Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:40,100 --> 00:00:42,000
Enter
2
00:00:44,100 --> 00:00:46,433
Enter.
3
00:00:46,533 --> 00:00:48,233
Did you say enter?
4
00:00:48,333 --> 00:00:50,633
Did you ever think of
getting a hearing aid, Sidney?
5
00:00:50,733 --> 00:00:51,733
Beg pardon?
6
00:00:51,833 --> 00:00:52,933
Oh, never mind.
7
00:00:53,033 --> 00:00:54,367
I brought the
stockroom key back.
8
00:00:54,467 --> 00:00:55,567
Thank you.
9
00:00:55,667 --> 00:00:57,567
Don't forget, it's the
school concert this week.
10
00:00:57,667 --> 00:00:58,733
Pardon?
11
00:00:58,833 --> 00:01:00,333
The school concert.
12
00:01:00,433 --> 00:01:01,100
Oh.
13
00:01:01,200 --> 00:01:02,267
I'll get the hall ready.
14
00:01:02,367 --> 00:01:03,467
Good.
15
00:01:03,567 --> 00:01:05,633
I wonder what Mr. Brown's
class is going to do.
16
00:01:05,733 --> 00:01:06,867
Has he mentioned
anything to you?
17
00:01:06,967 --> 00:01:07,933
Oh, not Dicky-Bird.
18
00:01:08,033 --> 00:01:09,467
No, no.
19
00:01:09,567 --> 00:01:10,867
As a matter, I don't think any
of them want to do anything.
20
00:01:10,967 --> 00:01:12,867
That's nonsense
Every class is expected
21
00:01:12,967 --> 00:01:14,633
to put on some sort of show.
22
00:01:14,733 --> 00:01:17,000
Better tell Mr. Brown to
come see me at tea break.
23
00:01:17,100 --> 00:01:18,100
Pardon?
24
00:01:18,200 --> 00:01:19,100
Tea break.
25
00:01:19,200 --> 00:01:20,067
Oh, is it?
26
00:01:20,167 --> 00:01:21,233
Oh, I could do with a cuppa.
27
00:01:21,333 --> 00:01:22,000
See you.
28
00:01:22,100 --> 00:01:23,000
All right.
29
00:01:23,100 --> 00:01:25,000
Now, pay attention, everyone.
30
00:01:25,100 --> 00:01:26,467
As you may recall,
when last we met,
31
00:01:26,567 --> 00:01:28,400
I gave you each,
for your homework,
32
00:01:28,500 --> 00:01:30,333
a different task to
do over the weekend.
33
00:01:30,433 --> 00:01:31,833
Hope you've all done them, yes?
34
00:01:33,100 --> 00:01:34,267
Good.
35
00:01:34,367 --> 00:01:35,800
Well, I want you each
in turn to stand up
36
00:01:35,900 --> 00:01:37,967
and give me a report on your
various activities, all right?
37
00:01:38,067 --> 00:01:39,133
Now, who'd like to begin?
38
00:01:40,500 --> 00:01:41,767
We'll start at the back,
shall we, with you.
39
00:01:41,867 --> 00:01:43,533
Jamila.
40
00:01:43,633 --> 00:01:46,200
Your homework was a
visit to the cinema.
41
00:01:46,300 --> 00:01:48,767
Would you like to tell us
about the film you saw?
42
00:01:48,867 --> 00:01:50,267
Hah.
43
00:01:50,367 --> 00:01:53,567
It was be about most
beautiful, top-class
44
00:01:53,667 --> 00:01:57,567
Indian girl who is fell in love
with boy from bottom class.
45
00:01:57,667 --> 00:01:58,500
Lower class.
46
00:01:58,600 --> 00:01:59,900
Hah.
47
00:02:00,000 --> 00:02:01,600
But girl's father is sick.
48
00:02:01,700 --> 00:02:02,633
Nobody get married.
49
00:02:02,733 --> 00:02:04,700
So they run away.
50
00:02:04,800 --> 00:02:08,500
But father is catched them
and drop off boys leggies.
51
00:02:11,700 --> 00:02:14,467
Later, father is be die.
52
00:02:14,567 --> 00:02:17,700
One day, girl is see
beggar man in street.
53
00:02:19,167 --> 00:02:20,733
It is her sweetheart.
54
00:02:20,833 --> 00:02:22,733
Ah, she cries, no leggies.
55
00:02:22,833 --> 00:02:23,667
No matter.
56
00:02:23,767 --> 00:02:26,000
You be marry me.
57
00:02:26,100 --> 00:02:27,200
OK, he say.
58
00:02:27,300 --> 00:02:29,133
I be go and be make
myself look nice.
59
00:02:29,233 --> 00:02:30,067
What, with no leggies.
60
00:02:30,167 --> 00:02:32,700
So he go.
61
00:02:32,800 --> 00:02:34,833
"Wait," she cry,
and run after him.
62
00:02:34,933 --> 00:02:40,367
And then barong, big motor
car hit her and killed her.
63
00:02:42,300 --> 00:02:44,333
It was most miserable film.
64
00:02:44,433 --> 00:02:47,067
And I'm enjoy it very much.
65
00:02:47,167 --> 00:02:48,700
Good.
Well done, Jamila.
66
00:02:48,800 --> 00:02:49,600
Very good.
67
00:02:49,700 --> 00:02:50,633
Taro.
68
00:02:50,733 --> 00:02:51,533
Ah so.
69
00:02:55,067 --> 00:02:57,567
Your homework was a
visit to London Zoo.
70
00:02:57,667 --> 00:02:59,300
Tell us about it.
71
00:02:59,400 --> 00:03:01,667
I arrive at London Zoo-o.
72
00:03:01,767 --> 00:03:03,200
No, no, Taro.
