All language subtitles for Mektoub.My.Love.Canto.Due.2025.480p.WeB-DL en

---

---

Camera click

---

You can speak.
He laughs.

Don't get stuck in there.

That helps.
Tell me

a story,
your book, a film...

Joseph Kessel,

"The Tour of Misfortune."

-Do you want to know
what it's about?

Um...

This takes place in August 1914.

At the very beginning of the war.

It's about Richard.

who comes from a modest family.

And who...

dreams of becoming a great lawyer.

He's going back to the Sorbonne.

There, he will meet Etienne.

a very intelligent young man,
like him,

but who comes
from a very wealthy family.

They are going to join the war.

And upon returning from this war,
Etienne will learn

that his mother slept
with Daniel, Richard's brother.

She is a woman
abandoned by her husband.

She is heading towards...

Young people like that
, to have a little bit of everything,

Young people like that
, to have a little bit of everything,

physical love
and maternal love.

And...

He already hated his mother, and now
he's going to hate her even more.

And one evening, he will kill his mother.

-Etienne?
-Yeah.

And so,
when his father, Jean, finds out about this,

He will ask Richard
to defend his son.

Richard, since he was little,

He dreamed of becoming a lawyer;
he had the necessary knowledge.

He had studied everything.

And he was the person
who knew Etienne best.

They had fought
in the war together.

At the time, it was the
most well-known case; everyone was talking about it.

Richard suddenly finds himself

He's in all the newspapers .

And it's going to be in extremely high demand.

From his very modest life,

he finds himself
at major events

with rich people.

He starts sleeping
with women.

He's lost his footing a bit, you see?

He's lost his footing a bit, you see?

-Put Amin's plate
in the car.

After that, you can go.

If you're finished.
-She looks too good.

-Tomorrow, I'll do more.

Thank you, darling.

*Dance music

*---

There's a knock.

The door opens.

-Good evening.
-GOOD EVENING.

-We are closed.

-We are closed.

-Closed?
-Yes.

-Farm ?

-Really?
-Yes.

-The restaurants in Sète
are closed.

-But we eat here
all the time.

-You should have come a little earlier.

It's too late now.
-No...

-Tony...
-Tony isn't here.

-Excuse me?
-Uh...

Owner.

-The owner?
She's busy.

-Delinda?
-Yes?

-Customers want to eat.
I said impossible.

They want to see you.

-You say it's closed.

-But she's the TV actress.

Jessica Patterson.
And her husband.

Yeah...

*Dance music

*---

-Inshallah.
Laughs

-Inshallah.
Laughs

Cheers

-She scored 421 on both.
-Twice.

-It's for you.

*---

-Atika,

Delinda needs help in the kitchen.

Customers have just arrived.

She told me to look for you.

-I'm in the middle of doing my accounting.

Ask Camélia.

-There are customers.
Camélia, come help in the kitchen.

-No, we're going out.
-We have to make couscous.

There's... what's it called?
"Embers of Passion".

Jessica Patterson.
She's here with her husband.

She's installed.
-Who?

-Jessica Patterson and her husband.

-Tell them "fuck".
-I told him.

-It's closed.
-But she screamed.

-Shout louder.
-Go tell Delinda.

-We're not in America.
It's over.

-No, we're on vacation.

-I thought, you left again.

-Non.

We're still here.

-Tony told me, Los Angeles.
-Excuse me.

-Yes?
-A whisky.

-Yes. I'll bring it.

The girls don't want to.

-Excuse me?
-Yes?

-Two whiskeys, please.
-She'll serve you.

-Yes, yes, yes.

-She will serve you a drink.

-And...

-Brick.
-Ah, brick.

-And salad. Mechouia.

Uh, solution...
Laughs

Just one minute.

THANKS.

-Excuse me.
-Yes?

-Um, what's your "name"?

What are you calling?

-What is my name?

-Yes, indeed.

-Dany.

-Dany?
-Yes.

-D'accord, Dany.

-Dany, ashtray?
-And you?

-Jack.
-Jessica.

-OK.

With ice cubes.

And here it is.

-Thank you.
-Please.

-And an ashtray.
-Ashtray.

-GOOD MORNING.

-Good evening.

-Listen...

-Listen, look...

-We put
some slata méchouia on them.

-OK.

-We have a lot of patience.

-It's necessary.

-But she really is...

-I know, she eats well.

OK.

-THANKS.

-I'm thinking about it. I have Amin's plate
in the car.

-What is Amin going to eat?
-He often leaves the plate.

Go ahead, my darling.

-For Americans,
a dish is this.

-For Americans,
a dish is this.

-Yeah.
-A dish, right?

-A big deal for one person.

Do you see all the waste?

They are rich.

-Did you see?

She's less beautiful
than she is on TV.

-TV is convenient.

-I expected better.

-She has the money.
-Oh yes.

-She's good.

-How are you?
-Good evening.

Camellia.
-Hello. Jack.

-Pleased to meet you.

-Good evening.
-Good evening.

-Atika.
-Atika?

-Camélia. Pleased to meet you.

-Good evening.
-Jessica.

Laughter

---

-Thank you for... the food.

-No problem.
-Thank you very much.

THANKS.

-Dany ?
-Yes ?

-Yes.

-Bring back some plates.

-Ah!
Jack hums.

-The sauce.
I know you like it.

"Put on again

"Put on again

"Some sauce."

-Enjoy your meal.
-Thank you.

-Thank you very much.
-You're welcome.

Jack rit.

-Did you see how she eats?

-Be discreet.

-Two spoons,
she finished it all.

-It's not very star-like.

-She's hungry.

-Disgusting.
-She swallows it.

She's a bon vivant.

It's a change from models.
-Yes.

But she should eat neatly.

-She appreciates it.

-They're bon vivants.

She burps.

-Good evening.

-Good evening.

Pleased to meet you.
-Hello.

Pleased to meet you.

-Dany ?

-So !

-Ah... Tada!

-Couscous !

-We are
in an oriental restaurant.

-THANKS.

Jack laughed.
-Thank you very much.

Jack laughed.
-Thank you very much.

-Bring the plate.
Is the fish okay?

-Oh, thank you.
Plate... plate...

-Yes, plate.

Laughter

-How long ?

-Your son?
-Yes.

-Yes.

-Ah, OK.

-Your nephew?
-Yes.

-Non.

-Yes of course.

-They can meet.

Laughter

-A good deal.

...

...

-Don't let me crush the beautiful dog.
-Move forward.

