All language subtitles for Hideout in the Sun (1960).eng

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Original subtitles

(mysterious music)

♪ I met you in a hideout in the sun ♪

♪ Far from every place and everyone ♪

♪ I saw you standing there beneath the trees ♪

♪ Eyes aglow, hair waving in the breeze ♪

♪ I found you in a secluded paradise ♪

♪ Where our love alone would suffice ♪

♪ But then they came and tore me from your fond embrace ♪

♪ No more to ever see this sunny place ♪

(gentle jazz music)

♪ I met you in a sunny hideaway ♪

♪ Where our love grew stronger day by day ♪

♪ But then the clouds above passed and shadowed our love ♪

♪ And I knew I'd have to leave my hideaway ♪

♪ Hideout in the sun

♪ Hideout in the sun

(gentle music)

(rhythmic jazz music)

- This bank job should be a pushover.

I've cased the joint for weeks.

If only that kid brother of mine stays in line.

(rhythmic jazz music continues)

What's the matter kid, you look nervous?

After this job, you'll be living on easy street.

- [Steve] Ah take it easy will you Duke, cut it out.

- Scared, huh?

- Yeah, I'm scared.

This is my first job.

Maybe I'm sorry I let you talk me into it.

- Just don't louse me up.

- Okay Duke.

- It's just ahead. - Right.

- [Duke] Okay this is it, stop here.

(rhythmic jazz music continues)

- [Steve] I'm supposed to drive around the block three times

and then he should be out.

What if something goes wrong?

What do I do then?

I'd like to drive off alone and forget this whole idea.

I can't do that to Duke.

- [Duke] Hm, one minute to go.

That teller better not give me any trouble, or else.

- [Steve] I hope nothing's gone wrong.

- Now.

(rhythmic jazz music)

(alarm bell ringing)

Step on it.

- [Steve] How'd you make out?

- [Duke] Nothing to it.

Everything okay.

- How much did you get?

- [Duke] The entire payroll.

Just as I planned.

- [Steve] Honest Duke, I sure was scared.

(alarm bell ringing)

I still don't like it Duke.

- Oh quit worrying kid.

(suspenseful music)

- [Steve] I'll be glad when we're on that boat

going up Cuba.

You think the police are looking for us?

- Mm.

We'll see.

- [Radio Announcer] We interrupt this program

to bring you an extra news bulletin.

A major bank holdup has been committed

with a spectacular haul

estimated at close to $100,000 in cash.

Exact details of the holdup are still missing,

but the police are watching all exits from the city.

- [Steve] The police sure work fast.

Wherever that freight train is going,

I sure wish I was on it.

- With the rest of the bums that don't have any money?

(train rattling)

There it is.

That's the place we change cars.

Steve, did you see anything special?

Did you notice if anybody followed us over here?

- [Steve] No.

- That's good.

Then we'll just walk quietly over to the other car.

- [Steve] Okay.

- Come on.

You stay at the wheel.

- The battery's dead.

- Keep trying, will you.

- I can't start this battery.

- [Duke] Come on, come on.

- I can't start it.

- Hey, look over there.

That gives me an idea.

That dame can give us a lift.

- Yeah.

Excuse me, can you give us a left, miss?

- Well I-

- We mean business, see.

Just do as you're told and nothing will happen to you.

Understand me?

Get going, Steve.

(tense music)

Take it easy going through here.

Don't get picked up for speeding.

- [Dorothy] Where are you taking me?

- You'll find out soon enough.

(tense music continues)

There he is.

- Hello. - Hi Rodriguez.

- [Rodriguez] I think we're in trouble, Duke.

- Trouble, what do you mean?

- When everything was all set up for us,

now what do you mean trouble?

- [Rodriguez] No, we can't go now.

- What are you kidding?

We just have to shove off, that's all.

- [Rodriguez] The police are.

- What do you mean?

Are they looking for us around here or what?

- [Rodriguez] We can't take a chance right now

- But why not?

- [Rodriguez] Me, I don't take chances.

- But we do.

- [Rodriguez] Not in my boat you don't.

- Ah, shut up.

- Oh, pipe down, what's the matter with you Duke,

he may- - Yellow belly.

- [Steve] Did you really see the police here?

- All right, all right.

Where are they wiseguy?

We better make other plans.

We'll have to call you.

