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[♪]
[SPEAKING JAPANESE]
[ALL CHATTERING]
Tutti-frutti.
Most generous gift from American sergeant.
Lovely ladies, kind gentlemen, pleased to introduce myself.
Sakini by name, interpreter by profession.
Education by the ancient dictionary.
Okinawan by, uh, whim of gods.
History of Okinawa reveal
distinguished record of conquerors.
We have honor to be subjugated
in, uh, 14th century by Chinese pirate.
In 16th century, by English missionary.
In 18th century, by Japanese warlords.
And in 20th century, by American Marine.
Okinawa very fortunate.
Culture brought to us.
Not have to leave home for it.
And we learn many thing.
Most important,
that rest of world not like Okinawa.
World filled with delightful variation.
Example:
uh, in Okinawa, no-- No locks on doors.
Bad manners not to trust neighbors.
In America, lock and key big industry.
Conclusion:
bad manners, good business.
Another example:
in Okinawa, wash self in public bath
with nude lady quite proper,
but a picture of nude lady
in, uh, private home quite improper.
In America, statue of nude lady in park win prize,
but nude lady in flesh in park
win a penalty.
Conclusion:
pornography,
question of geography.
But, uh, Okinawa most eager to be educated by conquerors.
Not easy to learn.
Sometimes very painful.
But pain make man think.
Thought make man wise.
And wisdom make life endurable.
So now--
Now we going to tell you little story
to demonstrate splendid example
of benevolent assimilation of democracy by Okinawa.
Boss by name of Colonel Purdy III.
Number three after name indicate he is son of a son of a son.
Colonel Purdy put up many sign.
This exceedingly civilized.
Make it very easy for uncivilized
to know what not to do.
Here laundry of officer
not to fraternize with laundry of enlisted man.
Dozo.
This gentleman honorable Sergeant Gregovich,
assistant to Colonel Purdy,
but not a son of son of son.
You know what he's doing?
Explanation:
Colonel Purdy great student of history.
So every month, wife of Colonel Purdy
send him magazine called Adventure Magazine.
Cover have picture of pirate with a black patch over eye.
Everyone try to steal magazine.
So colonel hide under desk so he can read first,
but the sergeant always find.
[BOTH CHUCKLE]
He's a smart mouse.
This gentleman, exalted boss, Colonel Purdy III.
Colonel very wise man.
Every morning look up at the sky
and make a prophecy.
It's not gonna rain today.
And you know what? Not-- Not rain.
Of course it not rain this time of year
in whole history of Okinawa,
but the colonel not make mistake.
Un, deux, trois...
Explanation:
Army teach colonel French for invasion of Europe,
then send to Okinawa instead.
One, two, three, four, five, six, seven.
Where's my eighth pair of shorts?
Now colonel gonna yell loud for Sakini.
So I hide.
I pretend to be asleep here. So...
PURDY: Sakini.
Sakini?
Sakini?
[SNORING]
Sakini!
Sakini!
Sakini.
Oh, good morning, boss. You sure surprised me, boss.
I want you to tell me why my laundry comes back every week
with one piece missing.
Oh, gets lost, boss.
I know it gets lost.
What I wanna find out is how it gets lost.
Oh, very simple, boss.
Family take laundry to wash in the stream
and while friends exchange greetings,
laundry exchange places.
We run down hill fast as dickens to catch laundry, boss.
Well?
Not run fast enough.
No wonder you people were subjugated by the Japanese.
If you're not sleeping, you're running away from work.
Where's your get-up-and-go?
Ooh, guess get-up-and-go went, boss.
Well, get up and go down to the officers' quarters
and see if Captain Fisby's arrived.
If he has, tell him to report to me at once. Hurry.
Sakini. Yes, boss?
You are a civilian employee
in the pay of the United States Army
and should dress accordingly. Yeah.
Pull your socks up.
Very sorry, boss. Very sorry.
Socks up. Anything more, boss?
That'll be all.
Is that as fast as you can walk?
No, no, boss, but to walk any faster,
socks fall down.
Un, deux, trois, quatre, cinq, six ...
Good morning, sir.
At ease.
I'm gonna get rid of that interpreter.
He doesn't set a good example.
Uh, colonel, sir,
we gotta have someone around who speaks the language.
[CHUCKLES]
You're quite right, sergeant, quite right.
It isn't often I make a mistake. But when I do--
It's a beaut?
I wasn't going to say that.
I was gonna say, "By George, I admit it."
I'm sorry, sir.
Now, we've got a new officer reporting this morning.
He's been transferred to us from Psychological Warfare.
I don't suppose you happen to know who they are.
Aren't they something at the rear
of the rear echelon?
They're just the cream of the Army's geniuses.
They're just the brains behind the fighting heart.
Every man Jack of them has a mind like a steel trap.
And we're lucky to be getting one of their officers.
I'll watch my step, sir.
Eh, while we're waiting for Captain Fisby
I'd like you to make a note of new signs I want painted.
The painter hasn't finished the ones
you ordered yesterday, sir.
There's only one answer to that: put on another sign painter.
Yes, sir.
Now, I noticed the men were dancing with each other
in the canteen the other night.
Yes, sir. "No dancing allowed."
I didn't say that, Gregovich.
I don't object to the men dancing.
I want them to enjoy themselves.
But it doesn't set a good example for the natives
to see noncoms dancing with enlisted men.
So have a sign posted saying:
"Sergeants are forbidden to dance with privates."
[CLEARS THROAT]
You might as well take that memo to the sign painter right now.
Yes, sir. [CLEARS THROAT]
Sakini here, boss.
Don't ever put your finger on an officer.
Oh, oh, not right, boss?
No! Oh.
If you wanna announce your presence, knock.
Ah-so.
Can't you natives ever learn anything about custom?
Ah-so.
What do you think you're doing?
Oh, not know, boss. Do what you ask.
Everything in this country conspires to annoy me.
Well, where is Captain Fisby?
Oh, oh, he come now, boss. I run ahead.
Uh, socks fall down.
Captain Fisby reporting, sir.
Welcome to Team 147. Ha-ha!
I can't tell you how glad I am to have you.
Thank you, sir.
Frankly, we're so desperate for officer personnel
I'd be glad to see you even if you had two heads.
[GIGGLES]
That'll be all, Sakini. You can wait outside.
Okay.
Sit down, captain, sit down.
Thank you. Ha-ha-ha!
Thank you very much.
Oh, oh, oh, sorry, boss. I sit by door, boss.
May as well be comfortable here.
Yes.
Not sleep.
Uh, have you unpacked?
Oh, yes, sir, yes, sir.
I unpacked as soon as I got in last night.
Well, that's too bad
because you'll have to pack again. Oh?
I am sending you to Tobiki at once.
We need a man of your caliber up there right away.
Well, thank you.
I am informed that you requested this transfer
from Psychological Warfare to my outfit.
May I say that I am honored.
Yeah. Well, in all fairness, sir,
I think I should tell you
that I was requested to request it.
Oh? Mm.
May I ask why?
Uh-huh. Well, it-- Eh, you see, sir,
it seems that my-- My propaganda to undermine the enemy's morale
undermined the staff's morale instead.
How did you get into Psychological Warfare
in the first place?
I was requested to request a transfer.
From what?
The Paymaster General's office.
What was your duty there?
Well, I-- I had charge of the payroll-computation machine.
Well, until--
Until what?
Well--
[SIGHS]
You know, machines have always been my mortal enemy, colonel.
I don't believe that they're inanimate.
They're not inanimate at all.
They're full of malice and ill will.
I asked you what happened, captain.
Yes. Yes, sir.
Uh, well, this machine-- This--
You know, the payroll-computation machine.
--it made a mistake, it seems,
of a quarter of a million dollars
in the payroll.
And, uh, unfortunately, the men were paid
before the mistake was discovered.
What did they do to you?
Oh, they gave me a job licking envelopes.
And then you asked for a transfer.
No.
I developed an allergy to glue.
How many outfits in this man's Army
have you been in, captain?
Let's see, how many are there now, sir? Uh--
Never mind.
I admit disappointment, but not defeat.
I thought you were given to me in recognition of my work here.
Frankly, I expect to be made a general soon.
And I want that star for my wife's crown.
Naturally, that's very hush-hush.
Oh, yes, naturally.
Do you know something, sir? Do you know something? I--
I just think that perhaps I just wasn't
cut out to be a soldier, that's all.
Captain, none of us was cut out to be a soldier,
but we do the job.
We adjust, we adapt, we roll with a punch
and bring victory home in our teeth.
Do you know what I was before the war?
A football coach?
I was the Purdy Paper Box Company of Pottawatomie.
What did I know about foreigners?
But my job is to teach these natives
the meaning of democracy.
And they're gonna learn democracy
if I have to shoot every one of them.
Yes, sir.
What did you do before the war?
Oh, I was a-- An associate professor
at Muncie.
What'd you teach?
The humanities.
Captain, you're finally getting a job
you're qualified by training to handle:
teaching these natives how to act human.
No, I don't think the humanities are quite that.
If you can teach one thing, you can teach another.
This is plan B.
Washington has drawn up full instructions
pertaining to the welfare and recovery
of these native villages.
Consider it your Bible, captain.
Yes, sir. I'll study it very carefully.
Now, there might be some questions I'd like to ask.
Washington has anticipated all of your questions.
Yes, but I was thinking--
You don't even have to think.
This document relieves you of that responsibility.
Uh, how is your Japanese?
Oh, not so very good. No, no. Not-- Not good, sir.
Oh, I can see you'll need an interpreter.
Well, I-- No, no-- Uh, sir--
I've got just the man for you. Colonel?
Colonel? Sakini!
I could study the language, you know.
No need, we won the war.
Sakini present, boss. Socks up, not sleeping.
Sakini, this is Captain Fisby.
We meet before, boss, you forget.
Yeah, we met.
I'm assigning you to Captain Fisby.
He's gonna take charge of a village at the top of Okinawa.
A village called Tobiki.
Tobiki, boss.
Very nice place, boss,
but not at top of Okinawa, at bottom.
Don't tell me where the villages under my command are located.
I happen to give a course in map reading.
Very sorry, boss.
But happen to be born in Tobiki. It's at the bottom.
Then it's time you learned where you were born.
Oh, very sorry, boss, but map upside down.
Oh, yeah. Oh, yeah.
Why doesn't the Army learn how to draw a map properly?
That'll be all, Sakini.
Find Sergeant Gregovich and have him
assign a jeep to Captain Fisby!