Barking

---

-Oh, Nadège!
-Hi.

-How are you?
-You too?

-How's it going, mate?

-How are you, Nadège?
-Yes, and you?

-How are you?

-You too?
-On vacation?

-Is the little one okay?
-Yes, he's up there.

-All right.

Are you okay, my darling?

-Yeah, and you?

-Still working.
-Are you okay, Kamel?

Yeah.

Always.
-We got your card.

-Did you receive it?
The official invitation.

-That's it.
-They're great.

-The date is set.
-The date is set.

-You must be stressed.
-A little.

-Ah yeah.

You shouldn't be working.
-No, did you see?

Tell my father.

-Clément, are you okay?
-Yeah, I'm fine.

-When is he coming?
-In two weeks.

-Are you happy?
-Yeah.

-She's always working.

-Amen?

-She needs to rest.

-She's getting married.

-Congratulations.

-She's no longer married.

-She is calm.

-It's not a party.

We celebrate marriage,
not divorce.

-But leave her alone.
She's gotten rid of a burden.

-Is this where the wedding is?

-It's there, yes.
-Is that right?

Do you have an orchestra?
-Over there.

-I have one myself.

With pleasure, I'll bring it back.

-As long as he doesn't sing...

-We didn't hire the other one.

-Don't worry, it's free.
That puts you off.

-Why is he making you out to be...

-It's free.
Go on, move forward.

-It's free.
Go on, move forward.

-Why didn't Tony come?

-We didn't find it.

-Why is your mother here?

-She wanted to come.

-It's been a long time
since she came by.

So, since you didn't answer,
I called you.

I got organized.

-For ?

-For Paris.

So...
-Did you take another test?

-Are
you sure? Are you pregnant?

-Yes, I'm sure.
I've done three.

-Ophelia!

-Yes ?

-Did you see that label,
how it's stuck on?

It's crooked.

-Stop yelling at him.

-It's handmade, Dad.
-Great!

Excellent answer!

She sighs.

-I keep throwing up.

The other morning, Father,
I got up,

We had to go to the market.

I start vomiting
in my room.

My father is coming home.

"What's wrong?"
I said, "Nothing."

I said I ate
at your place. Fish.

That it hadn't gone through.

You see, I said
I was going to get a dress.

That you were there
for your meeting with the producer.

We're staying for 2 days.

And we'll sleep at your place.

You say you received
a letter.

That you must go.

I said that yesterday
regarding the mail.

You can say that now.

And I'm going to...
-Does Tony know that?

-That I'm going to have an abortion?
Well yes, he knows.

-Does he know that I know?
-No.

He thinks you're coming with me
to look for my dress.

I said that.
Why? It doesn't change anything.

Do you want to tell him?
-Ah, no.

He won't come with you?

-No, he doesn't care.

He said:

"It's your body,
you're in charge."

"It's your body,
you're in charge."

He did not offer
to accompany me.

He said to himself, "Ya Amin."

It's up to him to come.

It is up to him to be responsible.

He told me,
"The day you get pregnant,

"I want you to keep it,
it will be beautiful.

"If it's a girl,
she'll look like you."

"If it's a boy,
he'll look like his dad."

I hope it's not a boy.

-Do you want to keep it?

-No, I'm going to have an abortion.
I'm not keeping it.

What do you want me to do?

What do I say?
Clément commits suicide.

If Tony were to take responsibility,
he would be making it official.

That would be acceptable to everyone.

No, I would be a disgrace
to the family.

If I keep it,
it will be abandoned.

He has already been abandoned
by his father.

My father disowned me.

My father disowned me.

I'm not doing what my sister does.

To come back with a child
without a husband.

It makes me look like a poor girl,
I don't do that.

-The little one must have grown up.

-Yes.
-I haven't seen him in a while.

Every time, you tell me:
"He's asleep."

-He wants to ride a tractor.

Ophelia takes it with her.
-That's right.

He likes it, yeah.

-Does he see his dad?

-It's complicated.

-We need to find a solution.

He needs his dad.
Even if he's twisted.

-Yeah...

-Twisted...
It's a small word, twisted.

-But he's young too.
What do you want?

*-You see, my little Monique,

what you call love,

love with a capital "L",

love with a capital "L",

It's a trap.

Yes, indeed.

A trap for the naive.

There is only desire.

And then, satiety.

That's all.

-That feels so good.

-Marie,

My sister, Dany.

She's pretty, isn't she?

Melinda, my cousin.

-Pleased to meet you.
-Marie.

-Is there a family resemblance?
-Between you?

Yeah, you look alike.

Yeah, you look alike.

Laugh

-Céline, a friend from Nice.
-Hi.

-Pleased to meet you.

-Marie, pleased to meet you.
-Hi.

-And Ophelia.

-Nice to meet you.
-My best friend.

-Does it bother you
if she has a drink?

-THANKS.

Are you all from here?

-Yes.
-All from Sète.

-You're on vacation
all year round.

-Exactly.
With the restaurant, we work.

-Yeah.

-Managing a restaurant,

It's not restful.

-Yeah.

-And where are you from?

-From Paris.

-What are you doing here?

-I'm on vacation

with my parents.
We're at the Beach Center hotel.

-She's not bored.
Classy.

-How old are you?
-18.

-She's of legal age and vaccinated.
-She's young.

-Exactly.

-Are you all older?
-Some of you.

Much older, yeah.

-27 isn't much more.

-27 isn't much more.

-Almost 10 years ago.

-8 years old.
-No, 9 years old.

18, 27...

-Hey, Nini, she's doing the same as you.

-What do you do?
-Educational sciences.

-Me too.
-What do you want to do?

-Institut.

-Are you sure?
-Yeah.

-I advised her.

-You didn't give me any advice.

-No, but I...

He just told me

that he would like me to do that.

-She is very intelligent.

-Are you from the suburbs of Paris?

-The inner suburbs.

-Do you know Amin Boumédiène?

He works in a brewery.

-Non.

Is he from there?
-Porte d'Orléans.

-Oh no, not at all.

-No, you're not from there?
-He's my cousin.

-Is he from Paris?

-He went there for his studies
and he writes screenplays.

-It's Tony
, but a few years younger.

-All right.

-He's more into medicine.

-Ah.

-He's coming back here, there.
-Okay.

-Now he does photography.
-He writes, too.

-Yes, he writes too.

-Is that your boyfriend?

-No, not at all!
(Laughter)

-He's my future boyfriend.

