Original subtitles

Previously on From.

Come here, come here. Tabitha sees Jim's body.

Knowledge comes at a cost. They killed Jim because of us.

And Cooney.

It means remember.

These kids keep calling you back to help them. How do we do it?

I'm working on it.

Julia and Ethan, I don't know how, but I'm going to find a way to take care of

them, to keep them safe.

Hey! What did you do?

Why did you come home?

I did nothing!

You're lying!

I want Dad!

Ethan.

Ethan and Jim hug.

The night we arrived here, you had a dream.

Lake of Tears?

It's here, and I need you to find it.

Ethan called it story walking. I need you to give me some time, even if it

bad. Julie entered the ruins.

It suddenly gets very dark. Jim peeks out the RV window.

Dad!

Adults! Do I get it?

No! No!

Lord,

please protect us in this dark place.

Please stand by my daddy's bedside and let him wake renewed in your love.

My father died.

I'll talk to Boyd about a burial.

If people find out what you did... Help!

No!

That's the kind of thing that could tear this place apart.

You're going to tell them that you lost your eye trying to help us.

Christy gets into the ambulance with Acosta.

I'm a good person, and I don't deserve to be here.

Get to strength.

What I'm doing is getting out. There is no way out. The ambulance drives over

the pipe drip.

What the fuck is wrong with you?

I gave birth to one of them. Dad, tell her that's not what you're saying.

It's the one I killed.

I told all of you that there was something inside me.

Elgin sits alone in the dark kitchen at Colony House. He is hunched over with

his bandaged hand resting on the table.

Fatima strolls in and stops when she sees him.

Fatima goes to the sink. Elgin watches her with a blood -stained gauze patch

covering his left eye.

Fatima looks down, keeping her back to Elgin.

The young man watches her with a raised eyebrow.

She turns around.

Are you okay?

He shakes his head.

At least I deserve to be.

Fatima puts her water on the table and sits down with Elgin.

Elgin, I don't want to hate you.

This place took advantage of both of us.

None of us will be the same again.

Will we?

No.

We won't.

Fatima looks down and furrows her brow.

There's something I need your help with.

At the station, Boyd sleeps on his back in the twin thighs bed.

Abby, stop!

Oh,

shit.

Oh, shit.

Boyd opens the locked room where a cot that sits on a cot with her knees up.

You want to tell me what the hell that was yesterday?

No, really.

You're going to have to do a little better than that.

What do you want me to say?

I want you to tell me that you're not going to lose your shit again and put

people's lives in danger.

You got lucky yesterday. You understand that?

If Christie had gotten hurt, you and me.

Having a different conversation right now.

Clever that was yesterday. That wasn't me, all right?

I don't want to be here. We're good. We're working on that.

She shakes her head and bites her lower lip.

You know, Chrissy told me yesterday that she's seen dozens of people with dozens

of schemes about how to leave this place.

There's only one thing that they have in common.

You know what it is?

This time feels different.

Yeah, it's probably what they thought.

Can you give me a bullet?

I only need one.

I'll go into the woods.

And look, don't worry, you won't even have to clean it up.

Her eyebrows raise as she peers at him with pleading eyes.

A cloth is pulled up over the minister's face.

Christy and Mariel wrap him while Sophia watches.

Kenny enters with a couple helpers.

Sophia, I brought you some things from your dad's car.

Thank you.

We're going to take him down to the service now.

Can I have a minute to say goodbye?

Yeah, of course.

We'll be right outside when you're ready, okay?

Okay.

Mary will give Sophia a gentle pat on her shoulder as she passes her.

Christy limps out on her crutch.

Alone, Sophia turns to the minister's corpse. She runs her hand up his covered

body, making her way to the head.

She smirks as she pulls the covering back, revealing his face.

She brings her face close to his.

She reaches her hand into his mouth and starts to wiggle it

around.

The grin on her face grows more intense.

She pulls back, smiling wide.

and looks down at the bloody tooth in her hand.

Cut to black.

