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WARREN: I remember we sat and
listened to the songs, and,
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00:00:17,685 --> 00:00:20,621
there was something
incredibly eerie about
3
00:00:20,654 --> 00:00:23,424
the first track Jesus Alone,
4
00:00:23,457 --> 00:00:26,660
sort of had this line, "He fell
from the sky, crash landed".
5
00:00:26,694 --> 00:00:28,696
MAN: Do you wanna
just tell me the story?
6
00:00:28,729 --> 00:00:31,465
WARREN: I mean I don't really
know because I can't imagine
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00:00:31,499 --> 00:00:33,834
how you never get such
a thing.
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00:00:33,867 --> 00:00:37,571
And, you know, I
just can't even
9
00:00:37,605 --> 00:00:39,440
fathom it. Um...
10
00:00:39,473 --> 00:00:44,345
And watching this happen to
people that you love,
11
00:00:44,378 --> 00:00:47,281
is um...
It doesn't even...
12
00:00:47,315 --> 00:00:51,285
I don't think even... lets you
any, gives you any insight
13
00:00:51,319 --> 00:00:54,122
really into it. Because,
there's a step within,
14
00:00:54,155 --> 00:00:55,489
you can't go.
15
00:00:56,490 --> 00:00:59,527
But, it... it feels like...
16
00:00:59,560 --> 00:01:03,564
for Nick or somebody who's
created all his life, um,
17
00:01:03,597 --> 00:01:07,335
it feels like...
[INDISTINCT MUMBLING]
18
00:01:07,368 --> 00:01:09,103
Can we stop right there?
19
00:01:11,405 --> 00:01:13,441
MAN: We have to re-calibrate,
this is out of focus.
20
00:01:13,474 --> 00:01:14,642
It's not usable at the moment.
21
00:01:14,675 --> 00:01:16,610
I know.
Calibrate focus please.
22
00:01:17,611 --> 00:01:19,780
Sorry.
That's alright, man.
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00:01:19,813 --> 00:01:21,649
Are you...
Let's cut it.
24
00:01:22,883 --> 00:01:24,618
Alright, do you want me
to hop out?
Yeah.
25
00:01:24,652 --> 00:01:26,720
Yes please. Could you?
Do you want me to get out too?
26
00:01:26,754 --> 00:01:28,722
Yea, we'll get out.
If you wanna stretch your legs.
27
00:01:28,756 --> 00:01:29,857
Yeah.
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00:01:31,859 --> 00:01:34,162
MAN 1: Mate, I'm sorry.
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00:01:34,195 --> 00:01:37,331
MAN 2: It's shocking man.
It's shocking, it's terrible.
This is not what I...
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00:01:37,365 --> 00:01:41,769
-what I want you to...
- To be honest I find this
really hard, because,
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00:01:41,802 --> 00:01:46,607
- I've never discussed Nick's
private life, um...
- Yeah.
32
00:01:46,640 --> 00:01:51,645
Or anybody that I know. I don't
sort of, discuss it like this,
and, it feels like this is
33
00:01:51,679 --> 00:01:54,815
-something that gotta come up.
You know?
- Yeah.
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00:01:54,848 --> 00:01:59,787
Um, and so there's a part of
me that feels very protective.
35
00:01:59,820 --> 00:02:02,690
That's where's it's hard
to strike a balance, you know.
36
00:02:02,723 --> 00:02:04,525
Like, I can... you know,
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00:02:04,558 --> 00:02:07,295
I don't wanna go and tell you
what I saw when I went there,
38
00:02:07,328 --> 00:02:10,631
and all this, I don't wanna
tell what I felt because,
39
00:02:10,664 --> 00:02:14,268
it just feels like...
that's...
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00:02:14,302 --> 00:02:16,103
that's like, private, you know.
41
00:02:19,973 --> 00:02:23,744
Uh, I just... Warren sent me
something yesterday.
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00:02:23,777 --> 00:02:26,146
MAN: Uh...
emailed a friend...
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00:02:26,614 --> 00:02:29,583
um, last night.
44
00:02:29,617 --> 00:02:32,520
I shouldn't go in first,
because I get in before...
45
00:02:33,487 --> 00:02:34,522
Uh...
46
00:02:35,456 --> 00:02:37,791
[FOOTSTEPS]
47
00:02:37,825 --> 00:02:40,461
We've all gotta get behind you.
48
00:02:40,494 --> 00:02:41,895
Um, I don't know.
49
00:02:41,929 --> 00:02:46,800
WARREN: And, I was
mentioning how time
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00:02:46,834 --> 00:02:49,537
felt elastic these days.
51
00:02:52,005 --> 00:02:54,442
Alright so we need to go
this way, mate.
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00:02:55,943 --> 00:02:56,810
[INDISTINCT]
53
00:02:58,346 --> 00:03:01,382
WARREN: And he emailed
me back...
54
00:03:01,415 --> 00:03:05,953
uh, a very excited
and lovely email.
55
00:03:05,986 --> 00:03:11,425
Where he spoke about um,
the idea that all things were
happening...
56
00:03:11,459 --> 00:03:12,493
Is this um...
57
00:03:12,526 --> 00:03:14,161
WARREN: all the time.
58
00:03:14,194 --> 00:03:16,764
Is this okay to wear in the
studio, do you want me to put
a shirt on and stuff?
59
00:03:17,831 --> 00:03:21,635
Uh...
Textually,
60
00:03:21,669 --> 00:03:23,604
textually that's not the
greatest thing.
Okay.
