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[George] ♪ I once knew a beautiful girl ♪
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{\an8}[Mal] Go on.
3
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{\an8}♪ She had long blonde hair and a curl ♪
4
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[Mal] A curl?
5
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♪ She looked after meAnd I looked before her ♪
6
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♪ At that time, we hadn't a care ♪
7
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[Mal] A care? [laughing]
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♪ As time turned my head and my mind ♪
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♪ The pleasure seemed harder to find ♪
10
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♪ By then, it was such ♪
11
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♪ That I knew far too much ♪
12
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♪ Now I stay home and slowly unwind ♪
13
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[Ringo]
Didn't you get to bed last night, Glyn?
14
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{\an8}Sorry. You just look this morning
like you didn't go at all.
15
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{\an8}[Glyn laughs]
16
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{\an8}- [Ringo] Have you heard the "Octopus" one?
- [George] No.
17
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["Octopus's Garden" playing]
18
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You learned A minor, then?
19
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♪ I'd like to be underneath the sea ♪
20
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♪ In an octopus's garden ♪
21
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♪ In the shade ♪
22
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[chuckling]
23
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♪ It would be nice ♪
24
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♪ In paradise ♪
25
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♪ In an octopus's garden ♪
26
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♪ In the shade ♪
27
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That's all I've got.
28
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[all laughing]
29
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[clears throat]
30
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{\an8}After the two times, the second time…
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{\an8}[vocalizing]
32
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♪ In an octopus's garden in the shade ♪
33
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Then to get to the G one, a bit, uh…
34
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Let's go from the beginning.
35
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- From the beginning.
- Right.
36
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♪ In an octopus's garden ♪
37
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♪ In the shade ♪
38
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{\an8}♪ It would be nice ♪
39
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♪ Paradise ♪
40
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♪ In an oc-- ♪
41
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Then stay on F.
42
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♪ In the shade ♪
43
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Then that, then this, uh…
44
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What one's that?
45
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[vocalizing]
46
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Uh-- [vocalizes]
47
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♪ In an octopus's garden in the shade… ♪
48
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[vocalizes]
49
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[vocalizing continues]
50
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Just, I mean, something
to sort of get back to where you--
51
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Where we started.
52
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♪ Wouldn't it be nice ♪
53
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♪ Paradise ♪
54
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♪ In an octopus's garden in the shade ♪
55
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- It's a little bit--
- [George clears throat]
56
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[vocalizing]
57
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[vocalizing continues]
58
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♪ So wouldn't it be nice ♪
59
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[vocalizing]
60
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♪ Paradise ♪
61
00:03:30,284 --> 00:03:34,204
♪ In an octopus's gardenBy the shade ♪
62
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- So it resolves itself.
- Yeah.
63
00:03:36,623 --> 00:03:38,709
Well, I'll have to put words
in that bit, then.
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00:03:38,793 --> 00:03:40,210
♪ In the shade ♪
65
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♪ It would be nice ♪
66
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[vocalizing]
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♪ Paradise ♪
68
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♪ In an octopus's garden in the shade ♪
69
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[chattering]
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♪ Wouldn't it be nice ♪
71
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♪ Paradise ♪
72
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- [John] Oh, drums, right.
- [Yoko chuckles]
73
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[John] I think Paul would wanna do drums,
wouldn't he? With his strong left arm.
74
00:04:07,239 --> 00:04:09,325
I'm not getting on that kit
without a ciggy.
75
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[all laughing]
76
00:04:10,743 --> 00:04:12,745
["Octopus's Garden" playing]
77
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I've never been up here before.
78
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♪ I'd like to be ♪
79
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♪ Underneath the sea ♪
80
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♪ In an octopus's gardenBy the shade ♪
81
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Very strong one.
82
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- Okay!
- [plays drums]
83
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- [Heather] I'm a tame tiger. Meow.
- I'm cool with that.
84
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{\an8}- Are you going to eat them?
- No!
85
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{\an8}[John] Lots of people do, you know.
86
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[Paul] On toast?
87
00:04:51,161 --> 00:04:53,580
[John] You put pastry around them,
and you have cat pie.
88
00:04:56,166 --> 00:04:58,335
{\an8}[John] You better wait a week or two
before you eat them.
89
00:04:59,461 --> 00:05:01,380
{\an8}- [John] That's very good.
- [Ringo] We'll put on the meat.
90
00:05:05,676 --> 00:05:08,179
[John] Oh, you don't eat them
if they have black spots.
91
00:05:10,723 --> 00:05:12,976
[John] You don't eat them
if they're like tigers, either.
92
00:05:16,437 --> 00:05:20,859
[Heather] And anyway,
I'm just a pussycat that was just born.
93
00:05:21,610 --> 00:05:22,611
[chattering]
94
00:05:27,658 --> 00:05:29,160
["Let It Be" playing]
95
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♪ Oh, let it be ♪
96
00:05:31,162 --> 00:05:32,246
♪ Let it be ♪
97
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♪ Let it beLet it be ♪
98
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♪ Whisper words of wisdom ♪
99
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♪ Let it be ♪
100
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♪ Yeah, let it be ♪
101
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♪ Let it beLet it be ♪
102
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♪ Let it be ♪
103
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{\an8}♪ There will be an answerLet it be, yeah ♪
104
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♪ Let it be ♪
105
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[vocalizing]
106
00:06:06,074 --> 00:06:09,160
♪ There will be an answerLet it… ♪
107
00:06:09,243 --> 00:06:10,286
[George] Kevin?
108
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What was the… Do that old gospel ending.
109
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- Sunday morning. Sunday morning. Church.
- Sunday morning. Definitely, yeah.
110
00:06:16,251 --> 00:06:19,588
- And we'll all kneel as we do it.
- We can do a gospel ending that Elvis did.
111
00:06:20,172 --> 00:06:22,007
♪ Be-e-e ♪
112
00:06:22,091 --> 00:06:23,092
[Paul] Yeah.
113
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We all was gonna do it.
114
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- We did it just fine. It was just that…
- Yeah.
115
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[laughs]
116
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["Let It Be" playing]
117
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♪ Let it be, let it be ♪
118
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♪ Let it be, let it be ♪
119
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♪ There will be an answer ♪
120
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♪ Let it be ♪
121
00:06:57,754 --> 00:06:58,880
I'll tell you one thing.
122
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Do it lighter. Don't do sort of--
123
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[imitates rapid drumming]
124
00:07:03,551 --> 00:07:05,428
Do it more-- [imitates slow drumming]
125
00:07:05,512 --> 00:07:07,597
[George]
♪ Somewhere in the Himalayas ♪
126
00:07:07,680 --> 00:07:09,808
[Paul]
And so a bit lighter offbeat, and maybe…
127
00:07:09,892 --> 00:07:11,601
[George]
♪ Lives a man called Babaji ♪
128
00:07:11,685 --> 00:07:14,021
♪ Singing words of wisdom ♪
129
00:07:14,104 --> 00:07:16,982
♪ Let it be ♪
130
00:07:18,191 --> 00:07:19,443
♪ Somewhere out in Weybridge ♪
131
00:07:19,527 --> 00:07:22,363
Keep it light.
So it's not going heavy again.
132
00:07:22,446 --> 00:07:24,823
♪ Lives the cat whose name is Babaji ♪
133
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♪ Singing words of wisdom ♪
134
00:07:27,911 --> 00:07:31,372
♪ Let it be, H, I, J, K ♪
135
00:07:31,456 --> 00:07:33,958
I don't know what you are saying.
136
00:07:34,918 --> 00:07:36,170
Uh…
137
00:07:36,253 --> 00:07:37,754
Hello. [giggles]
138
00:07:37,837 --> 00:07:40,257
Is anybody… [giggles]
139
00:07:40,340 --> 00:07:43,260
Let me sing. Hello. Is anybody home?
140
00:07:52,437 --> 00:07:56,857
♪ Aah ♪
141
00:08:00,361 --> 00:08:02,488
[no audible dialogue]
142
00:08:04,700 --> 00:08:07,536
♪ I did it againYou got me again ♪
143
00:08:07,619 --> 00:08:08,995
♪ In love with me ♪
144
00:08:14,710 --> 00:08:17,046
{\an8}[no audible dialogue]
145
00:08:20,341 --> 00:08:22,051
[vocalizing]
146
00:08:22,134 --> 00:08:23,428
Hi.
147
00:08:23,511 --> 00:08:25,305
- [vocalizing]
- [Heather] Aah!
148
00:08:30,477 --> 00:08:32,645
[Heather] ♪ Aah ♪
149
00:08:32,729 --> 00:08:33,814
Yoko!
150
00:08:35,232 --> 00:08:39,695
[Heather] ♪ Aah ♪
151
00:08:40,363 --> 00:08:42,656
♪ Aah ♪
152
00:08:45,201 --> 00:08:46,785
♪ Come on, Heather ♪
153
00:08:46,869 --> 00:08:49,789
[Heather] ♪ Aah ♪
154
00:08:49,873 --> 00:08:51,499
[John] ♪ Yeah, yeah, yeah ♪
155
00:08:51,582 --> 00:08:54,753
[Heather] ♪ Aah ♪
156
00:08:54,836 --> 00:08:57,422
[John] ♪ Shake it up, baby, now ♪
157
00:08:57,506 --> 00:08:59,633
♪ Shake it up, baby, now ♪
158
00:08:59,716 --> 00:09:02,136
♪ Twist and shout ♪
159
00:09:02,219 --> 00:09:04,638
♪ Twist and shout ♪
160
00:09:04,721 --> 00:09:07,057
♪ Come on, twist and shout now ♪
161
00:09:07,141 --> 00:09:08,851
- ♪ Come on ♪
- ♪ Aah… ♪
162
00:09:08,934 --> 00:09:11,311
{\an8}♪ Come on and work it on out ♪
163
00:09:11,395 --> 00:09:13,398
{\an8}♪ Come on and work it on out ♪
164
00:09:14,732 --> 00:09:16,066
♪ Well, can you dig it? ♪
165
00:09:16,151 --> 00:09:17,235
[Heather] ♪ Aah ♪
166
00:09:17,318 --> 00:09:21,322
♪ Can you dig it?Yeah, dig it ♪
167
00:09:21,406 --> 00:09:23,825
♪ I like how you dig it ♪
168
00:09:23,909 --> 00:09:25,994
♪ Yeah, so dig it ♪
169
00:09:26,662 --> 00:09:28,955
♪ You can get it if you want it ♪
170
00:09:29,039 --> 00:09:32,459
♪ And if you want it you can get itSo come on ♪
171
00:09:34,002 --> 00:09:36,172
[Paul] ♪ If you want itYou can dig it, oh ♪
172
00:09:36,255 --> 00:09:37,256
♪ Come on ♪
173
00:09:37,339 --> 00:09:40,426
[Paul] ♪ Dig it up, dig it up, dig it up ♪
174
00:09:40,509 --> 00:09:42,469
[John] ♪ For Christ's sake, come on! ♪
175
00:09:42,554 --> 00:09:44,764
[Paul] ♪ Dig it up, dig it up ♪
176
00:09:44,847 --> 00:09:46,140
♪ Dig it up ♪
177
00:09:46,223 --> 00:09:48,268
[John, Paul] ♪ Dig it up, dig it up ♪
178
00:09:48,351 --> 00:09:50,645
♪ Dig it up, dig it up ♪
179
00:09:50,728 --> 00:09:52,772
[John] ♪ Oh, you dig it up again ♪
180
00:09:52,855 --> 00:09:56,109
- [Paul] ♪ If you want it you can dig it ♪
- [John] ♪ Like a rolling stone ♪
181
00:09:56,193 --> 00:09:58,070
{\an8}[Paul] ♪ Dig it, dig it ♪
182
00:09:58,153 --> 00:10:00,280
{\an8}♪ Like the FBI ♪
183
00:10:01,156 --> 00:10:02,908
{\an8}♪ Dig it, dig it ♪
184
00:10:02,991 --> 00:10:05,160
♪ And the CIA ♪
185
00:10:07,371 --> 00:10:09,832
♪ And the BBC ♪
186
00:10:12,668 --> 00:10:14,045
♪ B.B. King ♪
187
00:10:16,297 --> 00:10:17,799
♪ And Doris Day ♪
188
00:10:20,844 --> 00:10:22,804
♪ Matt Busby ♪
189
00:10:22,887 --> 00:10:27,101
♪ Dig it, dig it, dig it, dig it ♪
190
00:10:27,184 --> 00:10:29,228
♪ If you want it you can dig it ♪
191
00:10:29,311 --> 00:10:31,647
♪ If you want it you can dig it up ♪
192
00:10:31,731 --> 00:10:33,858
♪ If you want it you can dig it ♪
193
00:10:33,941 --> 00:10:37,570
♪ If you want it you can dig it up ♪
194
00:10:41,199 --> 00:10:42,700
Yeah!