A Myth Hangs Over a Thick Forest of Trees Opening Credits An MGM Plus

Series From When I was just a little boy I

asked my father what will I be

Harold Pierino, Catalina Sandina Moreno, David Alpay, Ricky He, Elizabeth

Saunders, Scott McCord, Robert Joy, Chloe Van Lanshoot, Pega Gafori, Cordian

Moore, Avery Conrad, Hannah Cherami, Simon Webster, A .J. Simmons, Kaylee

Nathan D. Simmons, Samantha Brown.

Angela Moore, Julia Doyle. A child's crayon drawing appears of a car

by black birds. Another drawing portrays a boy and a girl with a dog. A picture

of crows gives way to real birds flying in the sky. Two houses are replaced by a

crayon drawing of the same. A drawing of a diner is followed by a tabletop

jukebox turning itself on. A ragged and dirty American flag flaps in the wind

while a crow flies by it.

Father, what will I be?

Ray's garden beds sit on a dried -up patchy lawn outside an imposing gray

with peeling paint. A crayon drawing reveals a girl with blood running from

eyes and rib bones sticking out of her chest. Another depicts a black demon

hovering over a bed with a child hiding beneath it. A drawing of an eyeball

looks through a keyhole. Several more drawings of faces with patches of red on

them lead into a photo of a child's room with blood splattered across the wall

above the bed.

Executive Producer Harold Piranel, Lindsay Dunn, Michael Mahoney, Michael

Wright, Alex Strung, Anthony Russo, Joe Russo, Mike LaRocca, Jack Bender, John

Griffin, Jeff Pinkner, Josh Applebaum, Andre Nemec, Scott Rosenberg. Created by

John Griffin. Written by John Griffin and Kristen Layden. Directed by

LaRoche. Red neon lights from a diner and a motel illuminate a neighborhood at

night.

With his notes and drawings hanging on the wall in front of him, Jade sits

-legged on top of the desk. His eyes are closed and his breath is calm.

Fuck!

Jade gets off the desk and starts pacing.

Jade. What?

Tell me you got something. Oh, that doesn't fucking look like I have

I... Oh.

Okay. Jade points to his head.

It's in here.

It's in here. I know it is.

There's more to what we need to know, and I just, I can't... Well, fuck it.

You don't have any acid, do you?

What?

LSD.

What? Listen, Henry said Miranda started seeing this place after an acid trip

they took, which kind of makes sense, given, you know, how the brain stores

memory. If it worked for her, it stands to reason it could work for me. Oh,

okay.

Take a breath.

Take a breath.

If you're right...

Everything we need is in your brain, and the last thing we need is for you to

scramble it.

Just take a little time.

Get back to this after the funeral.

I'm not going to the funeral.

He shakes his head at Boyd.

Trust me, I won't be missed.

Look, the best thing I can do for Tabitha, for everybody here, is just

find a way to unlock whatever's locked in here.

How are you going to do that?

Jade tosses his hands up.

I don't know.

Hey, Jay.

Be careful.

The message on the barn wall wasn't fucking around.

Whatever answers you may find, we have no idea what they're gonna cost.

Jay turns and heads out the door.

Town spokes stand in the cemetery surrounding two graves.

Tabitha approaches holding Ethan's hand with Julie behind them. Ethan fidgets in

an oversized blazer.

Are you okay?

She doesn't fit.

Honey, I'm sorry.

It was the only thing I could find in the shed.

You don't have to worry if you don't want to.

Yes, I do.

At Grandpa's funeral, my dad said a man wears a suit to show his respect.

I'm very handsome.

Let's go.

They stop at the edge of one. Fatima puts

a hand on Julie's back as she looks down on the shrouded body lying below.

Sophia eyes her with a creased brow from beside the other grave.

Donna stands next to Boyd.

Days like today.

They're not easy.

I'm not going to stand here and try to tell you that... A crow lands on the

of a grave.

The townsfolk look up to see a sky full of crows circling above.

Some fly down closer while others perch on a nearby

roof.

Void? Void holds up his hand, staring up at the black birds.

Sophia watches with interest.

Tabitha sits with Ethan and Julie at the diner. Sophia sits alone at a table

eyeing them.

Need to eat.

I'm hungry.