73
00:03:03,300 --> 00:03:03,967
No.
74
00:03:04,067 --> 00:03:05,900
London Zoo.
75
00:03:06,000 --> 00:03:08,067
Start again.
76
00:03:08,167 --> 00:03:11,933
I arrive at the London-o Zoo.
77
00:03:12,033 --> 00:03:13,567
"London Zoo."
78
00:03:13,667 --> 00:03:15,033
There are no "o's."
79
00:03:15,133 --> 00:03:16,467
Oh, yes, please.
80
00:03:16,567 --> 00:03:21,500
There are two "o's" in "London"
and two "o's" in "zoo."
81
00:03:21,600 --> 00:03:23,267
That is absolutely
correct, Ali.
82
00:03:23,367 --> 00:03:25,633
But I'm referring to the
ends of the words, all right?
83
00:03:25,733 --> 00:03:26,933
Now, carry on, Taro.
84
00:03:27,033 --> 00:03:28,467
But do try and get out
of the habit of ending
85
00:03:28,567 --> 00:03:29,867
every other word in "o."
86
00:03:29,967 --> 00:03:30,867
I'll try.
87
00:03:30,967 --> 00:03:33,133
Good.
88
00:03:33,233 --> 00:03:35,667
Went first to see buffle.
89
00:03:40,033 --> 00:03:41,567
"Buffle?"
90
00:03:41,667 --> 00:03:43,233
Like a big bull.
91
00:03:43,333 --> 00:03:44,000
Oh.
92
00:03:44,100 --> 00:03:47,000
"Buffalo."
93
00:03:47,100 --> 00:03:50,167
Taro "confused-o."
94
00:03:50,267 --> 00:03:53,367
Yeah, words that end in
"o," like "buffalo" or "radio"
95
00:03:53,467 --> 00:03:55,267
or "vertigo," you
pronounce the "o."
96
00:03:55,367 --> 00:03:57,000
But where there is no
"o," you don't have one.
97
00:03:57,100 --> 00:03:58,367
Understand?
98
00:03:58,467 --> 00:03:59,500
"Yes-o."
99
00:03:59,600 --> 00:04:01,100
Thank you for that.
100
00:04:01,200 --> 00:04:02,033
All right, Taro.
101
00:04:02,133 --> 00:04:03,433
Thank you.
102
00:04:03,533 --> 00:04:04,333
Right.
103
00:04:04,433 --> 00:04:05,367
Now, Ali.
104
00:04:05,467 --> 00:04:06,533
Yes, please.
105
00:04:06,633 --> 00:04:08,833
I asked you to read one
of Shakespeare's plays.
106
00:04:08,933 --> 00:04:09,767
Were you able to do that?
107
00:04:09,867 --> 00:04:11,333
Most definitely.
108
00:04:11,433 --> 00:04:13,033
I'm reading about Sherlock.
109
00:04:13,133 --> 00:04:14,867
You mean Shylock?
110
00:04:14,967 --> 00:04:15,767
Yes, please.
111
00:04:15,867 --> 00:04:16,967
"The Merchant of Venice."
112
00:04:17,067 --> 00:04:17,933
Oh, good.
113
00:04:18,033 --> 00:04:19,467
Carry on.
114
00:04:19,567 --> 00:04:22,367
First of all, there
is a lady, Porter.
115
00:04:22,467 --> 00:04:23,133
No.
116
00:04:23,233 --> 00:04:24,900
Her name was Portia.
117
00:04:25,000 --> 00:04:26,100
Yes, please.
118
00:04:26,200 --> 00:04:28,400
Now, a man called
Bassanio is fancying
119
00:04:28,500 --> 00:04:30,967
this lady Porter, er, Portia.
120
00:04:31,067 --> 00:04:32,600
But he's broken.
121
00:04:32,700 --> 00:04:33,600
Broken what?
122
00:04:33,700 --> 00:04:36,667
Stony broken and no money.
123
00:04:36,767 --> 00:04:37,767
Oh, you mean "broke."
124
00:04:37,867 --> 00:04:38,667
Yes.
125
00:04:38,767 --> 00:04:39,767
Carry on.
126
00:04:39,867 --> 00:04:41,300
So he's going
to see his friend,
127
00:04:41,400 --> 00:04:47,500
Antonio, and saying, oh please
be lending me 3,000 buckets.
128
00:04:47,600 --> 00:04:48,633
"Ducats."
129
00:04:48,733 --> 00:04:49,900
Sorry, please.
130
00:04:50,000 --> 00:04:52,033
But Antonio was
also broken, so he's
131
00:04:52,133 --> 00:04:54,100
going to Shylock, the
money-leading man,
132
00:04:54,200 --> 00:04:56,233
and asking him to
lend him the money.
133
00:04:56,333 --> 00:04:58,867
Shylock is agree,
but on one condition.
134
00:04:58,967 --> 00:05:01,767
If in three months time, he's
not paying him back the money,
135
00:05:01,867 --> 00:05:05,633
then Shylock could cut off
a pound of Antonio's fleshy.
136
00:05:05,733 --> 00:05:09,033
Why is he wanting a
pound of human flesh?
137
00:05:09,133 --> 00:05:12,633
Might be he's one
of them cannonballs.
138
00:05:12,733 --> 00:05:15,200
"Cannibals."
139
00:05:15,300 --> 00:05:16,333
Oh no.
140
00:05:16,433 --> 00:05:18,433
He's doing this because
he's not liking Antonio.
141
00:05:18,533 --> 00:05:21,933
Anyway, Antonio is
in a bigger trouble.
142
00:05:22,033 --> 00:05:24,367
He wrecked all his chips.
143
00:05:24,467 --> 00:05:25,800
"Ships."
144
00:05:25,900 --> 00:05:27,700
Ships.
