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[ Y2flix.cc - Watch Movies and TV Shows Online for Free ]
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{\an1}MUSIC: Kyrie/Sjung, Syster Sjung!by Sara Parkman
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{\an2}You all right?
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{\an2}This bit used to bethe nudist beach here.
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{\an2}Till the council startedthrowing turds in the water.
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{\an2}I mean, what's the point ofgetting your chebs out
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{\an2}if everything stinks of shit?
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{\an2}Do you have to usethe word "chebs"?
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{\an2}DANNY CHUCKLESSorry.
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{\an2}Tits.
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{\an2}Margate's actually quite nice now.It's quite up-and-coming.
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{\an2}I just saw an Aldi.
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{\an2}And a Prezzo in Broadstairs. Ooh.
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{\an2}I used to love it here, so much.
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{\an2}Although London's shit now.
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{\an2}We're all just getting ourphones nicked all the time
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{\an2}and everywhere shutsby half ten, so...
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{\an2}Shit. What do you doif you want a late one?
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{\an2}Well, sometimes, I go...
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{\an2}I go to...
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{\an2}..Soho House.
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{\an2}Soho House?! Mm.
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{\an2}DANNY CHUCKLESOh, no.
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{\an2}Please don't tell me you'rea member. Don't start.
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{\an2}Who do you think youare in Soho House?
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{\an2}Just someone who likes a 1am picantewith padron peppers and pals.
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{\an2}You are so gay.
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{\an2}I didn't make it, did I?
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{\an1}HE SIGHS
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{\an2}I'm so sorry, mate.
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{\an2}I'm sorry too.
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{\an2}I just...
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{\an2}I just couldn't...
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{\an2}You don't need to explain it.
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{\an2}We all know thereisn't just one answer.
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{\an2}I guess I just want youto know in some way
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{\an2}that you're still so present.
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{\an2}It's all the everyday stuff,really, like,
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{\an2}I could be picking a Tesco meal dealand start thinking about you -
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{\an2}at what you'd get,whether you'd go for a Dr Pepper
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{\an2}or a Naked Blue smoothie,
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{\an2}what you'd make ofhow it's all changed.
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{\an2}How's it all changed?
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{\an2}It's not �3 anymore.
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{\an2}What?
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{\an2}It's �3.90.
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{\an2}3.40 with a Clubcard.
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{\an2}Are you joking?
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{\an2}But at some Tescos,you can get a Costa Express
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{\an2}in the �3.40 deal, which is...
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{\an2}BOTH: ..the price ofa coffee in itself.
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{\an2}And then sometimes,
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{\an2}I'll just think aboutyou on certain dates,
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{\an2}like the day I turnedthe age you were when we met...
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{\an2}..and I thought, I don't knowwhy you became friends
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{\an2}with such a dweeb.
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{\an2}Or the day I turned the ageyou were when you left.
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{\an2}And I felt so guilty,
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{\an2}like I was never supposedto become older than you.
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{\an2}And then the day I turned 30,
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{\an2}one of my first thoughts was, "God,you'd be so happy in this age."
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{\an2}Everything just sort of dissipatesa bit and you stop giving a shit
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{\an2}about looking good in photos
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{\an2}or making someone'sbirthday drinks on time.
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{\an2}I fucking hate birthday drinks. Mm.
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{\an2}It's, like, have a party or don't.
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{\an2}I totally agree.
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{\an2}And I know, somewhere, you'll becringing soooo hard at the earnest,
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{\an2}overshare-y sincerity of all this,but I just...
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{\an2}..I just really miss you.
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{\an2}And I've written so much about us.
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{\an2}To not let the injusticeof what could have been...
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{\an2}..override all the joy of what was.
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{\an2}Can I just say, look,I know I chose this ending,
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{\an2}but we both know it'snot what I wanted.
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{\an2}I didn't wanna leave,
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{\an2}I just wanted out of thefucking mess I kept falling into.
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{\an2}I dunno, a part of me thinks thatthis shouldn't be the ending.
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{\an2}And, yeah, I'd...
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{\an2}..I'd actually reallylike another one.
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{\an2}OK.
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{\an2}OK, right. Erm...
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{\an2}Stand up. What?
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{\an2}Come on.
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{\an2}Up you get.
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{\an2}Shoulders back.
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{\an2}Chebs out.
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{\an2}Get up on the bench.
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{\an2}What, like, on it? Yeah.