Then load supplies and the captain's gear.
You'll be leaving at once.
I mention you in prayer to gods, boss.
I wait for you in jeep, captain.
I sometimes think we occupation teams
have it tougher than combat troops.
Oh, now, I wouldn't say that, sir.
Granted, they had it rough for a while.
But we have the killing daily grind with no glory in it.
Yes, sir, I know what you mean, sir.
Life itself is a battlefield with its own obscure heroes.
I consider that poetry, captain.
Oh, no, no, that's-- That's prose, colonel.
And it isn't mine, you know. It's, uh, Victor Hugo.
Oh, yes, Victor Hugo. How I loved Tale of Two Cites.
[CHUCKLES]
Isn't that, um, Dickens? Isn't that Dickens, sir?
Well, to get back to Tobiki.
Your first job will be to establish a municipal government
and to build a school. Yes, sir.
Uh, plan B calls for the schoolhouse
to be pentagon-shaped. Penta--?
When the schoolhouse is built, organize a Ladies' League
for Democratic Action. Uh-huh.
Captain,
this is a chance for you to make a name for yourself.
Yes, sir, I-- I feel that I personally
have delayed victory at least a year,
and I wanna vindicate myself.
That's the kind of talk I like to hear.
Thank you.
Well, I won't detain you then. Yes, sir.
My only order to you is put that village on the map.
Y-- Yes, sir.
Send me a bimonthly progress report in triplicate.
Yes, sir.
Don't duplicate your work.
No, sir. No, sir.
And remember
that the eyes of Washington are on our occupation teams,
and the eyes of the world are on Washington.
Yes, sir. I'll keep the eyes in mind, sir.
Goodbye, captain.
Yes, sir. Goodbye, sir.
[SIGHS]
Oh, everything all set, boss? We go Tobiki now?
Now, listen, I gotta get my gear packed first, Sakini.
Oh, all finished, boss.
I have many cousin work for Army.
Where's our jeep?
Right over there, boss. Huh?
Ohayo gozaimasu.
Ohayo gozaimasu.
What's she doing up there?
Oh, she nice old lady, boss.
She hear we go to Tobiki village,
so she think she go along to visit grandson.
Oh, she does? Uh-huh. Well--
Well, you tell her I'm very sorry,
but you see, this-- This is against regulations.
Oh, she not fall off, boss. She tied on good.
Yes. Well, you untie her, Sakini.
You get up there and untie her and tell her to get down.
You see, she's going to have to find some other way
to visit her grandson.
Oh, boss, her grandson mayor of Tobiki village.
You gonna make him lose face, you kick old grandma off jeep.
Oh. You say she's the mayor's grandmother?
Yes. Mm-hm.
Well, all right. You see--
She's tied on all right, I guess, huh?
So I guess we can take her. Sure.
Now, look, is all this stuff here mine?
No, most of the stuff belong to old lady.
Eh, she, uh, gonna stay three or four months,
so she bring her cooking pots and bed
and, uh, a present for friend and-- Uh-huh.
Well, I don't-- I don't-- Uh, all right.
Look, if you see any low branches coming,
you just, uh-- You know, you yell out.
And, uh, get in there, Sakini.
You get in there, and give me directions while I drive.
You wanna get in?
No, no, can't go yet.
Old lady daughter not here, boss.
Wait-- Wait a minute, maybe I didn't hear you right.
You say-- You don't mean the daughter is coming with us.
Well, old lady very old, boss.
Who gonna take care of her on the trip?
Oh, here she come now, boss. Right on dot.
Uh, I don't-- Listen--
[SPEAKING JAPANESE]
Will you just wait a minute.
Now, wait a minute, will you mind?
Tell her-- Um, Miss--
Uh, Sakini, will you tell her
that there's no room for anything more on this jeep.
Old lady must take clothes to show friends, boss,
because you make her lose face
if, uh, people think she only got one dress.
Miss, will you please come back? Sakini, ask her to come back.
There's no room for any more bundles on this jeep.
No, she not go get bundles, boss,
she go get children.
Sakini.
Sakini. What?
Look, these things are always happening to me.
And I-I've gotta put a stop to them someplace.
Daughter not go without children,
and old lady not go without daughter.
And if old lady not go,
mayor of Tobiki be mad with you, boss.
[CHATTERING IN JAPANESE]
Oh, uh, will you wait just a minute please?
Ohayo. Uh...
Don't get up on there. Not on the hood of the--
Just a minute. Son. Son. Please don't-- Son.
Sakini, for Pete's sakes,
how does she expect me to see how to drive?
Oh, old lady got very good eyesight, boss.
She gonna sit up there and tell us when to turn.
You'll have to move over here, son, because I--
Son, will you please stop--? If you're gonna--
What?
[CONVERSING IN JAPANESE]
Oh, he going to get goat, boss. Goat?
You can't leave goat behind, boss.
Just a minute!
Hold it, everybody!
Now, we're gonna see who is going to lose face right now.
And we're gonna see
because no goat is going to ride on this jeep.
Oh, you not like goat, boss? No. No. No.
Yes, I like-- I mean, I don't know--
It's not a question of whether I like the goat.
It's-- I'm just sure that the colonel,
he wouldn't like it.
Oh, well, the children not go without goat, boss.
Mother not go without children, boss. Yeah.
Old lady not go without daughter. I know.
And if old lady not go:
BOTH: Mayor of Tobiki be mad at you.
I know.
Oh, no, no, please. Everyone here, boss.
Goat unmarried lady goat. No children.
No, you'll have to get down.
SOLDIER: You'll never get it off the ground, captain.
Sakini, come on, we gotta get started.
You get in, boss.
And no one else going, boss. No one else is going.
Wait a minute. Hey, you got another customer.
MAN 3: Hey, wait a minute. Oh, no.
Sakini! Wait. Please wait. What?
Now, who in the blazes is he?
Who in the blazes is he, boss? Never see before.
Ask him what he's doing sitting here, please.
[CONVERSING IN JAPANESE]
Oh. He say he see people going on a trip, boss.
He think he like to go along too. No, please--
He does? Well, you tell him for me
that he's gotta get off right now.
Come on. [SPEAKS IN JAPANESE]
No, no. What?
Oh, he say, why you not take him, boss?
You take goat. Oh, no.
He say maybe you think he not as good as goat.
Tell him for me, Sakini,
that the eyes of Washington are on--
The world is on Washington,
and the eyes of Washington are on me.
Will you just-- Folks, please, I would love to take you.
Folks, if this was my jeep
or if this wasn't against regulations,
I'd be only too--
Captain Fisby! Yes, sir.
What in the name of occupation do you think you're doing?
Well, it's hard to explain, sir. [CHATTERING]
No, just--
What are they saying?
They say, tell fat old man to shut up so we can get started.
[BRAYS]
[BRAYS]
Which one of you men made that noise?
[JEEP STARTS]
[REVS]
Just a second. Where are you going?
Hey, Captain Fisby! Sakini!
Come back here! You hear me?
[CHATTERING, GOAT BRAYING]
No, just a minute please. Just a minute. Which road?
[SPEAKS IN JAPANESE]
[GRANDMOTHER SPEAKS IN JAPANESE]
Just a minute, please, just a minute.
What did she say?
Old lady say, boss,
that she want to go to Awase, boss,
because she got sister she not see in 22 half years.
We're on duty, Sakini,
we're not on a tour of the island.
Now, would you please just ask her for me,
which is the road to Tobiki?
[SPEAKS IN JAPANESE]
[ALL CHATTERING]
Right there, boss. What? This way?
All right, that's all I asked you.
All right. All right.
Well, so this is Tobiki.
Tobiki, no. This Awase, boss.
I distinctly asked this lady to tell me the way to Tobiki.
Well, old lady make mistake, boss. Very sorry.
Well, you know, we can't go--
Oh, sorry, boss, but she not very smart.
Yeah.
Konnichiwa.
All right, which road?
No, no, don't ask her. I don't trust her.
[ALL CHATTERING]
All right. What are they saying?
Children want to go to Yatoda, boss.
I suppose they've got some cousins
that they want to visit there.
No, ocean at Yatoda, boss.
Children never see ocean.
Our orders are to proceed directly to Tobiki.
Now, which road?
Oh.
There.
There. Over here, huh?
All right.
[KIDS SHOUTING IN JAPANESE]
Boss--
No, don't tell me, this is Yatoda.
How you know, boss?
Well, I recognize the ocean.
Ah-so.
Now, where's this?
Whose uncle or cousin lives here?
Oh, this Tobiki, boss.
I don't believe it.
I don't believe it.
[CROWD CLAMORING]
Now, according to plan B,
my first job here is to hold a public meeting, Sakini.
You see, I want to make certain that they understand
that I come as their friend.
That we intend to lift
the yoke of oppression from their shoulders.
Oh, they'll like that, boss. That their favorite speech.
What do you mean, their favorite speech?
Oh, when Japanese come, they say same thing.
Then take everything. No, no, no.
You don't understand.
We don't come to take anything from them.
We've come here to give them something.
That's all right, boss. We not mind.
After eight centuries, we get used to it.
Now when friends come, we hide everything quick as dickens.
So I'm go tell people you make your speech, boss.
So socks up, boss.
[CLEARS THROAT]
[RINGING]
[SHOUTING IN JAPANESE]
SAKINI: Everyone here eager to meet you, boss.
I might as well get started, Sakini.
Citizens of-- Up here, boss.
They'll see you. Thank you.
Citizens of Tobiki--
[SPEAKS IN JAPANESE]
...Captain Fisby.
Citizens of Tobiki village-- Sorry, boss.
Can't begin lecture yet.
Why not? What seems to be the trouble?
Not good manners, boss. Why?
Because people bring you gifts. You must accept gifts first.
No, Sakini, wait a minute, you got it all wrong.
I'm here to bring gifts from my government to them.
No, very rude. Make people feel poor, boss.
I don't want to do that. Get up here, Sakini.
Tell them I'll accept gifts,
but in the name of the United States occupation forces.
[SPEAKING IN JAPANESE]
All right?
[SPEAKS IN JAPANESE]
Him Mr. Hokaida, boss. He give you very nice gift.
Oh, thank you very, very much.
What is it?
That's a very splendid cricket cage, boss.
What do you use a cricket cage for?
You keep your crickets in there.
No, there isn't. There's no cricket inside.
No, you gotta get your own cricket, boss.
No one gonna get for you. Oh, I see.
I got it, yeah. Thank you. Thank him for me.
