Original subtitles

- Good evening. - Good evening.

How are you?

All right, Susana? Very well. You�ve been going out more and more.

Yes, my boyfriend is picking me up.

- Are you dating? - Yes, it�s official.

I�m very happy.

Things are happening fast.

Congratulations, truly.

Thank you very much.

Did you hear the national broadcast?

Just a little. I�m not very interested in politics.

But the president�s speech was strong.

- Really? - Yes, he announced a series of measures.

Let�s hope they work.

- We�ll have to wait. - Yes.

My carriage has arrived.

Hi, my love.

Good evening.

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Good evening.

- How are you? - Hi, my precious.

Hi. Well, see you later, Eliseo.

- Enjoy your night, Susana. - Thank you.

See you later.

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d opening theme d

THE BOSS 4

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Susana, Susana, what have you done to me?

No!

- No... - What is it?

That horrible noise!

Ugh, what a nuisance! Let me sleep.

- Did you hear it? - Use earplugs.

I don�t have earplugs, didn�t you hear me?

Take a Zolpidem and stop complaining, okay?

Oh my God...

Oh my God...

It�s him. It�s him! That filthy bastard. It�s him.

- Who? - Eliseo!

Enough already!

That son of a bitch...

- Oh! - Open the door!

Open up, bastard!

Eliseo, open the door, you bastard! I know it�s you.

Curse you!

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Open up, bastard!

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You bastard, come out now!

You asshole!

Open the door!

You�re ridiculous!

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- Hello, Doctor. How are you? - Shitty.

The pipe made noise again, and you couldn�t sleep?

You know perfectly well what happened. I don�t need to tell you.

No, Doctor. I know absolutely nothing.

Unfortunately, we�ll have to break in.

But we have to wait, because the Di Lella family is in Miami.

Funny, isn�t it?

Last night, when the noise came back,

I went upstairs.

And the elevator was in the Di Lellas� lobby.

- Strange, isn�t it? - No, it isn�t strange.

They must have pressed the wrong button.

Pressed the wrong button and teleported into their apartment?

No, it�s like this. For example...

You go up and want to go to the sixth floor,

but you miss and press nine.

Automatically, you realize it and press six.

You get off on six.

But when the elevator doors close, where does it go?

To nine and it stays there. It�s that simple.

Hmm...

Oh, you�re tired? Why? Didn�t you sleep last night?

Yes, I went to bed early. By ten-thirty, I was already in bed.

I ate some rice pudding that was left over from lunch

and went to sleep early.

Of course, of course. Well...

It�ll be fine, Doctor. We�ll handle it, don�t worry.

Yes, of course you�ll handle it.

- And you�ll handle it soon. - Yes.

And you won�t have to break anything, I guarantee it.

Well, have a great day, Doctor.

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This is a small company.

We all know each other.

Why didn�t you tell me your boyfriend was Froil�n Ravarotto?

He was the super a block away.

They say he�s a bit of a violent man, Susana.

He went kind of crazy because he�s been in combat.

We shouldn�t believe everything people say.

I look him in the eye and I trust him.

He�s a teddy bear.

And a man, of course he is.

A man who knows what to do in front of a woman,

knows how to make her feel things she hasn�t felt in a long time...

- Well, you don�t have to. It�s fine. - Sorry.

I felt I had to say it so nothing would happen to you.

Always looking out for others.

- It�s my pleasure. - No, thank you, Eliseo.

- I�m fine. - Don�t mention it. Have a good day.

You too.

- You too. - I felt it was my duty. I�m sorry.

Don�t worry. Thank you.

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Cheers, Eliseo.

In all my political life, I�ve never seen numbers like these.

The polls grew exponentially after my speech.

Well, your speech.

No, no, your speech, please.

My part was only... a contribution, nothing more.

No, please, don�t be modest.

That�s why I came. Listen.

I really hadn�t thought about reelection,

but now, after this...

the idea of a second term doesn�t seem so far off.

Very good, sir, very good.

You seem a bit distracted. Did something happen?

No, no, sir, no.

Just some things in the building, that�s all.

You can count on me.

All right.

Well, since you say so, may I ask you a small favor?

Yes, of course, of course.

It�s about speeding up

the adoption paperwork for a Haitian child.

There�s a doctor who lives in the building and wants to be a single mother.

And I want to help her. Is that possible, sir?

- Count on me. - Thank you. Perfect.

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Just look at what it has: the lobby and the side garden.

Hey!

What are you taking a picture of?

- No, no. - Are you taking pictures of me?

No, what?

Wait, wait.