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{\an2}OK, and...now what?
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{\an2}You're going to wait.
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{\an2}Wait for what?
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{\an2}Well, I'd like to think, that night,
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{\an2}you didn't wait for the help thatyou had asked for to get to you,
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{\an2}so, this time, you're gonna wait.
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{\an2}I feel like a bit of anidiot just stood here.
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{\an2}No, you don't. You look great.
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{\an2}Look, if you wait,something else will come along.
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{\an2}It might not be loads better, but...
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{\an2}..just you wait.
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{\an2}Jack.
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{\an2}Ah, thank you.
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{\an2}Ah, I feel like a right plum.
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{\an2}No, sod this.
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{\an2}Come on. It's OK.
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{\an1}HE SNIFFS
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{\an2}That's it. It's OK.
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{\an2}It's OK.
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{\an2}It's all right.
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{\an2}Let it out, OK?
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{\an2}Let it out.
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{\an2}It's OK.
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{\an2}Sorry. Danny, where doyou keep your teabags?
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{\an2}No, I wasn't talking to you.
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{\an2}No, I won't be home tonight, Kelly,
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{\an2}so you're going to have to makeyour own dinner, I'm afraid.
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{\an2}SHE CHUCKLESGrumble!
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{\an2}No...
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{\an2}No, that's not true.
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{\an2}I taught you how to use the GeorgeForeman very recently, remember?
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{\an2}Yeah... Yeah, OK.
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{\an2}And there's some asparagus tipsin the veg drawer as well.
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{\an2}No, I know...I know theymake your wee go funny,
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{\an2}They makes everyone's wee go funny.
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{\an2}Funnily enough, actually verygood for you, asparagus tips.
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{\an2}Erm... Good h-hearing, somethinglike...something like that.
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{\an2}Erm, well, I'm actually justteabagging in Margate at the moment.
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{\an2}Are you laughing?
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{\an2}She's laughing.
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{\an2}Why are you laughing at that?
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{\an2}Hello?
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{\an2}I think she's onthe train or something.
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{\an2}Right, teabags, teabags...
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{\an2}TV: Coming up next,it's A Question Of Sport.
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{\an2}Is Sue Barker a lesbian as wellor is that just Clare Balding?
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{\an2}Can't remember.
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{\an2}Shall we have a littleread of the TV Guide?
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{\an2}Ooh, it's from 2008.
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{\an2}It'll be wrong.
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{\an2}Mm. Seen... Yeah, seen that,seen that.
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{\an2}Haven't seen that actually.
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{\an2}Ugh, cycling.
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{\an1}SHE CHUCKLES
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{\an2}Ahh.
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{\an2}There's a little bit of abreeze coming from somewhere...
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{\an2}SHE GASPSOh, my God. Oh, my God.
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{\an2}Heh... Sorry!
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{\an1}SHE CHUCKLES
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{\an2}No, it was a bit of an emergencycos, erm, you know, you didn't
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{\an2}answer you phone after you texted meand I was a bit like, "Oh..."
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{\an2}Cos I'd driven for two hours, andI was like, "Ooh, got to get in,"
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{\an2}so I used the minibus fireextinguisher in the end,
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{\an2}which is also quite mini,
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{\an2}erm, to smash your...smash your back doors in.
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{\an2}But don't worry, don't worry,don't panic, cos I've put many an
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{\an2}SU bog door back on its hinges.
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{\an2}All in a day's work.
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{\an2}OK.DRILL WHIRS
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{\an2}Cover your eyes.
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{\an2}Right, let's just get some shut-eye
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{\an2}and then we'll make aplan of action tomorrow, OK?
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{\an2}Thanks, Jules.
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{\an2}Oh... Oh, oh, no worries...at all.
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{\an2}Of course, sweetheart.
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{\an2}There's nothing too bigthat we can't fix, OK?
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{\an2}Just remember that.
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{\an2}OK.
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{\an2}Night, then,
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{\an2}I'm just gonna put on a podcast ifthat's OK, just to help me sleep.
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{\an2}Hello. My name is Anoushka Delafonte
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{\an2}and you're listening to Anoushka'sEmpowered Women's Health podcast,
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{\an2}where we delve into manyof the hidden issues
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{\an2}affecting millennial women today.
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{\an2}From PMS to tender breasts,
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{\an2}this is a safe space forwomen to discuss our bodies.
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{\an2}And talking of safe spaces,we're sponsored by Squarespace.