Tell him I'll keep my eye open for a cricket.
Yeah. Arigato.
Yeah. What do you keep a cricket in a cage for?
So fortune smile on you, boss. A cricket very good luck.
Oh, that's nice. Boss, here Mr. Omura.
He give you chopstick.
[SPEAKS IN JAPANESE]
What'd he say? He say, "hope that only food
of gods touch your lips." No, that's too-- Very nice.
That's one of the nicest things I've heard.
Boss, Mr. Seiko. Yes?
[SPEAKS IN JAPANESE]
Thank you.
That's wooden sandal, boss, very comfortable for tired feet.
He say, "may you walk in prosperity."
Always. You tell him that I will walk
in the cool meadow of pleasant memories.
Huh?
What's the matter? Is that all right?
Oh, boss, that's very pretty, boss.
[SPEAKS IN JAPANESE]
Thank you. That's all right. Thank you very much.
And, boss, here Miss Higa Jiga.
She unmarried lady, boss.
She give you three eggs.
Oh, isn't that nice?
Yes-- No, tell her that I'll have these eggs for breakfast.
You tell her.
[SPEAKS IN JAPANESE]
Chicken and the eggs.
She say she hope you enjoy your turtle egg, boss.
Turtle eggs? Oh, my.
[CROWD CHEERS]
Oh, you very big success, boss. They sure like you already.
Oh, I'm-- Yes. Turtle eggs?
This Mr. Oshira, boss. Hold these for me, Sakini.
I'm getting a bit too much.
He give you a very nice lacquered cup, boss.
He make that cup hisself.
No, he didn't. Well, you thank him for me
and tell him that I'll be forever indebted to him
for his very lovely gift.
You are most welcome, captain.
Hey, you speak English!
Sure, boss,
Mr. Oshira teach me English when I'm a little boy in Tobiki.
In my youth, I work in Manila.
How is Mr. McKinley?
Oh, you mean President McKinley?
Well, I'm afraid somebody shot him.
I am sorry.
Well, it was a long time ago, you know.
Yes, a long time.
May August moon fill your cup.
Why an August moon, sir?
All moons good, but August moon little older, little wiser.
Sakini said that you made this cup all by yourself.
Oh, yes.
You know that this is a lost art, Sakini.
This is an industry we could start right here,
right now in Tobiki.
Think you could mass-produce these?
"Mass-produce"?
Yes, you know, set up machines, turn them out by the gross.
I take pride in making one cup at a time, captain.
How many of these do you think you can turn out in,
oh, say, one day?
If I work hard, maybe one or two a week.
Fine, that's good, you make as many as you can.
We'll send them up to the American Post Exchange,
and we'll sell them as fast as you can turn them out.
I shall do my best.
Fine! We're in business.
Now, Mr. Hokaida, you make those cricket cages
and the getas, they're fine, we can sell a lot of those.
And the chopsticks, great. A lot of those.
And I saw some straw hats.
See those straw hats? Make a lot of those.
We're going into the souvenir business, folks.
We gonna make money, boss?
Make enough of these, I'll guarantee the recovery
of Tobiki village. You tell them that.
[SPEAKING IN JAPANESE]
CROWD: Hooray!
Oh, boss, you very big success.
They sure like you already, boss.
And they say they gonna make everything fast as dickens.
Sakini, ask them to postpone any more gifts for now.
Because I want to tell them what we're going to do for them.
Oh, okay.
[SPEAKS IN JAPANESE]
[CROWD CHATTERING]
Okay. They say okay, boss.
They got no more presents for you anyhow.
Oh, all right.
It's important that I tell them about the schoolhouse
that we're gonna build for their children.
Now, according to plan B,
I believe it says the direct approach is the most effective.
So you ready? Oh, all set, boss.
Do you want to be ignorant?
[SPEAKS IN JAPANESE]
[CROWD SHOUTS]
What? What was that? They say yes, boss.
Yes? You mean they want to be ignorant?
Oh, no, boss. Oh, in Japanese, boss, yes mean no.
They say, "Yes, we not want to be ignorant."
Oh, I see.
Do you want your children to be ignorant?
[SPEAKS IN JAPANESE]
[CROWD SHOUTS]
Now, what was that?
They say...no, boss.
No? Wait a minute now.
Sakini, no, they do? Or no, they don't?
Yes, boss. They not want no ignorant children.
Right. Now.
There's gonna be a daily issue of rice for everybody here.
[SPEAKS IN JAPANESE]
[CROWD CHEERS]
Yes, yes, and we're gonna build a fine new schoolhouse
for your children.
Wait. Pentagon-shaped.
[SPEAKS IN JAPANESE]
...Pentagon.
[SPEAKS IN JAPANESE]
Pentagon.
She say, "What is a pentagon?" Boss, never hear before.
They've never heard of the Pentagon?
No, boss.
They certainly do need a school here.
The Pentagon. Everybody knows what the Pentagon is.
The P-- The-- It's--
Well, it really means five-sided, you know, Sakini.
Five sides? Yes, it has five si--
[SPEAKS IN JAPANESE]
[SPEAKS IN JAPANESE]
[CROWD LAUGHS]
[LAUGHS]
They say, boss, they say...
there no children in Tobiki got five sides.
No, no, the school.
The school has five sides, not the children.
I mean, not in re--
No, you see,
it's like a building in Washington, folks.
And everybody is going to learn about democracy.
[SPEAKS IN JAPANESE]
[SPEAKS IN JAPANESE]
They say,
"What is democracy?", boss.
They know what rice is.
Yes, all right. Democracy is a system of self-determination.
It's the right to make the wrong choice.
[SPEAKS IN JAPANESE]
[CROWD MUTTERING]
Wait a minute, we're not getting through to them.
Let me explain it this way:
suppose I'm back home and I don't like
the way that Uncle Sam is treating me.
Well, you know what I can do?
I can write to the president himself
and I can tell him so.
[SPEAKS IN JAPANESE]
[SPEAKS IN JAPANESE]
They say, "But do you send that letter?", boss.
Well, let's get on with the lecture now.
Folks, we'll show you just how democracy really operates.
We'll hold an election right in this village.
Gonna organize this village. Is the mayor here?
Here's the mayor. White coat.
We'll have to get him a new white coat.
We wouldn't want a new mayor.
Keep the mayor. Very hard to find a white coat.
We got the mayor. Now we need a chief of police.
And a chief of agriculture.
Now, who'd make a good chief of agriculture here?
[SPEAKS IN JAPANESE]
[CROWD SHOUTING]
They say they like Mr. Seiko. He the best man for the job.
He's an experienced farmer?
He artist, boss.
What?
He artist. He draw lovely picture
of golden wheat, butterfly--
Sakini, just because he draws a very nice picture of wheat,
that doesn't make him an experienced wheat farmer.
Wheat not grow here anyhow, just sweet potatoes.
Oh, all right.
Well, if he's their choice. Fine.
Now, we're gonna have to have--
[SPEAKS IN JAPANESE]
What'd he say?
He want white coat like mayor, boss.
You said that we can't get-- That's all right.
If he don't get a white coat, we'll get--
You know what we're gonna do?
We'll get him a helmet and have written on the helmet:
"Chief of Agriculture."
[SPEAKS IN JAPANESE]
[SPEAKS IN JAPANESE]
Now. Right, fine.
Now we need a chief of police.
Now, who'd make a good chief of police?
[SPEAKS IN JAPANESE]
[CROWD SHOUTING]
Hokaida, boss.
They say they like Mr. Hokaida. He champion wrestler.
They afraid of him. Yeah.
That's all right. Strong, boss.
Yes, indeed. All right, fine. Now we gotta-- What?
[SPEAKS IN JAPANESE]
What did he say? He want a helmet.
Fine, sure, we'll requisition a helmet for him too.
All right? Fine. Now for the ladies.
Now, we're gonna organize a--
I know what it is,
it's a Ladies' League for Democratic Action,
and we're gonna have to have a league president.
Now, who'd make a good league president
for the Ladies' League for Democratic Action?
The ladies like that. They never vote before.
Fine.
[SPEAKS IN JAPANESE]
[CROWD SHOUTING]
Higa Jiga. They say they want Higa Jiga.
She gonna make a classy president.
I'm sure.
[SPEAKS IN JAPANESE]
What?
Yes, I know. Helmet.
No, never mind. I understand.
Tell her I'll get her a helmet too.
Yeah, all right, fine.
Yes, fine, all right. Fine. Now, now.
[GROANS]
I've been talking a long time here, haven't I?
Folks, I'll bet you there are questions you'd like to ask me.
Ask them, Sakini.
[SPEAKS IN JAPANESE]
[SPEAKING IN JAPANESE]
Oh, she say, what time it is, boss.
Time? It's a quarter to 5. Why?
Oh, they got to go then, boss. They not want to miss sunset.
Every afternoon they like to go sit in a pine grove
and sip tea, watch the sun go down.
Isn't that nice.
All right, Sakini,
you thank them all for me and tell them
they can go to the pine grove and sip tea
and watch the sun go down.
[SPEAKS IN JAPANESE]
Domo arigato.
CROWD: Domo arigato.
Thank you. Thank you. Thank you.
Thank you very much.
Thank you.
How do you think we did?
Oh, they cooperate, boss. Future look very rosy.
I wonder where I can find a cricket.
Well, maybe have cricket in your house now, not know.
I'll take these. Okay.
Thanks, Sakini. Sure.
I'll be right here you want me, boss. Right.
MAN: Psst. Psst.
[CONVERSING IN JAPANESE]
[LAUGHING]
Psst. Psst
[CONVERSING IN JAPANESE]
Yes?
You busy, boss?
No. What is it, Sakini?
Boss, Mr. Sumata leave a present for you.
Put it on the shelf where it will be out of the way.
Oh, not able to, boss, the present get mad.
What?
[CONVERSING IN JAPANESE]
Konnichiwa. Who's she?
Souvenir.
What--? What are you talking about?
This the present from Mr. Sumata, boss.
Introducing Lotus Blossom, geisha girl first-class.
America-san, Captain Fisby.
[SPEAKING IN JAPANESE]
Wha--? Oh.
She say she very happy to belong to handsome captain.
She say she gonna serve you well.
She's not going to serve me at all.
I want you to get your friend. I want you to tell him
that I'm returning his gift.
Impossible to do, boss. Why?
Mr. Sumata go to mountain, visit cousin.
He leave present for you
and wish you very best success in Tobiki.
[SPEAKING IN JAPANESE]
What? What did she say?
