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>> Steve: FROM 30 ROCKEFELLER
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PLAZA HERE IN NEW YORK CITY,
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IT'S "THE TONIGHT SHOW STARRING
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JIMMY FALLON."
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AND NOW, HERE'S YOUR HOST,
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JIMMY FALLON
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♪
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♪
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[ CHEERS AND APPLAUSE
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>> Jimmy: OH, TOO MUCH
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NO, ABSOLUTELY NOT
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COME ON, COME ON
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OH
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OH
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THANK YOU VERY MUCH.
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PLEASE
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PLEASE, NO, NO, NO, NO, NO
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PLEASE, NO
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[ CHEERS AND APPLAUSE
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THANK YOU.
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HAVE A SEAT.
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WELCOME.
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ENJOY YOURSELF
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HOT CROWD.
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WELCOME TO "THE TONIGHT SHOW,"
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EVERYBODY.
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>> Steve: OH
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>> Jimmy: THIS IS IT
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[ CHEERS AND APPLAUSE
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THIS IS WHAT YOU WANT, BABY.
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WELCOME, WELCOME, WELCOME,
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EVERYBODY.
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LOOKING GOOD
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YEAH
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SOUNDING GOOD.
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I LOVE IT.
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YOU GUYS TODAY, EARLIER TODAY,
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MILLIONS OF STUDENTS ACROSS THE
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COUNTRY WENT BACK TO SCHOOL.
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THAT WAS TODAY
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[ BOOING ]
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[ LIGHT LAUGHTER ]
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KIDS TOLD THEIR PARENTS, "I'LL
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MISS YOU SO MUCH."
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AND THEIR PARENTS WERE LIKE,
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"AND I'LL SEE YOU AFTER
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SCHOOL."
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[ LAUGHTER ]
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IT WAS A PRETTY TYPICAL DAY FOR
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MOST STUDENTS.
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TEACHERS STARTED OFF BY ASKING,
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"DOES EVERYBODY HAVE THEIR
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SUPPLIES?"
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AND THEN STUDENTS WERE LIKE,
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"YEP, HEADPHONES, VAPE PEN, AND
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CBD GUMMIES.
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[ CHEERS AND APPLAUSE
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BUT NEW YORK CITY'S PUBLIC
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SCHOOLS ARE TRYING TO BE
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HEALTHIER THIS YEAR, SO THEY'RE
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NO LONGER SERVING SALAMI OR
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BOLOGNA SANDWICHES
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[ LIGHT LAUGHTER ]
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YEAH, INSTEAD THEY'RE GOING
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WITH ORGANIC, FREE RANGE
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PIGEON
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>> Steve: OH
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[ LAUGHTER ]
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>> Jimmy: HEY, DID YOU GUYS
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ENJOY LABOR DAY WEEKEND?
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DID YOU HAVE FUN
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[ CHEERS AND APPLAUSE
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AND DON'T WORRY, WHILE EVERYONE
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WAS RELAXING, THE PRESIDENT WAS
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HARD AT WORK
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AND BY HARD AT WORK, I MEAN HE
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SENT OVER 120 TWEETS THIS
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WEEKEND.
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[ LAUGHTER ]
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SO TRUMP'S BEEN -- THAT'S REAL,
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BY THE WAY
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[ LAUGHTER ]
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TRUMP'S BEEN BUSY DEALING WITH
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HURRICANE DORIAN
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HE'S ACTUALLY BEEN MONITORING
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IT VERY CLOSELY.
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HE RETWEETED THIS UPDATE FROM
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FEMA
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YEAH, HERE HE RETWEETED THIS
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FROM NATIONAL HURRICANE CENTER
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AND THEN HE HERE IS GETTING
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INTO A TWITTER FEUD WITH
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"WILL & GRACE" ACTRESS
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DEBRA MESSING.
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[ LAUGHTER ]
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>> Steve: OH
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>> Jimmy: HE DID THE BEST HE
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COULD.
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[ LAUGHTER ]
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AND WITH THE HURRICANE POSSIBLY
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HITTING FLORIDA, TRUMP'S NOT
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TAKING ANY CHANCES
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HE EVEN SENT DON, JR. TO THE
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ROOF OF MAR-A-LAGO TO GIVE HIM
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LIVE UPDATES
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[ LAUGHTER ]
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"JUST, STAY UP THERE, DON.
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[ LAUGHTER ]
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AIM THE GOLF CLUB AT THE
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BIGGEST CLOUD.
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[ LAUGHTER ]
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TAKE THE GRIP OFF.
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I WANT METAL ON METAL.
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[ LAUGHTER ]
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I WANT YOU TO HOLD IT AND JUST
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AIM IT AND SHOW ME WHERE."
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[ LAUGHTER ]
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BUT GET THIS, DURING A PRESS
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CONFERENCE, TRUMP SAID THAT
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HE'S NEVER EVEN HEARD OF A
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A CATEGORY FIVE HURRICANE.
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[ LIGHT LAUGHTER ]
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SO THEY EXPLAINED IT TO HIM
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LIKE THIS.
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THEY SAID, "LOOK, IF THIS IS A
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A CATEGORY ONE -
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[ LAUGHTER ]
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THEN THIS IS A CATEGORY FIVE."
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[ LAUGHTER AND APPLAUSE
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HE'S LIKE, "ALL RIGHT, I'LL GO
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THANK YOU.
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IT ALL MAKES SENSE NOW
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DON, STAY UP THERE, DON.
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SOME MORE NEWS
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[ LAUGHTER ]
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TRUMP'S PERSONAL ASSISTANT JUST
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RESIGNED AFTER SHE SHARED
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DETAILS ABOUT TRUMP'S FAMILY
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WITH JOURNALISTS AT AN OFF THE
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RECORD DINNER.
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HONESTLY, THIS DOESN'T SEEM
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LIKE IT'S AN EASY JOB TO FILL.
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WHEN OFFERED THE POSITION, EVEN
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ALEXA WAS LIKE -
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>> NO WAY IN HELL.
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>> Jimmy: AND YOU GO, "OH,
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THAT'S NOT GOOD.
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[ LAUGHTER ]
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YOU DON'T WANT THAT.
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THAT'S -
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[ APPLAUSE ]
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CHECK THIS OUT, THIS WEEKEND,
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POLICE IN SCOTLAND WERE CALLED
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AFTER THOUSANDS OF PEOPLE
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SIGNED UP TO PLAY A MASSIVE
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GAME OF "HIDE AND SEEK" INSIDE
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AN IKEA.
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[ LAUGHTER ]
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YEAH
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IT ONLY SHOULD HAVE TAKEN THE
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POLICE 20 MINUTES TO ASSEMBLE
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A TEAM, BUT SINCE IT WAS IKEA,
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IT TOOK THEM SEVEN HOURS
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[ LAUGHTER ]
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♪
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[ APPLAUSE ]
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THE POLICE HAD VERY CLEAR
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DIRECTIONS, BUT THEN ALL THE
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DADS JUST THREW THOSE TO THE
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SIDE AND JUST KIND OF GUESSED
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THEIR WAY THROUGH IT
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♪
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[ LAUGHTER ]
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YEAH, POLICE FOUND THE SUSPECTS
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BY FOLLOWING A TRAIL OF SWEDISH
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MEATBALLS.
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♪
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[ LAUGHTER ]
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♪
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YEAH, PEOPLE WHO GOT CAUGHT
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JUST PLED INSANITY
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TURNS OUT THEY JUST HAD
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A COUPLE SCREWS LOOSE.
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♪
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[ LAUGHTER AND APPLAUSE
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♪
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IT WAS -- IT WAS EASY TO SPOT,
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BECAUSE THE HIDE-AND-SEEKERS --
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BECAUSE THEIR FEET WERE
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STICKING OUT FROM UNDER
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A FLUGELDUGEL AND
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NERGENFLERGEN.
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[ LAUGHTER ]
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♪
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>> Tariq: COME ON, COME ON
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STOP, MAN.
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THAT'S ENOUGH.
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THAT'S ENOUGH IKEA JOKES, OKAY
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>> Jimmy: COME ON.
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>> Tariq: YOU GOT TO GET TO THE
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REST OF THE SHOW
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>> Jimmy: NO, NO, NO, I GOT TO
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GET --
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>> Tariq: LESTER HOLT HAS BEEN
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WAITING FOR SEVEN HOURS.
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[ LAUGHTER ]
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>> Jimmy: YOU'RE PRETTY ANGRY
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RIGHT NOW.
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I HAVEN'T SEEN SOMEONE GET THIS
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ANGRY SINCE --
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>> Tariq: AH-AH!
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DON'T -- DON'T DO IT, JIMMY.
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[ LIGHT LAUGHTER ]
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>> Jimmy: I HAVEN'T SEEN
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SOMEONE GET THIS -
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>> Tariq: AH-AH!
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[ LIGHT LAUGHTER ]
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DON'T DO IT.
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>> Jimmy: SINCE THEY TRIED TO
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PUT TOGETHER A BOOKSHELF FROM
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IKEA
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[ CHEERS AND APPLAUSE
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♪
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WELL, THIS IS VERY INTERESTING
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I SAW THAT A LOCK OF
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GEORGE WASHINGTON'S HAIR IS
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GOING UP FOR AUCTION
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AND IT'S EXPECTED TO SELL FOR
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AT LEAST $50,000
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AS SOON AS HE HEARD THAT, TRUMP
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WAS LIKE, "WOW, I HAVE A SHOWER
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DRAIN THAT'S WORTH
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$20 MILLION.
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[ LAUGHTER ]
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AND FINALLY, THIS IS A CRAZY
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STORY, IN AUSTRALIA, A STUDENT
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PILOT HAD TO LAND THE PLANE
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AFTER HIS FLYING INSTRUCTOR
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PASSED OUT DURING HIS VERY
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FIRST LESSON
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[ LAUGHTER ]
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THE STUDENT WAS CONGRATULATED
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BY OFFICIALS, WHILE THE
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INSTRUCTOR WAS HIRED BY
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SPIRIT AIRLINES.
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[ LAUGHTER AND APPLAUSE
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LET'S START THE SHOW
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GIVE IT UP FOR THE ROOTS
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COME ON.
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♪
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♪
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[ CHEERS AND APPLAUSE
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>> Jimmy: WE HAVE GOT A GREAT
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SHOW TONIGHT
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>> Steve: OH
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>> Jimmy: BILL HADER IS HERE IN
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THE BUILDING
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>> Steve: OH, COME ON.
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[ CHEERS AND APPLAUSE
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>> Jimmy: I KNOW, I LOVE HIM
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>> Steve: OH
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>> Jimmy: I LOVE BILL HADER.
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ALSO ONE OF OUR FAVORITES,
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CARA DELEVINGNE IS HERE.
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>> Steve: OH
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>> Jimmy: CARA
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CARA DELEVINGNE.
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LESTER HOLT IS HERE TONIGHT.
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>> Steve: OH
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[ CHEERS AND APPLAUSE
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>> Jimmy: WE GOT TO TALK TO
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LESTER, BECAUSE LESTER'S DOING
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A SPECIAL.
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HE STAYED IN A PRISON FOR,
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LIKE, THREE DAYS
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>> Steve: OOH.
277
00:06:16,269 --> 00:06:18,069
[ LIGHT LAUGHTER ]
278
00:06:18,069 --> 00:06:19,220
>> Jimmy: HE'S DOING A WHOLE
279
00:06:18,069 --> 00:06:19,220
SPECIAL ABOUT IT
280
00:06:19,220 --> 00:06:21,029
HE WAS ACTUALLY IN PRISON.
281
00:06:19,220 --> 00:06:21,029
>> Steve: IN PRISON FOR THREE
282
00:06:21,029 --> 00:06:23,139
DAYS
283
00:06:21,029 --> 00:06:23,139
>> Jimmy: YEAH, ABSOLUTELY
284
00:06:23,139 --> 00:06:24,199
YEAH, I GOT TO TALK TO HIM
285
00:06:23,139 --> 00:06:24,199
ABOUT IT
286
00:06:24,199 --> 00:06:25,290
FIND OUT WHAT'S WRONG WITH
287
00:06:24,199 --> 00:06:25,290
LESTER
288
00:06:25,290 --> 00:06:27,019
WHY WOULD HE DO THAT
289
00:06:25,290 --> 00:06:27,019
[ LAUGHTER ]
290
00:06:27,019 --> 00:06:28,240
BUT I WANT TO SEE THAT SPECIAL
291
00:06:27,019 --> 00:06:28,240
AND THEN WE GOT GREAT MUSIC.
292
00:06:28,240 --> 00:06:30,139
I LOVE THIS GUY'S VOICE.
293
00:06:28,240 --> 00:06:30,139
ALEC BENJAMIN IS HERE, YOU
294
00:06:30,139 --> 00:06:31,199
GUYS
295
00:06:30,139 --> 00:06:31,199
>> Steve: OH
296
00:06:31,199 --> 00:06:36,170
[ CHEERS AND APPLAUSE
297
00:06:31,199 --> 00:06:36,170
>> Jimmy: TALENTED GUY
298
00:06:36,170 --> 00:06:38,000
FUN SHOW, WE'RE SO HAPPY TO BE
299
00:06:36,170 --> 00:06:38,000
BACK
300
00:06:38,000 --> 00:06:40,250
I'M SO HAPPY TO SEE YOU GUYS
301
00:06:38,000 --> 00:06:40,250
THANK YOU FOR HAVING US BACK
302
00:06:40,250 --> 00:06:42,220
[ CHEERS AND APPLAUSE
303
00:06:40,250 --> 00:06:42,220
TWO WEEKS OFF, TOO LONG.
304
00:06:42,220 --> 00:06:44,110
DID YOU HAVE A GOOD ONE?
305
00:06:42,220 --> 00:06:44,110
DID YOU HAVE A GOOD BREAK?
306
00:06:44,110 --> 00:06:45,240
>> Steve: IT WAS GREAT
307
00:06:44,110 --> 00:06:45,240
GREAT BREAK.
308
00:06:45,240 --> 00:06:46,269
>> Jimmy: YEAH, YEAH, YEAH,
309
00:06:45,240 --> 00:06:46,269
GOOD
310
00:06:46,269 --> 00:06:48,290
TARIQ, YOU DO ANYTHING FUN FOR
311
00:06:46,269 --> 00:06:48,290
THE BREAK, THE TWO WEEKS OFF
312
00:06:48,290 --> 00:06:50,110
>> Tariq: NOPE
313
00:06:48,290 --> 00:06:50,110
>> Jimmy: THERE YOU GO
314
00:06:50,110 --> 00:06:52,040
[ LAUGHTER ]
315
00:06:50,110 --> 00:06:52,040
>> Steve: MR. SUNSHINE
316
00:06:52,040 --> 00:06:57,019
[ LIGHT LAUGHTER ]
317
00:06:52,040 --> 00:06:57,019
>> Jimmy: HEY, GUYS THE
318
00:06:57,019 --> 00:06:58,230
U.S. OPEN TENNIS TOURNAMENT --
319
00:06:57,019 --> 00:06:58,230
[ LAUGHTER ]
320
00:06:58,230 --> 00:07:00,000
-- IS HAPPENING RIGHT NOW AND
321
00:06:58,230 --> 00:07:00,000
WE WANTED TO DO SOMETHING FUN
322
00:07:00,000 --> 00:07:01,029
WITH THE PLAYERS
323
00:07:00,000 --> 00:07:01,029
SO WE GAVE A BUNCH OF THEM
324
00:07:01,029 --> 00:07:04,009
WEIRD PHRASES AND ASKED THEM TO
325
00:07:01,029 --> 00:07:04,009
SNEAK THOSE PHRASES INTO THEIR
326
00:07:04,009 --> 00:07:05,269
INTERVIEWS AS CASUALLY AS
327
00:07:04,009 --> 00:07:05,269
POSSIBLE
328
00:07:05,269 --> 00:07:07,290
NO ONE KNEW THAT WE WERE DOING
329
00:07:05,269 --> 00:07:07,290
THIS
330
00:07:07,290 --> 00:07:10,069
THEY JUST WOULD SAY THESE
331
00:07:07,290 --> 00:07:10,069
PHRASES.
332
00:07:10,069 --> 00:07:11,040
IT'S BIZARRE, BUT IT'S SO GOOD
333
00:07:11,040 --> 00:07:16,139
HERE, CHECK IT OUT FOR THE -
334
00:07:12,000 --> 00:07:16,139
CHECK THIS OUT
335
00:07:15,060 --> 00:07:16,139
THIS IS "DROP IT IN.
336
00:07:17,110 --> 00:07:18,240
♪
337
00:07:17,110 --> 00:07:18,240
[ CHEERS AND APPLAUSE
338
00:07:18,240 --> 00:07:20,029
♪ DROP IT I
339
00:07:18,240 --> 00:07:20,029
DROP IT IN
340
00:07:20,029 --> 00:07:24,240
D-D-DROP IT IN ♪
341
00:07:20,029 --> 00:07:24,240
>> --JUST HOW THE PREPARATIONS
342
00:07:24,240 --> 00:07:28,069
ARE GOING TO GO, YOU EXPECT,
343
00:07:24,240 --> 00:07:28,069
BEFORE THE U.S. OPEN THIS YEAR
344
00:07:28,069 --> 00:07:29,139
>> WELL, YEAH, I MEAN, I -- I
345
00:07:28,069 --> 00:07:29,139
USUALLY GET INTO NEW YORK
346
00:07:29,139 --> 00:07:32,110
PRETTY EARLY
347
00:07:29,139 --> 00:07:32,110
AND, YOU KNOW, I SPEND, YOU
348
00:07:32,110 --> 00:07:36,250
KNOW, PROBABLY FIVE OR SIX DAYS
349
00:07:32,110 --> 00:07:36,250
TRAINING OVER AT
350
00:07:36,250 --> 00:07:39,090
FLUSHING MEADOWS
351
00:07:36,250 --> 00:07:39,090
AND YOU KNOW, I USED TO TAKE
352
00:07:39,090 --> 00:07:42,139
CAT NAPS
353
00:07:39,090 --> 00:07:42,139
NOW I'M TAKING KITTEN NAPS
354
00:07:42,139 --> 00:07:47,060
WHICH ARE HALF AS LONG BUT
355
00:07:42,139 --> 00:07:47,060
TWICE AS CUTE.
356
00:07:47,060 --> 00:07:48,060
[ DING ]
357
00:07:47,060 --> 00:07:48,060
[ LAUGHTER AND APPLAUSE
358
00:07:48,060 --> 00:07:50,009
>> IT WAS EASY FOR ME TO BE
359
00:07:48,060 --> 00:07:50,009
ABLE TO SWING OUT AT THE START,
360
00:07:50,009 --> 00:07:51,060
AND THEN IT WAS KIND OF THE --
361
00:07:50,009 --> 00:07:51,060
THE TIGHTER THE STRINGS, THE
362
00:07:51,060 --> 00:07:53,159
SWEETER THE SWINGS A LITTLE
363
00:07:51,060 --> 00:07:53,159
BIT.
364
00:07:53,159 --> 00:07:54,159
[ DING ]
365
00:07:53,159 --> 00:07:54,159
>> I THINK SERENA IS SO GOOD AT
366
00:07:54,159 --> 00:08:02,250
JUST KNOWING HOW TO USE EVERY
367
00:07:54,159 --> 00:08:02,250
PART OF THE KAYAK.