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{\an2}Squarespace empowers millionsof dreamers, makers and doers
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{\an2}by providing them withthe tools they need
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{\an2}to bring creative ideas to life.
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{\an2}And it's so easy.
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{\an2}Ahh...
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{\an1}SHE CHUCKLES
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{\an2}Oh, do you know what"GS" stands for on my...?
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{\an2}"Great shag."
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{\an1}SHE CHUCKLES
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{\an2}No, I'm joking. Just, erm...
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{\an2}No, just trying to get somecheeky banter going with you.
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{\an2}Cos now you're at the end of uni,
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{\an2}I can do cheeky banter with you,finally.
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{\an2}Ooh, shall we have a Mr Whippy? 99?
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{\an2}Oh, hello.
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{\an1}IN MANDARIN:
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{\an2}Ooh, er...
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{\an2}..hundreds and thousands sprinkles.
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{\an2}Threw in an extra Flake for you.
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{\an2}Aww, thank you. That's very kind.
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{\an2}Jules!
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{\an2}What?
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{\an1}MUSIC: Sea Creaturesby Soak
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{\an2}What did you actually study, then?
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{\an2}International business relationswith Mandarin.
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{\an2}Wow. Mm.
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{\an2}God, the ice creams in Margateare to Princess Di for.
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{\an2}Oh, here we go.
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{\an2}In an interview in 1999,
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{\an2}she said that during her careershe was approached by
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{\an2}lesbian tennis playersin locker rooms
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{\an2}and had to reject their advances.
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{\an2}Oh, right, OK.
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{\an2}And in 1982, she had a briefromance with singer Cliff Richard.
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{\an2}No! Yeah. Cliff allegedly said,
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{\an2}"I seriously contemplated askingSue Barker to marry me,
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{\an2}"but, in the end, I realisedI didn't love her quite enough
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{\an2}"to commit the rest of my lifeto her." Oh, my... So harsh.
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{\an2}It is harsh. They would have metat Wimbledon. At Wimbledon, yeah.
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{\an2}Hang on, where are we?This isn't the way back to uni.
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{\an2}Well, I'm taking us ona cheeky 37-minute detour
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{\an2}to one of yourfavourite places to eat.
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{\an1}HE YELPS
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{\an2}You're joking!
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{\an2}Fleet Services! Yeah.
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{\an2}I fucking love you, Jules Handy!Oh, language please.
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{\an2}I fucking love yoooooou!
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{\an1}MUSIC: Whiteout Conditionsby The New Pornographers
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{\an2}Ahh...
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{\an2}Ah, that was incredible.
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{\an2}You know, when I was holding thosetwo semi-automatic pistols just now
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{\an2}to kill the zombies on theSega House of Dead machine, I...
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{\an2}..I just suddenly had a thoughtthat...that I need new challenges
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{\an2}in my life.
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{\an2}This is very much the effectthat Fleet Services
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00:14:42,120 --> 00:14:43,400
{\an2}tends to have on people.
233
00:14:43,440 --> 00:14:45,400
{\an2}Do you know what? Believe it or not,my whole life, people have, like,
234
00:14:45,440 --> 00:14:48,200
{\an2}thought I was a bit of a joke orsomething and I'm actually...
235
00:14:48,240 --> 00:14:51,400
{\an2}..I'm actually not. I'm...I'm very proud of my career.
236
00:14:51,440 --> 00:14:54,400
{\an2}Because I know I didn't, you know,leave uni and join, like,
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00:14:54,440 --> 00:14:58,520
{\an2}a FTSE 100 company or...or...orstart a small, inspirational,
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00:14:58,560 --> 00:15:01,000
{\an2}independent greetings card businessor anything like that,
239
00:15:01,040 --> 00:15:04,800
{\an2}but, you know, I did somethingthat I really love,
240
00:15:04,840 --> 00:15:06,360
{\an2}which is helping people.
241
00:15:06,400 --> 00:15:08,200
{\an2}Mm. Walkers Max Paprika?
242
00:15:08,240 --> 00:15:09,320
{\an2}No, not right now.
243
00:15:09,360 --> 00:15:12,920
{\an2}But, erm, helping themlearn about themselves
244
00:15:12,960 --> 00:15:15,840
{\an2}and help them to...to let their hair down and...
245
00:15:15,880 --> 00:15:17,160
{\an2}..and discover who they are.
