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1
00:00:02,750 --> 00:00:04,670
This programme
contains strong language.
2
00:00:04,670 --> 00:00:06,590
Steves, 20 B&H, blue, slim Rizla.
3
00:00:06,590 --> 00:00:08,990
And a can of Coke as well.
And I need change for Roche.
4
00:00:08,990 --> 00:00:12,350
All right.
Wait, wait. Three, two, one, go!
5
00:00:12,350 --> 00:00:15,270
Oh, mate, we've invented
this new game
6
00:00:15,270 --> 00:00:17,110
since Steve got the tag, right.
7
00:00:17,110 --> 00:00:19,510
It's so joke. It's joke.
8
00:00:19,510 --> 00:00:21,870
Do you think he's going to make it?
Hopefully not.
9
00:00:21,870 --> 00:00:24,710
Basically, he's got to be in by 8pm
10
00:00:24,710 --> 00:00:27,070
or he gets in better trouble.
11
00:00:27,070 --> 00:00:30,190
Yeah, so, at 7.50 exactly,
we send him to the shop
12
00:00:30,190 --> 00:00:32,510
with a fat list and he has to
get back before his curfew.
13
00:00:32,510 --> 00:00:34,790
Cos if he doesn't make it back,
he'll have to go to jail.
14
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LAUGHTER
Idiot!
15
00:00:36,830 --> 00:00:38,430
I'll take the stairs.
16
00:00:44,510 --> 00:00:46,790
Yeah, no, it's jokes.
But you did it.
17
00:00:46,790 --> 00:00:48,870
Oh... Jokes.
18
00:00:53,430 --> 00:00:55,470
Where is he? Where is he?
There he is!
19
00:00:55,470 --> 00:00:58,030
Stevie! Go on, Stevie!
Go on, Steve!
20
00:00:58,030 --> 00:01:00,190
Come on, Stevie!
Go on, Stevie! Quick, quick!
21
00:01:00,190 --> 00:01:02,470
THEY CHANT: Stevie! Stevie!
22
00:01:02,470 --> 00:01:03,950
Oh, shit, fuck!
23
00:01:03,950 --> 00:01:05,550
STEVES GROANS
24
00:01:05,550 --> 00:01:07,870
Steves! You all right, mate?
25
00:01:11,750 --> 00:01:13,510
THEY CHEER
26
00:01:13,510 --> 00:01:15,990
Go on, Steves,
straight into the shop, mate.
27
00:01:15,990 --> 00:01:18,190
Fucking hell,
that's the best one yet.
28
00:01:18,190 --> 00:01:20,910
I've never seen
anyone smash into a car. No.
29
00:01:20,910 --> 00:01:22,550
That is fucking sick, mate.
30
00:01:22,550 --> 00:01:24,390
Go on, Steves! Come on, mate!
31
00:01:24,390 --> 00:01:26,830
THEY CHANT: Stevie! Stevie! Stevie!
32
00:01:26,830 --> 00:01:28,390
Come on, Steves, hurry up!
33
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How long we got? Fuck me!
34
00:01:36,350 --> 00:01:38,470
THEY CHEER
35
00:01:38,470 --> 00:01:40,790
There you go.
Let's check it's all here.
36
00:01:40,790 --> 00:01:42,990
Coke, fags, Rizla. Perfect.
37
00:01:42,990 --> 00:01:46,510
Got your change as well.
Well done, Stevie. Top marks.
38
00:01:46,510 --> 00:01:48,470
Well, minus points
for getting hit by a car,
39
00:01:48,470 --> 00:01:50,190
so work on your technique
for next time.
40
00:01:50,190 --> 00:01:51,430
Yeah. All right?
41
00:01:52,590 --> 00:01:53,910
KNOCK ON DOOR
42
00:01:55,030 --> 00:01:57,270
What's up?
WOMAN SHOUTS
43
00:01:57,270 --> 00:01:58,670
No, I'll be back soon.
44
00:01:58,670 --> 00:02:00,870
Day one of the shoot.
45
00:02:02,310 --> 00:02:04,910
Why do we wait a year
before making a music video?
46
00:02:04,910 --> 00:02:06,830
I wonder why. So do I.
47
00:02:06,830 --> 00:02:08,470
It's called creating a hype, mate.
48
00:02:08,470 --> 00:02:10,830
Yeah, it's called being strategic.
Exactly.
49
00:02:10,830 --> 00:02:14,350
Plus having a webcam made me realise
that my looks are wasted on radio.
50
00:02:14,350 --> 00:02:15,870
Yeah, and Chabzi can get
51
00:02:15,870 --> 00:02:18,870
loads of free cameras and shit
from work, so...
52
00:02:18,870 --> 00:02:21,110
That's probably the main reason,
to be fair.
53
00:02:21,110 --> 00:02:23,990
Amazing what they can do now,
isn't it? Yeah.
54
00:02:23,990 --> 00:02:25,470
With the technology.
55
00:02:25,470 --> 00:02:29,670
Sorry, are you looking for a radio?
Probably, yeah, could be.
56
00:02:29,670 --> 00:02:32,470
Or whatever that stuff is there.
57
00:02:32,470 --> 00:02:33,910
Come on, Steves.
58
00:02:33,910 --> 00:02:36,310
I'm filming it, directing it,
everything.
59
00:02:36,310 --> 00:02:38,670
I'm doing my own lighting.
I'm doing special effects.
60
00:02:38,670 --> 00:02:40,110
He's doing special effects.
61
00:02:40,110 --> 00:02:42,270
There's going to be
a lot of explosions as well.
62
00:02:42,270 --> 00:02:45,190
Yeah, shitloads of explosions, fire.
63
00:02:45,190 --> 00:02:47,150
Is it? Yeah, I can do that. Mad.
64
00:02:47,150 --> 00:02:50,470
Titanic kind of shit. Fucking hell!
65
00:02:50,470 --> 00:02:53,830
I've got some props to make it rain.
There we go, Stevie.
66
00:02:53,830 --> 00:02:55,070
Just wait... Yeah.
67
00:02:55,070 --> 00:02:58,910
And in the films,
they actually use... Bruv...
68
00:02:58,910 --> 00:03:00,950
In the films,
they actually use water and milk
69
00:03:00,950 --> 00:03:02,470
cos it shows up better on camera.
70
00:03:02,470 --> 00:03:04,670
And that's...
Oh, wow, what is that?
71
00:03:04,670 --> 00:03:06,110
That's the skin.
72
00:03:06,110 --> 00:03:09,030
That's great. Right, let's demo it.
73
00:03:09,030 --> 00:03:11,030
OK. And action.
74
00:03:12,030 --> 00:03:14,390
Oh, God!
STEVES CHOKES
75
00:03:15,550 --> 00:03:17,270
HE RETCHES
76
00:03:17,270 --> 00:03:19,070
That's grim, man. Oh, it stinks!
77
00:03:19,070 --> 00:03:20,870
Oh, it's in my mouth.
78
00:03:20,870 --> 00:03:22,670
HE SPITS
79
00:03:22,670 --> 00:03:26,670
Right, OK, let's make a music video.
Eurgh! Let's make it rain.