368
00:08:02,250 --> 00:08:04,240
[ DING ]
369
00:08:02,250 --> 00:08:04,240
>> I WOULD BE THERE BECAUSE
370
00:08:04,240 --> 00:08:08,250
SOMEBODY'S PUSHING ME AROUND
371
00:08:04,240 --> 00:08:08,250
SO -- SO I JUST TRY TO DO, YOU
372
00:08:08,250 --> 00:08:10,079
KNOW, GAME, SET, MATCH
373
00:08:08,250 --> 00:08:10,079
DO THE CABBAGE PATCH -
374
00:08:10,079 --> 00:08:11,040
[ DING ]
375
00:08:10,079 --> 00:08:11,040
[ LAUGHTER ]
376
00:08:11,040 --> 00:08:12,290
YOU KNOW WHAT I MEAN
377
00:08:11,040 --> 00:08:12,290
>> YEAH.
378
00:08:12,290 --> 00:08:15,019
>> PATIENCE IS NOT ONE OF MY
379
00:08:12,290 --> 00:08:15,019
BEST QUALITIES
380
00:08:15,019 --> 00:08:17,269
LET ME TELL YOU SOMETHING.
381
00:08:15,019 --> 00:08:17,269
YOU'RE NEVER GOING TO FIND
382
00:08:17,269 --> 00:08:20,019
THREE TENNIS BALLS IN
383
00:08:17,269 --> 00:08:20,019
A PRINGLES CAN
384
00:08:20,019 --> 00:08:23,050
[ DING ]
385
00:08:20,019 --> 00:08:23,050
[ LAUGHTER ]
386
00:08:23,050 --> 00:08:24,079
>> I LOOK FORWARD TO TRAINING
387
00:08:23,050 --> 00:08:24,079
AND IMPROVING SOME OF MY
388
00:08:24,079 --> 00:08:25,269
THINGS
389
00:08:24,079 --> 00:08:25,269
YEAH, I MEAN, SLAP YOUR DAD AND
390
00:08:25,269 --> 00:08:31,110
CALL HIM BRAD.
391
00:08:25,269 --> 00:08:31,110
[ DING ]
392
00:08:31,110 --> 00:08:33,179
[ LAUGHTER ]
393
00:08:31,110 --> 00:08:33,179
>> THIS FINAL AGAINST ROGER, I
394
00:08:33,179 --> 00:08:36,110
MANAGED TO PLAY THE BEST TENNIS
395
00:08:33,179 --> 00:08:36,110
OF THAT WEEK
396
00:08:36,110 --> 00:08:40,210
AND OBVIOUSLY WHEN THE SCORE
397
00:08:36,110 --> 00:08:40,210
WAS DEUCE, AND JUICE GOT LOOSE
398
00:08:40,210 --> 00:08:42,169
[ DING ]
399
00:08:40,210 --> 00:08:42,169
[ LAUGHTER ]
400
00:08:42,169 --> 00:08:44,250
>> IT'S BASICALLY INSTINCT,
401
00:08:42,169 --> 00:08:44,250
UM -
402
00:08:44,250 --> 00:08:46,179
>> WHEN THE SCORE IS DEUCE, THE
403
00:08:44,250 --> 00:08:46,179
JUICE GETS LOOSE
404
00:08:46,179 --> 00:08:49,190
[ DING ]
405
00:08:46,179 --> 00:08:49,190
[ LAUGHTER ]
406
00:08:49,190 --> 00:08:51,179
>> --SWEATY HUGS, SWEATY
407
00:08:49,190 --> 00:08:51,179
HIGH-FIVES
408
00:08:51,179 --> 00:08:53,139
TEAM TOWEL
409
00:08:51,179 --> 00:08:53,139
LIKE, I DON'T EVEN KNOW WHO
410
00:08:53,139 --> 00:08:55,169
AGREED TO THAT
411
00:08:53,139 --> 00:08:55,169
THISH ISH TENNISH.
412
00:08:55,169 --> 00:08:58,000
[ DING ]
413
00:08:55,169 --> 00:08:58,000
I MEAN, I DON'T -- I DON'T KNOW
414
00:08:58,000 --> 00:08:59,100
WHAT WE'RE DOING
415
00:08:58,000 --> 00:08:59,100
[ LAUGHTER AND APPLAUSE
416
00:08:59,100 --> 00:09:01,120
>> Jimmy: THISH ISH TENNISH.
417
00:08:59,100 --> 00:09:01,120
[ CHEERS AND APPLAUSE
418
00:09:01,120 --> 00:09:02,240
THAT'S THE BEST.
419
00:09:01,120 --> 00:09:02,240
THAT IS THE BEST
420
00:09:02,240 --> 00:09:04,200
>> Steve: COME ON.
421
00:09:02,240 --> 00:09:04,200
>> Jimmy: DUDE, I WAS SO
422
00:09:04,200 --> 00:09:07,190
HAPPY --
423
00:09:04,200 --> 00:09:07,190
THANK YOU FOR DOING THAT
424
00:09:07,190 --> 00:09:10,009
I -- "THISH ISH TENNISH" IS
425
00:09:07,190 --> 00:09:10,009
WHAT I WROTE
426
00:09:10,009 --> 00:09:11,159
[ LIGHT LAUGHTER ]
427
00:09:10,009 --> 00:09:11,159
I WAS LIKE, "NONE OF THEM WILL
428
00:09:11,159 --> 00:09:12,139
DO THAT ONE.
429
00:09:11,159 --> 00:09:12,139
[ LAUGHTER ]
430
00:09:12,139 --> 00:09:14,049
I WAS HOPING THAT MAYBE
431
00:09:12,139 --> 00:09:14,049
JOHN McENROE WOULD BE LIKE,
432
00:09:14,049 --> 00:09:15,179
"THISH ISH TENNISH."
433
00:09:14,049 --> 00:09:15,179
[ LAUGHTER ]
434
00:09:15,179 --> 00:09:17,000
YEAH, AND JUST SEE IF HE CAN
435
00:09:15,179 --> 00:09:17,000
HEAR -
436
00:09:17,000 --> 00:09:18,100
DUDE, SHE DID, LIKE, A
437
00:09:17,000 --> 00:09:18,100
A CHARACTER AND EVERYTHING
438
00:09:18,100 --> 00:09:19,190
IT WAS SO GOOD
439
00:09:18,100 --> 00:09:19,190
[ LAUGHTER ]
440
00:09:19,190 --> 00:09:21,049
THEY WERE ALL GREAT.
441
00:09:19,190 --> 00:09:21,049
THANK YOU SO MUCH TO ALL THE
442
00:09:21,049 --> 00:09:23,200
PLAYERS, THE USTA.
443
00:09:21,049 --> 00:09:23,200
[ CHEERS AND APPLAUSE
444
00:09:23,200 --> 00:09:27,120
THE ATP AND WTA TOURS AND THE
445
00:09:23,200 --> 00:09:27,120
CINCINNATI TOURNAMENT.
446
00:09:27,120 --> 00:09:28,120
STICK AROUND, WE'LL BE RIGHT
447
00:09:27,120 --> 00:09:28,120
BACK WITH MORE OF
448
00:09:28,120 --> 00:09:30,210
"THE TONIGHT SHOW," EVERYBODY.
449
00:09:28,120 --> 00:09:30,210
COME ON BACK
450
00:09:30,210 --> 00:10:00,139
[ CHEERS AND APPLAUSE
451
00:09:30,210 --> 00:10:00,139
♪
452
00:10:00,139 --> 00:10:03,009
>> Jimmy: IT SURE IS SPOOKY OUT
453
00:10:00,139 --> 00:10:03,009
HERE TONIGHT
454
00:10:03,009 --> 00:10:04,259
WHEN I'M SPOOKED, WHAT MAKES ME
455
00:10:03,009 --> 00:10:04,259
FEEL BETTER IS TELLING SCARY
456
00:10:04,259 --> 00:10:10,070
STORIES.
457
00:10:04,259 --> 00:10:10,070
>> I GOT A REALLY SCARY STORY.
458
00:10:10,070 --> 00:10:12,159
DO YOU KNOW THE ONE ABOUT THE
459
00:10:10,070 --> 00:10:12,159
MAN WITH THE HOOKED HANDS?
460
00:10:12,159 --> 00:10:14,080
>> Jimmy: NO, NO, NOT THOSE
461
00:10:12,159 --> 00:10:14,080
KIND OF STORIES, REAL SCARY
462
00:10:14,080 --> 00:10:19,049
STORIES.
463
00:10:14,080 --> 00:10:19,049
>> HOW REAL ARE WE TALKING
464
00:10:19,049 --> 00:10:22,039
LIKE, REAL REAL OR REAL REAL
465
00:10:19,049 --> 00:10:22,039
REAL
466
00:10:22,039 --> 00:10:26,210
>> Jimmy: REAL REAL REAL
467
00:10:22,039 --> 00:10:26,210
I'LL GO FIRST.
468
00:10:26,210 --> 00:10:29,070
THIS ONE WILL SEND SHIVERS DOWN
469
00:10:26,210 --> 00:10:29,070
THE CURVATURE OF YOUR SPINE.
470
00:10:29,070 --> 00:10:36,110
[ LAUGHTER ]
471
00:10:29,070 --> 00:10:36,110
YEARS BACK, THERE WAS AN OLD
472
00:10:36,110 --> 00:10:38,259
BARN UP ON THE HILL.
473
00:10:36,110 --> 00:10:38,259
AND THERE WAS A WEDDING IN THAT
474
00:10:38,259 --> 00:10:40,129
BARN
475
00:10:38,259 --> 00:10:40,129
AND I WAS INVITED AS A PLUS
476
00:10:40,129 --> 00:10:42,240
ONE.
477
00:10:40,129 --> 00:10:42,240
I DIDN'T KNOW A SINGLE SOUL
478
00:10:42,240 --> 00:10:45,090
THERE.
479
00:10:42,240 --> 00:10:45,090
[ GASPING
480
00:10:45,090 --> 00:10:49,200
THAT'S NOT EVEN THE WORST PART
481
00:10:45,090 --> 00:10:49,200
THE WORST PART WAS -
482
00:10:49,200 --> 00:10:52,159
THEY WEREN'T SERVING ALCOHOL
483
00:10:49,200 --> 00:10:52,159
[ SCREAMING
484
00:10:52,159 --> 00:10:57,000
I HAD TO TALK TO PEOPLE, YEAH.
485
00:10:52,159 --> 00:10:57,000
WHO DOES THAT?
486
00:10:57,000 --> 00:10:58,190
>> I PEED A LITTLE IN MY PANTS
487
00:10:57,000 --> 00:10:58,190
[ LAUGHTER ]
488
00:10:58,190 --> 00:11:02,200
>> Jimmy: OKAY, ALL RIGHT,
489
00:10:58,190 --> 00:11:02,200
YEAH, ALL RIGHT.
490
00:11:02,200 --> 00:11:04,259
>> BUT I HAVE AN EVEN SCARIER
491
00:11:02,200 --> 00:11:04,259
ONE.
492
00:11:04,259 --> 00:11:08,179
THIS ONE WILL CHILL YOU TO THE
493
00:11:04,259 --> 00:11:08,179
BONE
494
00:11:08,179 --> 00:11:12,259
IT WAS MY BIRTHDAY
495
00:11:08,179 --> 00:11:12,259
A GUY AT WORK SAID, "HEY, HAPPY
496
00:11:12,259 --> 00:11:18,059
BIRTHDAY."
497
00:11:12,259 --> 00:11:18,059
>> AND THEN?
498
00:11:18,059 --> 00:11:20,190
>> I SAID, "THANKS, YOU TOO.
499
00:11:18,059 --> 00:11:20,190
[ SCREAMING
500
00:11:20,190 --> 00:11:24,259
>> Jimmy: THAT'S A SO --
501
00:11:20,190 --> 00:11:24,259
THAT'S A SOCIAL FAUX PAS
502
00:11:24,259 --> 00:11:27,159
>> TRUE.
503
00:11:24,259 --> 00:11:27,159
A SO-FAUX PAS.
504
00:11:27,159 --> 00:11:31,039
>> Jimmy: YEAH
505
00:11:27,159 --> 00:11:31,039
[ LIGHT LAUGHTER ]
506
00:11:31,039 --> 00:11:33,009
>> OKAY, YOU THINK THOSE ARE
507
00:11:31,039 --> 00:11:33,009
SCARY?
508
00:11:33,009 --> 00:11:36,220
OKAY
509
00:11:33,009 --> 00:11:36,220
I WAS ONCE ON A DATE WITH
510
00:11:36,220 --> 00:11:38,139
A GUY.
511
00:11:36,220 --> 00:11:38,139
I KNOW, WEIRD, RIGHT
512
00:11:38,139 --> 00:11:42,129
[ LAUGHTER ]
513
00:11:38,139 --> 00:11:42,129
HE SEEMED NORMAL, YOU KNOW
514
00:11:42,129 --> 00:11:45,110
BUT OUT OF NOWHERE, HE SAID
515
00:11:42,129 --> 00:11:45,110
SOMETHING THAT WILL HAUNT ME
516
00:11:45,110 --> 00:11:48,159
UNTIL THE DAY OF DIE
517
00:11:45,110 --> 00:11:48,159
>> Jimmy: NO
518
00:11:48,159 --> 00:11:51,210
>> YEAH, I CAN SOMETIMES HEAR
519
00:11:48,159 --> 00:11:51,210
IT AT NIGHT.
520
00:11:51,210 --> 00:11:55,129
HE SAID, "I HOPE YOU LIKE VAPE
521
00:11:51,210 --> 00:11:55,129
TRICKS."
522
00:11:55,129 --> 00:11:57,019
>> Jimmy: OH, MY GOSH.
523
00:11:55,129 --> 00:11:57,019
[ LAUGHTER ]
524
00:11:57,019 --> 00:11:58,279
>> I HAVE --
525
00:11:57,019 --> 00:11:58,279
>> Jimmy: OH, MY GOSH.
526
00:11:58,279 --> 00:12:00,129
>> -- CHILLS
527
00:11:58,279 --> 00:12:00,129
>> Jimmy: OH, MY GOSH.
528
00:12:00,129 --> 00:12:03,049
[ LIGHT LAUGHTER ]
529
00:12:00,129 --> 00:12:03,049
>> AND THEN HE DID VAPE TRICKS
530
00:12:03,049 --> 00:12:04,179
>> Jimmy: NO, NO
531
00:12:03,049 --> 00:12:04,179
>> NO!
532
00:12:04,179 --> 00:12:06,039
>> Jimmy: OH, MY GOD
533
00:12:04,179 --> 00:12:06,039
WITH THE RINGS AND -
534
00:12:06,039 --> 00:12:07,129
>> LIKE --
535
00:12:06,039 --> 00:12:07,129
>> Jimmy: YEAH, AND -- OH, NO.
536
00:12:07,129 --> 00:12:08,220
GOSH
537
00:12:07,129 --> 00:12:08,220
>> TERRIFYING.
538
00:12:08,220 --> 00:12:12,169
>> Jimmy: THAT IS SO SCARY
539
00:12:08,220 --> 00:12:12,169
>> SO BAD.
540
00:12:12,169 --> 00:12:15,029
>> I CAN DO YOU ONE WORSE.
541
00:12:12,169 --> 00:12:15,029
[ LAUGHTER ]
542
00:12:15,029 --> 00:12:20,039
LAST YEAR I HAD GINGIVITIS
543
00:12:15,029 --> 00:12:20,039
[ SCREAMING
544
00:12:20,039 --> 00:12:25,019
THAT'S NOT THE SCARY PART.
545
00:12:20,039 --> 00:12:25,019
[ LIGHT LAUGHTER ]
546
00:12:25,019 --> 00:12:28,159
ANYWAY, I WENT FOR A CHECKUP
547
00:12:25,019 --> 00:12:28,159
RECENTLY, AND THE DENTIST SAID,
548
00:12:28,159 --> 00:12:31,279
"LOOKING GOOD, I CAN TELL
549
00:12:28,159 --> 00:12:31,279
YOU'VE BEEN FLOSSING."
550
00:12:31,279 --> 00:12:34,240
AND I LOOKED RIGHT AT HER AND I
551
00:12:31,279 --> 00:12:34,240
SAID -
552
00:12:34,240 --> 00:12:36,259
>> NO, DON'T SAY IT!
553
00:12:34,240 --> 00:12:36,259
I CAN'T --
554
00:12:36,259 --> 00:12:38,149
>> I SAID, "YOU, TOO."
555
00:12:36,259 --> 00:12:38,149
[ SCREAMING
556
00:12:38,149 --> 00:12:39,240
I SHOULDN'T HAVE DONE IT
557
00:12:38,149 --> 00:12:39,240
[ LAUGHTER ]
558
00:12:39,240 --> 00:12:41,070
>> Jimmy: OH, MY -
559
00:12:39,240 --> 00:12:41,070
>> I DID IT AGAIN.
560
00:12:41,070 --> 00:12:42,200
>> Jimmy: YEAH, YEAH, SIMILAR
561
00:12:41,070 --> 00:12:42,200
SCARY.
562
00:12:42,200 --> 00:12:44,120
>> SIMILAR SCARY
563
00:12:42,200 --> 00:12:44,120
>> Jimmy: SIMILAR SCARY STORY.
564
00:12:44,120 --> 00:12:46,210
>> DOUBLE SCARE.
565
00:12:44,120 --> 00:12:46,210
>> Jimmy: WOW.
566
00:12:46,210 --> 00:12:49,070
THIS ONE I HAVE FOR YOU IS SO
567
00:12:46,210 --> 00:12:49,070
SCARY THE ONLY PERSON I EVER
568
00:12:49,070 --> 00:12:53,080
TOLD IT TO WAS MY THERAPIST.
569
00:12:49,070 --> 00:12:53,080
>> OH, GOD
570
00:12:53,080 --> 00:12:55,169
>> Jimmy: AFTER THAT, SHE QUIT
571
00:12:53,080 --> 00:12:55,169
THE BIZ AND BECAME A JUDGE ON
572
00:12:55,169 --> 00:12:56,259
"DANCING WITH THE STARS.
573
00:12:55,169 --> 00:12:56,259
[ LAUGHTER ]
574
00:12:56,259 --> 00:13:04,159
ANYWAY, ONE DAY --
575
00:12:56,259 --> 00:13:04,159
[ LIGHT LAUGHTER ]
576
00:13:04,159 --> 00:13:10,029
I WAS WALKING DOWN THE STREET.
577
00:13:04,159 --> 00:13:10,029
SO I SAW SOMEONE WAVING AT ME.
578
00:13:10,029 --> 00:13:13,179
SO I WAVED BACK.
579
00:13:10,029 --> 00:13:13,179
THEN I REALIZED HE WAS ACTUALLY
580
00:13:13,179 --> 00:13:15,200
WAVING TO SOMEONE BEHIND ME.
581
00:13:13,179 --> 00:13:15,200
SO I PRETENDED TO BE DIRECTING
582
00:13:15,200 --> 00:13:17,220
TRAFFIC.
583
00:13:15,200 --> 00:13:17,220
[ LAUGHTER ]
584
00:13:17,220 --> 00:13:20,269
I STAYED AND DIRECTED TRAFFIC
585
00:13:17,220 --> 00:13:20,269
FOR THREE HOURS.
586
00:13:20,269 --> 00:13:23,200
AND I'VE GONE BACK THERE TO
587
00:13:20,269 --> 00:13:23,200
DIRECT TRAFFIC EVERY DAY SINCE
588
00:13:23,200 --> 00:13:26,149
JUST TO KEEP UP THE CHARADE.