195
00:10:46,329 --> 00:10:47,330
[song ends]
196
00:10:47,413 --> 00:10:48,414
[John] Oh, sorry.
197
00:10:49,124 --> 00:10:50,291
♪ Oh ♪
198
00:10:50,375 --> 00:10:51,918
[George Martin] Come on, let it be.
199
00:10:58,884 --> 00:11:00,261
What ones haven't you done yet?
200
00:11:00,344 --> 00:11:02,221
A little thing that goes
something like this.
201
00:11:02,304 --> 00:11:03,973
♪ It's one for the money ♪
202
00:11:04,766 --> 00:11:06,768
[John, Paul] ♪ Two for the show ♪
203
00:11:06,851 --> 00:11:09,354
♪ Three to get readyNow go, cat, go ♪
204
00:11:09,437 --> 00:11:13,441
♪ Well, don't youStep on my blue suede shoes ♪
205
00:11:15,027 --> 00:11:19,447
{\an8}♪ You can do anythingBut lay off them blue suede shoes ♪
206
00:11:21,324 --> 00:11:23,076
♪ Well, you can knock me down ♪
207
00:11:23,160 --> 00:11:24,703
♪ Step on my face ♪
208
00:11:24,787 --> 00:11:27,831
♪ Slander my nameAll over the place ♪
209
00:11:27,915 --> 00:11:30,668
♪ Do anything that you want to do ♪
210
00:11:30,751 --> 00:11:33,504
♪ Uh-uh, honeyLay off of them shoes ♪
211
00:11:33,587 --> 00:11:35,006
♪ But don't you ♪
212
00:11:36,549 --> 00:11:39,761
[fast piano playing]
213
00:11:45,600 --> 00:11:48,395
♪ One-eyed catPeepin' in a seafood store ♪
214
00:11:50,314 --> 00:11:54,234
{\an8}♪ I'm like a one-eyed catPeepin' in a seafood store ♪
215
00:11:56,236 --> 00:11:59,449
♪ And I'll do anythingTill you don't love me no more ♪
216
00:12:01,158 --> 00:12:03,078
♪ I said, shake, rattle and roll ♪
217
00:12:03,911 --> 00:12:06,372
♪ I said, shake, rattle and roll ♪
218
00:12:06,456 --> 00:12:09,250
♪ I said, shake, rattle and roll ♪
219
00:12:09,334 --> 00:12:11,837
♪ I said, shake, rattle and roll ♪
220
00:12:12,337 --> 00:12:15,632
♪ You never do a thingTo save your doggone soul ♪
221
00:12:22,223 --> 00:12:23,557
[song ends]
222
00:12:23,640 --> 00:12:25,226
[Paul] ♪ A long, long time ago ♪
223
00:12:27,186 --> 00:12:29,105
♪ Don't leave me standing here ♪
224
00:12:30,064 --> 00:12:31,483
♪ Lead me to your door ♪
225
00:12:32,191 --> 00:12:34,611
{\an8}[George vocalizing]
226
00:12:34,694 --> 00:12:36,488
[guitar strumming]
227
00:12:39,032 --> 00:12:40,158
- [George vocalizes]
- No. No.
228
00:12:40,242 --> 00:12:42,369
No, see,
you've gotta wait a lot longer than that.
229
00:12:42,452 --> 00:12:45,247
[vocalizing]
230
00:13:03,642 --> 00:13:04,934
[shutter clicks]
231
00:13:05,018 --> 00:13:09,439
[Paul] ♪ The long and winding road ♪
232
00:13:10,690 --> 00:13:16,530
♪ That leads to your door ♪
233
00:13:19,659 --> 00:13:23,246
♪ Will never disappear ♪
234
00:13:27,000 --> 00:13:31,171
♪ I've seen that road before ♪
235
00:13:34,299 --> 00:13:37,761
♪ Don't-- It always leads me here ♪
236
00:13:37,844 --> 00:13:40,013
- [John] You done left me.
- You done left me.
237
00:13:40,096 --> 00:13:45,269
♪ Now lead me to your door ♪
238
00:13:47,146 --> 00:13:51,108
♪ The wild and windy night ♪
239
00:13:53,027 --> 00:13:58,783
♪ The rain washed away ♪
240
00:14:03,455 --> 00:14:06,709
♪ La, la, la, la, la, la ♪
241
00:14:06,792 --> 00:14:09,044
There wouldn't be much drumming,
would there?
242
00:14:10,463 --> 00:14:12,047
Go around a bit, you know?
243
00:14:12,130 --> 00:14:13,131
[John] What?
244
00:14:13,674 --> 00:14:16,052
[Paul] It sounds a bit like
a sort of dance orchestra.
245
00:14:16,970 --> 00:14:19,097
And the slow foxtrot… [chuckles]
246
00:14:19,180 --> 00:14:21,599
Like Rita and Thomas Williams.
247
00:14:21,683 --> 00:14:23,017
[George Martin, indistinct]
248
00:14:23,101 --> 00:14:25,979
Rita is wearing a dark sombrero
and a beard.
249
00:14:26,062 --> 00:14:27,564
{\an8}[George Martin] The chord there. I mean--
250
00:14:30,108 --> 00:14:33,070
Her husband is wearing
a crinoline skirt which he made himself.
251
00:14:33,153 --> 00:14:35,655
[George Martin, indistinct]
252
00:14:35,739 --> 00:14:37,324
[indistinct]
253
00:14:51,797 --> 00:14:53,299
[Ringo] Still no idea where I come in.
254
00:14:53,383 --> 00:14:56,177
- [John] Off the top of your head.
- [Paul] John, yours doesn't sound as much…
255
00:14:56,762 --> 00:14:58,429
It sounds like
you're doing too many notes.
256
00:14:58,514 --> 00:15:01,266
- Yeah, all right. Well, it just gets--
- [Paul] It's too, sort of, regular.
257
00:15:01,933 --> 00:15:06,063
♪ Dum, dum, dum ♪
258
00:15:06,688 --> 00:15:08,190
But you're doing…
259
00:15:08,274 --> 00:15:10,692
♪ Dum, dum… ♪
260
00:15:10,777 --> 00:15:11,986
I've been going…
261
00:15:12,069 --> 00:15:13,279
♪ Dum, dum ♪
262
00:15:13,362 --> 00:15:15,156
- You just want the one?
- Don't do that.
263
00:15:15,239 --> 00:15:17,659
No, but I mean, don't do any note there.
Just go…
264
00:15:17,742 --> 00:15:18,826
♪ Dum ♪
265
00:15:18,910 --> 00:15:22,164
♪ Dum, dum ♪
266
00:15:22,247 --> 00:15:23,456
[George humming]
267
00:15:23,540 --> 00:15:24,541
♪ Dum ♪
268
00:15:24,624 --> 00:15:26,543
That's what I'm really doing.
I've been going--
269
00:15:27,127 --> 00:15:28,586
♪ Dum ♪
270
00:15:30,255 --> 00:15:31,256
Hello?
271
00:15:35,052 --> 00:15:37,596
[George vocalizing to
"The Long And Winding Road"]
272
00:15:37,680 --> 00:15:38,681
[John] Great!
273
00:15:38,764 --> 00:15:40,558
[all laughing]
274
00:15:42,101 --> 00:15:46,272
- [vocalizing continues]
- [all laughing]
275
00:15:48,983 --> 00:15:52,404
[vocalizing]
276
00:15:52,487 --> 00:15:53,863
[George] Amazing.
277
00:15:56,325 --> 00:15:57,910
[muffled nasal vocalizing]
278
00:15:57,993 --> 00:15:58,994
[laughs]
279
00:16:16,179 --> 00:16:19,808
♪ The long and winding road ♪
280
00:16:21,392 --> 00:16:24,521
♪ Yes, Glyn Johns? ♪
281
00:16:25,564 --> 00:16:26,565
♪ What do you want? ♪
282
00:16:30,361 --> 00:16:31,362
Okay.
283
00:16:33,364 --> 00:16:34,531
[Glyn] One.
284
00:16:35,617 --> 00:16:40,121
[Paul] ♪ The long and winding road ♪
285
00:16:41,247 --> 00:16:47,462
♪ That leads to your door ♪
286
00:16:50,799 --> 00:16:54,803
{\an8}♪ Will never disappear ♪
287
00:16:57,765 --> 00:17:02,603
♪ I've seen that road before ♪
288
00:17:02,686 --> 00:17:04,939
- [chattering]
- [laughter]
289
00:17:05,023 --> 00:17:09,778
[Paul] ♪ It always leads me here ♪
290
00:17:12,406 --> 00:17:17,202
♪ Lead me to your door ♪
291
00:17:17,286 --> 00:17:20,664
When it's mixed, as it is, I'm sure
with a mix on it, it'll be all right.
292
00:17:20,747 --> 00:17:21,874
I know what--
293
00:17:32,009 --> 00:17:33,969
Paul, are you gonna have strings?
294
00:17:41,394 --> 00:17:42,979
- [Paul] Yeah.
- [George] Well, it's like--
295
00:17:43,063 --> 00:17:44,064
Ooh!
296
00:17:44,147 --> 00:17:45,148
Yeah, there's parts--
297
00:17:45,231 --> 00:17:48,360
There's only parts where
you can hear the electric piano properly,
298
00:17:48,444 --> 00:17:50,154
- or the piano properly.
- [Paul] Yes.
299
00:17:50,237 --> 00:17:53,032
{\an8}Most of the time, you know,
like, they mix together.
300
00:17:58,871 --> 00:18:01,499
[Paul] Yeah. I think it needs,
like, a lot of, uh…
301
00:18:01,583 --> 00:18:03,460
- [Ringo] Cleaning.