80
00:03:30,470 --> 00:03:32,550
Whassup, boys?
81
00:03:32,550 --> 00:03:36,430
Oh, wow, that is a strong look.
Do you like that, yeah?
82
00:03:36,430 --> 00:03:40,590
Mm. Yeah, I've gone for a doctor,
sort of Jean-Claude Van Damme look.
83
00:03:40,590 --> 00:03:42,710
Yeah. Van Damme-age.
84
00:03:42,710 --> 00:03:45,390
Yeah, the music video's actually
going to be inspired
85
00:03:45,390 --> 00:03:50,510
by sort of action films/ doctors/
86
00:03:50,510 --> 00:03:53,230
the Fast And Furious franchise.
87
00:03:53,230 --> 00:03:55,550
Grab a couple of slices here.
88
00:03:55,550 --> 00:03:57,470
It's good to carb up
before I shoot.
89
00:03:59,430 --> 00:04:01,110
What are you doing today?
90
00:04:01,110 --> 00:04:04,310
I said I'd go to Essex with Miche
cos I feel a bit sorry for her
91
00:04:04,310 --> 00:04:06,470
having to do everything on her own,
you know.
92
00:04:06,470 --> 00:04:08,190
What's going on in Essex?
93
00:04:09,430 --> 00:04:12,310
Has she still not told him?
Told him what?
94
00:04:13,550 --> 00:04:16,550
For fuck's sake, I don't want
to be caught in the middle of this.
95
00:04:16,550 --> 00:04:20,150
Why, what's going on, Roche?
Nothing, nothing's going on.
96
00:04:20,150 --> 00:04:23,270
What, is Miche thinking about
leaving Grindah again?
97
00:04:23,270 --> 00:04:25,310
Cos if she is, I'll go fucking sick.
98
00:04:25,310 --> 00:04:28,110
You know he's the ultimate man.
No, no, it's not that.
99
00:04:28,110 --> 00:04:29,710
Can you sit down?
100
00:04:29,710 --> 00:04:31,590
Cos I want you fainting like you did
101
00:04:31,590 --> 00:04:34,550
when I told you
that Craig was going to university.
102
00:04:36,710 --> 00:04:38,430
Fucking hell, that looks...
103
00:04:38,430 --> 00:04:42,390
I didn't think I could look any
better. I know, it's mad, isn't it?
104
00:04:42,390 --> 00:04:45,390
I don't usually wear make-up
but cos it's a music video shoot,
105
00:04:45,390 --> 00:04:46,870
it's sort of allowed.
106
00:04:46,870 --> 00:04:49,430
Make sure you bring out
the cheekbones for the camera.
107
00:04:49,430 --> 00:04:53,150
Yeah, course, I'll do your
jawline as well. Yeah, definitely.
108
00:04:53,150 --> 00:04:56,310
Turn your head. Mm...mm.
109
00:04:58,470 --> 00:05:01,750
So, listen, I'm actually going to go
and see a flat today.
110
00:05:01,750 --> 00:05:03,750
What? Concentrate on me, please.
111
00:05:03,750 --> 00:05:05,830
Yeah, but I just want to talk about
where it is.
112
00:05:05,830 --> 00:05:07,870
Miche, do you want your husband
leaving the house
113
00:05:07,870 --> 00:05:09,990
without a jawline or not?
No, sorry. No, exactly,
114
00:05:09,990 --> 00:05:12,030
focus on the task at hand,
thank you.
115
00:05:12,030 --> 00:05:13,150
HE SIGHS
116
00:05:13,150 --> 00:05:16,110
You remember how Miche and Grindah
have got to move
117
00:05:16,110 --> 00:05:20,110
out of their block, yeah, cos
they're knocking them down? Yeah.
118
00:05:20,110 --> 00:05:23,670
OK, so, they've got to move. Yeah.
119
00:05:23,670 --> 00:05:26,030
Yeah, so, they're moving to Essex.
120
00:05:33,910 --> 00:05:36,270
Cool. Yeah?
121
00:05:36,270 --> 00:05:39,670
What, permanently or...?
Permanently, yeah. Yeah.
122
00:05:41,510 --> 00:05:42,790
Cool.
123
00:05:46,310 --> 00:05:49,230
Can we move to Essex?
No fucking way.
124
00:05:51,790 --> 00:05:54,150
Cool. Is that it?
125
00:05:54,150 --> 00:05:56,510
Yeah, that's it. Cool.
126
00:05:56,510 --> 00:05:58,390
You all right?
127
00:05:58,390 --> 00:05:59,910
Yeah.
128
00:06:02,230 --> 00:06:06,470
Forgot my sandwich. Just remember,
don't say anything to Grindah, OK?
129
00:06:06,470 --> 00:06:09,830
Cos it's not up to you.
Don't get caught up in it. Yeah.
130
00:06:09,830 --> 00:06:11,550
Just let Miche do that.
131
00:06:12,750 --> 00:06:14,790
DOOR SHUTS
132
00:06:14,790 --> 00:06:16,190
And action.
133
00:06:16,190 --> 00:06:18,950
TOGETHER:
Ra! This is dead MC on the floor
134
00:06:18,950 --> 00:06:20,950
Who's that standing above him?
Open your mouth.
135
00:06:20,950 --> 00:06:24,150
He's got a microphone and
he's pointing it in this direction
136
00:06:24,150 --> 00:06:26,350
I think it might be MC Grindah
137
00:06:26,350 --> 00:06:30,230
Who? MC Grindah...
Hats on.
138
00:06:30,230 --> 00:06:32,350
Bang! Lyrical blow to the jaw
139
00:06:32,350 --> 00:06:34,030
Bang! Lyrical blow to the jaw...
140
00:06:34,030 --> 00:06:36,390
Stevie, I need you on the floor now
ASAP. Come on, quickly.
141
00:06:36,390 --> 00:06:38,350
Right, Steves, go inside,
help Chabud.
142
00:06:38,350 --> 00:06:40,190
This is fucking important today,
man.
143
00:06:40,190 --> 00:06:41,950
I'm not going to let Grindah move
to Essex.
144
00:06:41,950 --> 00:06:43,630
We're going to bang out
a sick music video
145
00:06:43,630 --> 00:06:45,550
and that's going to solve
all our problems.
146
00:06:45,550 --> 00:06:47,790
How you feeling? You all right?
Yeah, good man.
147
00:06:47,790 --> 00:06:49,750
Fucking sick, innit?
If it all goes to plan,
148
00:06:49,750 --> 00:06:52,350
you can probably buy a house
off this, innit.
149
00:06:52,350 --> 00:06:55,630
Buy whatever I fucking want, mate,
know what I mean, if this pops off.
150
00:06:55,630 --> 00:06:58,350
'Cos they say that money
can't buy you happiness.'
151
00:06:58,350 --> 00:07:02,070
Well, that's complete bullshit,
because money CAN buy you happiness,
152
00:07:02,070 --> 00:07:04,110
you just have to be able
to afford it.
153
00:07:04,110 --> 00:07:06,910
Yeah, probably get a fucking
rooftop pool as well if I want to.
154
00:07:06,910 --> 00:07:10,150
Rooftop pool? Yeah, yeah. Like a
little clubhouse, know what I mean?
