layered 767 00:36:37,720 --> 00:36:40,359 poetic lyrics and Innovative sound 768 00:36:40,359 --> 00:36:43,119 influencing countless artists the songs 769 00:36:43,119 --> 00:36:46,760 sound like nothing before or since Stone 770 00:36:46,760 --> 00:36:50,280 you you're to be so 771 00:36:50,280 --> 00:36:53,280 good 772 00:36:54,319 --> 00:36:57,000 Stone that's me and my Tibetan Book of 773 00:36:57,000 --> 00:36:58,680 the Dead per 774 00:36:58,680 --> 00:37:03,800 [Music] 775 00:37:04,720 --> 00:37:07,079 we're having more fun in the studio from 776 00:37:07,079 --> 00:37:09,240 revolver Rubber Soul as it was building 777 00:37:09,240 --> 00:37:11,920 up was getting more experimental I think 778 00:37:11,920 --> 00:37:14,440 I was composing more it was good it felt 779 00:37:14,440 --> 00:37:16,040 nice The Beatles continued pushing 780 00:37:16,040 --> 00:37:17,839 boundaries with the release of their 781 00:37:17,839 --> 00:37:20,400 album revolver in August with tracks 782 00:37:20,400 --> 00:37:23,200 like she said she said the song with its 783 00:37:23,200 --> 00:37:25,520 intricate rhythms and surreal lyrics 784 00:37:25,520 --> 00:37:27,720 showcased the band's Evolution into to a 785 00:37:27,720 --> 00:37:29,920 more Avent guard sound it is the 786 00:37:29,920 --> 00:37:32,119 beginning of their psychedelic period 787 00:37:32,119 --> 00:37:34,000 suddenly thought hey what does a record 788 00:37:34,000 --> 00:37:36,560 do it revolves great you know and it's 789 00:37:36,560 --> 00:37:38,440 so it was a revolver the release 790 00:37:38,440 --> 00:37:40,640 coincided with the Beatles final concert 791 00:37:40,640 --> 00:37:42,680 tour and the controversy surrounding 792 00:37:42,680 --> 00:37:44,560 John Lennon's remarked that the band had 793 00:37:44,560 --> 00:37:47,720 become more popular than Jesus if it 794 00:37:47,720 --> 00:37:50,200 said where more television is more 795 00:37:50,200 --> 00:37:52,280 popular than Jesus I might have got away 796 00:37:52,280 --> 00:37:53,520 with it happened to be talking to a 797 00:37:53,520 --> 00:37:56,359 friend I used the word Beatles as a 798 00:37:56,359 --> 00:37:58,119 remote thing not as what think as 799 00:37:58,119 --> 00:38:00,160 Beatles as those those other Beatles 800 00:38:00,160 --> 00:38:02,280 like other people see us I just said 801 00:38:02,280 --> 00:38:04,760 they are are having more more influence 802 00:38:04,760 --> 00:38:07,319 on kids and things than anything else 803 00:38:07,319 --> 00:38:09,720 including Jesus but I said it in that 804 00:38:09,720 --> 00:38:12,960 way which is the wrong way y y I wasn't 805 00:38:12,960 --> 00:38:14,440 knocking it or putting it down I was 806 00:38:14,440 --> 00:38:17,760 just saying it as a fact and it sort of 807 00:38:17,760 --> 00:38:20,160 it is true espe more for England than 808 00:38:20,160 --> 00:38:22,680 here you know I'm not saying that we're 809 00:38:22,680 --> 00:38:25,200 better or greater or comparing us with 810 00:38:25,200 --> 00:38:27,960 Jesus Christ as a person or God a thing 811 00:38:27,960 --> 00:38:30,200 or whatever it is you know I just said 812 00:38:30,200 --> 00:38:32,079 what I said and it was wrong or was 813 