589
00:13:23,200 --> 00:13:26,149
[ LAUGHTER ]
590
00:13:26,149 --> 00:13:28,019
>> NO!
591
00:13:26,149 --> 00:13:28,019
>> Jimmy: I DID!
592
00:13:28,019 --> 00:13:33,059
>> NO!
593
00:13:28,019 --> 00:13:33,059
THAT'S NOTHING
594
00:13:33,059 --> 00:13:36,070
MY SKIN'S A-TINGLING JUST
595
00:13:33,059 --> 00:13:36,070
THINKING ABOUT THIS SPOOKY
596
00:13:36,070 --> 00:13:39,090
TALE
597
00:13:36,070 --> 00:13:39,090
[ LAUGHTER ]
598
00:13:39,090 --> 00:13:42,039
SETTLE IN.
599
00:13:39,090 --> 00:13:42,039
>> I'M SETTLED
600
00:13:42,039 --> 00:13:46,250
>> THE OTHER DAY, I COUGHED,
601
00:13:42,039 --> 00:13:46,250
BUT IT SOUNDED LIKE A SNEEZE
602
00:13:46,250 --> 00:13:50,200
SO SOMEONE TURNED TO ME AND
603
00:13:46,250 --> 00:13:50,200
SAID, "BLESS YOU."
604
00:13:50,200 --> 00:13:53,120
THEN I TURNED TO THEM AND I
605
00:13:50,200 --> 00:13:53,120
SAID -
606
00:13:53,120 --> 00:13:57,110
>> Jimmy: LET ME GUESS
607
00:13:53,120 --> 00:13:57,110
YOU SAID, "YOU TOO."
608
00:13:57,110 --> 00:14:00,289
>> NO.
609
00:13:57,110 --> 00:14:00,289
I SAID, "OIL ME UP, DADDY.
610
00:14:00,289 --> 00:14:02,009
IT'S DINNERTIME, AND I'M A
611
00:14:00,289 --> 00:14:02,009
A LITTLE SOUP BOY, CHOMPA,
612
00:14:02,009 --> 00:14:05,059
CHOMPA."
613
00:14:02,009 --> 00:14:05,059
[ LAUGHTER ]
614
00:14:05,059 --> 00:14:12,000
[ SCREAMING
615
00:14:05,059 --> 00:14:12,000
>> Jimmy: HEY, IS THERE
616
00:14:12,000 --> 00:14:14,250
SOMETHING WE CAN DO FOR YOU?
617
00:14:12,000 --> 00:14:14,250
>> YOU GUYS WANT TO SEE A BUNCH
618
00:14:14,250 --> 00:14:18,159
OF SUNSETS I TOOK ON MY PHONE?
619
00:14:14,250 --> 00:14:18,159
[ SCREAMING
620
00:14:18,159 --> 00:14:39,269
[ CHEERS AND APPLAUSE
621
00:14:18,159 --> 00:14:39,269
♪
622
00:14:39,269 --> 00:14:42,250
>> Jimmy: OUR FIRST GUEST IS AN
623
00:14:39,269 --> 00:14:42,250
EMMY-WINNING ACTOR WHO STARS IN
624
00:14:42,250 --> 00:14:46,100
THE NEW MOVIE,
625
00:14:42,250 --> 00:14:46,100
"IT CHAPTER TWO", WHICH IS IN
626
00:14:46,100 --> 00:14:50,149
THEATRES AND IMAX ON FRIDAY.
627
00:14:48,029 --> 00:14:50,149
LADIES AND GENTLEMEN, PLEASE
628
00:14:48,289 --> 00:14:50,149
WELCOME BILL HADER
629
00:14:51,080 --> 00:15:08,200
[ CHEERS AND APPLAUSE
630
00:14:51,080 --> 00:15:08,200
♪
631
00:15:08,200 --> 00:15:10,100
>> Jimmy: THEY LOVE YOU, BILL.
632
00:15:08,200 --> 00:15:10,100
>> HI, GUYS.
633
00:15:10,100 --> 00:15:11,250
>> Jimmy: THANK YOU SO MUCH FOR
634
00:15:10,100 --> 00:15:11,250
BEING HERE
635
00:15:11,250 --> 00:15:13,049
WELCOME BACK -
636
00:15:11,250 --> 00:15:13,049
>> THANKS, MAN
637
00:15:13,049 --> 00:15:14,169
>> Jimmy: TO THE SHOW.
638
00:15:13,049 --> 00:15:14,169
I KNOW YOU'RE A VERY, VERY BUSY
639
00:15:14,169 --> 00:15:16,059
MAN.
640
00:15:14,169 --> 00:15:16,059
YOU'RE OFF TO THE EMMYS VERY
641
00:15:16,059 --> 00:15:17,259
SOON
642
00:15:16,059 --> 00:15:17,259
>> YEAH.
643
00:15:17,259 --> 00:15:19,110
>> Jimmy: BECAUSE YOU WERE
644
00:15:17,259 --> 00:15:19,110
NOMINATED.
645
00:15:19,110 --> 00:15:21,070
YOU HAVE TWO SHOWS NOMINATED
646
00:15:19,110 --> 00:15:21,070
"BARRY" --
647
00:15:21,070 --> 00:15:22,100
[ CHEERS ]
648
00:15:21,070 --> 00:15:22,100
AND, YEAH.
649
00:15:22,100 --> 00:15:23,100
>> THANK YOU
650
00:15:22,100 --> 00:15:23,100
[ CHEERS AND APPLAUSE
651
00:15:23,100 --> 00:15:24,190
>> Jimmy: ABSOLUTELY
652
00:15:23,100 --> 00:15:24,190
>> THANKS.
653
00:15:24,190 --> 00:15:25,210
>> Jimmy: AND "DOCUMENTARY
654
00:15:24,190 --> 00:15:25,210
NOW.
655
00:15:25,210 --> 00:15:28,039
>> YEAH.
656
00:15:25,210 --> 00:15:28,039
[ CHEERS AND APPLAUSE
657
00:15:28,039 --> 00:15:29,259
>> Jimmy: BETWEEN BOTH OF THOSE
658
00:15:28,039 --> 00:15:29,259
SHOWS, YOU HAVE 21 EMMY
659
00:15:29,259 --> 00:15:32,149
NOMINATIONS.
660
00:15:29,259 --> 00:15:32,149
>> YEAH, NO, IT'S CRAZY.
661
00:15:32,149 --> 00:15:36,100
[ CHEERS AND APPLAUSE
662
00:15:32,149 --> 00:15:36,100
♪
663
00:15:36,100 --> 00:15:37,289
IT'S KIND OF CRAZY, YEAH
664
00:15:36,100 --> 00:15:37,289
>> Jimmy: THAT'S AMAZING
665
00:15:37,289 --> 00:15:41,139
>> IT'S COOL
666
00:15:37,289 --> 00:15:41,139
I'M HAPPY THAT ON "BARRY", THAT
667
00:15:41,139 --> 00:15:45,250
SARAH GOLDBERG AND
668
00:15:41,139 --> 00:15:45,250
ANTHONY CARRIGAN, WHO PLAYS
669
00:15:45,250 --> 00:15:47,149
NOHO HANK, AND STEPHEN ROOT,
670
00:15:45,250 --> 00:15:47,149
THEY ALL GOT NOMINATED
671
00:15:47,149 --> 00:15:48,269
THEY'D NEVER BEEN NOMINATED
672
00:15:47,149 --> 00:15:48,269
BEFORE
673
00:15:48,269 --> 00:15:50,159
>> Jimmy: THAT'S SO FUN.
674
00:15:48,269 --> 00:15:50,159
>> SO THAT WAS -- YEAH, THAT
675
00:15:50,159 --> 00:15:51,220
WAS AWESOME.
676
00:15:50,159 --> 00:15:51,220
YEAH
677
00:15:51,220 --> 00:15:53,009
>> Jimmy: THAT'S FANTASTIC,
678
00:15:51,220 --> 00:15:53,009
DUDE
679
00:15:53,009 --> 00:15:54,110
>> YEAH.
680
00:15:53,009 --> 00:15:54,110
>> Jimmy: YOU'RE JUST CRUSHING
681
00:15:54,110 --> 00:15:55,139
IT
682
00:15:54,110 --> 00:15:55,139
>> THANKS.
683
00:15:55,139 --> 00:15:57,090
>> Jimmy: A LOT OF PEOPLE WERE
684
00:15:55,139 --> 00:15:57,090
TALKING ABOUT THE EPISODE THAT
685
00:15:57,090 --> 00:15:58,250
YOU DIRECTED
686
00:15:57,090 --> 00:15:58,250
I BELIEVE IT WAS "RONNY/LILY"?
687
00:15:58,250 --> 00:16:00,049
>> YEAH, "RONNY/LILY" WITH THE
688
00:15:58,250 --> 00:16:00,049
LITTLE GIRL, THE LITTLE KARATE
689
00:16:00,049 --> 00:16:01,200
GIRL
690
00:16:00,049 --> 00:16:01,200
YEAH
691
00:16:01,200 --> 00:16:03,100
>> Jimmy: I MEAN, THIS KARATE
692
00:16:01,200 --> 00:16:03,100
GIRL THAT WAS --
693
00:16:03,100 --> 00:16:05,149
>> YEAH.
694
00:16:03,100 --> 00:16:05,149
[ LIGHT LAUGHTER ]
695
00:16:05,149 --> 00:16:08,009
>> Jimmy: JUST BEATING YOU UP.
696
00:16:05,149 --> 00:16:08,009
>> YEAH, THE WHOLE EPISODE IS
697
00:16:08,009 --> 00:16:11,159
THIS LITTLE GIRL
698
00:16:08,009 --> 00:16:11,159
HER NAME IS JESSIE, AND SHE --
699
00:16:11,159 --> 00:16:13,090
WE WROTE THIS SCRIPT WHERE SHE
700
00:16:11,159 --> 00:16:13,090
HAD TO DO LIKE ALL TYPES OF
701
00:16:13,090 --> 00:16:16,070
CRAZY THINGS WHERE SHE HAD TO
702
00:16:13,090 --> 00:16:16,070
JUMP ON TOP OF ME, AND FLY ON
703
00:16:16,070 --> 00:16:20,149
WALLS, AND CRAWL UP HOUSES AND
704
00:16:16,070 --> 00:16:20,149
STUFF.
705
00:16:20,149 --> 00:16:22,039
AND I WAS LIKE, "I DON'T KNOW
706
00:16:20,149 --> 00:16:22,039
HOW WE'RE GOING TO DO THIS."
707
00:16:22,039 --> 00:16:23,129
AND I REMEMBER MY STUNT
708
00:16:22,039 --> 00:16:23,129
COORDINATOR, WADE ALLEN, SAID,
709
00:16:23,129 --> 00:16:28,070
YOU KNOW, I HAVE -- THERE'S
710
00:16:23,129 --> 00:16:28,070
THIS LITTLE GIRL, HER PARENTS
711
00:16:28,070 --> 00:16:31,029
ARE STUNT WOMEN AND MEN.
712
00:16:28,070 --> 00:16:31,029
AND IT'S -- IT'S A FAMILY.
713
00:16:31,029 --> 00:16:36,100
[ LAUGHTER ]
714
00:16:31,029 --> 00:16:36,100
IT'S A WHOLE OTHER STORY
715
00:16:36,100 --> 00:16:38,019
BUT THEY SAID THAT SHE'S
716
00:16:36,100 --> 00:16:38,019
AMAZING.
717
00:16:38,019 --> 00:16:41,120
AND HE SHOWED ME THIS VIDEO OF
718
00:16:38,019 --> 00:16:41,120
HER RUNNING ALONG THE TOP OF A
719
00:16:41,120 --> 00:16:45,129
A ROOF, AND JUMPING ON TO THE
720
00:16:41,120 --> 00:16:45,129
HOOD OF A MOVING CAR
721
00:16:45,129 --> 00:16:47,049
>> Jimmy: AND YOU'RE LIKE --
722
00:16:45,129 --> 00:16:47,049
>> AND I GO, "WHY DO YOU HAVE
723
00:16:47,049 --> 00:16:49,049
THIS ON YOUR PHONE?"
724
00:16:47,049 --> 00:16:49,049
[ LAUGHTER ]
725
00:16:49,049 --> 00:16:50,169
>> Jimmy: WHY DIDN'T YOU CALL
726
00:16:49,049 --> 00:16:50,169
THE POLICE
727
00:16:50,169 --> 00:16:51,289
>> YEAH.
728
00:16:50,169 --> 00:16:51,289
YOU SHOULD CALL THE POLICE
729
00:16:51,289 --> 00:16:54,149
SHE CLEARLY DID SOMETHING
730
00:16:51,289 --> 00:16:54,149
WRONG.
731
00:16:54,149 --> 00:16:57,289
AND SO SHE CAME IN, AND SHE WAS
732
00:16:54,149 --> 00:16:57,289
LIKE AMAZING
733
00:16:57,289 --> 00:17:01,110
AND THEY GAVE HER DAD THE
734
00:16:57,289 --> 00:17:01,110
SCRIPT, AND HE READ IT, AND HE
735
00:17:01,110 --> 00:17:02,169
GOES, "OH, SHE'S DOING THIS
736
00:17:01,110 --> 00:17:02,169
KIND OF [ BLEEP ] WITH ME AND
737
00:17:02,169 --> 00:17:06,119
HER BROTHERS ALL THE TIME.
738
00:17:02,169 --> 00:17:06,119
[ LAUGHTER ]
739
00:17:06,119 --> 00:17:08,019
>> Jimmy: OH, MY GOD
740
00:17:06,119 --> 00:17:08,019
>> LIKE BEATING YOU UP, AND
741
00:17:08,019 --> 00:17:09,269
HITTING --
742
00:17:08,019 --> 00:17:09,269
>> Jimmy: BUT THEN, TALK TO ME
743
00:17:09,269 --> 00:17:11,289
ABOUT "IT CHAPTER TWO.
744
00:17:09,269 --> 00:17:11,289
>> YEAH.
745
00:17:11,289 --> 00:17:13,150
>> Jimmy: THIS IS A BIG DEAL,
746
00:17:11,289 --> 00:17:13,150
BIG MOVIE.
747
00:17:13,150 --> 00:17:17,170
[ CHEERS AND APPLAUSE
748
00:17:13,150 --> 00:17:17,170
>> YEAH.
749
00:17:17,170 --> 00:17:20,089
>> Jimmy: FULL ON SCARY MOVIE,
750
00:17:17,170 --> 00:17:20,089
BUT ALSO A LOT OF ACTION IN
751
00:17:20,089 --> 00:17:21,250
THIS
752
00:17:20,089 --> 00:17:21,250
DO YOU DO YOUR OWN STUNTS IN
753
00:17:21,250 --> 00:17:23,069
THIS
754
00:17:21,250 --> 00:17:23,069
>> NO, WELL, OKAY.
755
00:17:23,069 --> 00:17:27,150
SO LIKE, JAMES McAVOY DOES HIS
756
00:17:23,069 --> 00:17:27,150
OWN STUNTS
757
00:17:27,150 --> 00:17:29,069
HE CAN LIKE RUN UP AND JUMP OFF
758
00:17:27,150 --> 00:17:29,069
OF THINGS, AND DO A BUNCH OF
759
00:17:29,069 --> 00:17:30,170
CRAZY THINGS
760
00:17:29,069 --> 00:17:30,170
>> Jimmy: YEAH
761
00:17:30,170 --> 00:17:34,250
>> AND EVERYBODY IS --
762
00:17:30,170 --> 00:17:34,250
I -- THERE'S A PART WHERE WE
763
00:17:34,250 --> 00:17:38,140
HAD TO RUN FROM THE CLOWN.
764
00:17:34,250 --> 00:17:38,140
AND I RAN, AND I RAN FOUR FEET,
765
00:17:38,140 --> 00:17:40,289
AND PULLED MY GROIN MUSCLE
766
00:17:38,140 --> 00:17:40,289
[ LAUGHTER ]
767
00:17:40,289 --> 00:17:44,099
I WAS LIKE -
768
00:17:40,289 --> 00:17:44,099
[ SCREAMING
769
00:17:44,099 --> 00:17:46,160
>> Jimmy: DID YOU REALLY
770
00:17:44,099 --> 00:17:46,160
>> AND THEY HAD TO GET MY STUNT
771
00:17:46,160 --> 00:17:48,130
GUY JUST TO RUN.
772
00:17:46,160 --> 00:17:48,130
[ LAUGHTER ]
773
00:17:48,130 --> 00:17:50,180
LIKE, THE STUNT DUDES ARE SO
774
00:17:48,130 --> 00:17:50,180
STOKED TO LIKE -
775
00:17:50,180 --> 00:17:52,039
>> Jimmy: YEAH
776
00:17:50,180 --> 00:17:52,039
>> "WHAT AM I DOING, BRAH?
777
00:17:52,039 --> 00:17:53,230
>> Jimmy: YEAH, "AM I GOING
778
00:17:52,039 --> 00:17:53,230
THROUGH A WALL, BRAH?"
779
00:17:53,230 --> 00:17:55,029
>> "WANNA GO, BRAH?"
780
00:17:53,230 --> 00:17:55,029
GET ME HERE?
781
00:17:55,029 --> 00:17:56,150
THAT'S ALL YOU, DUDE
782
00:17:55,029 --> 00:17:56,150
THAT'S ALL YOU
783
00:17:56,150 --> 00:17:58,140
AND THEY WERE LIKE -
784
00:17:56,150 --> 00:17:58,140
I WAS LIKE, YEAH
785
00:17:58,140 --> 00:18:00,069
AND THE GUY WAS LIKE, "I JUST
786
00:17:58,140 --> 00:18:00,069
GOTTA RUN?
787
00:18:00,069 --> 00:18:02,119
ARE YOU SERIOUS?
788
00:18:00,069 --> 00:18:02,119
[ LAUGHTER ]
789
00:18:02,119 --> 00:18:04,079
>> Jimmy: "LIKE HOW FAR?
790
00:18:02,119 --> 00:18:04,079
>> "HADER'S THING --
791
00:18:04,079 --> 00:18:06,130
BUT LIKE MILES, RIGHT?
792
00:18:04,079 --> 00:18:06,130
AND THEN I GET HIT BY A CAR?
793
00:18:06,130 --> 00:18:07,289
>> Jimmy: "FROM HERE TO THE
794
00:18:06,130 --> 00:18:07,289
CAMERA THERE?"
795
00:18:07,289 --> 00:18:10,079
>> "ARE YOU JOKING
796
00:18:07,289 --> 00:18:10,079
WHERE'D YOU FIND THIS DUDE?"
797
00:18:10,079 --> 00:18:13,029
[ LAUGHTER ]
798
00:18:10,079 --> 00:18:13,029
AND THEN I'M LIKE --
799
00:18:13,029 --> 00:18:14,289
AND THEN I HAD TO GO AND GET
800
00:18:13,029 --> 00:18:14,289
LIKE AN ULTRASOUND WITH --
801
00:18:14,289 --> 00:18:17,269
AND I HAD TO GET VERY FRIENDLY
802
00:18:14,289 --> 00:18:17,269
WITH A TORONTO DOCTOR.
803
00:18:17,269 --> 00:18:21,029
>> Jimmy: YEAH
804
00:18:17,269 --> 00:18:21,029
>> JUST LIKE, "OH MAN.
805
00:18:21,029 --> 00:18:22,190
OH, GOD MAN.
