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turn off your mind relax and flat down
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in 1966 music evolved from Mere sound to
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a catalyst for cultural revolution
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reflecting and shaping a rapidly
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changing Society the year wasn't just
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defined by songs but by the stories
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moments and cultural shifts they
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embodied what made 1966 so pivotal join
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us as we dive deep into the soundscape
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that redefined rock and roll and explore
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the legendary musicians behind this
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transformative year 1966 didn't just
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reflect the culture but reshaped it
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entirely let's find out why 1966 Changed
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music
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[Music]
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forever in January 1966 the year began
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with Simon and gar funkle The Sounds of
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Silence climbing to number one on the
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charts its haunting lyrics and electric
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reworking marked a turning point for
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folk music blending traditional
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storytelling with modern
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[Music]
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instrumentation Day Tripper and we can
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work it out by The Beatles We're Riding
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High showcasing their unmatched ability
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to dominate the charts with Innovative
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music meanwhile in the US you can tune
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in to the television show Halo and watch
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The Beatles review the hits from 1965
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the Everly Brothers Freddy and the
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dreamers and Smokey Robinson and the
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Miracles graced the Holo stage to
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perform as
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well elsewhere the Spencer Davis groups
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keep on running climb to the number one
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position in the UK bringing gritty
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rhythm and blues to the Forefront this
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song's success reflected the growing
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influence of soul and blues on British
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pop music
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and you feel
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[Music]
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so in January 1966 The Who solidified
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their reputation as one of the most
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dynamic live acts with a powerful
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performance on television captivating
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audiences with their raw energy on the
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show shindig along with the Kinks who
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also performed
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the small faces The Kinks Donovan and
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Dusty Springfield took the stage
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delivering energetic performances that
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captivated the audience on the British
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television show Ready Steady
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[Music]
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go London's Marquee Club hosted a series
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of incredible performers including David
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Bowie Pink Floyd in an interview with
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the record mirror The Kinks say Ray
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Davis said I've had had a lot of good
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luck this past year with my songs I mean
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Peggy Lee recorded one of them that was
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great I like her style of singing all
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breathy and throaty but my trouble is
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this lack of communication with people I
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like people like them fine but I can't
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talk to them in the way I really feel
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inside like I'd like to ask you about a
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recent football match but somehow I just
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can't I have to let it come from whoever
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I'm talking to I bet you feel
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uncomfortable talking to me people do
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they sometimes feel I'm just not
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contributing that's why I'm so glad I'm
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interested in music and songwriting
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through songs I can communicate I can
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get what I'm thinking about across to
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other people for this next year I want
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to advance in the songw writing field I
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want to write more descriptive songs
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more introvert numbers I want to get to
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a much deeper level as the vibrant music
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scene unfolded the kings's
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well-respected man is climbing the
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charts as is Stevie wonders uptight
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everything's all
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right looks as well as bu but every
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young
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[Music]
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man February 1966 continued as an
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exciting month for music with a variety
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of notable releases imagine waking up on
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a cold winter morning and turning on the
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radio to your favorite station and
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hearing one hit song after another all
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day long
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[Music]
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you know
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love makes the
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world the animals released their best of
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the animals compilation showcasing
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iconic hits such as House of the Rising
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Sun and we got to get out of this place
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cementing their place as one of the
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leading bands of the British
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Invasion meanwhile The Supremes
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continued their streak of success with
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the album I hear a symphony which
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included the title track that had