155
00:07:10,150 --> 00:07:11,830
Yeah. Next scene. What's going on?
156
00:07:11,830 --> 00:07:14,750
Yeah, let's go. He's inspired me.
Let's do it. What?
157
00:07:14,750 --> 00:07:16,870
Basically, he said
that we can't film in here.
158
00:07:16,870 --> 00:07:19,510
Said the permission slip didn't come
through. I faxed him but...
159
00:07:19,510 --> 00:07:21,550
So what the fuck
are you going to do, you donkey?
160
00:07:21,550 --> 00:07:22,830
OK, fine, you know what?
161
00:07:22,830 --> 00:07:25,310
I've got everything I want on here,
I've got everything,
162
00:07:25,310 --> 00:07:27,670
so let's improvise.
Follow me, I know what I'm doing.
163
00:07:27,670 --> 00:07:30,750
The whole video's based
in a hospital. Nick a wheelchair.
164
00:07:30,750 --> 00:07:32,710
Yeah, take that.
That's good for props.
165
00:07:32,710 --> 00:07:34,590
Only I'm allowed in it,
166
00:07:34,590 --> 00:07:36,870
only I'm allowed in it.
That's improvising.
167
00:07:36,870 --> 00:07:39,630
Let's go, guys. Everything's going
to be all right. What?
168
00:07:39,630 --> 00:07:42,430
Yeah, I'm just saying,
I'm excited. Yeah, yeah.
169
00:07:46,430 --> 00:07:49,230
Can I use the wheelchair? No, Steve.
170
00:07:50,590 --> 00:07:53,270
Where's Brentford then?
So, Brentford's down here.
171
00:07:53,270 --> 00:07:54,550
Brentford.
172
00:07:54,550 --> 00:07:56,910
And then Pitsea. East.
173
00:07:56,910 --> 00:07:58,750
Pitsea...
174
00:07:58,750 --> 00:08:01,990
Where is it? Pitsea's up there.
Where?
175
00:08:01,990 --> 00:08:03,790
Pitsea...
176
00:08:03,790 --> 00:08:05,950
Where? I can't see it. That one?
177
00:08:05,950 --> 00:08:07,950
Yeah, it's off the end.
178
00:08:10,630 --> 00:08:12,190
It's not on the map?
179
00:08:12,190 --> 00:08:14,430
Well, it is on A map,
it's just not on this one.
180
00:08:15,670 --> 00:08:20,750
What other map is there? Well,
a bigger one that goes further out.
181
00:08:22,550 --> 00:08:25,030
INTERVIEWER: Are you worried
about the move to Essex?
182
00:08:25,030 --> 00:08:27,390
'Yeah, I am worried
but I've got a tiny bit of hope
183
00:08:27,390 --> 00:08:29,030
'that maybe it will be
a good thing.'
184
00:08:29,030 --> 00:08:33,590
Maybe it will be nice, sort of like
a holiday where you never come home.
185
00:08:34,750 --> 00:08:38,950
It's a lot of like farm, isn't it,
a lot of green?
186
00:08:38,950 --> 00:08:43,390
Very green, yeah.
Yeah. Yeah, it's really green.
187
00:08:43,390 --> 00:08:45,390
That's better - houses.
188
00:08:45,390 --> 00:08:47,190
I'm worried about
all the trees and that,
189
00:08:47,190 --> 00:08:49,230
cos Grindah really hates
countryside.
190
00:08:49,230 --> 00:08:50,790
Still not told him then?
191
00:08:50,790 --> 00:08:53,150
I was going to tell him
but he was in the zone, you know?
192
00:08:53,150 --> 00:08:55,790
They're taking the music video
really seriously, aren't they?
193
00:08:55,790 --> 00:08:58,870
I know, yeah. Kevin was wearing
a sleeveless doctor's outfit.
194
00:08:58,870 --> 00:09:01,510
Was he? Wow!
It all seemed very professional.
195
00:09:01,510 --> 00:09:03,710
Yeah, no,
God, it's such a powerful concept.
196
00:09:03,710 --> 00:09:05,990
What's the concept?
Fighting in a hospital?
197
00:09:05,990 --> 00:09:08,910
Yeah, but then the hospital is
actually a metaphor for society,
198
00:09:08,910 --> 00:09:11,190
apparently. Of course it is.
199
00:09:12,470 --> 00:09:14,510
Let's go. So, what are we doing
in the park?
200
00:09:14,510 --> 00:09:17,190
This is my storyboard.
This is the second location, right?
201
00:09:17,190 --> 00:09:20,310
Looks a little bit like the back
of the hospital as well, so perfect.
202
00:09:20,310 --> 00:09:22,590
Sick. Don't worry about it.
Come on. No, it's good.
203
00:09:22,590 --> 00:09:25,150
'I think the best directors,
they always have to improvise,
204
00:09:25,150 --> 00:09:27,390
you know what I mean?
Mate, listen, I'm a visionary.'
205
00:09:27,390 --> 00:09:31,590
I'm Chabuddy G,
AKA Steven Spielgirth.
206
00:09:31,590 --> 00:09:33,270
So, Stevie,
what I want you to do, OK,
207
00:09:33,270 --> 00:09:35,710
you're going to be playing
the character of the dead MC.
208
00:09:35,710 --> 00:09:38,390
So, I'm just going to wear
the MC hat. OK.
209
00:09:38,390 --> 00:09:41,790
Look at that, it suits him, doesn't
it? Are you sure it's tight enough?
210
00:09:41,790 --> 00:09:45,710
Right, OK. Stevie, you're down
there. Grindah, I need that one.
211
00:09:45,710 --> 00:09:48,390
I'm the director. Well, I say
action then. No, I'll say it.
212
00:09:48,390 --> 00:09:51,870
You can say it with me. Right,
everyone ready? Everyone settle!
213
00:09:51,870 --> 00:09:55,310
Yeah. Settle! When I say settle,
everyone needs to be quiet.
214
00:09:55,310 --> 00:09:57,510
No sound. OK, let me know
when I say action.
215
00:09:57,510 --> 00:10:00,190
OK, no, I say action.
No, but I say... It's my video.
216
00:10:00,190 --> 00:10:01,750
We'll say it together. OK. OK.
217
00:10:01,750 --> 00:10:04,630
So who says action? Me. OK. And...
218
00:10:04,630 --> 00:10:06,430
TOGETHER: Action!
219
00:10:07,990 --> 00:10:09,350
You just stay there. Yeah.
220
00:10:10,470 --> 00:10:12,910
'I want to say my directing style
is quite unorthodox,
221
00:10:12,910 --> 00:10:15,150
'know what I mean?
But also orthodox.
222
00:10:15,150 --> 00:10:19,470
'I'd say it's complex
but also very simple.'
223
00:10:19,470 --> 00:10:23,110
Erm I'd say it's dark, it's light,
it's Yin, it's Yang.
224
00:10:23,110 --> 00:10:24,710
It's, er...
225
00:10:24,710 --> 00:10:27,070
It's everything and it's nothing.