806
00:18:21,029 --> 00:18:22,190
HOW'D YOU GET THIS
807
00:18:22,190 --> 00:18:24,049
WERE YOU GETTING CHASED BY A
808
00:18:22,190 --> 00:18:24,049
A CLOWN THEN?"
809
00:18:24,049 --> 00:18:27,200
[ LAUGHTER ]
810
00:18:24,049 --> 00:18:27,200
>> Jimmy: I KNOW YOU HAD TO --
811
00:18:27,200 --> 00:18:29,190
YOU GIVE CREDIT TO
812
00:18:27,200 --> 00:18:29,190
FINN WOLFHARD --
813
00:18:29,190 --> 00:18:31,140
>> YEAH.
814
00:18:29,190 --> 00:18:31,140
>> Jimmy: FOR GETTING THIS
815
00:18:31,140 --> 00:18:32,269
ROLE, FROM "STRANGER THINGS",
816
00:18:31,140 --> 00:18:32,269
OBVIOUSLY.
817
00:18:32,269 --> 00:18:33,269
YEAH
818
00:18:32,269 --> 00:18:33,269
>> WOO
819
00:18:33,269 --> 00:18:38,109
[ CHEERS ]
820
00:18:33,269 --> 00:18:38,109
>> Jimmy: AND THE FIRST "IT.
821
00:18:38,109 --> 00:18:40,000
>> YEAH.
822
00:18:38,109 --> 00:18:40,000
>> Jimmy: I LIKE THAT GUY.
823
00:18:40,000 --> 00:18:41,029
WHY?
824
00:18:40,000 --> 00:18:41,029
WHY, HOW DO YOU --
825
00:18:41,029 --> 00:18:43,000
>> OKAY, SO FINN -
826
00:18:41,029 --> 00:18:43,000
SO, WHEN THEY ASKED THEM, WHO
827
00:18:43,000 --> 00:18:44,099
DO YOU WANT TO PLAY YOU IN THE
828
00:18:43,000 --> 00:18:44,099
SEQUEL, 'CAUSE THEY ALL GROW
829
00:18:44,099 --> 00:18:45,170
UP
830
00:18:44,099 --> 00:18:45,170
HE SAID, HE WANTED ME TO
831
00:18:45,170 --> 00:18:48,059
AND THEN MY --
832
00:18:45,170 --> 00:18:48,059
I THOUGHT, "OH, THAT'S SWEET."
833
00:18:48,059 --> 00:18:49,279
AND MY AGENT SENT ME A LITTLE
834
00:18:48,059 --> 00:18:49,279
CLIP OF HIM SAYING THAT.
835
00:18:49,279 --> 00:18:50,279
AND I WAS LIKE, "OH, THAT'S
836
00:18:49,279 --> 00:18:50,279
NICE."
837
00:18:50,279 --> 00:18:52,099
AND THEN LIKE THREE MONTHS
838
00:18:50,279 --> 00:18:52,099
LATER THEY WERE LIKE, "HEY, YOU
839
00:18:52,099 --> 00:18:53,160
GOT A MEETING TO MEET WITH THE
840
00:18:52,099 --> 00:18:53,160
DIRECTOR OF 'IT'."
841
00:18:53,160 --> 00:18:57,180
AND I WAS LIKE, "THIS FINN
842
00:18:53,160 --> 00:18:57,180
KID'S LIKE SUPER POWERFUL.
843
00:18:57,180 --> 00:18:58,279
[ LAUGHTER ]
844
00:18:57,180 --> 00:18:58,279
>> Jimmy: OH, MY GOSH.
845
00:18:58,279 --> 00:19:00,200
HE'S RUNNING HOLLYWOOD
846
00:18:58,279 --> 00:19:00,200
>> YEAH, HE'S LIKE JOFFREY
847
00:19:00,200 --> 00:19:04,150
[ LAUGHTER ]
848
00:19:00,200 --> 00:19:04,150
LIKE, "BRING HIM TO ME
849
00:19:04,150 --> 00:19:06,240
BRING ME THE MAN WHO PLAYED
850
00:19:04,150 --> 00:19:06,240
STEFON, I WANT HIM TO PLAY ME
851
00:19:06,240 --> 00:19:09,089
IN THE MOVIE
852
00:19:06,240 --> 00:19:09,089
[ LAUGHTER ]
853
00:19:09,089 --> 00:19:11,079
BRING HIM HERE!"
854
00:19:09,089 --> 00:19:11,079
[ APPLAUSE ]
855
00:19:11,079 --> 00:19:14,259
HIS LITTLE SCEPTER
856
00:19:11,079 --> 00:19:14,259
"GET HIM IN HERE NOW
857
00:19:14,259 --> 00:19:17,049
BARRY, WHATEVER HIS NAME IS.
858
00:19:14,259 --> 00:19:17,049
[ LIGHT LAUGHTER ]
859
00:19:17,049 --> 00:19:19,170
>> Jimmy: CAN YOU SET UP
860
00:19:17,049 --> 00:19:19,170
"IT CHAPTER TWO"
861
00:19:19,170 --> 00:19:20,200
'CAUSE THE FIRST ONE WAS
862
00:19:19,170 --> 00:19:20,200
TOTALLY FRIGHTENING, AND
863
00:19:20,200 --> 00:19:24,049
CONTINUES TO GIVE ME
864
00:19:20,200 --> 00:19:24,049
NIGHTMARES
865
00:19:24,049 --> 00:19:26,000
AND IT'S A -- WHICH IS I GUESS
866
00:19:24,049 --> 00:19:26,000
WHAT YOU WANT FROM THESE FILMS
867
00:19:26,000 --> 00:19:27,130
>> YEAH, I GUESS SO.
868
00:19:26,000 --> 00:19:27,130
I WOULD HOPE SO.
869
00:19:27,130 --> 00:19:29,000
>> Jimmy: IT'S FRIGHTENING
870
00:19:27,130 --> 00:19:29,000
>> IT'S TERRIFYING
871
00:19:29,000 --> 00:19:30,220
AND THEN, YEAH, I WENT TO
872
00:19:29,000 --> 00:19:30,220
THE --
873
00:19:30,220 --> 00:19:32,250
SO IT'S LIKE -
874
00:19:30,220 --> 00:19:32,250
YEAH, IT'S 27 YEARS LATER.
875
00:19:32,250 --> 00:19:36,190
WE'RE ALL BACK
876
00:19:32,250 --> 00:19:36,190
AND THEY'RE, YOU KNOW, TRYING
877
00:19:36,190 --> 00:19:39,039
TO KILL THE --
878
00:19:36,190 --> 00:19:39,039
>> Jimmy: CLOWN.
879
00:19:39,039 --> 00:19:40,160
>> FREAKING CLOWN.
880
00:19:39,039 --> 00:19:40,160
YEAH, AND THEN -
881
00:19:40,160 --> 00:19:42,190
[ LIGHT LAUGHTER ]
882
00:19:40,160 --> 00:19:42,190
>> Jimmy: EVERY 27 YEARS IT
883
00:19:42,190 --> 00:19:44,079
COMES BACK
884
00:19:42,190 --> 00:19:44,079
>> IT COMES BACK
885
00:19:44,079 --> 00:19:46,170
AND THEN, I WAS AT THE
886
00:19:44,079 --> 00:19:46,170
PREMIERE
887
00:19:46,170 --> 00:19:48,059
AND I NORMALLY DON'T SIT IN THE
888
00:19:46,170 --> 00:19:48,059
PREMIERE OF THINGS
889
00:19:48,059 --> 00:19:51,049
I KIND OF, LIKE, WALK THE RED
890
00:19:48,059 --> 00:19:51,049
CARPET, I GO "HI", AND THEN I
891
00:19:51,049 --> 00:19:52,119
GO HOME.
892
00:19:51,049 --> 00:19:52,119
BUT THAT ONE, I WAS LIKE, "I
893
00:19:52,119 --> 00:19:53,200
WANT TO SEE IT WITH AN
894
00:19:52,119 --> 00:19:53,200
AUDIENCE."
895
00:19:53,200 --> 00:19:55,289
AND I WENT, AND IT'S REALLY
896
00:19:53,200 --> 00:19:55,289
SCARY.
897
00:19:55,289 --> 00:19:57,210
LIKE, I KNEW WHAT WAS
898
00:19:55,289 --> 00:19:57,210
HAPPENING, AND I WAS LOOKING AT
899
00:19:57,210 --> 00:20:01,099
MY FEET A LOT OF THE TIME.
900
00:19:57,210 --> 00:20:01,099
[ LIGHT LAUGHTER ]
901
00:20:01,099 --> 00:20:03,000
AND THEN THERE WAS A GUY ACROSS
902
00:20:01,099 --> 00:20:03,000
THE AISLE FROM ME.
903
00:20:03,000 --> 00:20:04,190
MY CHARACTER AT ONE POINT IS
904
00:20:03,000 --> 00:20:04,190
PUT IN SOME REAL PERIL, WHERE
905
00:20:04,190 --> 00:20:06,009
YOU DON'T KNOW WHAT'S GOING TO
906
00:20:04,190 --> 00:20:06,009
HAPPEN
907
00:20:06,009 --> 00:20:10,190
AND THE GUY ACROSS THE AISLE
908
00:20:06,009 --> 00:20:10,190
WAS LIKE, "UH-OH, DUDE."
909
00:20:10,190 --> 00:20:13,109
[ LAUGHTER ]
910
00:20:10,190 --> 00:20:13,109
"LOOKS LIKE SOMEONE'S ABOUT TO
911
00:20:13,109 --> 00:20:16,130
DIE.
912
00:20:13,109 --> 00:20:16,130
[ LAUGHTER ]
913
00:20:16,130 --> 00:20:20,009
I WAS KIND OF LIKE, "YOU SEEM
914
00:20:16,130 --> 00:20:20,009
KIND OF STOKED ABOUT THIS.
915
00:20:20,009 --> 00:20:22,029
"YEAH, THAT'S WHY I FORKED OVER
916
00:20:20,009 --> 00:20:22,029
ALL THE CASH, TO SEE HADER DIE
917
00:20:22,029 --> 00:20:24,250
[ LIGHT LAUGHTER ]
918
00:20:22,029 --> 00:20:24,250
GOING TO BE PRETTY SWEET."
919
00:20:24,250 --> 00:20:26,140
>> Jimmy: "HERE WE GO.
920
00:20:24,250 --> 00:20:26,140
>> "HERE WE GO."
921
00:20:26,140 --> 00:20:28,160
IT'S DENNIS MILLER
922
00:20:26,140 --> 00:20:28,160
[ LIGHT LAUGHTER ]
923
00:20:28,160 --> 00:20:30,049
>> Jimmy: I DO WANT TO SHOW
924
00:20:28,160 --> 00:20:30,049
EVERYONE A CLIP.
925
00:20:30,049 --> 00:20:32,279
HERE'S BILL HADER IN
926
00:20:30,049 --> 00:20:32,279
"IT CHAPTER TWO.
927
00:20:32,279 --> 00:20:34,230
OH, BEFORE WE GO TO THE CLIP, I
928
00:20:32,279 --> 00:20:34,230
JUST WANT TO SAY, YOU'VE BEEN
929
00:20:34,230 --> 00:20:36,069
GETTING GREAT REVIEWS FOR THIS
930
00:20:34,230 --> 00:20:36,069
FILM
931
00:20:36,069 --> 00:20:37,099
>> OH, THANKS.
932
00:20:36,069 --> 00:20:37,099
YES.
933
00:20:37,099 --> 00:20:38,220
>> Jimmy: CONGRATS ON THAT
934
00:20:37,099 --> 00:20:38,220
DUDE
935
00:20:38,220 --> 00:20:40,240
>> THANK YOU SO MUCH
936
00:20:38,220 --> 00:20:40,240
>> Jimmy: I JUST LOVE WHEN GOOD
937
00:20:40,240 --> 00:20:42,069
THINGS HAPPEN TO GOOD PEOPLE
938
00:20:40,240 --> 00:20:42,069
HERE'S BILL HADER IN
939
00:20:42,069 --> 00:20:43,269
"IT CHAPTER TWO.
940
00:20:42,259 --> 00:20:43,269
TAKE A LOOK.
941
00:20:43,160 --> 00:20:43,269
[ CHEERS AND APPLAUSE
942
00:20:44,160 --> 00:20:48,140
>> HEY, RICHIE
943
00:20:44,160 --> 00:20:48,140
>> HOW'D YOU -- HOW'D YOU KNOW
944
00:20:48,140 --> 00:20:52,109
MY NAME?
945
00:20:48,140 --> 00:20:52,109
>> THE FUN'S JUST BEGINNING.
946
00:20:52,109 --> 00:21:02,000
RIGHT?
947
00:20:52,109 --> 00:21:02,000
>> WHAT YOU SAID -
948
00:21:02,000 --> 00:21:04,019
LISTEN, YOU THINK THIS IS
949
00:21:02,000 --> 00:21:04,019
FUNNY, RIGHT
950
00:21:04,019 --> 00:21:05,180
YOU THINK THIS IS SOME SORT OF
951
00:21:04,019 --> 00:21:05,180
GAME
952
00:21:05,180 --> 00:21:08,109
HUH?
953
00:21:05,180 --> 00:21:08,109
>> WHOA, RICH, BE CAREFUL.
954
00:21:08,109 --> 00:21:12,019
>> I'M NOT AFRAID OF YOU
955
00:21:08,109 --> 00:21:12,019
>> THE FUN'S JUST BEGINNING.
956
00:21:12,019 --> 00:21:13,180
IT'S A LINE FROM YOUR ACT,
957
00:21:12,019 --> 00:21:13,180
DUDE
958
00:21:13,180 --> 00:21:15,230
I'M A FAN.
959
00:21:13,180 --> 00:21:15,230
>> ARE THOSE YOUR PARENTS?
960
00:21:15,230 --> 00:21:19,279
>> YEAH.
961
00:21:15,230 --> 00:21:19,279
>> YOU WANT A PICTURE.
962
00:21:19,279 --> 00:21:22,029
>> YOU OKAY, DEAN?
963
00:21:19,279 --> 00:21:22,029
>> I THINK I'M GOOD.
964
00:21:22,029 --> 00:21:23,230
>> COME ON
965
00:21:22,029 --> 00:21:23,230
[ LAUGHTER ]
966
00:21:23,230 --> 00:21:25,160
>> OKAY, COOL.
967
00:21:23,230 --> 00:21:25,160
CUTE KID
968
00:21:25,160 --> 00:21:27,039
>> JESUS, RICH
969
00:21:25,160 --> 00:21:27,039
YOU DON'T REMEMBER A LINE FROM
970
00:21:27,039 --> 00:21:29,059
YOUR OWN SHOW?
971
00:21:27,039 --> 00:21:29,059
>> I DON'T WRITE MY OWN
972
00:21:29,059 --> 00:21:31,150
MATERIAL
973
00:21:29,059 --> 00:21:31,150
[ CHEERS AND APPLAUSE
974
00:21:31,150 --> 00:21:35,069
>> Jimmy: BILL HADER,
975
00:21:31,150 --> 00:21:35,069
EVERYBODY!
976
00:21:35,069 --> 00:21:37,220
"IT CHAPTER TWO" IS IN THEATERS
977
00:21:35,069 --> 00:21:37,220
AND IMAX ON FRIDAY
978
00:21:37,220 --> 00:21:40,079
CARA DELEVINGNE JOINS US AFTER
979
00:21:37,220 --> 00:21:40,079
THE BREAK.
980
00:21:40,079 --> 00:21:41,250
STICK AROUND
981
00:21:40,079 --> 00:21:41,250
COME ON BACK
982
00:21:41,250 --> 00:22:01,240
[ CHEERS AND APPLAUSE
983
00:21:41,250 --> 00:22:01,240
♪
984
00:22:01,240 --> 00:22:03,230
>> Jimmy: YOU CAN SEE OUR NEXT
985
00:22:01,240 --> 00:22:03,230
GUEST IN THE NEW SERIES,
986
00:22:03,230 --> 00:22:04,279
"CARNIVAL ROW", WHICH IS
987
00:22:03,230 --> 00:22:04,279
STREAMING NOW ON AMAZON PRIME
988
00:22:04,279 --> 00:22:09,220
VIDEO.
989
00:22:05,160 --> 00:22:09,220
EVERYONE, PLEASE WELCOME
990
00:22:06,250 --> 00:22:09,220
CARA DELEVINGNE.
991
00:22:11,089 --> 00:22:27,220
♪
992
00:22:11,089 --> 00:22:27,220
>> Jimmy: OH, MY GOODNESS.
993
00:22:27,220 --> 00:22:29,069
>> HI, GUYS.
994
00:22:27,220 --> 00:22:29,069
>> Jimmy: CARA DELEVINGNE, NICE
995
00:22:29,069 --> 00:22:30,200
TO SEE YOU
996
00:22:29,069 --> 00:22:30,200
>> NICE ENTRANCE SONG.
997
00:22:30,200 --> 00:22:32,059
I LIKE THAT.
998
00:22:30,200 --> 00:22:32,059
THANKS, GUYS
999
00:22:32,059 --> 00:22:33,220
>> Jimmy: THANKS YOU FOR COMING
1000
00:22:32,059 --> 00:22:33,220
BACK TO THE SHOW
1001
00:22:33,220 --> 00:22:35,049
THANK YOU FOR DOING THAT SCARY
1002
00:22:33,220 --> 00:22:35,049
STORIES --
1003
00:22:35,049 --> 00:22:36,240
>> THANK YOU FOR HAVING ME
1004
00:22:35,049 --> 00:22:36,240
>> Jimmy: WITH BILL AND I.
1005
00:22:36,240 --> 00:22:38,059
DO YOU SCARE EASILY?
1006
00:22:36,240 --> 00:22:38,059
I HAVE A FEELING THAT YOU
1007
00:22:38,059 --> 00:22:39,190
DON'T.
1008
00:22:38,059 --> 00:22:39,190
>> BOO
1009
00:22:39,190 --> 00:22:42,039
>> Jimmy: NO, NOT SCARING ME,
1010
00:22:39,190 --> 00:22:42,039
BUT DO YOU GET SCARED?
1011
00:22:42,039 --> 00:22:45,089
>> I FEEL LIKE HAVING OLDER
1012
00:22:42,039 --> 00:22:45,089
SISTERS, YOU KIND OF -
1013
00:22:45,089 --> 00:22:48,160
I USED TO GET SCARED A LOT
1014
00:22:45,089 --> 00:22:48,160
AND ESPECIALLY AFTER -
1015
00:22:48,160 --> 00:22:50,170
YOU KNOW THAT "FRIENDS" EPISODE
1016
00:22:48,160 --> 00:22:50,170
WHEN HE TALKS ABOUT UNAGI?
1017
00:22:50,170 --> 00:22:51,230
[ LIGHT LAUGHTER ]
1018
00:22:50,170 --> 00:22:51,230
[ CHEERS ]
1019
00:22:51,230 --> 00:22:52,259
YOU KNOW WHAT I'M TALKING
1020
00:22:51,230 --> 00:22:52,259
ABOUT?
1021
00:22:52,259 --> 00:22:54,089
I FEEL LIKE I HAVE A PRETTY
1022
00:22:52,259 --> 00:22:54,089
GOOD UNAGI
1023
00:22:54,089 --> 00:22:55,210
>> Jimmy: YOU DO
1024
00:22:54,089 --> 00:22:55,210
>> YEAH, YEAH.
1025
00:22:55,210 --> 00:22:57,009
>> Jimmy: YOU DO STUFF LIKE,
1026
00:22:55,210 --> 00:22:57,009
DON'T YOU JUMP OUT OF PLANES OR
1027
00:22:57,009 --> 00:22:58,259
SOMETHING?