- And make sure you're ready to pick us up when we call,

do you hear, Rodriguez?

- [Rodriguez] Yeah, yeah, sure.

(tense music)

- Where to now?

- Let me think.

You're a member and employee of the Hibiscus Country Club.

- Yes, it's a very exclusive club on Terain Island.

- [Duke] Exclusive, huh?

- [Dorothy] Yes, very

- That's fine, baby.

We are going to the Hibiscus Country Club

and layover till Rodriguez picks us up.

Okay, let's go.

- [Steve] She seems to be a pretty nice kid.

Why did we get her into this?

- [Dorothy] Good heavens, what have I gotten into now?

How do I get out of this?

- [Duke] Too bad we had to get mixed up with this dame.

She looks like trouble

- [Dorothy] The fella with the wheel seems nice,

but this, this person.

- All right, pull over there.

- [Duke] You just sit tight, do you get me?

- You boys must have a lot of money to spend.

Maybe you don't know what to do with it all.

- Well, what do you mean officer?

- [Policeman] What's the matter, you like to buy batteries?

- [Steve] Well I don't get it, officer.

- [Policeman] Now don't get so excited, take it easy.

I'm just trying to help you buddy.

Look, I just want to tell you

you've been driving with your lights on.

- Many thanks for telling us.

- Yeah yeah, thanks officer.

Let's go.

(tense music)

Okay honey.

We're all going to the Hibiscus Country Club.

You said it was very exclusive.

- Come on, take your hands off of her.

- Look bright boy, she's gonna take us into the club.

We're all members now.

- I'm sorry, it's for married couples only.

- Okay, we'll take care of that right away.

My brother here is quite a Romeo

- But the guards won't let you in.

- Well, the guards won't see me.

I'll be hiding in the trunk.

(tense music continues)

Come on.

(alarm buzzing)

- Hi, Dorothy.

You bringing a guest?

- Oh, he's not a guest.

He's my husband.

- What do you know, you got yourself married.

But why so secretive about it?

When'd this happen?

- Only just this morning.

- Oh, gee Dorothy he looks nice.

- It happened rather suddenly.

- [Woman] Oh, so you're spending your honeymoon here

at the club.

Well, now that's wonderful.

Ken and I spent our honeymoon here too.

You'll really love it.

Is your husband a member of any other club?

- Yes.

He's been a member of many clubs up north.

We were planning on staying at my cottage for a few days

until I can go back to work.

There's not much doing at the office right now.

- Good heavens no.

Besides we can always find someone else to take your place

during your honeymoon.

Well, good luck to both of you.

- Bye, good luck to you too.

- Bye bye.

(tense music)

- Okay, Duke.

Nobody around, come on.

Pretty nice place.

Have you got any maids who might come in here suddenly?

- No, we have no servants at all.

- Not very exclusive.

Can you order something to eat or drink

and have it brought over here?

- No, I'll have to get it for you.

- Nevermind.

The bridegroom will bring it to the happy bride.

You stay here with me and no funny business.

Does this go through a switchboard,

or is it a direct line outside?

- [Dorothy] It goes through a switchboard.

- Come on bridegroom, go get your wife's suitcases

and bring 'em in here.

You sit down and don't you move till I tell you to.

Hey, I hear voices.

- They're just house phones, extension phones.

But you can get an outside line if you want to.

- Nevermind, I'll wait till they quit babbling.

It's a good thing the guard didn't see you

with that one small suitcase.

She might've thought you were planning a quick swim.

Are we near water?

Do they have a landing pier?

- Yes, we have a landing pier.

And boats too.

- Fine.

In that case, we won't be here too long.

- [Betty] Dorothy, come on out.

We all wanna meet the bridegroom and congratulate the bride.

- Just a minute, Betty.

- I'll go out with her.

- Yeah, maybe you're right.

You can't trust her.

- [Betty] Dorothy, come on out!

- What'd you say this was?

- The Hibiscus Country Club.

- This is no country club!

This is a nudist camp!

- That's true.

It's still the Hibiscus Country Club.

- Did you figure you'd get us into trouble, little lady?

Look, I can sit this out pretty well.

I'm just wondering what your angle is.

Have a look, Steve.

- They're waiting for her out there.

We're not gonna be able to keep her in here all the time.

I'd better go outside with her.

- Yeah.

- We'll have to go outside.

- Will you call the police?