145
00:05:27,800 --> 00:05:30,433
And he's not been able
to pay back the money.
146
00:05:30,533 --> 00:05:33,400
Now, Shylock is wanting
his pound of flesh.
147
00:05:33,500 --> 00:05:36,533
But lady Portia is pretending
to be a lawyer-man,
148
00:05:36,633 --> 00:05:40,233
and she's saying agreement
was for a one pound of flesh,
149
00:05:40,333 --> 00:05:42,567
and no droppies of blood.
150
00:05:42,667 --> 00:05:44,300
Shylock has had it.
151
00:05:44,400 --> 00:05:49,700
How can he have had it
when he's not getting?
152
00:05:49,800 --> 00:05:51,233
You damn fool.
153
00:05:51,333 --> 00:05:53,633
You are not understanding
the Queen's English.
154
00:05:53,733 --> 00:05:56,467
I know the queen is English.
155
00:05:56,567 --> 00:05:58,133
You think I'm stupid?
156
00:05:58,233 --> 00:05:59,300
Most definitely.
157
00:05:59,400 --> 00:06:01,133
Ranjeet, sit down.
158
00:06:01,233 --> 00:06:02,233
Thank you.
Right.
159
00:06:02,333 --> 00:06:03,667
Thank you, Ali.
Very well done.
160
00:06:03,767 --> 00:06:05,100
Right.
161
00:06:05,200 --> 00:06:08,133
Now, Su-Lee, your task was
a visit to Petticoat Lane.
162
00:06:08,233 --> 00:06:09,900
Petticoat Lane,
very disappointing.
163
00:06:10,000 --> 00:06:10,833
Oh?
164
00:06:10,933 --> 00:06:11,767
Why was that?
165
00:06:11,867 --> 00:06:16,000
Not see one petticoat.
166
00:06:16,100 --> 00:06:18,133
Petticoat Lane is just
the name of the place.
167
00:06:18,233 --> 00:06:20,433
Look, don't you find
marketplaces interesting.
168
00:06:20,533 --> 00:06:22,500
Maketplaces are full
of capitalistic traders,
169
00:06:22,600 --> 00:06:25,033
selling inferior merchandise
to ignorant working classes,
170
00:06:25,133 --> 00:06:26,400
that inflate the prices.
171
00:06:26,500 --> 00:06:27,767
Chairman Mao, he always said--
172
00:06:27,867 --> 00:06:30,033
Never mind what
Chairman Mao says.
173
00:06:30,133 --> 00:06:31,333
Thank you, Su-Lee.
174
00:06:31,433 --> 00:06:32,300
Well done.
175
00:06:32,400 --> 00:06:34,000
All right, Ranjeet,
your task was
176
00:06:34,100 --> 00:06:35,867
a visit to Highgate Cemetery.
177
00:06:35,967 --> 00:06:39,233
And I am finding
it very interesting.
178
00:06:39,333 --> 00:06:40,733
Good Well, tell
us all about it.
179
00:06:40,833 --> 00:06:44,767
Firstly, I'm seeing the
burying place of Karl Marx.
180
00:06:44,867 --> 00:06:45,700
Ah, yes.
181
00:06:45,800 --> 00:06:47,200
The father of communism.
182
00:06:47,300 --> 00:06:50,333
But I'm not understanding
which one he was.
183
00:06:50,433 --> 00:06:51,100
I'm sorry.
184
00:06:51,200 --> 00:06:52,200
I don't understand.
185
00:06:52,300 --> 00:06:54,333
Was he Chico,
Harpo, or Groucho?
186
00:06:58,167 --> 00:07:00,800
Karl Marx was not one
of the Marx Brothers.
187
00:07:00,900 --> 00:07:02,933
A thousand apologies.
188
00:07:03,033 --> 00:07:04,400
What else did you see?
189
00:07:04,500 --> 00:07:07,600
I'm seeing many
beautiful greystones.
190
00:07:07,700 --> 00:07:09,567
"Gravestones."
191
00:07:09,667 --> 00:07:10,833
That is correct.
192
00:07:10,933 --> 00:07:14,933
And some of them have written
on them beautiful words.
193
00:07:15,033 --> 00:07:17,967
I'm writing one down.
194
00:07:18,067 --> 00:07:21,933
"You are gone, my dearest wife.
195
00:07:22,033 --> 00:07:24,567
Still I feel no pain.
196
00:07:24,667 --> 00:07:28,433
For I know at Heaven's
Gate, we will meet again."
197
00:07:32,400 --> 00:07:34,967
What's the matter, Giovanni.
198
00:07:35,067 --> 00:07:36,067
I can't help it, Professori.
199
00:07:36,167 --> 00:07:37,567
It's so sad.
200
00:07:37,667 --> 00:07:41,367
That poor husband, he must
have loved his wife very much.
201
00:07:41,467 --> 00:07:43,733
Please don't be
upsetting yourself.
202
00:07:43,833 --> 00:07:45,633
The husband is being very happy.
203
00:07:45,733 --> 00:07:46,767
How do you know?
204
00:07:46,867 --> 00:07:48,033
He's dying the year after.
205
00:07:48,133 --> 00:07:49,533
Oh, thank goodness.
206
00:07:49,633 --> 00:07:52,167
I'm so happy for him.
207
00:07:52,267 --> 00:07:54,900
And they are both
big football fans.
208
00:07:55,000 --> 00:07:56,600
Oh, how on earth
do you know that?
209
00:07:56,700 --> 00:08:01,133
He's having put on the
stone "United forever."
210
00:08:04,333 --> 00:08:07,700
That, Ranjeet, refers
to him being reunited
211
00:08:07,800 --> 00:08:09,567
with his wife in heaven.
212
00:08:09,667 --> 00:08:11,000
Thousand, another
thousand apologies.