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recently topped the charts displaying
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Diana Ross's captivating vocals and
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mtown signature
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sound the Rolling Stones kept fans
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enthralled with their bluesy hit 19th
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nervous breakdown which highlighted
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their growing maturity and confidence as
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songwriters finally Peter and Gordon
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offered the poignant track woman penned
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by Paul McCartney under the pseudonym
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Bernard web adding a unique connection
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to the Beatles influence Donovan opens
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his US tour at Carnegie Hall and then
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films his appearance on
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[Music]
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Holo beyond the music societal behavior
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and language saw shifts that reflected
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broader changes in cultural acceptance
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Jet Baker is arrested in Hollywood and
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the same day Johnny Cash pleads guilty
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in El Paso Texas both are substance
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related
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[Music]
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charges the Rolling Stones kicked off
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their first major tour of Australia New
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Zealand in February 1966 thrilling fans
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down under with their energetic
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performances the tour solidified their
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reputation is one of the most
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electrifying live acts of the time and
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further expanded their global
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[Music]
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appeal in London the iconic Marquee Club
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was buzzing with activity hosting a
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stellar lineup that included The Yard
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Birds featuring Jeff Beck and emerging
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stars like Rod Stewart the venue
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continued to be a breeding ground for
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future Rock royalty and a hot spot for
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fans eager to get a front row spot
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John Lennon was interviewed by Melody
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Maker for their weekly special hot seat
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here are his takes on hot topics of
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1966 Vietnam I don't like what's
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happening there money nice great Playboy
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the magazine or the man the magazine
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it's nice guitars guitars are great part
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of life airplanes I don't like them at
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first they were a nice Adventure I like
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flying less the more we do we can get to
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most places well enough by Road we flown
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so much something could happen the more
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we do epie he's great you know when
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people talk about him they say he can be
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a bit harsh a bit of a bastard at times
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he's a businessman we only talk business
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about twice a year sometimes has a go at
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us and then we have a go back and it's
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forgotten Liverpool still home even
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though my aunt has moved away and I have
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to stay with Paul if I go
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[Music]
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there if you're one of the many people
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in 1966 looking to start a band or are a
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musician looking for work or an
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establishment looking to hire a band
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then you can turn to Melody makers pages
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of classified ads to get in on the
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action there was no shortage of
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opportunities to get involved in the
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music industry on some
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level in March the who released their
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latest single substitute meanwhile they
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get into a legal dispute with their
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producer shell taly after their deal
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with poor he is seeking a legal
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injunction against them releasing their
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bside to substitute as he States I have
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a valid contract with
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[Music]
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them the Beatles nowhere man is quickly
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moving up the Billboard charts along
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with love and spoon's latest release
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Daydream and Simon and gar funes home
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word bound
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he going to having a sweet
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dream I've been dreaming since I woke up
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today stands my suitc and guitar and
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is Pink Floyd gained the spot for the
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spontaneous underground a series of
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anything goes Sunday afternoon
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happenings at the Marquee Club featuring
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music poetry anti- Conjuring acts free
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haircuts and near naked audience members
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rolling in mounds of
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jelly Melody Maker top 50 features the
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kings's dedicated follower of fashion
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The mindbender's Groovy Kind of Love and
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the yard Bird's shape of things
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eing all the latest fat TRS
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a you and got
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aoy r
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have
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seen at the Flamingo catch John Ma's
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Blues Breakers then head over to the
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Marquee to catch the action performing
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land of a thousand dances and the small
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faces perform their latest hit
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[Music]
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singles I'll said n n n n n n n n n
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[Music]