226
00:10:27,070 --> 00:10:29,150
Bang! Lyrical blow to the jaw
227
00:10:29,150 --> 00:10:31,150
Bang! Lyrical blow to the jaw...
Cut!
228
00:10:31,150 --> 00:10:33,150
What do you mean?
We got it, we got it.
229
00:10:33,150 --> 00:10:35,750
Are we not doing it all in one?
No, we got it.
230
00:10:35,750 --> 00:10:38,470
We got that bit, so now we're going
to move onto the next set-up.
231
00:10:38,470 --> 00:10:40,790
Brilliant. Stevie, you can start
breathing again.
232
00:10:40,790 --> 00:10:42,270
Fucking hell! Travelling!
233
00:10:44,790 --> 00:10:47,470
Can you get a picture of me
by the sign, Roche? Yeah.
234
00:10:47,470 --> 00:10:50,990
Ah, pretend it's like your wedding.
Yeah.
235
00:10:50,990 --> 00:10:53,990
Here we go, time to see Pitsea
in all its glory.
236
00:10:53,990 --> 00:10:56,110
This is it. Yeah.
237
00:11:02,870 --> 00:11:04,310
Yeah.
238
00:11:05,470 --> 00:11:08,230
Essex isn't as glamorous it looks
on the telly, is it?
239
00:11:09,790 --> 00:11:12,110
They haven't even got 4G here.
240
00:11:12,110 --> 00:11:13,710
Right, OK, so Tony, stand over him.
241
00:11:13,710 --> 00:11:15,870
One foot on him.
One shoe on the shoulder. Exactly.
242
00:11:15,870 --> 00:11:19,190
And what I want you to do,
I want you to run in when it drops.
243
00:11:19,190 --> 00:11:21,150
Really, full-speed, OK? Yeah.
244
00:11:21,150 --> 00:11:22,710
Shall I get a run-up?
Do a run-up.
245
00:11:22,710 --> 00:11:24,230
Maybe start near that bench. Cool.
246
00:11:24,230 --> 00:11:25,990
Get a good sweat going.
What about Decoy?
247
00:11:25,990 --> 00:11:28,830
OK, Decoy, let me travel you
out of shot, please, thank you.
248
00:11:28,830 --> 00:11:31,310
Travelling. For the whole thing?
Yeah, watch your backs.
249
00:11:31,310 --> 00:11:33,430
Watch your backs. Keep going.
Travelling.
250
00:11:33,430 --> 00:11:36,350
Get him out of shot.
Watch your backs, watch your backs.
251
00:11:36,350 --> 00:11:39,630
OK, perfect, perfect.
Chabzi from here, yeah?
252
00:11:39,630 --> 00:11:43,870
Yeah, you go my second action.
OK. No, actually...
253
00:11:43,870 --> 00:11:46,550
You go on my first... OK, got it?
254
00:11:46,550 --> 00:11:48,710
So, who's saying action? Me.
255
00:11:48,710 --> 00:11:51,190
You go on Tony's action,
Tony you go on my action.
256
00:11:51,190 --> 00:11:52,430
OK, I'll go on your action,
257
00:11:52,430 --> 00:11:54,390
but I will say action in my head,
so I know.
258
00:11:54,390 --> 00:11:57,070
OK, you go on my action then.
Kevin, you gone on Tony's action.
259
00:11:57,070 --> 00:11:59,070
I'll probably say action,
then I'll run.
260
00:11:59,070 --> 00:12:01,350
No, cos I'll already be started
by then.
261
00:12:01,350 --> 00:12:04,630
Whose action do I hold my breath
on? You don't talk.
262
00:12:04,630 --> 00:12:07,990
OK, everything crystal clear?
Cool, shall we...?
263
00:12:07,990 --> 00:12:10,390
OK, we're going, yeah? Sh!
264
00:12:10,390 --> 00:12:11,750
OK? Yeah.
265
00:12:11,750 --> 00:12:13,150
Action.
266
00:12:13,150 --> 00:12:14,710
Is that for me? Action.
267
00:12:14,710 --> 00:12:16,510
No, no. Wait for the drop.
268
00:12:17,950 --> 00:12:19,550
Wait for the drop.
269
00:12:19,550 --> 00:12:22,150
So, who's action am I going on?
270
00:12:22,150 --> 00:12:23,790
OK, action.
271
00:12:23,790 --> 00:12:26,030
Action. Stay there.
272
00:12:26,030 --> 00:12:28,790
MUSIC TRACK PLAYS
273
00:12:33,070 --> 00:12:34,590
Action, Kevin.
274
00:12:34,590 --> 00:12:36,790
MUSIC TRACK PLAYS
275
00:12:39,390 --> 00:12:41,110
Lyrical blow to the jaw
276
00:12:41,110 --> 00:12:42,750
Bang! Lyrical blow to the jaw
277
00:12:42,750 --> 00:12:44,550
Bang! Lyrical blow to the jaw
278
00:12:44,550 --> 00:12:46,110
There's an MC down on the floor...
279
00:12:46,110 --> 00:12:48,230
Cut! Let's move to the next scene,
come on.
280
00:12:48,230 --> 00:12:50,230
Travelling. OK. Watch your backs.
281
00:12:50,230 --> 00:12:52,070
Oh, here we go.
282
00:12:52,070 --> 00:12:56,030
Pitsea Market. This is...
Are we in the wrong place?
283
00:12:56,030 --> 00:13:01,230
No, it's just it's only
on Wednesdays and Saturdays, so...
284
00:13:01,230 --> 00:13:03,190
There's just concrete everywhere.
285
00:13:03,190 --> 00:13:06,430
Yeah, that's just cos
there's no market stalls yet,
286
00:13:06,430 --> 00:13:09,030
but if it was,
you'd be able to buy, like...
287
00:13:10,190 --> 00:13:12,310
What? Knickers.
288
00:13:13,950 --> 00:13:17,590
You by your underwear from the
market? Well, you can, can't you?
289
00:13:17,590 --> 00:13:20,550
What's wrong with that?
Disgusting, Roche!
290
00:13:20,550 --> 00:13:22,750
OK, Stevie,
let's start the waterworks.
291
00:13:22,750 --> 00:13:26,030
Oh, fucking hell. Jesus.
And playback.
292
00:13:26,030 --> 00:13:28,190
Right. Action!
293
00:13:28,190 --> 00:13:29,870
MUSIC TRACK PLAYS
294
00:13:29,870 --> 00:13:31,870
Get them really wet.
295
00:13:31,870 --> 00:13:34,630
Really, really wet, Stevie.
Wetter! OK.
296
00:13:34,630 --> 00:13:36,990
Everything looks better
when you're wet, man.
297
00:13:36,990 --> 00:13:38,950
Aim for the air hole.
298
00:13:38,950 --> 00:13:42,430
Put it in the air hole.
And his back, down his back.
299
00:13:42,430 --> 00:13:46,590
Fuck, what is this stink, man?
It smells like fucking foot!
300
00:13:46,590 --> 00:13:48,270
Are you wearing make-up, mate? No.
301
00:13:48,270 --> 00:13:51,510
It's professional make-up. It's for
music videos. Nothing wrong with it.
302
00:13:51,510 --> 00:13:53,830
Cos your face is smudging. Yeah?