1028
00:22:57,009 --> 00:22:58,259
>> YEAH, I JUMP OUT --
1029
00:22:58,259 --> 00:23:00,250
I DID BEAR GRYLLS RECENTLY,
1030
00:22:58,259 --> 00:23:00,250
WHICH WAS SO FUN
1031
00:23:00,250 --> 00:23:02,180
HAVE YOU SEEN --
1032
00:23:00,250 --> 00:23:02,180
>> Jimmy: I LOVE BEAR GRYLLS
1033
00:23:02,180 --> 00:23:03,200
YEAH
1034
00:23:02,180 --> 00:23:03,200
>> YEAH, HE CAME TO MY SCHOOL
1035
00:23:03,200 --> 00:23:06,059
ACTUALLY, WHEN I WAS NINE YEARS
1036
00:23:03,200 --> 00:23:06,059
OLD.
1037
00:23:06,059 --> 00:23:08,079
AND HE WAS ONE OF THE FIRST
1038
00:23:06,059 --> 00:23:08,079
PEOPLE TO CLIMB EVEREST,
1039
00:23:08,079 --> 00:23:09,269
YOUNGEST PEOPLE TO CLIMB
1040
00:23:08,079 --> 00:23:09,269
EVEREST.
1041
00:23:09,269 --> 00:23:11,130
BUT I'VE BEEN OBSESSED WITH HIM
1042
00:23:09,269 --> 00:23:11,130
EVER SINCE
1043
00:23:11,130 --> 00:23:13,089
SO WHEN HE ASKED ME TO DO HIS
1044
00:23:11,130 --> 00:23:13,089
SHOW, I WAS --
1045
00:23:13,089 --> 00:23:15,009
I JUST KNEW, WHATEVER BEAR
1046
00:23:13,089 --> 00:23:15,009
ASKED ME TO, I HAD TO DO IT.
1047
00:23:15,009 --> 00:23:16,200
>> Jimmy: NO, NO, NO, NO
1048
00:23:15,009 --> 00:23:16,200
>> NO MATTER WHAT IT WAS
1049
00:23:16,200 --> 00:23:18,029
>> Jimmy: NO, I MEAN, WELL
1050
00:23:16,200 --> 00:23:18,029
THAT'S -
1051
00:23:18,029 --> 00:23:19,250
YEAH, BUT NO, YOU DON'T
1052
00:23:18,029 --> 00:23:19,250
ACTUALLY HAVE TO DO EVERYTHING
1053
00:23:19,250 --> 00:23:21,079
>> NO, NO YOU DO
1054
00:23:19,250 --> 00:23:21,079
>> Jimmy: NO, NO, NO
1055
00:23:21,079 --> 00:23:22,279
>> YEAH.
1056
00:23:21,079 --> 00:23:22,279
BUT THE FUNNY PART WAS -
1057
00:23:22,279 --> 00:23:24,039
'CAUSE THEY USUALLY ASK LIKE,
1058
00:23:22,279 --> 00:23:24,039
OKAY, ARE YOU SCARED OF
1059
00:23:24,039 --> 00:23:25,269
HEIGHTS?
1060
00:23:24,039 --> 00:23:25,269
CAN YOU RIDE A MOTORCYCLE?
1061
00:23:25,269 --> 00:23:27,160
CAN YOU DO THIS?
1062
00:23:25,269 --> 00:23:27,160
AND EVERY TIME I GET ASKED THIS
1063
00:23:27,160 --> 00:23:29,150
ON A JOB, LIKE, CAN YOU TAP
1064
00:23:27,160 --> 00:23:29,150
DANCE?
1065
00:23:29,150 --> 00:23:31,069
CAN YOU DRIVE A CAR?
1066
00:23:29,150 --> 00:23:31,069
I'M ALWAYS LIKE, "YEAH, YEAH
1067
00:23:31,069 --> 00:23:32,230
I CAN DO EVERYTHING.
1068
00:23:31,069 --> 00:23:32,230
'CAUSE I ALWAYS THINK I CAN
1069
00:23:32,230 --> 00:23:34,089
LEARN HOW TO
1070
00:23:32,230 --> 00:23:34,089
SO LIKE, CAN YOU RIDE
1071
00:23:34,089 --> 00:23:37,009
A SCOOTER?
1072
00:23:34,089 --> 00:23:37,009
I WAS LIKE, "OF COURSE."
1073
00:23:37,009 --> 00:23:38,099
BUT I DIDN'T KNOW THAT I WAS
1074
00:23:37,009 --> 00:23:38,099
GOING TO HAVE LIKE START
1075
00:23:38,099 --> 00:23:40,289
MYSELF, THIS OLD ITALIAN
1076
00:23:38,099 --> 00:23:40,289
SCOOTER.
1077
00:23:40,289 --> 00:23:43,210
AND THAT WAS ACTUALLY THE
1078
00:23:40,289 --> 00:23:43,210
HARDEST PART OF THE WHOLE
1079
00:23:43,210 --> 00:23:45,099
THING.
1080
00:23:43,210 --> 00:23:45,099
IT TOOK ME AN HOUR TO LIKE GET
1081
00:23:45,099 --> 00:23:49,109
THE THING GOING.
1082
00:23:45,099 --> 00:23:49,109
>> Jimmy: THAT'S WHAT THE WHOLE
1083
00:23:49,109 --> 00:23:50,240
EPISODE IS, YOU TRYING TO START
1084
00:23:49,109 --> 00:23:50,240
AN OLD VESPA
1085
00:23:50,240 --> 00:23:52,069
>> TIPPING OVER, IT WAS SO
1086
00:23:50,240 --> 00:23:52,069
HUMILIATING.
1087
00:23:52,069 --> 00:23:54,079
GODDAMN VESPA WOULDN'T GO.
1088
00:23:52,069 --> 00:23:54,079
BUT THE FUNNIEST PART WAS, I
1089
00:23:54,079 --> 00:23:56,049
LIKE FINALLY GET IT HURTLING
1090
00:23:54,079 --> 00:23:56,049
DOWN, ON THIS VESPA YOU HAVE TO
1091
00:23:56,049 --> 00:23:58,039
CHANGE THE GEARS
1092
00:23:56,049 --> 00:23:58,039
AND SUDDENLY, THERE WAS THIS
1093
00:23:58,039 --> 00:23:59,200
RUMBLING BEHIND ME
1094
00:23:58,039 --> 00:23:59,200
I WAS LIKE, "OH MY GOD, I CAN
1095
00:23:59,200 --> 00:24:02,130
FEEL HIM."
1096
00:23:59,200 --> 00:24:02,130
THAT SOUNDS WEIRD.
1097
00:24:02,130 --> 00:24:03,279
BUT HE FLEW RIGHT OVER MY HEAD
1098
00:24:02,130 --> 00:24:03,279
ON A HELICOPTER.
1099
00:24:03,279 --> 00:24:05,140
I WAS LIKE, "AH, THERE HE IS!"
1100
00:24:03,279 --> 00:24:05,140
IT WAS AWESOME
1101
00:24:05,140 --> 00:24:06,200
>> Jimmy: REALLY
1102
00:24:05,140 --> 00:24:06,200
>> YEAH.
1103
00:24:06,200 --> 00:24:07,220
>> Jimmy: AND DID YOU HAVE TO
1104
00:24:06,200 --> 00:24:07,220
GO -
1105
00:24:07,220 --> 00:24:10,210
YOU HAD TO GO CAMPING.
1106
00:24:07,220 --> 00:24:10,210
YOU HAD TO EAT BUGS AND STUFF?
1107
00:24:10,210 --> 00:24:12,029
>> YEAH, YEAH.
1108
00:24:10,210 --> 00:24:12,029
>> Jimmy: YOU DID ALL OF IT.
1109
00:24:12,029 --> 00:24:14,220
>> I ATE A RAT
1110
00:24:12,029 --> 00:24:14,220
[ AUDIENCE GROANS
1111
00:24:14,220 --> 00:24:15,250
>> Jimmy: CARA, WHAT ARE YOU
1112
00:24:14,220 --> 00:24:15,250
DOING?
1113
00:24:15,250 --> 00:24:18,099
>> I TOLD YOU I WOULD DO
1114
00:24:15,250 --> 00:24:18,099
ANYTHING FOR BEAR.
1115
00:24:18,099 --> 00:24:20,160
>> Jimmy: WHAT ARE YOU DOING
1116
00:24:18,099 --> 00:24:20,160
>> I WOULD DO ANYTHING FOR
1117
00:24:20,160 --> 00:24:21,279
BEAR
1118
00:24:20,160 --> 00:24:21,279
>> Jimmy: YOU DID, YOU ATE A
1119
00:24:21,279 --> 00:24:23,039
A RAT?
1120
00:24:21,279 --> 00:24:23,039
>> YEAH, BUT THE WORST -
1121
00:24:23,039 --> 00:24:25,000
>> Jimmy: HOW COULD YOU THOUGH
1122
00:24:23,039 --> 00:24:25,000
>> THE WORST PART WAS, WE WERE
1123
00:24:25,000 --> 00:24:26,130
WALKING.
1124
00:24:25,000 --> 00:24:26,130
WE HAD JUST TRAVERSED DOWN A
1125
00:24:26,130 --> 00:24:27,250
A HILL, OR WHATEVER.
1126
00:24:26,130 --> 00:24:27,250
>> Jimmy: YEAH
1127
00:24:27,250 --> 00:24:29,119
>> I THINK THAT'S THE WORD -
1128
00:24:27,250 --> 00:24:29,119
>> Jimmy: SURE
1129
00:24:29,119 --> 00:24:30,279
>> THAT PEOPLE USE
1130
00:24:29,119 --> 00:24:30,279
I SAW THIS TAIL STICKING OUT, I
1131
00:24:30,279 --> 00:24:32,099
WAS LIKE, "WHAT'S THAT
1132
00:24:30,279 --> 00:24:32,099
IS THAT A RAT?
1133
00:24:32,099 --> 00:24:33,259
AND HE WAS LIKE, "PERFECT,
1134
00:24:32,099 --> 00:24:33,259
THAT'S OUR DINNER.
1135
00:24:33,259 --> 00:24:35,059
AND I WAS LIKE, "NO, THAT
1136
00:24:33,259 --> 00:24:35,059
WASN'T" --
1137
00:24:35,059 --> 00:24:37,180
>> Jimmy: THAT WAS MY --
1138
00:24:35,059 --> 00:24:37,180
>> 'CAUSE IT REALLY, THEY DON'T
1139
00:24:37,180 --> 00:24:38,269
SET IT UP.
1140
00:24:37,180 --> 00:24:38,269
>> Jimmy: THAT WAS A TISSUE
1141
00:24:38,269 --> 00:24:40,099
THAT FELL OUT OF MY BAG.
1142
00:24:38,269 --> 00:24:40,099
>> IT'S NOT SET UP
1143
00:24:40,099 --> 00:24:41,119
[ LIGHT LAUGHTER ]
1144
00:24:40,099 --> 00:24:41,119
IT'S NOT SET UP.
1145
00:24:41,119 --> 00:24:43,210
THE WHOLE THING --
1146
00:24:41,119 --> 00:24:43,210
AND I WAS LIKE -
1147
00:24:43,210 --> 00:24:44,269
AND IT HAD BEEN DEAD FOR -- IT
1148
00:24:43,210 --> 00:24:44,269
DIDN'T SMELL THAT BAD, BUT IT
1149
00:24:44,269 --> 00:24:46,029
WASN'T FRESH OBVIOUSLY
1150
00:24:44,269 --> 00:24:46,029
[ AUDIENCE GROANS
1151
00:24:46,029 --> 00:24:49,119
BUT HE LIKE PICKED IT UP
1152
00:24:46,029 --> 00:24:49,119
HE WAS LIKE, "YOU CAN PUT IT IN
1153
00:24:49,119 --> 00:24:51,039
YOUR BAG 'CAUSE YOU DON'T HAVE
1154
00:24:49,119 --> 00:24:51,039
A LOT OF STUFF IN THERE.
1155
00:24:51,039 --> 00:24:53,289
LIKE -
1156
00:24:51,039 --> 00:24:53,289
[ LAUGHTER ]
1157
00:24:53,289 --> 00:24:55,250
>> Jimmy: OH, MY GOSH.
1158
00:24:53,289 --> 00:24:55,250
HAVE YOU EVER LIED BEFORE ON
1159
00:24:55,250 --> 00:24:56,279
OTHER --
1160
00:24:55,250 --> 00:24:56,279
>> NO, YEAH.
1161
00:24:56,279 --> 00:24:58,099
NO, NOT --
1162
00:24:56,279 --> 00:24:58,099
>> Jimmy: I'M SAYING LIKE TO
1163
00:24:58,099 --> 00:24:59,240
GET ROLES.
1164
00:24:58,099 --> 00:24:59,240
>> I DID VICTORIA'S SECRET, AND
1165
00:24:59,240 --> 00:25:01,049
THEY WERE LIKE, "CAN YOU ROLLER
1166
00:24:59,240 --> 00:25:01,049
SKATE?
1167
00:25:01,049 --> 00:25:02,190
I WAS LIKE, "YEAH, OF COURSE,
1168
00:25:01,049 --> 00:25:02,190
IT'S EASY.
1169
00:25:02,190 --> 00:25:04,019
AND THEN WE WERE DOING
1170
00:25:02,190 --> 00:25:04,019
REHEARSALS, AND I CAN'T ROLLER
1171
00:25:04,019 --> 00:25:05,000
SKATE.
1172
00:25:04,019 --> 00:25:05,000
[ LIGHT LAUGHTER ]
1173
00:25:05,000 --> 00:25:06,200
AND SO I WAS LIKE, GETTING DOWN
1174
00:25:05,000 --> 00:25:06,200
TO THE END, AND JUSTIN BIEBER
1175
00:25:06,200 --> 00:25:08,130
IS MEANT TO BE THERE, AND I WAS
1176
00:25:06,200 --> 00:25:08,130
LIKE, "CATCH ME!
1177
00:25:08,130 --> 00:25:09,150
'CAUSE I DON'T KNOW HOW TO
1178
00:25:08,130 --> 00:25:09,150
STOP
1179
00:25:09,150 --> 00:25:11,089
[ LIGHT LAUGHTER ]
1180
00:25:09,150 --> 00:25:11,089
>> Jimmy: JUSTIN BIEBER, CATCH
1181
00:25:11,089 --> 00:25:12,279
ME
1182
00:25:11,089 --> 00:25:12,279
>> YEAH, BUT -- YEAH, LUCKILY.
1183
00:25:12,279 --> 00:25:14,240
BUT THEN THEY WERE LIKE, THIS
1184
00:25:12,279 --> 00:25:14,240
IS A RISK, SO WE'RE JUST GOING
1185
00:25:14,240 --> 00:25:17,190
TO HAVE YOU WALK
1186
00:25:14,240 --> 00:25:17,190
>> Jimmy: YOU DO A GREAT IRISH
1187
00:25:17,190 --> 00:25:19,079
ACCENT IN "CARNIVAL ROW.
1188
00:25:17,190 --> 00:25:19,079
>> THANK YOU VERY MUCH
1189
00:25:19,079 --> 00:25:20,140
>> Jimmy: YEAH, THANK YOU VERY
1190
00:25:19,079 --> 00:25:20,140
MUCH
1191
00:25:20,140 --> 00:25:21,150
>> THAT WAS VERY BAD
1192
00:25:20,140 --> 00:25:21,150
[ IRISH BROGUE ]
1193
00:25:21,150 --> 00:25:23,099
>> Jimmy: HOW DO YOU DO THAT
1194
00:25:21,150 --> 00:25:23,099
HOW YOU JUST GET RIGHT INTO IT
1195
00:25:23,099 --> 00:25:24,250
>> ARE YOU IRISH
1196
00:25:23,099 --> 00:25:24,250
THAT'S ACTUALLY QUITE GOOD
1197
00:25:24,250 --> 00:25:26,109
>> Jimmy: I'M DRUNK RIGHT NOW,
1198
00:25:24,250 --> 00:25:26,109
BUT THANK YOU.
1199
00:25:26,109 --> 00:25:30,059
[ LAUGHTER ]
1200
00:25:26,109 --> 00:25:30,059
>> ME TOO, IT'S GREAT.
1201
00:25:30,059 --> 00:25:32,000
>> Jimmy: EXPLAIN THE --
1202
00:25:30,059 --> 00:25:32,000
CAN YOU SET UP "CARNIVAL ROW"
1203
00:25:32,000 --> 00:25:34,009
FOR ANYONE WHO HASN'T HEARD OF
1204
00:25:32,000 --> 00:25:34,009
IT
1205
00:25:34,009 --> 00:25:35,140
>> NO.
1206
00:25:34,009 --> 00:25:35,140
>> Jimmy: OKAY
1207
00:25:35,140 --> 00:25:36,240
>> OKAY.
1208
00:25:35,140 --> 00:25:36,240
[ LIGHT LAUGHTER ]
1209
00:25:36,240 --> 00:25:38,220
>> Jimmy: BUT I MEAN
1210
00:25:36,240 --> 00:25:38,220
>> THAT'S NOT WHAT I MEANT
1211
00:25:38,220 --> 00:25:40,019
SO
1212
00:25:38,220 --> 00:25:40,019
>> Jimmy: IT'S A FANTASY
1213
00:25:40,019 --> 00:25:41,180
>> IT'S A FANTASY.
1214
00:25:40,019 --> 00:25:41,180
IT'S A NEO -- IT'S SET IN THIS,
1215
00:25:41,180 --> 00:25:43,069
LIKE, NEO-VICTORIAN FANTASY
1216
00:25:41,180 --> 00:25:43,069
WORLD.
1217
00:25:43,069 --> 00:25:47,009
IT'S LIKE THIS CRIME THRILLER
1218
00:25:43,069 --> 00:25:47,009
WITH A -
1219
00:25:47,009 --> 00:25:48,269
NOT LIKE CLICHE HOLLYWOOD LOVE
1220
00:25:47,009 --> 00:25:48,269
STORY.
1221
00:25:48,269 --> 00:25:51,059
IT'S QUITE THIS, LIKE, TWISTED,
1222
00:25:48,269 --> 00:25:51,059
HEARTBREAKING, LOVE STORY.
1223
00:25:51,059 --> 00:25:53,250
BUT ALSO THIS --
1224
00:25:51,059 --> 00:25:53,250
THE BEST PART, IN MY OPINION,
1225
00:25:53,250 --> 00:25:56,099
IS THE TERRIFYING, BUT GREAT -
1226
00:25:53,250 --> 00:25:56,099
NOT GREAT, BUT TERRIFYING
1227
00:25:56,099 --> 00:25:58,130
SOCIAL COMMENTARY, WHICH IS
1228
00:25:56,099 --> 00:25:58,130
WHAT'S GOING ON IN THE WORLD
1229
00:25:58,130 --> 00:25:59,250
RIGHT NOW.
1230
00:25:58,130 --> 00:25:59,250
THERE'S SO MANY DIFFERENT
1231
00:25:59,250 --> 00:26:01,269
PIECES AND ELEMENTS TO IT.
1232
00:25:59,250 --> 00:26:01,269
BUT I THINK THE MOST IMPORTANT
1233
00:26:01,269 --> 00:26:04,250
THING IS TALKING ABOUT
1234
00:26:01,269 --> 00:26:04,250
REFUGEES, AND THE MIGRANT
1235
00:26:04,250 --> 00:26:07,170
CRISIS RIGHT NOW
1236
00:26:04,250 --> 00:26:07,170
IT'S REALLY INTERESTING HOW
1237
00:26:07,170 --> 00:26:10,039
IT'S REFLECTING.