246
00:15:17,200 --> 00:15:19,600
{\an2}I mean, like how you'vedone with Jack.
247
00:15:19,640 --> 00:15:21,160
{\an2}And all your friends, actually.
248
00:15:22,480 --> 00:15:23,640
{\an2}And I...
249
00:15:23,680 --> 00:15:25,480
{\an2}..I think that...that...
250
00:15:25,520 --> 00:15:27,560
{\an2}..next year should be my last year.
251
00:15:28,640 --> 00:15:31,400
{\an2}And I was thinking as well,
252
00:15:31,440 --> 00:15:34,040
{\an2}I mean, you know, if you'reup for it, that, erm...
253
00:15:35,640 --> 00:15:38,760
{\an2}I just think that you havea lot of those same qualities.
254
00:15:40,600 --> 00:15:42,000
{\an2}Me? Yeah.
255
00:15:43,200 --> 00:15:46,400
{\an2}I was thinking I could train you upthis summer and, erm...
256
00:15:46,440 --> 00:15:48,240
{\an2}It'd be, like, a proper-waged joband everything.
257
00:15:48,280 --> 00:15:50,880
{\an2}You could finish your disso, then,and, erm...
258
00:15:50,920 --> 00:15:54,040
{\an2}I mean, at least for a little bit,you can be the new me!
259
00:15:58,480 --> 00:16:00,240
{\an2}You know, when youput it like that...
260
00:16:02,200 --> 00:16:04,720
{\an2}..I think that's exactlywhat I wanna do.
261
00:16:04,760 --> 00:16:06,320
{\an2}I think I'd actuallybe sick at this!
262
00:16:06,360 --> 00:16:08,480
{\an2}Yeah, that's literallywhat I'm saying.
263
00:16:10,440 --> 00:16:11,520
{\an2}Boop!
264
00:16:11,560 --> 00:16:12,840
{\an2}You hate it when I do that to you.
265
00:16:12,880 --> 00:16:15,120
{\an2}I know. It's hard not to, though,innit, once it's on?
266
00:16:15,160 --> 00:16:17,080
{\an2}Yeah, it's addictive,it's addictive.
267
00:16:17,120 --> 00:16:18,560
{\an2}Can you get the Gavisconout of there?
268
00:16:18,600 --> 00:16:21,160
{\an2}Those jalapeno poppersare just sitting...
269
00:16:21,200 --> 00:16:23,680
{\an2}..sitting right on my chest. Yeah.
270
00:16:23,720 --> 00:16:24,720
{\an2}Oh, are there none in there?
271
00:16:24,760 --> 00:16:26,040
{\an2}No, just... Erm...
272
00:16:27,560 --> 00:16:28,880
{\an2}Mm. I can go andget you some, though.
273
00:16:28,920 --> 00:16:30,960
{\an2}Oh, yeah, are you sure, yeah?Yeah. That'd be great.
274
00:16:31,000 --> 00:16:32,920
{\an2}WH Smith's, mate. Not a problem.
275
00:16:42,680 --> 00:16:44,160
{\an1}SHE SIGHS
276
00:16:49,120 --> 00:16:50,720
{\an1}SHE TAPS
277
00:16:56,960 --> 00:16:58,360
{\an2}Oh, hi, hi.
278
00:16:58,400 --> 00:17:00,600
{\an2}Yeah, it's just me.
279
00:17:00,640 --> 00:17:03,160
{\an2}Erm... Yeah. No, no, I'm fine.
280
00:17:03,200 --> 00:17:04,280
{\an2}Erm...
281
00:17:05,920 --> 00:17:08,240
{\an2}Er, yeah, I've got him, yeah.
282
00:17:10,160 --> 00:17:12,680
{\an2}TEARFUL: Yeah, it wasquite tough, but...
283
00:17:12,720 --> 00:17:15,680
{\an2}Yeah, we're on ourway back now, so...
284
00:17:15,720 --> 00:17:16,720
{\an2}Yeah.
285
00:17:17,760 --> 00:17:18,760
{\an2}OK.
286
00:17:20,880 --> 00:17:23,240
{\an2}Thanks, Tim.Thanks for checking in.
287
00:17:23,280 --> 00:17:25,400
{\an2}Of course.
288
00:17:25,440 --> 00:17:27,160
{\an2}Text me any time.
289
00:17:27,200 --> 00:17:30,000
{\an2}Yeah, I'm here to helpall summer so...