-No way.

-He's a childhood friend.

Like Aimé, Tony.

Like Kamel.

-The same group.
-Yeah.

-We should invite him to a restaurant.

-Serious.
-To introduce him to Auntie.

-You'll see,
there are some good fresh products.

-Farm products.

This is Ophelia's farm.

-OK, you run a farm?

-Uh, my parents.
-Okay.

-This is my parents' farm.

-Do you work there a little
or not at all?

-A bit too much.
I work with it.

There's cheese.
Do you like it?

-Yeah.
-Well, there you go.

-From your home,
from your farm?

Ah, great.

-I'd like some.

-Is there a knife?

-Do it with your hands.

-You know, here, it's the hands.
(Laughter)

-You know, here, it's the hands.
(Laughter)

We don't turn the bread over.

-THANKS.

-Does it bring bad luck?
-It was reserved for executioners.

-Very good.

-Give me a piece.
-Of cheese?

-He's the strongest one.

-They have a pretty color.

-It's the end of the season.
It's not...

-They are very beautiful.
-Thank you.

-Big, red, and all that...

You have some good tips for picnics at the beach .

-You surprise me.

-Do you have a boyfriend?
-No.

And you?
-Yeah.

-More than a friend.
-He lives here?

-He's not here.

-Her future husband.
-Is that true? When?

-In a month.

-Congratulations,
it's coming up soon.

-He's my best friend.

-Is he here?
-We've known him since we were little.

-My childhood friend.

-Super.

-A shack.
-Rambo, they call him.

-He is a marine commando.

-He is a marine commando.

-Ah yeah.
-Hence "Rambo".

-What does it consist of?

-It's a special unit
of the marine forces.

-He's watching.

-He is vulnerable.

In a month,
we might not see him.

-Oh, hey!

-That's one of the risks of the job.

-Can they send it
overnight?

-Yeah. When he comes back,
he'll stay for a few months.

And then he leaves again.

-You can come to the wedding,
maybe.

-In a month,
I will have resumed my studies.

-I'll pay for your train ticket.

-Ah, that's kind.

-We could go out,

to see how you move.

We can tell you love to dance.

-We feel above all

She is calm,
she seems cultured.

-And you'd make a good match with Amin,
then.

-You made the right choice.

-She's not for you.

Laughter

Laughter

-She's good.
-Who are you talking about?

[Laughter
] -Oh... You're the new girl?

SO ?

What are you going to do with these two?

Be careful.
-No, don't worry.

-Your mother is looking for you everywhere.

You brought back a beautiful mermaid.

Ca va?
-Tonton Kamel.

Marie from Paris.
-Pleased to meet you.

-Paris? That's two kisses.
-Yes.

-How are you?

My sister didn't come?

-Hm, she's too good.

Extremely fruity, sweet.

-Like you.
Laughs

-Are you sulking?

Hein?
-Non.

Hein?
-Non.

-You look
like you're sulking.

-Non.

I can feel it moving.

-Can you feel it moving there?

It suits you well, in any case.

You're even sexier.

I'll come see you tonight.

Hm?
-No.

-What do you want to do?
Do you want to go?

-What?
(-To have an abortion.)

-That's what we said.
-I said, "Do as you wish."

-Well, yes.

Whatever you want, too.

-If you want to keep it,
okay.

-If you want to keep it,
okay.

-Do you agree?
Is that all?

-Not that's all...
-What is this?

Do you keep it and put it down?

-Huh?
-You keep it and sit there?

-No, you're the one who keeps it.

I'm watching over you.

I assure you.

-Comment ?

-I work.
I earn money.

You will want for nothing.

-Will you come with us?

-Yes, I'm coming with you.

-And you're going to marry me?

-If I marry you,
is that okay?

-You're getting married,
you're going to see Clément,

You go see my father,
you tell them.

-Both at the same time?

-You're going to see Clément,
first of all.

-I'm going to see him and I'll tell him.

Ophélie is in love with me,
we have a child.

And that's it.
-Oh yeah?

And that's it.
-Oh yeah?

I didn't tell you to say that.

Say: "I love Ophelia.

"I want to live with her.
She's the woman of my life."

"I want to marry her."

Say that.

I'm getting married there
in a month.

Tell him to cancel

His marriage, that he forgets his wife.

Go tell him that.
For you.

-You'd be a good match for Amin.

-Stop with Amin.
He's taken.

-I don't know how to take it.

-You don't mind
telling him that?

Isn't she jealous?

-I'm not jealous.
-You don't want it?

-Yes, he's my future fiancé.

But I'd prefer
he enjoy it first.

I prefer to leave it to you.

-Ah, you're being sensible.
-She has her own agenda.

-She made her destiny.

-She's the one who wrote it.

-She's the one who wrote it.

-No, I didn't write anything.

It's not me,
it's the stars.

Like here, for example,
that's the moon.

It is in conjunction

with Saturn and Uranus.

I am a Pisces
with a Pisces ascendant.

He is a Capricorn
with a Pisces ascendant.

It's complicated,
but it's all connected.

I know
that's how it's going to happen.

It is written.
It is mektoub.

-It works, OK.
So, you know.

-For that, for now,
I prefer it to be you.

You come before me.

Laughter

-I have the right,
but not for long.

Laughter

-What are you doing?

-Music Conservatory.

-Great.
-Singing.

-Do you sing?
Oh yeah.

-There are artists

in the family.
-I hear that.

-Yeah, that's it.

-Dancing, singing...

-Dancing, singing...

-You should come here
if you like the sun.

-I have to go back
to school.

-There are studies here too,
you know?

It's not just the countryside.

-There are more opportunities.

-For culture.
She is more cultivated.

She knows a million things.

-It's more natural.

-Yeah, life, sun,
beach, real nature.

Tapping

---

---

...

in English

in English

*Alaoui
(National Orchestra of Barbès)

*---

*---

-Take the bottles.

-Like this? Ah, wait.

-Look at the pool.
-Jessica's there.

-Look at the pool.
-Jessica's there.

-Have you seen it before?

-Uh, no.

-It's an atomic bomb.

Jessica !

Is it good?
-It's good.

-I'm coming with you!

-Couscous?
-Yes!

-Tony, welcome!

-Here's my cousin.

-SO,

The famous Amin.
-Pleased to meet you.

-Thank you for coming.

-I filled up the tank
completely.

I kept the change.
-No, keep it.

Please.
It's for you.

-OK.