- Cleaning, yeah.
302
00:18:04,836 --> 00:18:07,004
[George Martin] Actually,
the thing is, it's a nice feel to it,
303
00:18:07,089 --> 00:18:09,007
but it's rather like
everything else we've done.
304
00:18:09,091 --> 00:18:10,633
And this particular song
doesn't need that.
305
00:18:12,552 --> 00:18:15,848
See, the only way I've ever heard it is,
like, in my head,
306
00:18:15,931 --> 00:18:18,767
- is, like, Ray Charles's band.
- [Heather] I'm supposed to marry you.
307
00:18:18,851 --> 00:18:20,894
And I don't--
I haven't really even listened to them.
308
00:18:20,978 --> 00:18:25,233
[George] It would be nice with some brass
just doing the sustaining chord thing.
309
00:18:25,316 --> 00:18:27,318
- [Paul] Yeah.
- [hums chord]
310
00:18:27,401 --> 00:18:30,989
- [Glyn] Yeah.
- Moving and just holding notes.
311
00:18:33,492 --> 00:18:35,535
- Yeah. We probably, yeah--
- [Glyn] If I pull yours up…
312
00:18:35,619 --> 00:18:38,413
We were planning to do it anyway
for a couple of numbers,
313
00:18:38,497 --> 00:18:40,665
just to have
a bit of brass and bit of strings.
314
00:18:40,749 --> 00:18:42,209
That's what George was saying before.
315
00:18:42,292 --> 00:18:44,169
That's the bit
where The Raelettes'd sing it.
316
00:18:44,253 --> 00:18:48,633
{\an8}♪ The long and winding road ♪
317
00:18:49,174 --> 00:18:54,597
♪ That leads me to your door ♪
318
00:18:55,806 --> 00:18:58,684
Great. Sorry, man. Oh, that's nice.
319
00:18:59,185 --> 00:19:00,770
That's nice of what?
320
00:19:00,854 --> 00:19:02,022
It's nice of you.
321
00:19:02,773 --> 00:19:04,524
- For what?
- Very nice of you.
322
00:19:04,608 --> 00:19:06,610
- For what?
- Just to come here.
323
00:19:07,528 --> 00:19:08,529
We're going home.
324
00:19:08,612 --> 00:19:10,113
- When?
- Now.
325
00:19:10,656 --> 00:19:11,657
No.
326
00:19:11,740 --> 00:19:13,033
[chuckles]
327
00:19:13,117 --> 00:19:14,826
Am I gonna eat now? I'm going back.
328
00:19:14,910 --> 00:19:17,621
She's so worried now.
"I gotta eat for three hours,
329
00:19:18,205 --> 00:19:20,124
then maybe go to bed around 1:00."
330
00:19:21,500 --> 00:19:24,045
You're just going back in your box.
That's where you're going.
331
00:19:24,128 --> 00:19:26,339
- [all laughing]
- Don't tell. Don't tell.
332
00:19:26,423 --> 00:19:28,716
Aren't I gonna have anything to eat?
333
00:19:28,800 --> 00:19:30,718
Hey, I've got a present for you.
334
00:19:30,802 --> 00:19:33,055
- See you tomorrow.
- [Heather] Bye.
335
00:19:33,138 --> 00:19:35,682
{\an8}- [Heather] Aren't you going, George?
- [Paul] I said yes, George.
336
00:19:35,766 --> 00:19:38,393
{\an8}[John, Paul]
♪ I said shake, rattle and roll ♪
337
00:19:38,476 --> 00:19:41,188
♪ I said shake, rattle and roll ♪
338
00:19:41,271 --> 00:19:43,899
♪ I said shake, rattle and roll ♪
339
00:19:43,982 --> 00:19:48,446
{\an8}♪ You never do a thingTo save your doggone soul ♪
340
00:19:49,697 --> 00:19:53,284
[fast piano playing]
341
00:19:53,367 --> 00:19:55,369
[no audible dialogue]
342
00:19:57,831 --> 00:20:01,125
♪ One-eyed catPeepin' in a seafood store ♪
343
00:20:02,836 --> 00:20:06,631
♪ I'm like a one-eyed catPeepin' in a seafood store ♪
344
00:20:08,383 --> 00:20:12,680
- [John] ♪ I do believe… ♪
- I never done, done before ♪
345
00:20:14,181 --> 00:20:15,391
♪ Goin' to Kansas City ♪
346
00:20:17,977 --> 00:20:19,729
[Paul] ♪ I might take a boat ♪
347
00:20:19,812 --> 00:20:21,647
{\an8}I might take a train ♪
348
00:20:21,731 --> 00:20:25,235
{\an8}♪ And if I have to walkI'm gonna get there just the same ♪
349
00:20:25,318 --> 00:20:26,486
♪ Going to Kansas City ♪
350
00:20:32,158 --> 00:20:35,162
[Paul] ♪ Oh, Miss Ann ♪
351
00:20:36,122 --> 00:20:38,374
{\an8}♪ You're doing something no one can ♪
352
00:20:39,083 --> 00:20:43,838
{\an8}♪ Because believing and deceivingDriving me to leave you now ♪
353
00:20:44,421 --> 00:20:47,967
♪ You can knock me downStep on my face ♪
354
00:20:48,050 --> 00:20:50,803
♪ Slander my name all over the place ♪
355
00:20:50,887 --> 00:20:53,556
♪ Do anything that you wanna do ♪
356
00:20:54,141 --> 00:20:56,809
♪ Uh-uh, honeyLay off of them shoes ♪
357
00:20:56,894 --> 00:21:00,731
♪ But don't youStep on my blue suede shoes ♪
358
00:21:02,691 --> 00:21:06,612
♪ Well, you can do anythingBut lay off them blue suede shoes ♪
359
00:21:16,873 --> 00:21:19,375
- [song ends]
- [chattering]
360
00:21:19,459 --> 00:21:21,127
I don't know.
You didn't get the other one?
361
00:21:21,210 --> 00:21:22,211
- [Glyn] No.
- [George] No.
362
00:21:22,296 --> 00:21:24,464
- Well, we'll remember that another day.
- [Michael] Yeah.
363
00:21:24,548 --> 00:21:26,800
[John]
I'm just so high when I get in at night.
364
00:21:28,260 --> 00:21:29,261
{\an8}[John] I couldn't sleep.
365
00:21:38,688 --> 00:21:39,772
{\an8}[Paul] Tea or toast.
366
00:21:54,580 --> 00:21:56,540
[laughter]
367
00:22:00,086 --> 00:22:01,837
- [Paul] Yeah.
- [piano playing]
368
00:22:01,921 --> 00:22:05,341
What's this chord, Billy? E with a C?
369
00:22:05,424 --> 00:22:07,343
[Billy] Yeah. Just loading the E.
370
00:22:08,094 --> 00:22:09,471
- [George] Yeah. That's like E7.
- Yeah.
371
00:22:09,554 --> 00:22:11,055
This one.
372
00:22:11,931 --> 00:22:14,267
- Yeah. Um, E with a raised…
- [both chuckle]
373
00:22:15,810 --> 00:22:17,687
E with a C. E.
374
00:22:18,438 --> 00:22:21,233
- Yeah, E with a C.
- E with a C. What's that?
375
00:22:21,817 --> 00:22:22,818
[laughs]
376
00:22:23,568 --> 00:22:26,071
I've had an E with an F,
which is pretty good.
377
00:22:26,154 --> 00:22:27,155
[chuckles]
378
00:22:28,866 --> 00:22:30,284
[playing chords]
379
00:22:30,368 --> 00:22:34,080
[George] ♪ And now I'm stepping outThis old brown shoe ♪
380
00:22:35,081 --> 00:22:37,166
♪ And, baby, I'm in love with you ♪
381
00:22:37,250 --> 00:22:39,836
♪ And I'm so, so glad you came here ♪
382
00:22:41,796 --> 00:22:43,965
{\an8}♪ And, baby, I'm in love with you ♪
383
00:22:44,048 --> 00:22:47,469
{\an8}♪ And I'm so glad you came hereIt won't be the same here ♪
384
00:22:47,552 --> 00:22:48,887
♪ I'm telling you ♪
385
00:22:55,811 --> 00:23:00,483
♪ You know you hold me upFrom where some try to drag me down ♪
386
00:23:05,655 --> 00:23:07,157
What's this chord then, Billy?
387
00:23:09,868 --> 00:23:14,164
- It's F, but raising the F to F sharp.
- [Billy] Yeah. F sharp. Diminished.
388
00:23:14,247 --> 00:23:17,418
[George]
And then F with that, like the 7th.
389
00:23:18,627 --> 00:23:21,213
It's great on piano
'cause I don't know anything about it.
390
00:23:21,297 --> 00:23:22,131
[Billy] Yeah.
391
00:23:22,214 --> 00:23:25,676
But it's great, because I wouldn't have
been able to do that on the guitar.
392
00:23:40,400 --> 00:23:42,903
[scatting]
393
00:24:01,673 --> 00:24:03,507
[scatting]
394
00:24:14,769 --> 00:24:15,770
[song ends]
395
00:24:15,855 --> 00:24:19,149
- [George] Yeah, sorry, that bit comes…
- It does work, the bit--
396
00:24:19,233 --> 00:24:20,860
- [George] But it--
- In the bit before that bit.
397
00:24:20,943 --> 00:24:24,947
[George] Yeah, but then it's, uh--
Then it stays too long on the other one.
398
00:24:25,030 --> 00:24:29,035
- But it's like a natural on there.
- [Paul] Yeah. Well, you don't know…
399
00:24:29,119 --> 00:24:31,371
[scatting]
400
00:24:31,454 --> 00:24:34,415
♪ Wearing rings on every finger ♪
401
00:24:34,499 --> 00:24:38,294
♪ Not worrying what they or you say ♪
402
00:24:38,378 --> 00:24:41,590
♪ I'll live and love and maybe some day ♪
403
00:24:41,673 --> 00:24:46,262
♪ Who knows, babyYou will comfort me ♪
404
00:24:50,432 --> 00:24:52,268
[scatting]
405
00:25:02,195 --> 00:25:05,032
- Pianos are very difficult, aren't they?
- [Billy laughs]
406
00:25:05,115 --> 00:25:09,620
[Paul] ♪ There will be the answerLet it be ♪
407
00:25:10,788 --> 00:25:13,749
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
408
00:25:13,832 --> 00:25:16,084
- ♪ Let it be, let it be ♪
- [George] ♪ Ooh ♪
409
00:25:16,169 --> 00:25:18,087
- [microphone feedback]
- [Ringo] Mal? Mal?
410
00:25:18,171 --> 00:25:19,797
The drums are on PA anyway.
411
00:25:19,880 --> 00:25:21,507
[George Martin]
When we connect it, I could hear Ringo.
412
00:25:21,590 --> 00:25:23,092
[John] The drums are on PA!
413
00:25:23,592 --> 00:25:26,220
- It's not my idea of a personal assistant.
- [Paul] No.