00:38:32,079 --> 00:38:34,200 taken wrong and now it's all 814 00:38:34,200 --> 00:38:37,320 [Music] 815 00:38:41,119 --> 00:38:44,240 list films like who's Afraid of Virginia 816 00:38:44,240 --> 00:38:46,560 wolf continued to spark conversations 817 00:38:46,560 --> 00:38:49,119 about societal Norms pushing boundaries 818 00:38:49,119 --> 00:38:52,440 in both content and style Science and 819 00:38:52,440 --> 00:38:54,560 Technology also saw significant 820 00:38:54,560 --> 00:38:56,839 developments NASA achieved the major 821 00:38:56,839 --> 00:38:59,200 milestone with the successful Landing of 822 00:38:59,200 --> 00:39:02,119 the surveyor one spacecraft on the moon 823 00:39:02,119 --> 00:39:04,280 this robotic Mission marked a critical 824 00:39:04,280 --> 00:39:06,520 step in the race toward man lunar 825 00:39:06,520 --> 00:39:08,319 exploration demonstrating the 826 00:39:08,319 --> 00:39:10,800 feasibility of soft Landings and Paving 827 00:39:10,800 --> 00:39:13,680 the way for the Apollo program meanwhile 828 00:39:13,680 --> 00:39:16,640 in the Soviet Union the Luna 10 Mission 829 00:39:16,640 --> 00:39:18,480 which had orbited the moon earlier in 830 00:39:18,480 --> 00:39:20,760 the year continued to transmit valuable 831 00:39:20,760 --> 00:39:23,079 data back to Earth intensifying the 832 00:39:23,079 --> 00:39:25,400 Space 833 00:39:25,599 --> 00:39:28,720 Race the summer of 1966 was a 834 00:39:28,720 --> 00:39:31,720 transformative season a time when music 835 00:39:31,720 --> 00:39:34,000 fashion and science converged to shape a 836 00:39:34,000 --> 00:39:36,200 cultural moment that would resonate for 837 00:39:36,200 --> 00:39:38,440 decades from the Innovative tracks 838 00:39:38,440 --> 00:39:40,200 climbing the charts to groundbreaking 839 00:39:40,200 --> 00:39:42,160 space missions the summer was a 840 00:39:42,160 --> 00:39:44,160 testament to the endless possibilities 841 00:39:44,160 --> 00:39:47,680 of human creativity and 842 00:39:49,000 --> 00:39:50,960 vision good evening ladies and gentlemen 843 00:39:50,960 --> 00:39:52,920 and Views are spontaneous and 844 00:39:52,920 --> 00:39:56,160 unrehearsed anyway uh about 53 the girls 845 00:39:56,160 --> 00:39:58,200 like that size or what you know you have 846 00:39:58,200 --> 00:40:02,560 trouble adjusting 5 in Boots I'm 53 yeah 847 00:40:02,560 --> 00:40:04,400 uh no I don't get have trouble adjusting 848 00:40:04,400 --> 00:40:06,760 I kind of like tall girls yeah uh it's 849 00:40:06,760 --> 00:40:08,680 kind of groovy but I didn't ask you that 850 00:40:08,680 --> 00:40:10,640 Davy I asked you whether or not they 851 00:40:10,640 --> 00:40:12,720 like 852 00:40:12,720 --> 00:40:15,119 you Mike let me ask you something you 853 00:40:15,119 --> 00:40:16,720 think you can play another part a part 854 00:40:16,720 --> 00:40:17,920 of another guy what is that what do you 855 00:40:17,920 --> 00:40:19,839 want me to be strong and Silent yeah be 856 00:40:19,839 --> 00:40:20,880 strong and 857 00:40:20,880 --> 00:40:24,359 Silent hey well wellhe I'll be a 858 00:40:24,359 --> 00:40:27,040 girl Mike did the same thing well I mean 859 00:40:27,040 --> 00:40:29,760 that's your hang up man not I mean I 