Victor enters and gazes around.

He steps toward the family and stands at their table, looking at Tabitha.

With a somber expression, he pulls a piece of paper from his pocket.

When I was a boy, I drew pictures so that the pictures would remember.

This is for you.

He lays a crayon drawing on the table. Ethan picks it up and looks at it, then

lays it back down.

Tabitha picks it up. The childlike illustration depicts Jim and Tabitha

Julie and Ethan.

and their RV in the background.

That's very sweet, Victor. Thank you so much.

Tears run down her cheeks, and Tabitha turns her face toward the window.

Ethan looks at Victor, then turns to his mother.

Can I go to the colony house with Victor?

No, not today.

Please. I don't want to be here.

Tabitha lowers her gaze, then turns to Victor.

Is that okay with you?

Yeah.

She nods and gives Ethan a hint of a smile.

Be safe, okay?

I'll make sure that nothing happens to her, I promise.

Okay.

Ethan and Victor leave.

Kenny sits down at Sophia's table with a mug.

Here, you drink this, and, uh, Bart is just whipping you up something to eat.

Has anything like that ever happened before?

With the... the crows?

No. I mean, everybody sees them when they see the trees, but that's, uh...

that's new.

When did it get like this?

What do you mean?

Well, Sarah, the girl who helped me with my glasses, she... she said that after

Sheriff Boyd found the talisman that for a long time people were safe.

When did that change?

It was, um, I guess it was around the night that my dad died.

We had lost a family the night before, the Pratts.

And then Jim and Tabitha, the Matthews family, they showed up with Jade.

They came all together?

Um, not in the same car, just they got here at the same time.

And ever since then, things have been bad?

Kenny furrows his brow.

No, no, that's not what I mean.

Hey, Kenny.

You mind if I borrow him for a second?

I'll be back.

Hey.

Uh,

Sophia, right?

I'm Julie.

I know.

I just wanted to tell you I'm really sorry about what happened to your dad.

How's she doing?

Are you fucking kidding me? I didn't mean to upset you. I'm sorry. What the

did you mean to do then?

Hey, Julie.

No, she thinks it's our fault.

Hey, okay, everybody, let's take a breath.

Did you tell her that all of the bad things started happening because we came

here?

No, no, that's not what I meant.

Let's go home.

Oh, fuck this.

This is not our home.

Julie storms out, and Tabitha follows after her.

Julie.

Julie, stop!

Do you think it's true?

What? That when we got here, that all of the bad things that have happened since

we got here, do you think it's our fault?

No, honey. Of course not.

Why did it feel like those crows were celebrating?

Sophia stands at the window watching Julie and Tabitha argue.

She suppresses a smile as Kenny approaches.

Sophia.

I'm sorry, I didn't... It's okay.

We need to talk.

Okay? Okay.

Poor Julie.

Fatima walks with Ellis.

Yeah.

It seems like a lifetime ago that we made that little face we're in our room.

Yeah.

Hey.

Ellis stops and turns to face Fatima.

You know, you haven't really talked much.

About what happened?

I'm trying to be okay.

I am. I just... I'm trying to let go of this. I just don't know how.

You know what? I have an idea.

Stay right there. I gotta grab a few things.

Where are you going?

Stay right there. I'll be right back.

Elgin trudges toward the forest holding an insulated cooler. He gazes at Fatima.

She catches his eye and looks around before subtly nodding at him. He

Victor enters his room with Ethan.

Oh, look.

Ethan, my dad is my roommate now.

This is his bed right here.

Yeah, it's a good thing that I threw all my stuff out the window because then it

made all this space.

It's nice having a roommate now, too, because you have someone to talk to, you

know, if you're afraid.

And you can talk to me, you know, if you're ever afraid.

Ethan stares at Victor, expressionless.

Are there any lakes here?

What?

Lakes. Have you seen any lakes here?

Uh, there's the...

There's the Brundles. That's not very far from here.

Can we go see it?

What? No, I don't like it there.

Water's creepy.

Please.

Why do you want to go see the Brundles?

Never mind.

I'll find it myself.

No, but you're supposed to stay here with me.