What are you doing? Explain! Why are you taking pictures of me?

Sorry, boss, I was taking a picture of the building.

What do you mean, "the building"? Who told you to take pictures?

We work for the production company Estepa Films.

We�re doing production services for a Colombian coffee commercial

and we�re looking for a building like this one.

Well... Then you�ve found the right person.

- Right. - I�m in charge of location rentals.

Eliseo Omar Basurto. Nice to meet you.

- How are you? - Eugenio Silva, location manager.

Nice to meet you, Eugenio. Very good, huh? You�ve got a good eye.

It�s ideal, isn�t it? For the screen.

It�s a building...

that�s forty-five years old.

A brutalist style...

with those V-shaped concrete supports.

For the camera, they say it all.

The building has a lot of personality.

Maybe, but I imagine

there must be a lot of residents in the building.

Do you think they�ll allow filming to be done here?

I think so. I�ll take care of it. We have to talk numbers, obviously.

If you�d like, come into the building with me

and we can talk about the contract.

- Of course. - I�ll show you in, please.

What I�d like to know

is who takes responsibility if something breaks.

Because I know people who�ve made their home available for filming

and 300 people come in, trample all over everything, and make a mess!

Well, I talked to them, and they seem like serious people.

Besides, there�d be insurance.

I�ll be keeping an eye on things the whole time.

Sorry I�m late. Hi, love. How are you?

Have you decided?

How are you?

What were you talking about? It was about that commercial, right?

- Yes, we�re just getting started. - Ah...

Can we read the script?

In case it�s ideologically awful and we end up associated with it.

We can ask,

but I don�t think they�ll allow any creative interference.

Even so, could you ask, please?

- Yes, of course. - Thank you.

And how is it going to work, operationally?

I mean, I have to come in and out with Faustino.

We can�t miss the mom-and-baby swimming class.

The main elevator will be shut down, we�ll use the service one.

We can come in and out through the garage so we don�t interrupt the shoot.

One more question, are they bringing any celebrities?

Well... definitely.

It�s a Colombian commercial, so they�ll probably be famous there.

I�ll build on what Messina said, which is important.

Since the production is foreign, the fee is in dollars.

Equivalent to six months of the building�s expenses.

You can do whatever you want, but I think it�s...

an unnecessary foolishness.

To reduce expenses, there are other ways.

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Soon I�ll bring very good news.

So... All right, let�s vote.

Guys, how are we on time?

We can�t wait any longer.

No, I know. I already told them.

Juancito, give me a hand. Pedro�s here.

Hi, Pedro. How are you?

- Good morning, beautiful people. - How�s it going, Pedro?

-Juan, assistant director. -How are you, Juan?

Demi�n will take you to wardrobe.

- Yes, sir. - Welcome.

- Who�s that? - He must be the actor.

Oh... I�ll ask for a photo, then.

Why a photo, Miguel?

Because he�s probably famous.

And it gives me an excuse to text Lola,

she loves celebrity stuff.

How "nice"... How "great"...

Be serious, Miguel, for once in your life!

Focus!

Please, don�t bother them. This is an international production,

it deserves a different attitude, different behavior.

I�m going to ask you a favor...

Go check the garage bathrooms, take a look at the cleanliness.

If the crew asks, "Where�s a bathroom?"

"Here, with a voluntary contribution."

Whichever one they want, of course.

Eliseo, if I go downstairs, I�m going to miss everything.

The shoot, the actors...

You�re no fan, I know you very well, Miguel.

Eliseo, there�s a cab that needs to pass.

He says he lives in the building. Some guy named Froil�n.

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I don�t know what you�re planning, but I�m going to stop you. Get out.

Oh yeah? You�re going to stop me?

Exactly. Get out of here.

Hello, blonde of my life!

- Hi, Eliseo! - Hi.

- Please, clear the way! - What did he say?

That you need to move, because they�re working.

Yes, let�s go in. I�ll help with the bags.

No! That�s what Eliseo is for. Get the bags, please.

Of course, of course.

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Clear the area, please.

You may come in.

What a lovely love nest. We�re going to be very happy here.

- Yes. - I loved it.

Well, I�ll leave you to it.

Can I ask a favor, Eliseo?

Could you get me a spot in the garage to park the bike?

No. You know there�s no space, Susana.

The garage is full, unfortunately.

- What a shame! - Yes.

But it�s just a bike, isn�t it?

I�m sure you�ll manage to find a place.

The garage is big.

Well, since it�s you, I�ll try to find a spot.

You�re always a saint.

Well, since he�s "such a saint,"

remember you told me you had a problem with...