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Melody makers National beat contest at
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Brighton's region Ballroom feature
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performances by the small faces Dave
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Barry and Georgie Fame the cavern club
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which was a beat music Mecca just a
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couple years prior is closed down and
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they're trying to Rally support from
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those who called the place home but so
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far doesn't seem to be going
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[Applause]
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anywhere Pete Townsen is interviewed by
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Melody Maker for their pop thinks column
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and here are a couple of his hot takes
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Keith Moon I've got all sorts of things
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I want to say about Keith Moon he used
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to be a lot of fun unfortunately he's
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turning into a little old man it's a
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shame he used to be young and unaffected
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by pop music but now he's obsessed with
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money I still like him and I don't
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really care what he thinks to me he's
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the only drummer in England I really
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want to play with he's not interested in
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jazz and won't ever be a jazz drummer
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because he's more interested in looking
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good and being screamed at Keith's age
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so much pop art it's still my favorite
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form of art my favorite artist are barry
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Fenton and Peter Blake what I like most
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of all is its English foreign pop art I
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hate I don't think you can enjoy it
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unless it's relevant to your own country
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it has no relevance to the who except we
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used its ideas I think we did did a lot
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for it in this country if we hadn't done
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it it might have taken another year to
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catch on pop art encompasses
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performances what are called happenings
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and autod destructive performances
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including smashing guitars kit Lambert
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and I are on the same wavelength and I
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used to go on about it to him I think
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the rest of the group tend to
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underestimate his ideas our
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deterioration now is proving how wrong
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they all were and we've gone back to our
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manager on our hands and knees anyway I
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used to talk to kid about po b a lot and
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suddenly he came up with this idea he
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told us Keith is going to have a
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bullseye on his T-shirt Pete is going to
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wear badges all these were his ideas at
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the beginning it took a lot of guts to
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wear
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[Music]
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[Applause]
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them building on the groundwork of 1965
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with the British Invasion Bob Dylan's
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genre defying bringing it all back home
282
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and the Beatles Rubber Soul 1966
283
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shattered conventions across the musical
284
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Spectrum musicians abandoned the
285
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predictable pop formula embracing Bolder
286
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more experimental sounds that transform
287
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popular music The Beach Boys say they
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have evolved 800% beyond their 1965 hit
289
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barbaran Brian Wilson elaborates for
290
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myself I don't go out on the tours at
291
00:13:20,360 --> 00:13:22,720
all now I just work on production I've
292
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spent five months working on this new
293
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album and I think this album and the
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batch of new singles I've been working
295
00:13:27,920 --> 00:13:29,760
on well it's like I'm right in the
296
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golden eror of what it's all about it's
297
00:13:32,040 --> 00:13:34,360
all just coming out like breathing now I
298
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give it a lot of credit a lot of it for
299
00:13:36,560 --> 00:13:38,839
everybody's success to The Beatles
300
00:13:38,839 --> 00:13:40,920
they've had a tremendous Universal
301
00:13:40,920 --> 00:13:43,560
influence that Rubber Soul album was a
302
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great new contribution it helped them
303
00:13:45,639 --> 00:13:48,120
Reach a new Plateau the birds well they
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represent a certain projected attitude
305
00:13:50,480 --> 00:13:52,600
they've got a place too no doubt of that
306
00:13:52,600 --> 00:13:54,680
I give Phil Spectre credit for being the
307
00:13:54,680 --> 00:13:57,120
single most influential producer he's
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Timeless he makes a milestone when
309
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whenever he goes into a
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[Music]
311
00:14:05,920 --> 00:14:08,759
studio Bob Dylan announces his upcoming
312
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tour of England in May which will prove
313
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to be a legendary contentious moment
314
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between artists and audience April 1966
315
00:14:17,079 --> 00:14:20,320
SE sh's bang bang my baby shot me down
316
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rising up the charts along with Johnny
317
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Rivers Secret Agent Man and The
318
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Outsiders time won't let me
319
00:14:31,279 --> 00:14:35,480
he given you a number I had taken away
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your
321
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[Music]
322
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name MC Jagger gives an insightful
323
00:14:45,839 --> 00:14:47,839
interview to Melody Maker And the
324
00:14:47,839 --> 00:14:49,839
reporter is surprised by Jagger's
325
00:14:49,839 --> 00:14:52,360
cheerfulness and sense of humor after
326
00:14:52,360 --> 00:14:54,560
all the Jagger bashing that has taken
327
00:14:54,560 --> 00:14:58,519
place Mick says of the 1966 music scene
328
00:14:58,519 --> 00:15:00,800
let's start with England The Beatles I
329
00:15:00,800 --> 00:15:02,759
think they are most creative songwriters
330
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and performers not only do they create
331
00:15:05,040 --> 00:15:07,040
material for themselves they practically
332
00:15:07,040 --> 00:15:09,560
throw song ideas away for others maybe
333
00:15:09,560 --> 00:15:11,600
they're not valid as the Yard Birds
334
00:15:11,600 --> 00:15:13,560