- I don't know what you've done, except to kidnap me.

You certainly won't be able to take me out of here again.

Let's just say I gave you a lift.

- Yeah, that sounds pretty good but I don't trust you.

You must've heard on the radio about the holdup.

Well, let me tell you this.

If you go to the police it'll mean curtains for both of us,

and you can be damn sure before they get me

a lot of people around here are gonna get hurt.

And you baby will be the first to get it.

- Please don't call the police, just help us.

In an hour or so we'll be gone

and nobody will know the difference.

- All right.

If you promise you leave as soon as you can,

I won't tell anybody.

I don't wanna see anybody hurt.

Certainly not any members of my club.

- Thanks, I'm glad you understand.

You know, I don't like being in this myself.

Maybe I'll get out of it some way.

- Baby, you just double cross us

and you're gonna be real sorry.

- [Betty] Dorothy!

Come on out, we're waiting for you.

- I'll be out in a minute Betty.

(gentle music)

- Hello, Dorothy.

- Hello Betty.

Hello, Mary.

- Congratulations.

- Thank you.

Oh these flowers are pretty.

- You look upset.

- When did you arrive?

- This morning.

- I wonder if we can trust her.

We're in a heck of a fix.

I guess we've got no choice now.

- I think you can trust her,

but you also promise not to cause her any trouble.

Come on, let's try to blow this joint fast like.

- Let me try the phone again.

Rodriguez?

Hibiscus Country Club.

- [Rodriguez] Is you Duke?

Well, listen, I cannot send Pedro over right away

to pick you up.

You'll have to wait a couple of hours.

- What do you mean, you can't come over here right away?

Well, who cares?

You mean they won't let you over near the boat landing?

- Yeah, that's right.

Well, we can't move until the police boat leave.

- Well, all right, but don't louse me up boy.

Joe and Dan will take care of you if you do.

- All right, all right, quit worrying.

Pedro will pick you up as soon as things are quiet.

My boat is ready to leave, goodbye.

- Okay.

He says he can't come over right now, it'll cause a rumble.

You go out there and watch that gal.

Tell her we can't leave in an hour,

it'll be a little longer.

See she doesn't get impatient and start trouble.

Stay with her.

- What are you gonna do with her when we leave?

- I don't trust her, she's gotta come with us.

- Why can't you leave her behind here?

- Are you falling for that babe?

Now the minute we leave here she'll be at that phone so fast

it'll make your head swim.

- Ah, with a head start

nobody will be able to catch us anymore.

Anyway, what good would she be to us in Cuba?

- We'll get to Cuba.

She's lucky if she makes it halfway.

Now you better get out there and watch that gal.

- I can't get over.

Did Dorothy tell you she was getting married?

- [Woman] No, she didn't.

- Hi.

I'd like you to meet my husband.

- How do you do?

- Ooh, he's very nice.

- See you later.

Look, I want you to keep smiling

and act as if everything is all right

- Hey, hi. - Hello Dorothy.

- Hello.

You know that attache case is full of stolen money,

don't you Dorothy?

- [Dorothy] I thought so.

(uplifting music continues)

- There's Dorothy.

Hi Dorothy. - Hi.

(uplifting music continues)

- Do you like it here?

- It's great. - Of course it is.

- [Steve] I've never been to a camp like this before.

- Well, what do you think about it?

- Well, I must say I'm surprised.

Everyone here is so healthy looking.

They seem so happy.

It's a wonderful way to live and to bring up children.

I envy these people.

You know, they have the right idea.

You know, Dorothy, it's too bad we had to meet

the way we did.

I'm really not a bad guy.

As a matter of fact,

I'm pretty nice when you get to know me.

No.

I really am.

(gentle music)

- [Duke] This waiting is driving me nuts.

Rodriguez said Pedro would pick us up in a couple of hours.

How much longer do we have to wait?

(gentle jazz music)

♪ I met you in a sunny hideaway ♪

♪ Where our love grew stronger day by day ♪

♪ But then the clouds above passed and shadowed our love ♪

♪ And I knew I'd have to leave my hideaway ♪

Why it's hot in here.

They all look so cool out there, and me,

I gotta be stuck in this joint.

I gotta do all the dirty work.

I wonder what Steve's doing.

Hope he didn't get too chummy with that dame.

I wonder if that kid brother of mine would cross me out.