414
00:25:26,304 --> 00:25:29,933
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
415
00:25:30,016 --> 00:25:33,019
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
416
00:25:41,236 --> 00:25:45,240
[organ playing]
417
00:25:48,160 --> 00:25:50,288
[snare drum playing]
418
00:25:50,871 --> 00:25:51,872
[John] Hello? Hello?
419
00:25:54,667 --> 00:25:56,252
'Cause coming from the north of England,
420
00:25:56,336 --> 00:25:58,630
it doesn't come too easy, you know,
all the soul.
421
00:25:58,714 --> 00:26:00,256
- [laughs]
- [John] Let's take one now.
422
00:26:00,340 --> 00:26:01,425
[Ringo] Yeah, right.
423
00:26:01,508 --> 00:26:04,261
♪ Can we have our microphones?Oh, mister, can we please? ♪
424
00:26:04,345 --> 00:26:05,971
Ask 'em to put the mics on, will you?
425
00:26:06,054 --> 00:26:07,473
Hello.
426
00:26:07,556 --> 00:26:09,058
And get one for Billy too.
427
00:26:09,141 --> 00:26:11,143
["Let It Be" playing]
428
00:26:15,607 --> 00:26:17,650
- [Paul] It's a bit ploddy.
- What?
429
00:26:18,610 --> 00:26:22,071
[Paul] You know, just--
It sort of plods along a bit. A bit much.
430
00:26:22,154 --> 00:26:25,492
- It's just mourning and slow, slow.
- [Paul] Mourning and…
431
00:26:25,575 --> 00:26:28,871
[John] And a slow song.
It takes a long time to get out of it.
432
00:26:28,954 --> 00:26:31,498
[Paul] Yeah.
That'll do for the time being.
433
00:26:31,581 --> 00:26:33,584
"The Wrong and Winding Box."
434
00:26:34,167 --> 00:26:38,881
[John, Paul]
♪ But still they lead me back ♪
435
00:26:39,965 --> 00:26:46,305
♪ To the long winding road ♪
436
00:26:49,768 --> 00:26:53,772
♪ You left me waiting here ♪
437
00:26:54,939 --> 00:26:57,276
[Paul humming]
438
00:26:58,110 --> 00:27:00,570
All those little melodic things, you know?
439
00:27:00,654 --> 00:27:02,072
It's a-- It's a--
440
00:27:02,907 --> 00:27:05,993
It's like the other one, you know.
They're sort of slow, ballady,
441
00:27:06,076 --> 00:27:07,870
and they're plodding a bit.
442
00:27:07,953 --> 00:27:09,414
[piano playing]
443
00:27:09,497 --> 00:27:13,501
- [Paul humming]
- [John whistling]
444
00:27:16,546 --> 00:27:19,883
See, that's the kind of thing. Yeah.
It needs to go like that.
445
00:27:20,550 --> 00:27:23,554
[Paul vocalizing]
446
00:27:27,599 --> 00:27:29,893
[vocalizing continues]
447
00:27:32,604 --> 00:27:33,730
Oh, just a second.
448
00:27:33,814 --> 00:27:36,608
When it goes, um-- On that bit, it goes…
449
00:27:36,693 --> 00:27:38,235
♪ Has left a-- ♪
450
00:27:38,319 --> 00:27:39,445
Hang on.
451
00:27:40,237 --> 00:27:42,365
[George] Can we make the bridge…
452
00:27:43,533 --> 00:27:44,534
heavy?
453
00:27:46,035 --> 00:27:48,746
I can't sort of think how to do
this one at all, you know.
454
00:27:48,830 --> 00:27:50,665
Just, mind's a blank on it.
455
00:27:50,748 --> 00:27:51,875
I don't know.
456
00:27:53,043 --> 00:27:54,461
I don't know.
457
00:27:55,295 --> 00:27:56,296
Give up.
458
00:27:56,964 --> 00:27:58,507
[George] It's nice though.
459
00:27:58,591 --> 00:28:00,759
- [John] Have you turned me down?
- [George Martin] No.
460
00:28:00,843 --> 00:28:01,844
[chattering]
461
00:28:01,927 --> 00:28:03,721
[Paul humming]
462
00:28:03,804 --> 00:28:05,681
[chattering]
463
00:28:06,349 --> 00:28:08,684
[Paul] It's funny though.
You can't hear the piano either.
464
00:28:13,648 --> 00:28:15,316
{\an8}[Paul] We only asked for the piano.
465
00:28:21,615 --> 00:28:23,408
No. I said, "Oh, Ringo is on PA."
466
00:28:25,535 --> 00:28:29,248
[Paul] A great sound in here
will improve what we do.
467
00:28:29,957 --> 00:28:33,378
{\an8}No, but I mean, it's like
when we played in clubs in Hamburg.
468
00:28:34,670 --> 00:28:36,089
{\an8}[Paul] We sounded great.
469
00:28:45,807 --> 00:28:46,808
{\an8}[Paul] So you get…
470
00:28:53,857 --> 00:28:55,943
Let's do that.
It'll help you anyway to begin with.
471
00:28:56,027 --> 00:28:57,569
- Thank you, George.
- You're welcome.
472
00:28:58,112 --> 00:29:00,698
See, 'cause that'd be good
if we could get all that,
473
00:29:01,365 --> 00:29:03,367
get the sound in this room.
474
00:29:03,451 --> 00:29:06,454
It's, like, remember that night
we tried tape echo with George?
475
00:29:06,538 --> 00:29:07,789
On a bit of vocal.
476
00:29:28,561 --> 00:29:30,897
They have bloody big speakers
or something,
477
00:29:31,480 --> 00:29:32,691
to shout through.
478
00:29:33,399 --> 00:29:35,694
They should be
at least as big as a bass amp.
479
00:29:35,777 --> 00:29:36,778
- [Paul] Yeah.
- Paul.
480
00:29:36,861 --> 00:29:38,029
Yeah. [chuckling]
481
00:29:41,575 --> 00:29:43,868
[John] Thing is, they're both facing
each other for a kickoff.
482
00:29:43,952 --> 00:29:46,705
{\an8}They're all facing--
They're all right next to the amps.
483
00:29:53,337 --> 00:29:55,673
[John] I mean, get them up there,
they come down to us.
484
00:29:55,756 --> 00:29:58,968
Nail 'em on them sticks up there
and shoot 'em down to us,
485
00:29:59,051 --> 00:30:02,472
{\an8}and we'll all face that way if you like.
We'll face any way.
486
00:30:03,306 --> 00:30:05,934
Well, then, let's--
I don't know who to tell to do that.
487
00:30:06,017 --> 00:30:07,728
[George Martin] Right, okay.
Yeah. I'll do something about it.
488
00:30:07,811 --> 00:30:10,230
[Paul] Somehow if we can each hear
what the others are playing.
489
00:30:13,692 --> 00:30:16,027
{\an8}[Paul] Yes, it does. [laughs]
490
00:30:16,112 --> 00:30:21,200
{\an8}♪ I'll never do you no harm ♪
491
00:30:23,452 --> 00:30:26,247
{\an8}- ♪ Believe me when I tell you ♪
- ♪ Oh, I do! ♪
492
00:30:28,375 --> 00:30:32,879
♪ I'll never do you no harm ♪
493
00:30:36,800 --> 00:30:40,679
- ♪ No, darling, no harm ♪
- ♪ Yeah, yeah, yeah ♪
494
00:30:42,890 --> 00:30:43,891
[song ends]
495
00:30:43,974 --> 00:30:44,975
- Uh…
- [Paul] Ow!
496
00:30:45,559 --> 00:30:48,812
Just heard that Yoko's divorce
has just gone through.
497
00:30:48,896 --> 00:30:50,231
- [Yoko chuckles]
- [Paul vocalizes]
498
00:30:50,314 --> 00:30:51,315
[John] Free at last.
499
00:30:51,399 --> 00:30:52,942
♪ I'm free ♪
500
00:30:53,026 --> 00:30:54,610
[Paul] ♪ Oh ♪
501
00:30:56,279 --> 00:30:57,280
♪ This morning ♪
502
00:31:00,116 --> 00:31:03,453
♪ My baby told the lawyer ♪
503
00:31:04,163 --> 00:31:06,748
- ♪ It's okay ♪
- [Paul] ♪ Yeah, yeah ♪
504
00:31:08,833 --> 00:31:12,880
♪ Believe me when I tell you ♪
505
00:31:13,422 --> 00:31:18,886
♪ I'll never never do you no harm ♪
506
00:31:22,973 --> 00:31:25,726
[Paul] ♪ Yeah ♪
507
00:31:25,810 --> 00:31:30,607
♪ And if somebody ever loved meLike she does ♪
508
00:31:30,691 --> 00:31:31,942
Did we… "And if"?
509
00:31:32,025 --> 00:31:33,026
Start again.
510
00:31:33,527 --> 00:31:38,574
♪ And if somebody ever really loved meLike she does ♪
511
00:31:38,657 --> 00:31:41,743
I've just got written down here,
"If somebody ever loved me."
512
00:31:41,827 --> 00:31:45,748
[John] Oh, I've got, "If somebody
ever really loved me, like as she do me."
513
00:31:45,832 --> 00:31:46,833
[Paul] Ah.
514
00:31:46,916 --> 00:31:50,294
♪ And if somebody ever loved meLike she does ♪
515
00:31:50,378 --> 00:31:53,506
[John] Maybe we should have,
"I guess nobody ever loved me."
516
00:31:53,590 --> 00:31:55,883
- [chattering]
- [laughter]
517
00:31:55,967 --> 00:31:59,721
♪ I guess nobody ever really ♪
518
00:31:59,805 --> 00:32:02,057
♪ Done me, done me, done me ♪
519
00:32:02,140 --> 00:32:03,642
{\an8}♪ Oh, she done me ♪
520
00:32:05,227 --> 00:32:06,645
{\an8}♪ Yeah, she good ♪
521
00:32:09,732 --> 00:32:12,568
♪ Don't let me down, yeah ♪
522
00:32:16,155 --> 00:32:18,742
♪ Don't let me down ♪
523
00:32:20,952 --> 00:32:22,704
♪ Oh, Little Willy! Yeah! ♪
524
00:32:27,959 --> 00:32:30,670
[Paul vocalizes]
525
00:32:34,299 --> 00:32:36,719
♪ Don't let me down ♪
526
00:32:40,348 --> 00:32:42,558
♪ Please don't let me down ♪
527
00:32:44,352 --> 00:32:45,645
[song ends]
528
00:32:45,728 --> 00:32:47,397
[chattering]
529
00:32:51,442 --> 00:32:53,403
George. George. George.
530
00:32:53,486 --> 00:32:55,155
[chattering continues]
531
00:32:55,238 --> 00:32:58,325
- [laughing]
- [chattering]
532
00:33:02,288 --> 00:33:06,167
[instruments playing]
533
00:33:19,847 --> 00:33:21,766
- [song ends]
- [chattering]
534
00:33:21,850 --> 00:33:23,852
[laughing]
535
00:33:27,147 --> 00:33:29,983
[John] The layout of the book's
really good, though, the way he's done it.
536
00:33:30,568 --> 00:33:32,110
{\an8}[Paul] This is it. Is this the layout?
537
00:33:32,194 --> 00:33:33,862
{\an8}[John] No, this is just the bit. That bit.