would say but the way they use their
335
00:15:13,560 --> 00:15:16,680
ideas is fantastic think of You've Got
336
00:15:16,680 --> 00:15:18,680
to Hide Your Love Away and Michelle and
337
00:15:18,680 --> 00:15:20,920
the way they threw them away on LPS
338
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that's confidence something we have
339
00:15:22,800 --> 00:15:25,399
always lacked I think the who are really
340
00:15:25,399 --> 00:15:27,920
creative actually generation showed just
341
00:15:27,920 --> 00:15:30,160
how fast things move there were lots of
342
00:15:30,160 --> 00:15:31,880
delays and when they finally brought it
343
00:15:31,880 --> 00:15:34,639
out it was a little bit P lyric wise
344
00:15:34,639 --> 00:15:37,199
there's certainly no death of Pop ideas
345
00:15:37,199 --> 00:15:39,160
but what I admire about the whole thing
346
00:15:39,160 --> 00:15:41,519
is that ideas and influences are coming
347
00:15:41,519 --> 00:15:43,920
from people who started out as amateurs
348
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they've done the best they can and with
349
00:15:45,720 --> 00:15:47,759
the talent they have and ended up being
350
00:15:47,759 --> 00:15:51,580
recognized as the most talented and
351
00:15:51,580 --> 00:15:54,649
[Music]
352
00:15:56,639 --> 00:15:59,279
professional Lulu drops out of her tour
353
00:15:59,279 --> 00:16:01,600
with Roy Orbison and the Walker Brothers
354
00:16:01,600 --> 00:16:04,519
due to a bad case of laryngitis The
355
00:16:04,519 --> 00:16:07,440
Young Rascals good loving the Beach Boys
356
00:16:07,440 --> 00:16:10,240
Sloop John B and Monday Monday by The
357
00:16:10,240 --> 00:16:12,839
Mamas and the Papas our fast CH climbers
358
00:16:12,839 --> 00:16:14,750
coming out of the
359
00:16:14,750 --> 00:16:19,350
[Music]
360
00:16:20,240 --> 00:16:23,240
US well
361
00:16:23,240 --> 00:16:28,560
broke I want to go home
362
00:16:31,360 --> 00:16:35,160
Mond Monday these releases illustrated
363
00:16:35,160 --> 00:16:38,720
The Incredible diversity of 1966's Music
364
00:16:38,720 --> 00:16:40,920
setting the tone for a transformative
365
00:16:40,920 --> 00:16:43,160
year
366
00:16:44,560 --> 00:16:48,600
ahead in May 1966 the music landscape
367
00:16:48,600 --> 00:16:50,920
was vibrant with groundbreaking releases
368
00:16:50,920 --> 00:16:52,800
and significant events that shaped the
369
00:16:52,800 --> 00:16:55,279
era sound The Beach Boys unveiled their
370
00:16:55,279 --> 00:16:58,440
seminal album Pet Sounds this Innovative
371
00:16:58,440 --> 00:17:00,720
record featuring tracks like wouldn't it
372
00:17:00,720 --> 00:17:03,560
be nice and God Only Knows showcase
373
00:17:03,560 --> 00:17:05,600
complex arrangements and introspective
374
00:17:05,600 --> 00:17:09,530
lyrics elevating pop music's artistic
375
00:17:09,530 --> 00:17:13,520
[Music]
376
00:17:13,520 --> 00:17:16,000
aspirations psychedelic influences
377
00:17:16,000 --> 00:17:18,079
emerged signaling a shift toward
378
00:17:18,079 --> 00:17:20,720
introspection and experimentation with
379
00:17:20,720 --> 00:17:23,360
Studios becoming tools of innovation
380
00:17:23,360 --> 00:17:25,039
albums showcase groundbreaking
381
00:17:25,039 --> 00:17:27,240
production techniques while Soul music
382
00:17:27,240 --> 00:17:29,240
achieved greater emotional depth than
383
00:17:29,240 --> 00:17:32,280
cultural resonance unlike 1965's
384
00:17:32,280 --> 00:17:35,760
emphasis on catchy hits 1966 was defined
385
00:17:35,760 --> 00:17:38,320
by a Fearless challenge to musical Norms
386
00:17:38,320 --> 00:17:39,600
setting the stage for the
387
00:17:39,600 --> 00:17:41,610
countercultural revolution
388
00:17:41,610 --> 00:17:42,270
[Music]
389
00:17:42,270 --> 00:17:44,559
[Applause]
390
00:17:44,559 --> 00:17:46,799
emerging the Rolling Stones made a
391
00:17:46,799 --> 00:17:48,679
notable impact with the release of their
392
00:17:48,679 --> 00:17:51,200
single Paint It Black the song's
393
00:17:51,200 --> 00:17:53,679
distinctive use of the sitar played by
394
00:17:53,679 --> 00:17:56,200
Brian Jones and its dark enigmatic
395
00:17:56,200 --> 00:17:58,280
lyrics marked a departure from their
396
00:17:58,280 --> 00:18:00,840
earlier work work reflecting the era's
397
00:18:00,840 --> 00:18:04,250
experimentation with diverse musical
398
00:18:04,250 --> 00:18:10,559
[Music]
399
00:18:10,559 --> 00:18:12,960
influences The Beatles were in the midst
400
00:18:12,960 --> 00:18:15,000
of recording sessions for their album
401
00:18:15,000 --> 00:18:17,760
revolver in may they participated in
402
00:18:17,760 --> 00:18:20,600
interviews for BBC Radio programs
403
00:18:20,600 --> 00:18:22,360
discussing their evolving musical
404
00:18:22,360 --> 00:18:25,440
Direction and upcoming projects how far
405
00:18:25,440 --> 00:18:27,640
do you feel that your individual talents
406
00:18:27,640 --> 00:18:29,320
are dependent upon each other I mean are
407
00:18:29,320 --> 00:18:31,280
you sort of Gilbert and Sullivan or
408
00:18:31,280 --> 00:18:32,919
Rogers and Hammerstein do you do you
409
00:18:32,919 --> 00:18:35,400
need to work together as composers no
410
00:18:35,400 --> 00:18:38,320
not really but it helps a lot just on
411
00:18:38,320 --> 00:18:39,880
the old maximum of two mons or better
412
00:18:39,880 --> 00:18:42,440
than one yeah you get another point of
413
00:18:42,440 --> 00:18:45,360
view as well thing is because we we we
414
00:18:45,360 --> 00:18:49,200
can do them on our own but often uh one
415
00:18:49,200 --> 00:18:51,120
of us will just do a song and there'll
416
00:18:51,120 --> 00:18:53,360
be say one verse in it that's very bad
417
00:18:53,360 --> 00:18:56,520
or something and it's very corny or and
418
00:18:56,520 --> 00:18:58,200
if if I've written it then I'll sort of
419
00:18:58,200 --> 00:19:01,120
take it along and sing it to John and
420
00:19:01,120 --> 00:19:02,679
he'll say that verse is terrible and
421
00:19:02,679 --> 00:19:05,039
that verse is corny come in Mrs Higgins
422
00:19:05,039 --> 00:19:06,559
you still get so involved with something
423
00:19:06,559 --> 00:19:08,760
you finish it if you're on your own you
424
00:19:08,760 --> 00:19:10,799
haven't got the energy to go over it and
425
00:19:10,799 --> 00:19:13,400
of see you know if it really makes
426
00:19:13,400 --> 00:19:15,600
exactly what you want so if you sing it
427
00:19:15,600 --> 00:19:16,760
over to each other even if it's a
428
00:19:16,760 --> 00:19:18,919
finished song you know with almost the
429
00:19:18,919 --> 00:19:21,840
arrangement it's still sort of yes
430
00:19:21,840 --> 00:19:23,720
that's that's fine your milk John thank
431
00:19:23,720 --> 00:19:27,200
you Mrs thank you nice of you that Mrs
432
00:19:27,200 --> 00:19:29,360
arriving with three glasses of milk it's
433
00:19:29,360 --> 00:19:33,120
not even Mrs hiin either oh
434
00:19:34,440 --> 00:19:35,210
[Music]
435
00:19:35,210 --> 00:19:37,400
[Applause]
436
00:19:37,400 --> 00:19:40,600
well top of the pops and Ready Steady go
437
00:19:40,600 --> 00:19:42,799
featured performances by emerging and
438
00:19:42,799 --> 00:19:45,400
established acts reflecting the dynamic
439
00:19:45,400 --> 00:19:47,200
music
440
00:19:47,200 --> 00:19:49,840
scene the small faces for instance
441
00:19:49,840 --> 00:19:52,400
appeared on the BBC's Saturday club with
442
00:19:52,400 --> 00:19:54,559
Steve Marriott engaging in interviews
443
00:19:54,559 --> 00:19:56,720
that provided insights into the band's
444
00:19:56,720 --> 00:19:58,880
creative process
445
00:19:58,880 --> 00:20:00,400
okay an interesting scene and now what
446
00:20:00,400 --> 00:20:01,919
about your new single record is this one
447
00:20:01,919 --> 00:20:04,080
of your own compositions yeah yeah it
448
00:20:04,080 --> 00:20:06,120
was written in a hotel about 6:00 in the
449
00:20:06,120 --> 00:20:09,960
morning yeah it's C how you
450
00:20:15,440 --> 00:20:17,620
go winter
451
00:20:17,620 --> 00:20:20,720
[Music]
452
00:20:20,720 --> 00:20:24,520
day deep as May rolls in I am a rock by
453
00:20:24,520 --> 00:20:27,280
Simon and Garfunkle and When a Man Loves
454
00:20:27,280 --> 00:20:29,440
a Woman by Percy slay jar on heavy
455
00:20:29,440 --> 00:20:31,640
rotation on your record player at home
456
00:20:31,640 --> 00:20:34,520
on the transistor radio the trogs wild
457
00:20:34,520 --> 00:20:38,039
thing is getting a lot of radio
458
00:20:42,730 --> 00:20:54,159
[Music]
459
00:20:54,159 --> 00:20:57,799
play fashion in May 1966 mirrored the
460
00:20:57,799 --> 00:21:00,360
music scenes eclecticism the mod
461
00:21:00,360 --> 00:21:02,880
subculture remained influential with its
462
00:21:02,880 --> 00:21:06,290
emphasis on Sharp tailoring and bold
463
00:21:06,290 --> 00:21:11,400
[Music]
464
00:21:11,400 --> 00:21:15,120
patterns thinks he is a flower to be
465
00:21:15,120 --> 00:21:19,919
looked at so I want to be a Pap
466
00:21:19,919 --> 00:21:22,140
writer
467
00:21:22,140 --> 00:21:24,240
[Music]
468
00:21:24,240 --> 00:21:26,159
paper
469
00:21:26,159 --> 00:21:29,860
know without you
470
00:21:29,860 --> 00:21:37,640
[Music]
471
00:21:40,900 --> 00:21:44,029
[Music]
472
00:21:47,580 --> 00:21:54,520
[Music]
473
00:21:54,520 --> 00:21:56,360
and here is your host for this week's
474
00:21:56,360 --> 00:22:00,230
Halo Paul Anor
475
00:22:00,230 --> 00:22:04,999
[Music]
476
00:22:09,640 --> 00:22:11,559
our next guest was only 16 when she had
477
00:22:11,559 --> 00:22:13,679