303
00:13:53,830 --> 00:13:56,270
Erm, can I get some...? Yeah.
304
00:13:56,270 --> 00:13:59,230
OK, cut! I just need to go
for a piss quickly.
305
00:13:59,230 --> 00:14:01,630
I'm just going to go for a piss
quickly as well, yeah.
306
00:14:01,630 --> 00:14:03,990
OK, artists travelling.
Going for wee-wee.
307
00:14:03,990 --> 00:14:07,150
Can we have a zoot break, Chabzi?
Yes, you can have a zoot break.
308
00:14:07,150 --> 00:14:09,390
Artists travelling,
they're going for wee-wee.
309
00:14:09,390 --> 00:14:11,470
Stevie's going for a zootie.
310
00:14:11,470 --> 00:14:15,470
OK, good. Decoy, liking
the light work, very good.
311
00:14:15,470 --> 00:14:17,150
Just keep it consistently,
312
00:14:17,150 --> 00:14:19,070
cos I can see you're smoking a zoot
as well.
313
00:14:19,070 --> 00:14:22,230
Just keep it professional, mate, OK?
Right?
314
00:14:22,230 --> 00:14:24,510
Artists, how you doing? Yeah, yeah.
315
00:14:24,510 --> 00:14:27,550
Just shaking. Come on, we're losing
the light, guys, come on.
316
00:14:27,550 --> 00:14:29,750
We're on a tight schedule.
Travelling, please.
317
00:14:29,750 --> 00:14:32,470
Let's go. Come on, quickly.
318
00:14:32,470 --> 00:14:34,870
Action! Seconds away, seconds away.
319
00:14:34,870 --> 00:14:36,670
Seven seconds away.
320
00:14:36,670 --> 00:14:38,470
Let's go, action.
321
00:14:38,470 --> 00:14:40,310
OK, action. Action.
322
00:14:40,310 --> 00:14:42,310
Eyebrows looking strong,
I like them.
323
00:14:42,310 --> 00:14:44,230
MUSIC TRACK PLAYS
324
00:14:44,230 --> 00:14:46,790
Right in the face.
Right in the face.
325
00:14:46,790 --> 00:14:48,790
Are you sure this is going
to look good, yeah?
326
00:14:48,790 --> 00:14:50,430
Yeah, it's going to look amazing.
327
00:14:50,430 --> 00:14:52,950
Argh! Fucking hell!
What the fuck are you doing?
328
00:14:52,950 --> 00:14:56,750
Don't get the heaving in.
No, that actually adds to it. OK.
329
00:14:56,750 --> 00:14:59,990
Oh, Hair Oasis. That's it.
Is that it?
330
00:14:59,990 --> 00:15:01,470
It's award-winning, Roche. Is it?
331
00:15:01,470 --> 00:15:04,070
It's actually award-winning, yeah.
It's quite a big deal.
332
00:15:04,070 --> 00:15:06,510
Yeah, it's got it on the window.
Yeah, it's amazing.
333
00:15:06,510 --> 00:15:08,350
So, I'm just going to go in,
introduce myself
334
00:15:08,350 --> 00:15:10,270
and then I'm just going
to give them my...
335
00:15:11,710 --> 00:15:15,230
..CV. Oh, that is...that's amazing.
336
00:15:15,230 --> 00:15:17,830
Yeah, THAT should be award-winning,
shouldn't it? Yeah.
337
00:15:17,830 --> 00:15:20,470
Do you want to have a closer look?
Sure.
338
00:15:20,470 --> 00:15:23,670
Yeah, it's great, well done. Sorry,
hon, do you mind waiting outside?
339
00:15:23,670 --> 00:15:26,350
I'll take that. Like a dog?
340
00:15:26,350 --> 00:15:27,470
Yeah, no, of course,
341
00:15:27,470 --> 00:15:29,790
you don't want them wondering
who your random mate is.
342
00:15:29,790 --> 00:15:31,390
Exactly, cos it might make me
look bad
343
00:15:31,390 --> 00:15:32,950
if I say I'm into hair and beauty
344
00:15:32,950 --> 00:15:35,070
and then they see you.
Might be a bit confusing.
345
00:15:35,070 --> 00:15:38,230
Oh, yeah, right. I'll just stand
out here and face the wall then.
346
00:15:38,230 --> 00:15:41,470
No, you don't need to do that, hon.
Maybe just avoid the window, yeah?
347
00:15:41,470 --> 00:15:43,910
Wish me luck. Good luck.
348
00:15:49,150 --> 00:15:50,790
Hello. Hi.
349
00:15:50,790 --> 00:15:54,390
So, my name is
Michelle Louise Zagrafos.
350
00:15:54,390 --> 00:15:58,470
And, erm, this is my CV. OK.
351
00:15:58,470 --> 00:16:01,750
A good example of my work
is my own hair,
352
00:16:01,750 --> 00:16:03,390
which I'll just show you there.
353
00:16:03,390 --> 00:16:05,230
I did that all myself.
354
00:16:05,230 --> 00:16:07,390
Yeah, so...
355
00:16:07,390 --> 00:16:11,110
Great to meet you. Thanks.
I look forward to hearing from you.
356
00:16:15,630 --> 00:16:17,990
Good, good. Yes.
MUSIC TRACK PLAYS
357
00:16:17,990 --> 00:16:20,590
This is a tracking shot,
a tracking shot.
358
00:16:20,590 --> 00:16:22,670
Decoy, push me back,
pull me back now.
359
00:16:22,670 --> 00:16:24,790
Pull me back.
360
00:16:24,790 --> 00:16:26,710
Nice, nice.
361
00:16:26,710 --> 00:16:29,070
BEATS AND GRINDAH RAP
OVER MUSIC TRACK
362
00:16:31,070 --> 00:16:33,790
That's it. Get the light,
get the light.
363
00:16:36,470 --> 00:16:38,830
Look at the MC,
he's lying on the floor.
364
00:16:38,830 --> 00:16:41,990
Yeah! Come on!
GRINDAH SHOUTS
365
00:16:43,470 --> 00:16:44,990
Come on, more, coming from you.
366
00:16:44,990 --> 00:16:47,430
BEATS SHOUTS
Yeah, nice.
367
00:16:47,430 --> 00:16:49,270
Tense. Nice.
368
00:16:49,270 --> 00:16:51,870
You're getting this, yeah? Yeah.
How are we looking?
369
00:16:51,870 --> 00:16:53,950
It's looking really, really good.
Sick, yeah?
370
00:16:53,950 --> 00:16:55,710
Listen, I had an idea, yeah. Yeah.
371
00:16:55,710 --> 00:16:58,110
Maybe, for, like,
the female audience, yeah? Yeah.
372
00:16:58,110 --> 00:17:01,150
Can we see a bit more skin?
I've already got the arms on show.
373
00:17:01,150 --> 00:17:04,510
Maybe take your top off, you know.
No, that's something I don't do.
374
00:17:04,510 --> 00:17:08,310
Erm, Beats, you have to take one
for the team. Get your top off.
375
00:17:08,310 --> 00:17:10,870
Think about for the chicks.
What? Yeah.