290
00:17:30,040 --> 00:17:33,080
{\an2}Yeah, he can stay at mineif he needs, but...
291
00:17:33,120 --> 00:17:34,520
{\an2}I mean, whatever, just...
292
00:17:35,720 --> 00:17:37,200
{\an2}We'll...we'll get him through.
293
00:17:39,240 --> 00:17:41,640
{\an2}Well, no, he wouldn'tbe staying in my room.
294
00:17:42,680 --> 00:17:44,600
{\an2}Well, I've got threebedrooms, Jules.
295
00:17:46,080 --> 00:17:48,040
{\an2}OK.
296
00:17:48,080 --> 00:17:49,720
{\an2}Hey, you did really well.
297
00:17:51,360 --> 00:17:53,040
{\an2}All right, OK, take care.
298
00:17:55,960 --> 00:17:56,960
{\an1}HE EXHALES
299
00:17:58,160 --> 00:17:59,480
{\an2}Is he all right?
300
00:17:59,520 --> 00:18:01,000
{\an2}He's all right.
301
00:18:03,480 --> 00:18:06,480
{\an1}MUSIC: Wreathby Perfume Genius
302
00:18:08,400 --> 00:18:11,400
{\an1}MUSIC OVER DIALOGUE
303
00:18:36,640 --> 00:18:38,120
{\an2}She's called DianaCamilla.
304
00:18:38,160 --> 00:18:40,360
{\an2}Nice. DianaCamilla Miller?
305
00:18:42,040 --> 00:18:44,440
{\an2}It's actually Mill-ar,like, up at the end.
306
00:18:44,480 --> 00:18:47,440
{\an2}Yeah, it goes up at the... Mill-ar.Up at the end. So it's different.
307
00:18:47,480 --> 00:18:50,760
{\an2}And, like, I just really wanther to be a woman who just
308
00:18:50,800 --> 00:18:52,160
{\an2}doesn't hate other women.
309
00:18:52,200 --> 00:18:55,040
{\an2}Aww. You know?So, in many ways,
310
00:18:55,080 --> 00:18:57,800
{\an2}this is sort of my way of justending that feud
311
00:18:57,840 --> 00:19:00,400
{\an2}between Charles's brides, you know?Mm.
312
00:19:07,680 --> 00:19:09,120
{\an2}This is exciting.
313
00:19:12,080 --> 00:19:13,080
{\an2}Hi. All right?
314
00:19:14,560 --> 00:19:16,200
{\an2}Erm...
315
00:19:16,240 --> 00:19:17,480
{\an2}You look well.
316
00:19:17,520 --> 00:19:18,560
{\an2}Yeah, you look...
317
00:19:19,680 --> 00:19:21,240
{\an2}..smart.
318
00:19:21,280 --> 00:19:22,280
{\an2}Thank you.
319
00:19:24,840 --> 00:19:26,880
{\an2}Erm, meet my family.
320
00:19:26,920 --> 00:19:29,600
{\an2}This is my mum, Kim. Hi, there.
321
00:19:29,640 --> 00:19:32,360
{\an2}You know the names thatare harder to pronounce,
322
00:19:32,400 --> 00:19:34,560
{\an2}did you write them outphonetically for me?
323
00:19:34,600 --> 00:19:36,640
{\an2}Yeah, I-I thought itmight be racist, though,
324
00:19:36,680 --> 00:19:38,000
{\an2}to just do the ethnic names,
325
00:19:38,040 --> 00:19:41,040
{\an2}so I've phoneticallyspelt out everything.
326
00:19:41,080 --> 00:19:42,880
{\an2}OK, erm...
327
00:19:42,920 --> 00:19:46,040
{\an2}Yeah, that's probably right,isn't it? I don't... Don't go yet.
328
00:19:46,080 --> 00:19:48,040
{\an2}Craig, David...
329
00:19:48,080 --> 00:19:49,320
{\an2}..and this is Brilliant.
330
00:19:49,360 --> 00:19:51,240
{\an2}Wait, hang on, your name'sBrilliant? Brilliant.
331
00:19:51,280 --> 00:19:52,920
{\an2}That's brilliant.
332
00:19:52,960 --> 00:19:55,800
{\an2}Right, OK, just go and take yourseats, wherever Mum and Dad are.
333
00:19:55,840 --> 00:19:57,600
{\an2}Guys! Guys!