(gentle jazz music)

What's keeping them?

They should be back by now.

What are they doing out there?

- Hold it.

Hold it now.

Pull your arrow back.

Pull it way back.

Hold it now, steady, steady, steady now, that's it.

Now you got it.

Slide it through, that's it.

- I'm getting tired- - That's all right.

What a first shot!

Some archer.

- I can do better, okay?

Now.

There.

- [Steve] Where, you're supposed to hit the red.

- Just you wait and see.

- Steady now Dorothy, steady.

All right, try.

Bullseye.

Wonderful!

Oh, that's terrific.

Keep it up, you're doing all right.

- Come on, let's go.

- Come on.

- That's good form.

- Oh, come on.

Come on now.

Hit it back now.

You can do better.

Come on.

(gentle music)

Hey, Dorothy, don't drink it dry.

Save a little for me, huh?

Come on.

Save some.

(gentle music continues)

What beautiful flamingos.

- Mm-hmm.

That's a pretty picture, isn't it Steve?

Beautiful.

- [Steve] You make a beautiful picture too Dorothy.

- [Dorothy] Doesn't that bird look sad, all alone.

- Mm.

Yes Dorothy.

You know Dorothy, birds are like people.

They shouldn't be alone.

- In these surroundings.

- Yes, I think I'm beginning to get used to it.

You know, I'm sorry I caused you all this trouble.

- How did you get into this?

- I did a lot of crazy things in my life,

just because my older brother told me to.

But I made up my mind,

I'm not going to do another crazy thing.

- I hope you're not going to do anything dangerous.

- I have to.

Look, I don't want you to come back to the cabin with me.

- What are you going to do?

Fight him.

Why did you change your mind?

- Well, in a way you changed my mind for me.

You know, I've done a lot of stupid things in my life

to get other people into trouble.

This time I gotta do something decent

to get you out of trouble.

That's all.

- I don't understand Steve.

- You'll understand later on.

- Can't you just stay here

and let him go with all that money?

- He wouldn't leave.

He doesn't trust us.

So I'll have to go.

I'll have to go along with him.

You know, I'd really like to stay here with you,

but it can't be that way.

So please don't follow me back to the cabin

because you're in real danger now.

I'll come back and see you again.

Just as soon as I can.

- I wish you would.

(gentle jazz music)

♪ I found you in a secluded paradise ♪

♪ Where our love alone would suffice ♪

♪ But then they came and tore me from your fond embrace ♪

♪ No more to ever see this sunny place ♪

♪ I met you in a sunny hideaway ♪

♪ Where our love grew stronger day by day ♪

♪ But then the clouds above passed and shadowed our love ♪

♪ And I knew I'd have to leave my hideaway ♪

♪ Hideout in the sun

- Come on. - Hit it.

- Come on, hit it back.

(upbeat music)

- That was fine.

You're good.

You're coming along just fine.

That's marvelous.

- [Duke] The afternoon's almost shot.

When will Pedro get here?

What I need is a good stiff drink.

- [Woman] Hey, you two.

Enjoying the sun?

- [Dorothy] It's so nice being with you, Steve.

- It's wonderful being with you.

- If only you could stay.

- I'd like to, more than anything

- [Dorothy] Steve, if you really wanted to stay here

you'd find some way.

You did mean everything you said, didn't you?

- I did, everything.

- [Dorothy] Then what else is there?

Please try to stay Steve.

I want you to, I want you to very much.

(gentle jazz music)

- Where's the girl?

I told you not to let her get away from you.

Where's she now?

- Quit worrying.

Let me tell you something.

We'd really be in a jam without her.

If it hadn't been for Dorothy, we'd be in a big mess Duke.

Got this place to hide out, haven't we?

All right, so far we're safe.

She's not gonna squeal on us, that I know.

We can trust her.

What more do you want?

We've really gotten a break, if you ask me.

- [Duke] Yeah.

- Remember that charm bracelet you said I could borrow?

We've got a special date tonight,

and I wanna look my very best.

Can I still borrow it?

- Of course. - I'll get it.

- [Dorothy] No, no, no, I'll get it.

- I don't wanna bother you.

- Please, I said I'd get it.

- Okay.

- Are you crazy, leaving her out there alone?

So may be phoning the cops.

(boat horn blasting)

I can see him.

I can hear a signal.