her first big hit since then she's had a
478
00:22:13,679 --> 00:22:15,080
whole string of hits she's been named
479
00:22:15,080 --> 00:22:16,960
top female vocalist by three National
480
00:22:16,960 --> 00:22:19,480
musical Publications graduation from
481
00:22:19,480 --> 00:22:22,080
high school enters college and at 19
482
00:22:22,080 --> 00:22:24,080
she's become even prettier and more
483
00:22:24,080 --> 00:22:26,480
talented than when she started ladies
484
00:22:26,480 --> 00:22:29,360
and gentlemen Leslie Gore
485
00:22:29,360 --> 00:22:31,400
Paul Lanka hosts the final episode of
486
00:22:31,400 --> 00:22:34,000
Holo which features performances by
487
00:22:34,000 --> 00:22:38,559
Leslie Gore Peter and Gordon and the
488
00:22:39,080 --> 00:22:40,600
circle
489
00:22:40,600 --> 00:22:43,040
Shin red
490
00:22:43,040 --> 00:22:43,640
[Music]
491
00:22:43,640 --> 00:22:48,580
[Applause]
492
00:22:48,580 --> 00:22:55,960
[Music]
493
00:22:55,960 --> 00:22:58,720
rber you see my electric guitar never
494
00:22:58,720 --> 00:23:00,720
goes out of
495
00:23:00,720 --> 00:23:06,559
tune the audience was hostile from the
496
00:23:07,600 --> 00:23:10,240
get-go oh I love you
497
00:23:10,240 --> 00:23:14,200
huh yeah so wonderful huh Bob Dylan's
498
00:23:14,200 --> 00:23:16,960
1966 tour of England was a pivotal and
499
00:23:16,960 --> 00:23:19,480
polarizing moment in music history
500
00:23:19,480 --> 00:23:22,080
having left his folk Roots behind Dylan
501
00:23:22,080 --> 00:23:24,600
emerged as a boundary pushing rock star
502
00:23:24,600 --> 00:23:27,200
possessed by creativity a shift that
503
00:23:27,200 --> 00:23:29,320
many of his earliest fans found
504
00:23:29,320 --> 00:23:31,400
difficult to accept everybody knew that
505
00:23:31,400 --> 00:23:33,360
they came to see the Bob Dylan that they
506
00:23:33,360 --> 00:23:34,159
were
507
00:23:34,159 --> 00:23:36,960
expecting rock and roll was something
508
00:23:36,960 --> 00:23:39,440
that no one
509
00:23:39,440 --> 00:23:41,720
expected night after night he faced
510
00:23:41,720 --> 00:23:43,880
booze insults and even things being
511
00:23:43,880 --> 00:23:46,080
thrown at them from audiences unwilling
512
00:23:46,080 --> 00:23:48,279
to accept his departure from the leftist
513
00:23:48,279 --> 00:23:49,080
folk
514
00:23:49,080 --> 00:23:51,799
movement they had an attitude about
515
00:23:51,799 --> 00:23:54,840
America already that we were a bunch of
516
00:23:54,840 --> 00:23:56,799
fascist
517
00:23:56,799 --> 00:23:59,440
warmongers they opened the second half
518
00:23:59,440 --> 00:24:01,840
with the biggest American flag that Bob
519
00:24:01,840 --> 00:24:04,760
could find in Paris and the audience
520
00:24:04,760 --> 00:24:07,880
didn't get the joke at
521
00:24:09,679 --> 00:24:12,880
all unfazed Dylan performed with the
522
00:24:12,880 --> 00:24:15,000
largest American flag they could find as
523
00:24:15,000 --> 00:24:17,520
his backdrop drawing strength from the
524
00:24:17,520 --> 00:24:20,200
controversy far from deterring him the
525
00:24:20,200 --> 00:24:23,279
hostility fueled his creative fire there
526
00:24:23,279 --> 00:24:24,720
was a lot of
527
00:24:24,720 --> 00:24:27,039
booing I mean it was practically
528
00:24:27,039 --> 00:24:30,480
everywhere we went the audiences were
529
00:24:30,480 --> 00:24:33,840
hostile and the band responded to the
530
00:24:33,840 --> 00:24:35,720
hostility of the Audience by playing
531
00:24:35,720 --> 00:24:36,710
more
532
00:24:36,710 --> 00:24:38,520
[Music]
533
00:24:38,520 --> 00:24:42,279
aggressively walk in the
534
00:24:42,399 --> 00:24:45,080
room it all came to a head during his
535
00:24:45,080 --> 00:24:47,080
performance at the Manchester free trade
536
00:24:47,080 --> 00:24:49,000
Hall on May 17th
537
00:24:49,000 --> 00:24:51,559
1966 as Dylan took the stage for the
538
00:24:51,559 --> 00:24:53,520
second half of the show backed by the
539
00:24:53,520 --> 00:24:55,840
electrified sound of the Hawks later
540
00:24:55,840 --> 00:24:58,480
known as the band The Atmosphere group
541
00:24:58,480 --> 00:25:01,200
increasingly charged folk purist in the
542
00:25:01,200 --> 00:25:03,120
crowd wanted Dylan's acoustic set to
543
00:25:03,120 --> 00:25:05,159
carry through the entire evening when he
544
00:25:05,159 --> 00:25:06,760
plugged in his electric guitar and
545
00:25:06,760 --> 00:25:08,919
launched into a blistering rendition of
546
00:25:08,919 --> 00:25:11,760
tell me Mama the audience's disapproval
547
00:25:11,760 --> 00:25:14,399
became evident scattered booze cheers
548
00:25:14,399 --> 00:25:17,279
and heckles punctuated his performance a
549
00:25:17,279 --> 00:25:19,279
stark contrast to the reverence he had
550
00:25:19,279 --> 00:25:22,559
once commanded
551
00:25:26,510 --> 00:25:42,720
[Music]
552
00:25:42,720 --> 00:25:45,520
you walk into the
553
00:25:45,520 --> 00:25:49,360
room with your pencil in your
554
00:25:49,360 --> 00:25:53,320
hand you see somebody
555
00:25:54,240 --> 00:25:57,880
naked that man the climactic moment came
556
00:25:57,880 --> 00:26:00,440
when a disillusion fan yelled Judas from
557
00:26:00,440 --> 00:26:03,760
the audience as Dylan appeared on stage
558
00:26:03,760 --> 00:26:06,559
right straight from the
559
00:26:12,200 --> 00:26:15,440
grave Dylan's response was as defiant as
560
00:26:15,440 --> 00:26:18,320
it was legendary the moment encapsulated
561
00:26:18,320 --> 00:26:20,320
Dylan's refusal to conform to
562
00:26:20,320 --> 00:26:23,000
expectations solidifying his position as
563
00:26:23,000 --> 00:26:25,320
an artist willing to push boundaries no
564
00:26:25,320 --> 00:26:28,760
matter the cost
565
00:26:29,000 --> 00:26:31,020
I don't believe
566
00:26:31,020 --> 00:26:34,810
[Applause]
567
00:26:34,810 --> 00:26:36,300
[Music]
568
00:26:36,300 --> 00:26:39,080
[Applause]
569
00:26:39,080 --> 00:26:41,690
you you're a
570
00:26:41,690 --> 00:26:45,009
[Music]
571
00:26:48,279 --> 00:26:51,080
liar the infamous tour is now celebrated
572
00:26:51,080 --> 00:26:53,240
as a testament to Dylan's unwavering
573
00:26:53,240 --> 00:26:56,880
commitment to authenticity
574
00:26:58,990 --> 00:27:02,039
[Music]
575
00:27:02,039 --> 00:27:04,799
the audience reaction that was
576
00:27:04,799 --> 00:27:07,039
mystifying to everybody it was
577
00:27:07,039 --> 00:27:09,799
mystifying to me I can remember like why
578
00:27:09,799 --> 00:27:12,159
doesn't everybody think this stuff is as
579
00:27:12,159 --> 00:27:14,799
great as I
580
00:27:21,600 --> 00:27:24,320
do that
581
00:27:24,320 --> 00:27:28,799
coner my mind
582
00:27:30,080 --> 00:27:34,039
touring all over North
583
00:27:34,039 --> 00:27:36,760
America all over
584
00:27:36,760 --> 00:27:39,399
Australia all over
585
00:27:39,399 --> 00:27:44,159
Europe and every night just about every
586
00:27:44,159 --> 00:27:48,519
place we played people threw stuff at
587
00:27:48,519 --> 00:27:53,039
us booed us and sometimes charge the
588
00:27:53,039 --> 00:27:55,320
stage finally lots of people were
589
00:27:55,320 --> 00:27:57,080
telling Bob you got to get rid of these
590
00:27:57,080 --> 00:27:59,760
guys they're ruining the music get rid
591
00:27:59,760 --> 00:28:02,399
of them we love you blah blah all this
592
00:28:02,399 --> 00:28:06,760
stuff he never budged he never took a
593
00:28:06,760 --> 00:28:10,720
step back so anyway on another night in
594
00:28:10,720 --> 00:28:12,679
the tour we're listening to the show
595
00:28:12,679 --> 00:28:16,519
back you know just trying to filter it
596
00:28:16,519 --> 00:28:20,320
think also like how can everybody be so
597
00:28:20,320 --> 00:28:24,480
against this how can that be and we were
598
00:28:24,480 --> 00:28:25,919
listening to the
599
00:28:25,919 --> 00:28:28,559
show and I said to the other other guys
600
00:28:28,559 --> 00:28:33,480
in the Hawks and I said to Bob they're
601
00:28:33,480 --> 00:28:38,960
wrong the world is wrong this is really
602
00:28:38,960 --> 00:28:44,000
good and and and at this point things
603
00:28:44,000 --> 00:28:48,440
turned and we started playing like in
604
00:28:48,440 --> 00:28:52,760
your face we started playing louder
605
00:28:52,760 --> 00:28:56,480
harder Bolder and and kind of just
606
00:28:56,480 --> 00:29:00,679
preaching our sermon of music and people
607
00:29:00,679 --> 00:29:03,679
were like what's wrong with these guys
608
00:29:03,679 --> 00:29:06,240
why do they keep insisting on doing this
609
00:29:06,240 --> 00:29:09,559
so there was this this back and forth
610
00:29:09,559 --> 00:29:11,120
thing going
611
00:29:11,120 --> 00:29:15,399
on and somewhere inside you have to
612
00:29:15,399 --> 00:29:18,720
believe in what you're doing and we
613
00:29:18,720 --> 00:29:21,640
actually thought what we were doing was
614
00:29:21,640 --> 00:29:25,600
really good and that everybody was wrong
615
00:29:25,600 --> 00:29:29,880
and in time the world came around and we
616
00:29:29,880 --> 00:29:33,760
didn't change enough June 1966 was alive
617
00:29:33,760 --> 00:29:36,360
with creativity and experimentation the
618
00:29:36,360 --> 00:29:38,399
Rolling Stones released their album
619
00:29:38,399 --> 00:29:40,919
aftermath solidifying their reputation
620
00:29:40,919 --> 00:29:44,120
as rock provocators songs like pain it
621
00:29:44,120 --> 00:29:46,279
black and under my thumb showcased the
622
00:29:46,279 --> 00:29:48,840
band's darker more experimental side
623
00:29:48,840 --> 00:29:50,880