334
00:19:57,640 --> 00:19:58,640
{\an1}SHE LAUGHS
335
00:19:58,680 --> 00:19:59,680
{\an2}Christ!
336
00:19:59,720 --> 00:20:01,400
{\an2}I just went to thehat and gown place.
337
00:20:01,440 --> 00:20:03,240
{\an2}It's �27, so I'vehired it for the day.
338
00:20:03,280 --> 00:20:04,560
{\an2}Take it off now.
339
00:20:04,600 --> 00:20:07,240
{\an2}Don't be jealous becauseit suits me more, please.
340
00:20:07,280 --> 00:20:10,920
{\an2}OK? I actually do have somepretty big news to tell you all.
341
00:20:10,960 --> 00:20:13,560
{\an2}Here we go. How's she goingto upstage my day now?
342
00:20:13,600 --> 00:20:15,160
{\an2}So, in September...
343
00:20:16,760 --> 00:20:18,120
{\an2}I'm going to uni.
344
00:20:18,160 --> 00:20:20,680
{\an2}What? Finally, a smart move.
345
00:20:20,720 --> 00:20:22,200
{\an2}That's amazing, love.
346
00:20:22,240 --> 00:20:24,920
{\an2}Yeah, so, I'm not gonna be lazy and,like, go to some little uni
347
00:20:24,960 --> 00:20:26,400
{\an2}down the road or anything like that.
348
00:20:26,440 --> 00:20:30,200
{\an2}Erm, instead, me,Tariq and the babies,
349
00:20:30,240 --> 00:20:31,440
{\an2}we're moving next month...
350
00:20:33,440 --> 00:20:34,600
{\an2}..to Cyprus.
351
00:20:34,640 --> 00:20:35,680
{\an2}Spoke too soon.
352
00:20:35,720 --> 00:20:37,120
{\an2}Christ, that's ages away.
353
00:20:37,160 --> 00:20:39,080
{\an2}I know it's far, it is far,
354
00:20:39,120 --> 00:20:40,560
{\an2}but, you know,you've gotta come visit.
355
00:20:40,600 --> 00:20:43,520
{\an2}And I really want you allto see the kids loads.
356
00:20:43,560 --> 00:20:46,440
{\an2}And Tariq's found this really nicehouse near the campus for him
357
00:20:46,480 --> 00:20:48,640
{\an2}and the girls cos I'm gonna dothe first year in halls.
358
00:20:48,680 --> 00:20:50,360
{\an2}Are you on fucking drugs?!
359
00:20:50,400 --> 00:20:54,280
{\an2}Sorry? Have you lost yourabsolute fucking mind?
360
00:20:54,320 --> 00:20:55,560
{\an2}Yeah, tell her, Nan.
361
00:20:55,600 --> 00:20:57,160
{\an2}OK, guys.MICROPHONE FEEDBACK
362
00:20:57,200 --> 00:20:58,200
{\an1}JULES CLEARS THROAT
363
00:20:58,240 --> 00:21:01,920
{\an2}Hello, welcome, bienvenue,huang yang
364
00:21:01,960 --> 00:21:08,720
{\an2}to the Brent Uni BA JournalismGraduation 2016.
365
00:21:13,400 --> 00:21:17,880
{\an2}Now, it gives me great pleasure tosay that handing out these very
366
00:21:17,920 --> 00:21:21,560
{\an2}important scrolls you see here,we have - I can't believe
367
00:21:21,600 --> 00:21:24,480
{\an2}I'm saying this - one of thecountry's most beloved entertainment
368
00:21:24,520 --> 00:21:26,640
{\an2}interviewers in...in the country today.
369
00:21:26,680 --> 00:21:28,600
{\an2}I love her, you love her,we all love her.
370
00:21:28,640 --> 00:21:31,240
{\an2}Please put your hands and feettogether for the late, grea...
371
00:21:31,280 --> 00:21:32,360
{\an2}..erm...for the...for the...
372
00:21:32,400 --> 00:21:34,800
{\an2}..for the indomitableAlison Hammond.
373
00:21:34,840 --> 00:21:36,400
{\an1}APPLAUSE
374
00:21:36,440 --> 00:21:38,440
{\an1}MUSIC: This Morning Theme
375
00:21:45,240 --> 00:21:47,720
{\an2}Yes, I know, I know.Put your hat on and sit down.
376
00:21:47,760 --> 00:21:49,880
{\an2}Put your hat on and sit down.Alison Hammond. Yeah.