213
00:08:11,100 --> 00:08:12,233
Yes.
Well, thank you.
214
00:08:12,333 --> 00:08:13,367
Well done.
Good.
215
00:08:13,467 --> 00:08:14,433
All right.
216
00:08:14,533 --> 00:08:15,967
Giovanni, have you
recovered sufficiently
217
00:08:16,067 --> 00:08:18,633
to tell us about your
visit to Speakers' Corner.
218
00:08:18,733 --> 00:08:25,700
Okey-cokey First, I take
the tube to Hyde Park.
219
00:08:25,800 --> 00:08:28,367
Then for an hour, nothing.
220
00:08:28,467 --> 00:08:29,733
Well, what do
you mean nothing?
221
00:08:29,833 --> 00:08:31,133
Nobody was there.
222
00:08:31,233 --> 00:08:33,000
What, at 10:00 on
a Sunday morning?
223
00:08:33,100 --> 00:08:34,100
That's right.
224
00:08:34,200 --> 00:08:35,567
Well, that's strange.
225
00:08:35,667 --> 00:08:37,600
There's always people at
Speakers' Corner every weekend.
226
00:08:37,700 --> 00:08:41,533
I asked a policeman,
why is there nobody here?
227
00:08:41,633 --> 00:08:44,033
And I find out why
there is nobody there.
228
00:08:44,133 --> 00:08:45,633
Well, why was
there nobody there?
229
00:08:45,733 --> 00:08:49,000
I was at the wrong corner.
230
00:08:49,100 --> 00:08:51,267
Ah, yes, carry on, Giovanni.
231
00:08:51,367 --> 00:08:53,100
Excuse me, Mr. Brown.
232
00:08:53,200 --> 00:08:54,300
Ah, yes, Miss Courtney?
233
00:08:54,400 --> 00:08:55,667
What have you done
about the concert?
234
00:08:55,767 --> 00:08:57,033
Pardon?
235
00:08:57,133 --> 00:08:59,433
Is everybody in this
school going deaf?
236
00:08:59,533 --> 00:09:01,667
I want to know what you have
done about the school concert.
237
00:09:01,767 --> 00:09:03,233
Concert?
238
00:09:03,333 --> 00:09:05,033
There's been a notice on the
board for the past two weeks.
239
00:09:05,133 --> 00:09:06,267
You haven't read it?
240
00:09:06,367 --> 00:09:07,067
Well, I--
241
00:09:07,167 --> 00:09:08,433
Mr. Brown had read it.
242
00:09:08,533 --> 00:09:10,900
He was discussing it with
us before you came in.
243
00:09:12,567 --> 00:09:13,633
Yes, yes.
I was.
244
00:09:13,733 --> 00:09:14,633
Good.
245
00:09:14,733 --> 00:09:16,067
Then what are you going to do?
246
00:09:16,167 --> 00:09:17,533
Well, I expect
we'll all be there.
247
00:09:17,633 --> 00:09:20,367
I should jolly well hope
you will all be there.
248
00:09:20,467 --> 00:09:23,500
But what I want to know
is what your students'
249
00:09:23,600 --> 00:09:25,467
contribution will be.
250
00:09:25,567 --> 00:09:26,367
Contribution?
251
00:09:26,467 --> 00:09:27,567
Yes.
252
00:09:27,667 --> 00:09:28,900
What little party piece
are they going to perform?
253
00:09:29,000 --> 00:09:30,733
Party piece?
Well, I--
254
00:09:30,833 --> 00:09:33,033
Eh, pardon, senora.
255
00:09:33,133 --> 00:09:36,433
It's going to be a surprise.
256
00:09:36,533 --> 00:09:37,267
Yes.
257
00:09:37,367 --> 00:09:38,600
It's is going to be a surprise.
258
00:09:38,700 --> 00:09:41,000
Well, I don't like surprises.
259
00:09:41,100 --> 00:09:42,800
I want to be quite sure that
what they're going to do
260
00:09:42,900 --> 00:09:44,267
will be acceptable.
261
00:09:44,367 --> 00:09:46,533
So I suggest that after tea
break, you and your class
262
00:09:46,633 --> 00:09:49,933
can give me a preview of
their intended performance?
263
00:09:50,033 --> 00:09:51,033
Right.
264
00:09:55,067 --> 00:09:56,133
Hey.
265
00:09:56,233 --> 00:09:57,733
We'll help you out
pretty good, huh?
266
00:09:57,833 --> 00:09:59,867
Yes, but not for very long.
267
00:09:59,967 --> 00:10:00,967
Por favor?
268
00:10:01,067 --> 00:10:02,333
We do have to
think of something
269
00:10:02,433 --> 00:10:04,500
to do for this concert in
less than half-an-hour.
270
00:10:04,600 --> 00:10:06,100
That's all right.
271
00:10:06,200 --> 00:10:11,067
With your brain, and
our talent, no problem.
272
00:10:14,300 --> 00:10:15,900
- To me, Sid.
- Pardon?
273
00:10:16,000 --> 00:10:17,600
- To me.
- To me?
274
00:10:17,700 --> 00:10:18,567
To me.
275
00:10:18,667 --> 00:10:19,700
- No over here.
- Not you.
276
00:10:19,800 --> 00:10:20,533
Me.
- To you?
277
00:10:20,633 --> 00:10:21,533
- Right.
- Oh.
278
00:10:24,267 --> 00:10:27,167
I got you a nice
cup of tea, Mr. Brown.
279
00:10:27,267 --> 00:10:28,300
Oh, thank you, Gladys.
280
00:10:28,400 --> 00:10:29,033
There.
281
00:10:29,133 --> 00:10:30,433
Thank you.
282
00:10:30,533 --> 00:10:31,800
Here, what are you all
going to do for the concert?