1238
00:26:07,170 --> 00:26:10,039
'CAUSE TO USE FANTASY IN THAT
1239
00:26:10,039 --> 00:26:13,119
KIND OF WAY, I THINK IS THE
1240
00:26:10,039 --> 00:26:13,119
MOST BEAUTIFUL THING
1241
00:26:13,119 --> 00:26:15,079
'CAUSE IT JUST OPENS UP
1242
00:26:13,119 --> 00:26:15,079
A CONVERSATION
1243
00:26:15,079 --> 00:26:17,170
'CAUSE I THINK THE WORST THINGS
1244
00:26:15,079 --> 00:26:17,170
THAT ARE HAPPENING IN THE WORLD
1245
00:26:17,170 --> 00:26:19,059
JUST NEED TO BE SPOKEN ABOUT
1246
00:26:17,170 --> 00:26:19,059
SO, IF WE CAN USE ART TO OPEN
1247
00:26:19,059 --> 00:26:20,220
CONVERSATIONS, I THINK IT'S THE
1248
00:26:19,059 --> 00:26:20,220
BEST THING
1249
00:26:20,220 --> 00:26:22,039
>> Jimmy: GOOD FOR YOU
1250
00:26:20,220 --> 00:26:22,039
I AGREE.
1251
00:26:22,039 --> 00:26:23,240
>> GOOD FOR US
1252
00:26:22,039 --> 00:26:23,240
[ CHEERS AND APPLAUSE
1253
00:26:23,240 --> 00:26:27,150
>> Jimmy: I AGREE.
1254
00:26:23,240 --> 00:26:27,150
IT'S YOU AND ORLANDO BLOOM
1255
00:26:27,150 --> 00:26:29,200
>> BLOOMY.
1256
00:26:27,150 --> 00:26:29,200
>> Jimmy: YEAH
1257
00:26:29,200 --> 00:26:31,130
YOU AND ORLANDO BLOOM, OR AS
1258
00:26:29,200 --> 00:26:31,130
YOU CALL HIM, BLOOMY
1259
00:26:31,130 --> 00:26:32,220
>> I DON'T
1260
00:26:31,130 --> 00:26:32,220
I JUST DID NOW
1261
00:26:32,220 --> 00:26:34,210
>> Jimmy: OKAY, YEAH
1262
00:26:32,220 --> 00:26:34,210
I WANT TO SHOW -
1263
00:26:34,210 --> 00:26:36,069
>> HE'LL BE ANGRY NOW.
1264
00:26:34,210 --> 00:26:36,069
>> Jimmy: I WANT TO --
1265
00:26:36,069 --> 00:26:37,130
HE WILL GET MAD.
1266
00:26:36,069 --> 00:26:37,130
HE'LL GO, "WHY WOULD YOU DO
1267
00:26:37,130 --> 00:26:38,250
THAT?"
1268
00:26:37,130 --> 00:26:38,250
I WANT TO SHOW A CLIP HERE
1269
00:26:38,250 --> 00:26:39,119
HERE'S CARA DELEVINGNE AND
1270
00:26:39,119 --> 00:26:41,079
ORLANDO BLOOM IN
1271
00:26:40,009 --> 00:26:41,079
"CARNIVAL ROW.
1272
00:26:40,240 --> 00:26:41,079
TAKE A LOOK.
1273
00:26:45,289 --> 00:26:53,089
>> YOU LYING -
1274
00:26:45,289 --> 00:26:53,089
YOU'RE ALIVE
1275
00:26:53,089 --> 00:26:56,279
MIMA ROOSAN CAME TO ME WITH
1276
00:26:53,089 --> 00:26:56,279
BLOOD ON HER HANDS
1277
00:26:56,279 --> 00:27:07,210
SHE SAID YOU DIED IN HER ARMS.
1278
00:26:56,279 --> 00:27:07,210
WHY DID SHE LIE TO ME?
1279
00:27:07,210 --> 00:27:13,289
>> BECAUSE I TOLD HER TO
1280
00:27:07,210 --> 00:27:13,289
>> WE TOLD EACH OTHER
1281
00:27:13,289 --> 00:27:19,160
EVERYTHING
1282
00:27:13,289 --> 00:27:19,160
COULDN'T YOU HAVE AT LEAST TOLD
1283
00:27:19,160 --> 00:27:26,289
ME GOODBYE
1284
00:27:19,160 --> 00:27:26,289
>> I WANTED --
1285
00:27:26,289 --> 00:27:33,250
I NEVER MEANT TO HURT YOU.
1286
00:27:26,289 --> 00:27:33,250
>> HURT ME
1287
00:27:33,250 --> 00:27:36,069
YOU DESTROYED ME
1288
00:27:33,250 --> 00:27:36,069
[ CHEERS AND APPLAUSE
1289
00:27:36,069 --> 00:27:44,049
>> Jimmy: THAT'S HOW YOU DO IT,
1290
00:27:36,069 --> 00:27:44,049
RIGHT THERE.
1291
00:27:44,049 --> 00:27:47,059
♪ THIS IS HOW
1292
00:27:44,049 --> 00:27:47,059
WE DO IT ♪
1293
00:27:47,059 --> 00:27:49,259
>> Jimmy: LAST TIME YOU WERE
1294
00:27:47,059 --> 00:27:49,259
HERE, YOU SHOWED US HOW YOU CAN
1295
00:27:49,259 --> 00:27:52,029
BEATBOX.
1296
00:27:49,259 --> 00:27:52,029
WE ALWAYS TRY TO ASK YOU FOR A
1297
00:27:52,029 --> 00:27:54,069
A HIDDEN TALENT OR SOMETHING
1298
00:27:52,029 --> 00:27:54,069
LIKE THAT.
1299
00:27:54,069 --> 00:27:55,289
>> MM-HMM.
1300
00:27:54,069 --> 00:27:55,289
>> Jimmy: AND SO I FOUND OUT,
1301
00:27:55,289 --> 00:27:57,119
AND YOU WERE GREAT, AND WE
1302
00:27:55,289 --> 00:27:57,119
LOVED IT
1303
00:27:57,119 --> 00:27:59,079
AND I FOUND OUT THERE'S ANOTHER
1304
00:27:57,119 --> 00:27:59,079
HIDDEN TALENT THAT YOU HAVE,
1305
00:27:59,079 --> 00:28:01,230
WHICH IS THAT YOU CAN PLAY THE
1306
00:27:59,079 --> 00:28:01,230
GUITAR BEHIND YOUR BACK?
1307
00:28:01,230 --> 00:28:04,279
>> BEHIND MY HEAD.
1308
00:28:01,230 --> 00:28:04,279
>> Jimmy: YEAH
1309
00:28:04,279 --> 00:28:06,200
>> AND WITH MY TOES.
1310
00:28:04,279 --> 00:28:06,200
JOKING
1311
00:28:06,200 --> 00:28:08,000
I'M JUST JOKING.
1312
00:28:06,200 --> 00:28:08,000
[ LAUGHTER ]
1313
00:28:08,000 --> 00:28:09,230
>> Jimmy: NO, BUT HOW DID YOU
1314
00:28:08,000 --> 00:28:09,230
LEARN HOW TO DO THAT
1315
00:28:09,230 --> 00:28:11,049
>> I LIKE TO SHOW OFF,
1316
00:28:09,230 --> 00:28:11,049
APPARENTLY
1317
00:28:11,049 --> 00:28:13,230
>> Jimmy: NO, NO
1318
00:28:11,049 --> 00:28:13,230
>> NO, JIMI HENDRIX.
1319
00:28:13,230 --> 00:28:16,089
I DON'T KNOW
1320
00:28:13,230 --> 00:28:16,089
I ALWAYS THINK WITH MUSICAL
1321
00:28:16,089 --> 00:28:18,049
INSTRUMENTS, IT'S ALWAYS FUN TO
1322
00:28:16,089 --> 00:28:18,049
PLAY THEM HOW OTHER PEOPLE
1323
00:28:18,049 --> 00:28:19,069
DON'T.
1324
00:28:18,049 --> 00:28:19,069
'CAUSE IT'S LIKE, YOU GET
1325
00:28:19,069 --> 00:28:20,230
TAUGHT HOW TO DO THINGS, AND I
1326
00:28:19,069 --> 00:28:20,230
LIKE TO DO THEM
1327
00:28:20,230 --> 00:28:23,289
UNCONVENTIONALLY
1328
00:28:20,230 --> 00:28:23,289
>> Jimmy: YEAH
1329
00:28:23,289 --> 00:28:25,150
>> BUT THAT'S SOMETHING THAT
1330
00:28:23,289 --> 00:28:25,150
I'VE SEEN BEFORE
1331
00:28:25,150 --> 00:28:27,009
SO I WAS JUST LIKE, OH I WANT
1332
00:28:25,150 --> 00:28:27,009
TO TRY IT.
1333
00:28:27,009 --> 00:28:28,170
AND IT'S ACTUALLY NOT --
1334
00:28:27,009 --> 00:28:28,170
IT IS HARD, BUT IT WASN'T AS
1335
00:28:28,170 --> 00:28:29,289
HARD
1336
00:28:28,170 --> 00:28:29,289
I LEARNED WHEN I WAS YOUNG
1337
00:28:29,289 --> 00:28:32,019
VERY YOUNG, SO -
1338
00:28:29,289 --> 00:28:32,019
>> Jimmy: WE HAPPEN TO HAVE
1339
00:28:32,019 --> 00:28:33,210
A GUITAR HERE.
1340
00:28:32,019 --> 00:28:33,210
>> OH, NO!
1341
00:28:33,210 --> 00:28:34,240
>> Jimmy: I WAS JUST
1342
00:28:33,210 --> 00:28:34,240
WONDERING --
1343
00:28:34,240 --> 00:28:36,130
>> THIS IS ONE HE MADE EARLIER
1344
00:28:34,240 --> 00:28:36,130
[ APPLAUSE ]
1345
00:28:36,130 --> 00:28:37,279
>> Jimmy: COULD YOU --
1346
00:28:36,130 --> 00:28:37,279
OH, GOD.
1347
00:28:37,279 --> 00:28:39,119
>> Jimmy: I'D JUST LIKE TO
1348
00:28:37,279 --> 00:28:39,119
GIVE -
1349
00:28:39,119 --> 00:28:44,180
CAN YOU GIVE US A LITTLE TASTE
1350
00:28:39,119 --> 00:28:44,180
♪
1351
00:28:44,180 --> 00:28:46,039
>> OW.
1352
00:28:44,180 --> 00:28:46,039
OH, JESUS.
1353
00:28:46,039 --> 00:28:48,000
>> Jimmy: ALRIGHT, NOW THIS IS
1354
00:28:46,039 --> 00:28:48,000
CARA DELEVINGNE PLAYING GUITAR
1355
00:28:48,000 --> 00:28:53,140
BEHIND HER HEAD.
1356
00:28:48,000 --> 00:28:53,140
♪
1357
00:28:53,140 --> 00:28:56,029
>> OOH
1358
00:28:53,140 --> 00:28:56,029
OKAY, SORRY.
1359
00:28:56,029 --> 00:28:58,089
♪
1360
00:28:56,029 --> 00:28:58,089
[ CHEERS AND APPLAUSE
1361
00:28:58,089 --> 00:29:00,079
♪
1362
00:28:58,089 --> 00:29:00,079
♪
1363
00:29:00,079 --> 00:29:06,109
♪
1364
00:29:00,079 --> 00:29:06,109
>> Jimmy: OH, MY GOD, THAT'S
1365
00:29:06,109 --> 00:29:09,130
HOW YOU DO IT RIGHT THERE!
1366
00:29:06,109 --> 00:29:09,130
[ CHEERS AND APPLAUSE
1367
00:29:09,130 --> 00:29:11,150
CARA DELEVINGNE, EVERYBODY
1368
00:29:09,130 --> 00:29:11,150
"CARNIVAL ROW" IS STREAMING NOW
1369
00:29:11,150 --> 00:29:14,250
ON AMAZON PRIME VIDEO.
1370
00:29:11,150 --> 00:29:14,250
WE'LL BE RIGHT BACK WITH
1371
00:29:14,250 --> 00:29:16,220
LESTER HOLT, EVERYBODY
1372
00:29:14,250 --> 00:29:16,220
[ CHEERS AND APPLAUSE
1373
00:29:16,220 --> 00:29:40,019
♪
1374
00:29:16,220 --> 00:29:40,019
>> Jimmy: YOU KNOW OUR NEXT
1375
00:29:40,019 --> 00:29:42,180
GUEST AS THE ANCHOR OF "NBC
1376
00:29:40,019 --> 00:29:42,180
NIGHTLY NEWS" AND
1377
00:29:42,180 --> 00:29:45,170
"DATELINE NBC.
1378
00:29:42,180 --> 00:29:45,170
HE HAS A NEW SPECIAL ON
1379
00:29:45,170 --> 00:29:46,140
CRIMINAL JUSTICE REFORM CALLED
1380
00:29:46,140 --> 00:29:51,160
"LIFE INSIDE", WHICH AIRS THIS
1381
00:29:47,190 --> 00:29:51,160
FRIDAY AT 10:00 P.M. ON NBC.
1382
00:29:49,089 --> 00:29:51,160
PLEASE WELCOME LESTER HOLT
1383
00:29:53,230 --> 00:30:12,099
♪
1384
00:29:53,230 --> 00:30:12,099
>> Jimmy: LESTER HOLT.
1385
00:30:12,099 --> 00:30:15,190
[ CHEERS ]
1386
00:30:12,099 --> 00:30:15,190
THANK YOU FOR COMING BACK TO
1387
00:30:15,190 --> 00:30:16,289
THE SHOW
1388
00:30:15,190 --> 00:30:16,289
AND --
1389
00:30:16,289 --> 00:30:18,269
>> ALWAYS A PLEASURE
1390
00:30:16,289 --> 00:30:18,269
>> Jimmy: I WANTED TO SAY
1391
00:30:18,269 --> 00:30:20,259
QUICKLY, CONGRATULATIONS ON
1392
00:30:18,269 --> 00:30:20,259
BECOMING A GRANDFATHER FOR THE
1393
00:30:20,259 --> 00:30:22,279
SECOND THIS SUMMER
1394
00:30:20,259 --> 00:30:22,279
>> SECOND TIME, YEAH
1395
00:30:22,279 --> 00:30:24,140
>> Jimmy: THAT'S GREAT
1396
00:30:22,279 --> 00:30:24,140
♪
1397
00:30:24,140 --> 00:30:26,000
[ CHEERS AND APPLAUSE
1398
00:30:24,140 --> 00:30:26,000
>> LITTLE SAMUEL
1399
00:30:26,000 --> 00:30:29,250
HE'S THREE MONTHS OLD.
1400
00:30:26,000 --> 00:30:29,250
>> Jimmy: OH, MY GOODNESS.
1401
00:30:29,250 --> 00:30:31,200
>> AND I HAVE A 20 -- ACTUALLY,
1402
00:30:29,250 --> 00:30:31,200
HE'LL BE TWO YEARS OLD THIS
1403
00:30:31,200 --> 00:30:33,190
WEEK
1404
00:30:31,200 --> 00:30:33,190
>> Jimmy: IS THAT RIGHT?
1405
00:30:33,190 --> 00:30:34,259
>> YEAH.
1406
00:30:33,190 --> 00:30:34,259
>> Jimmy: OH, MY GOSH.
1407
00:30:34,259 --> 00:30:36,250
IT'S THE GREATEST.
1408
00:30:34,259 --> 00:30:36,250
I MEAN, I WOULDN'T KNOW TO BE
1409
00:30:36,250 --> 00:30:38,079
A GRANDPA.
1410
00:30:36,250 --> 00:30:38,079
I MEAN -
1411
00:30:38,079 --> 00:30:39,269
>> IT'S COOL, BECAUSE YOU DO -
1412
00:30:38,079 --> 00:30:39,269
IT'S EVERYTHING THEY SAY
1413
00:30:39,269 --> 00:30:41,259
YOU GET THAT TIME WITH THEM.
1414
00:30:39,269 --> 00:30:41,259
THAT THE SPECIAL TIME.
1415
00:30:41,259 --> 00:30:43,250
BUT WHEN IT'S TIME TO LEAVE --
1416
00:30:41,259 --> 00:30:43,250
>> Jimmy: YOU'RE OUTTA THERE
1417
00:30:43,250 --> 00:30:44,240
>> YOU LEAVE
1418
00:30:43,250 --> 00:30:44,240
[ LAUGHTER ]
1419
00:30:44,240 --> 00:30:46,230
>> Jimmy: YOU GET OUTTA THERE.
1420
00:30:44,240 --> 00:30:46,230
>> USUALLY IT'S AROUND --
1421
00:30:46,230 --> 00:30:48,089
USUALLY AROUND DIAPER TIME
1422
00:30:46,230 --> 00:30:48,089
>> Jimmy: YEAH, YEAH, YEAH
1423
00:30:48,089 --> 00:30:49,190
"I RAISED YOU.
1424
00:30:48,089 --> 00:30:49,190
I DID ENOUGH
1425
00:30:49,190 --> 00:30:50,250
YEAH, BYE.
1426
00:30:49,190 --> 00:30:50,250
THAT'S GREAT
1427
00:30:50,250 --> 00:30:52,170
YOU DO SUCH A GOOD JOB OVER AT
1428
00:30:50,250 --> 00:30:52,170
THE "NIGHTLY NEWS.
1429
00:30:52,170 --> 00:30:54,190
AND I TELL YOU THAT EVERY TIME,
1430
00:30:52,170 --> 00:30:54,190
BUT YOU REALLY DO.
1431
00:30:54,190 --> 00:30:56,119
AND I KNOW RIGHT NOW YOU'RE
1432
00:30:54,190 --> 00:30:56,119
COVERING A LOT OF HURRICANE
1433
00:30:56,119 --> 00:30:58,170
DORIAN
1434
00:30:56,119 --> 00:30:58,170
WHAT CAN YOU TELL US
1435
00:30:58,170 --> 00:31:00,190
>> YEAH, I MEAN, AS YOU KNOW,
1436
00:30:58,170 --> 00:31:00,190
IT CRUSHED A LOT OF THE BAHAMAS
1437
00:31:00,190 --> 00:31:02,150
AND THERE ARE SEVERAL DEATHS
1438
00:31:00,190 --> 00:31:02,150
THERE.
1439
00:31:02,150 --> 00:31:04,170
AND THEN WE'RE WATCHING IT NOW
1440
00:31:02,150 --> 00:31:04,170
YOU KNOW, IT SAT THERE FOR A
1441
00:31:04,170 --> 00:31:06,160
A COUPLE OF DAYS
1442
00:31:04,170 --> 00:31:06,160
>> Jimmy: IT REALLY DID.
1443
00:31:06,160 --> 00:31:09,220
>> AND NOW IT'S FINALLY
1444
00:31:06,160 --> 00:31:09,220
BEGINNING TO MOVE UP THE COAST
1445
00:31:09,220 --> 00:31:11,279
BUT IT'S GOING TO BE A REAL
1446
00:31:09,220 --> 00:31:11,279
CLOSE CALL FOR A LOT OF PLACES
1447
00:31:11,279 --> 00:31:13,269
UP AND DOWN, YOU KNOW, BETWEEN
1448
00:31:11,279 --> 00:31:13,269
FLORIDA AND NORTH CAROLINA
1449
00:31:13,269 --> 00:31:16,019
SO WE'RE -- WE'VE GOT OUR TEAMS
1450
00:31:13,269 --> 00:31:16,019
STRETCHED OUT ALONG THE COAST.
1451
00:31:16,019 --> 00:31:19,039
>> Jimmy: OH, GOOD
1452
00:31:16,019 --> 00:31:19,039
THANK YOU FOR DOING THAT
1453
00:31:19,039 --> 00:31:21,029
THE -- LET'S TALK ABOUT THIS
1454
00:31:19,039 --> 00:31:21,029
"DATELINE" SPECIAL
1455
00:31:21,029 --> 00:31:25,039
FIRST OF ALL, HOW DID YOU AGREE
1456
00:31:21,029 --> 00:31:25,039
TO DO SOMETHING LIKE THIS?
1457
00:31:25,039 --> 00:31:26,269
AND WHO PITCHED IT TO YOU?
1458
00:31:25,039 --> 00:31:26,269
AND ARE THEY STILL EMPLOYED BY
1459
00:31:26,269 --> 00:31:28,059
NBC?
1460
00:31:26,269 --> 00:31:28,059
>> YEAH, WELL, I MEAN --
1461
00:31:28,059 --> 00:31:29,160
[ LIGHT LAUGHTER ]
1462
00:31:28,059 --> 00:31:29,160
TO GIVE YOU THE BACK STORY,
1463
00:31:29,160 --> 00:31:31,049
I'VE DONE A LOT OF CRIMINAL
1464
00:31:29,160 --> 00:31:31,049
JUSTICE REFORM STORIES,
1465
00:31:31,049 --> 00:31:32,240
WRONGFUL CONVICTION STORIES
1466
00:31:31,049 --> 00:31:32,240
OVER THE LAST SEVERAL YEARS.
1467
00:31:32,240 --> 00:31:34,130
>> Jimmy: YEAH
1468
00:31:32,240 --> 00:31:34,130
>> ONE OF THE PRODUCERS I WORK
1469
00:31:34,130 --> 00:31:37,180
WITH, DAN SLEPIAN, HAS BEEN
1470
00:31:34,130 --> 00:31:37,180
VERY PASSIONATE ON THIS
1471
00:31:37,180 --> 00:31:39,170
SUBJECT.
1472
00:31:37,180 --> 00:31:39,170
WE GOT TO TALKING ABOUT -- WE
1473
00:31:39,170 --> 00:31:41,029
NEED TO DO SOMETHING BIG
1474
00:31:39,170 --> 00:31:41,029
SOMETHING THAT HASN'T BEEN DONE
1475
00:31:41,029 --> 00:31:42,160
BEFORE
1476
00:31:41,029 --> 00:31:42,160
HE COMES BACK TO MY OFFICE A
1477
00:31:42,160 --> 00:31:45,279
A FEW DAYS OR WEEKS LATER.
1478
00:31:42,160 --> 00:31:45,279
AND HE SAYS, "WHAT IF WE PUT
1479
00:31:45,279 --> 00:31:50,190
YOU AS AN INMATE IN A MAXIMUM
1480
00:31:45,279 --> 00:31:50,190
SECURITY PRISON IN LOUISIANA?"
1481
00:31:50,190 --> 00:31:51,210
AND I'M WAITING FOR THE
1482
00:31:50,190 --> 00:31:51,210
PUNCHLINE.
1483
00:31:51,210 --> 00:31:53,170
AND THEN I REALIZE HE'S
1484
00:31:51,210 --> 00:31:53,170
SERIOUS.
1485
00:31:53,170 --> 00:31:55,259
[ LAUGHTER ]
1486
00:31:53,170 --> 00:31:55,259
>> Jimmy: I'M STILL LAUGHING
1487
00:31:55,259 --> 00:31:57,279
I'D BE LIKE, "WHAT?"
1488
00:31:55,259 --> 00:31:57,279
>> WELL, THAT WAS KIND OF WHERE
1489
00:31:57,279 --> 00:31:59,039
I WAS.
1490
00:31:57,279 --> 00:31:59,039
IT TOOK ME A WHILE TO COME
1491
00:31:59,039 --> 00:32:00,109
AROUND
1492
00:31:59,039 --> 00:32:00,109
BUT I STARTED THINKING ABOUT
1493
00:32:00,109 --> 00:32:01,230
IT
1494
00:32:00,109 --> 00:32:01,230
AND IT GAVE US AN OPPORTUNITY
1495
00:32:01,230 --> 00:32:04,019
TO TELL THE STORY FROM THE
1496
00:32:01,230 --> 00:32:04,019
INSIDE
1497
00:32:04,019 --> 00:32:06,099
SO, YOU KNOW, I WASN'T PLAYING
1498
00:32:04,019 --> 00:32:06,099
PRISONER
1499
00:32:06,099 --> 00:32:09,059
BUT I DID SPEND TWO NIGHTS,
1500
00:32:06,099 --> 00:32:09,059
THREE DAYS AT ANGOLA, WHICH IS
1501
00:32:09,059 --> 00:32:12,140
A NOTORIOUS PRISON IN
1502
00:32:09,059 --> 00:32:12,140
LOUISIANA.
1503
00:32:12,140 --> 00:32:13,200
IT'S THE LARGEST IN THE
1504
00:32:12,140 --> 00:32:13,200
COUNTRY.
1505
00:32:13,200 --> 00:32:17,019
AND, BASICALLY, MOVING AMONG
1506
00:32:13,200 --> 00:32:17,019
THE INMATES AND THE STAFF THERE
1507
00:32:17,019 --> 00:32:19,279
WITH OUR CAMERA CREW, GETTING
1508
00:32:17,019 --> 00:32:19,279
SOME OF THE PERSONAL STORIES
1509
00:32:19,279 --> 00:32:21,230
AND TRYING TO UNDERSTAND SOME
1510
00:32:19,279 --> 00:32:21,230
OF THE ISSUES WITH CRIMINAL
1511
00:32:21,230 --> 00:32:23,160
JUSTICE REFORM
1512
00:32:21,230 --> 00:32:23,160
>> Jimmy: WERE THEY OKAY HAVING
1513
00:32:23,160 --> 00:32:26,160
YOU THERE?
1514
00:32:23,160 --> 00:32:26,160
>> THEY WERE
1515
00:32:26,160 --> 00:32:28,049
THE PRISON -- LOUISIANA HAS
1516
00:32:26,160 --> 00:32:28,049
MADE A LOT OF CHANGES.
1517
00:32:28,049 --> 00:32:30,109
THEY CONFRONTED THE IDEA THAT,
1518
00:32:28,049 --> 00:32:30,109
YOU KNOW, WHAT WE'RE DOING,
1519
00:32:30,109 --> 00:32:32,130
LOCKING UP MORE PEOPLE THAN ANY
1520
00:32:30,109 --> 00:32:32,130
OTHER STATE WASN'T WORKING BY
1521
00:32:32,130 --> 00:32:34,240
ITSELF
1522
00:32:32,130 --> 00:32:34,240
SO THEY PASSED DIFFERENT LAWS
1523
00:32:34,240 --> 00:32:38,059
TO REDUCE INCARCERATION LEVELS
1524
00:32:34,240 --> 00:32:38,059
SO THEY REALLY WANTED TO SHOW
1525
00:32:38,059 --> 00:32:41,170
OFF WHAT THEY WERE DOING
1526
00:32:38,059 --> 00:32:41,170
THEY'VE GOT A LONG WAY TO GO
1527
00:32:41,170 --> 00:32:43,000
BUT I'LL TELL YOU, IT WAS AN
1528
00:32:41,170 --> 00:32:43,000
EYE-OPENER
1529
00:32:43,000 --> 00:32:45,119
THERE WERE MOMENTS THERE I
1530
00:32:43,000 --> 00:32:45,119
REALIZED THAT THERE ARE NO
1531
00:32:45,119 --> 00:32:48,039
GUARDS AROUND ME
1532
00:32:45,119 --> 00:32:48,039
AND I'M WALKING AMONG THE
1533
00:32:48,039 --> 00:32:50,099
INMATES.
1534
00:32:48,039 --> 00:32:50,099
AND THERE'S CERTAINLY NO FEAR.
1535
00:32:50,099 --> 00:32:52,160
BUT THERE'S THIS KIND OF
1536
00:32:50,099 --> 00:32:52,160
HEIGHTENED AWARENESS, YOU KNOW,
1537
00:32:52,160 --> 00:32:54,109
GIVEN WHERE I WAS.
1538
00:32:52,160 --> 00:32:54,109
>> Jimmy: SURE, OF COURSE.
1539
00:32:54,109 --> 00:32:56,049
DO YOU ALSO TOUCH ON THE ISSUE
1540
00:32:54,109 --> 00:32:56,049
OF WHAT HAPPENS IF THEY DO GET
1541
00:32:56,049 --> 00:33:00,079
OUT OF PRISON?
1542
00:32:56,049 --> 00:33:00,079
>> WELL, THAT'S ONE OF THE BIG
1543
00:33:00,079 --> 00:33:02,069
DEALS.
1544
00:33:00,079 --> 00:33:02,069
95% OF THE PEOPLE WE HAVE
1545
00:33:02,069 --> 00:33:05,259
LOCKED UP IN THIS COUNTRY ARE
1546
00:33:02,069 --> 00:33:05,259
GOING TO GET OUT SOME DAY.
1547
00:33:05,259 --> 00:33:08,049
SO WHEN WE TALK ABOUT CRIMINAL
1548
00:33:05,259 --> 00:33:08,049
JUSTICE REFORM, IT AFFECTS ALL
1549
00:33:08,049 --> 00:33:10,000
OF US.
1550
00:33:08,049 --> 00:33:10,000
'CAUSE THESE FOLKS ARE GOING TO
1551
00:33:10,000 --> 00:33:11,099
BE OUR NEIGHBORS
1552
00:33:10,000 --> 00:33:11,099
THEY'RE GOING TO BE SHARING,
1553
00:33:11,099 --> 00:33:13,200
YOU KNOW, THE SAME STREETS WE
1554
00:33:11,099 --> 00:33:13,200
WALK DOWN.
1555
00:33:13,200 --> 00:33:15,259
GOING TO THE STORES WE GO TO
1556
00:33:13,200 --> 00:33:15,259
SO WE'VE GOT -- WE HAVE AN
1557
00:33:15,259 --> 00:33:18,059
INVESTMENT
1558
00:33:15,259 --> 00:33:18,059
WE HAVE TO BE INVESTED IN THE
1559
00:33:18,059 --> 00:33:20,210
IDEA THAT THEY COME OUT BETTER
1560
00:33:18,059 --> 00:33:20,210
THAN WHEN THEY WENT IN
1561
00:33:20,210 --> 00:33:22,279
>> Jimmy: WOW.
1562
00:33:20,210 --> 00:33:22,279
AND THAT THEY'RE PREPARED AS
1563
00:33:22,279 --> 00:33:24,099
WELL
1564
00:33:22,279 --> 00:33:24,099
>> YEAH.
1565
00:33:24,099 --> 00:33:25,160
I MEAN, YOU KNOW, AND BEING IN
1566
00:33:24,099 --> 00:33:25,160
THERE, BEING ABLE TO TALK TO
1567
00:33:25,160 --> 00:33:28,279
PEOPLE -
1568
00:33:25,160 --> 00:33:28,279
YOU KNOW, WE SHOT IT IN SUCH A
1569
00:33:28,279 --> 00:33:30,200
A WAY WHERE THE CAMERA WAS NOT
1570
00:33:28,279 --> 00:33:30,200
RIGHT ON TOP OF PEOPLE
1571
00:33:30,200 --> 00:33:32,190
CAMERA WAS, YOU KNOW, ACROSS
1572
00:33:30,200 --> 00:33:32,190
THE ROOM
1573
00:33:32,190 --> 00:33:37,259
AND SO IT ALLOWED FOR SOME
1574
00:33:32,190 --> 00:33:37,259
REALLY INTIMATE CONVERSATIONS.
1575
00:33:37,259 --> 00:33:39,220
THE GUY IN THE CELL NEXT TO
1576
00:33:37,259 --> 00:33:39,220
MINE, YOU KNOW, HE WOULD WANT
1577
00:33:39,220 --> 00:33:41,109
TO TALK SOMETIMES.
1578
00:33:39,220 --> 00:33:41,109
AND HE WOULD TAKE A WHITE TOWEL
1579
00:33:41,109 --> 00:33:42,269
AND KIND OF THROW IT OUT SO I
1580
00:33:41,109 --> 00:33:42,269
COULD SEE IT
1581
00:33:42,269 --> 00:33:45,019
AND WE WOULD START JUST KIND OF
1582
00:33:42,269 --> 00:33:45,019
HANGING OUT AND TALKING, AND
1583
00:33:45,019 --> 00:33:47,240
HEARING HIS STORY.
1584
00:33:45,019 --> 00:33:47,240
MOST OF THE INMATES IN ANGOLA
1585
00:33:47,240 --> 00:33:50,000
STAY IN KIND OF A DORMITORY
1586
00:33:47,240 --> 00:33:50,000
SETTING.
1587
00:33:50,000 --> 00:33:55,000
I WAS LOCKED UP WITH
1588
00:33:50,000 --> 00:33:55,000
TROUBLEMAKERS, MOSTLY, WHO ARE
1589
00:33:55,000 --> 00:33:58,059
IN INDIVIDUAL CELLS IN THE
1590
00:33:55,000 --> 00:33:58,059
AREA, WHERE YOU SPEND 23 HOURS
1591
00:33:58,059 --> 00:34:01,150
A DAY IN THAT CELL
1592
00:33:58,059 --> 00:34:01,150
AND YOU GET ONE HOUR TO WALK,
1593
00:34:01,150 --> 00:34:03,140
YOU KNOW, MAYBE THE DISTANCE
1594
00:34:01,150 --> 00:34:03,140
BETWEEN THE HERE AND THEN
1595
00:34:03,140 --> 00:34:05,059
THE ROOTS HERE
1596
00:34:03,140 --> 00:34:05,059
AND THEN YOU'RE BACK IN YOUR
1597
00:34:05,059 --> 00:34:07,019
CELL
1598
00:34:05,059 --> 00:34:07,019
>> Jimmy: WOW.
1599
00:34:07,019 --> 00:34:09,010
>> SO IT WAS -- I THINK THAT'S
1600
00:34:07,019 --> 00:34:09,010
THE THING THAT STRUCK ME WAS,
1601
00:34:09,010 --> 00:34:12,000
"OKAY, I'M IN THIS CELL.
1602
00:34:09,010 --> 00:34:12,000
I KNOW I'M GOING TO GET OUT TO
1603
00:34:12,000 --> 00:34:13,159
SHOOT THINGS DURING THE DAY.
1604
00:34:12,000 --> 00:34:13,159
AND I'LL BE OUT IN A COUPLE OF
1605
00:34:13,159 --> 00:34:16,030
DAYS."
1606
00:34:13,159 --> 00:34:16,030
BUT THE THOUGHT THAT YOU COULD
1607
00:34:16,030 --> 00:34:17,139
BE IN A SPACE LIKE THAT.
1608
00:34:16,030 --> 00:34:17,139
AND MAYBE THAT'S REALLY GOING
1609
00:34:17,139 --> 00:34:20,090
TO BE YOUR LIFE, I MEAN, YOUR
1610
00:34:17,139 --> 00:34:20,090
LIFE
1611
00:34:20,090 --> 00:34:22,110
WHEN YOU TALK ABOUT LIFE IN
1612
00:34:20,090 --> 00:34:22,110
PRISON, I DON'T --
1613
00:34:22,110 --> 00:34:23,269
THE ABILITY OF PEOPLE TO COPE
1614
00:34:22,110 --> 00:34:23,269
IN SITUATIONS LIKE THAT IS
1615
00:34:23,269 --> 00:34:26,090
REALLY -- IS REALLY
1616
00:34:23,269 --> 00:34:26,090
EXTRAORDINARY.
1617
00:34:26,090 --> 00:34:28,139
>> Jimmy: AND THEN THE TOWN
1618
00:34:26,090 --> 00:34:28,139
HALL
1619
00:34:28,139 --> 00:34:31,010
EXPLAIN, THAT IS ON MSNBC.
1620
00:34:28,139 --> 00:34:31,010
>> YEAH, SO THE TOWN HALL
1621
00:34:31,010 --> 00:34:34,219
MEETING THAT WE TAPE AT ANOTHER
1622
00:34:31,010 --> 00:34:34,219
PRISON, SING SING CORRECTIONAL
1623
00:34:34,219 --> 00:34:37,199
FACILITY HERE IN NEW YORK.
1624
00:34:34,219 --> 00:34:37,199
WHERE WE GATHERED, YOU KNOW,
1625
00:34:37,199 --> 00:34:39,190
JOHN LEGEND WHO'S BEEN VERY
1626
00:34:37,199 --> 00:34:39,190
INVOLVED IN CRIMINAL JUSTICE
1627
00:34:39,190 --> 00:34:41,289
REFORM
1628
00:34:39,190 --> 00:34:41,289
ALONG WITH A LOT OF EXPERTS IN
1629
00:34:41,289 --> 00:34:44,070
THE FIELD, TO REALLY KIND OF
1630
00:34:41,289 --> 00:34:44,070
TALK OUT SOME OF THE ISSUES.
1631
00:34:44,070 --> 00:34:45,260
AND WHERE CHANGE IS HAPPENING
1632
00:34:44,070 --> 00:34:45,260
AND WHERE IT SHOULD BE
1633
00:34:45,260 --> 00:34:49,079
HAPPENING.
1634
00:34:45,260 --> 00:34:49,079
>> Jimmy: THAT'S FASCINATING
1635
00:34:49,079 --> 00:34:50,039
I WANT TO SHOW A CLIP OF THE
1636
00:34:50,039 --> 00:34:51,289
"DATELINE" SPECIAL
1637
00:34:51,000 --> 00:34:51,289
"LIFE INSIDE."
1638
00:34:51,130 --> 00:34:51,289
TAKE A LOOK AT THIS.
1639
00:34:53,030 --> 00:34:56,050
>> ALL OF THIS, AS FAR AS THE
1640
00:34:53,030 --> 00:34:56,050
EYE CAN SEE, IS ANGOLA
1641
00:34:56,050 --> 00:34:58,130
IT'S A SERIES OF PRISONS
1642
00:34:56,050 --> 00:34:58,130
THEY CALL THEM CAMPS
1643
00:34:58,130 --> 00:34:59,250
THESE GUYS -- YOU GUYS FROM
1644
00:34:58,130 --> 00:34:59,250
CAMP D
1645
00:34:59,250 --> 00:35:03,010
>> YES, SIR.
1646
00:34:59,250 --> 00:35:03,010
>> THEY'RE FROM CAMP D
1647
00:35:03,010 --> 00:35:06,030
AND THEN DOING WORK LIKE THIS.
1648
00:35:03,010 --> 00:35:06,030
TODAY WE HAPPEN TO BE PICKING
1649
00:35:06,030 --> 00:35:11,039
CARROTS.
1650
00:35:06,030 --> 00:35:11,039
SO SHOULD I BE WORRIED ABOUT MY
1651
00:35:11,039 --> 00:35:14,119
SAFETY HERE?
1652
00:35:11,039 --> 00:35:14,119
>> WELL --
1653
00:35:14,119 --> 00:35:17,070
>> IF YOU WAS AN INMATE, YEAH.