-Salam aleikoum.
-Aleikoum salam.

Laugh

-Tony...

(Small cakes.)

I'll give you two.

Welcome.
-Thank you.

-Yes, medicine.

-Thank you, Tony.
-You're welcome.

-That's too much, that's too much.

A little bit.

It's too much for Jess.

-Okay. I'll be careful.

Couscous?
-Yes.

No, no, no.

Yes? OK.

-Yes.

-I don't know.
(Laughs)

-A secret?

A European film?

-Wow!

Do you want to produce?

"The essential elements
of the principle of existence."

-It's too long.

-Ouais, "Robot Love".

-Yes!
(Laughter)

Health !

-Robot Love.

-Are you sure?
-Yes.

In Arabic
- Bssaha.

-Good health.
-Praise be to God.

When we finish, we say:
"Hamdoullah", like Alleluia.

-Alleluia.

-Hamdoullah.

-Excuse me?
-What were you writing, child?

-Excuse me?
-What were you writing, child?

He did it?
-Yes!

She laughed.

-Al Pacino?

Tony imite Al Pacino.

-Raging Bull ?

Vas-y.

Are you going?
-OK.

OK ?

-Hit me.

-Non.

-Jack !

-Forget about it!

Stronger.

Stronger.

Stronger.

-Oh...

-Well done.
-Well done.

-Was it good?

Did you see the pie?

Tony imite Al Pacino.

-A little bit.

No cakes.
-Sorry.

-Yeah, yeah...

-Oh...

-It's not easy.
-No.

-Hein ?

-It moves like this.

The Joe Pesci imitator.

Laughter

-You go, you go.

Jump while doing Maccione.

-Jack !

He laughed.

-It feels weird

to see himself like that.

That one is absolutely gorgeous.

I'm being doubled, just like that.

-Do you like it?
-Too much.

How do you do that?

-I'm taking a picture,

I stand in the same place,
I take another one.

It's random.
It worked for you.

-Does it work for me?
-Yeah, it worked.

-Does it work for me?
-Yeah, it worked.

-That one, too.

You remind me
of Liv Ullmann, do you know her?

-No.
-An actress.

She made films
with Bergman.

-I don't know.

-They made a film
about a couple over 20 years.

They argue
but persist in staying together.

I think you look like him.

-Oh yeah?

Do I look like an actress?

Will you show it to me?
-Yeah.

-I'm going to show it to my parents.

-I won't be able to shoot them
before you leave.

-Will you send them to me?

-Yeah, leave your address.

-Will you bring them to me?

Bélements

---

-Come on, my little one, come on.

...

He was

Outside, that one.

Should I put it here?

---

Are they sick?

-They have scabies.

-They have scabies.

-Is it contagious?

Are you taking care of them?
-Yes, of course.

I'm not going to let them die.

---

-Are you healing them?
-I'm trying.

-Did you call me?

-Non.

-You called home.

-Yes,
I called you about the money.

-Money?
-Abortion.

Do you think it's free?

-I'll give it to you.

Tonight.
-And there's the ticket.

Mine, Amin's.

-I'll take the tickets.

-No, give me the money.
I'll take care of the tickets and paying.

I called you about that.

---

-That one's big
.

-She is an adult.

-She is an adult.

-I'm not touching them.

-Huh? Go out,
but don't make them go out.

Push them.

---

Come on, my sweet.

-You should go out there.

-Do you think
I'm going there as a tourist?

I'm going to have an abortion
and buy my dress.

-You can relax.
-No time.

The next day, I'm here.

-An evening at the Palace.

-I will be in the hospital.

I'm sleeping there.

This is not a holiday.

-Did you tell Amin?

-No. Don't tell him anything.
I didn't tell him.

-I'll bring it back tonight.
How much?

-1 000.

-And I'll pay for the dress.

-Don't talk nonsense.
-How much?

-Nothing, you pay for the abortion.
You owe me that much.

-You'll have it tonight.

I'll even give you double.

-I don't need you.

-I don't need you.

You never have any money.

-I get wonderful tips.

-Why?
-I'm with Jack Patterson.

The producer.
-I know.

-Yeah ?

Did he tell you a little bit about it?

-Amin? Yes, he told me.

Il a lu son scénario.

-He wants to take her
to Los Angeles.

-He wants to play

His wife and Amin don't want to.

-She's an actress.
-In television series, not film.

-It doesn't matter.

-He's busted if he does that.

In addition, she is pretentious.

-Oh yes?
-Yes.

In the kitchen,
she demanded couscous.

She yelled to get it opened.

She eats like a pig.

She doesn't give a damn about anything.

Dany doesn't look at her,
she despises her.

"Serve me."

In the kitchen, she told him,
"I'm hungry!"

In English, I don't give a damn.

"I want couscous."
Change the record.

You are all here to take care of him.
You reopen.

-Thanks to them,
we will succeed!

Yes, indeed.

He offered me something,
just for me.

To prepare a couscous dish there.

-Where?
-In Los Angeles.

-Oh yeah?

-There's a market.
There isn't one over there.

I have a great idea.
Like burgers.

We put a steak on top
with cheese.

A really big thing.

Coke.
I'm going to buy a car.

You're going to come with me,
to join me.

-What are you saying?

Go there first,
do your thing.

What do you want me to do?

-I sense you're tense.
-No.

Bélements

---

-Ah, it's you.

-Are you okay, Mom?
-Finally, you're coming home.

Yeah, it's fine.

You haven't come by yet.

You need to think about sleeping.

-I'm sleeping.
-Yes, during the day.

Nighttime is the time to sleep.

Nighttime is the time to sleep.

Have something for lunch.
-No.

-Say, many.

You're crazy, Amin.

One night outside, OK.
This is too much.

I haven't seen you for 3 nights.

-But no.

-You didn't tell me
about the producer.

Have you seen Mr. Patterson?
-Yes.

-What did he say?

-Bah...

We talked a little bit about the script.

-Did it go well?

-Yes.
-How do you feel about it?

-I don't know, we'll see.
He's already read it.

-Listen,
Tony is more talkative than you.

Everything he told us.

He wants to take you
to Los Angeles.

-No, he just said it like that.

-Oh yeah?

So what did he say?

-That was interesting,
we need to change some things.

This is just the beginning.

-Change what?

-He wants to change the ending.

-He wants to change the ending.

-The ending is sad, isn't it?

Is that why?
-Yes, he said...

Finally...

A sequel could be considered.

Since the character dies
at the end...