376
00:17:10,870 --> 00:17:12,830
I don't even have sex topless.
377
00:17:12,830 --> 00:17:15,750
Don't care, mate. Do you want
this video to go well or not?
378
00:17:16,990 --> 00:17:18,990
Yes. Sweet, take your top off.
379
00:17:18,990 --> 00:17:22,150
OK, great, we're going to get
a bit of skin. Love it, love it!
380
00:17:22,150 --> 00:17:25,510
'I haven't actually seen
any of Chabudzi's videos yet,
381
00:17:25,510 --> 00:17:29,110
but from what he's explaining,
they do sound actually quite sick.
382
00:17:29,110 --> 00:17:32,150
Top's coming off now.
Travelling. Come on.
383
00:17:32,150 --> 00:17:34,750
'If we earn enough money
off the music video,'
384
00:17:34,750 --> 00:17:37,110
then Grindah,
he won't have to go Essex, like.
385
00:17:37,110 --> 00:17:40,550
He can buy a house here.
He can buy two houses here.
386
00:17:40,550 --> 00:17:42,150
That is my plan.
387
00:17:42,150 --> 00:17:45,510
And I literally am prepared to do
anything to let that happen.
388
00:17:47,070 --> 00:17:50,310
INTERVIEWER: Anything?
Yeah, anything.
389
00:17:50,310 --> 00:17:52,750
OK, and action! Nice.
390
00:17:52,750 --> 00:17:54,870
THEY RAP OVER MUSIC TRACK
391
00:17:54,870 --> 00:17:56,950
Get the nipple away from my ear.
Sorry, mate.
392
00:17:56,950 --> 00:18:00,670
Kevin, don't tense too much, Kevin.
I'm not tensing.
393
00:18:00,670 --> 00:18:03,550
Just relax a bit.
I am relaxed. This is how I relax.
394
00:18:03,550 --> 00:18:05,830
Show me a few more
body-building moves, mate.
395
00:18:05,830 --> 00:18:07,750
Me? No, Kevin.
396
00:18:07,750 --> 00:18:10,750
Yeah, that's hot. Put your leg
up a bit. Get your leg up.
397
00:18:10,750 --> 00:18:13,030
OK, that's good, that's good.
Love it, love it, love it!
398
00:18:13,030 --> 00:18:15,430
OK, great stuff.
Now, let's go to the park,
399
00:18:15,430 --> 00:18:17,470
cos Stevie is setting up
the green screens.
400
00:18:17,470 --> 00:18:20,070
OK, let's have a break, zoot break.
Thank you.
401
00:18:21,870 --> 00:18:24,750
That looks nice, doesn't it?
Yeah, it's fucking massive.
402
00:18:24,750 --> 00:18:27,310
It didn't look this big
in the pictures. It's a mansion.
403
00:18:27,310 --> 00:18:30,430
I think you're just one bit of it
though, right? Oh, not the whole...
404
00:18:30,430 --> 00:18:32,030
Still...
405
00:18:32,030 --> 00:18:33,910
ENTRANCE BUZZER
406
00:18:33,910 --> 00:18:35,950
INTERVIEWER: What's your dream home?
407
00:18:35,950 --> 00:18:38,870
I think we'd want to have something
all white,
408
00:18:38,870 --> 00:18:41,230
like loads of space.
All white, cream.
409
00:18:41,230 --> 00:18:42,950
Shoes off at the door, like.
410
00:18:42,950 --> 00:18:45,990
Yeah, basically, just cream
everywhere, everything cream.
411
00:18:45,990 --> 00:18:47,510
Yeah, a studio.
412
00:18:47,510 --> 00:18:50,630
Convert one of the rooms
into a studio for me.
413
00:18:50,630 --> 00:18:53,750
It's nice, Miche. I can really see
you lot living here.
414
00:18:53,750 --> 00:18:56,030
Could you get a picture of me
with the dishwasher?
415
00:18:56,030 --> 00:18:58,870
'Obviously, steam room. You'd love
a steam room for your skin,
416
00:18:58,870 --> 00:19:00,350
'cos you went once'
417
00:19:00,350 --> 00:19:03,230
when you want to the hotel. I came
out and my skin was to die for.
418
00:19:03,230 --> 00:19:04,390
Yeah, glowing.
419
00:19:04,390 --> 00:19:06,270
We want to have, like,
a massive kitchen.
420
00:19:06,270 --> 00:19:08,190
Glass cupboards so you can see
all my things.
421
00:19:08,190 --> 00:19:10,870
Yeah, that's nice.
Like a museum of your stuff.
422
00:19:10,870 --> 00:19:13,070
Yeah, that's sick, yeah.
423
00:19:13,070 --> 00:19:15,670
Is this bigger than our bedroom?
It's hard to tell, isn't it?
424
00:19:15,670 --> 00:19:17,590
I dunno,
I've never been in your bedroom.
425
00:19:17,590 --> 00:19:19,270
Bed's probably that size.
426
00:19:19,270 --> 00:19:22,070
Yeah, that's about it, really.
Just loads of space.
427
00:19:22,070 --> 00:19:24,750
Maybe a slide
from one of the floors to another.
428
00:19:24,750 --> 00:19:27,110
If it's a dream house.
Yeah, mansion.
429
00:19:27,110 --> 00:19:29,350
Obviously, a mansion is
everyone's dream house.
430
00:19:29,350 --> 00:19:31,270
Yeah, slide into bed.
Modern-day mansion.
431
00:19:31,270 --> 00:19:33,910
So just before bed every night,
you've got a bit of fun.
432
00:19:35,110 --> 00:19:38,550
The countryside, eh?
Yeah. So peaceful.
433
00:19:41,950 --> 00:19:44,310
OK, let's travel to
the green screen, Stevie, please.
434
00:19:44,310 --> 00:19:46,750
Thank you, travelling.
Decoy, I haven't got time.
435
00:19:46,750 --> 00:19:48,470
Come on, hurry up, hurry up.
436
00:19:52,110 --> 00:19:55,510
Wahey! What's up with your leg,
Bruv? Oh, yeah.
437
00:19:55,510 --> 00:19:58,070
Oi! I fucked it up the other day
when I got hit by the car.
438
00:19:58,070 --> 00:20:00,150
Oh, my God!
Bloody hell, Stevie. I know.
439
00:20:00,150 --> 00:20:01,830
Look at the bottom bit.
440
00:20:01,830 --> 00:20:03,190
Oh! I know.
441
00:20:03,190 --> 00:20:06,110
You've got a bloody cankle. I know.
That's fucked up.
442
00:20:06,110 --> 00:20:08,750
Oh, shit, fucking hell! It stinks.
443
00:20:08,750 --> 00:20:10,510
Kind of jokes, innit.
444
00:20:10,510 --> 00:20:12,830
No, no-one wants to see
that shit, that's disgusting.
445
00:20:12,830 --> 00:20:15,790
Boys, ain't nobody else thinking
what I'm thinking right now?
446
00:20:17,310 --> 00:20:19,030
Where do you take someone
that's injured?
447
00:20:19,030 --> 00:20:20,670
I've just thought of something!