She said she want know where you want her to stay, boss.
I d-- I don't care where she stays,
but she can't stay here.
Where she go, boss? She got no home now.
[SPEAKING IN JAPANESE]
She want to put your kimono on for you, boss.
She trained to please you.
I know what she's trained to do.
And I don't need any translation there.
Now, you get my stuff out of the supply shack
and you-- You know,
and we'll put her up over there.
Oh. Not very democratic, boss.
You make her lose face. Wha--?
She think she bad geisha girl.
I've got a little bit of face to save.
Now, don't-- Don't give me any of that
Oriental hanky-panky business.
[SPEAKING IN JAPANESE]
[SPEAKING IN JAPANESE]
Hm?
All right, what--? What's she saying?
Oh, she say for me to go home to grandpa, boss.
She first-class geisha girl.
She know her business.
Good night, boss.
Sakini?
[SPEAKING IN JAPANESE]
Uh, this is all a big mistake.
You kn-- Ahem. Uh...
S-- Sakini!
Me. Me.
Me, no. Me, no.
[LAUGHS]
No, this is not a kimono. This is a bathrobe,
and I don't want to put it on, you see?
Sakini!
This is against regulations.
[PHONE RINGS]
Hello!
You don't have to shout. I can hear you.
This is Colonel Purdy.
[GIGGLING] Yes, sir.
Just thought I'd check up on you. How are things going?
Anything I can do for you?
I can't think of a thing, sir.
I realize it's bound to get lonely for you down there.
So you know what I'm gonna do, my boy?
Now, what are you gonna do?
I'll tell you.
I'm gonna send you some of my old Adventure magazines.
No. No, I don't want them.
Thank you, sir. Thank you, sir, very much.
I-- I would like something to read, sir.
How are you getting along with the natives?
Well, it's an age-old problem, sir.
It's a question--
A struggle to see who's going to lose face.
I understand.
As Mrs. Purdy says, "East is East,
and West is West and there can be no twain."
But you are making progress?
Well, nothing that I'd like to put on paper, sir.
Well, send in a detailed progress report.
Well, if that's what you'd like me to do, sir. Yes, sir.
You'll find that these people
lack the capacity for sustained endeavor.
Don't hesitate to build a fire under them.
I don't think that that will be necessary, sir.
Don't forget, the eyes of Washington are on you, Fisby.
Oh, I hope not, sir. I hope not.
It just occurred to me.
Have you given any thought to physical education?
Well, I-- I don't think that--
You know, sir, that was a masterpiece of timeliness, sir.
Thank you, my boy.
Could you use a deck of cards?
Sir, I--
Hello? Hello?
Fisby, you're getting weak.
[MUFFLED] No! No!
Well, be good, my boy.
Keep up the good fight.
Bye-bye.
[SPEAKING IN JAPANESE]
[GRUNTING]
No, wait. Just a minute--
[GRUNTS] Oh!
Sakini!
[COCK CROWS]
Sakini! [DOOR OPENS]
Ohayo gozaimasu. Oh.
Good morning, good morning.
Do you know where Sakini lives?
Ohayo gozaimasu.
Good morning. Do you know where--?
Do you know where my chief of police--?
Do you know where my chief of police is?
My chief of agricul-- Ohayo gozaimasu.
Oh, never mind. [SPEAKING IN JAPANESE]
Ohayo gozaimasu.
Sakini!
Oh. Oh, boss.
Say, where you been? Been looking all over for you.
Where have you been? Now, where's my chief of agriculture?
There's not a man working this morning, Sakini.
Look around for yourself. Not a man to be--
Wait a second, boss. Lotus Blossom
leave all her things at Awase, boss.
She got no way to come here, boss,
so this morning everyone take a wheelbarrow
and go help bring Lotus Blossom.
Do you mean to tell me
that she has so much stuff, it takes my entire staff
to move this woman-- This girl to my village?
No, boss, but chief of police
not trust chief of agriculture--
No. Wait, Mr. Mayor not trust Mr. Oshira,
so all got to go, boss.
Oh, I see.
Mr. Oshira? That old man?
He old, boss, but he not dead.
Well, that's a fine way for a--
That's a great way for officials to act. That's--
As soon as they get back, I want to see them in my office.
Okay, boss.
[CROWD SINGING IN JAPANESE]
[LOTUS BLOSSOM SINGING IN JAPANESE]
[ALL SINGING IN JAPANESE]
[ALL CHATTERING]
[WOMEN CHATTERING]
[SPEAKS IN JAPANESE]
[CONVERSING IN JAPANESE]
[WOMEN CHATTERING]
[WOMEN SHOUTING]
[WOMEN SHOUTING]
Whoa, what's going on? I don't know, boss.
What's the trouble? Don't know, boss.
[WOMEN SHOUTING]
You know what they say?
They say they got discrimination here, boss.
Discrimination? Where? Where?
[SPEAKING IN JAPANESE]
[ALL CHATTERING] Now, wait a minute.
[CONVERSING IN JAPANESE]
Boss, she gonna tell.
Wait a-- Lookit--
She gonna show you, boss. What?
She gonna show you. All right.
[CONVERSING IN JAPANESE]
[WOMEN CHATTERING]
They're waiting for the rice, boss.
Yes? At the rice place.
Lotus Blossom...
[SPEAKING IN JAPANESE]
Lotus Blossom come along.
That's Lotus Blossom?
That's Lotus Blossom.
Konnichiwa. Pooh!
[SPEAKING IN JAPANESE]
Ah. Ahh!
Ration clerk come out there.
[SPEAKING IN JAPANESE]
[WOMEN SHOUTING]
Now, wait a minute. I wouldn't go in--
[WOMEN SHOUTING]
All right, all right. Listen-- No.
I wish you wouldn't use--
No, boss. She not use it. She the ration clerk.
[SPEAKING IN JAPANESE]
He invite her in.
The clerk shut the door--
[WOMEN SHOUTING]
Look, wait a minute! Look.
This is what undermines the democratic ideal.
You tell her that I intend to do something about it.
Y-you tell her.
[WOMEN SHOUTING]
No! Wait a minute! Please! Wait!
Hold it, hold it, hold it.
Just-- Just-- Now, wait a minute,
I'm gonna see right now
that we're gonna have to get rid
of this disrupting factor in our recovery program.
[WOMEN CHATTERING]
[SPEAKING IN JAPANESE]
McEvoy at Awase, please.
What you gonna do, boss?
This village isn't big enough for plan B and a geisha girl.
Tobiki never have a geisha girl before. We like very much, boss.
She's got to go. She's-- No.
Uh, Maj--? Major McEvoy?
This is Captain Fisby at Tobiki.
J-just a moment.
I have a request, sir, from one of my people
t-to transfer to your village.
It's-- Yes, sir. It's a female citizen, sir.
Uh... Oh, her job?
Just-- Boss, please, do not make her go.
Not democratic, boss.
Uh, yes, as a matter of fact.
Uh, yes, her name is Lotus Blossom, major.
H-how did you know?
No, no, sir. No, sir,
I am not trying to put anything over on you, sir.
It's, uh-- Major--
Mm-hm.
Oh.
Oh, you did?
Oh, you did.
Oh, he know Lotus Blossom, boss?
Yes, you know something? Now, just--
As a matter of fact, Lotus Blossom was at Awase.
She nearly wrecked his plan for recovery.
Ah-so. "Oh, so."
Don't give me that, "Oh, so."
Listen. Do you know that she has been
booted out of every village
by every commander on the island?
Oh, poor little Lotus Blossom.
Oh, poor little Lotus Blossom.
Now I know why Mr. Sumata, or whatever his name is,
just off he goes, disappears.
I know why. I know.
The major gave him 100 yen
to get that girl out of that village.
By golly, she's not gonna cause
any dissension here. No.
[SPEAKING IN JAPANESE]
Ladies! Ladies! Ladies!
Ladies! Ladies! Ladies!
Ladies! Close the door!
Close the door! Wait!
Ladies! Ladies!
Ladies! Hey, ladies!
Just a minute, please. All right, just one minute.
Please, just--
What is it you want, ma'am?
[SPEAKING IN JAPANESE]
Oh, she say she waiting for some democratic action, boss.
And if she don't get it, boss,
she say she gonna write this Uncle Sammy you talk about.
Wait a minute. No, we don't want to do that.
We don't want letters going to Washington
about any-- Any trouble around here.
Now, the discrimination,
which all these lovely ladies have been worried about.
We're gonna take care--
We're gonna take care of it.
Every bit, it's all gonna be taken care of.
[SPEAKING IN JAPANESE]
[SPEAKING IN JAPANESE]
Oh, no, she say please
not eliminate discrimination, boss.
Just give her some.
Now, what does she mean by that?
She say Lotus Blossom unfair competition.
Oh, well, granted.
And she say you promise
that everyone gonna be equal, boss.
And I intend to keep my word.
But she say she can't be equal, boss,
unless she have everything Lotus Blossom have.
What Lotus Blossom has the government doesn't issue.
[SPEAKING IN JAPANESE]
All right, all right. [SPEAKS JAPANESE]
Yes, just a minute now. What is this?
She say she want you to get her
and Ladies' League the following items:
A, red stuff to put on lips like geisha girl.
B, stuff that smell very nice.
What do you think the Post Exchange would think
if I put in a requisition for lipstick?
This is ridiculous. [SPEAKING IN JAPANESE]
[SPEAKING IN JAPANESE]
Now what?
Oh, she say
she think she gonna have to write
this Uncle Sam after all, boss.
No, you don't have-- [SPEAKING IN JAPANESE]
Wait a minute! Ladies, wait a minute, please!
Ladies, ladies, please, will you come back?
You, ladies, just come back here.
Look, no, just one. Look, just sit down.
You, sit down. Come on. Here now.
There's a nice girl. Sit down.
The rest of you. Don't-- Please don't.
Now, will you explain--? Sakini, listen very carefully.
Will you--? Oh, my.
Just explain to her
that I will phone the, uh, Post Exchange at Awase
and I will see if I can't get some, uh--
I'll get some talcum powder and some shaving lotion.
You know, tell her.
[SPEAKING IN JAPANESE]
Yeah. All right?
[SPEAKS IN JAPANESE] Yeah?
[WOMEN LAUGHING, CHATTERING]
Yeah, it's all right. Yes?
[SPEAKING IN JAPANESE]
What now? What'd she say?
Oh, she say one more thing, boss.
She say she want you to get Lotus Blossom
to teach all the ladies to be geisha girl.