-He doesn't want him to die
so they can make the second one?

He liked it.
-I don't know.

-What do you see?

Next time?

-He's filming in the USA.

When he comes back,
if I've made any progress, we'll talk about it again.

-We need to work,
stop partying at night.

To have clear ideas.

This is important.
Your future might be at stake.

We don't know.

Hein ?

And what about Paris?

How does it work?

Do you have a meeting
with a producer?

-On t'a dit.

-2 producers
in just a few days...

-Not with a producer,
but I have an appointment

-Ah, there it is.

I knew
something wasn't right.

I knew
something wasn't right.

What is Ophélie doing in the middle of it
with her dress?

-I told him
I was going to Paris.

This was the opportunity.

-They might have a meeting.

-Tony doesn't know we're going to Paris.

-You're not going to get involved?

You're not going to cover them?

-Non.

-I certainly hope so.

She could use you
without you knowing.

You're straight.

She can't tell you everything.

I'll be keeping a close eye on him, Tony.

You'll see in a little while.

He's going to tell me:
"I have to leave"

"In Marseille."
He's going to tell me that.

I'm coming straight to your place.

They will both have to deal with me .

-Mom, there's nothing there.

-Of course.
Especially Tony, who talks too much.

-Of course.
Especially Tony, who talks too much.

He would be able to say it.

He won't tell everything,
but he will give clues.

Who will it fall on?

If she's at your place?
On whom?

It's going to fall on you.

And therefore, on us.

It will make
a nice spot for her and Tony.

-But no.

-I received the announcement.

That's it, she's getting married.

Is it normal
that they still have a history?

*Soft music

*---

-Honestly, well done.

-You tried, at least.
-I tried.

-Dedicated to Nini.
-You don't play pétanque.

-You line up single file.
-Slowly.

-I don't know how to do it.

-I don't know how to do it.

-Yes, you did it earlier.

-Come on, Nini,
a little push.

-Small burst of energy!

[Laughter]
You have two shots, go for it.

*---

You go, light.

-By giving advice,
she messes everything up.

Laughter

*---

-Very gently.
A little to the right.

-Oh no...

-Let her do it again.

-I had two shots.

-You smoke too much, my sister.

-Yeah, from Madagascar.

-I missed it too much.

I didn't smoke.
-Was the weather nice?

-Yeah.

Summer was so great.

Did you take any photos?

Did you take any photos?

-Yeah, a little.

This is not Madagascar.

-You have to go there someday.

-Amin, when are you coming
to Madagascar?

-That's what I was saying.

-Did you work there?

-Non.

Vacation. Two months.

-Nini, it's for you.

-Bravo, it's rotten.

*---

...

...

-Non ?

-Excuse me?
-Do you want a drink?

Is that okay?
-Yes.

-Are you sure?
-Yes.

-THANKS.

-Fish?

OK.

Where is my ashtray?

A little?
-No, it's fine.

-No fish?

Is that true?
-Yes.

-OK.
-OK ?

It's just that...

-Yes.

-OK.

He laughed.
-No.

-Non ?

-OK.
-OK ?

I'm telling you secrets.

-Non.

She coughs.
And...

-Yes.

-OK.

-OK?
-Yes.

Tinkle

...

...

-Hello.

-How are you?

-Yes, and you?
-Yeah.

The shape?
-Yes. You too?

Always with your bike.

-Ophélie isn't here?

-Au hangar.

-I'll go see her.

Are the parents okay?

-Yes, of course.

They are at the hospital
with their aunt.

-It's not getting any better?
-Same as usual.

-As usual.

-I hope she'll be at the wedding.
-Me too.

-Will you be there?
-Yes.

-Thank goodness.
-Yeah.

-Will you take the photos?

-If you don't have
a photographer...

-No, we were waiting for you.

-Yes, of course.

-You're the best.
-It works.

-And Paris, with Ophelia?

-I need to talk
to her.

If she has the time.

-And you'll take me with you.
To my next wedding.

Laughter

-If you want.
---

-Have you seen Jessica Patterson?
-Yeah.

-So?
-Well, it's fine, we talked.

-How's it going, or was it good?

We had a good discussion.
Afterwards, the producers...

-You don't really know?

-You don't really know?

-It's because you're humble.

-Non,

Tony talked about Los Angeles.

-We haven't left
yet.

-Yeah.

-Are you okay?
-Yeah, I'm okay.

-The little one?
-Good, she's asleep.

I'm lucky,
she sleeps all the time.

-Enjoy it.
-Yeah.

-Soon,
she'll be underfoot.

-Yeah, she's grown up.

If you come back, you'll see.
-Yeah, I'll check with Ophélie.

Bélements

---

-Come on, eat.

---

-How are you?

---

-Are you okay? I'm coming.
-I'm okay.

---

-Come on, come on!

-Come on, come on!

---

Did you sign?

He's back, your...

producer?

-No, not yet.
-Yeah...

Tony, it seems

that he signs there.

-Ah bon ?
-Son burger couscous.

He promised her, apparently.

---

---

Do you have the tickets?
-Yeah.

-There, there?
-I passed by this morning.

-How much was it?
-800 francs.

-I'll give you the money.

-No, don't worry.
-Yes.

It's not up to you to pay.

-What's wrong with the lambs?

-One stillborn,
the others, it's scabies.

---

That will do me good.

Far from all worries.

Do you want something to drink?
-Yes, please do.

-What, beer?
-Yeah.

-It's cool to leave.
Don't tell anyone.

We don't tell anyone
when we leave.

We say we're leaving, not when.

It might be,

I won't be coming back.

We leave, we don't come back.

From Paris.

No? You didn't take the returns.

-You'll like it.
-Maybe.

What would I do there?

-Whatever you want.
-Yes, as a tourist.

Then you get bored.

Then you get bored.

-No,
there's always something to do.

-Like what?
-Whatever you want.

Restaurants, that's all.

-What kind of restaurants are there?

-Italian, Thai,

Vietnamese.
-We know.

Thai?
-Yeah.

Lebanese, Greek...

African, Indian...
-Fuck.

Have you been there before?
-Yeah.

-That must be nice.

We'll do them. All of them.

We have 3 days, we can.
-OK.

Entire neighborhoods
represent a style.

There are entire communities.

You go back in,
it's a whole city.

-Do you change countries
on every street?

We'll be fine there.

-You get off a subway,
you're in Africa.

-Oh yeah?

-Markets with fish
you've never seen before.