with Brian Jones incorporating unique
624
00:29:50,880 --> 00:29:53,600
instruments like the citar and marimba
625
00:29:53,600 --> 00:29:55,679
the album reflected a growing maturity
626
00:29:55,679 --> 00:29:58,080
in their songwriting tackling themes of
627
00:29:58,080 --> 00:30:02,919
alienation power dynamics and societal
628
00:30:06,760 --> 00:30:09,120
pressure The Kinks were making waves
629
00:30:09,120 --> 00:30:11,720
with their hit single sunny afternoon a
630
00:30:11,720 --> 00:30:14,039
tongue and cheek commentary on class and
631
00:30:14,039 --> 00:30:16,679
Taxation which was released in June and
632
00:30:16,679 --> 00:30:19,670
quickly became a summer
633
00:30:19,670 --> 00:30:23,969
[Music]
634
00:30:24,600 --> 00:30:28,000
Anthem in literature Jacqueline suzan's
635
00:30:28,000 --> 00:30:30,279
novel Valley of the Dolls dominated
636
00:30:30,279 --> 00:30:32,919
bestseller list offering a provocative
637
00:30:32,919 --> 00:30:35,679
look at Fame and its pitfalls resonating
638
00:30:35,679 --> 00:30:37,799
deeply with readers captivated by the
639
00:30:37,799 --> 00:30:39,760
Glamour and Chaos of the
640
00:30:39,760 --> 00:30:42,559
1960s in swinging London the cultural
641
00:30:42,559 --> 00:30:45,080
transformation is in full swing women
642
00:30:45,080 --> 00:30:47,320
are sporting Mary Quan's shift dresses
643
00:30:47,320 --> 00:30:49,559
and Minik skirts Barbara holen Nikki's
644
00:30:49,559 --> 00:30:51,720
BBA Boutique and Mary Quan's bizarre
645
00:30:51,720 --> 00:30:53,600
Boutique are selling out of their latest
646
00:30:53,600 --> 00:30:55,840
designs as soon as they hit the racks
647
00:30:55,840 --> 00:30:57,679
the creativity coming out of London is
648
00:30:57,679 --> 00:31:00,399
taking the World by store it is felt in
649
00:31:00,399 --> 00:31:02,919
the music the fashion and culture from
650
00:31:02,919 --> 00:31:05,519
Europe to North America from music and
651
00:31:05,519 --> 00:31:07,919
literature to science and fashion it was
652
00:31:07,919 --> 00:31:09,960
a time when the world seemed poised on
653
00:31:09,960 --> 00:31:12,519
the edge of Endless Possibilities The
654
00:31:12,519 --> 00:31:14,760
Beatles continued to tease their highly
655
00:31:14,760 --> 00:31:17,679
anticipated revolver album with singles
656
00:31:17,679 --> 00:31:20,000
like Paperback Writer and its innovative
657
00:31:20,000 --> 00:31:22,880
bside rain both climbing the charts in
658
00:31:22,880 --> 00:31:25,880
June
659
00:31:29,039 --> 00:31:31,480
meanwhile mtown kept summer vibrant with
660
00:31:31,480 --> 00:31:33,600
tracks like Ain't Too Proud to Beg by
661
00:31:33,600 --> 00:31:36,279
the Temptations and You Can't Hurry Love
662
00:31:36,279 --> 00:31:39,000
by The Supremes both destined to become
663
00:31:39,000 --> 00:31:40,380
Timeless
664
00:31:40,380 --> 00:31:49,919
[Music]
665
00:31:49,919 --> 00:31:52,559
Classics Ready Steady go feature
666
00:31:52,559 --> 00:31:54,960
performances by Dusty Springfield who
667
00:31:54,960 --> 00:31:57,200
mesmerized the audience with her Soulful
668
00:31:57,200 --> 00:31:59,600
vocals The Kinks also appeared
669
00:31:59,600 --> 00:32:01,559
performing their latest hit sunny
670
00:32:01,559 --> 00:32:03,720
afternoon a song that captured the
671
00:32:03,720 --> 00:32:06,679
summer spirit while cising an aristocrat
672
00:32:06,679 --> 00:32:09,279
and the British tax system they also
673
00:32:09,279 --> 00:32:13,150
performed the not yet relased song Dandy
674
00:32:13,150 --> 00:32:25,110
[Applause]
675
00:32:25,110 --> 00:32:32,499
[Music]
676
00:32:36,170 --> 00:32:39,919
[Music]
677
00:32:39,919 --> 00:32:42,120
live music was thriving across London
678
00:32:42,120 --> 00:32:43,960
with venues like the Marquee and the
679
00:32:43,960 --> 00:32:46,919
flamingo the Spencer Davis Group led by
680
00:32:46,919 --> 00:32:49,360
the 17-year-old Steve Winwood brought
681
00:32:49,360 --> 00:32:51,960
their bluesy sound to packed
682
00:32:51,960 --> 00:32:56,919
houses I'm going to be the
683
00:32:57,000 --> 00:32:58,600
[Music]
684
00:32:58,600 --> 00:33:00,600
while John M and the Blues Breakers
685
00:33:00,600 --> 00:33:02,919
introduced audiences to Eric Clapton's
686
00:33:02,919 --> 00:33:05,440
fiery guitar playing The Moody Blues
687
00:33:05,440 --> 00:33:07,600
were captivating crowds with their blend
688
00:33:07,600 --> 00:33:09,290
of rock and
689
00:33:09,290 --> 00:33:12,349
[Music]
690
00:33:13,320 --> 00:33:16,279
R&B I'm you right
691
00:33:16,279 --> 00:33:19,519
now that July John May and the Blues
692
00:33:19,519 --> 00:33:21,600
Breakers released their album Blues
693
00:33:21,600 --> 00:33:23,519
Breakers it proved to be the
694
00:33:23,519 --> 00:33:25,399
Breakthrough that Mayo was seeking
695
00:33:25,399 --> 00:33:27,760
landing at number six on the UK album
696
00:33:27,760 --> 00:33:30,240
Alum charts in its first week musically
697
00:33:30,240 --> 00:33:32,360
it captured a short magical moment in
698
00:33:32,360 --> 00:33:35,039
time one that could never be repeated
699
00:33:35,039 --> 00:33:37,120
before Blues Breakers even hit record
700
00:33:37,120 --> 00:33:39,519
stores Clapton had already quit the band
701
00:33:39,519 --> 00:33:41,919
to form cream with Ginger Baker and Jack
702
00:33:41,919 --> 00:33:44,399
Bruce Peter Green who formed Fleetwood
703
00:33:44,399 --> 00:33:46,639
Mac a year later stepped in as his
704
00:33:46,639 --> 00:33:49,380
worthy replacement
705
00:33:49,380 --> 00:33:51,750
[Music]
706
00:33:51,750 --> 00:33:52,840
[Applause]
707
00:33:52,840 --> 00:34:02,679
[Music]
708
00:34:02,679 --> 00:34:04,240
The Beatles released their highly
709
00:34:04,240 --> 00:34:06,919
anticipated single Elanor Rigby yellow
710
00:34:06,919 --> 00:34:09,839
submarine a double aide showcasing their
711
00:34:09,839 --> 00:34:12,919
growing artistic range Eleanor Rigby
712
00:34:12,919 --> 00:34:15,000
with its haunting string Arrangement was
713
00:34:15,000 --> 00:34:17,560
a bold departure from traditional pop
714
00:34:17,560 --> 00:34:19,280
while Yellow Submarine offered a
715
00:34:19,280 --> 00:34:21,720
Whimsical singalong
716
00:34:21,720 --> 00:34:23,399
charm
717
00:34:23,399 --> 00:34:28,079
all do they all
718
00:34:28,079 --> 00:34:29,599
where I was
719
00:34:29,599 --> 00:34:30,760
born
720
00:34:30,760 --> 00:34:32,079
[Music]
721
00:34:32,079 --> 00:34:34,720
Liv meanwhile the Rolling Stones
722
00:34:34,720 --> 00:34:36,320
Mother's Little Helper climbed the
723
00:34:36,320 --> 00:34:38,839
charts addressing Suburban anxieties
724
00:34:38,839 --> 00:34:42,720
with biting wit and a driving
725
00:34:44,080 --> 00:34:45,480
[Music]
726
00:34:45,480 --> 00:34:47,599
Melody
727
00:34:47,599 --> 00:34:49,879
C the birds released their
728
00:34:49,879 --> 00:34:52,359
groundbreaking album Fifth Dimension
729
00:34:52,359 --> 00:34:53,960
introducing a blend of folk and
730
00:34:53,960 --> 00:34:56,320
psychedelia with tracks like 8 Miles
731
00:34:56,320 --> 00:34:58,640
High pushing lyric and musical
732
00:34:58,640 --> 00:35:00,680
boundaries to capture the Consciousness
733
00:35:00,680 --> 00:35:04,200
expanding ethos of the
734
00:35:05,400 --> 00:35:08,280
era
735
00:35:08,280 --> 00:35:11,240
Str summer anthems on heavy radio
736
00:35:11,240 --> 00:35:13,520
rotation include summer in the city by
737
00:35:13,520 --> 00:35:16,240
the love and Spoonful Sunshine Superman
738
00:35:16,240 --> 00:35:20,359
by Donovan and bus stop by the
739
00:35:22,640 --> 00:35:28,200
holes but it's world and just have a
740
00:35:28,200 --> 00:35:30,320
little
741
00:35:30,320 --> 00:35:34,079
scene when I say be
742
00:35:34,079 --> 00:35:37,079
cool
743
00:35:38,010 --> 00:35:39,440
[Music]
744
00:35:39,440 --> 00:35:41,560
see do you think you're a mod do you
745
00:35:41,560 --> 00:35:44,240
know what a mod is
746
00:35:44,720 --> 00:35:48,440
ring no I'm not a mod or a rocker you're
747
00:35:48,440 --> 00:35:50,920
nothing no no I'm a mocker These Boots
748
00:35:50,920 --> 00:35:52,200
are
749
00:35:52,200 --> 00:35:54,720
Made the mod aesthetic reached New
750
00:35:54,720 --> 00:35:56,640
Heights with mini skirts becoming
751
00:35:56,640 --> 00:35:59,280
shorter color more vibrant and prints
752
00:35:59,280 --> 00:36:01,839
more daring Space Age influences
753
00:36:01,839 --> 00:36:04,119
continued to dominate with metallic
754
00:36:04,119 --> 00:36:06,280
fabrics and geometric designs making
755
00:36:06,280 --> 00:36:08,079
their way into boutiques on carnaby
756
00:36:08,079 --> 00:36:10,800
Street White goo boots and oversized
757
00:36:10,800 --> 00:36:13,280
sunglasses were the musthave accessories
758
00:36:13,280 --> 00:36:16,400
epitomizing the era's futuristic Chic
759
00:36:16,400 --> 00:36:18,720
the influence of op art and pop art
760
00:36:18,720 --> 00:36:20,400
could have been seen in everything from
761
00:36:20,400 --> 00:36:23,079
clothing to album covers mirroring the
762
00:36:23,079 --> 00:36:25,440
vibrant and transformative energy of the
763
00:36:25,440 --> 00:36:29,560
time summer 196 6 also saw the emergence
764
00:36:29,560 --> 00:36:31,720
of songs and films that challenge the
765
00:36:31,720 --> 00:36:35,000
status quo Bob Dylan's blondon blonde
766
00:36:35,000 --> 00:36:37,720
album is undefinable with its layered
767
00:36:37,720 --> 00:36:40,359
poetic lyrics and Innovative sound
768
00:36:40,359 --> 00:36:43,119
influencing countless artists the songs
769
00:36:43,119 --> 00:36:46,760
sound like nothing before or since Stone