Ah! Yes, yes. Thank you, yes.

It�s just that a lot of water is leaking

from the kitchen sink.

It must be the trap that�s already old.

Couldn�t you take a look?

I won�t be able to, Susana.

Because I�m very busy with the shoot logistics...

- Oh... - Unfortunately.

But don�t worry.

Froil�n will fix it in two seconds,

won�t you?

- I�ve never done that. - Oh...

- I can�t fix anything. - Oh! What a surprise.

If you can, come on. Can you do me a favor?

No, I... What are you doing?

Froil�n, please. Susana, have a good day.

Thank you.

VOLUNTARY CONTRIBUTION

BATHROOM

It�s voluntary.

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Scene one, shot two, take seventeen.

Don�t walk, please, so you don�t cause reflections. Action!

- Can I listen? - Yes, of course.

In this job, it�s always hard not to fall asleep.

It�s always hard to stay awake.

And to keep me alert,

nothing beats the new "El Vigilador" coffee.

Because you can never have too much caffeine.

No. Cut. Pedro...

you have to look at the camera, seriously,

don�t laugh at the end. Please, I�m begging you.

Yes, it�s just that the laugh was something that came to mind.

- I thought it looked good. - That�s the problem, right?

We didn�t hire you to think. Do what I tell you, okay?

Holy Virgin Mary, you don�t have to get mad.

- You don�t need that. - What is he saying? I don�t understand.

Let�s try again, please.

One more, everyone. Let�s go!

Scene one, shot two, take eighteen.

Pedro, remember the cup position.

- Sure. Here? Is this okay? - Let�s go! Action!

In this job, I always have... No.

In this job, you always need... Always...

No. Cut!

Pedro...

Please, focus, brother.

- Take twenty-nine. - Action!

In this... It�s just someone spoke.

- We�re rolling. - Quiet, please.

- They distracted me. They distracted me. - Cut!

- Let�s try again, see if it works. - Yes, yes. Yes.

- How does it start? - In this job...

The cup, Pedro, the cup on the table.

Let�s go from the top, please.

- Take thirty-six. - Action!

I have to drink the best coffee...

"El Vigilador."

Roasted.

Intense.

Because you can never have too much caffeine.

Cut! Cut! Cut!

No, no, Pedro, no, no, no...

That�s not it.

I don�t know, take a break, get some air,

I don�t know, let�s stop.

I�ll send the guy back if it doesn�t work.

We�re stopping. We�re stopping for a few minutes, guys.

What the hell was that, my God?

In this job, you need to make sure you�re always awake.

In this job, you need to make sure

you�re always awake, always.

Excuse me. It�s not going well, is it?

No, no, sir.

I can tell.

- May I sit? - Yes, of course, of course.

Let me ask you something. You�re not an actor, are you?

No, no. Well, yes...

No, let�s just say I�m taking my first steps.

Yeah, I could tell. I figured.

I�m going to give you the best advice in the world.

Don�t act.

- What? - You heard me. Don�t act.

Just say your lines. Nothing else.

Say it for me, please. Like the camera is already here.

Let it go. You can�t have the text.

By now, you should have learned the lines.

I am the camera.

All right: one, two, three, action.

In this job,

I need to make sure I�m always...

awake...

watching...

alert.

How many things?

It�s a carnival of gestures.

You need to control your own instrument.

You do strange things, you move your hands, you gesture,

you smile when you don�t need to smile.

Do you get what I�m saying?

Shall we go again?

Pedro Coral Tavera, your new friend. And you are?

The super.

Very good, the picture is looking nice.

- Thank you. - Have a cup of tea when you can.

Honey, ginger, and lemon to clear your throat.

Thank you very much. May God repay you, truly.

Anything you need, and not just for the shoot,

call me while you�re here.

A tour around the city, something food-related,

currency exchange, massages.

- Massages. - Of course. Perfect.

We have several, like Thai,

Californian, and Hawaiian lomi-lomi, which is extraordinary.

All right, then the one you think is most complete.

- Any specific area to work on? - Lower limbs.

Lower limbs.

Any preference?

Yes, someone strong, to loosen me up.

So we�ll go with the fun massages, right?

- Fun? - Happy ending.

No, no, how could you think that?

Holy Virgin Mary, no, no, no, no, no!

- Sorry. - It�s a pain I have here in my lower back.

It won�t go away and it bothers you?

Yes, in the sciatic. I need them to work there...

Sorry for the confusion. It�s a relief for me, then.

Don�t worry, the therapist will be here soon

and will take care of it. Don�t worry.

Mr. Coral, we�re ready to shoot.