The spices, the outfits...

-That could be good.

I'm going to stay.

At your place.

I have a pied-à-terre. Don't I?

What ?

Too small?
-You'll pay your rent.

-What?
-You work.

You're not going to...

-What would I do?
There's no farm there.

-You can give lessons.

-Courses in what?
-Agriculture.

-Do you see me as a teacher?
-You could.

I give lessons, glasses,
orders...

-Yeah, an amphitheater, 300 students.

-Oh, I can't!

-Future doctor.
-No way!

-And they listen to you.

-Listen to me?

I don't know how to teach.
They just have to come.

They will learn directly.

Do you have the tickets?
-Yeah.

Keep them, if you want.
-No.

Ophélie Boumédiène?

For what ?

-They asked me for a name...

-It's going well.

It works.

It feels strange.

Guard. I'm going to lose them.

I have your uncle's birth announcement.

Hold.

Hey, that too.

Can you put them on when you leave?
-If you want.

-I'm gluing them.

-You don't seem to want to.
-To?

-Marriage.

-Yes, I'm happy.

I made my choice.
That's how it is.

I made my choice.
That's how it is.

I wasn't forced, was I?

-I don't know.
-Well, no.

After that, we'll see...

where life takes me.

I wasn't expecting
to be pregnant.

I didn't think I'd get married, but
I'm going to get married.

I might get a divorce.

I might go
to Los Angeles with you.

Already, Paris.

Hm?
-Yeah.

-We don't know.

Do you know what tomorrow holds?

-We live from day to day.

I'm going to leave you now.

-Are you going?
-Yeah.

-Don't you want to drink something else?
-No.

Are you in a hurry?

-I'm going. I'll post it.
-Are you in a hurry?

-Yes, please.

Abandon me like everyone else.

When will we see each other again?

Paris ?

-Tomorrow evening?
-Okay.

Yeah, well, yes.

-Go on, rest.
-One more kiss.

No, no way.
(Laughs )

I know you want me
to have an abortion.

Because it's not yours.

-If you keep it,
it will be mine.

-Oh yeah?

Violin Sonata in G minor
(Johann Sebastian Bach)

---

The tickets!
You're going to lose them!

-No!
-Yes!

Put them on better!

-Do you want to keep them?
-No, I'll lose them.

And we're not leaving.

-Don't worry.

---

---

*Only You
(Steve Monite)

*---

-How are you?

-My future bride, how are you?
-And you?

-You're not wearing shorts

In front of your father.
-Impossible.

-Come and eat
some of Céline's cake.

-Is she here?

-She put some things on.
-Like what?

-Since Amin... there you go.

-Anything !

Did she put a love potion on her?
-That's it.

I don't want it.
-Where is his son?

With Céline in the room.

-Are you leaving him with Céline?

-I hope you'll be there.
-Yes, I will come.

-I hope you will vote

For me.
-I don't know.

I vote for the best one.

-It will be me.
If I only dance for you.

That's for sure.

Who else would I dance for?

The others,

I don't care.

Just for you.

You don't believe me?

-You say that to everyone.
-About what?

No, I'm only telling you.

Why would I say that?

to everyone?

-Celine?

What are you doing?

Are you ready?

Are you ready? Shall we go?

We're waiting for you.
-I'm coming down.

-Ready for tonight?

To judge the great dancers?

Laughter
! Let's go!

Get up, go.

-I'm going to say hello.

-Everyone is waiting for you.
Get a move on.

Did she tell you about her cake?

She put it all over my house.

-Okay, I'll tidy up.
-What?

-I'm going to tidy up.
-I hope so.

Don't worry, I have the keys.

-Come on, let's go.
-I'll join you.

Come on, come with me.

-And Amin?
-He's joining us.

Go. Yes, go!

-You can change afterwards.

-COME ON, GO!
(Laughter )

-You go!

---

-Attention !

Bursting

At Clément's funeral.

-Stop!
-It seems

that he took a mine.

-That's nonsense!
It brings bad luck.

-The ideas are clear.
-Yes.

-It's Clément.
-Of course.

It's going to be great.

We're going to Paris.
It'll help us de-stress a bit.

Marriage, that...

-Why is Amin
going to see your wedding dress?

-No, he's seeing the producer.

I'll take my dress.
We'll go at the same time.

-The producer.
-After that, I don't know.

There might be a blonde
in the story.

Another one besides her.

-Kamel.
-Are you okay? A kiss.

-A kiss.

-You've decided,
you've got your ideas clear.

-Yes.
-You've made your choice.

I'm in love,
there's no...

I'm in love,
there's no...

There's no doubt about it.

Retirement is coming soon.

He's going to take over the farm.

-Are you happy?
-Yes.

-I hope
it goes well.

That you're really going to Paris
to unwind.

He's going to make me

This is my first time visiting.

Versailles, the Eiffel Tower.

You will show me everything.

This is the opportunity.

-You're going to have a party.

-Where did it come from?

-What should I make you for dinner?

Seafood pasta?

-Yeah, yeah.

-Do you eat them?
-Yes.

-My fridge is full
of your plates.

-Good luck, Mom.

-Kiss.
-Bye, sweetie.

-Wait, let's take a picture.

-He is in good hands.

I don't leave him alone with it.

-That's too much for your hands.

-So, the photo?
My nephew!

-In his bed like that.

-And him?
-He was watching her.

It was quickly put to use
as soon as he got off the stairs.

-At tonight's competition!

-At tonight's competition!

-At my wedding!

-At three,

We say: "Good luck, Clément!"

-Oh, come on!
-1, 2, 3!

Good luck, Clément!

-Nonsense!
-Stop!

-Hey, that's my friend.

-To the wedding!
-Of Ophelia and Clement!

-THANKS !

-And my son?
He's never in the photos.

-I'll take a picture.
-He's not there, Amin.

-Hé, couscous world !

-Come on!
-Couscous world!

-To love!

-At the wedding!

-That's good!
(Laughter)

-Come on, let's get out of here.

-Let's dance a little, uncle.

-Come on !

-Turn up the sound!

-Have fun.
Not too much alcohol.

*Zina
(Raïna Raï)

*---

*---

-Are you dancing?

-Huh?
-Are you dancing?

-I'll give it a try, yeah.

*---

-Your mother put
pressure on me.

-Don't worry.

*---

*---

"Why with Amin?"
"He's seeing the producer."

"And why

"Are you going to Paris?"

"I've never been to Paris.
It's a great way to unwind."