538
00:33:34,530 --> 00:33:39,285
"Beatle John Lennon hugged Japanese
actress Yoko Ono last night and said,
539
00:33:39,368 --> 00:33:41,996
'My marriage is over.
I am in love with Yoko.'"
540
00:33:42,080 --> 00:33:44,248
- [Yoko] It's amazing. [laughs]
- [John] Sinceriously.
541
00:33:44,332 --> 00:33:47,752
"How much does he love Yoko?
'Much more than I love the Queen.'"
542
00:33:47,836 --> 00:33:50,630
[all laughing]
543
00:33:50,714 --> 00:33:52,507
["Strawberry Fields Forever" playing]
544
00:33:59,223 --> 00:34:02,852
♪ Well, let me take you down ♪
545
00:34:02,935 --> 00:34:05,605
♪ 'Cause I'm going… ♪
546
00:34:07,148 --> 00:34:09,484
♪ Strawberry Fields ♪
547
00:34:13,613 --> 00:34:15,616
♪ Nothing is real ♪
548
00:34:18,409 --> 00:34:21,663
{\an8}♪ Nothing to get hung about ♪
549
00:34:23,081 --> 00:34:26,293
{\an8}♪ Strawberry Fields forever ♪
550
00:34:28,004 --> 00:34:30,757
[George]
Let's record it all this afternoon, now.
551
00:34:30,840 --> 00:34:31,841
[laughing]
552
00:34:31,924 --> 00:34:35,344
The show on Wednesday,
which is up on the roof, we can get, uh,
553
00:34:35,428 --> 00:34:38,306
{\an8}no worse than a 4-shot on the roof
out toward London,
554
00:34:38,931 --> 00:34:41,351
- which I think is worth it.
- [John] Yes. How much does it cost?
555
00:34:43,145 --> 00:34:45,397
Well, just send the helicopter up.
No film.
556
00:34:45,480 --> 00:34:48,692
- It's too much, film and a…
- Helicopter.
557
00:34:48,776 --> 00:34:50,193
Uh, what do you say, lads?
558
00:34:50,277 --> 00:34:51,654
- Have it on Paul!
- [Yoko] Yeah.
559
00:34:51,737 --> 00:34:53,030
- [Ringo] Yeah.
- [Michael] Yes.
560
00:34:53,906 --> 00:34:55,491
- Is that a yes?
- [Paul] That's a no-no.
561
00:34:55,574 --> 00:34:58,619
[John] ♪ Sweet Loretta FartShe thought she was a cleaner ♪
562
00:34:58,702 --> 00:35:00,704
♪ But she was a frying pan ♪
563
00:35:00,788 --> 00:35:02,999
One, two, three, four.
564
00:35:10,799 --> 00:35:14,594
♪ Jo Jo was a manWho thought he was a loner ♪
565
00:35:14,678 --> 00:35:17,306
♪ But he knew it couldn't last… ♪
566
00:35:18,891 --> 00:35:21,894
Not too loud though.
It's nice, quiet. Oh, yeah.
567
00:35:21,977 --> 00:35:25,773
It settled into it, though, after where
we started in, but much, much faster.
568
00:35:25,856 --> 00:35:28,192
One, two, three, four.
569
00:35:28,693 --> 00:35:31,696
["Get Back" playing]
570
00:35:35,784 --> 00:35:37,577
♪ Jo Jo was a man… ♪
571
00:35:37,661 --> 00:35:39,538
Bit faster, do you think? Bit faster now.
572
00:35:40,246 --> 00:35:42,082
One, two, three, four.
573
00:35:46,212 --> 00:35:47,213
Hello.
574
00:35:49,756 --> 00:35:53,052
{\an8}♪ Jo Jo was a manWho thought he was a loner ♪
575
00:35:53,135 --> 00:35:55,972
{\an8}♪ But he knew it couldn't last ♪
576
00:35:57,014 --> 00:36:00,852
♪ Jo Jo left his home in Tucson, Arizona ♪
577
00:36:00,935 --> 00:36:03,271
- Little bit slower.
- It seems it's picking up speed, I think.
578
00:36:03,355 --> 00:36:04,356
[Glyn] Yeah.
579
00:36:04,439 --> 00:36:06,566
'Cause I find myself starting off, going…
580
00:36:06,649 --> 00:36:07,650
[Paul] We get excited.
581
00:36:08,651 --> 00:36:09,820
[John] And then ended up…
582
00:36:16,577 --> 00:36:19,455
Ah, this here's the story
about Sweet Loretta Martin
583
00:36:20,206 --> 00:36:21,707
and Jo Jo McCartney.
584
00:36:24,043 --> 00:36:25,169
[Paul] ♪ Oh, get back ♪
585
00:36:26,087 --> 00:36:27,088
♪ Oh, get back ♪
586
00:36:28,256 --> 00:36:31,676
♪ Get back to where you once belongedYeah ♪
587
00:36:31,760 --> 00:36:37,391
♪ Sweet Loretta MartinThought she was a woman ♪
588
00:36:38,225 --> 00:36:41,603
♪ But she was another man ♪
589
00:36:42,396 --> 00:36:43,522
[vocalizing]
590
00:36:43,605 --> 00:36:46,025
All right, boy. All right, John.
I've gotta call order, John.
591
00:36:46,108 --> 00:36:47,943
- All right, Paul.
- You know, valuable time here, son.
592
00:36:48,903 --> 00:36:50,070
Cool down, son.
593
00:36:50,154 --> 00:36:51,697
[John] Don't let me down, babe.
594
00:36:53,574 --> 00:36:58,079
[Paul] ♪ Take these chainsAnd set me free ♪
595
00:36:59,289 --> 00:37:04,044
{\an8}♪ Take these chains awayAnd set me free ♪
596
00:37:11,010 --> 00:37:13,971
- [John] They can afford it.
- Costing EMI. We're EMI artists, man, no?
597
00:37:14,055 --> 00:37:15,056
[Glyn laughs]
598
00:37:15,139 --> 00:37:18,475
♪ Get back, get back ♪
599
00:37:19,476 --> 00:37:22,647
♪ Get back to where you once belonged ♪
600
00:37:22,730 --> 00:37:24,023
♪ Get back home Jo Jo ♪
601
00:37:32,741 --> 00:37:35,285
- [Billy] …together at the beginning.
- You were very good, Bill.
602
00:37:35,368 --> 00:37:38,205
[Glyn] Bill, you were just great. [laughs]
603
00:37:40,416 --> 00:37:41,542
[Glyn] What are you gonna do?
604
00:37:41,625 --> 00:37:43,336
- Play it again.
- Sing a bit.
605
00:37:43,419 --> 00:37:45,796
- [Glyn] J?
- Just keep 'em. Keep 'em.
606
00:37:45,879 --> 00:37:47,423
- [Glyn] Do another one?
- Yeah.
607
00:37:47,506 --> 00:37:49,759
[Paul] Well, tell us if you think
we've got it, you know?
608
00:37:49,843 --> 00:37:51,052
[Glyn] Well, yeah.
609
00:37:51,135 --> 00:37:52,846
Let's keep doing them then, you know?
610
00:37:52,929 --> 00:37:55,264
'Cause if we keep doing that
and going in and then saying, "Oh."
611
00:37:55,349 --> 00:37:57,851
[George Martin] I think you ought to do
something else, 'cause I think you might--
612
00:37:57,934 --> 00:37:59,644
If you keep doing it,
you'll go stale on it.
613
00:37:59,728 --> 00:38:01,563
- [John] No, no. Let's do it.
- You can always go back to it.
614
00:38:01,646 --> 00:38:03,899
- Do you want your head kicked in?
- You know what I mean, though.
615
00:38:05,359 --> 00:38:07,737
- [Paul] Do you wanna do it once more then?
- [John] Yes, yes.
616
00:38:07,820 --> 00:38:10,990
At least once more.
We'll never get a chance to do it again.
617
00:38:11,073 --> 00:38:14,244
[George Martin] It is the final
performance. You've got an audience now.
618
00:38:14,327 --> 00:38:17,330
[Paul] Okay, honeybunch.
Let's hit it one time, tutti-frutti.
619
00:38:17,913 --> 00:38:19,374
One, two…
620
00:38:19,457 --> 00:38:22,711
♪ Get back, get back ♪
621
00:38:23,294 --> 00:38:26,465
♪ Get back to where you once belonged ♪
622
00:38:28,133 --> 00:38:29,968
[Glyn]
That last take was extremely good though.
623
00:38:30,051 --> 00:38:32,138
Okay. Keep it extremely good then.
We'll carry on.
624
00:38:35,224 --> 00:38:38,936
[Paul]
♪ Oh, get back, Loretta Martin, back ♪
625
00:38:39,854 --> 00:38:42,482
♪ Back to where you once belonged ♪
626
00:38:42,565 --> 00:38:44,484
[Glyn] Why not go straight into
another number then?
627
00:38:44,567 --> 00:38:46,986
We were trying to go into
"Don't Let Me Down" if we made it,
628
00:38:47,069 --> 00:38:49,072
but we haven't made it once yet, you know?
629
00:38:49,156 --> 00:38:52,659
We think of everything and we're
even gonna go on to "I've Got a Fever."
630
00:38:52,742 --> 00:38:54,077
If we really know.
631
00:38:54,161 --> 00:38:55,954
[Glyn] In that case,
I'm gonna change tape.
632
00:38:56,038 --> 00:38:57,039
Are you? Okay.
633
00:38:57,122 --> 00:38:59,041
["Get Back" playing]
634
00:39:05,088 --> 00:39:08,592
♪ Sweet Loretta MartinThought she was a woman ♪
635
00:39:08,676 --> 00:39:11,304
♪ But she was another man ♪
636
00:39:11,387 --> 00:39:13,389
Was the other one before better than that?
637
00:39:14,641 --> 00:39:18,186
[Glyn] Yes. There was one better than that
earlier on. Hang on, we'll just…
638
00:39:18,269 --> 00:39:19,854
The one before this was better for me.
639
00:39:19,938 --> 00:39:22,274
Should we have another ciggy,
another cup of tea, or…
640
00:39:22,357 --> 00:39:24,026
- [John] Okay, yeah after this.
- …ciggy after the wine.
641
00:39:24,109 --> 00:39:27,196
Oh, ready? One, two three, four.
642
00:39:27,279 --> 00:39:29,281
["Get Back" playing]
643
00:39:35,079 --> 00:39:38,374
♪ Jo Jo was a manWho thought he was a loner ♪
644
00:39:38,458 --> 00:39:39,917
There's one where everything was right…
645
00:39:40,001 --> 00:39:42,128
- [Glyn] What's the next reel?
- …except the last bit of my guitar solo.
646
00:39:42,212 --> 00:39:44,630
[Paul] Well, remember the one before that
that we all said was all right?
647
00:39:44,715 --> 00:39:46,174
- [Glyn] Yeah.
- [George Martin] That's Take 11.
648
00:39:46,257 --> 00:39:47,300
You can always edit.
649
00:39:47,383 --> 00:39:49,636
- [Glyn] Yeah, I'm just getting it.
- Edit?
650
00:39:49,720 --> 00:39:51,388
You're talking to the Bootles.
651
00:39:58,896 --> 00:40:02,066
{\an8}[Paul] Yeah, right. Now, see the thing is,
we need another week to do it.