61
00:03:23,637 --> 00:03:25,973
Yeah.
Okay.
62
00:03:26,006 --> 00:03:30,344
Okay, come on, let's uh...
begin to film this. Alright.
Yeah, we're filming.
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00:03:30,378 --> 00:03:31,645
We never stopped.
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00:03:31,679 --> 00:03:34,315
Okay.
So, try and get
both Nick's.
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00:03:34,348 --> 00:03:38,519
WARREN:
All past present and future,
are happening now.
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00:03:38,552 --> 00:03:39,753
Right now.
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00:03:39,787 --> 00:03:42,790
And then if you just...
Yeah, great Nick.
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00:03:42,823 --> 00:03:47,995
WARREN:
That basically a caveman,
was clubbing a female mate,
69
00:03:49,563 --> 00:03:51,231
[CLANGS]
70
00:03:51,265 --> 00:03:57,004
Uh, at the same time that
astronauts, or scientists
trying to...
71
00:03:57,037 --> 00:03:59,573
work out how to
colonize Mars.
72
00:03:59,940 --> 00:04:01,442
[FOOTSTEPS]
73
00:04:07,948 --> 00:04:09,016
WARREN: Now...
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00:04:11,485 --> 00:04:14,388
that is encouraging right?
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00:04:16,490 --> 00:04:21,962
And, I think he meant well.
But, it's not true because...
76
00:04:29,870 --> 00:04:31,004
it's not true...
77
00:04:32,406 --> 00:04:33,574
because...
78
00:04:33,607 --> 00:04:35,576
We need an exit.
I know.
79
00:04:35,609 --> 00:04:36,710
It's to the right.
80
00:04:41,081 --> 00:04:43,717
Hey, you see there's another
Nick in the mirror there...
Yeah, there.
81
00:04:43,751 --> 00:04:45,619
Wait till he comes back in.
82
00:04:47,455 --> 00:04:49,557
WARREN: If everything was
happening now...
83
00:04:50,424 --> 00:04:51,659
Nick.
NICK: Yeah?
84
00:04:51,692 --> 00:04:54,094
How do you feel about us
having another go at that?
85
00:04:54,127 --> 00:04:55,929
WARREN:
I wouldn't be sitting here
86
00:04:55,963 --> 00:04:59,867
waiting for the film crew to
work out how to work...
87
00:04:59,900 --> 00:05:02,636
MAN:
Yeah, we'd really appreciate
another go.
88
00:05:02,670 --> 00:05:05,973
WARREN:
this ridiculous 3D black
and white camera.
89
00:05:06,840 --> 00:05:07,841
NICK: Uh, alright.
90
00:05:08,576 --> 00:05:09,410
Okay.
91
00:05:09,443 --> 00:05:11,579
WARREN:
Right now nothing is happening.
92
00:05:11,612 --> 00:05:13,514
MAN:
We won't do it a third time.
93
00:05:13,547 --> 00:05:15,349
Okay, so what do you
want to do?
94
00:05:15,383 --> 00:05:18,719
Basically, everything you just
did was fantastic, okay?
95
00:05:18,752 --> 00:05:21,989
And?
We'd really appreciate
another go.
96
00:05:24,925 --> 00:05:27,695
You know what I'm saying?
Um... so, I have to
undress again?
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00:05:27,728 --> 00:05:29,430
MAN: Undress, yeah.
98
00:05:29,463 --> 00:05:32,566
Now, let's go back to it, eh?
Do you want to do it
a bit slower?
99
00:05:32,600 --> 00:05:34,768
I see the focus, guys,
you need to focus guys.
100
00:05:34,802 --> 00:05:37,771
[INDISTINCT CHATTER]
101
00:05:41,709 --> 00:05:46,113
MAN: I mean obviously
your songs have become
102
00:05:46,146 --> 00:05:47,848
a lot less narrative.
103
00:05:48,982 --> 00:05:50,918
Uh...
104
00:05:50,951 --> 00:05:53,421
Yeah. The other half.
Yeah, and...
105
00:05:53,454 --> 00:05:56,757
do you have uh, is there
a reason for that?
106
00:05:56,790 --> 00:05:59,593
Well, yeah...
Yeah I mean,
107
00:05:59,627 --> 00:06:01,729
I think um...
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00:06:03,997 --> 00:06:08,936
maybe there's...[STUTTERS] maybe
some serve a certain need,
109
00:06:08,969 --> 00:06:13,441
and, I think I probably needed
uh, on some level
110
00:06:13,474 --> 00:06:17,745
a kind of narrative in my life
that was...
111
00:06:17,778 --> 00:06:20,080
kind of predictable
and had it's...
112
00:06:20,981 --> 00:06:22,883
had a kind of logic to it.
113
00:06:25,553 --> 00:06:28,121
NICK: So, I wrote stories and,
114
00:06:28,155 --> 00:06:33,627
they seem to hold everything
together. Um, in a particular
part of my life, for a long
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00:06:33,661 --> 00:06:35,663
part of my life
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00:06:35,696 --> 00:06:40,901
where things needed to be
held together. Um, but, I
don't believe in the narrative
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00:06:40,934 --> 00:06:43,437
anymore. I don't... um...
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00:06:46,940 --> 00:06:50,878
I don't actually believe that
that's what life is like.
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00:06:50,911 --> 00:06:53,013
And, that there's
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00:06:53,046 --> 00:06:57,818
a pleasing resolve and all
of that sort of thing to life.