No! No! No! [ALL LAUGHING]
No! No! No!
[ALL CHATTERING]
[GASPS]
[SPEAKS JAPANESE]
[SPEAKS JAPANESE]
[SPEAKING IN JAPANESE]
[SPEAKING IN JAPANESE]
[CONVERSING IN JAPANESE]
America-san...
[SPEAKING IN JAPANESE]
[LAUGHS]
Fisby-san!
[LOTUS BLOSSOM GIGGLES]
Oh, boss, look who's here.
Lotus Blossom come to see you.
All right, now.
Where have you been all day? Hm?
Oh, don't bother to tell me. I know.
You've been out, upsetting the agri--
Oh, no, upsetting the agricultural horse-cart, huh?
[SPEAKING IN JAPANESE]
Oh, she say sun burst through clouds
now that you smile on her, boss.
I'm not smiling.
[SPEAKING IN JAPANESE]
Oh. Oh, boss,
you know what she give you? The works.
No, when lady give
a gentleman chrysanthemum bud in Okinawa
that mean her heart ready to unfold.
Well, this is one bud that's not going to bloom.
[SINGING IN JAPANESE]
Now, what's this?
She want to know if you want some tsukemono, boss.
No. Tsukemono good to eat between meals.
No, no, no.
[SPEAKING IN JAPANESE]
Will you--? Will you, please--? Will you--?
Tell her to leave my feet alone.
Captain Fisby-san.
What?
[SPEAKING IN JAPANESE]
Oh, boss, she-- She very worried about you.
Now, when you go out in hot sun, you must wear kasa on head.
Well, you know something, you tell her
to stop worrying about my head and my feet and--
And one thing very important, she's just got to stop
interfering with my recovery program.
[SPEAKING IN JAPANESE]
Do you want some tea, boss?
No, I don't. No, no, no.
[SPEAKING IN JAPANESE]
Oh, you want to hear some music, boss?
No. No, I don't--
[SPEAKING IN JAPANESE]
She say you jealous, boss.
[SARCASTIC LAUGH]
[SPEAKING IN JAPANESE]
You want to tell her your trouble, boss?
Tell her my--? W-what?
Now, what do I want to tell her my troubles for?
Oh, she geisha girl, boss, that's her business.
Yeah, some business. Some business.
[SPEAKING IN JAPANESE] Oh, no.
Oh, she very sad, boss. Mm.
She want to help you because she--
She say you best boss she ever have.
You not take money from her. You not make her work.
Do you mean to tell me that the men who owned her
hired her out and then--? And they took money from her?
Oh, sure, boss.
Oh, well, now, really. I mean--
You know, where I come from,
the men who do that sort of thing--
Oh, you got geisha business in America too, boss?
No, but-- Well, I mean--
Look, will you please explain to her
I have no intention of-- Of making her work,
and I'm certainly not going to take money away from her.
I mean, that's-- Why not, boss?
She pay dues to geisha guild. She member in good standing.
This is really-- I mean this is the most
immoral thing I've ever heard of.
No, I mean, I don't say, Sakini,
that where I come from we don't have, uh...
Uh...
Well, you know. But I mean,
by golly, we don't have unions.
And we don't set rates and we don't collect dues.
No, no, boss, no.
Geisha girl not do what you think.
Wait a minute. Everybody knows what they do.
Oh, no, everybody wrong, boss.
What do they pay her for? Hm?
Oh, you--
Well, very hard to explain, boss.
Poor man like to feel rich.
Rich man like to feel wise.
Sad man like to feel happy.
So all go to geisha house and tell trouble to geisha girl.
Now, she listen very politely.
She say, "Oh, that's too bad, boss."
She very pretty.
She make tea, and she sing, and she dance, boss.
Pretty soon, troubles go away, boss.
So that not worth something, boss?
Sakini, I apologize to you, I-- I-- I really apologize.
I-- I'm-- I'm very glad you cleared things up.
That's kind of--
That kind of puts a new light on things.
[SPEAKING IN JAPANESE]
She say-- She say why you smile at her all of a sudden, boss?
You mad or something?
Sakini, I-- Will you ask her
if she'd be kind enough to give geisha lessons
to the Ladies' League for Democratic Action?
[GIGGLING]
[TRADITIONAL JAPANESE MUSIC PLAYING]
Boss!
Oh, boss!
[SPEAKING IN JAPANESE]
They all come to see you, boss.
Oh, what can I do for them?
Oh, they have a meeting in democratic fashion
and majority agree on resolution.
They want you to build them a chaya.
A what?
ALL: Chaya.
A teahouse, boss. A teahouse?
Sure, now that Tobiki got geisha girl like big city, boss,
they want a teahouse like big city too.
They say you give Ladies' League what they want, boss.
I can't build them a teahouse, Sakini.
I have no authority to do that.
Oh, you say rule of majority is law, boss.
You gonna break the law?
No, I'm not gonna break--
[SPEAKING IN JAPANESE]
Konnichiwa.
Well, look, they're going to have a school, you see.
Now, that's enough.
Oh, school.
Well, majority too old to go to school, boss.
They want have chaya, a teahouse.
We haven't got the materials to build a teahouse.
Ah-so.
[SPEAKING IN JAPANESE]
[SPEAKING IN JAPANESE]
Ah-so. What'd she say?
Oh, she say yesterday big Army truck come
and leave lovely lumber and beautiful paint, boss.
That's right. It's for the schoolhouse.
No, it just can't be done, folks.
Oh, okay.
No, it just can't.
[ALL GROANING & MUTTERING]
They-- They say you very mean to them, boss,
after presents they give you everything.
I'm sorry, I'm sorry, folks.
I'm really very sorry.
Oh, they very sorry too, boss,
because Tobiki like to be proud, boss.
Teahouse give them a face.
It's gonna be a fine school.
Five sides.
May I speak, captain-san?
Yes, of course, Mr. Oshira.
There are lovely teahouses in the big cities,
but the men of Tobiki have never been inside them.
We are too poor.
All of my life I have dreamed of visiting a teahouse
where paper lanterns cast a light in the lotus pond,
and the bamboo bells hanging in the pines
tinkle as the breezes brush them.
But this picture is only in my heart.
I may never see it.
I am an old man, sir. I shall die soon.
It is evil for the soul to depart this world
laden with envy or regret.
Give us our teahouse, sir.
Free my soul for death.
Well, we haven't any carpenters.
[SPEAKING IN JAPANESE]
ALL: Daiku-san! Daiku-san!
Oh, boss.
Oh, boss, what you think?
Mr. Sumata and--
And papa-san just come down from mountain right now.
[LAUGHS]
[ALL CHUCKLE]
All right, all right, I haven't got a chance.
I guess Uncle Sam is going into the teahouse business.
Captain Fisby!
ALL: Hooray!
Uncle Sam!
ALL: Hooray!
[ALL SINGING IN JAPANESE]
[SIGHS]
[RINGS]
Hai.
Thank you.
Captain Fisby.
Hello. This is Colonel Purdy.
Oh, yes, sir. How are you, colonel?
I want to talk to you about your progress report.
There's nothing in here about the new schoolhouse.
Didn't you get the lumber?
Yes, sir. Oh, yes, sir.
As a matter of fact, we're using it out there now, sir.
But, uh, colonel, I think we're gonna have to have some more.
I sent ample according to specifications.
How big a structure you building?
Well, sir, we have to consider expansion,
you know, population increase.
We don't need to consider expansion.
Our troops will be out of there by the next generation.
Which brings me to another point.
What's this about six kids being born last week?
Well, sir, it's the only thing
I could fill the progress report with, sir.
Then you've failed at your indoctrination.
Don't you know yet
that births are entered under population increases?
They're not considered progress.
No, not children, sir. Kids. Goats.
There must be something wrong with this connection.
It sounded just as if you said "goats."
You see, I'm trying to increase the livestock down here.
Goats? Look here, Fisby,
suppose some congressman flew in to inspect our team.
How would I explain such a report about goats?
The population of civilians alone concerns us.
I want to know exactly what progress you've made
as outlined in plan B.
Well, sir, I'm, uh, getting along with the people.
In other words, nothing.
Listen to me, Fisby, do you know
what Major McEvoy has accomplished in Awase?
No, sir.
Then I'll tell you.
His fourth graders know the alphabet through M.
His whole village can sing "God Bless America" in English.
I wish I could say the same.
Well, see that you do.
I don't want any rotten apples in my barrel.
I want to know exactly what you've accomplished
in the five weeks you've been down there.
Ahem. Well, sir, now--
Well, we have started an industry.
Matter of fact, we're sending
our first shipment out this week.
Now, we're making getas.
We're-- Wait a minute.
What in thunder is a geta?
No, it isn't a geta, sir. It's plural. Getas.
Getas, you know, you have to have two.
Are you breeding some animal? No, no.
You see, you wear them on your feet.
And they're very good for the metatarsal muscles, colonel.
And now, I have another group.
They're out there making cricket cages.
Captain Fisby, what kind of cages did you say?
Cricket cages, colonel.
You know, the cricket. The black bug that--
It rubs its hind legs together.
I think we can sell just thousands of those cages.
Of course, we don't supply the cricket.
Naturally, not.
Captain Fisby, have you taken your salt pills?
Oh, yes, sir. Every day at chaya in the pine grove.
Have you been going out in the sun without your hat?
You see, I wear a kasa, sir. It's a--
The wind blows through the straw.
It kind of ventilates the brain.
I see. I see. That'll be all, captain.
Gregovich.
Yes, sir?
What's the name of that psychiatrist over in Awase?
Captain McLean?
Yes. You get him on the phone.
My man at Tobiki has gone completely off his rocker.
[HORN HONKS]
[HORN HONKS]
BOYS: Good morning.
Good morning.
Hello?
BOYS: Good morning.
Good morning.
[CHILDREN LAUGHING]
Oh, thank you. Thank you.
Oh. Uh...
Excuse me.
I'll see ya. Bye.
Well, who are you?
Oh, you startled me.
I'm Captain Fisby. Can I do something for you?
Oh, well, I'm Captain McLean.
How do you do, captain?
There was nobody here, so I came in.
Medical corps. I see it. See? Huh?
What are you doing out here in Tobiki? Hm?
I'm on leave. Oh?
Just thought I'd spend it down here...
Uh-huh.
Making some ethnological studies...
Oh? of the natives.
If you have no objection.
No, I don't have any.
That's in your way. I'll take it.
I was just examining that.
That's my cricket cage.