860 00:40:29,760 --> 00:40:31,760 know where it at I can't make decisions 861 00:40:31,760 --> 00:40:33,400 now it's the truth now see these guys 862 00:40:33,400 --> 00:40:35,160 have boots on you know and like I didn't 863 00:40:35,160 --> 00:40:36,760 know I was told to dress casual so I 864 00:40:36,760 --> 00:40:38,079 came in a plaid shirt and my Surfer 865 00:40:38,079 --> 00:40:39,880 tennies you know and my blue La eyes and 866 00:40:39,880 --> 00:40:41,160 then these guys have Beetle stuff on you 867 00:40:41,160 --> 00:40:44,359 know with personal elephant boy it's 868 00:40:44,359 --> 00:40:47,040 funny he's been asking about you too 869 00:40:47,040 --> 00:40:50,079 truly why why do you want to be a 870 00:40:50,079 --> 00:40:52,640 monkey well it's my natural 871 00:40:52,640 --> 00:40:54,480 inheritance I mean 872 00:40:54,480 --> 00:40:58,480 that's life in sept M the television 873 00:40:58,480 --> 00:41:01,119 show The Monkeys debuted on NBC 874 00:41:01,119 --> 00:41:04,040 replacing the Holo time slot fantastic 875 00:41:04,040 --> 00:41:06,400 show for you that over the past two 876 00:41:06,400 --> 00:41:08,280 years now introduced many great stars 877 00:41:08,280 --> 00:41:10,440 but tonight I think we have the greatest 878 00:41:10,440 --> 00:41:11,800 first of all a man who made one of the 879 00:41:11,800 --> 00:41:14,400 most exciting records of the Year Chris 880 00:41:14,400 --> 00:41:16,839 farow and just returned from America 881 00:41:16,839 --> 00:41:18,680 making his very first s appearance since 882 00:41:18,680 --> 00:41:20,680 he left the animals we've got Eric 883 00:41:20,680 --> 00:41:22,640 Burton and throughout the entire show 884 00:41:22,640 --> 00:41:24,119 we're going to have America's greatest 885 00:41:24,119 --> 00:41:26,800 rhythm and blues band last the star of 886 00:41:26,800 --> 00:41:28,599 our show with so many hits we just 887 00:41:28,599 --> 00:41:30,000 didn't know what to start with so we 888 00:41:30,000 --> 00:41:32,319 decided on satisfaction and here is the 889 00:41:32,319 --> 00:41:35,680 great the one and only Mr 890 00:41:35,680 --> 00:41:38,800 spring Ready Steady go aired a live show 891 00:41:38,800 --> 00:41:40,599 by Otis reading performing some of the 892 00:41:40,599 --> 00:41:42,880 most popular songs of the era and is 893 00:41:42,880 --> 00:41:46,180 joined by Eric buron and Chris 894 00:41:46,180 --> 00:41:54,809 [Music] 895 00:41:55,520 --> 00:41:58,200 farlo we got the 896 00:41:58,200 --> 00:42:00,440 right now kids we like to get together 897 00:42:00,440 --> 00:42:03,640 and introduce to you a really great guy 898 00:42:03,640 --> 00:42:05,160 a good friend of mine and a good friend 899 00:42:05,160 --> 00:42:08,400 of yours to sing hold on I'm coming Mr 900 00:42:08,400 --> 00:42:11,000 Eric 901 00:42:11,480 --> 00:42:14,760 Barton hold 902 00:42:15,060 --> 00:42:18,680 [Music] 903 00:42:18,680 --> 00:42:21,839 on As the World continued to change the 904 00:42:21,839 --> 00:42:24,160 Arts began addressing deeper societal 905 00:42:24,160 --> 00:42:26,599 issues Bob Dylan recuperating from his 906 00:42:26,599 --> 00:42:29,160 motorcycle accident remained a dominant 907 00:42:29,160 --> 