- We�re coming. Drink a little. - Yes, yes.

It�ll do you good.

- Thank you. - Let�s go, let�s go.

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In this job, I need to make sure I�m always awake.

And to keep me alert,

nothing beats the new "El Vigilador" coffee.

Roasted, intense, because you can never have too much caffeine.

"El Vigilador" coffee.

Intensely roasted.

Because you can never have too much caffeine.

Mr. Eliseo?

- Oh... - How are you?

I was looking for you to give you this.

It�s a bottle of "Uguaro aguardiente", as it�s called in my country.

You can�t imagine, this is made by a poor guy�s girlfriend,

but it�s top quality, it�s wonderful!

Thank you very much, you didn�t have to.

I did. You were very kind to me.

Don�t forget you have a restaurant reservation today at 9:30 p.m.

It�s under my name. I�m sure you�ll be well taken care of.

- You take care of everything! - Oh...

Everything!

When you come to Bogot� at my invitation...

I�ll treat you like a king, like a prince, because you deserve it.

It was a pleasure.

- Well... Oh, I get it. - Give me a hug.

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- See you in Colombia. - Of course.

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Good morning.

Good morning, Mr. Super.

Listen here, idiot...

when are you going to fix the trap?

I can�t. I�m busy. Huh?

So you�re saying you�re going to be defiant? Look me in the eyes.

It�s just that I don�t do repairs in private homes.

I do it if I want to. If I don�t want to, I don�t.

You know what you can do?

Read the superintendent�s duties again,

in case you�ve forgotten, Froil�n.

In case you�ve forgotten.

Is that it?

That�s it.

- Then it�s a deal. - A deal. Fantastic.

Thank you very much. Have a good day.

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Look what I brought you.

Top-quality stuff.

Want some?

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Enough! Enough, that�s enough.

This afternoon I�ll do the job. Now get out of here!

- Great. - Get out. Get out.

Thank you very much.

You�re welcome.

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Hi, Doctor. How was your shift?

No, I�m not coming from the hospital.

I got a call from the agency telling me to come sign some papers

because the case went through.

Eliseo, they said someone high up called because of you.

What did you do?

Well, I have my contacts.

The main thing is the problem was solved, Doctor.

I don�t know how to thank you for that.

Nothing to thank me for. And how�s that going?

The next step is to go to Haiti

to start the bonding process with Diodon�s.

How exciting!

Yes, now it�s my responsibility.

Don�t worry.

You�ll be a great mother. You�ll see.

- Thank you. - Yes.

Be careful in Haiti with the cholera problem.

Always bottled water, right?

- Right. - Great.

I�ve had this on my mind for a while.

I didn�t want it to come to this, but I have no choice.

Spit it out! What�s the problem?

He�s not just the super, he�s also an owner.

He conned an old lady and got an apartment out of it.

So, to kick him out,

we have to make sure he doesn�t come back to live in the building.

Try using a little kitten.

-What? -A woman, I mean.

Like everything in life.

A woman shows up, and she can do whatever she wants with him.

I understand the point. But he�s a bit tough in that area.

But he�s right, a woman could perk him up.

Empires have fallen because of a woman.

Let�s see... Once, he took an interest in a...

in a nanny with a long-suffering face,

basically a maid.

He has a type, kind of...

vulgar.

He likes the worldly, the ordinary.

I insist, it�s hard to get to him that way, because he�s averse to love.

A celibate?

Yes, a Tibetan monk.

So...

I�ve been thinking of a maneuver, maybe...

complex,

but I think we can reach an agreement...

and win together.

In concrete terms, what is there to win?

Well, the apartment that bastard inherited is two hundred and fifty square meters.

Well...

It was appraised at three thousand dollars per square meter in this area.

He leaves, we sell it, and split the loot.

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Hi, Eliseo. How are you?

Hi, dear. All good? Who�s it for?

All right. Today we have: 5A, Gonzalo Saralegui.

I know.

- Hello? - A package for Mr. Gonzalo.

- I�ll let him know. - All right.

- I�ll leave it here. - Let�s see what he ordered.

That�s quince jam.

It�s in a wooden box.

About four pounds.

- No preservatives, pure fruit, yes. - Yeah?

Mr. Gonzalo has a real sweet tooth

and he always likes to eat sweets at night before bed.

Who doesn�t?

- That�s him. Mr. Gonzalo. - Good afternoon, Eliseo.

- A package arrived. - Great, I�ll take it.

Excuse me, what did you order?

- Quince jam. - Do you like it?

I love it, and I always crave sweets.

Perfect.