Oh, you like crickets?
I haven't found one yet, but I have the cage.
Matter of fact, I've got two. Would you like to have one?
Oh, no, no, no, thank you. It's all right.
Ahem. What happened to your uniform?
Oh, it's around. It's around.
I find getas and a kimono much more comfortable
in this climate.
But isn't that a bathrobe?
Well, it passes for a kimono.
Why don't you take your shoes off, captain?
Oh, no, thank you. Thank you, no.
No? I'll just keep them on.
All right, fine. No objection, of course.
Sit down, sit down. In my good chair, my good chair.
Thank you.
Well.
No?
Hm?
May I ask, uh... Mm-hm?
whatcha building down the road?
Hm?
Oh, that's my chaya.
You know, that's gonna be
really something to write home about.
A chaya? Mm-hm.
See, if you have a geisha,
you gotta have a chaya, you know.
How have you felt lately, Fisby?
Mac, I'll tell you something,
I have never felt better.
I feel reckless and happy and carefree and--
Well--
And it all happened the moment I decided
not to build that pentagon-shaped schoolhouse.
The what?
The good colonel, he ordered me--
He ordered me to build
a pentagon-shaped schoolhouse down here.
Well, the natives, they wanted a teahouse.
And would you believe it?
One of them gave me a geisha girl.
So I decided that I was going to give them what they want.
I guess it sounds kind of crazy to you, doesn't it?
[LAUGHING] Well, yes and no.
You know, these are wonderful people.
Wonderful people with a strange sense of beauty.
Hard-working-- Hard-working when there's a purpose.
You know what they're doing out there?
They're making cricket cages, lacquerware, chopsticks
to sell as souvenirs to the people up north.
Don't let anybody ever tell you that these people are lazy.
Oh, that's-- Oh, I see.
No, you don't. You don't.
Oh, I see. No, you don't, no, no.
But you will when you get a chance to study them.
So you're building a teahouse.
Yes. You know what I'm gonna do next?
I'm gonna go out and test that soil.
See if it won't grow something besides sweet potatoes.
I'm gonna send for some nitrate,
some DDT and chemicals--
Chemicals?
Yes.
You want to poison these people?
What are you talking about? No.
Look, captain--
What? What?
I'm sorry.
You just touched on a subject that's very close to my heart.
Gardening. Yes?
You know, for years,
I've been on a point of giving up my career
just so that I could set up an experimental farm,
somewhere where I could raise vegetables organically,
nature's way.
No poisons, no chemicals.
Let me tell you something, captain.
Chemicals will kill all your earthworms.
And earthworms aerate your soil.
They do?
Do you know that the earthworm leaves castings
eight times its own weight every day?
That much?
Organic gar-- It's the only thing.
Compost. Manure. But no chemicals.
You know a lot about this, I can tell.
Well, I-- You do.
I subscribed to all the farm journals for years, you know.
Mac, listen to me, I've got-- I've got the greatest idea.
While you're down here,
you could really do us a big, big favor.
Sure. A big service, mind you.
You could sort of take over supervision.
Establish a kind of a-- What do you call it?
An experimental station. Huh?
Well. Hm?
Oh, I haven't got the time.
Take time, man. Take time.
Now, this is a chance for you to put
those theories into facts--
These are not theories. These are proved facts.
Just tell us how to go about it.
That's all, Mac.
Is your soil acid or alkaline?
Oh, golly, I don't know.
That's the first thing we've got to find out.
You're just the man we need. You're a genius.
I'll want plenty of manure.
You'll get it.
And I want to set this program up scientif--
Oh!
What's the matter? What is it?
I wish I had my books, my seed--
Oh, I've got a stack of seed catalogs that high.
You have?
Oh, man, and I--
Well, let's sit down here. Sit down, sit down.
You know what you can do?
Write down a list of those catalogs,
those books you've got.
We'll have the airstrip boys fly 'em in.
Can you do that?
Sit down. Can I do it? Of course, I can do it.
Make the list--
Every spring I've made lists of seeds.
I never had any soil to put them--
Oh, now I can actually germinate.
Make the list. Make the list right now,
we'll get started right away.
Corn: golden bantam. Yes.
And country gentleman. Right.
Hybrid. I gotta check--
Hybrid. Hybrid? Yes.
I gotta check with my department of agriculture now.
But I'll be back. I'll be back this afternoon
because you and I, we'll have tea in the pine grove, Mac.
See, we have tea in the pine grove
every afternoon when the sun goes down.
Cucumbers: early green prolific.
Oh, and radishes!
Crimson giant.
[PHONE RINGING]
Crimson giant.
[PHONE CONTINUES RINGING]
There's no answer, sir.
What do you mean there's no answer?
Well, keep trying,
I'm not the kind of a man to take no answer for an answer.
[PHONE RINGING]
Tomatoes: ponderosa earlyiana.
Watermelon.
All-American gold medal.
[PHONE RINGING]
Hello.
Who is this?
This is Captain McLean.
This is Colonel Purdy.
Can you talk?
Why not?
I'm anxious to hear your report on you-know-who.
On who?
Captain Fisby.
The man I sent you down to examine.
Oh, uh, well, colonel,
looks like I'll have to be down here several weeks.
Several weeks?
Well, Rome wasn't built in a day.
What?
I said, Rome wasn't built in a day.
Well, you're the doctor.
Thank you, but I expect to work miracles.
Splendid, splendid. Is there anything I can send?
Some old Adventure magazines or anything?
Say, colonel, uh, there are a couple of books I'd like,
uh, I don't think you could get them.
You name them.
Well, one is the Principles of Pea Production,
the other one,
The Do's and Don'ts of Cabbage Culture.
Oh, and, colonel...
do you think you'd lay your hands on a soil test kit?
A what?
A soil test kit.
I wanna test the soil down here, see if it's sour.
Sour, did you say? Well, yeah,
if soil is sour, your seeds won't germinate.
And, oh, I'd love to lay my hands on some bees.
There is something wrong with this connection.
And you know I'm gonna have to take some time out.
I gotta build up this soil, you know, with manure.
Did you say manure?
Yeah.
Nature's way.
Oh, I've lost faith in chemicals.
You kill all your worms.
Oh, let me tell you, colonel,
when you kill a worm, you're killing a friend.
Hello?
Gregovich.
Yes, sir?
Where's plan B?
What did you want, sir?
I wanna see who I sent to analyze an analyst.
[SPEAKING IN JAPANESE]
That's hot water.
Hot water. Hot water.
That's it.
[BOTH GIGGLING]
Oh. Hm?
Captain Fisby-san.
Oh! Hey! Hey!
Mac, Mac, come on, over here. Over here.
I got a list of seeds here.
Put some more hot water in the pot
'cause we have a guest here.
Uh, uh, this-- This is Lotus Blossom.
You know? How do you do?
That's the geisha girl I told you about.
Konnichiwa.
She can't speak English.
She doesn't need to.
No? Oh, hey, the seeds.
You sit-- Sit down here, will you, Mac?
Oh, thank you, I'd like that.
Have some of this tea.
You know some--? Mac?
You know that's real jasmine tea.
Really? Here's a pillow.
Thank you. Take off your shoes.
Now, about those seeds, if we--
Sh. Sh. Sh. No. Sh.
Now, we're gonna sit here
and we're gonna watch the sun go down.
And we're gonna contemplate the end of the day.
[CLEARS THROAT]
[KOTO PLAYING]
[SINGING IN JAPANESE]
Look, captain, I'm sorry to interrupt.
Do you suppose you could let me have a couple of boys
to help me in the fields?
Mac. Darn Japanese beetles
are eating up all the Chinese peas.
All right, I'll get Sakini to get a couple boys
to help you out, all right?
Oh, good, thanks. Alrighty. Now, Mac?
Sit down, Mac, and listen for a while.
Uh, Lotus Blossom,
will you sing it again for my friend Mac here?
Thank you. Mac, but quiet, huh?
All right.
Here we go.
[SINGING IN JAPANESE]
Boss?
Very sorry to interrupt lovely song, boss,
but emergency out here.
What's--? What's the matter?
Everyone come back, boss.
Oh, all right.
Well, we better go see how they made out with the souvenirs.
Yeah, put it up here. Use this.
All right.
All right? Come on, let's go.
[GOAT BLEATS]
What's this? Now, what's happened here?
All the souvenirs come back, boss.
What do you mean "come back"?
You mean to say they didn't sell?
No, the soldiers who look at the straw hats say:
"What you think we are? Hayseed?"
Mr. Oshira, look, you were at Yatoda, what happened?
The Navy always spends money.
Sailor said,
"How much you want?"
I said, "25 yen."
That's good.
They say, "Oh, too much.
"Can get better in five and 10-cent store.
Give you one nickel."
Didn't you tell them, Mr. Oshira,
that every one of those cups is handmade?
They say, not care.
They say, at home, have big machine
make 10 cups every minute.
They say, "Take nickel or jump in lake."
How do you like that?
Boss, you gonna stop work on the teahouse?
No, we're not going to stop work on--
They're gonna get that teahouse, Sakini,
if they don't get anything else.
By golly, you can tell them that I'm very proud
of that work that they've done.
I'm so proud.
And you can tell them too, Sakini,
that I'm very proud of them.
No, I am, I-- I really am.
And I don't understand this.
No, no, no, I don't understand this.
I don't understand this.
Boss, they sure wish they could make some money
to spend in the teahouse, boss.
Because they not like to go poor like beggar.
I know, I know.
[SPEAKING IN JAPANESE]
See, he say, boss, it not your fault no one buy souvenir.
Well, they going home to get drunk now, boss.
You know, I don't blame them, Sakini.
If I could find something to drink, I'd do--
Wait a minute. Wait a minute, folks!
What are they gonna get drunk on?
Oh, they got nothing but brandy, boss.
Nothing but brandy?
Nothing but brandy?
How are you gonna manage to get brandy?
Oh, we make a very fine brandy, boss,
from sweet potatoes.
Been making for generations.
You make brandy yourself?
Yeah, sure, boss.
You want taste some?
[SPEAKING IN JAPANESE]
Ah-so.
Here you are, boss.
Ahem. Mac, Mac, my dear friend, Mac.
If this stuff is only halfway good, we're--
Oh, man, we're really in business.
This is one thing our men-- They'll buy this.
Look, it may not be any good.
You know, some things even our troops won't drink.
Well.
Take a sip, boss.
I wanna smell it first.
[ALL LAUGH]
Obviously it has a kick.
Yeah. Ahem.