00:42:31,400 cultural figure despite his absence from 908 00:42:31,400 --> 00:42:34,160 the stage in October 909 00:42:34,160 --> 00:42:37,000 1966 The Who pre-recorded a whole 910 00:42:37,000 --> 00:42:39,880 16-minute slot for Ready Steady go they 911 00:42:39,880 --> 00:42:42,119 M to Batman with an appearance of the 912 00:42:42,119 --> 00:42:44,760 cape Crusader himself this was followed 913 00:42:44,760 --> 00:42:47,400 by I'm a boy disguises and their 914 00:42:47,400 --> 00:42:50,480 showstopper My Generation The Beach Boys 915 00:42:50,480 --> 00:42:52,280 released their groundbreaking single 916 00:42:52,280 --> 00:42:55,079 Good Vibrations a song that redefined 917 00:42:55,079 --> 00:42:57,800 what pop music could be Brian Wilson's 918 00:42:57,800 --> 00:43:00,319 pocket Symphony combined Lush harmonies 919 00:43:00,319 --> 00:43:02,240 unconventional instruments like the 920 00:43:02,240 --> 00:43:05,319 theramin and a kaleidoscopic structure 921 00:43:05,319 --> 00:43:07,599 that perfectly encapsulated the emerging 922 00:43:07,599 --> 00:43:10,000 psychedelic movement it was a technical 923 00:43:10,000 --> 00:43:12,520 Marvel taking months to record and its 924 00:43:12,520 --> 00:43:15,119 release marked a high point in the 1960s 925 00:43:15,119 --> 00:43:17,000 experimentation let's hit real hard on 926 00:43:17,000 --> 00:43:18,599 that very last day flat after we were 927 00:43:18,599 --> 00:43:19,570 Ted a 928 00:43:19,570 --> 00:43:21,720 [Music] 929 00:43:21,720 --> 00:43:24,880 second are we ready let's go she's 930 00:43:24,880 --> 00:43:28,580 giving me the extion 931 00:43:28,580 --> 00:43:31,119 [Music] 932 00:43:31,119 --> 00:43:33,160 the Jimmy Hendrick experience made their 933 00:43:33,160 --> 00:43:35,440 debut live performance in Paris on 934 00:43:35,440 --> 00:43:37,079 October 13th 935 00:43:37,079 --> 00:43:39,800 1966 Hendrick's raw talent and 936 00:43:39,800 --> 00:43:41,599 electrifying stage presence were 937 00:43:41,599 --> 00:43:43,880 immediately apparent setting the stage 938 00:43:43,880 --> 00:43:46,200 for his rapid Ascent to rock legend 939 00:43:46,200 --> 00:43:49,119 status songs like Hey Joe which the band 940 00:43:49,119 --> 00:43:51,359 began performing during this time hinted 941 00:43:51,359 --> 00:43:53,839 at the Revolutionary blend of blues rock 942 00:43:53,839 --> 00:43:56,240 and psychedelia that would soon dominate 943 00:43:56,240 --> 00:43:57,250 the scene 944 00:43:57,250 --> 00:44:03,760 [Music] 945 00:44:03,760 --> 00:44:06,359 in November the monkeys performed Last 946 00:44:06,359 --> 00:44:08,880 Train to Clarksville their debut single 947 00:44:08,880 --> 00:44:11,160 that had rapidly climbed the charts the 948 00:44:11,160 --> 00:44:13,559 monkey combination of catchy pop tunes 949 00:44:13,559 --> 00:44:15,480 and humor captured the hearts of younger 950 00:44:15,480 --> 00:44:19,559 fans making them a cultural 951 00:44:23,760 --> 00:44:26,319 phenomenon the an solivan show continued 952 00:44:26,319 --> 00:44:27,760 to bring music and the living rooms 953 00:44:27,760 --> 00:44:30,440 Across the Nation in December The Mamas 954 00:44:30,440 --> 00:44:32,240 and the Papas performed their hit 