377
00:21:49,920 --> 00:21:51,760
{\an2}Don't say her name any more.Just go sit down, buddy.
378
00:21:51,800 --> 00:21:54,000
{\an2}Please welcome, up first,
379
00:21:54,040 --> 00:21:57,440
{\an2}El-uh-zeh-bruff Jo-ee-ner.
380
00:21:57,480 --> 00:21:59,160
{\an1}APPLAUSE
381
00:22:03,400 --> 00:22:06,600
{\an2}Ta-ma-sa Pee-do-frile.
382
00:22:06,640 --> 00:22:07,640
{\an1}APPLAUSE
383
00:22:09,040 --> 00:22:10,880
{\an2}It's Thomas Peter Friar!
384
00:22:10,920 --> 00:22:14,320
{\an2}Co-ree-na Ga-ha-ma-ra.
385
00:22:14,360 --> 00:22:15,560
{\an1}APPLAUSE
386
00:22:15,600 --> 00:22:16,840
{\an2}Woo! Woohoo!
387
00:22:16,880 --> 00:22:18,720
{\an2}Congratulations. Thank you so much.
388
00:22:20,840 --> 00:22:23,080
{\an2}Ja-kee Roo-ka.
389
00:22:23,120 --> 00:22:24,800
{\an1}CHEERING AND APPLAUSE
390
00:22:26,200 --> 00:22:27,200
{\an2}Go on, Jack!
391
00:22:27,240 --> 00:22:28,480
{\an2}Congratulations. Well done.
392
00:22:28,520 --> 00:22:30,160
{\an2}You're...you're my fish.
393
00:22:30,200 --> 00:22:31,520
{\an2}Sorry, bubs?
394
00:22:31,560 --> 00:22:34,160
{\an2}You died.You're...you're my dead fish.
395
00:22:34,200 --> 00:22:37,840
{\an2}Oh, right. Have a lovely day.Well done.
396
00:22:41,760 --> 00:22:43,840
{\an2}Pa-da She-ee.
397
00:22:48,680 --> 00:22:50,560
{\an2}BOTH: We're coming, Shannon!
398
00:22:54,160 --> 00:22:57,040
{\an1}CHEERING AND LAUGHTER
399
00:22:57,080 --> 00:23:00,160
{\an2}Aww, thanks for helping me movemy stuff into halls, guys.
400
00:23:03,480 --> 00:23:06,280
{\an2}Aww, love you.
401
00:23:06,320 --> 00:23:09,400
{\an2}Although, mate,your dandruff's terrible.
402
00:23:09,440 --> 00:23:11,440
{\an2}It's like you've satunder a shredder.
403
00:23:11,480 --> 00:23:13,040
{\an1}LAUGHTER
404
00:23:25,040 --> 00:23:26,600
{\an1}HE EXHALES
405
00:23:26,640 --> 00:23:28,520
{\an2}Hello, you.
406
00:23:28,560 --> 00:23:30,440
{\an2}Ahh, mate.
407
00:23:32,000 --> 00:23:33,280
{\an2}It looks so good.
408
00:23:33,320 --> 00:23:34,320
{\an2}It does, dunnit?
409
00:23:35,760 --> 00:23:37,800
{\an2}I'm proud of ya.
410
00:23:37,840 --> 00:23:39,320
{\an2}Oh, all right, no soppy bollocks,
411
00:23:39,360 --> 00:23:42,240
{\an2}I've already had Jules in herecrying cos I did this all by myself.
412
00:23:42,280 --> 00:23:44,800
{\an2}Well, you've upstaged her, mate.
413
00:23:44,840 --> 00:23:46,960
{\an2}Now, are you gonna getsuited and booted
414
00:23:47,000 --> 00:23:48,760
{\an2}to pull a fresher tonight?
415
00:23:48,800 --> 00:23:52,040
{\an2}Nah, it's Brent Uni policy,I've got to stay in uniform, so...
416
00:23:52,080 --> 00:23:53,200
{\an2}Nah, can't.
417
00:23:53,240 --> 00:23:55,720
{\an2}Yeah, I'm also contractuallyforbidden to, you know,
418
00:23:55,760 --> 00:23:57,320
{\an2}dance with, flirt with,
419
00:23:57,360 --> 00:23:59,440
{\an2}definitely shag withany of the students, so...
420
00:23:59,480 --> 00:24:00,600
{\an2}Ah, that's a shame.