121
00:06:57,851 --> 00:07:00,454
I... I... I just feel that
122
00:07:00,488 --> 00:07:05,025
to do fractured narrative, uh,
a thing where, uh...
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00:07:05,058 --> 00:07:07,595
where time is actually
compressed,
124
00:07:07,628 --> 00:07:10,498
um, events uh...
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00:07:10,531 --> 00:07:15,202
stuck on top of other events.
There's no particular logic
to it. Um...
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00:07:16,937 --> 00:07:19,840
or, a distressing
kind of logic,
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00:07:19,873 --> 00:07:22,810
um, makes it, um...
128
00:07:22,843 --> 00:07:26,446
it's much ore real that true
to the way I feel about things.
129
00:07:27,615 --> 00:07:31,552
So, um, this is just sort of
directorial...
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00:07:32,720 --> 00:07:36,490
uh, tactic, to make us
all pissed off.
131
00:07:36,524 --> 00:07:37,991
What, you're pissed off?
[LAUGHS]
132
00:07:39,226 --> 00:07:40,460
No, roll.
133
00:07:41,895 --> 00:07:43,531
To get us all edgy in the
morning.
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00:07:43,564 --> 00:07:45,198
WOMAN: Should we put
your bags in front?
Yeah, thanks.
135
00:07:45,232 --> 00:07:48,969
Not at all. It's
actually just
a... this is...
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00:07:49,002 --> 00:07:50,070
Thanks, Nick.
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00:07:51,304 --> 00:07:53,273
We're rolling right?
138
00:07:53,306 --> 00:07:54,575
[DOOR CLOSES]
139
00:07:58,311 --> 00:08:01,982
So, um, everything we say...
140
00:08:03,050 --> 00:08:04,885
is taped?
141
00:08:04,918 --> 00:08:06,920
It's all.
Unless we pull out the plug.
142
00:08:07,655 --> 00:08:08,722
Yup.
143
00:08:10,824 --> 00:08:12,425
Okay.
144
00:08:12,459 --> 00:08:17,931
NICK: I think it's the nature
of songs to um... have an
insight into things
145
00:08:17,965 --> 00:08:22,803
that we don't consciously have
because, largely they come from
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00:08:22,836 --> 00:08:24,905
the unconscious.
Yeah.
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00:08:24,938 --> 00:08:29,610
Which is a king of reservoir
of knowledge and understanding
that"s far beyond what
148
00:08:29,643 --> 00:08:31,745
we consciously are aware of.
149
00:08:34,615 --> 00:08:36,550
I've got this...
150
00:08:36,584 --> 00:08:38,886
stuff that we did in
Morwan here,
151
00:08:38,919 --> 00:08:41,254
when we were going
through it.
152
00:08:41,288 --> 00:08:44,792
And, maybe we can just go
through
153
00:08:45,659 --> 00:08:47,327
these, and look at them.
154
00:08:47,360 --> 00:08:50,097
What?
Yeah, let's change it
a little bit.
155
00:08:50,130 --> 00:08:53,333
Yeah, but it...
Well, you know, we can add
But um...
156
00:08:53,366 --> 00:08:56,236
or subtract and then...
157
00:08:56,269 --> 00:09:00,641
But actually,
with Jesus Alone,
should we go back to that,
158
00:09:00,674 --> 00:09:04,578
um, you know, we talked about
going back to the earlier
version of it.
159
00:09:04,612 --> 00:09:06,780
Yeah.
That's less... okay, good.
160
00:09:06,814 --> 00:09:08,716
NICK: So, songs an often uh...
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00:09:10,217 --> 00:09:14,254
appear to foretell
situations in
162
00:09:14,287 --> 00:09:16,957
the same way as dreams maybe,
are able to...
163
00:09:17,891 --> 00:09:21,962
um... have, uh...
164
00:09:21,995 --> 00:09:24,832
have a kind of
prophetic nature sometimes.
165
00:09:24,865 --> 00:09:28,936
Susie, for example, is
hugely superstitious,
166
00:09:28,969 --> 00:09:33,306
about my songs. Um...
Yeah.
167
00:09:33,340 --> 00:09:36,810
That there being a canary in
the coal mine kind of thing
that there's some...
168
00:09:36,844 --> 00:09:38,746
Because, if...
Exactly. Yeah.
169
00:09:40,781 --> 00:09:46,053
But, you know, and I... I...
Like I said, I don't think
170
00:09:46,086 --> 00:09:50,357
that this is a unique to what
I do. Although I
171
00:09:50,390 --> 00:09:54,862
write a certain type of song,
that has a certain element
172
00:09:54,895 --> 00:09:59,933
of, uh, anxiety, and dread,
and anguish...
173
00:09:59,967 --> 00:10:02,002
Yeah.
To them in their nature.
174
00:10:03,203 --> 00:10:05,172
So, it can... it can...
175
00:10:05,873 --> 00:10:08,942
foretell, um...
176
00:10:13,113 --> 00:10:16,650
uh, they can foretell, um...
177
00:10:18,418 --> 00:10:19,920
certain events.
178
00:10:22,289 --> 00:10:24,324
[SYNTH PLAYING]
179
00:10:26,994 --> 00:10:28,195
[SWITCH CLICKS]
180
00:10:32,232 --> 00:10:33,701
[SWITCH CLICKS]
181
00:10:46,780 --> 00:10:49,683
Right.
Hey Jake!
182
00:10:49,717 --> 00:10:51,985
This is the vocal that
you didn't do at La Frite.
NICK: Yeah.