955 00:44:32,240 --> 00:44:34,760 California dreaman perfectly capturing 956 00:44:34,760 --> 00:44:36,910 the wful free-spirited 957 00:44:36,910 --> 00:44:42,200 [Music] 958 00:44:42,200 --> 00:44:45,839 vibe in 1966 psychedelia was in early 959 00:44:45,839 --> 00:44:48,160 bloom the Jimmy Hendrick experience 960 00:44:48,160 --> 00:44:50,400 released their first single Hey Joe in 961 00:44:50,400 --> 00:44:53,160 the UK in December Hendrick's virtue 962 00:44:53,160 --> 00:44:55,680 allick guitar work and gritty vocals 963 00:44:55,680 --> 00:44:58,040 marked a turning point in rock music 964 00:44:58,040 --> 00:45:00,160 blending raw emotion with technical 965 00:45:00,160 --> 00:45:02,200 Brilliance in a way that resonated 966 00:45:02,200 --> 00:45:04,800 deeply with audiences The Yard Birds 967 00:45:04,800 --> 00:45:07,200 with both Jeff Beck and Jimmy pige 968 00:45:07,200 --> 00:45:09,559 continued their experimental trajectory 969 00:45:09,559 --> 00:45:12,040 with happenings 10 years time ago a 970 00:45:12,040 --> 00:45:14,440 single that fused psychedelic and protoe 971 00:45:14,440 --> 00:45:16,640 heavy metal elements the song's 972 00:45:16,640 --> 00:45:18,559 Innovative use of distortion and 973 00:45:18,559 --> 00:45:20,720 feedback influenced the emerging Hard 974 00:45:20,720 --> 00:45:23,160 Rock in heavy metal genres hinting at 975 00:45:23,160 --> 00:45:27,000 the Sonic Revolution to come 1966 was 976 00:45:27,000 --> 00:45:29,359 The Year music changed forever becoming 977 00:45:29,359 --> 00:45:31,920 a bold Frontier of experimentation 978 00:45:31,920 --> 00:45:34,680 Innovation and cultural transformation 979 00:45:34,680 --> 00:45:36,800 the revolution that began in earlier 980 00:45:36,800 --> 00:45:39,440 years reached a fever pitch as artists 981 00:45:39,440 --> 00:45:41,920 redefin the possibilities of sound 982 00:45:41,920 --> 00:45:45,079 storytelling and Studio production this 983 00:45:45,079 --> 00:45:47,040 Watershed year mirrored the broader 984 00:45:47,040 --> 00:45:49,040 cultural shifts with anti-establishment 985 00:45:49,040 --> 00:45:52,319 and self-expression at its core songs 986 00:45:52,319 --> 00:45:54,680 like the rolling stones' painted black 987 00:45:54,680 --> 00:45:57,240 and The Who's My Generation became 988 00:45:57,240 --> 00:46:00,040 anthems of defiance while mtown and 989 00:46:00,040 --> 00:46:02,200 stacks artists like Otis reading brought 990 00:46:02,200 --> 00:46:04,640 Soulful authenticity to mainstream 991 00:46:04,640 --> 00:46:07,280 audiences The Beatles abandoned live 992 00:46:07,280 --> 00:46:09,040 performances to Focus On Studio 993 00:46:09,040 --> 00:46:11,880 Innovation resulting in revolver an 994 00:46:11,880 --> 00:46:14,520 album that revolutionize modern music 995 00:46:14,520 --> 00:46:16,400 they demonstrated how the studio could 996 00:46:16,400 --> 00:46:18,599 be a creative instrument inspiring 997 00:46:18,599 --> 00:46:21,280 countless musicians concept albums 998 00:46:21,280 --> 00:46:23,440 gained prominence with the Beach Boys 999 00:46:23,440 --> 00:46:26,119 Pet Sounds blending introspective lyrics 1000 00:46:26,119 --> 00:46:28,640 with symphonic Arrangements proving that 