How old is this stuff, Sakini?
[SPEAKING IN JAPANESE]
Seven years?
No, seven days, boss.
Oh, no, no, I mean, it wouldn't smell like that in seven days.
They make it last week, boss.
Here, you try it, will you, Mac?
You're a medical man. You give it a try.
You first. No, you're my guest.
I waive the honor.
You know, anybody ever die or go blind from this?
Oh, we not dead, boss. We not blind.
Of course not. You see? Come on, Mac.
They've worked up an immunity over the years.
You see, I don't wanna kill one of my own countrymen, you know?
There must be some way to test this, isn't there, without me--?
There isn't, huh?
Well...
[GOAT BLEATS]
Sakini, get me, uh... Get me Elsa Maxwell.
One goat coming up, boss.
Elsa Maxwell. That's who we need.
That's Higa Jiga's goat, you know?
We'll test it on her, you see?
Well, what you gonna prove?
Goats have hardy stomachs.
No, look, if this brandy--
If this...
If this passes the goat test,
we're really in business, you know?
You know why? No Marine will ever admit
that his stomach is weaker than a goat's.
SAKINI: Hey, boss, you gonna make a guinea pig of goat?
Yeah, gimme something to put it in, Mac.
Anything at all will do.
Helmet?
That's fine. That's just fine.
Oh, Elsa Maxwell very lucky goat, boss.
Better hold her head, Sakini.
All right, doctor, proceed in the name of science.
Take it easy. Take it easy.
We're either gonna have an industry
or goat meat for dinner.
[LAPPING]
What are you doing?
Oh, not too much.
[CROWD CHUCKLES]
She likes that.
Hey. Hey.
She all right? All right?
What do you think, doc?
It doesn't seem to affect her.
Reflexes okay.
Well, here goes.
[CROWD CHUCKLING]
Huh?
Oh.
[CROWD LAUGHS]
Hey.
Where you going, boss?
I'm about to form
the Cooperative Brewing Company of Tobiki.
[ALL CHEER]
Shh!
[SPEAKING IN JAPANESE]
[CROWD SHUSHES]
Officers' Club at Awase, please.
We gonna make brandy, boss?
I'll tell you in a minute.
Officers' Club at Awase?
This is Captain Fisby speaking at Tobiki.
Yeah, oh, major? Major, this is Fisby.
Yeah, you know, when I was with your unit
we had a hard time keeping a supply of liquor at the club?
You remember? Yeah, well, major,
I think that I have stumbled onto something
that might be of interest to you.
Uh, yes, as you know, uh, Tobiki
is the, uh, heart of the brandy industry.
Brandy! Did you say brandy?
Yes, brandy.
Look up the word "sweet potato" in my dictionary, Mac.
See if there's a fancier word for sweet potato.
Oh, I'm here, major, yes, here I am. Uh-huh.
Yeah, now, look, major, I think I might be able
to supply some of that brandy to you,
that is, of course, if you're willing to pay the price
and you keep the source secret.
Yes. Hm?
Oh, they've been making it here for generations.
Oh, yes. As a matter of fact,
I'm sure you've never tasted anything quite like it.
Hold on a minute, major.
The Haitian name for sweet potato is B-A-T-A-T-A, batata.
Major, you've heard of, uh, Seven-Star Batata, haven't you?
Oh, ooh, well, they make it here in Tobiki. Yes.
Seven Star got him, I think.
Brandy eight or 10-day-old better.
Nine or 10-day-old.
Major, we also have Eight Star Batata, and we have Ten Star.
Of course, the Ten Star,
now, mind you, that comes a bit more expensive. Yes?
That will run you, uh...
one hundred occupation yen a gallon.
Ten yen.
Delivered.
Yes.
What? How many?
Five gallons. Yes.
Five gallons will be delivered in one week.
It'll be delivered by our Department of Agriculture.
Yeah, right. You're welcome, sir. Right.
[ALL CHEERING]
All right. All right, let's--
[PHONE RINGS]
Hello?
The news kind of gets around fast, huh?
Hello?
Oh? GHQ. H-- H, uh-- GHQ, uh, PX?
Yes. Yes.
Oh? Uh, thirty gallons?
No.
COD?
Yes. Right.
It'll be there.
Right. Thank you.
Thirty gallons!
[ALL CHEERING]
Let's go to work, huh?
I don't have to tell you. Let's go to work.
Wait!
Wait.
Wait.
I've got my cricket!
[ALL CHEERING]
Put a label on that one. Put a label on that one.
Seiko. Seiko, 15O more gallons
to the Naval Officers' Club, Big Koza.
COD. Take 'em away.
FISBY: Yatoda!
Hey, Sakini, what are they doing here?
We're diverting water for a lotus pond.
Can't have a teahouse without a pond.
Yeah, where's your goldfish?
You have a lotus pond, you gotta have goldfish.
Whoa!
[ALL CHEERING]
Hey, boss!
Everyone send me to bring you to teahouse opening, boss.
Mac, look. Isn't that something?
This first class, boss.
Hey, boy, that's really something, Sakini.
How about that, huh?
Well, come on, let's go.
Well, lead on!
Okay.
[WIND CHIMES JINGLING]
[LIGHT CHATTERING]
Take shoes off, boss.
[SPEAKING IN JAPANESE]
Thank you.
Good evening.
Boss, you sit here.
Lotus Blossom gonna dance in your honor.
Hey, Mac, you hear that? She's gonna dance.
Come on. Sit down, Mac, you farmer.
This is in my honor.
How can I stall Purdy so I can stay down here?
I'll have a relapse for you.
Hai.
[TRADITIONAL JAPANESE MUSIC PLAYING]
[SINGING IN JAPANESE]
[APPLAUSE]
Dozo.
Chrysanthemum bud in full bloom now, boss.
And now, happy birthday.
Very good.
Well, I'll be.
[GIGGLES]
How did you know?
I gave you away.
Boss, now everyone like to show appreciation, boss.
[SPEAKING IN UNISON IN JAPANESE]
Happy birthday.
How very lovely you are.
Oh. And a happy, happy to you.
[SPEAKING IN JAPANESE]
Yeah.
[SPEAKING EXCITEDLY]
[GIRLS CHATTER EXCITEDLY]
Oh, boss, you know what you do?
It called for flowers, sort of, you know?
That mean you give your heart to her.
Well, I do. We all do, huh?
Wasn't it beautiful, Mac?
Oh, she can dance in my chaya any day.
Pardon me, sir.
Are you sure this is Tobiki village?
According to the map, sir.
The place seems to be deserted.
There was a light over there.
Come on.
What? What is this?
Sakini, what do they want?
They want you and doctor to sing song.
Sing? No.
All right, come on, come on, Mac.
Come on, we're gonna sing something.
How 'bout--? How 'bout "Deep in the Heart of Texas"?
Why not? There aren't any Texans here are there?
We're gonna have some fun now.
Sakini, look. You know, I want--
They're gonna help us out.
When we clap and sing "Deep in the Heart of Texas," they join.
Oh, I know that song.
Very nice, boss. We demonstrate.
What is it? St-- Stars at night.
[BOTH] ♪ Stars at night Are big and bright ♪
♪ Deep in the heart of Texas ♪ ♪ Deep in the heart-- ♪
[WOMEN SPEAKING EXCITEDLY]
MAC: Deep in the heart of Texas. ♪ Deep in the heart of Texas ♪
[SLOWLY] Deep in the heart of Texas.
Then we clap four times.
ALL [IN UNISON]: ♪ Deep in the heart of Texas ♪
Hey, we're all ready! Hey, we're ready.
All right! You ready on the left?
Ready on the right! Here we go.
♪ The stars at night Are big and bright ♪
ALL: ♪ Deep in the heart of Texas ♪
Very good.
♪ The prairie sky Is big and high ♪
ALL: ♪ Deep in the heart of Texas ♪
♪ The stars at night Are big and bright ♪
ALL: ♪ Deep in the heart Of Texas ♪
♪ The prairie sky Is big and high ♪
ALL: ♪ Deep in the heart of Texas ♪
♪ They say gin bloom Is like perfume ♪
ALL: ♪ Deep in the heart of Texas ♪
Captain Fisby!
♪ The one I love Deep in-- ♪
[CROWD GASPS]
What in the name of--?
[SHOUTING IN JAPANESE]
I see you, Fisby!
Fisby, I see you!
Where are you? Where are you? Where are you?
Fisby! Fisby! Come out here! Come out of here!
PURDY: Come out of here.
Come out of here.
Sit down!
How many lectures have you delivered
to the village children on democratic theory?
Well, now, let me see, sir.
Four, five?
No, no, no, it wasn't that many.
Three? No.
Two?
No, no.
You've only delivered one lecture?
None, sir.
Don't tell me you haven't delivered a single lecture?
Yes, sir, I've not delivered no lecture.
Any lecture.
Have you organized a Woman's League for Democratic Action?
Yes, sir, I did that. I sure did.
I sure did that, sir.
How many lectures on democratic theory did you give them?
Uh...
None, sir.
You can't mean none.
You must mean one or two.
No, just none.
I refuse to believe it.
Oh, I'm very glad, sir.
Sir, I must go.
Where?
My seedlings are wilting. I have to transplant them.
Captain, you'll pack your gear
and transplant yourself to your unit at once.
Yes, sir.
They'll die.
Yeah.
This is murder.
Please, take care of my beans.
Now, is the schoolhouse finished?
No, sir.
Why isn't it finished?
Well, we--
We haven't started.
What did you do with the lumber I sent?
We-- We built a teahouse.
I don't suppose you have any aspirin here.
Huh?
I-- No, I don't think so.
What, in the name of occupation, do you mean by saying
you built a teahouse instead of a schoolhouse?
Lotus Blossom, she had to have a place
to teach the-- The Ladie'' League geisha lessons, sir.
Fisby! Yes-- Yes, sir?
What?
Uh...
How could you sink to such depths, man?
Well, I was only giving in
to what the majority wanted, colonel.
I don't doubt that statement, not at all.
It's a sad thing it took a war to convince me
that most of the human race is degenerate.
I thank my stars I come from a country
where the air is clean, where the wind is fresh--
Oh, for heaven's sake, sir,
there's nothing that goes on in a teahouse
that your own mother couldn't watch.
You be careful how you use my mother's name, Fisby!
Well, my mother, then, sir.
Sir, there's nothing immoral about our teahouse.
Answer me this. What is bringing
all that occupation money to this particular village?