I don't care.

Well, I do.

I just need to see the lake.

Why? Friends aren't supposed to keep secrets.

Ethan? Fine.

If you take me to the lake, I'll tell you.

Victor tightens his jaw and looks away.

Tabitha walks into her house.

She stands by the door for a moment and then wanders into the next room, looking

at the picture that Victor drew.

She paces toward a credenza, folding up the picture as she goes. She yanks open

the drawer.

She tosses the picture inside and notices the drawing of the lighthouse.

She picks it up and studies it. A flashback of Tabitha standing before the

towering lighthouse plays.

In the present, Tabitha bites her bottom lip as her eyes move.

She sits down at the kitchen table with the lighthouse drawing.

She thinks for a moment, then flips it over and starts to write on the back.

Julie rummages through a tool shed, looping rope over her shoulder and

flashlights to find one that works.

She glances around as she steps out and is startled when she sees Randall behind

the door.

What are you doing out here?

Saw you walk off alone.

Thought you might be doing something stupid.

Like going back to the room?

Go away. She walks off, and Randall follows.

Julie. I'm not going to the ruins, okay?

I need to get something from our house.

Okay.

Our old house.

The one that collapsed?

No, no fucking way.

I was inside that thing when it came down, remember?

It's too unstable. Okay.

Look, look. All right, stop, stop, stop.

He steps in front of her.

What's in there that's so important?

I told you that thing that I can do.

My brother called it story walking.

I learned about it from one of his books and all his books are under the house

now. I need to know if there's anything in there about how to control it so I

can go back and save my dad without getting killed.

And maybe that is stupid, okay? But I'm not asking your permission. I'm going.

So you can help me or you can leave me alone.

Randall nods and glances over his shoulder.

Then he turns back to Julie.

Give me that.

Boyd approaches the room serving as a makeshift jail and pauses at the door.

looks in through the glass at Acosta, then enters.

Acosta looks up from the cot.

You still want that bullet?

There's something I need you to do for me first.

What's he doing?

I think he's sleeping.

Jade?

What?

Let's go.

We just got here.

It's not what I'm looking for.

How do you know that?

I just do.

Ethan, you promised that if I brought you here, you would tell me.

I need to find the lick of tears.

It's a lake with magical powers.

What kind of magical powers?

It can make people better when they're hurt.

I thought I made it up.

But my dad told me it's here.

I need to find it.

When did he tell you that?

Yesterday.

I was by the RV.

Maybe once I find it, it can make him better.

Maybe he'll come back.

Maybe Jade can help.

Jade. Oh, for Christ's sake. What?

We need to find the Lake of Tears.

The Lake of what?

It's a kid's book, though, right?

It's stories made up for little kids.

Before we got here, I thought monsters were made up, too.

Fair point.

Good.

This is where I talked to my dad the day the house collapsed.

Randall paces uncomfortably as Julie's eyes fill.

He was still down there when the sun was setting.

I was so scared that we were just going to lose him right then and there.

A tear rolls down her cheek.

He kept telling me everything was going to be okay.

That I shouldn't be afraid.

Why don't you let me do this?

What?

I'm going to handle a couple of books.

Besides, someone's going to need to be up here if something happens, right?

No. No. I should be the... It's my thing. I should be the one... Hey, hey,

Story walker. He touches her shoulder.

Well, you're not someone else in the cool ship for change, huh?

It's good for my self -esteem.

He smirks and Julie cracks a smile.

She turns away and pushes her hair back over her ears.

There's a way in over here.

She walks around the wreckage and Randall follows.

Sophia sits in the church with Kenny standing over her.

In the story, Aitken caused the whole nation of Israel to suffer because he

offended God.

And that's what you told Julie.

I just thought that maybe somehow they brought some sort of ill -treatment.

Okay, stop.

The people here, they're always one bad day away from giving up.

Giving up.

Losing hope.

I know.

It was... I know.

Look.

Kenny sits down next to her.

We need to figure out where you're going to live from now on.

Where do you live?

That big house up on the hill. Colony house.

There's plenty of room there.

But there's...

There's so many people there.