183
00:10:52,019 --> 00:10:56,056
NICK: Yeah but, I just patched
up this...
Yeah.
184
00:10:56,089 --> 00:11:00,160
So, um, is this
before it's being...
185
00:11:00,193 --> 00:11:01,962
Before it's being...
put in time?
186
00:11:01,995 --> 00:11:04,798
Yeah.
187
00:11:04,832 --> 00:11:09,770
* You fell from the sky
Crash landed in a field
Near the river Adur
188
00:11:14,808 --> 00:11:20,948
* Flowers spring from the
Ground Lambs burst from the
Wombs of their mothers
189
00:11:25,285 --> 00:11:30,157
* In a hole beneath the bridge
You convalesced you
Fashioned masks
190
00:11:30,190 --> 00:11:33,493
* You gave them names
You gave them names
191
00:11:33,526 --> 00:11:35,328
* With my voice.
192
00:11:35,362 --> 00:11:36,764
It's better there.
193
00:11:36,797 --> 00:11:40,734
* I am calling you.
194
00:11:40,768 --> 00:11:42,736
And, I'm playing the
piano at the same time.
Yeah.
195
00:11:42,770 --> 00:11:45,472
And, because it's
just opened up a bit more there.
196
00:11:46,373 --> 00:11:48,441
This feels like...
197
00:11:48,475 --> 00:11:51,845
It does need the piano right?
Cut the piano here.
198
00:11:53,246 --> 00:11:55,983
We could do the piano
separately.
Yeah, yeah.
199
00:11:56,016 --> 00:11:59,753
Edit over done piano, and
all those sorts of.
200
00:11:59,787 --> 00:12:01,054
"Ooh's", and "Ah's",
and all that.
201
00:12:01,088 --> 00:12:04,758
*You're an African doctor
Harvesting tear ducts *
202
00:12:04,792 --> 00:12:07,961
That has a, I mean a...
I have to listen to the other
one, but this...
203
00:12:07,995 --> 00:12:10,397
definitely has a sort of,
intensity about it.
204
00:12:10,430 --> 00:12:14,434
Yeah. There's something the
vibe just builds in it and it
becomes hypnotic and stuff
205
00:12:14,467 --> 00:12:18,438
and, the other one feels like
a song. It Feels...
Yeah, okay. So...
206
00:12:18,471 --> 00:12:23,110
The vocal needs to be fixed up,
because there's...
Yeah, it goes in and out.
207
00:12:23,143 --> 00:12:25,112
Just mumbo-jumbo on it.
208
00:12:27,080 --> 00:12:28,782
Well, it's kind of ad-libbed.
209
00:12:28,816 --> 00:12:31,785
Right.
A bit, a bit. You know,
a lot.
210
00:12:31,819 --> 00:12:32,652
And then...
211
00:12:32,685 --> 00:12:35,488
In La Frite we
kind of put it on one.
212
00:12:35,522 --> 00:12:37,891
The one was actually...
it wasn't...
213
00:12:37,925 --> 00:12:39,860
We never even knew
where the one was.
214
00:12:39,893 --> 00:12:43,831
It's coming in the wrong spots.
At least we all had
a different opinion.
215
00:12:43,864 --> 00:12:45,298
As we often do.
[LAUGHS]
216
00:12:45,332 --> 00:12:48,936
It felt like it...
You've never heard
that one before.
217
00:12:48,969 --> 00:12:50,037
[LAUGHING]
218
00:12:52,105 --> 00:12:56,476
One! Should there be a vocal
before we do anything else?
219
00:12:56,509 --> 00:13:00,080
WARREN: Uh... Yeah.
Or, maybe we don't need
a vocal before.
220
00:13:00,113 --> 00:13:04,317
I think the vocal would give us
the kind of... the energy,
221
00:13:04,351 --> 00:13:05,853
Um...
Right.
222
00:13:05,886 --> 00:13:08,388
And what to do, so that you
feed off...
223
00:13:08,421 --> 00:13:11,158
You know,
you working off like...
224
00:13:12,159 --> 00:13:14,194
[VIOLIN STRUMS]
225
00:13:15,262 --> 00:13:16,529
Oh, that's it?
Yeah.
226
00:13:20,433 --> 00:13:23,103
Incredible wasn't it.
Aluminum.
227
00:13:26,539 --> 00:13:28,008
I'm incredible.
228
00:13:29,442 --> 00:13:30,844
3000 Dollars.
229
00:13:30,878 --> 00:13:31,879
[LAUGHING]
230
00:13:33,280 --> 00:13:35,582
You bought it?
Yeah.
231
00:13:35,615 --> 00:13:38,618
It sound good?
Nah, it looks awesome.
232
00:13:38,651 --> 00:13:40,854
[LAUGHING]
233
00:13:43,223 --> 00:13:47,127
[VIOLIN STRUMS]
234
00:13:51,231 --> 00:13:53,333
[VIOLIN TUNING]
235
00:13:57,037 --> 00:14:00,473
NICK: This is difficult.
This is really
fucking difficult.
236
00:14:01,341 --> 00:14:02,442
It is.
237
00:14:04,211 --> 00:14:10,217
Doing and over dub-vocal, is
some kind of torture.
238
00:14:10,250 --> 00:14:13,486
And it's something that I
really try and avoid.
239
00:14:13,520 --> 00:14:19,226
I do everything I can to get
the vocal down while
240
00:14:19,259 --> 00:14:21,428
the basic track is being
recorded,
241
00:14:21,461 --> 00:14:23,997
you know. That we just
all do it together.