770
00:36:46,760 --> 00:36:50,280
you you're to be so
771
00:36:50,280 --> 00:36:53,280
good
772
00:36:54,319 --> 00:36:57,000
Stone that's me and my Tibetan Book of
773
00:36:57,000 --> 00:36:58,680
the Dead per
774
00:36:58,680 --> 00:37:03,800
[Music]
775
00:37:04,720 --> 00:37:07,079
we're having more fun in the studio from
776
00:37:07,079 --> 00:37:09,240
revolver Rubber Soul as it was building
777
00:37:09,240 --> 00:37:11,920
up was getting more experimental I think
778
00:37:11,920 --> 00:37:14,440
I was composing more it was good it felt
779
00:37:14,440 --> 00:37:16,040
nice The Beatles continued pushing
780
00:37:16,040 --> 00:37:17,839
boundaries with the release of their
781
00:37:17,839 --> 00:37:20,400
album revolver in August with tracks
782
00:37:20,400 --> 00:37:23,200
like she said she said the song with its
783
00:37:23,200 --> 00:37:25,520
intricate rhythms and surreal lyrics
784
00:37:25,520 --> 00:37:27,720
showcased the band's Evolution into to a
785
00:37:27,720 --> 00:37:29,920
more Avent guard sound it is the
786
00:37:29,920 --> 00:37:32,119
beginning of their psychedelic period
787
00:37:32,119 --> 00:37:34,000
suddenly thought hey what does a record
788
00:37:34,000 --> 00:37:36,560
do it revolves great you know and it's
789
00:37:36,560 --> 00:37:38,440
so it was a revolver the release
790
00:37:38,440 --> 00:37:40,640
coincided with the Beatles final concert
791
00:37:40,640 --> 00:37:42,680
tour and the controversy surrounding
792
00:37:42,680 --> 00:37:44,560
John Lennon's remarked that the band had
793
00:37:44,560 --> 00:37:47,720
become more popular than Jesus if it
794
00:37:47,720 --> 00:37:50,200
said where more television is more
795
00:37:50,200 --> 00:37:52,280
popular than Jesus I might have got away
796
00:37:52,280 --> 00:37:53,520
with it happened to be talking to a
797
00:37:53,520 --> 00:37:56,359
friend I used the word Beatles as a
798
00:37:56,359 --> 00:37:58,119
remote thing not as what think as
799
00:37:58,119 --> 00:38:00,160
Beatles as those those other Beatles
800
00:38:00,160 --> 00:38:02,280
like other people see us I just said
801
00:38:02,280 --> 00:38:04,760
they are are having more more influence
802
00:38:04,760 --> 00:38:07,319
on kids and things than anything else
803
00:38:07,319 --> 00:38:09,720
including Jesus but I said it in that
804
00:38:09,720 --> 00:38:12,960
way which is the wrong way y y I wasn't
805
00:38:12,960 --> 00:38:14,440
knocking it or putting it down I was
806
00:38:14,440 --> 00:38:17,760
just saying it as a fact and it sort of
807
00:38:17,760 --> 00:38:20,160
it is true espe more for England than
808
00:38:20,160 --> 00:38:22,680
here you know I'm not saying that we're
809
00:38:22,680 --> 00:38:25,200
better or greater or comparing us with
810
00:38:25,200 --> 00:38:27,960
Jesus Christ as a person or God a thing
811
00:38:27,960 --> 00:38:30,200
or whatever it is you know I just said
812
00:38:30,200 --> 00:38:32,079
what I said and it was wrong or was
813
00:38:32,079 --> 00:38:34,200
taken wrong and now it's all
814
00:38:34,200 --> 00:38:37,320
[Music]
815
00:38:41,119 --> 00:38:44,240
list films like who's Afraid of Virginia
816
00:38:44,240 --> 00:38:46,560
wolf continued to spark conversations
817
00:38:46,560 --> 00:38:49,119
about societal Norms pushing boundaries
818
00:38:49,119 --> 00:38:52,440
in both content and style Science and
819
00:38:52,440 --> 00:38:54,560
Technology also saw significant
820
00:38:54,560 --> 00:38:56,839
developments NASA achieved the major
821
00:38:56,839 --> 00:38:59,200
milestone with the successful Landing of
822
00:38:59,200 --> 00:39:02,119
the surveyor one spacecraft on the moon
823
00:39:02,119 --> 00:39:04,280
this robotic Mission marked a critical
824
00:39:04,280 --> 00:39:06,520
step in the race toward man lunar
825
00:39:06,520 --> 00:39:08,319
exploration demonstrating the
826
00:39:08,319 --> 00:39:10,800
feasibility of soft Landings and Paving
827
00:39:10,800 --> 00:39:13,680
the way for the Apollo program meanwhile
828
00:39:13,680 --> 00:39:16,640
in the Soviet Union the Luna 10 Mission
829
00:39:16,640 --> 00:39:18,480
which had orbited the moon earlier in
830
00:39:18,480 --> 00:39:20,760
the year continued to transmit valuable
831
00:39:20,760 --> 00:39:23,079
data back to Earth intensifying the
832
00:39:23,079 --> 00:39:25,400
Space
833
00:39:25,599 --> 00:39:28,720
Race the summer of 1966 was a
834
00:39:28,720 --> 00:39:31,720
transformative season a time when music
835
00:39:31,720 --> 00:39:34,000
fashion and science converged to shape a
836
00:39:34,000 --> 00:39:36,200
cultural moment that would resonate for
837
00:39:36,200 --> 00:39:38,440
decades from the Innovative tracks
838
00:39:38,440 --> 00:39:40,200
climbing the charts to groundbreaking
839
00:39:40,200 --> 00:39:42,160
space missions the summer was a
840
00:39:42,160 --> 00:39:44,160
testament to the endless possibilities
841
00:39:44,160 --> 00:39:47,680
of human creativity and
842
00:39:49,000 --> 00:39:50,960
vision good evening ladies and gentlemen
843
00:39:50,960 --> 00:39:52,920
and Views are spontaneous and
844
00:39:52,920 --> 00:39:56,160
unrehearsed anyway uh about 53 the girls
845
00:39:56,160 --> 00:39:58,200
like that size or what you know you have
846
00:39:58,200 --> 00:40:02,560
trouble adjusting 5 in Boots I'm 53 yeah
847
00:40:02,560 --> 00:40:04,400
uh no I don't get have trouble adjusting
848
00:40:04,400 --> 00:40:06,760
I kind of like tall girls yeah uh it's
849
00:40:06,760 --> 00:40:08,680
kind of groovy but I didn't ask you that
850
00:40:08,680 --> 00:40:10,640
Davy I asked you whether or not they
851
00:40:10,640 --> 00:40:12,720
like
852
00:40:12,720 --> 00:40:15,119
you Mike let me ask you something you
853
00:40:15,119 --> 00:40:16,720
think you can play another part a part
854
00:40:16,720 --> 00:40:17,920
of another guy what is that what do you
855
00:40:17,920 --> 00:40:19,839
want me to be strong and Silent yeah be
856
00:40:19,839 --> 00:40:20,880
strong and
857
00:40:20,880 --> 00:40:24,359
Silent hey well wellhe I'll be a
858
00:40:24,359 --> 00:40:27,040
girl Mike did the same thing well I mean
859
00:40:27,040 --> 00:40:29,760
that's your hang up man not I mean I
860
00:40:29,760 --> 00:40:31,760
know where it at I can't make decisions
861
00:40:31,760 --> 00:40:33,400
now it's the truth now see these guys
862
00:40:33,400 --> 00:40:35,160
have boots on you know and like I didn't
863
00:40:35,160 --> 00:40:36,760
know I was told to dress casual so I
864
00:40:36,760 --> 00:40:38,079
came in a plaid shirt and my Surfer
865
00:40:38,079 --> 00:40:39,880
tennies you know and my blue La eyes and
866
00:40:39,880 --> 00:40:41,160
then these guys have Beetle stuff on you
867
00:40:41,160 --> 00:40:44,359
know with personal elephant boy it's
868
00:40:44,359 --> 00:40:47,040
funny he's been asking about you too
869
00:40:47,040 --> 00:40:50,079
truly why why do you want to be a
870
00:40:50,079 --> 00:40:52,640
monkey well it's my natural
871
00:40:52,640 --> 00:40:54,480
inheritance I mean
872
00:40:54,480 --> 00:40:58,480
that's life in sept M the television
873
00:40:58,480 --> 00:41:01,119
show The Monkeys debuted on NBC
874
00:41:01,119 --> 00:41:04,040
replacing the Holo time slot fantastic
875
00:41:04,040 --> 00:41:06,400
show for you that over the past two
876
00:41:06,400 --> 00:41:08,280
years now introduced many great stars
877
00:41:08,280 --> 00:41:10,440
but tonight I think we have the greatest
878
00:41:10,440 --> 00:41:11,800
first of all a man who made one of the
879
00:41:11,800 --> 00:41:14,400
most exciting records of the Year Chris
880
00:41:14,400 --> 00:41:16,839
farow and just returned from America
881
00:41:16,839 --> 00:41:18,680
making his very first s appearance since
882
00:41:18,680 --> 00:41:20,680
he left the animals we've got Eric
883
00:41:20,680 --> 00:41:22,640
Burton and throughout the entire show
884
00:41:22,640 --> 00:41:24,119
we're going to have America's greatest
885
00:41:24,119 --> 00:41:26,800
rhythm and blues band last the star of
886
00:41:26,800 --> 00:41:28,599
our show with so many hits we just
887
00:41:28,599 --> 00:41:30,000
didn't know what to start with so we
888
00:41:30,000 --> 00:41:32,319
decided on satisfaction and here is the
889
00:41:32,319 --> 00:41:35,680
great the one and only Mr
890
00:41:35,680 --> 00:41:38,800
spring Ready Steady go aired a live show
891
00:41:38,800 --> 00:41:40,599
by Otis reading performing some of the
892
00:41:40,599 --> 00:41:42,880
most popular songs of the era and is
893
00:41:42,880 --> 00:41:46,180
joined by Eric buron and Chris
894
00:41:46,180 --> 00:41:54,809
[Music]
895
00:41:55,520 --> 00:41:58,200
farlo we got the
896
00:41:58,200 --> 00:42:00,440
right now kids we like to get together
897
00:42:00,440 --> 00:42:03,640
and introduce to you a really great guy
898
00:42:03,640 --> 00:42:05,160
a good friend of mine and a good friend
899
00:42:05,160 --> 00:42:08,400
of yours to sing hold on I'm coming Mr
900
00:42:08,400 --> 00:42:11,000
Eric
901
00:42:11,480 --> 00:42:14,760
Barton hold
902
00:42:15,060 --> 00:42:18,680
[Music]
903
00:42:18,680 --> 00:42:21,839
on As the World continued to change the
904
00:42:21,839 --> 00:42:24,160
Arts began addressing deeper societal
905
00:42:24,160 --> 00:42:26,599
issues Bob Dylan recuperating from his
906
00:42:26,599 --> 00:42:29,160
motorcycle accident remained a dominant
907
00:42:29,160 --> 00:42:31,400
cultural figure despite his absence from
908
00:42:31,400 --> 00:42:34,160
the stage in October