Yeah. Can't I just stay at the clinic?

Well, there's no extra rooms in the clinic, so... Where does Sarah live?

What?

She was really nice to me.

That's not a good idea.

Because of... of what she did?

How did you, um... I've...

I've heard people talking.

Why would you want to live with her?

Because I've seen her kindness.

And I don't think she's a bad person.

You have no idea the kind of person she is.

He shines the flashlight.

I'm fine.

Let my eyes adjust, that's all.

How many of these books am I looking for, anyway?

He kept them all in a little blue bag. They should be together.

Little blue bag, huh?

Piece of cake.

Randall steps forward slowly, gazing at shattered wooden beams all around him.

Julie waits above to crouch down.

It gets darker as Randall proceeds through the debris of the house's

He shines the light forward and then steps on a protruding board.

A piece of lumber crashes down.

Randall?

I'm fine.

Acosta stands in the basement of Colony House.

Boyd joins her.

What are we doing here?

He glances around.

We got storage sheds around town.

Storage room and a diner.

They're filled with clothes, tools, everything we thought would be useful.

This is everything else.

Okay.

I want you to treat this place like a crime scene.

Like these things, they tell a story, right? I want you to develop a

Tell me everything there is to know about the people this stuff belonged to.

Why?

Because I asked you to. So why don't you do it?

You're a cop.

You were trained to do this. I wasn't.

There might be things we overlooked.

Something that'll help us get out of here.

Tell me why we're really here.

I just did.

Bullshit. Hey.

You better tell me why we're really here.

They stand face to face.

Acosta crosses her arms.

Because you remind me of someone.

All right?

You remind me of someone I could have helped and I didn't.

I don't get to get that back.

But I'm going to stand here and... Look, I know you think everything I said is

bullshit. And maybe it is.

Maybe it isn't.

All right?

But if you do this for me, think about all the people you might be helping.

The people you might be saving, you think about the cop who first put that

on. You do all that, you still want that bullet.

Then yeah, we'll talk.

It's a promise.

He heads past her toward the steps, leaving Acosta alone.

Tabitha climbs to the second floor of Colony House and makes her way down the

hall to Donna's closed bedroom door.

Henry notices her from the hallway.

Tabitha peeks into the room and looks around.

She enters and pulls the drawing of the lighthouse from her pocket.

She stands in front of a mirror looking at the paper.

She lays it down on the vanity and then stares at her own reflection for a

moment before leaving.

The paper now has Donna written on it.

Henry is still in the hallway as Tabitha comes out.

I think she went back to town.

Oh. You need something?

Uh, no. I'm okay.

Are you?

40 years I sat in my house after my family disappeared. I was a lot of

Okay was never one of them.

You should go home. Where are you headed?

I'm just going home.

Oh. Well, I'll walk with you.

Henry, no, it's okay. I can go by myself.

But, Tabitha, I don't think you should be alone right now.

Henry and Tabitha walk outside.

So, where are you really going?

I'm going home.

And where are you going after that?

Henry, I don't know what you're talking about.

Sure you do. You're good at a lot of things, Tabitha.

Lying is definitely not among them. So we can play the whole charade of me

dropping you off at your house and then waiting to see where else you go.

Okay, I'm going to find the lighthouse, okay? They stop, and Henry rears his

head back, looking at her. I'm going to find my way back to the lighthouse.

I got out of here once.

If I find the lighthouse, maybe, maybe, hopefully I can do it again and take my

children with me.

I'm not going to let them die here.

How? Donna said no one knows where the lighthouse is. No, they don't. That's

I have to do it again like I did last time. I have to go through the bottle

tree. The man in the pool, Dale, right? He died when he tried going through it.

Yeah, but... Okay, what if it was... What if it was not meant for him?

What if it was only meant for me?

What if you're wrong? What if you end up stuck in the side of God knows what

somewhere? Well, I don't know. I don't know, Henry. I have to try.

Okay.

I'm coming with you. No, Henry. You said you're going to the bottle tree, right?

I want to see it. I want to see the tree my wife died trying to reach.

Henry, I have to tell you. She was my wife.