242
00:14:24,031 --> 00:14:28,068
WARREN: There's something more
hypnotic about this one
and kind of more...
243
00:14:28,101 --> 00:14:31,038
meditative or, something.
And it kind of has a...
244
00:14:31,071 --> 00:14:33,473
Feels a bit more
mysterious or something.
245
00:14:33,506 --> 00:14:38,511
And, also the kind of fact
that the stuff doesn't
just come in on the one,
246
00:14:38,545 --> 00:14:40,613
wait, feel it
comes in somewhere,
247
00:14:40,647 --> 00:14:43,083
there's some more space
for the kind of backing...
248
00:14:43,116 --> 00:14:44,584
to kind of come through.
249
00:14:45,485 --> 00:14:48,555
[PIANO MUSIC PLAYING]
250
00:14:53,260 --> 00:14:54,427
WARREN: C?
251
00:14:55,595 --> 00:14:58,198
No.
WARREN: What's that one?
252
00:15:01,268 --> 00:15:03,370
NICK: I don't know
what the chords are.
253
00:15:04,571 --> 00:15:06,039
I have to hear it on...
254
00:15:07,540 --> 00:15:10,310
Nick, you wanna
play piano right?
255
00:15:10,343 --> 00:15:12,545
NICK: I don't know what
the chords are.
256
00:15:12,579 --> 00:15:16,449
I don't know.
I don't know yet, because,
257
00:15:16,483 --> 00:15:18,251
I don't even know what
the chords are.
258
00:15:20,187 --> 00:15:22,189
NICK: They keep changing
all the time.
259
00:15:23,423 --> 00:15:25,458
[PIANO MUSIC PLAYING]
260
00:15:25,492 --> 00:15:27,961
NICK: I mean, I played the
chords originally.
261
00:15:30,463 --> 00:15:34,701
But, there seems to be an
endless variations on the
circle.
262
00:15:34,734 --> 00:15:38,005
Oh fuck it. I don't know what
that is. So, no, I won't be
playing the piano.
263
00:15:38,505 --> 00:15:40,273
[CHUCKLES]
264
00:15:40,307 --> 00:15:43,010
And, there seems to be a bit
weird to be trying to work
out the chords,
265
00:15:44,011 --> 00:15:46,413
to an improvised song anyway.
266
00:15:46,446 --> 00:15:48,048
Don't you think?
267
00:15:49,482 --> 00:15:53,186
* I am calling you
268
00:15:57,490 --> 00:16:00,293
* With your voice
269
00:16:00,327 --> 00:16:05,065
* I am calling you
270
00:16:05,098 --> 00:16:07,267
I should have strengthened
my voice.
271
00:16:08,101 --> 00:16:10,170
* With my voice
272
00:16:11,104 --> 00:16:13,206
* With my voice
My voice
273
00:16:14,374 --> 00:16:19,079
* I am call, call, call
274
00:16:21,548 --> 00:16:24,584
I should have sung more before
I came into the studio.
275
00:16:26,719 --> 00:16:28,788
* I am call
276
00:16:28,821 --> 00:16:30,757
I knew that at the time.
277
00:16:31,558 --> 00:16:32,692
Okay.
278
00:16:36,563 --> 00:16:37,730
Alright.
279
00:16:40,333 --> 00:16:42,102
WARREN: I'll come out okay.
Yeah.
280
00:16:44,271 --> 00:16:46,406
NICK:
I think I'm losing my voice.
281
00:16:48,541 --> 00:16:51,278
[PIANO MUSIC PLAYING]
282
00:16:55,848 --> 00:16:58,685
[PIANO MUSIC PLAYING]
283
00:16:58,718 --> 00:17:00,620
Just find it
into lost things.
284
00:17:05,725 --> 00:17:07,260
My voice.
285
00:17:09,629 --> 00:17:11,331
My iPhone.
286
00:17:14,201 --> 00:17:16,169
My judgment.
287
00:17:16,203 --> 00:17:18,471
[PIANO MUSIC PLAYING]
288
00:17:19,172 --> 00:17:20,373
My memory maybe.
289
00:17:24,111 --> 00:17:25,412
Fuck.
290
00:17:25,445 --> 00:17:28,348
[PIANO MUSIC PLAYING]
291
00:17:40,427 --> 00:17:42,762
And, isn't that
the invisible things?
292
00:17:47,400 --> 00:17:48,668
Lost things...
293
00:17:50,603 --> 00:17:52,472
that have so much mass,
294
00:17:55,342 --> 00:17:56,676
and so much weight.
295
00:17:58,678 --> 00:18:00,580
[PIANO MUSIC PLAYING]
296
00:18:02,249 --> 00:18:03,283
Alright.
297
00:18:03,316 --> 00:18:05,185
NICK: And, are as big as
the universe.