652
00:40:02,817 --> 00:40:04,443
[Paul] ♪ Get back, Jo ♪
653
00:40:19,752 --> 00:40:23,464
{\an8}♪ Sweet Loretta MartinThought she was a woman ♪
654
00:40:23,547 --> 00:40:26,300
{\an8}♪ But she was another man ♪
655
00:40:27,635 --> 00:40:31,514
♪ All the girls around herSay she's got it coming ♪
656
00:40:31,597 --> 00:40:33,892
♪ But she gets it while she can ♪
657
00:40:35,018 --> 00:40:36,310
♪ Oh, get back ♪
658
00:40:37,186 --> 00:40:38,187
♪ Get back ♪
659
00:40:39,147 --> 00:40:42,150
♪ Get back to where you once belonged ♪
660
00:40:43,067 --> 00:40:44,110
♪ Get back ♪
661
00:40:44,986 --> 00:40:45,987
♪ Get back ♪
662
00:40:46,071 --> 00:40:47,322
♪ Oh, yeah ♪
663
00:40:49,616 --> 00:40:50,868
♪ Oh, yeah ♪
664
00:40:50,951 --> 00:40:52,452
Miles out, aren't we?
665
00:40:52,536 --> 00:40:53,954
- [George] Tune.
- Yeah.
666
00:40:54,038 --> 00:40:55,080
It was A, Bill.
667
00:40:55,164 --> 00:41:01,171
Billy, instead of giving us,
like, one note, give us a riff like…
668
00:41:02,880 --> 00:41:04,715
That's easier to tune to.
669
00:41:23,527 --> 00:41:26,447
[Paul] ♪ All these yearsI've been wandering around ♪
670
00:41:26,530 --> 00:41:29,492
♪ Wondering how come nobody told me ♪
671
00:41:29,576 --> 00:41:32,203
- [Glyn] Hold up. Hold up.
- [John] Okay. Let me just--
672
00:41:32,287 --> 00:41:34,122
[John clears throat, vocalizes]
673
00:41:36,333 --> 00:41:39,419
{\an8}[John cackles] Not giving 'em that!
674
00:41:39,502 --> 00:41:41,421
Oh, fucking right.
675
00:41:41,504 --> 00:41:43,423
[chuckling]
676
00:41:45,092 --> 00:41:47,553
Something happened.
I don't know what it was though.
677
00:41:48,178 --> 00:41:49,222
Something happened.
678
00:41:49,305 --> 00:41:50,931
["I've Got A Feeling" playing]
679
00:41:51,014 --> 00:41:52,015
♪ Oh, yeah ♪
680
00:41:53,267 --> 00:41:54,768
[Paul] ♪ No, no, no ♪
681
00:41:55,311 --> 00:41:57,396
♪ Yeah ♪
682
00:41:57,480 --> 00:42:00,692
♪ I've got a feeling ♪
683
00:42:05,697 --> 00:42:08,533
♪ Well, all of these yearsI've been wandering around ♪
684
00:42:08,617 --> 00:42:11,536
♪ Wondering how come nobody told me ♪
685
00:42:11,620 --> 00:42:15,332
♪ All that I've been looking forWas somebody who looked like you ♪
686
00:42:20,963 --> 00:42:23,383
- ♪ I've got a feeling ♪
- [John] ♪ Oh, yeah ♪
687
00:42:23,466 --> 00:42:26,719
♪ That keeps me on my toesOh, yeah ♪
688
00:42:28,638 --> 00:42:29,973
[Paul, John] ♪ Oh, yeah ♪
689
00:42:32,643 --> 00:42:34,770
♪ I've got a feeling ♪
690
00:42:34,853 --> 00:42:37,773
♪ I think that everybody knows ♪
691
00:42:37,856 --> 00:42:39,316
- ♪ Oh, no ♪
- [John] ♪ Yeah ♪
692
00:42:40,984 --> 00:42:42,528
[Paul, John] ♪ Oh, yeah ♪
693
00:42:43,779 --> 00:42:45,239
[Paul] ♪ Oh, yeah ♪
694
00:42:45,823 --> 00:42:48,075
♪ Yeah ♪
695
00:42:48,159 --> 00:42:51,704
♪ Yeah, I've got a feeling ♪
696
00:42:51,788 --> 00:42:53,456
♪ Yeah, yeah, yeah ♪
697
00:42:57,001 --> 00:42:59,212
♪ Everybody had a hard year ♪
698
00:43:00,172 --> 00:43:02,424
♪ Everybody had a good time ♪
699
00:43:03,258 --> 00:43:05,510
♪ Everybody had a wet dream ♪
700
00:43:06,344 --> 00:43:08,388
♪ Everybody saw the sunshine ♪
701
00:43:08,472 --> 00:43:10,223
- ♪ Oh, yeah ♪
- [Paul] ♪ Oh, yeah ♪
702
00:43:10,308 --> 00:43:13,101
- ♪ Oh yeah, oh yeah ♪
- [Paul] ♪ Oh, yeah ♪
703
00:43:15,563 --> 00:43:18,524
- ♪ Everybody had a good year ♪
- [Paul] ♪ Yeah ♪
704
00:43:18,607 --> 00:43:21,569
- ♪ Everybody had their hair down ♪
- [Paul] ♪ Yeah ♪
705
00:43:21,653 --> 00:43:24,531
- ♪ Everybody pulled their socks up ♪
- [Paul] ♪ Oh, yeah ♪
706
00:43:24,614 --> 00:43:27,909
♪ Everybody put their foot downOh, yeah ♪
707
00:43:36,251 --> 00:43:37,252
[song ends]
708
00:43:38,921 --> 00:43:41,381
Glyn? What does that sound like?
709
00:43:41,466 --> 00:43:43,092
[laughter]
710
00:43:43,175 --> 00:43:45,094
[Glyn] Probably lucky… [indistinct]
711
00:43:45,177 --> 00:43:46,221
- What?
- [Glyn] Yeah.
712
00:43:46,304 --> 00:43:47,347
- All right?
- [Glyn] Yeah.
713
00:43:47,430 --> 00:43:50,350
[instruments playing]
714
00:43:53,186 --> 00:43:55,606
[no audible dialogue]
715
00:44:01,362 --> 00:44:03,239
- [chattering]
- [laughter]
716
00:44:03,322 --> 00:44:04,906
- Not bad.
- Got it.
717
00:44:06,242 --> 00:44:08,786
- [John] Oh, the last two will do me.
- [Glyn] That's what I thought.
718
00:44:08,870 --> 00:44:11,330
- It was just about diabolical enough.
- [Paul] You see, the thing is…
719
00:44:11,413 --> 00:44:14,751
I don't feel as though
I'm singing it any good.
720
00:44:14,834 --> 00:44:17,295
- The other day I was singing better.
- 'Cause you're standing up.
721
00:44:17,379 --> 00:44:19,339
- And you're trying to do a thing.
- Maybe.
722
00:44:19,422 --> 00:44:20,673
You should sit down.
723
00:44:20,757 --> 00:44:21,924
- Enjoy yourself.
- Yeah.
724
00:44:22,842 --> 00:44:26,346
Maybe. No, but even so today,
I just feel as though…
725
00:44:27,055 --> 00:44:28,181
Hobson's is a bit…
726
00:44:29,432 --> 00:44:30,433
[Glyn] That reel on?
727
00:44:30,518 --> 00:44:32,936
{\an8}We've still got a lot more songs
we haven't even rehearsed.
728
00:44:33,812 --> 00:44:38,276
{\an8}The two slow ones we're doing,
"Mother Mary" and… "Brother Jesus."
729
00:44:38,359 --> 00:44:39,986
- [George] Have we recorded?
- [laughter]
730
00:44:40,069 --> 00:44:41,863
[George]
Have we recorded the "Mother Mary" one?
731
00:44:41,946 --> 00:44:43,197
Haven't happened yet, have they?
732
00:44:43,281 --> 00:44:44,282
- [Glyn] No.
- [George] Haven't they?
733
00:44:44,365 --> 00:44:45,867
- [Glyn] One has. One has.
- Well…
734
00:44:45,950 --> 00:44:47,661
- Which one?
- [Glyn] I can never get it.
735
00:44:47,744 --> 00:44:49,287
- "Long, Long, Winding"--
- "Long and Winding Road"?
736
00:44:49,371 --> 00:44:50,455
[Glyn] "Long and Winding Scrotum."
737
00:44:50,539 --> 00:44:52,707
- Really?
- [Glyn] I think it's very tasty.
738
00:44:52,791 --> 00:44:53,875
Très tasty, in fact.
739
00:44:53,958 --> 00:44:55,294
Oh, the little version we had--
740
00:44:55,377 --> 00:44:57,379
- He's so good for your morale, this boy.
- Yeah, yeah.
741
00:44:57,462 --> 00:44:58,881
- [chuckles]
- [Glyn] No, really.
742
00:44:58,964 --> 00:45:01,216
- We can do--
- I'm not saying you can't do it better.
743
00:45:01,300 --> 00:45:02,760
But, I mean, it's very together.
744
00:45:03,469 --> 00:45:06,138
See, that's a bit like the old "Get Back."
745
00:45:06,221 --> 00:45:08,474
It's together
until you think you can do it better.
746
00:45:09,350 --> 00:45:11,561
We should arrange what's happening
around lunchtime tomorrow.
747
00:45:11,644 --> 00:45:13,813
John's got something at 1:30,
and so have I.
748
00:45:13,897 --> 00:45:16,775
[Glyn] I'll take these tonight.
You can have a mix of these tomorrow.
749
00:45:17,525 --> 00:45:19,485
- I'm meeting a fella.
- Oh, right.
750
00:45:20,696 --> 00:45:24,575
No, uh, at 1:30 though.
We're both going at 1:30, so can you…
751
00:45:24,658 --> 00:45:28,162
We'll do something, all right.
I'll do Ringo at 1:30.
752
00:45:28,245 --> 00:45:30,664
- [laughs]
- Let's say 12:00.
753
00:45:30,747 --> 00:45:33,250
[George] We'll be coming in before 1:30?
754
00:45:33,334 --> 00:45:35,336
- Yeah. Coming in at 11:00.
- [George] Okay.
755
00:45:35,419 --> 00:45:36,420
Then work till 1:30.
756
00:45:36,504 --> 00:45:38,214
[Paul on tape]
Okay, honeybunch. Let's hit it one time.
757
00:45:38,297 --> 00:45:40,383
- What time are you starting?
- 11:00.
758
00:45:40,967 --> 00:45:42,552
- [George Martin] 11:00 to 1:30?
- 10:30, yeah.
759
00:45:42,635 --> 00:45:43,970
[Paul on tape] Dig, man.
760
00:45:44,054 --> 00:45:46,306
[George Martin] And then how long
are you having off from 1:30?
761
00:45:46,389 --> 00:45:48,641
[Ringo] Till 3:00. Good night, everybody.
762
00:45:48,725 --> 00:45:50,769
- [George Martin] Good night, Rich.
- [crew] Good night, Richie.
763
00:45:50,853 --> 00:45:52,730
- [John] I think I'm gonna go.
- [Ringo] Will you?