909
00:42:34,160 --> 00:42:37,000
1966 The Who pre-recorded a whole
910
00:42:37,000 --> 00:42:39,880
16-minute slot for Ready Steady go they
911
00:42:39,880 --> 00:42:42,119
M to Batman with an appearance of the
912
00:42:42,119 --> 00:42:44,760
cape Crusader himself this was followed
913
00:42:44,760 --> 00:42:47,400
by I'm a boy disguises and their
914
00:42:47,400 --> 00:42:50,480
showstopper My Generation The Beach Boys
915
00:42:50,480 --> 00:42:52,280
released their groundbreaking single
916
00:42:52,280 --> 00:42:55,079
Good Vibrations a song that redefined
917
00:42:55,079 --> 00:42:57,800
what pop music could be Brian Wilson's
918
00:42:57,800 --> 00:43:00,319
pocket Symphony combined Lush harmonies
919
00:43:00,319 --> 00:43:02,240
unconventional instruments like the
920
00:43:02,240 --> 00:43:05,319
theramin and a kaleidoscopic structure
921
00:43:05,319 --> 00:43:07,599
that perfectly encapsulated the emerging
922
00:43:07,599 --> 00:43:10,000
psychedelic movement it was a technical
923
00:43:10,000 --> 00:43:12,520
Marvel taking months to record and its
924
00:43:12,520 --> 00:43:15,119
release marked a high point in the 1960s
925
00:43:15,119 --> 00:43:17,000
experimentation let's hit real hard on
926
00:43:17,000 --> 00:43:18,599
that very last day flat after we were
927
00:43:18,599 --> 00:43:19,570
Ted a
928
00:43:19,570 --> 00:43:21,720
[Music]
929
00:43:21,720 --> 00:43:24,880
second are we ready let's go she's
930
00:43:24,880 --> 00:43:28,580
giving me the extion
931
00:43:28,580 --> 00:43:31,119
[Music]
932
00:43:31,119 --> 00:43:33,160
the Jimmy Hendrick experience made their
933
00:43:33,160 --> 00:43:35,440
debut live performance in Paris on
934
00:43:35,440 --> 00:43:37,079
October 13th
935
00:43:37,079 --> 00:43:39,800
1966 Hendrick's raw talent and
936
00:43:39,800 --> 00:43:41,599
electrifying stage presence were
937
00:43:41,599 --> 00:43:43,880
immediately apparent setting the stage
938
00:43:43,880 --> 00:43:46,200
for his rapid Ascent to rock legend
939
00:43:46,200 --> 00:43:49,119
status songs like Hey Joe which the band
940
00:43:49,119 --> 00:43:51,359
began performing during this time hinted
941
00:43:51,359 --> 00:43:53,839
at the Revolutionary blend of blues rock
942
00:43:53,839 --> 00:43:56,240
and psychedelia that would soon dominate
943
00:43:56,240 --> 00:43:57,250
the scene
944
00:43:57,250 --> 00:44:03,760
[Music]
945
00:44:03,760 --> 00:44:06,359
in November the monkeys performed Last
946
00:44:06,359 --> 00:44:08,880
Train to Clarksville their debut single
947
00:44:08,880 --> 00:44:11,160
that had rapidly climbed the charts the
948
00:44:11,160 --> 00:44:13,559
monkey combination of catchy pop tunes
949
00:44:13,559 --> 00:44:15,480
and humor captured the hearts of younger
950
00:44:15,480 --> 00:44:19,559
fans making them a cultural
951
00:44:23,760 --> 00:44:26,319
phenomenon the an solivan show continued
952
00:44:26,319 --> 00:44:27,760
to bring music and the living rooms
953
00:44:27,760 --> 00:44:30,440
Across the Nation in December The Mamas
954
00:44:30,440 --> 00:44:32,240
and the Papas performed their hit
955
00:44:32,240 --> 00:44:34,760
California dreaman perfectly capturing
956
00:44:34,760 --> 00:44:36,910
the wful free-spirited
957
00:44:36,910 --> 00:44:42,200
[Music]
958
00:44:42,200 --> 00:44:45,839
vibe in 1966 psychedelia was in early
959
00:44:45,839 --> 00:44:48,160
bloom the Jimmy Hendrick experience
960
00:44:48,160 --> 00:44:50,400
released their first single Hey Joe in
961
00:44:50,400 --> 00:44:53,160
the UK in December Hendrick's virtue
962
00:44:53,160 --> 00:44:55,680
allick guitar work and gritty vocals
963
00:44:55,680 --> 00:44:58,040
marked a turning point in rock music
964
00:44:58,040 --> 00:45:00,160
blending raw emotion with technical
965
00:45:00,160 --> 00:45:02,200
Brilliance in a way that resonated
966
00:45:02,200 --> 00:45:04,800
deeply with audiences The Yard Birds
967
00:45:04,800 --> 00:45:07,200
with both Jeff Beck and Jimmy pige
968
00:45:07,200 --> 00:45:09,559
continued their experimental trajectory
969
00:45:09,559 --> 00:45:12,040
with happenings 10 years time ago a
970
00:45:12,040 --> 00:45:14,440
single that fused psychedelic and protoe
971
00:45:14,440 --> 00:45:16,640
heavy metal elements the song's
972
00:45:16,640 --> 00:45:18,559
Innovative use of distortion and
973
00:45:18,559 --> 00:45:20,720
feedback influenced the emerging Hard
974
00:45:20,720 --> 00:45:23,160
Rock in heavy metal genres hinting at
975
00:45:23,160 --> 00:45:27,000
the Sonic Revolution to come 1966 was
976
00:45:27,000 --> 00:45:29,359
The Year music changed forever becoming
977
00:45:29,359 --> 00:45:31,920
a bold Frontier of experimentation
978
00:45:31,920 --> 00:45:34,680
Innovation and cultural transformation
979
00:45:34,680 --> 00:45:36,800
the revolution that began in earlier
980
00:45:36,800 --> 00:45:39,440
years reached a fever pitch as artists
981
00:45:39,440 --> 00:45:41,920
redefin the possibilities of sound
982
00:45:41,920 --> 00:45:45,079
storytelling and Studio production this
983
00:45:45,079 --> 00:45:47,040
Watershed year mirrored the broader
984
00:45:47,040 --> 00:45:49,040
cultural shifts with anti-establishment
985
00:45:49,040 --> 00:45:52,319
and self-expression at its core songs
986
00:45:52,319 --> 00:45:54,680
like the rolling stones' painted black
987
00:45:54,680 --> 00:45:57,240
and The Who's My Generation became
988
00:45:57,240 --> 00:46:00,040
anthems of defiance while mtown and
989
00:46:00,040 --> 00:46:02,200
stacks artists like Otis reading brought
990
00:46:02,200 --> 00:46:04,640
Soulful authenticity to mainstream
991
00:46:04,640 --> 00:46:07,280
audiences The Beatles abandoned live
992
00:46:07,280 --> 00:46:09,040
performances to Focus On Studio
993
00:46:09,040 --> 00:46:11,880
Innovation resulting in revolver an
994
00:46:11,880 --> 00:46:14,520
album that revolutionize modern music
995
00:46:14,520 --> 00:46:16,400
they demonstrated how the studio could
996
00:46:16,400 --> 00:46:18,599
be a creative instrument inspiring
997
00:46:18,599 --> 00:46:21,280
countless musicians concept albums
998
00:46:21,280 --> 00:46:23,440
gained prominence with the Beach Boys
999
00:46:23,440 --> 00:46:26,119
Pet Sounds blending introspective lyrics
1000
00:46:26,119 --> 00:46:28,640
with symphonic Arrangements proving that
1001
00:46:28,640 --> 00:46:31,040
rock albums could be cohesive artistic
1002
00:46:31,040 --> 00:46:33,480
statements this paved the way for future
1003
00:46:33,480 --> 00:46:35,520
Milestones like the Beatles Sergeant
1004
00:46:35,520 --> 00:46:37,839
Pepper's Lonely Hearts Club Band
1005
00:46:37,839 --> 00:46:40,040
electric guitar Innovation soared as
1006
00:46:40,040 --> 00:46:42,559
players like Jimmy Hendrick Eric Clapton
1007
00:46:42,559 --> 00:46:45,200
Jeff Beck and Jimmy pige redefined its
1008
00:46:45,200 --> 00:46:48,319
role in rock Hendrick's debut single Hey
1009
00:46:48,319 --> 00:46:50,880
Joe paired a raw emotion with technical
1010
00:46:50,880 --> 00:46:52,960
Brilliance while Clapton's work with
1011
00:46:52,960 --> 00:46:55,319
John mayo and the Blues Breakers
1012
00:46:55,319 --> 00:46:58,280
solidified blues rock as a genre the
1013
00:46:58,280 --> 00:47:00,800
yard Bird's experimental happenings 10
1014
00:47:00,800 --> 00:47:03,240
years time ago Fus psychedelia with
1015
00:47:03,240 --> 00:47:05,640
Proto heavy metal influencing Hard
1016
00:47:05,640 --> 00:47:08,359
Rock's Revolution Bob Dylan's blondon
1017
00:47:08,359 --> 00:47:10,720
blonde blurred genre lines with dense
1018
00:47:10,720 --> 00:47:13,480
poetic lyrics exemplified by tracks like
1019
00:47:13,480 --> 00:47:16,400
Visions of Johanna his work elevated
1020
00:47:16,400 --> 00:47:18,559
popular music's intellectual and
1021
00:47:18,559 --> 00:47:22,559
emotional potential 1966 was a year of
1022
00:47:22,559 --> 00:47:24,760
transformation where artists Broke Free
1023
00:47:24,760 --> 00:47:26,880
from straightforward pop songs in
1024
00:47:26,880 --> 00:47:29,000
embraced Cutting Edge techniques and
1025
00:47:29,000 --> 00:47:31,359
explored complex socially conscious
1026
00:47:31,359 --> 00:47:33,839
themes from the Revolutionary sounds of
1027
00:47:33,839 --> 00:47:36,280
revolver to Hendrick's electrifying
1028
00:47:36,280 --> 00:47:40,440
debut 1966 cemented itself as a turning
1029
00:47:40,440 --> 00:47:42,880
point in the history of modern music
1030
00:47:42,880 --> 00:47:44,920
artists no longer saw music as mere
1031
00:47:44,920 --> 00:47:47,160
entertainment it had become a means of
1032
00:47:47,160 --> 00:47:49,760
artistic expression cultural critique
1033
00:47:49,760 --> 00:47:53,800
and personal Liberation 1966 wasn't just
1034
00:47:53,800 --> 00:47:56,400
a year it was a revolution one that
1035
00:47:56,400 --> 00:47:58,400
forever transformed the landscape of
1036
00:47:58,400 --> 00:48:00,800
music and cemented its role as a
1037
00:48:00,800 --> 00:48:04,000
Cornerstone of modern
1038
00:48:04,000 --> 00:48:06,319
culture I
1039
00:48:06,319 --> 00:48:10,599
will to help you if I can
1040
00:48:10,599 --> 00:48:15,319
I to but I I don't think so one song I
1041
00:48:15,319 --> 00:48:16,680
said we got to make the last part come
1042
00:48:16,680 --> 00:48:18,960
out fast twice as fast as it
1043
00:48:18,960 --> 00:48:23,440
[Music]
1044
00:48:23,440 --> 00:48:25,680
does oh why don't you why don't you move
1045
00:48:25,680 --> 00:48:30,240
around man you come on my chair71559
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