298
00:18:06,486 --> 00:18:10,290
[JESUS ALONE PLAYING]
299
00:18:27,740 --> 00:18:30,377
* You fell from the sky
300
00:18:30,410 --> 00:18:33,846
* Crash landed in a field
Near the river Adur
301
00:18:39,352 --> 00:18:44,424
* Flowers spring from
The ground Lambs burst from
The wombs of their mothers
302
00:18:49,296 --> 00:18:55,335
* In a hole beneath the bridge
You convalesced, you fashioned
Masks of twigs and clay
303
00:19:00,507 --> 00:19:04,411
* You cried beneath
The dripping tree
304
00:19:04,444 --> 00:19:06,679
* Ghost song Lodged
In the throat of a mermaid
305
00:19:12,919 --> 00:19:14,787
* With my voice
306
00:19:15,755 --> 00:19:19,592
* I am calling you
307
00:19:23,930 --> 00:19:28,701
* You're a young man waking
Covered in blood that is
Not yours
308
00:19:33,773 --> 00:19:39,279
* You're a woman in a yellow
Dress Surrounded by a charm
Of hummingbirds
309
00:19:44,551 --> 00:19:49,822
* You're a young girl full of
Forbidden energy
Flickering in the gloom
310
00:19:54,727 --> 00:20:00,300
* You're a drug addict
Lying on your back
In a Tijuana hotel room
311
00:20:05,572 --> 00:20:08,375
* With my voice
312
00:20:08,408 --> 00:20:12,612
* I am calling you
313
00:20:15,882 --> 00:20:18,651
* With my voice
314
00:20:18,685 --> 00:20:22,221
* I am calling you
315
00:20:28,060 --> 00:20:33,700
* You're an African doctor
Harvesting tear ducts
316
00:20:38,405 --> 00:20:44,277
* You believe in God, but you
Get no special dispensation
For this belief now
317
00:20:50,450 --> 00:20:55,855
* You're an old man sitting by
The fire, you're the mist
Rolling off the sea
318
00:21:00,460 --> 00:21:06,299
* You're a distant memory in
The mind of your creator
Don't you see
319
00:21:09,402 --> 00:21:11,971
* With my voice
320
00:21:12,004 --> 00:21:16,275
* I am calling you
321
00:21:19,646 --> 00:21:21,948
* With my voice
322
00:21:21,981 --> 00:21:26,619
* I am calling you
323
00:21:31,658 --> 00:21:34,026
* Let us sit together
324
00:21:35,027 --> 00:21:38,331
* Until the moment comes
325
00:21:40,900 --> 00:21:42,902
* With my voice
326
00:21:43,736 --> 00:21:47,974
* I am calling you
327
00:21:52,979 --> 00:21:55,648
* Let us sit together
In the dark
328
00:21:55,682 --> 00:21:59,051
* Until the moment comes
329
00:22:02,755 --> 00:22:04,391
* With my voice
330
00:22:05,091 --> 00:22:09,095
* I am calling you
331
00:22:12,865 --> 00:22:14,934
* With my voice
332
00:22:15,835 --> 00:22:19,872
* I am calling you
333
00:22:23,175 --> 00:22:26,112
* With my voice
334
00:22:26,145 --> 00:22:30,850
* I am calling you
335
00:22:33,853 --> 00:22:36,689
* With my voice
336
00:22:36,723 --> 00:22:41,093
* I am calling you
337
00:22:41,127 --> 00:22:43,563
[INSTRUMENTAL MUSIC PLAYING]
338
00:24:10,950 --> 00:24:12,952
[MUSIC FADES]
339
00:24:16,623 --> 00:24:19,125
WARREN: Cool!
Nice.
340
00:24:19,158 --> 00:24:21,594
WARREN: That's a good one,
and a longer.
It's good.
341
00:24:21,628 --> 00:24:23,462
Great.
Cup of tea?
342
00:24:27,667 --> 00:24:31,771
WARREN: Do you feel that
the lack of narrative allows
you to get the something...
343
00:24:31,804 --> 00:24:35,608
as wide a...
I just don't think, I
don't think, uh...
344
00:24:36,876 --> 00:24:38,578
life is a story.
345
00:24:38,611 --> 00:24:41,514
Yeah.
You know, that...
that hasn't,
346
00:24:41,548 --> 00:24:43,783
I mean, we all hope it is.
Yeah.
347
00:24:44,183 --> 00:24:46,018
Um...
348
00:24:46,052 --> 00:24:48,120
We all...
It kind of is,
I have to say.
349
00:24:48,821 --> 00:24:51,190
It kind of is a story.
350
00:24:51,223 --> 00:24:53,760
It's the same story for
everyone.
[CHUCKLES]
351
00:24:53,793 --> 00:24:57,229
In a way
It... In a way but, um...
352
00:24:57,263 --> 00:25:01,768
the arc can be very different
and it's not necessarily, um...
353
00:25:04,637 --> 00:25:05,772
um...
354
00:25:06,906 --> 00:25:09,642
yeah, yeah,
I guess...
355
00:25:09,676 --> 00:25:12,011
you were born, and you die.
356
00:25:12,044 --> 00:25:14,747
Um...
Well you gradually...
357
00:25:14,781 --> 00:25:16,883
decay.
Gradually decay.
358
00:25:16,916 --> 00:25:19,018
Yeah, which is...
359
00:25:19,051 --> 00:25:21,554
I mean, that what I feel like
I'm dealing with.
360
00:25:21,588 --> 00:25:23,122
And, you're ten years ahead
of me.
361
00:25:24,356 --> 00:25:25,625
Um...
362
00:25:27,126 --> 00:25:30,563
you decay and you sort
of diminish.
363
00:25:36,836 --> 00:25:38,838
Um...
364
00:25:38,871 --> 00:25:40,206
WARREN:
Do you really feel that way?
365
00:25:41,140 --> 00:25:44,577
Yeah.
In what sense?
366
00:25:44,611 --> 00:25:49,849
Um, that the struggle to...
to do what I do is um...
367
00:25:52,318 --> 00:25:54,887
it just requires more effort.
368
00:25:58,257 --> 00:25:59,792
Was he ready?
Yeah.