764
00:45:52,813 --> 00:45:54,690
[Paul] I think the one you said was best…
765
00:45:54,773 --> 00:45:56,024
- [George Martin] Nine?
- …is best.
766
00:45:56,108 --> 00:45:58,194
[Glyn] Yeah. But it still doesn't make it.
767
00:45:59,069 --> 00:46:01,072
- We'll keep it anyway.
- [Paul] Keep it in.
768
00:46:01,155 --> 00:46:04,575
♪ Jo Jo was a manWho thought he was a loner ♪
769
00:46:04,658 --> 00:46:05,869
{\an8}- [Glyn] Good?
- [Paul] Yeah.
770
00:46:05,952 --> 00:46:09,956
{\an8}- [Glyn] Right. New reel.
- [chattering, laughter]
771
00:46:10,039 --> 00:46:11,916
{\an8}[Paul] Well, the air-conditioning works.
772
00:46:12,917 --> 00:46:15,504
- [Linda] God, feel like I'm in the army.
- [George Martin] It must be terrible.
773
00:46:15,587 --> 00:46:17,797
[Linda] That was the only good thing
about being a girl.
774
00:46:17,881 --> 00:46:19,799
[George Martin]
Can you imagine being drafted to Vietnam?
775
00:46:19,884 --> 00:46:21,969
{\an8}[Michael] George,
of the ones they've done so far,
776
00:46:22,052 --> 00:46:24,179
{\an8}which do you think we can do on the roof?
777
00:46:24,263 --> 00:46:26,181
{\an8}- Anything without the grand piano.
- Oh!
778
00:46:27,182 --> 00:46:29,184
- [Mike] Morning.
- You're embarrassing me.
779
00:46:32,980 --> 00:46:35,233
[Michael] Should we write down
what we could do on the roof?
780
00:46:35,775 --> 00:46:38,153
[George Martin] You haven't got
a concise list of titles, have we, Alan?
781
00:46:38,236 --> 00:46:40,405
- [Alan] No. I can make one.
- [Michael] Well, I…
782
00:46:40,488 --> 00:46:42,407
One is "I Dig a Pony."
We can do that on the roof.
783
00:46:42,491 --> 00:46:43,492
"Let It Be."
784
00:46:44,075 --> 00:46:47,246
[Michael] Which is "Let It Be"? Oh, no.
I think "Let It Be" should be down here.
785
00:46:48,121 --> 00:46:49,623
[George Martin]
Yeah, with the piano on that.
786
00:46:49,706 --> 00:46:50,707
♪ Let it be ♪
787
00:46:51,583 --> 00:46:54,295
[Paul] Is anyone sort of
thinking of this like making an album
788
00:46:54,378 --> 00:46:56,756
or more like sort of
doing a lot of numbers then
789
00:46:56,839 --> 00:47:00,510
to be able to play them all
one after the other?
790
00:47:00,593 --> 00:47:01,636
[John] Let's pick the five--
791
00:47:07,559 --> 00:47:08,601
Uh…
792
00:47:09,686 --> 00:47:11,188
{\an8}I don't see much point in doing
793
00:47:11,271 --> 00:47:13,523
"Don't Let Me Down,"
"I've Got A Feeling" and that now.
794
00:47:14,524 --> 00:47:15,734
Yeah…
795
00:47:15,818 --> 00:47:17,528
'Cause you lose it.
796
00:47:17,611 --> 00:47:20,113
So let's pick up on the ones
that are all in pieces.
797
00:47:21,114 --> 00:47:24,118
I'm trying to get us to do
one of George's for the first batch.
798
00:47:24,202 --> 00:47:25,954
Oh, ah. Yeah.
799
00:47:26,037 --> 00:47:29,290
♪ What do you know now, Mr. Show? ♪
800
00:47:30,750 --> 00:47:32,376
[John] ♪ I don't know ♪
801
00:47:33,962 --> 00:47:35,547
[John, Paul]
♪ I don't know ♪
802
00:47:35,630 --> 00:47:38,342
Then you can have the next one,
"Did you know, missed the show?"
803
00:47:38,425 --> 00:47:41,220
♪ Do you know who missed the show? ♪
804
00:47:43,263 --> 00:47:44,849
♪ No, I don't know ♪
805
00:47:45,891 --> 00:47:47,560
♪ I don't know ♪
806
00:47:47,643 --> 00:47:50,855
♪ Dun, dun, dunDun, dun ♪
807
00:47:50,938 --> 00:47:53,899
♪ Do you know now, Mr. Joe? ♪
808
00:47:55,110 --> 00:47:59,364
{\an8}♪ Something in the way she moves ♪
809
00:48:02,033 --> 00:48:05,954
{\an8}♪ Attracts me like a moth to candlelight ♪
810
00:48:08,039 --> 00:48:10,584
♪ Something in the way… ♪
811
00:48:12,711 --> 00:48:13,712
[song ends]
812
00:48:13,795 --> 00:48:15,339
[George] What could it be, Paul?
813
00:48:15,422 --> 00:48:17,258
- "Something in the way she moves."
- [Paul] Hmm?
814
00:48:17,341 --> 00:48:18,760
[George] What attracted me at all?
815
00:48:18,843 --> 00:48:21,053
Just say whatever comes
into your head each time.
816
00:48:21,137 --> 00:48:24,391
"Attracts me like a cauliflower,"
until you get the word, you know?
817
00:48:24,474 --> 00:48:27,810
Yeah, but I've been through this one,
like, for about six months.
818
00:48:27,894 --> 00:48:30,563
♪ Attracts me like a pomegranate ♪
819
00:48:30,647 --> 00:48:32,107
[chuckles]
820
00:48:32,190 --> 00:48:33,191
♪ Something in the… ♪
821
00:48:33,275 --> 00:48:36,194
[George] We could have that.
"Attracts me like a pomegranate."
822
00:48:36,278 --> 00:48:40,616
♪ Something in the way she moves ♪
823
00:48:43,411 --> 00:48:46,247
♪ Attracts me like a moth to candlelight--To pomegranate ♪
824
00:48:46,330 --> 00:48:47,665
♪ Pomegranate ♪
825
00:48:47,748 --> 00:48:49,042
"Cauliflower" is better.
826
00:48:49,125 --> 00:48:54,422
♪ Something in the way she woos me ♪
827
00:48:55,423 --> 00:48:57,384
♪ I don't want to leave her now ♪
828
00:48:58,259 --> 00:49:00,429
♪ You know I believe and how ♪
829
00:49:04,266 --> 00:49:06,226
[laughter]
830
00:49:09,146 --> 00:49:12,066
♪ Da, da, daDa, da, da ♪
831
00:49:13,901 --> 00:49:15,069
♪ I don't know ♪
832
00:49:15,152 --> 00:49:16,904
[scatting]
833
00:49:16,987 --> 00:49:18,448
♪ Da, da, da ♪
834
00:49:21,784 --> 00:49:24,620
♪ Da, da, daDa, da, da ♪
835
00:49:26,289 --> 00:49:29,960
♪ I don't know ♪
836
00:49:30,043 --> 00:49:31,753
- [George] Okay.
- [John] What was that?
837
00:49:31,837 --> 00:49:34,631
[George] Yeah, but say we got
a really good one of "Love Me Do."
838
00:49:34,715 --> 00:49:37,634
- [Paul] Well, yeah. That's true.
- [John] Yeah. Okay.
839
00:49:41,180 --> 00:49:43,683
♪ Love, love me do ♪
840
00:49:45,017 --> 00:49:47,604
♪ You know I love you ♪
841
00:49:48,771 --> 00:49:51,608
{\an8}♪ I'll always be true ♪
842
00:49:52,567 --> 00:49:57,322
{\an8}♪ So please ♪
843
00:49:57,405 --> 00:49:58,448
[John scatting]
844
00:49:58,531 --> 00:50:00,325
♪ Love me do ♪
845
00:50:00,408 --> 00:50:04,497
[Paul] Is it 1:30? I've got this--
to go to this meeting.
846
00:50:04,580 --> 00:50:05,581
So, can you do it?
847
00:50:06,249 --> 00:50:08,917
[John] Will you ring down for us?
And we'll keep going through this.
848
00:50:09,001 --> 00:50:10,669
Yeah. Okay.
849
00:50:14,215 --> 00:50:16,635
[instruments playing]
850
00:50:27,062 --> 00:50:28,230
[Ringo] Shall we do it?
851
00:50:29,648 --> 00:50:31,316
♪ I've got a feeling ♪
852
00:50:32,234 --> 00:50:34,570
♪ A feeling deep inside ♪
853
00:50:34,654 --> 00:50:35,821
♪ Oh, yeah ♪
854
00:50:37,197 --> 00:50:39,367
- [John] Glyn?
- Send an engineer.
855
00:50:39,450 --> 00:50:40,451
[John] Glyn.
856
00:50:42,120 --> 00:50:45,331
Can you come and fix my microphone?
It keeps falling down.
857
00:50:46,499 --> 00:50:49,460
♪ Everybody had a hard year ♪
858
00:50:49,544 --> 00:50:50,546
♪ Everybody… ♪
859
00:51:00,097 --> 00:51:01,891
See, can I change from going…
860
00:51:01,974 --> 00:51:04,310
[guitar playing]
861
00:51:04,393 --> 00:51:06,896
Because I can't do it.
I go into that folk bit.
862
00:51:06,979 --> 00:51:08,064
Have a ciggy, Billy.
863
00:51:08,147 --> 00:51:09,982
♪ I've got a feeling ♪
864
00:51:10,775 --> 00:51:13,110
♪ Everybody knows ♪
865
00:51:13,195 --> 00:51:14,279
♪ Oh, yeah ♪
866
00:51:16,031 --> 00:51:17,115
♪ Oh, yeah ♪
867
00:51:19,617 --> 00:51:20,703
♪ Yeah ♪
868
00:51:24,665 --> 00:51:26,166
♪ Oh, I've got a feeling ♪
869
00:51:26,249 --> 00:51:27,585
Two, three, four.
870
00:51:29,295 --> 00:51:30,588
♪ I've got a feeling ♪
871
00:51:36,552 --> 00:51:39,347
♪ All these yearsI've been wandering around ♪
872
00:51:39,430 --> 00:51:42,601
♪ Wondering how come nobody told me ♪
873
00:51:42,684 --> 00:51:46,020
♪ All that I was looking forWas somebody who looked like you ♪
874
00:51:46,104 --> 00:51:47,272
♪ You know that ♪
875
00:51:53,112 --> 00:51:56,073
I'll sing it a bit different than that.
I'll sing…
876
00:51:56,156 --> 00:51:59,452
♪ Everybody had a good yearEverybody let their hair down ♪
877
00:51:59,535 --> 00:52:00,536
- All that bit.
- Yeah.
878
00:52:00,620 --> 00:52:02,205
Okay.
Should we go from the last verse again?
879
00:52:02,288 --> 00:52:03,789
That's the bit still, isn't it?
880
00:52:03,873 --> 00:52:04,874
[George] I still think that--
881
00:52:04,957 --> 00:52:07,543
I'm not sure about that syncopation bit,
but leave that to Paul.
882
00:52:07,627 --> 00:52:12,173
Well, that's okay if we just do it
in between, you know, where the riff…
883
00:52:12,257 --> 00:52:13,258
Uh…
884
00:52:14,092 --> 00:52:16,052
It seems to be going
through every verse now.