283
00:10:31,900 --> 00:10:33,067
I shudder to think.
284
00:10:33,167 --> 00:10:34,533
They're outside practicing now.
285
00:10:34,633 --> 00:10:35,367
Oh.
286
00:10:35,467 --> 00:10:36,633
Would you like me to do a bit?
287
00:10:36,733 --> 00:10:37,533
A bit of what?
288
00:10:37,633 --> 00:10:38,600
Well, singing.
289
00:10:38,700 --> 00:10:40,167
I was in the choir.
290
00:10:40,267 --> 00:10:49,167
Jerusalem, Jerusalem,
lift up your voice and sing--
291
00:10:49,267 --> 00:10:51,133
Turn it off Gladys.
292
00:10:51,233 --> 00:10:52,600
You'll curdle up the milk.
293
00:10:52,700 --> 00:10:56,333
Oh, don't you be so cheeky.
294
00:10:56,433 --> 00:10:58,133
You like my voice, Mr. Brown?
295
00:10:58,233 --> 00:10:59,367
I think it's remarkable.
296
00:10:59,467 --> 00:11:00,300
Thank you.
297
00:11:00,400 --> 00:11:01,533
I could do a
turn, if you like.
298
00:11:01,633 --> 00:11:02,300
What?
You, Sid?
299
00:11:02,400 --> 00:11:03,067
Yeah.
300
00:11:03,167 --> 00:11:04,400
You, watch this.
301
00:11:04,500 --> 00:11:05,800
Any old iron?
302
00:11:05,900 --> 00:11:07,100
Any old iron?
303
00:11:07,200 --> 00:11:08,833
Any, any, any old iron?
304
00:11:08,933 --> 00:11:10,700
You all look sweet.
Talk about a treat.
305
00:11:10,800 --> 00:11:12,633
You all look dapper from
your napper to your feet.
306
00:11:12,733 --> 00:11:14,700
Dressed in style, brand-new
tile, and your father's
307
00:11:14,800 --> 00:11:16,067
old green tie on.
308
00:11:16,167 --> 00:11:17,933
But I wouldn't you a
tuppence for your old watch
309
00:11:18,033 --> 00:11:19,567
and chain, old iron, old iron.
310
00:11:21,967 --> 00:11:22,867
How's that?
311
00:11:28,000 --> 00:11:28,833
All right.
312
00:11:28,933 --> 00:11:29,733
Come on.
313
00:11:29,833 --> 00:11:30,800
Hurry on up.
314
00:11:32,067 --> 00:11:33,067
All right, Mr. Brown.
315
00:11:33,167 --> 00:11:36,267
All right,
316
00:11:36,367 --> 00:11:37,967
All right.
Come along, everybody.
317
00:11:38,067 --> 00:11:40,967
Good, good.
318
00:11:41,067 --> 00:11:41,967
Hey.
319
00:11:42,067 --> 00:11:42,967
Senor Brown.
320
00:11:43,067 --> 00:11:44,133
Yeah.
321
00:11:44,233 --> 00:11:45,800
It's the program
for our concierto.
322
00:11:45,900 --> 00:11:46,967
- Oh, for the concert?
- Si, si.
323
00:11:47,067 --> 00:11:48,200
Ah, good.
Yes.
324
00:11:48,300 --> 00:11:49,967
Good, good.
All right, come along everybody.
325
00:11:50,067 --> 00:11:51,633
Miss Courtney will be
here any minute now.
326
00:11:51,733 --> 00:11:52,933
I am here now, Mr. Brown.
327
00:11:53,033 --> 00:11:54,233
Well, good.
328
00:11:54,333 --> 00:11:55,500
Would you like to sit
there, Miss Courtney?
329
00:11:55,600 --> 00:11:56,467
Thank you.
330
00:11:56,567 --> 00:11:58,000
I do hope I am
going to enjoy this.
331
00:11:58,100 --> 00:11:59,267
So do I.
332
00:11:59,367 --> 00:12:00,800
I wouldn't like to
be embarrassed in front
333
00:12:00,900 --> 00:12:01,967
of our distinguished guests.
334
00:12:02,067 --> 00:12:03,667
Oh, no-- what
distinguished guests?
335
00:12:03,767 --> 00:12:06,333
Quite a few members of
the Education Authority
336
00:12:06,433 --> 00:12:07,800
always come to see our concerts.
337
00:12:07,900 --> 00:12:09,833
I don't want a repetition
of what happened last year.
338
00:12:09,933 --> 00:12:11,267
What-- what happened?
339
00:12:11,367 --> 00:12:14,267
Mr. Jarvis' woodwork
students were quite awful.
340
00:12:14,367 --> 00:12:17,500
They sang bawdy rugby
songs out of tune.
341
00:12:17,600 --> 00:12:20,000
Mr. Jarvis still hasn't
found another job.
342
00:12:22,667 --> 00:12:23,500
How comforting.
343
00:12:23,600 --> 00:12:25,500
Right, would you
all come out here.
344
00:12:25,600 --> 00:12:27,800
When I introduce you, I
act as a kind of compere.
345
00:12:27,900 --> 00:12:30,300
Well, I shall stop you if
there's anything I don't like.
346
00:12:30,400 --> 00:12:31,267
Right.
347
00:12:31,367 --> 00:12:32,233
Good evening, ladies
and gentlemen--
348
00:12:32,333 --> 00:12:33,067
Stop.
349
00:12:33,167 --> 00:12:34,333
Is something the matter?
350
00:12:34,433 --> 00:12:35,967
This concert takes
place in the afternoon.
351
00:12:36,067 --> 00:12:38,400
Ah Good afternoon,
ladies and gentlemen.
352
00:12:38,500 --> 00:12:39,800
I hope you're all
sitting comfortably.