369
00:25:59,826 --> 00:26:01,160
Alright, mate.
What from?
370
00:26:01,193 --> 00:26:03,162
Were do you wanna go from, boss?
371
00:26:03,195 --> 00:26:05,564
WARREN:
I guess the second, uh...
372
00:26:07,266 --> 00:26:09,101
the second... no, verse.
Chord?
373
00:26:09,135 --> 00:26:10,269
Second verse, okay.
374
00:26:11,971 --> 00:26:13,773
NICK: Most of us don't
wanna change.
375
00:26:14,874 --> 00:26:16,208
Really.
376
00:26:16,242 --> 00:26:17,844
Does that went away?
377
00:26:17,877 --> 00:26:19,345
That did...
What happened when you,
378
00:26:19,378 --> 00:26:21,748
when you came in, 'cause it
went away. Now, it's come back.
379
00:26:22,749 --> 00:26:24,516
NICK: I mean why should we.
380
00:26:24,550 --> 00:26:28,354
WARREN: Has it moved back or,
is it a cable? Was it when you
lifted up the cables, John?
381
00:26:28,387 --> 00:26:29,956
Lift up the cables.
382
00:26:32,391 --> 00:26:34,727
NICK: What we want to do is...
383
00:26:34,761 --> 00:26:37,029
to sort of modific...
modif...
384
00:26:37,063 --> 00:26:38,397
modify...
385
00:26:38,430 --> 00:26:41,333
Yeah.
Yes. Stop, what've you
done there?
386
00:26:41,367 --> 00:26:43,936
NICK: Most of us don't
want to change.
387
00:26:43,970 --> 00:26:46,639
Whatever that cable is,
that's the one.
388
00:26:46,673 --> 00:26:51,644
NICK: What we do want is
sort of, modifications
on the original model.
389
00:26:51,678 --> 00:26:53,980
[VIOLIN PLAYING]
390
00:26:54,013 --> 00:26:57,950
We keep on being ourselves
but just...
391
00:26:57,984 --> 00:27:00,119
hopefully better
versions of ourselves.
392
00:27:02,154 --> 00:27:03,389
But, what happens when...
393
00:27:05,024 --> 00:27:08,661
an event occurs that's
so catastrophic
394
00:27:08,695 --> 00:27:11,998
that we just change from one
day to the next.
395
00:27:13,833 --> 00:27:16,202
You change from the known
person,
396
00:27:16,235 --> 00:27:18,671
to an unknown person.
397
00:27:18,705 --> 00:27:20,773
So that, when you look at
yourself in the mirror,
398
00:27:21,908 --> 00:27:24,410
you recognize the person...
399
00:27:25,244 --> 00:27:27,146
uh, but you won't...
400
00:27:27,179 --> 00:27:30,182
but, the person inside
the skin is a different person.
401
00:27:34,987 --> 00:27:36,956
NICK: So that when you go
outside...
402
00:27:42,094 --> 00:27:44,163
the world is the same.
403
00:27:44,196 --> 00:27:48,901
But, now you are a different
person and you have to
404
00:27:48,935 --> 00:27:51,337
renegotiate your position
in the world.
405
00:27:53,806 --> 00:27:55,074
WOMAN:
a bit. Going for G here...
406
00:27:55,107 --> 00:27:56,408
Yeah.
We can do it.
407
00:27:56,442 --> 00:27:57,777
Okay.
NICK: For instance...
408
00:27:58,510 --> 00:28:01,047
I think D-F-G, D-F-A seems to...
409
00:28:01,080 --> 00:28:02,982
NICK:
when you go into a shop
410
00:28:03,015 --> 00:28:07,787
to get cigarettes, because this
new version of yourself
411
00:28:07,820 --> 00:28:12,091
smokes, and the shop owner
says, "How are you?"
412
00:28:12,124 --> 00:28:15,194
And you don't know how
to answer.
413
00:28:15,227 --> 00:28:19,198
Or, when you meet a friend on
the street, who says some
kindness.
414
00:28:19,231 --> 00:28:23,903
Uh, the... they don't really
work on the choruses because,
415
00:28:23,936 --> 00:28:27,473
they connect to the...[HUMMING]
Yes... maybe it should be...
416
00:28:27,506 --> 00:28:29,041
it's like a "boom".
417
00:28:29,075 --> 00:28:32,278
NICK: And, suddenly
you are crying in their
arms for ages.
418
00:28:32,311 --> 00:28:35,514
And, then you realize
that the person is not
a friend at all.
419
00:28:35,547 --> 00:28:38,951
I think it's... we're saying
the same thing...
Like a boom?
420
00:28:38,985 --> 00:28:40,419
[HUMMING]
421
00:28:40,452 --> 00:28:42,454
They're doing the "waa".
Then I'm planning to wind up.
422
00:28:42,922 --> 00:28:44,323
Yeah.
423
00:28:44,356 --> 00:28:47,226
NICK:
But, someone else that you
don't actually really
424
00:28:47,259 --> 00:28:48,427
know very well.
425
00:28:50,262 --> 00:28:52,765
I wouldn't put any more
emotion into it.
426
00:28:52,799 --> 00:28:56,803
Or, you go into a bakery to
buy a loaf of bread...
427
00:28:57,336 --> 00:28:59,438
let's say.
428
00:28:59,471 --> 00:29:02,875
And, you're standing
in the queue,
429
00:29:02,909 --> 00:29:06,245
and someone grabs you
by the arm and says something,
430
00:29:06,278 --> 00:29:08,280
with their kind eyes...