[RINGING]
Uh, it's, uh--
Well, answer it. No, no, no, no.
It's nothing. Nothing.
It might be for me. It's not--
Answer it. No, you see, this phone,
it rings all day. Then I'll answer it.
Hello?
What do you want?
Who is this?
Well, Commander Myers, you must have a wrong connection.
This is not a brewery.
[SIGHS]
Yes. Mm.
Yes.
Yes.
Oh, I see.
I see.
I see.
Well...
there was nothing else that we could make, colonel,
that anybody would want-- Would want to buy.
Brandy!
This ends my Army career.
And I promised Mrs. Purdy I'd come out a general.
You've broken a fine woman's heart, Fisby.
I'm sorry. I'm very sorry.
You've sullied the reputation of your nation.
All right. And all the tears--
All right. Shall I kill myself?
Oh, don't minimize this.
You don't know the enemy's genius for propaganda.
Well, what have you done
with all the money you've made so dishonestly?
I banked it in Seattle.
Oh. That's despicable.
Making a personal fortune
off the labor of these ignorant people.
I haven't touched a cent of this money, colonel.
Now-- Now, it's all banked
in the name of the Tobiki Cooperative Company.
See, everybody in the village, they're all partners,
don't you see?
You know? You know, share and share alike.
That's communism!
It is?
[SOBBING]
I'll be lucky to get out of this war a private.
Captain Fisby. Yes, sir?
You will consider yourself under technical arrest.
You will proceed to HQ at once to await court-martial.
I intend to wipe this stain from our country's honor.
Gregovich! GREGOVICH: You called, sir?
I did. [WOMEN GIGGLING]
Yes, sir.
We have some business to attend to here
before going to Awase.
Yes, sir. I'm glad to hear it.
Captain, may I congratulate you
on what you've done for this village?
It's a dream.
Thank you very much, sir.
It's an alcoholic dream.
It's one vast distillery.
I want you to take a detail and some axes
and smash every still in this village.
Destroy them?
[LAUGHS]
Beyond repair.
I want you to take another detail
and rip down that teahouse.
But, colonel-- Pile the lumber beside the road.
That's an order. Do you understand?
Yes, sir.
[BANGING]
[WOMAN SOBBING]
[SPEAKING IN JAPANESE]
I know.
[SPEAKING IN JAPANESE]
Aw.
[WEEPING]
[♪]
Hot water.
[GIGGLES]
[SPEAKS IN JAPANESE]
[MUTTERS]
[SOBBING]
Uh, boss.
Sorry, boss. Uh, jeep all loaded now.
I'll be along in a minute, Sakini, uh...
You gonna take Lotus Blossom with you, boss?
Sakini.
Ask her for me if there's anything
that I can do for her before I go.
Ask her.
[SPEAKS IN JAPANESE]
[SPEAKS IN JAPANESE]
What--? What does she say, Sakini?
Oh, she say she want to marry you, boss.
Now, why--? Why would she want to marry me?
Oh,
she say you nicest man she ever see, boss.
No, no, no, you--
You tell her for me that I'm clumsy.
I-- I got a talent for destruction.
I'd only disillusion her just--
Just the same way I disillusioned
all her people.
[SPEAKS IN JAPANESE]
[SPEAKS IN JAPANESE]
She say she-- She--
She like to go to America, boss, where everyone happy,
sit around and sip tea while machine do work.
Tell her I'll never forget her.
I'll never forget this village,
and on the other side of the world,
in the autumn of my life,
when an August moon rises in the east,
I'll remember what was beautiful
and what I was wise enough to leave beautiful.
[SPEAKING IN JAPANESE]
[SPEAKING IN JAPANESE]
She say, boss, that she never forget you.
And, uh, she like you to know
that she gonna make up a long song-story about you
to sing in the teahouse.
And she say maybe in 100 years from now,
you gonna be famous all over Okinawa.
I'd like that. I'd like that.
[SOBBING]
[SPEAKING IN JAPANESE]
Oh, he sure want to push her wheelbarrow for her, boss.
[SPEAKS IN JAPANESE]
She say okay, but not to think that, uh, she's his property.
[CHUCKLES]
He very happy fellow, boss.
[SPEAKS IN JAPANESE]
She going now, boss, but you still her boss.
So she say she not go till you drop fan from face.
[SPEAKS IN JAPANESE]
I've written a full report of this whole affair
to your commanding officer.
I'm only glad you don't belong to my outfit.
I won't tolerate rotten apples in my barrel.
[RINGS]
Hello.
Who?
What?
When?
Oh.
Uh, sit down, captain.
Sit down. Sit down.
[CHUCKLES]
Make yourself comfortable.
Sit down.
Uh, give me your hat.
Uh, have some of these tsukemonos.
Help yourself.
Take your shoes off. I-I'll be right back.
You going now, boss?
Yeah, I guess so, Sakini. I...
Hey, boss, since you not take Lotus Blossom with you,
maybe you take me?
No, Sakini, no.
I work for you for half price, boss.
No, Major McEvoy is coming down here
to take charge, and, uh...
Well, he's gonna need your help, you know?
Oh, you very hard man to bargain with, boss.
Okay. You want, I work just for rice ration.
No.
You mean, you gonna make me work for nothing, boss?
I mean, yes,
you're not going to work for me at all, Sakini.
No, you belong here.
Okay, boss.
Tsk.
Whoa, boss.
You know what I think going to happen
when American leave Okinawa?
No, what?
Oh, I think we gonna have to use pentagon-shaped schoolhouse
for teahouse.
[LAUGHS]
[BOTH LAUGHING]
So long, Sakini.
You're a rare rascal.
So long, boss.
Say, you know, I'm going to miss you.
Hey, boss.
Yes?
You not failure.
I'll tell you something, Sakini.
You know, I used to worry a lot
about not being a big success.
I think I felt an awful lot like you people felt,
always being conquered.
Well, you know, now I'm not sure who's the conquered
and who's the conqueror.
So.
I've learned in Tobiki
the wisdom of gracious acceptance.
See, I don't want to be a world leader.
I've made peace with myself
somewhere between my ambitions and my limitations.
That's good, boss.
Well, it's a step backward in the right direction.
Take care.
Socks up, boss.
Sakini! Sakini!
Sakini! Sakini!
Where's Captain Fisby?
Oh, right over here, boss. This way.
Fisby! No, no, no, no. Over here.
Fisby!
Fisby! Fisby, come back here at once!
I'm not in shape. Too much paperwork.
You called, sir?
I've been looking all over for you. You can't leave.
You've got to stay here. You've got to help me, Fisby.
I don't understand, colonel.
We've got to pull this village back together again.
The lid has blown off of everything.
Where's Gregovich?
He's out there. They're breaking the rest of the stills.
Oh, no. Why, what's the matter?
I radioed the report to Washington.
Some fool senator misunderstood.
He's using this village as an example
of American get-up-and-go in the recovery program.
We're all over the newspapers.
That's wonderful, colonel.
It's not wonderful.
A congressional committee is flying over here
to study our methods.
They're bringing photographers for a magazine spread.
Tonight, Fisby, tonight.
That's bad, that's bad. Gregovich!
Um, colonel, wait, maybe there's some way we could stall 'em.
Ah, maybe we could quarantine the place or something, huh?
You can't quarantine a congressman.
They've got immunity or something.
Oh. Fisby?
Yeah?
Help me. Yes, sir.
I don't ask it for my sake.
I ask it for Mrs. Purdy.
I could be a brigadier yet.
Gregovich?
Gregovich!
Gregovich!
Gregovich. Did you call, sir?
Come here, come here, Gregovich.
Come here, come here.
You haven't destroyed all the stills, have you, Gregovich?
No. No, of course you haven't. Ooh,
yes, I have.
[SLURRING] I carried orders out to the letter.
Why can't somebody disobey orders once in a while?
What's happened to the American spirit of rebellion?
[COUGHS]
Sunstroke?
Uh, potato brandy, sir.
[CHUCKLES]
PURDY: Sergeant, wake up!
Do you hear me? That's an order.
Colonel, I'm afraid he's passed out.
It's desertion.
I need every man. Gregovich, get to your feet.
Come on, sergeant.
[GIGGLING] Come on, sergeant.
Gregovich!
I want to ask you some questions.
Sorry, sir.
Stop weaving.
You're weaving, sir.
I'm standing perfectly still.
You smell like a brewery.
Oh, well, I fell in a vat.
You got drunk?
No, sir. I fell in a vat.
Naturally, I had to open my mouth
to yell for help.
Go to the office and sober up at once.
Yes, sir.
Oh, sergeant. Uh, sergeant.
Fisby. Yes, sir?
I think I'm going to need you. Stand by.
Yes, sir.
[AIRPLANE APPROACHING]
Oh, no.
[AIRPLANE ROARING OVERHEAD]
I'm a sinking ship,
scuttled by my own men.
I know.
Colonel Purdy?
Don't bother me.
Stills not all destroyed.
I haven't got time...
What did you say?
We not born yesterday.
We get the sergeant drunk. Give him water barrel to break.
Sakini,
my friend.
You're not saying this just to make me feel better?
No. Stills as good as ever, boss.
Production not cease yet.
Sakini, you really are a rascal.
No. He's really an American.
He's got get-up-and-go.
Sakini, listen.
If you could get the people in the village to work together,
how long do you think it'd take them to rebuild the teahouse?
Oh, we not destroy, boss. We just take away and hide.
Come here.
Now we gonna show you Okinawan get-up-and-go.
[SHOUTING IN JAPANESE]
[MAN SHOUTING IN JAPANESE]
[ALL SINGING IN JAPANESE]
[DRUM BEATING]
[SHOUTS IN JAPANESE]
Be right back.
[ALL SINGING IN JAPANESE]
[SPEAKS IN JAPANESE]
It's a land of mystery
in the Orient.
It's-- It's beautiful.
It's simply beautiful.
There's only one thing wrong.
It needs a sign to tell people what it is.
And we ought to put another sign up over there,
naming this Grace Purdy Avenue,
and another sign--
Sir, how about a nice cup of tea? Hm?
All right?
Come on, colonel.
[WOMAN SPEAKS IN JAPANESE]
Oh. Twenty Star for the colonel, Sakini.
Okay, boss.
Little story now concluded,
but history of world unfinished.
Lovely ladies, kind gentlemen,
go home to ponder.
What was true at beginning remains true.
Pain make man think,
thought make man wise,
and wisdom make life endurable.
So may August moon
bring gentle sleep.
Sayonara.
[♪]
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