353
00:12:39,900 --> 00:12:40,800
Stop.
354
00:12:40,900 --> 00:12:42,167
Now, what was wrong with that?
355
00:12:42,267 --> 00:12:44,533
Mr. Brown, by the time
you and your cast come on,
356
00:12:44,633 --> 00:12:46,900
the audience would have been
sitting on those hard chairs
357
00:12:47,000 --> 00:12:48,767
for 1 and 1/2 hours.
358
00:12:48,867 --> 00:12:51,367
I wouldn't mention anything
about comfort if I were you.
359
00:12:51,467 --> 00:12:52,267
Ah.
360
00:12:52,367 --> 00:12:53,500
Right.
361
00:12:53,600 --> 00:12:54,933
Good afternoon,
ladies and gentlemen.
362
00:12:55,033 --> 00:12:56,700
The English as a
foreign language class
363
00:12:56,800 --> 00:13:00,167
is proud to present a potpourri
of music and laughter.
364
00:13:00,267 --> 00:13:05,267
And to start us off, we have
from Hungary Zoltan Szabo.
365
00:13:10,700 --> 00:13:11,700
Good evening, everybody!
366
00:13:11,800 --> 00:13:13,300
Good afternoon.
367
00:13:13,400 --> 00:13:14,067
Ah!
368
00:13:14,167 --> 00:13:16,933
Good afternoon.
369
00:13:17,033 --> 00:13:19,467
Hungarian magic.
370
00:13:19,567 --> 00:13:21,467
Hungarian paper.
371
00:13:32,133 --> 00:13:32,967
Hui, hui.
372
00:13:33,067 --> 00:13:34,267
Hia!
373
00:13:38,033 --> 00:13:40,667
Second Hungarian Magic.
374
00:13:40,767 --> 00:13:42,367
Stop.
375
00:13:42,467 --> 00:13:44,233
You don't want
second Hungarian magic?
376
00:13:44,333 --> 00:13:46,867
I don't think I even
want first Hungarian magic.
377
00:13:48,333 --> 00:13:49,400
Oh, well, never mind, Zoltan.
That's very good.
378
00:13:49,500 --> 00:13:50,733
Sit down.
Yes.
379
00:13:50,833 --> 00:13:52,167
Right.
380
00:13:52,267 --> 00:13:55,300
And now from Italy, the
irrepressible Giovanni Cupello.
381
00:13:58,067 --> 00:13:59,667
Graci, graci.
382
00:13:59,767 --> 00:14:03,800
For you, I'm gonna do
some impersonations.
383
00:14:03,900 --> 00:14:06,100
Okey-cokey, here we go.
384
00:14:09,267 --> 00:14:09,967
Hey.
385
00:14:10,067 --> 00:14:11,833
You want a nice piece of salami?
386
00:14:11,933 --> 00:14:13,700
I've got a lovely piece for you.
387
00:14:13,800 --> 00:14:15,267
And was that supposed to be?
388
00:14:15,367 --> 00:14:16,500
That's my butcher, Antonio.
389
00:14:20,133 --> 00:14:23,367
We have never heard
of your butcher.
390
00:14:23,467 --> 00:14:24,433
Maybe not.
391
00:14:24,533 --> 00:14:26,700
But if you had, it's
very much like him.
392
00:14:26,800 --> 00:14:30,533
Don't you do any impressions
of any well-known people.
393
00:14:30,633 --> 00:14:32,233
Sure I can.
394
00:14:32,333 --> 00:14:35,333
Jimmy Cagney, in a
scene from the film
395
00:14:35,433 --> 00:14:37,800
"Disaster on the Fifth Avenue."
396
00:14:46,000 --> 00:14:49,800
You dirty rat.
397
00:14:49,900 --> 00:14:52,700
You dirty, dirty, dirty rat!
398
00:14:52,800 --> 00:14:54,067
Dirty, dirty.
399
00:14:54,167 --> 00:14:56,000
I'm gonna fix you!
400
00:14:57,633 --> 00:14:59,133
I haven't finished yet.
401
00:14:59,233 --> 00:15:03,600
Well, Mr. Cagney sounds
remarkably like your butcher.
402
00:15:03,700 --> 00:15:09,200
And now from
France, the delightful Danielle.
403
00:15:13,400 --> 00:15:15,967
Thank you.
404
00:15:16,067 --> 00:15:17,533
La la la la.
405
00:15:17,633 --> 00:15:19,500
La la.
406
00:15:19,600 --> 00:15:20,500
Off.
407
00:15:20,600 --> 00:15:23,867
La la la la, la la.
408
00:15:23,967 --> 00:15:24,833
Off.
409
00:15:24,933 --> 00:15:26,800
La la la la--
410
00:15:32,433 --> 00:15:34,133
off.
411
00:15:34,233 --> 00:15:36,067
Do you know any of
the words, Danielle?
412
00:15:36,167 --> 00:15:37,967
I do not sing the words.
413
00:15:38,067 --> 00:15:39,267
I just dance to the music.
414
00:15:39,367 --> 00:15:42,600
And what is all
this "off" business.
415
00:15:42,700 --> 00:15:46,100
That is when I'm
taking off my clothes.
416
00:15:46,200 --> 00:15:48,800
You can't have that
sort of thing going on.
417
00:15:48,900 --> 00:15:50,700
It's not going on.
418
00:15:50,800 --> 00:15:52,500
It is coming off.
419
00:15:52,600 --> 00:15:54,400
Not in my school.
420
00:15:54,500 --> 00:15:55,333
But, I--
421
00:15:55,433 --> 00:15:56,567
Yeah, well, thank
you, Danielle.
422
00:15:56,667 --> 00:15:57,733
Well done.
Jolly good.
423
00:15:57,833 --> 00:15:59,267
Yes.