Please.

Okay.

Let's go. Okay. Yeah.

They walk off together.

Ellis holds a canvas bag over his shoulder as he leads Fatima through the

Where are we going?

Just a little further.

Why won't you tell me what's in the bag?

You'll see.

They come to a clearing where numerous wrecked vehicles in various states of

decay have been dumped.

Fatima gazes around at the junkers.

Ever heard of a rage room?

They're really popular in Japan.

Sort of a way to lash out.

You know, let go without...

Hurting somebody or breaking shit that you need?

He takes the bag from his shoulder and pulls out a baseball bat.

Fatima raises her eyebrows.

Ellis, this is really sweet, but I don't know how this is going to help. When my

mom died, you were the one that brought me back.

You didn't even know me very well, but you knew that I was still in there,

underneath all the dark, horrible shit that I was... going through and you

gave up on me not until you finally pulled me out it's my turn now

give it a shot so

not the crowbar or the bat

he lays them both on the trunk of a faded yellow car

Definitely the bat.

It's my girl.

All

yours.

Her facial muscles pulled tight as her eyes scan it.

He curls her lips and cocks the bat again.

He starts on a two -feeder convertible.

Jade,

Ethan, and Victor hike through the forest.

Okay, so let me get this straight.

You made up this Lake of Tears as part of a game that you used to play

with finger puppets. It wasn't a game.

It was a story.

Okay, so you told a story about this lake, some finger puppets, and now...

what? You think the lake is here because your dad told you that you need to find

it?

Maybe I didn't make it up.

Maybe I just thought I did.

I'm confused.

Do you remember the red rocks we found at the settlement?

Yeah.

My mom thought she made them up because she used to have nightmares about them.

But the reason she saw those rocks was because they were here.

Maybe it's the same with the lake.

Maybe I use it in my story because it's real and I just didn't know.

Something catches Victor's eye, and he stops.

What were you doing at the Rundles?

It's an old meditation technique.

Why were you meditating?

Because I... I remember something.

I remember something that I used to know.

Something that'll help us leave.

Victor stares down at the man in the yellow suit's blazer.

So we're both looking for something that can help everyone.

Yeah, I guess we are. Victor stands in place.

Hey, Victor, we got a lake to find.

Victor?

What is that?

Victor?

Victor! Victor!

Victor takes off running.

Victor! Victor!

Randall shines his flashlight on the rubble. He moves aboard, revealing a

rotting cork.

What?

Nothing, I'm good.

He covers his mouth with his arm.

Just past the body lies a blue bag.

I see the bag.

More wood crashes down, and Randall leaps back.

Kenny knocks on Sarah's door. Sophia stands on the walkway several feet back.

Kenny.

Is everything all right?

Sophia and I have been talking about where she wants to live from now on.

furrows her brow.

Okay.

And if it's all right, she would like to live here with you.

Oh. Sophia smiles and Sarah's face softens. She nods and raises her

Okay. Sure.

Okay.

Okay. Come on.

Let's go. Sophia enters the house.

Randall?

Randall! What's going on? Give me a sec.

Randall squeezes over the corpse through a tight space.

I got the bag.

What are the titles?

He pulls out two books. The Grand Gulagog, the Kramanakul.

Okay, that's them. Get out of there.

He turns back and tosses the bag through the narrow opening.

You and me, pal.

He crouches low, shining his flashlight.

He maneuvers his body over the carcass.

Randall?

Randall?

I'm okay.

I'm okay.

Better?

A little, yeah.

Well, it's a start, right?

Yeah.

I'm gonna, um, I'm gonna go take a nap.

Yeah, I told Donna that I was gonna start getting things ready for the food

tomorrow.

Okay. Okay.

She starts to head off, then turns around.

And hey, um, thank you for today.

You're welcome.

She smiles warmly at him, then continues walking.

It's me.

I did the best I could.

Think it's going to be enough?

It's a great start, but I think we're going to need a little bit more.

In the forest, Henry and Tabitha hike toward the tree with bottles hanging

it.

Victor told me this is where Miranda was going when she died.

He took me to her grave, but I don't think he could bear to take me here.