421
00:24:00,640 --> 00:24:03,040
{\an2}Yeah, strict but fair. Yeah.
422
00:24:03,080 --> 00:24:05,320
{\an2}Well, you can dance andflirt with me.
423
00:24:06,400 --> 00:24:08,400
{\an2}Not shag, but... All right, OK.
424
00:24:08,440 --> 00:24:09,520
{\an2}Wait there.
425
00:24:11,600 --> 00:24:13,360
{\an2}Ready? Mm-hm.
426
00:24:13,400 --> 00:24:15,760
{\an1}MUSIC: The Magic Positionby Patrick Wolf
427
00:24:15,800 --> 00:24:17,200
{\an2}The sound system in here's sick.
428
00:24:17,240 --> 00:24:20,120
{\an2}I'm gonna put somegarage nights on, the lot.
429
00:24:20,160 --> 00:24:21,480
{\an2}Right, come on.
430
00:24:21,520 --> 00:24:23,920
{\an2}We're not actually gonna dance,are we?
431
00:24:23,960 --> 00:24:27,000
{\an2}You asked me to dance,so let's have a dance.
432
00:24:27,040 --> 00:24:29,360
{\an2}Yeah, but it's a bit gay.
433
00:24:29,400 --> 00:24:31,080
{\an2}Yes, it's very gay. Now, come on.
434
00:24:32,120 --> 00:24:33,120
{\an2}What are we doing?
435
00:24:37,720 --> 00:24:38,720
{\an2}All right.
436
00:24:38,760 --> 00:24:40,560
{\an2}# So let the people talk
437
00:24:41,600 --> 00:24:45,320
{\an2}# It's Monday morning walk
438
00:24:45,360 --> 00:24:51,920
{\an2}# Right past the fabulousmess we're in
439
00:24:51,960 --> 00:24:54,800
{\an2}# It's gonna be a beautiful day... #
440
00:24:56,720 --> 00:24:57,960
{\an2}Jack and Danny.
441
00:24:59,400 --> 00:25:01,120
{\an2}Cockney rhyming slangfor "fanny", innit?
442
00:25:01,160 --> 00:25:02,560
{\an1}SHE CHUCKLES
443
00:25:02,600 --> 00:25:06,400
{\an2}# And you take my kiss
444
00:25:06,440 --> 00:25:08,640
{\an2}# And I take the world... #
445
00:25:11,040 --> 00:25:13,280
{\an2}All right, now, just don'tdo anything I wouldn't do.
446
00:25:13,320 --> 00:25:15,640
{\an2}I mean, I wouldn't shag a bloke,but you get what I mean.
447
00:25:19,160 --> 00:25:20,200
{\an2}Run!
448
00:25:20,240 --> 00:25:23,040
{\an2}# Cos out of all thepeople I've known
449
00:25:23,080 --> 00:25:25,840
{\an2}# The places I've been... #You drank poppers!
450
00:25:25,880 --> 00:25:29,080
{\an2}# The songs that I have sungThe wonders I've seen
451
00:25:29,120 --> 00:25:32,600
{\an2}# Now that the dreamsare all coming true
452
00:25:32,640 --> 00:25:35,840
{\an2}# Who is the one thatleads me on through?
453
00:25:35,880 --> 00:25:43,640
{\an2}# It's you who puts me inthe magic position, darling, now
454
00:25:43,680 --> 00:25:51,240
{\an2}# You put me in themagic position, darling, now
455
00:25:51,280 --> 00:25:58,240
{\an2}# You put me in themagic position, darling, so
456
00:25:58,280 --> 00:26:05,480
{\an2}# Let me put you inthe magic position, darling, cos
457
00:26:05,520 --> 00:26:10,840
{\an2}# I'm singing in the
458
00:26:10,880 --> 00:26:12,960
{\an2}# The major key
459
00:26:14,480 --> 00:26:17,080
{\an2}# The major key
460
00:26:25,080 --> 00:26:27,320
{\an2}# The major key
461
00:26:34,240 --> 00:26:37,400
{\an2}# Let me put you in the
462
00:26:39,440 --> 00:26:41,400
{\an2}# The major key. #
463
00:26:56,960 --> 00:26:59,880
{\an3}# Well, you thought
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{\an3}# You could not go on
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{\an2}# Your bones arejust beating
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{\an2}# Like drums at yourfuneral song... #
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{\an2}Subtitles by Red Bee Media
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