424
00:15:59,367 --> 00:16:02,167
And now, from the
mysterious East,
425
00:16:02,267 --> 00:16:04,700
we have to sing for
you Taro Nagazumi.
426
00:16:11,300 --> 00:16:15,767
I sing for you a
traditional Japanese song
427
00:16:15,867 --> 00:16:19,233
called "A Warrior's Lament-o."
428
00:16:48,533 --> 00:16:51,233
Stop.
429
00:16:51,333 --> 00:16:54,167
Why you tell me "stop-o."
430
00:16:54,267 --> 00:16:56,900
Because it was awful.
431
00:16:57,000 --> 00:16:58,733
Oh, I thought it
had a certain style.
432
00:16:58,833 --> 00:16:59,667
Yeah.
433
00:16:59,767 --> 00:17:01,700
Sickening.
434
00:17:01,800 --> 00:17:04,033
Sorry.
435
00:17:04,133 --> 00:17:05,767
You no like-o my song.
436
00:17:11,400 --> 00:17:15,000
And now from Germany, will
you welcome with her animal
437
00:17:15,100 --> 00:17:16,867
impressions Anna Schmidt.
438
00:17:20,867 --> 00:17:22,333
Danke.
439
00:17:22,433 --> 00:17:26,967
I would like you to come with
me on a walk in a Black Forest.
440
00:17:27,067 --> 00:17:30,033
First, we meet a farmer
and his dog, woof woof.
441
00:17:32,767 --> 00:17:39,633
The dog is chasing the sheep,
baa baa, and the cows, moo moo.
442
00:17:39,733 --> 00:17:44,100
Ah, here comes a man on
his horse, neigh, neigh.
443
00:17:44,200 --> 00:17:46,567
No, no, Anna.
444
00:17:46,667 --> 00:17:47,500
Nein.
445
00:17:47,600 --> 00:17:48,733
Neigh, neigh.
446
00:17:48,833 --> 00:17:51,600
No, you're supposed to
make the actual sounds, like
447
00:17:51,700 --> 00:17:55,467
or.
448
00:17:55,567 --> 00:17:56,733
I can't do that.
449
00:17:56,833 --> 00:17:57,633
It hurts my throat.
450
00:17:57,733 --> 00:17:58,767
Ah.
451
00:17:58,867 --> 00:17:59,833
Well, thank you
for trying, anyway.
452
00:17:59,933 --> 00:18:01,233
Jolly good.
Well done.
453
00:18:01,333 --> 00:18:02,500
Right.
454
00:18:02,600 --> 00:18:06,967
And now from China, with
something peculiarly Chinese,
455
00:18:07,067 --> 00:18:09,333
will you welcome
Miss Chung Su-Lee.
456
00:18:16,033 --> 00:18:21,233
Chairman Mao, he say, "In the
conditions within China today,
457
00:18:21,333 --> 00:18:22,667
the contradictions
among the people,
458
00:18:22,767 --> 00:18:24,233
compliance accommodations
among the working classes,
459
00:18:24,333 --> 00:18:25,700
the contradictions
among the peasantry,
460
00:18:25,800 --> 00:18:27,000
the contradictions--"
- Stop.
461
00:18:27,100 --> 00:18:28,833
This is supposed to be
a school concert, not
462
00:18:28,933 --> 00:18:31,000
a party political broadcast.
463
00:18:31,100 --> 00:18:33,033
Can't you sing or anything?
464
00:18:33,133 --> 00:18:34,700
I can sing a
song of revolution.
465
00:18:34,800 --> 00:18:37,333
No,.
466
00:18:37,433 --> 00:18:38,367
All right.
467
00:18:38,467 --> 00:18:40,167
And now it's time
for a little comedy,
468
00:18:40,267 --> 00:18:42,300
from Ali Nadim
and Ranjeet Singh.
469
00:18:45,467 --> 00:18:49,033
"There's a little yellow idol
to the north of Khatmandu."
470
00:18:49,133 --> 00:18:51,967
I am saying, I am
saying, I am saying.
471
00:18:52,067 --> 00:18:53,700
Yes, please.
472
00:18:53,800 --> 00:18:56,567
Why is the rhinoceros
being like an elephant?
473
00:18:56,667 --> 00:18:59,300
Why is the rhinoceros
like being an elephant?
474
00:18:59,400 --> 00:19:01,133
Because neither of
them can ride a bicycle.
475
00:19:02,767 --> 00:19:04,367
I did not even know that.
476
00:19:04,467 --> 00:19:06,167
Please be leaving the stage.
477
00:19:06,267 --> 00:19:08,900
"There's a little yellow idol
to the north of Khatmandu."
478
00:19:09,000 --> 00:19:11,233
I am saying, I am
saying, I am saying.
479
00:19:11,333 --> 00:19:12,833
Stop.
480
00:19:12,933 --> 00:19:14,667
You are not liking us?
481
00:19:14,767 --> 00:19:15,733
No
482
00:19:15,833 --> 00:19:17,000
Oh, what did you expect?
483
00:19:17,100 --> 00:19:18,467
Morecambe and Wise?
484
00:19:18,567 --> 00:19:21,033
If you're wanting, we can
be doing Morecambe and Wise.
485
00:19:21,133 --> 00:19:23,633
I could be the fat, short
one with the hairy legs.
486
00:19:23,733 --> 00:19:25,433
And I will be the
one with the glasses.
487
00:19:29,667 --> 00:19:30,967
All right.
488
00:19:31,067 --> 00:19:32,267
Well, we'll discuss it later.
489
00:19:32,367 --> 00:19:33,000
Thank you.
490
00:19:33,100 --> 00:19:34,833
Very good, very good.
491
00:19:34,933 --> 00:19:36,333
Right.