This looks just like the one she made back home. He circles the tree, coming

the large hollow.

Except for this.

He peers inside as Tabitha steps closer.

Henry backs up, and they both stand a few feet away, gawking at it.

Tabitha starts toward the hollow.

Go back to town, Harry.

Tabitha, you can't do this. I was hoping you'd realize it on your own by the

time we got here. Harry, I told you, the tree is the one... Yes, the tree is

meant only for you. And what if it isn't? What if you're wrong? What if you

up stuck in some walls somewhere, gasping for air, alone? What happens to

and Ethan?

I left a note for Donna.

She'll make sure to take care of them. You left a note? Yes, I did.

Boy, well, I didn't realize she'd left a note.

I'm sure they'll be just fine. Tears well up in Tabitha's eyes.

Am I supposed to do nothing?

Finding the lighthouse could be what gets everyone home. And if it's not? I

don't know. I'll try something else. Not if you're dead. Then what the fuck am I

supposed to do, Henry? Move! I don't know. I don't know. I wish I did know.

But if you want to go through this tree... He blocks the hollow.

You're going to have to go through me first.

Henry, move.

Please, Henry.

Your kids need you.

Ethan and Julie.

Tabitha stares past Henry.

Tabitha?

Henry turns and sees the boy in white standing nearby looking at them.

Why are you here?

Why do you look so different?

Those are the wrong questions.

Will that tree take me back to the lighthouse?

I don't think so.

Wait, you don't think so?

You told me it was the only way.

It was, but that was before.

Yeah, but before... Okay, you need to stop talking in riddles.

You're getting so close now, but I'm afraid you're running out of time.

Mr.!

Tabitha and Henry turn.

When they look back, the boy in white is gone.

Mr.! Okay. He came from over there. Come on.

Ethan jogs through the woods with Jade behind him.

Victor! Victor sits curled up on the ground.

What happened?

Ethan?

We're over here!

Ethan!

She hugs him while Henry squats down to Victor.

Hey, Victor.

Hey. Hey, talk to me, son.

I told myself it wasn't real. I told myself it wasn't real.

Henry hugs him.

It's okay, buddy.

It's okay.

You're all right, son.

It's okay, son. It's okay. It's all right. You're all right.

It's all right.

Hey, hey. Jade knits his brow and gazes around. He looks down at a group of wild

mushrooms sprouting from the ground.

He pulls one out of the dirt and holds it up.

Boyd strolls up to Abby's grave, removing his blazer.

He stops at the stone bench.

Hey, Abs.

He lays his jacket down and moves closer to the cross grave marker.

Been a while.

Things are, um...

Yeah, things are changing.

I am changing.

Done some things recently.

You said some things.

He looks off, shaking his head, then lowers to the ground and sits.

I don't know if I like who I'm becoming.

But I don't know who else to be.

Tabitha and Jade, what they're saying, what they remember,

if it's true, it feels like for the first time we're close to something.

But none of it matters if I can't hold these people together.

If I lose these people right now, I... He furrows his brow and leans back on

hands.

I could really use some help.

I don't know if there's anything you can do, but... Hands reach up from the

ground behind him. You can hear.

They grab his arm.

They start pulling him underground.

His arm is buried up to his shoulder.

He yanks it free and jumps back.

He pats the ground with his foot. It's solid.

He gapes at his arm.

The... The... The fuck is...

Cut to black.

Additional cast and order of appearance.

Reese Bevins on.

Katerina Bakolia.

Vox Smith.

Audio description produced by LADB for Amazon MGM Studios.

Descriptions by Steve Salato and voice by Joe Hernandez.

Credits continue.

Main title song, Hey Sarah, Sarah, Whatever Will Be, Will Be, written by

Livingston and Evans, performed by Pixies.

From Copyright 2026 MGM Plus Studios, all rights reserved.

Logos. White text on a black background reads, Midnight Radio.

A staticky screen reads, Gozi Agbo Presents.

A lion's head roars within a ring of film tape above a mask in rural

Metro -Goldwyn -Mayer Television.

MGM Plus Studios.

MGM Plus.