"Amin is my childhood friend.

"It's nice,
it makes for a weekend.

"They're burying my single life."

"I hope Tony won't be there."

I said, "No, not at all.

"You'll see, he'll be there.
Not me."

*---

-Come on !

*---

Are you getting ready?

Are you getting ready?

Are you getting ready?

-Yeah, I'll join you.

-Are you getting ready to dance?

Yes, then.

-Are you going like that?

-Tonight?
-No, at the club?

-I don't know, we'll see.

*---

-Don't forget the tickets.
-Don't worry.

-Let go of me, stop!

Laughter

Let go of me!

Let go of me!

---

-What are you doing?
Come on, he doesn't like it.

He doesn't like it, he doesn't like it.

Celine, come on, come on!
-2 min.

-Come on!
-2 minutes, I'm coming!

-Are you joining me?
-Yes.

-Sure? Promise?
-Yes.

-Give me a kiss.

See you later!

-Come on, you heartbreaker!

*I would fly
(California)

-See you later !

-To all'.

*---

-Stop...

I saw you.

Okay, hurry up.

*---

*---

Phone

---

---

-Hello ?

Tony?
- Are you coming?

-How are you?

*-I'm with Jessica.

-Where?

-We have a surprise.

I speak French!

-Yeah, French.

-Uh...

We have a gift for you.

-We have a gift for you.

-I can't.
I'm joining the others at the bar.

*-Well, come on!

-Come on!
-It's a surprise.

Amin, come!

-It's a date.

What appointment?

*-You have a date here.

*-Come and get me.

-Get ready.
I'll take you, let's go.

-Come on. Go ahead, I'm waiting for you.

-Come on. Go ahead, I'm waiting for you.

Laugh

*Suspicious Minds
(Elvis Presley)

*---

*---

...

*Jafnoho Alama El Ghazal
(Mohammed Abd El Wahab)

*---

*---

*---

Engine whirring

---

*---

*---

*---

*---

*---

...

...

Jack...

Stop!

Tony, it's going to be okay.

Gunshot,
scream

---

Stop!

Jack...
-Jack, it's okay!

Stop! Halt!

-Jack !

-Jack!
-Stop!

Stop!
Shot

-Stop it, Jack!

-Damn!

Tears

---

---

She's coughing.

Oh my God...

Jessica is crying.

---

...

...

...

OK...

OK...

She is crying.

---

...

Tony !

Tony !

-Yes !

Tony !

Jack crie.
-Stop !

---

Gunshot

Jessica is crying.

-Amin, what do we do?

-Hold his head!

The head, the head.

Jessica screams.

He needs to be taken to the hospital.

I need some sheets, Tony.

-OK.

-Non ! Jack !

-Jack ?

Jack?
-Tony, get your ass moving!

Jack?
-Tony, get your ass moving!

Tear it apart, cut it in half.

Ca va, Jack ?
-Jack ?

-It's good.

Go ahead, take it.

Jessica, take it!

Sighs of exertion

OK.

OK.

Please !

-What is this ?

What's going on?

Magalie, the stretcher.

Was he attacked?

Were you attacked?
-No.

-Gently.
One, two, three.

Come on, let's go.
Jack shouts.

-Madam, are you his wife?

-Is that okay?
-Yes, go ahead, pass.

-Sit down, come here.

-Sit down, come here.

Here. The lady, the lady.

-He... he's fine.
Okay?

-Are you alright, miss?
-Yes, just...

-What's going on?
-Something...

I am cold.

-Will you help me? Well, shall we go?

-Go for it.

-There's no problem?

Okay. Yes.

-Sir, can you hear me?

-Do you understand?

-Are you still in pain?

Lift your buttocks a little,
sir.

-Come on, let's lift it.

Okay, it's coming.

-Breathe, let's calm down.

Drink some water.

Drink some water, breathe.
I'm going to ask you some questions.

Was it her husband who left?

Was it her husband who left?

-Please return to the waiting room.
Thank you.

-Take deep breaths.
Water.

I'm going to ask you some questions.

Your full name.
-Jessica.

-The last name?
-Patterson.

-Like the actress?

OK. Your husband has...

Does she speak French?
-A little.

-Uh...

It's a gunshot wound.

-All right.

I pass the information
on to my colleagues.

You stay with her.
Don't let her leave.

You stay with her.
Don't let her leave.

I'm going to tell them.

-Ladies...

Please.

If you could sit down.
Thank you.

You will be called.

-No treatment,
no surgery.

He is considered to have a full stomach.

Et intoxication OH.

Accident involving a gunshot, a single bullet
from a pistol in the pocket.

No treatment.
-He's not here?

-Who
gave you that information?

-His wife.

Actress Jessica Patterson.

-Oh really?
-She's the actress.

He's her husband.

-Jessica Patterson.

-Under other circumstances,
I would have asked for an autograph.

That's not possible.

-Madame Patterson...

We have taken your husband into our care.

I didn't recognize you.

Are you shocked?

Call a cleaner
to clean that up.

We'll put you in a place
where you'll be comfortable.

-Jessica ?
-Oui.

-His life is not in danger.

We are taking care of him.

We're doing everything we can.
-OK.

-You need to calm down.

-We're going to move you somewhere else.

-The security guard is coming with you.

As soon as they have information,
they pass it on.

-It's what ?

-We can't say anything.
He's a patient.

The privacy of patients...

Please.

Elevator bell
- There you go, go ahead.

Elevator bell
- There you go, go ahead.

-Sir, open your eyes.

Any news about Dr. Cohen?

-Professor Cohen is being sought

to block 2 as an emergency.

-He's in the operating room.

-We speed up, he's bleeding.

-Sit at the back.

-Make yourself comfortable.

She is crying.

---

...

...

(Their relationship is strange.)

-That's an understatement
.

-She's filming an American series,
"Embers of Passion."

She is well-known.
-The fruit?

-"The Embers of Passion".
-Ah, okay.

-It's overly sentimental.

-For you, it's all rosewater,
but I love it.

-It's a praline cul-cul.

-But no !

-Calm down.

Do you need
anything?

Do you need
anything?

(-I'm going to make a phone call.)

-Okay, go ahead, I'll stay here.

...

Engine whirring

...

...

The engine is coughing.

---

The starter motor is turning.

---

-Damn...

---

---

Tone

---

---

---

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Leave a message.

...

-Do you want to take the feet?

I'm coming.

-Vanessa! We need help!

-One... Is that okay?