492
00:19:36,433 --> 00:19:39,033
Our next student to entertain
you with a little culture
493
00:19:39,133 --> 00:19:40,567
is Jamila Ranjha.
494
00:19:50,233 --> 00:19:52,500
Ladies and gentlemen,
I am tell you
495
00:19:52,600 --> 00:19:58,267
beautiful English
poetries by Thomas Gray,
496
00:19:58,367 --> 00:20:01,000
"Elijah Written in
Country Churchyard."
497
00:20:01,100 --> 00:20:02,833
"Elegy."
498
00:20:02,933 --> 00:20:03,767
Sorry.
499
00:20:05,433 --> 00:20:12,000
"The curfew tolls the "kuh-nell"
of par-ting day." -ting day.
500
00:20:12,100 --> 00:20:18,900
"The lowing herd winds
slowly o'er the lea.
501
00:20:19,000 --> 00:20:24,533
The "ploff-man" homeward
plods his weary way,
502
00:20:24,633 --> 00:20:30,633
and leaves the world
to darkness and to me."
503
00:20:35,133 --> 00:20:36,433
Incredible.
504
00:20:36,533 --> 00:20:39,600
Yeah, I'll work on
her pronunciation.
505
00:20:39,700 --> 00:20:41,100
Thank you, Jamila.
506
00:20:41,200 --> 00:20:45,000
And now from Spain to entertain
you comes Juan Cervantes.
507
00:20:47,367 --> 00:20:50,233
It's all right, it's
all right, it's all right.
508
00:20:50,333 --> 00:20:53,833
Mr. Brown, he tell
you, I am from Spain.
509
00:20:53,933 --> 00:20:55,367
That surprised you, huh?
510
00:20:55,467 --> 00:20:59,567
When I speak, I have
no accent at all.
511
00:20:59,667 --> 00:21:04,367
In Spain one time, I was
going to be the bullfighter.
512
00:21:04,467 --> 00:21:09,000
So one Sunday afternoon,
I go to the bullfight
513
00:21:09,100 --> 00:21:11,167
and they put me in the ring.
514
00:21:15,200 --> 00:21:17,033
The bull comes out.
515
00:21:17,133 --> 00:21:18,700
I look at the bull.
516
00:21:18,800 --> 00:21:21,600
And the bull, he look at me.
517
00:21:21,700 --> 00:21:26,133
The bull, he look at me,
and I look at the bull.
518
00:21:26,233 --> 00:21:28,367
And you know one thing?
519
00:21:28,467 --> 00:21:31,233
The bull was
better-looking than me.
520
00:21:35,200 --> 00:21:37,700
Hey, why you no laugh?
521
00:21:37,800 --> 00:21:39,467
It's all right.
522
00:21:39,567 --> 00:21:44,000
So I not become the
bull fighter, because I
523
00:21:44,100 --> 00:21:45,833
don't kill pretty bulls.
524
00:21:45,933 --> 00:21:48,767
Good, huh?
525
00:21:49,767 --> 00:21:51,033
Sit down.
526
00:21:51,133 --> 00:21:52,600
You never saw me
dance the flamenco.
527
00:21:52,700 --> 00:21:53,700
I do it very good.
528
00:21:53,800 --> 00:21:54,600
Oh,.
529
00:22:06,533 --> 00:22:11,300
And finally, to
complete our contribution,
530
00:22:11,400 --> 00:22:13,867
Greece and Sweden
combine, Maximilian
531
00:22:13,967 --> 00:22:15,500
Papandrious and Ingrid Svenson.
532
00:22:23,300 --> 00:22:24,533
OK.
533
00:22:24,633 --> 00:22:29,167
And now my beautiful
assistant and I are
534
00:22:29,267 --> 00:22:31,367
going to do some, uh, jiggling.
535
00:22:31,467 --> 00:22:32,933
"Juggling."
536
00:22:33,033 --> 00:22:34,500
OK.
537
00:22:34,600 --> 00:22:35,500
You ready, huh?
538
00:22:35,600 --> 00:22:36,433
I already am.
539
00:22:36,533 --> 00:22:37,567
OK.
540
00:22:37,667 --> 00:22:38,467
Hey!
541
00:22:44,033 --> 00:22:45,033
Ooh.
542
00:22:58,600 --> 00:23:00,900
All we need is
a little practice.
543
00:23:01,000 --> 00:23:03,500
We can't afford the plates.
544
00:23:03,600 --> 00:23:04,467
Well done.
545
00:23:04,567 --> 00:23:05,633
Sit down, both of you.
546
00:23:05,733 --> 00:23:06,600
Jolly good.
547
00:23:06,700 --> 00:23:09,800
Well, Mr. Brown, I think--
548
00:23:09,900 --> 00:23:12,000
I think we can write
your class off.
549
00:23:13,933 --> 00:23:15,100
Please, Miss Courtney.
550
00:23:15,200 --> 00:23:16,800
The students will
be so disappointed.
551
00:23:16,900 --> 00:23:18,067
I mean, we still
have three days.
552
00:23:18,167 --> 00:23:19,200
Just give us a chance, eh?
553
00:23:19,300 --> 00:23:20,233
Oh, well, very well.
554
00:23:20,333 --> 00:23:22,200
But remember this Mr. Brown.
555
00:23:22,300 --> 00:23:24,167
Good jobs are hard to find.
556
00:23:46,367 --> 00:23:49,233
Thank you to Weight Watchers.
557
00:23:49,333 --> 00:23:50,667
myself.
558
00:23:50,767 --> 00:23:53,233
And now, ladies and gentlemen,
for your entertainment,
559
00:23:53,333 --> 00:23:55,833
here is Jeremy Brown
and his United Nations.
560
00:24:04,467 --> 00:24:06,200
Thank you.
37420
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof