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Original subtitles
Institute for the Intellectual Development of Children and Young Adults
Cinema and Theater Department
ORDERLY OR DISORDERLY?
Sound, camera.
Orderly, shot 1, take 1.
Go!
Cut.
Sound, camera.
Disorderly, shot 1, take 1.
Go on, kids!
Cut.
Sound, camera.
Disorderly, shot 2, take 1.
Cut.
Sound, camera.
Orderly, shot 2, take 1.
Good, cut.
Sound, camera.
Orderly, shot 3, take 1.
Good, cut.
Sound, camera.
Disorderly, shot 3, take 1.
How much is that?
One minute.
More even.
-It's long. -Yes.
It's normal it's so long.
It's what we want to show.
Disorderly, it's long.
You wonder what they're doing, though.
Just getting on.
We'll do a shot inside to show it.
They're shoving.
How much is that?
We're over two minutes. It's very long.
You seem worried.
The longer, the better.
It's the whole point of the film.
It's an experiment. No cheating.
Forty kids getting on a bus.
Even more, at least 60.
Whatever.
Orderly was better.
We'll see inside. They'll all be shoving for sure.
We'll shoot inside.
Cut.
We'll do a take of order.
Camera.
Good. Cut.
Sound, camera.
Orderly, shot 4, take 1.
Cut.
Sound, camera.
Disorderly, shot 4, take 1.
Good, cut.
Sound, camera.
Disorderly, shot 6, take 1.
Sound, camera.
Orderly, shot 6, take 1.
Sound, camera.
Orderly, shot 5, take 1.
Damn, the bike ran the red light.
Yes, it did.
That's orderly...
-They just go. -They're screwing it up.
Look at that one there!
You see where he's crossing?
Cut.
Sound, camera.
Orderly, shot 5, take 2.
We'll see how this looks.
They're starting, it's screwed.
Go on, cut.
We'll ask the cop to control it a bit.
He has to stay.
She's crossing!
It's wasted.
Cut.
Camera.
There you go...
It's starting again. Cut.
Camera.
Where does he think he's going?
And the cop says nothing.
Ask him to control it for two minutes.
We need a take with order.
It's impossible.
What?
Tell him we only need a single take.
They don't listen to him. Poor guy's just doing his job.
Nobody listens.
We'll do a disorder, then.
Disorderly, shot 5, take 1.
For disorder, it's perfect.
Where can we shoot order?
No idea. We'll have to find out.
It's the same everywhere.
Good, cut.
Collaborators, in alphabetical order
J. Azad, A. Anvar, M. Eslami
B. Alvandipour, A. Habibi, S. Saidi
M. Samakar, I. Safavi, F. Safavi
A. Kiarostami, A. Mirzai, H. Moradi, M. Mehrali
KANOON 1981