-Wait, wait.

-ONE TWO THREE.

-The police arrive.

-Good evening.

We received a call.

Can we see a manager?
-Yes.

I call him.

-What floor is it on?
-3rd.

-The people
who went down,

Return to the waiting room.

-Uh, good evening.

Is this serious?
Is there an investigation?

-We don't know.

-Because they brought
the injured man in.

-Was he alone?

-With two. Two guys.

Two young men
and a young woman.

Apparently
, she's an actress.

-What were the young people like?

-They look like North Africans.

-Arabs?
-Arabs, yes.

They speak Arabic.

They speak Arabic.

-The supervisor mentioned
a third person.

Do you understand me?
-Yes.

Did alcohol make you stupid?
-No.

-Where did he go?

-Where did he go?
-To park the car.

-He has to leave.

-What kind of vehicle is it?

-A jaguar.

-A Jaguar.
What's this gentleman's name?

Do you know him?

-That's my little cousin.

-What is your cousin's name?

-It's not important.

-What's his name?

-Amin.
-The name?

-Boumédiène.

-What happened?

-TN 34 of TI 300.

Following the armed violence
at the hospital,

search for Mr. Amin Boumédiène.

-He had a gun.

He wanted to show us
all of that.

And then,

He shot himself.

-That's nonsense.
-No.

-The man is
between life and death.

-The man is
between life and death.

You're not being clear.

-Yes, everyone
is a little drunk.

-Honestly...
-He wanted to shoot himself.

And then we wanted

They tried to stop him, but he
shot himself anyway.

-It's an accident.

-Yes, that's it.

-It's not clear.
-Who tried to stop him?

-My cousin.
-Not you?

-No, I came later.

First, it was him.

I saw him take it...

-Why did he do that?

-Because
he's drunk and crazy.

-Who are you?
-A friend of the family.

I deliver food to them.

It's been years

that I know them.

-Yes, many years.

He is a friend of the family.

-I've known them for 4 years
and I've been delivering food to them.

And now, tonight...

-And what about the signs of a fight?

-A friend...
-Traces of a fight.

-A friend...
-Traces of a fight.

That doesn't make sense.
-You're speaking too fast.

I don't understand.
Too fast.

-I don't speak English.

The traces

That's not a fight .

-That version stinks!

-That version stinks.

-No, I don't understand!
-What is the truth?

-Stop! Stop!

I don't understand.
-He speaks French.

-He tried to shoot himself.
We stopped him.

My cousin...
-Where is he?

-No.
-He's gone.

-For what ?

-I am American.

-I don't understand.
-She told him to leave.

-Why?
-I said...

Because he helped me...

-He's going to have to
come and explain himself.

-He helped me...

The only reason...
that my husband...

He's not dead.

It's because of Amin. OK?

It's because of Amin. OK?

Tone

*-Tunisian restaurant, hello.

We are not available.

-Amen!

Amin, bro!

How are you doing ?

(-Damn it, Clément.)

I didn't recognize you.
-I'm back from a mission.

It's nice to see you.

How are you?
-I'm fine.

-And Ophelia?
-She's fine.

Are you back?
-I'm making it a surprise.

Are you back?
-I'm making it a surprise.

She wrote me
a whole bunch of letters.

Are you working on screenplays?

-Yeah, a little, I write.

-Paris, not too hard?
-It's okay.

-It's cold there.

-A little.
-Colder than here.

Let me introduce you to my brothers in arms.

Tony, have you heard from him?
-He's hanging out with us.

-I'm looking forward
to seeing Ophelia again.

-Her too.

-We did surveillance.
It was long.

Glad to be back.

-Wasn't it too difficult?

-It was long.

We weren't
at the heart of the conflict.

We conducted
aerial surveillance.

The Americans
were more...

more concerned than we are.

But anyway...

War is disgusting.

Shall I introduce you?

-Hello.
-Hi.

-Amin, pleased to meet you.

-He took the photos

which you drooled over.

which you drooled over.

Thanks, guys.

If you're not there,
there's no wedding.

-No worries.

-I'm counting on him,
he's reliable.

I rediscover the family spirit
with him.

That's my brother.
-Cheers!

-She's more worried
about you

than for her husband.

(In English)
-Why is this important?

-What do you want to know?

-What's going on?

-Why is she more worried...

-He is in good hands.

-What is your relationship like?

-She's my friend.
-A friend how?

-We laugh, we dance.

-Are you doing more
than just joking?

I have the impression

that there's a sex story involved.

If the judge doesn't believe you,
things aren't going to go well.

He may not say
the same thing.

Your cousin did not confirm
your version.

Now I want the truth.

Have a doctor give her an injection
so she calms down.

-No. No.

Don't come back.

-Morgane,

Can we have some coffee?

-I need a toilet.

-Me too.
-You stay here.

-I need to pee.

-Excuse me, please.

-I'll come with you.
-No!

-He took charge of him
in the operating room.

Apparently, let's assume...

-She was really depressed.

It must be his father.
The way he was...

-Her husband.
-He is her husband.

-Ah, excuse me.

-She wasn't injured?

-It's a settling of scores.

-He had the gun
in his pocket.

He shot himself in the balls.

I swear.

They amputate his testicles.

Laughter
- Jessica's boyfriend

Is he sterile?
Does he no longer have balls?

-He has one less.

-On a scoop.

-Can we get erections?

-Of course.

-Now, I don't want to pee.

-Pretend
I'm not here.

-Please.

-Should I close the door?

-Should I close the door?

-Please.

-For your safety.

-I'm moving aside.

The door closes.

-Listen to me, you.

You're going to tell me the truth.

A young delivery man
who's sleeping with an American woman.

Let him tell the truth.
His story stinks.

-You're going to get slapped.

Did you do anything?
-No.

-The prosecutor is coming.
I have to tell him.

I can tell if you fired.

You're just kidding us.

-Come on, let's handcuff him.

Just let it happen.

-They saved his life.

-They saved his life.

They would have arrived
5 minutes later...

-They saved him.

-Quite.

-They were drunk.

They were having a party

at their place. Probably with some of Jessica's friends
.

They drank some good wine.

That's why
they chose our country.

For quality of life.

France represents,
especially for Americans...

Flushing

...

...

Violin Sonata in G minor
(Johann Sebastian Bach)

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-THANKS.

---

-You can stay.

-Can I stay?
Okay.

Do you want to rest?

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Alaoui
(National Orchestra of Barbès)

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