I like sweet potato more than quince.

I�ll bring you some. You�ll love it.

- Don�t worry, you don�t have to. - Thank you very much.

- See you later. - Bye, Eliseo.

- Have a good day. - Thank you.

-You�re the best, Eliseo. -No, it�s not that.

I know them like they were my children.

- Do you want to know something dirty? - No.

Did you see Su with that bland little nun face of hers?

You have no idea what a slut she is.

Look...

And she likes having sex

here in the kitchen, standing up.

And she looks out the window...

at my old building.

So she feels like she�s being watched over

by a top-level superintendent.

And I grab her little body like this...

and I start to...

- Stop it. - Just the way it should be.

Stop that, please.

Everything okay?

Yes, everything�s perfect, Susana.

Everything. I was just telling him your grandkids are wonderful.

Oh yeah? The new grandpa is already drooling!

Yeah, I�m like that with kids.

That�s how he is. That�s how he is...

I�m "so" happy he�s like that.

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That damn bastard...

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Listen, they�re plotting something to bring Eliseo down.

Oh yeah?

Yes, they want to get him fired and also kick him out of the apartment.

And how do you know?

Dr. Zambrano told me.

The bald guy? The...

The one who used to be the union�s lawyer?

That�s him.

I also added my little grain of sand.

By raising the issue with my superiors at the union...

I brought a folder with lots of documents, just in case.

If you want to help, you can talk to Dr. Zambrano.

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If you need me, tomorrow. I�m leaving now.

Just a minute. I brought you something to read.

- Subject? - Basurto.

Which Basurto?

Eliseo, the superintendent.

Ah...

The team put together a routine profile.

They sent material on Eliseo from the superintendents� union.

Well, the union is always very unpleasant.

I thought the same, but there�s solid evidence here.

This guy did a bunch of nasty things.

Schemes everywhere.

Bribes, price gouging. He lets people occupy apartments!

He blew up a boiler. He almost killed a little boy.

The best thing to do would be to arrest him.

Keeping him around is asking for trouble.

I�ll leave this here. Read it at your leisure.

We�ll continue tomorrow.

All right.

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SAVED!

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Don�t you have enough space at your place to bother people

and you have to come bother me?

Get out of here. Come on, Froil�n, out.

Enough.

A little is fine, but that�s enough.

They�re going to set you up.

Excuse me?

You heard me, Zambrano and some of the owners here...

they�re going to set you up.

They�re cooking up a plan to bring you down.

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And why would you...

help me by telling me this?

Because now... I�m your boss

and I want you sitting right there so I can use you and humiliate you

whenever I feel like it.

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You know how wonderful it�ll be for us to be together?

And now...

I�m taking my lady to bed.

Excuse me.

I want the hand out.

It�s important that the hand be visible.

And also try not to cut off other parts of the body.

Especially from the waist down.

What�s going on? What is all this?

- It depends. Are you Eliseo Omar Basurto? - Yes.

Right. I�m Dr. Federico Elizondo, from Prosecutor�s Office Number Eight.

It�s my duty to inform you of the charges against you.

Charges? I don�t understand, what charges?

In the context of the action seeking to challenge

the will of Ms. Beba Montes de Oca,

on the grounds of her alleged incapacity to make a will,

in which you also appear as a suspect in the crimes...

of coercion, damage to private property

and threats.

Well, that�s a lie.

Who filed the complaint, Dr. Zambrano?

- The details are in the summons, sir. - Sure.

It also specifies the date, time, and place where you must appear

to give a statement, correct?

- That�s right. - Good.

I have a lot to say. So, thank you very much.

- One more thing, Mr. Basurto. - Yes.

While the court deliberates,

an order has been issued for a perimeter restraining order

and removal from your home

to prevent you from intimidating witnesses

and entering the apartment

at the risk of destroying evidence against you. Please.

This is the ruling.

Here you go.

But this is an abuse.

You can�t forbid me from going into my own home.

Unfortunately, yes, sir. I�m going to ask you to leave.

Well, I can�t leave like this. I don�t have...

I only have these clothes. I need to...

get some cash and I have to take my little plant with me.

I suggest you listen to the prosecutor.

If you want to go in, have your lawyer make a formal request.

Please don�t make me stop you.

I have to give Mrs. Tatiana in 3A these custard buns from the bakery.

- I�ll deliver them and leave. - We�ll deliver them. 3A?

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Sir, please, I�m asking you to leave.

Thank you very much.

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Oh, they�re fresh.

Anyone want a custard bun?

No? Well... I�ll eat one.

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EL ENCARGADO 4

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