885
00:52:16,136 --> 00:52:18,138
Yeah, that's the riff. Goes…
886
00:52:18,764 --> 00:52:20,516
- I mean that…
- It should change.
887
00:52:20,599 --> 00:52:22,268
No, that just comes at the end.
888
00:52:23,352 --> 00:52:24,979
Oh, in the middle of every verse?
889
00:52:25,062 --> 00:52:28,650
♪ A feeling deep insideOh, yeah ♪
890
00:52:37,992 --> 00:52:42,664
But also we need somebody that's gonna
tune everything in here to one pitch.
891
00:52:42,748 --> 00:52:44,291
Uh, the piano people do that.
892
00:52:44,374 --> 00:52:46,585
[John] Okay, well,
we'll play about for a bit then.
893
00:52:46,669 --> 00:52:48,962
- How do you tune an electric piano?
- [Billy] I don't know.
894
00:52:49,046 --> 00:52:50,798
♪ How do you tune an electric piano ♪
895
00:52:50,881 --> 00:52:53,301
[Billy] There's got to be a way though.
Probably here somewhere.
896
00:52:55,094 --> 00:52:56,512
[George] What did you wanna talk about?
897
00:52:56,595 --> 00:52:58,722
[John] Uh, well,
just that I saw Klein, and that.
898
00:52:58,807 --> 00:53:00,474
- Oh, Klein?
- Yeah, yeah. Klein.
899
00:53:00,558 --> 00:53:01,893
- Allen Klein.
- [George] Oh, I see.
900
00:53:01,976 --> 00:53:03,978
[John] Yeah. And it's--
You know, it's very interesting.
901
00:53:04,062 --> 00:53:05,063
Yeah.
902
00:53:05,146 --> 00:53:07,274
- [John] You know, from a lot of angles.
- [George] Hmm.
903
00:53:07,357 --> 00:53:11,195
And the-- But I want to tell you
all at once, you know, so as it's not…
904
00:53:12,487 --> 00:53:15,908
But just, um--
I just think he's fantastic.
905
00:53:15,991 --> 00:53:17,409
- [George] Really?
- Yeah.
906
00:53:18,661 --> 00:53:21,664
A lot of interesting news
that we don't know half about,
907
00:53:21,747 --> 00:53:23,123
- just about--
- [George] About us?
908
00:53:23,207 --> 00:53:26,544
Well, I'll tell-- You know,
he'll tell you all that, 'cause it's…
909
00:53:26,627 --> 00:53:28,629
You know,
he knows everything about everything.
910
00:53:28,713 --> 00:53:29,839
Very interesting guy.
911
00:53:29,923 --> 00:53:32,633
- I was there till 2:00 in the morning.
- Oh, you went last night?
912
00:53:32,718 --> 00:53:35,971
I went there thinking, "Well, I've got
to see him. I put it off last time."
913
00:53:36,054 --> 00:53:37,305
You know?
914
00:53:37,388 --> 00:53:39,265
I keep hearing about him all these years.
915
00:53:39,350 --> 00:53:42,228
Things that you just…
you can't believe, you know.
916
00:53:42,311 --> 00:53:45,982
Right down to where-- where it's gone,
917
00:53:47,358 --> 00:53:48,525
and how to get it.
918
00:53:49,819 --> 00:53:53,531
So, I, you know-- Well, I didn't
really wanna say it to sort of half o'ya.
919
00:53:53,615 --> 00:53:56,283
I thought,
"He's gonna look after me, whatever."
920
00:53:56,368 --> 00:53:57,910
That's… it's just like that.
921
00:53:59,954 --> 00:54:02,749
And he knows--
He even knows what we're like, you know?
922
00:54:02,832 --> 00:54:05,252
The way he described each one of us,
you know,
923
00:54:05,335 --> 00:54:07,713
and what we've done
and what we're gonna do and that.
924
00:54:07,796 --> 00:54:11,008
But just, like,
he knows me as much as you do.
925
00:54:12,676 --> 00:54:14,011
Incredible guy.
926
00:54:14,512 --> 00:54:16,764
{\an8}He's got a great idea for Biafra.
927
00:54:16,847 --> 00:54:18,724
He's like--
He says, "I'm a practical man."
928
00:54:18,807 --> 00:54:21,770
And his thing--
You know The Stones' Circus we did?
929
00:54:21,853 --> 00:54:23,730
- So he arranges those things for them.
- [George] Yeah.
930
00:54:23,813 --> 00:54:28,943
All we heard about that
and the-- the-- the royalty from way back…
931
00:54:29,027 --> 00:54:30,779
- Yeah.
- …they get much more than us.
932
00:54:30,862 --> 00:54:33,282
However many we sell, they cop.
933
00:54:33,907 --> 00:54:37,744
You know, so, The Stones show,
he's gonna make an LP out of it.
934
00:54:37,828 --> 00:54:40,080
They're making a book of it
and everything, of course, you know?
935
00:54:40,164 --> 00:54:41,832
Like, everybody is into that.
936
00:54:41,916 --> 00:54:47,004
And he's gonna, uh, make an LP of it,
of everybody that was on…
937
00:54:47,713 --> 00:54:50,466
to buy food for Biafra.
938
00:54:50,550 --> 00:54:52,552
Yeah, I was telling him
about your idea for that film.
939
00:54:52,635 --> 00:54:53,887
- [George] Oh, yeah.
- [John] The thing is,
940
00:54:53,970 --> 00:54:57,808
I mean, if we took the food to that place,
with the money we've all earned--
941
00:54:57,891 --> 00:54:59,893
He'd do it completely himself,
arrange it all.
942
00:54:59,976 --> 00:55:03,397
I didn't mean to get into all this,
but he's so fascinating.
943
00:55:06,733 --> 00:55:08,735
Do you want to do this one more time?
944
00:55:08,819 --> 00:55:10,196
- Yeah.
- [John] Eh?
945
00:55:10,863 --> 00:55:13,866
'Cause I'd like to learn
"On the Road to Marrakesh" or something.
946
00:55:16,578 --> 00:55:17,745
Or "Mr. Mustard."
947
00:55:18,287 --> 00:55:20,748
Must do another number, I've decided.
948
00:55:20,832 --> 00:55:25,087
♪ I want a short-haired girlWho sometimes wears it twice as long ♪
949
00:55:27,505 --> 00:55:31,176
♪ Now I'm steppin' outThis old brown shoe ♪
950
00:55:31,259 --> 00:55:33,512
[no audible dialogue]
951
00:55:33,596 --> 00:55:36,724
[George] Mal, what was the name of that
shoe shop somebody said is in Bond Street?
952
00:55:36,807 --> 00:55:39,435
The good one.
Do you know a good shoe shop near?
953
00:55:39,518 --> 00:55:41,520
[Mal] There's a lot of shoe shops
in Bond Street.
954
00:55:41,604 --> 00:55:46,025
[George] Yeah. But I just want, you know,
like ordinary black leather shoes.
955
00:55:46,609 --> 00:55:49,863
It's just that I never get any, you know,
'cause I'm never in shoe shops.
956
00:55:50,614 --> 00:55:52,449
[Kevin] Do you want me
to bring the bloke over?
957
00:55:52,532 --> 00:55:54,701
If you can con somebody into coming
958
00:55:54,784 --> 00:55:58,747
with, you know, a selection
of black slip-on size eights.
959
00:55:58,830 --> 00:55:59,874
[Kevin] Yeah, okay.
960
00:55:59,957 --> 00:56:03,293
♪ I'm so glad you came hereIt won't be the same now ♪
961
00:56:03,377 --> 00:56:04,461
♪ I'm telling you ♪
962
00:56:06,338 --> 00:56:07,339
♪ Yeah ♪
963
00:56:09,592 --> 00:56:10,718
♪ Dun, de, da, dun ♪
964
00:56:10,801 --> 00:56:13,721
♪ Now I'm steppin' outThis old brown shoe ♪
965
00:56:14,430 --> 00:56:16,307
♪ Baby, I'm in love with you ♪
966
00:56:16,391 --> 00:56:18,393
♪ I'm so glad you came here ♪
967
00:56:18,476 --> 00:56:20,478
[piano playing]
968
00:56:30,114 --> 00:56:34,911
♪ I like a love that's rightWhen right is only half of what's wrong ♪
969
00:56:37,288 --> 00:56:41,918
♪ I want a short-haired girlWho sometimes wears it twice as long ♪
970
00:56:43,836 --> 00:56:47,590
♪ Now I'm steppin' outThis old brown shoe ♪
971
00:56:47,674 --> 00:56:49,927
- What?
- [Stylophone mini organ playing]
972
00:56:50,010 --> 00:56:52,220
[George] Where's it from? Who makes it?
973
00:56:52,304 --> 00:56:53,722
- [Billy] Wow.
- [George] Japanese?
974
00:56:53,806 --> 00:56:55,891
I saw it on the television.
975
00:56:58,226 --> 00:57:00,062
Too much! Whoo.
976
00:57:01,272 --> 00:57:02,273
Nice sound.
977
00:57:02,356 --> 00:57:04,608
- [George] Could you transpose that to D?
- Yeah.
978
00:57:04,692 --> 00:57:07,987
- All on one note, huh?
- [John] Yeah, you can change it.
979
00:57:10,156 --> 00:57:11,991
[Billy laughs]
980
00:57:12,075 --> 00:57:14,077
[John] One at a time. It's a little organ.
981
00:57:15,370 --> 00:57:16,705
[Billy chuckles]
982
00:57:17,622 --> 00:57:18,623
That's better.
983
00:57:19,166 --> 00:57:21,710
Yeah. It's too much, man.
984
00:57:21,793 --> 00:57:23,796
[Stylophone mini organ playing]
985
00:57:50,156 --> 00:57:52,243
[playing continues]
986
00:57:56,038 --> 00:57:58,540
[George Martin] I love that song.
That's beautiful. I couldn't…
987
00:57:58,624 --> 00:57:59,626
[Glyn] You've won a prize.
988
00:57:59,709 --> 00:58:01,794
[George Martin] Couldn't have asked for
better. Can we have something else now?
989
00:58:01,878 --> 00:58:03,671
Another song, right. Okay, George?
990
00:58:04,339 --> 00:58:06,841
How about, uh…
What have you got up your sleeve, John?
991
00:58:08,050 --> 00:58:09,386
[George Martin]
How about "Love Me Do" again?
992
00:58:09,469 --> 00:58:11,889
What about "Don't Let Me Down"?
That's a bloody good one, that.
993
00:58:11,972 --> 00:58:14,391
Very high though. But never mind.
We'll practice the backing.
994
00:58:14,474 --> 00:58:15,558
- What is it now?
- Just--
995
00:58:15,643 --> 00:58:18,228
"And if somebody ever loved me
like she does," that's all.
996
00:58:18,311 --> 00:58:19,563
Just the "really" out.
997
00:58:21,023 --> 00:58:26,862
♪ And if somebody ever loved meLike she does ♪
998
00:58:28,072 --> 00:58:29,783
♪ Ooh, she does ♪
999
00:58:31,284 --> 00:58:33,703
♪ Yes, she does ♪
80125
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