448
00:20:20,670 --> 00:20:22,670
Cos of his ankle,
we can go to the hospital.
449
00:20:22,670 --> 00:20:24,910
Stevie! Yeah?
You should have said earlier!
450
00:20:24,910 --> 00:20:26,790
THEY SHOUT
451
00:20:26,790 --> 00:20:28,590
Come on! Come on! My brother!
452
00:20:28,590 --> 00:20:30,710
THEY TALK EXCITEDLY
OVER EACH OTHER
453
00:20:30,710 --> 00:20:32,350
Come on, Stevie.
454
00:20:32,350 --> 00:20:35,590
BEATS RAPS: Someone take him to A&E
And perform some lyrical surgery.
455
00:20:35,590 --> 00:20:38,830
You fucking bastard, Stevie.
Do I have to have surgery?
456
00:20:38,830 --> 00:20:41,190
Let's hope so, Stevie mate,
let's hope so.
457
00:20:41,190 --> 00:20:42,790
Yes!
458
00:20:42,790 --> 00:20:44,750
When's the next train then?
459
00:20:44,750 --> 00:20:46,950
Er, about 20 minutes,
460
00:20:46,950 --> 00:20:49,310
so there's one every half an hour.
461
00:20:50,390 --> 00:20:52,150
One every half an hour? Yeah.
462
00:20:52,150 --> 00:20:53,670
Two an hour? Yeah.
463
00:20:53,670 --> 00:20:55,670
That is mental. Yeah.
464
00:20:58,670 --> 00:21:00,870
The journey's not that long though,
I guess.
465
00:21:00,870 --> 00:21:04,830
I feel like it took forever. Won't
tell Grindah how long it is for now.
466
00:21:04,830 --> 00:21:06,150
No.
467
00:21:06,150 --> 00:21:09,870
Are you going to tell Beats
about everything? No, it'll be fine.
468
00:21:09,870 --> 00:21:13,110
Yeah. They'll have a long-distance
relationship. Yeah.
469
00:21:14,470 --> 00:21:15,990
Attention, attention!
470
00:21:15,990 --> 00:21:19,150
This man is in desperate need
of care and assistance.
471
00:21:19,150 --> 00:21:21,990
Yeah. We're his carers,
we've got to go with him. Yeah.
472
00:21:21,990 --> 00:21:24,750
This man is dying, everyone out
the way! Get out the way!
473
00:21:24,750 --> 00:21:26,830
Travelling, travelling.
474
00:21:26,830 --> 00:21:29,390
Argh! Oh, Jesus Christ!
Out the way, mate.
475
00:21:29,390 --> 00:21:31,950
We've got an emergency.
This gentleman here?
476
00:21:31,950 --> 00:21:33,310
Yes. Stevie, come here.
477
00:21:33,310 --> 00:21:34,750
Up, up. Oh, OK.
478
00:21:34,750 --> 00:21:39,590
My foot is completely fucked
from a car impact.
479
00:21:39,590 --> 00:21:42,230
Yeah, so we're going to need a bed.
480
00:21:42,230 --> 00:21:44,950
A hospital bed,
possibly with good lighting,
481
00:21:44,950 --> 00:21:47,190
and maybe some props as well,
if you can, please.
482
00:21:47,190 --> 00:21:49,110
We do have a wheelchair already.
483
00:21:49,110 --> 00:21:51,550
All right. If you can just
fill this out for me.
484
00:21:51,550 --> 00:21:53,630
WHISPERS: Boys, boys, boys.
485
00:21:53,630 --> 00:21:55,750
Fill out your name,
all your details.
486
00:21:55,750 --> 00:21:56,830
Yeah, yeah.
487
00:21:56,830 --> 00:21:58,950
Ah, OK.
488
00:22:01,510 --> 00:22:03,590
CHABUDDY WHISPERS INSTRUCTIONS
489
00:22:03,590 --> 00:22:05,950
THEY RAP QUIETLY
490
00:22:12,550 --> 00:22:16,110
What's my date of birth?
I wouldn't have a clue, mate.
491
00:22:16,110 --> 00:22:18,870
Listen, don't worry about date
of birth. I've got loads of them.
492
00:22:18,870 --> 00:22:21,110
Put whatever. OK. OK.
493
00:22:23,470 --> 00:22:25,990
Angel, can you watch something
for Mummy, please?
494
00:22:25,990 --> 00:22:28,430
I've just done a presentation
for Daddy,
495
00:22:28,430 --> 00:22:30,590
so that he can understand
what Essex is like.
496
00:22:30,590 --> 00:22:33,110
Can you tell me what you think?
I need some feedback. Yeah?
497
00:22:34,270 --> 00:22:36,790
CHILL-OUT MUSIC PLAYS
Is it playing?
498
00:22:36,790 --> 00:22:39,630
Yeah? Can you look at it, please?
499
00:22:39,630 --> 00:22:43,430
This one. Can't you just...?
So, look at this one.
500
00:22:43,430 --> 00:22:46,710
Angel, can you just look
at this screen just for...
501
00:22:47,950 --> 00:22:49,470
So, what do you think?
502
00:22:51,070 --> 00:22:53,030
I don't think he'll like the music.
503
00:22:53,030 --> 00:22:55,270
You're very opinionated nowadays,
aren't you?
504
00:22:55,270 --> 00:22:57,470
And he WILL like the music
cos it's ambience music
505
00:22:57,470 --> 00:22:58,910
and it relaxes the brain.
506
00:22:58,910 --> 00:23:01,950
It's what we play at work when we're
ripping out people's pubic hair.
507
00:23:03,070 --> 00:23:05,630
Look at Mummy. I'm not stressed,
am I? I'm very relaxed.
508
00:23:05,630 --> 00:23:07,790
You don't look relaxed.
509
00:23:07,790 --> 00:23:09,990
Right, that's it,
give me your phone.
510
00:23:09,990 --> 00:23:11,270
Stay in your room, please.
511
00:23:11,270 --> 00:23:13,750
But...
Think about what you've just said.
512
00:23:17,590 --> 00:23:20,470
So, this is the boot that we're
going to fit you with. Oh, wow.
513
00:23:20,470 --> 00:23:23,990
Do you have any Nike ones or...?
No. Cool.
514
00:23:23,990 --> 00:23:25,790
Is there morphine buttons on this
515
00:23:25,790 --> 00:23:28,870
or is this just your bog-standard
lift and...?
516
00:23:28,870 --> 00:23:31,150
It's for the bed. Yeah.
517
00:23:31,150 --> 00:23:33,190
My nan used to have a chair
like this.
518
00:23:33,190 --> 00:23:35,870
Tipped her out one time
when she sat on it. Oh.
519
00:23:35,870 --> 00:23:38,710
HOSPITAL TANNOY: 'Dr Campbell
to the maternity ward, please.'
520
00:23:38,710 --> 00:23:41,510
BEATS AND GRINDAH RAP QUIETLY
OVER MUSIC TRACK
521
00:23:48,670 --> 00:23:50,990
The music video went sick.
522
00:23:50,990 --> 00:23:56,030
You've never seen anything like this
in your life, trust me.