Get that girl.

Use your gun if you have to.

We can't leave without her.

- Why can't we go without her?

She'll only be in the way.

Let's just leave her here.

Why look for more trouble?

Aren't we in deep enough?

Be smart. - Are you crazy?

- Why you maniac, what do you think you're doing

pulling a gun on me?

- I'll kill you, punk.

So there you are.

If you use the phone to call anybody

you're in real trouble.

The minute I hear the sirens, I'll let you have it.

- I thought I told you to stay out of here.

- So you told her?

- That's right.

- So it's finally come out.

My own brother stabbing me in the back.

I knew it all the time.

I'll kill you.

You think that, come here you.

(tense music)

- Looks like trouble.

I'm not getting messed up for those two.

- Hey.

That rat on the boat is leaving without us.

- Why, that miserable bum.

- Come on.

(upbeat jazz music)

Get down.

Come on.

- There are keys in this car.

- Good, let's go.

(upbeat jazz music continues)

(gentle music)

(sobbing)

(gentle music continues)

You fell for that setup didn't you?

- I suppose I did.

It was as though the fresh air and sunshine

was healing all the rottenness that's been part of me

ever since I can remember.

I felt healthy, mind and body,

for the first time in my life.

The friendliness of those people made me think

how good it would be if some day

I could come back and join them.

(gentle music)

(uplifting music)

I guess you really don't understand what I mean,

do you Duke?

- Now quit your babbling.

Didn't you see that slow down sign?

There's a cop behind us.

- [Steve] Keep cool will you?

I've been watching him in the mirror.

But maybe he hasn't spotted us.

- That's what you think.

Now, listen.

Turn off this road and pull in the first place you can.

Then if he follows us we know it's trouble.

- Okay Duke.

Duke, as far as I'm concerned, we're through.

Ah!

(rhythmic music)

- Hurry, police.

There's a man running around the serpentarium

waving a gun.

He looks dangerous.

Please get here as fast as you can.

(tense music)

- [Radio] Proceed immediately to serpentarium.

(tense music continues)

- Approaching serpentarium.

(tense music continues)

(groans)

(tense music continues)

(police siren blaring)

(dramatic music)

(dramatic music)

- Oh, my ankle!

(tense music)

I've gotta get that gun.

(dramatic music)

Ah!

(tense music)

(groans)

- [Radio Announcer] News bulletin just handed me

on today's sensational $100,000 bank robbery.

One of the criminals was found dead from snakebite

at the serpentarium, just a few minutes ago.

His identity has not been established.

All of the money was found intact in an attache case

lying near the body.

Police are still searching for the accomplice in the case

who drove the getaway car.

Further details on the next newscast.

(tense music)

- Oh, oh!

Please, this is Steve Martin, driver of the holdup car.

You can get me at the Hibiscus Club.

(uplifting music)

- Hello. - Hello, Dorothy.

How's everything been going with you?

- [Dorothy] Oh, all right.

- I see you're going to the post office.

- Yes I am.

I have to mail these letters.

- Mind if I go too, I'm picking up a package?

- Fine.

Come along.

- [Woman] You look unhappy for a newlywed.

Where's Steve?

- I don't- - Oh that's all right.

There he is now.

- Will you excuse us a minute, please?

- [Woman] Of course.

- I've gotta talk fast, the police will be here any minute.

Come on Dorothy, let's sit down.

(gentle jazz music)

Duke is dead.

The police have the money.

I've given myself up.

That's why the police are coming here.

- I'm glad you gave yourself up.

I knew you weren't really a criminal.

(police siren blaring)

- Dorothy, I have to go now.

I'm afraid I really have to go.

Dorothy, listen to me.

I've known you only a few hours,

but it seems like a lifetime.

- I feel that way too Steve

- I'll be back.

Promise that you'll wait for me.

- I'll wait for you forever.

(gentle jazz music continues)

Forever.

Forever.

Forever.

Forever.

♪ I met you in a hideout in the sun ♪

♪ Far from every place and everyone ♪

♪ I saw you standing there beneath the trees ♪

♪ Eyes aglow, hair waving in the breeze ♪

♪ I found you in a secluded paradise ♪

♪ Where our love alone would suffice ♪

♪ But then they came and tore me from your fond embrace ♪

♪ No more who ever see this sunny place ♪

(dramatic music)

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