1654
00:35:14,119 --> 00:35:17,070
>> YEAH.
1655
00:35:17,070 --> 00:35:19,030
>> I CERTAINLY CAN'T ESCAPE THE
1656
00:35:17,070 --> 00:35:19,030
OPTICS
1657
00:35:19,030 --> 00:35:22,150
LOOK AROUND.
1658
00:35:19,030 --> 00:35:22,150
MOSTLY BLACK MEN WORKING ON
1659
00:35:22,150 --> 00:35:24,230
A FORMER SLAVE PLANTATION,
1660
00:35:22,150 --> 00:35:24,230
UNDER THE WATCH OF ARMED GUARDS
1661
00:35:24,230 --> 00:35:29,179
ON HORSEBACK
1662
00:35:24,230 --> 00:35:29,179
IT'S UNSETTLING TO MANY.
1663
00:35:29,179 --> 00:35:33,090
[ APPLAUSE ]
1664
00:35:29,179 --> 00:35:33,090
>> Jimmy: UNBELIEVABLE
1665
00:35:33,090 --> 00:35:34,280
>> YEAH, IT WAS --
1666
00:35:33,090 --> 00:35:34,280
IT WAS REALLY STRANGE TO BE IN
1667
00:35:34,280 --> 00:35:38,010
THAT SETTING
1668
00:35:34,280 --> 00:35:38,010
BECAUSE WE'RE SITTING THERE
1669
00:35:38,010 --> 00:35:40,030
PICKING -- YOU KNOW, WE WENT
1670
00:35:38,010 --> 00:35:40,030
OUT ON WHAT THEY -- THIS
1671
00:35:40,030 --> 00:35:42,050
TRACTOR THEY CALL A HOOTENANNY
1672
00:35:40,030 --> 00:35:42,050
AND WE'RE IN THE FIELD
1673
00:35:42,050 --> 00:35:43,219
AND WE'RE DOING THIS
1674
00:35:42,050 --> 00:35:43,219
AND I LOOK AROUND.
1675
00:35:43,219 --> 00:35:46,099
AND I SAID TO ONE OF THE GUYS,
1676
00:35:43,219 --> 00:35:46,099
"EVERYBODY LOOKS LIKE US."
1677
00:35:46,099 --> 00:35:48,190
AND, YOU KNOW, I MEAN, PEOPLE
1678
00:35:46,099 --> 00:35:48,190
OF COLOR
1679
00:35:48,190 --> 00:35:51,039
AND KNOWING THE HISTORY -- AND
1680
00:35:48,190 --> 00:35:51,039
THE PRISON FOLKS POINT OUT --
1681
00:35:51,039 --> 00:35:54,059
THEY SAID, LOOK, THIS IS FOOD
1682
00:35:51,039 --> 00:35:54,059
THAT'S GOING TO BE CONSUMED AT
1683
00:35:54,059 --> 00:35:57,099
THE PRISON ITSELF.
1684
00:35:54,059 --> 00:35:57,099
AND THAT, YOU KNOW, VIRTUALLY
1685
00:35:57,099 --> 00:35:59,099
ANY FARMLAND IN LOUISIANA WAS
1686
00:35:57,099 --> 00:35:59,099
A FORMER SLAVE PLANTATION.
1687
00:35:59,099 --> 00:36:02,150
BUT THE OPTICS WERE AMONG THE
1688
00:35:59,099 --> 00:36:02,150
MANY THINGS THAT CAPTURED ME
1689
00:36:02,150 --> 00:36:05,130
THERE.
1690
00:36:02,150 --> 00:36:05,130
THAT PARTICULAR GROUP OF GUYS,
1691
00:36:05,130 --> 00:36:08,059
THAT'S THE LOWEST JOB AT THE
1692
00:36:05,130 --> 00:36:08,059
PRISON
1693
00:36:08,059 --> 00:36:10,119
THAT'S WORKING IN THE FIELDS
1694
00:36:08,059 --> 00:36:10,119
YOU KNOW, THE WEATHER CAN BE
1695
00:36:10,119 --> 00:36:12,139
TOUGH.
1696
00:36:10,119 --> 00:36:12,139
AND OBVIOUSLY IT'S MANUAL
1697
00:36:12,139 --> 00:36:16,019
LABOR.
1698
00:36:12,139 --> 00:36:16,019
AND THAT'S PROBABLY THE ONLY
1699
00:36:16,019 --> 00:36:18,210
TIME THAT I WAS LITTLE, YOU
1700
00:36:16,019 --> 00:36:18,210
KNOW, MORE ON GUARD AROUND ME.
1701
00:36:18,210 --> 00:36:19,230
BUT YOU HAD THE -- LITERALLY
1702
00:36:18,210 --> 00:36:19,230
YOU HAD THE GUARDS ON
1703
00:36:19,230 --> 00:36:23,280
HORSEBACKS WITH THE GUNS
1704
00:36:19,230 --> 00:36:23,280
AND --
1705
00:36:23,280 --> 00:36:28,000
>> Jimmy: IT'S UNBELIEVABLE.
1706
00:36:23,280 --> 00:36:28,000
>> IT WAS -- YEAH, IT WAS AN
1707
00:36:28,000 --> 00:36:29,119
EYE-OPENER
1708
00:36:28,000 --> 00:36:29,119
>> Jimmy: I HOPE THIS STARTS A
1709
00:36:29,119 --> 00:36:31,010
A LOT OF CONVERSATIONS
1710
00:36:29,119 --> 00:36:31,010
LESTER HOLT, EVERYBODY
1711
00:36:31,010 --> 00:36:32,070
[ CHEERS AND APPLAUSE
1712
00:36:31,010 --> 00:36:32,070
"LIFE INSIDE" AIRS THIS
1713
00:36:32,070 --> 00:36:33,230
FRIDAY -- THIS FRIDAY AT
1714
00:36:32,070 --> 00:36:33,230
10:00 P.M. ON NBC.
1715
00:36:33,230 --> 00:36:34,289
WE'LL BE RIGHT BACK WITH A
1716
00:36:33,230 --> 00:36:34,289
A PERFORMANCE FROM
1717
00:36:34,289 --> 00:36:37,010
ALEC BENJAMIN.
1718
00:36:34,289 --> 00:36:37,010
STICK AROUND, EVERYBODY.
1719
00:36:37,010 --> 00:37:00,000
[ CHEERS AND APPLAUSE
1720
00:36:37,010 --> 00:37:00,000
♪
1721
00:37:00,000 --> 00:37:01,050
>> Jimmy: YOU CAN CATCH HIM
1722
00:37:00,000 --> 00:37:01,050
HEADLINING AT TERMINAL 5 HERE
1723
00:37:01,050 --> 00:37:06,260
IN NEW YORK ON OCTOBER 25th.
1724
00:37:01,050 --> 00:37:06,260
PERFORMING HIS NEW SINGLE --
1725
00:37:06,260 --> 00:37:07,190
THIS IS ONE OF MY JAMS OF THE
1726
00:37:07,190 --> 00:37:11,260
WEEK, MAN, I LOVE THIS SONG --
1727
00:37:08,219 --> 00:37:11,260
"JESUS IN L.A.," PLEASE WELCOME
1728
00:37:10,050 --> 00:37:11,260
ALEC BENJAMIN.
1729
00:37:13,130 --> 00:37:15,250
♪
1730
00:37:13,130 --> 00:37:15,250
♪ WELL I SHOOK HANDS WITH
1731
00:37:15,250 --> 00:37:17,219
THE DEVIL DOWN ON TH
1732
00:37:15,250 --> 00:37:17,219
SOUTH SIDE AND H
1733
00:37:17,219 --> 00:37:22,000
BOUGHT US BOTH A DRINK ♪
1734
00:37:17,219 --> 00:37:22,000
♪ WITH A PAD AND A PENCIL
1735
00:37:22,000 --> 00:37:23,179
SAT BY HIS SID
1736
00:37:22,000 --> 00:37:23,179
I SAID TELL ME
1737
00:37:23,179 --> 00:37:25,239
WHAT YOU THINK ♪
1738
00:37:23,179 --> 00:37:25,239
♪ I'VE BEEN
1739
00:37:25,239 --> 00:37:28,059
LOOKING FOR MY SAVIO
1740
00:37:25,239 --> 00:37:28,059
LOOKING FOR MY TRUTH
1741
00:37:28,059 --> 00:37:30,280
I EVEN ASKED MY SHRINK ♪
1742
00:37:28,059 --> 00:37:30,280
♪ HE BROUGHT ME DOW
1743
00:37:30,280 --> 00:37:32,110
TO HIS LEVEL
1744
00:37:30,280 --> 00:37:32,110
SAID SON
1745
00:37:32,110 --> 00:37:33,230
YOU'RE NOT SPECIAL ♪
1746
00:37:32,110 --> 00:37:33,230
♪ YOU WON'T FIND HI
1747
00:37:33,230 --> 00:37:35,219
WHERE YOU THINK ♪
1748
00:37:33,230 --> 00:37:35,219
♪ YOU WON'T FIND HI
1749
00:37:35,219 --> 00:37:39,269
DOWN ON SUNSET
1750
00:37:35,219 --> 00:37:39,269
OR AT A PARTY IN THE HILLS ♪
1751
00:37:39,269 --> 00:37:41,159
♪ AT THE BOTTOM
1752
00:37:39,269 --> 00:37:41,159
OF THE BOTTL
1753
00:37:41,159 --> 00:37:45,099
OR WHEN YOU'RE TRIPPIN
1754
00:37:41,159 --> 00:37:45,099
ON SOME PILLS ♪
1755
00:37:45,099 --> 00:37:46,230
♪ WHEN THEY SOLD YO
1756
00:37:45,099 --> 00:37:46,230
THE DREA
1757
00:37:46,230 --> 00:37:49,059
YOU WERE JUST 16
1758
00:37:46,230 --> 00:37:49,059
PACKED A BAG AND RAN AWAY ♪
1759
00:37:49,059 --> 00:37:52,190
♪ AND IT'S A CRYING SHAME
1760
00:37:49,059 --> 00:37:52,190
YOU CAME ALL THIS WA
1761
00:37:52,190 --> 00:37:55,059
'CAUSE YOU WON'T
1762
00:37:52,190 --> 00:37:55,059
FIND JESUS IN L.A. ♪
1763
00:37:55,059 --> 00:37:57,250
♪ AND IT'S A CRYING SHAME
1764
00:37:55,059 --> 00:37:57,250
YOU CAME ALL THIS WA
1765
00:37:57,250 --> 00:37:59,280
'CAUSE YOU WON'T
1766
00:37:57,250 --> 00:37:59,280
FIND JESUS IN L.A. ♪
1767
00:37:59,280 --> 00:38:12,139
♪
1768
00:37:59,280 --> 00:38:12,139
♪ TOOK A SIP OF HIS WHISKEY
1769
00:38:12,139 --> 00:38:14,159
SAID NOW THAT YOU'RE WITH ME
1770
00:38:12,139 --> 00:38:14,159
WELL I THINK THA
1771
00:38:14,159 --> 00:38:16,260
YOU SHOULD STAY ♪
1772
00:38:14,159 --> 00:38:16,260
♪ YEAH I KNOW
1773
00:38:16,260 --> 00:38:18,210
YOU'VE BEEN BUSY
1774
00:38:16,260 --> 00:38:18,210
SEARCHING THROUGH THE CITY
1775
00:38:18,210 --> 00:38:22,159
SO LET ME SHARE THE WAY ♪
1776
00:38:18,210 --> 00:38:22,159
♪ I KNOW I'M NOT YOUR SAVIO
1777
00:38:22,159 --> 00:38:24,150
KNOW I'M NOT YOUR TRUT
1778
00:38:22,159 --> 00:38:24,150
BUT I THINK WE
1779
00:38:24,150 --> 00:38:26,210
COULD BE FRIENDS ♪
1780
00:38:24,150 --> 00:38:26,210
♪ HE SAID COM
1781
00:38:26,210 --> 00:38:28,260
DOWN TO MY LEVEL
1782
00:38:26,210 --> 00:38:28,260
HANG OUT WITH THE DEVI
1783
00:38:28,260 --> 00:38:31,150
LET ME TELL YOU IN THE END ♪
1784
00:38:28,260 --> 00:38:31,150
♪ YOU WON'T FIND HI
1785
00:38:31,150 --> 00:38:35,260
DOWN ON SUNSET
1786
00:38:31,150 --> 00:38:35,260
OR AT A PARTY IN THE HILLS ♪
1787
00:38:35,260 --> 00:38:38,150
♪ AT THE BOTTOM
1788
00:38:35,260 --> 00:38:38,150
OF THE BOTTL
1789
00:38:38,150 --> 00:38:41,260
OR WHEN YOU'RE TRIPPIN
1790
00:38:38,150 --> 00:38:41,260
ON SOME PILLS ♪
1791
00:38:41,260 --> 00:38:43,269
♪ WHEN THEY SOLD YO
1792
00:38:41,260 --> 00:38:43,269
THE DREAM YOU WERE JUST 16
1793
00:38:43,269 --> 00:38:46,280
PACKED A BAG AND RAN AWAY ♪
1794
00:38:43,269 --> 00:38:46,280
♪ AND IT'S A CRYING SHAME
1795
00:38:46,280 --> 00:38:49,139
YOU CAME ALL THIS WA
1796
00:38:46,280 --> 00:38:49,139
'CAUSE YOU WON'T
1797
00:38:49,139 --> 00:38:52,150
FIND JESUS IN L.A. ♪
1798
00:38:49,139 --> 00:38:52,150
♪ AND IT'S A CRYING SHAME
1799
00:38:52,150 --> 00:38:54,110
YOU CAME ALL THIS WA
1800
00:38:52,150 --> 00:38:54,110
'CAUSE YOU WON'T
1801
00:38:54,110 --> 00:38:59,289
FIND JESUS IN L.A. ♪
1802
00:38:54,110 --> 00:38:59,289
♪ AND THAT IS WHEN I KNEW
1803
00:38:59,289 --> 00:39:04,070
THAT IT WAS TIME TO GO HOM
1804
00:38:59,289 --> 00:39:04,070
AND THAT IS WHEN I
1805
00:39:04,070 --> 00:39:10,059
REALIZED THAT I WAS ALONE ♪
1806
00:39:04,070 --> 00:39:10,059
♪ AND ALL THE VIBRANT COLOR
1807
00:39:10,059 --> 00:39:13,269
FROM THE LIGHTS FADE AWA
1808
00:39:10,059 --> 00:39:13,269
AND I DON'T CARE
1809
00:39:13,269 --> 00:39:17,070
WHAT THEY SAY ♪
1810
00:39:13,269 --> 00:39:17,070
♪ YOU WON'T FIN
1811
00:39:17,070 --> 00:39:22,110
HIM DOWN ON SUNSET
1812
00:39:17,070 --> 00:39:22,110
OR AT A PARTY IN THE HILLS ♪
1813
00:39:22,110 --> 00:39:24,099
♪ AT THE BOTTOM
1814
00:39:22,110 --> 00:39:24,099
OF THE BOTTL
1815
00:39:24,099 --> 00:39:27,239
OR WHEN YOU'RE TRIPPIN
1816
00:39:24,099 --> 00:39:27,239
ON SOME PILLS ♪
1817
00:39:27,239 --> 00:39:29,280
♪ WHEN THEY SOLD YO
1818
00:39:27,239 --> 00:39:29,280
THE DREAM YOU WERE JUST 16
1819
00:39:29,280 --> 00:39:33,030
PACKED A BAG AND RAN AWAY ♪
1820
00:39:29,280 --> 00:39:33,030
♪ AND IT'S A CRYING SHAME
1821
00:39:33,030 --> 00:39:35,119
YOU CAME ALL THIS WA
1822
00:39:33,030 --> 00:39:35,119
'CAUSE YOU WON'T
1823
00:39:35,119 --> 00:39:38,170
FIND JESUS IN L.A. ♪
1824
00:39:35,119 --> 00:39:38,170
♪ I WON'T FIND HI
1825
00:39:38,170 --> 00:39:41,190
DOWN ON SUNSET
1826
00:39:38,170 --> 00:39:41,190
OR AT A PARTY IN THE HILLS ♪
1827
00:39:41,190 --> 00:39:43,010
♪ AT THE BOTTOM
1828
00:39:41,190 --> 00:39:43,010
OF THE BOTTL
1829
00:39:43,010 --> 00:39:47,159
OR WHEN I'M TRIPPING
1830
00:39:43,010 --> 00:39:47,159
ON SOME PILLS ♪
1831
00:39:47,159 --> 00:39:49,079
♪ WHEN THEY SOLD ME
1832
00:39:47,159 --> 00:39:49,079
THE DREAM I WAS JUST 1
1833
00:39:49,079 --> 00:39:52,260
PACKED MY BAG AND RAN AWAY ♪
1834
00:39:49,079 --> 00:39:52,260
♪ AND IT'S A CRYING SHAME
1835
00:39:52,260 --> 00:39:55,179
I CAME ALL THIS WA
1836
00:39:52,260 --> 00:39:55,179
'CAUSE I WON'T
1837
00:39:55,179 --> 00:39:58,030
FIND JESUS IN L.A. ♪
1838
00:39:55,179 --> 00:39:58,030
♪ AND IT'S A CRYING SHAME
1839
00:39:58,030 --> 00:39:59,289
I CAME ALL THIS WA
1840
00:39:58,030 --> 00:39:59,289
'CAUSE I WON'T
1841
00:39:59,289 --> 00:40:03,050
FIND JESUS IN L.A. ♪
1842
00:39:59,289 --> 00:40:03,050
♪
1843
00:40:03,050 --> 00:40:10,239
[ CHEERS AND APPLAUSE
1844
00:40:03,050 --> 00:40:10,239
>> VERY NERVOUS.
1845
00:40:10,239 --> 00:40:14,119
>> Jimmy: ALEC BENJAMIN.
1846
00:40:10,239 --> 00:40:14,119
[ CHEERS AND APPLAUSE
1847
00:40:14,119 --> 00:40:18,139
"JESUS IN L.A." IS OUT NOW
1848
00:40:14,119 --> 00:40:18,139
MY THANKS TO BILL HADER,
1849
00:40:18,139 --> 00:40:20,159
CARA DELEVINGNE, LESTER HOLT
1850
00:40:18,139 --> 00:40:20,159
ALEC BENJAMIN, ONCE AGAIN.
1851
00:40:20,159 --> 00:40:25,289
[ CHEERS AND APPLAUSE
1852
00:40:20,159 --> 00:40:25,289
AND THE ROOTS RIGHT THERE, FROM
1853
00:40:25,289 --> 00:40:27,050
PHILADELPHIA, PENNSYLVANIA
1854
00:40:25,289 --> 00:40:27,050
STAY TUNED FOR "LATE NIGHT WITH
1855
00:40:27,050 --> 00:40:31,000
SETH MEYERS.
1856
00:40:27,050 --> 00:40:31,000
THANK YOU FOR WATCHING
1857
00:40:31,000 --> 00:40:32,210
HAVE A GREAT NIGHT
1858
00:40:31,000 --> 00:40:32,210
I HOPE TO SEE YOU TOMORROW
1859
00:40:32,210 --> 00:40:33,280
BYE-BYE, EVERYBODY
1860
00:40:32,210 --> 00:40:33,280
[ CHEERS AND APPLAUSE
1861
00:40:33,280 --> 00:40:55,179
♪
105623
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