523
00:23:56,030 --> 00:23:58,230
BOTH: I'm kicking, man
Like Van Damme
524
00:23:58,230 --> 00:24:00,630
Who's our mate
with the rough slam?
525
00:24:01,750 --> 00:24:04,830
'It's a lot better
than a lot of videos'
526
00:24:04,830 --> 00:24:06,470
that you watch on YouTube already
527
00:24:06,470 --> 00:24:08,510
and I can just tell that from...
528
00:24:08,510 --> 00:24:10,470
Just the energy on set.
Energy, yeah.
529
00:24:10,470 --> 00:24:12,790
You done any dancing before, babes?
530
00:24:12,790 --> 00:24:14,630
Shall I do a wheelie? Yeah, go on.
531
00:24:14,630 --> 00:24:16,510
Argh!
532
00:24:16,510 --> 00:24:18,030
I've got you.
533
00:24:18,030 --> 00:24:20,110
STEVES CRIES OUT
Pull him up, pull him up.
534
00:24:20,110 --> 00:24:21,510
'You've got so much.'
535
00:24:21,510 --> 00:24:24,110
We've got us outdoors, indoors,
do you know what I mean?
536
00:24:24,110 --> 00:24:27,350
Dressed as doctors, dressed a little
bit like doctors, know what I mean?
537
00:24:27,350 --> 00:24:31,510
There's all sorts of things.
All angles covered. Trust me.
538
00:24:31,510 --> 00:24:33,230
Let's watch it back. Hold on.
539
00:24:33,230 --> 00:24:35,870
Oh, that's sick! Look at that!
Let me see me.
540
00:24:35,870 --> 00:24:37,950
Do you like the camerawork,
how smooth it was?
541
00:24:37,950 --> 00:24:40,470
Yeah.
That's tracking, tracking shot.
542
00:24:40,470 --> 00:24:43,590
How much do you get paid per view
on YouTube? Loads.
543
00:24:43,590 --> 00:24:47,550
Trust me, about to fucking blow,
do you know what I mean, next month.
544
00:24:47,550 --> 00:24:49,510
Yeah, and eventually,
he's going to buy
545
00:24:49,510 --> 00:24:51,430
one of those blocks over there,
a penthouse.
546
00:24:51,430 --> 00:24:53,070
Trust me. Kurupt FM clubhouse.
547
00:24:57,110 --> 00:24:59,590
INTERVIEWER: Have you finished
the presentation?
548
00:24:59,590 --> 00:25:03,230
Yeah, all done, yeah. Done it.
549
00:25:07,190 --> 00:25:08,990
All ready to go.
550
00:25:18,630 --> 00:25:20,750
PHONE RINGS
551
00:25:20,750 --> 00:25:22,230
Who's that?
552
00:25:22,230 --> 00:25:24,550
Oh, bloody Miche,
calling constantly.
553
00:25:24,550 --> 00:25:27,550
Oh, God, bloody ball and chain.
All that, innit? Yeah.
554
00:25:28,830 --> 00:25:32,670
You should chat to her, man.
Chat to her? No, thanks!
555
00:25:32,670 --> 00:25:35,990
No, find out what's going on.
Well, I know what's going on.
556
00:25:35,990 --> 00:25:38,790
We shot the fucking video of
a lifetime, mate, know what I mean?
557
00:25:38,790 --> 00:25:41,150
Sick. Yeah, no, you should...
558
00:25:42,350 --> 00:25:45,670
You should probably tell Miche that
everything's going to be all right.
559
00:25:48,030 --> 00:25:49,670
Why are you acting all weird?
560
00:25:50,830 --> 00:25:53,030
Just, I can't say. Huh?
561
00:25:53,030 --> 00:25:56,110
I can't say. You can't say what?
562
00:25:56,110 --> 00:25:59,190
I told Roche I wouldn't say
anything. Just call Miche.
563
00:25:59,190 --> 00:26:01,310
Told Roche wouldn't say anything
about what?
564
00:26:01,310 --> 00:26:03,190
What the fuck are you talking about?
Huh?
565
00:26:03,190 --> 00:26:05,710
What the fuck are you talking about?
I forgot about my curfew.
566
00:26:05,710 --> 00:26:08,470
Is he allowed to just leave?
Don't fucking change the subject.
567
00:26:08,470 --> 00:26:10,790
What the fuck are you talking about?
What did Roche say?
568
00:26:10,790 --> 00:26:13,070
I can't say anything.
Has Miche fucked someone else?
569
00:26:13,070 --> 00:26:15,990
No, she hasn't fucked anyone else.
She's just lipsed someone else?
570
00:26:15,990 --> 00:26:18,390
No, it's nothing to do with that.
Does he MC?
571
00:26:19,590 --> 00:26:22,670
What? No, it's got nothing to do
with lipsing or someone else.
572
00:26:22,670 --> 00:26:24,550
What is it then?
573
00:26:26,070 --> 00:26:28,190
PHONE RINGS
574
00:26:28,190 --> 00:26:29,590
Fuck.
575
00:26:31,630 --> 00:26:34,310
Hi, bubby.
'Are you fucking insane?'
576
00:26:34,310 --> 00:26:36,150
Hm? 'Why did you choose Essex?'
577
00:26:36,150 --> 00:26:37,190
What?
578
00:26:38,510 --> 00:26:41,390
Hang on, no... If we're going
to have this conversation,
579
00:26:41,390 --> 00:26:43,790
I'm going to put this music on,
so wait. Listen to this.
580
00:26:43,790 --> 00:26:47,190
CHILL-OUT MUSIC PLAYS
Calm down for one second. Listen!
581
00:26:48,510 --> 00:26:52,590
No, it is true, it is true,
but it's not...my choice.
582
00:26:52,590 --> 00:26:55,110
I wanted to tell you about it
but I didn't know how to tell you.
583
00:26:55,110 --> 00:26:57,550
Beats had to tell me.
I'm not moving to Essex!
584
00:26:57,550 --> 00:26:59,110
Do you know how far away that is?
585
00:26:59,110 --> 00:27:01,510
VOICE WAVERS: I've got Kurupt FM.
Beats is here.
586
00:27:01,510 --> 00:27:04,390
All the fucking boys, and you're
going to make me go over there,
587
00:27:04,390 --> 00:27:06,350
away from my music.
I'm going to shoot off.
588
00:27:06,350 --> 00:27:08,390
No, you're fucking not. Wait there.
589
00:27:08,390 --> 00:27:10,430
No, no then. Don't care.
590
00:27:10,430 --> 00:27:12,630
We're going down the council
tomorrow then
591
00:27:12,630 --> 00:27:14,310
and Beats is coming with me
592
00:27:14,310 --> 00:27:16,710
and me and Beats are going to find
a place to live then.
593
00:27:16,710 --> 00:27:18,390
Yes, we are!
594
00:27:18,390 --> 00:27:20,510
CHILL-OUT MUSIC PLAYS
595
00:27:25,430 --> 00:27:27,070
So, no. So, that's good.
596
00:27:29,030 --> 00:27:31,390
SHE SLAMS COMPUTER SHUT
Won't need that any more.
597
00:27:32,430 --> 00:27:34,190
SHE CLEARS THROAT
44821
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