1001 00:46:28,640 --> 00:46:31,040 rock albums could be cohesive artistic 1002 00:46:31,040 --> 00:46:33,480 statements this paved the way for future 1003 00:46:33,480 --> 00:46:35,520 Milestones like the Beatles Sergeant 1004 00:46:35,520 --> 00:46:37,839 Pepper's Lonely Hearts Club Band 1005 00:46:37,839 --> 00:46:40,040 electric guitar Innovation soared as 1006 00:46:40,040 --> 00:46:42,559 players like Jimmy Hendrick Eric Clapton 1007 00:46:42,559 --> 00:46:45,200 Jeff Beck and Jimmy pige redefined its 1008 00:46:45,200 --> 00:46:48,319 role in rock Hendrick's debut single Hey 1009 00:46:48,319 --> 00:46:50,880 Joe paired a raw emotion with technical 1010 00:46:50,880 --> 00:46:52,960 Brilliance while Clapton's work with 1011 00:46:52,960 --> 00:46:55,319 John mayo and the Blues Breakers 1012 00:46:55,319 --> 00:46:58,280 solidified blues rock as a genre the 1013 00:46:58,280 --> 00:47:00,800 yard Bird's experimental happenings 10 1014 00:47:00,800 --> 00:47:03,240 years time ago Fus psychedelia with 1015 00:47:03,240 --> 00:47:05,640 Proto heavy metal influencing Hard 1016 00:47:05,640 --> 00:47:08,359 Rock's Revolution Bob Dylan's blondon 1017 00:47:08,359 --> 00:47:10,720 blonde blurred genre lines with dense 1018 00:47:10,720 --> 00:47:13,480 poetic lyrics exemplified by tracks like 1019 00:47:13,480 --> 00:47:16,400 Visions of Johanna his work elevated 1020 00:47:16,400 --> 00:47:18,559 popular music's intellectual and 1021 00:47:18,559 --> 00:47:22,559 emotional potential 1966 was a year of 1022 00:47:22,559 --> 00:47:24,760 transformation where artists Broke Free 1023 00:47:24,760 --> 00:47:26,880 from straightforward pop songs in 1024 00:47:26,880 --> 00:47:29,000 embraced Cutting Edge techniques and 1025 00:47:29,000 --> 00:47:31,359 explored complex socially conscious 1026 00:47:31,359 --> 00:47:33,839 themes from the Revolutionary sounds of 1027 00:47:33,839 --> 00:47:36,280 revolver to Hendrick's electrifying 1028 00:47:36,280 --> 00:47:40,440 debut 1966 cemented itself as a turning 1029 00:47:40,440 --> 00:47:42,880 point in the history of modern music 1030 00:47:42,880 --> 00:47:44,920 artists no longer saw music as mere 1031 00:47:44,920 --> 00:47:47,160 entertainment it had become a means of 1032 00:47:47,160 --> 00:47:49,760 artistic expression cultural critique 1033 00:47:49,760 --> 00:47:53,800 and personal Liberation 1966 wasn't just 1034 00:47:53,800 --> 00:47:56,400 a year it was a revolution one that 1035 00:47:56,400 --> 00:47:58,400 forever transformed the landscape of 1036 00:47:58,400 --> 00:48:00,800 music and cemented its role as a 1037 00:48:00,800 --> 00:48:04,000 Cornerstone of modern 1038 00:48:04,000 --> 00:48:06,319 culture I 1039 00:48:06,319 --> 00:48:10,599 will to help you if I can 1040 00:48:10,599 --> 00:48:15,319 I to but I I don't think so one song I 1041 00:48:15,319 --> 00:48:16,680 said we got to make the last part come 1042 00:48:16,680 --> 00:48:18,960 out fast twice as fast as it 1043 00:48:18,960 --> 00:48:23,440 [Music] 1044 00:48:23,440 --> 00:48:25,680 does oh why don't you why don't you move 1045 00:48:25,680 --> 00:48:30,240 around man you come on my chair71559

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