431
00:29:08,314 --> 00:29:10,282
[PLAYING CELLO]
432
00:29:10,316 --> 00:29:15,955
But, you can't work out what
they've said because the new
you can't hear very well.
433
00:29:15,988 --> 00:29:18,157
And, so, you say "What?"
434
00:29:18,190 --> 00:29:20,793
But, too loudly and angrily,
435
00:29:21,260 --> 00:29:22,461
and he says,
436
00:29:24,864 --> 00:29:28,034
"We are all with you, man".
437
00:29:28,067 --> 00:29:32,538
And you look around and all
the bakery is looking at you
with kind eyes.
438
00:29:34,006 --> 00:29:36,208
And, you think that people
are really nice.
439
00:29:39,111 --> 00:29:42,048
But, when did you become
an object of pity?
440
00:29:45,885 --> 00:29:49,088
[TECHNO MUSIC PLAYING]
441
00:30:04,336 --> 00:30:09,041
As soon as I walked in here,
I got this spike of agitation.
You did?
442
00:30:09,441 --> 00:30:10,442
How come?
443
00:30:15,414 --> 00:30:16,983
Has anyone seen my pen?
444
00:30:21,453 --> 00:30:22,955
Thank you.
445
00:30:22,989 --> 00:30:24,924
Um, yeah.
446
00:30:28,660 --> 00:30:29,828
Um...
447
00:30:29,862 --> 00:30:33,299
did you print out the words
that I sent, or the words...
448
00:30:33,332 --> 00:30:35,034
This is what you sent.
Yeah.
Did I?
449
00:30:36,202 --> 00:30:37,970
Um, okay.
450
00:30:39,071 --> 00:30:41,173
Yeah, um...
451
00:30:41,207 --> 00:30:43,609
No, because you
don't have any...
452
00:30:43,642 --> 00:30:45,311
What if I've got them on
my computer?
453
00:30:47,613 --> 00:30:49,015
Do you have a printer?
454
00:30:50,582 --> 00:30:54,954
NICK: Here I am,
the moonlight man, with my six
shooter and Steve McQueen,
455
00:30:54,987 --> 00:30:59,391
call me a cab,
I'm not that kind of a guy,
I have a dream.
456
00:30:59,425 --> 00:31:03,229
Sometimes I the elevator to
the top of the Burj Al Arab
457
00:31:03,262 --> 00:31:06,165
and shoot my guns across Dubai.
458
00:31:06,198 --> 00:31:09,001
Bang, bang, bang,
I'm that kind of guy.
459
00:31:15,441 --> 00:31:17,009
I know.
460
00:31:17,043 --> 00:31:21,413
But mostly, I curl up inside
my typewriter... curl up inside
my typewriter and wish
461
00:31:21,447 --> 00:31:22,514
that I can die.
462
00:31:25,184 --> 00:31:29,288
Your legs are so long, they
should come with their
own elevator.
463
00:31:29,321 --> 00:31:32,424
Don't worry, darling, I'll be
coming around, see you later.
464
00:31:32,458 --> 00:31:34,226
Have you guys sang them
differently,
465
00:31:34,260 --> 00:31:36,128
or, something like that, um...
466
00:31:36,162 --> 00:31:38,264
[INDISTINCT]
467
00:31:38,297 --> 00:31:41,667
Because, between you and me
and my best friend,
the housefly...
468
00:31:44,103 --> 00:31:47,206
I'm Steve McQueen
with a big beautiful dream.
469
00:31:48,707 --> 00:31:50,109
I am god.
470
00:31:52,378 --> 00:31:56,082
I am God, thinking about
God, thinking about
Steve McQueen.
471
00:31:56,682 --> 00:31:59,185
Oh, yeah, great.
472
00:31:59,218 --> 00:32:03,189
It's for me the sirens
and the sylphs do their
twilight pining.
473
00:32:03,222 --> 00:32:07,193
On Saturday night. I woke on
someone else's stomach lining.
474
00:32:08,727 --> 00:32:11,530
Up and down this street,
call me a cab.
475
00:32:11,563 --> 00:32:13,365
Call me a cab.
476
00:32:13,399 --> 00:32:17,036
No I'm a housefly called God
and I don't give a fuck.
477
00:32:18,470 --> 00:32:20,206
Right, that's it.
Go on.
478
00:32:20,239 --> 00:32:24,476
Here I come up the elevator,
sixty floors hoping I don't
get stuck.
479
00:32:26,145 --> 00:32:30,482
And everyone out here does mean
And everyone out here does pain.
480
00:32:30,516 --> 00:32:33,052
But, someone's got to
sing the stars.
481
00:32:33,085 --> 00:32:35,121
And, someone's got to
sing the rain.
482
00:32:36,588 --> 00:32:38,290
I'm the atomizer.
483
00:32:38,324 --> 00:32:39,925
I'm the vaporizer.
484
00:32:39,958 --> 00:32:44,496
I turn everything to crud,
I like it here in flesh
and blood.
485
00:32:44,530 --> 00:32:46,698
I'm the elevator man,
don't you see?
486
00:32:46,732 --> 00:32:50,436
You're a spine lashed,
long legged lovely young thing.
487
00:32:50,469 --> 00:32:54,440
Call me a cab. I'll drive
to the top of the Burj Al Arab.
488
00:32:54,473 --> 00:32:57,176
And, fire my guns
across your stomach.
489
00:33:01,113 --> 00:33:06,585
Because, someone's got to
sing the stars, and someone's
got to sing the rain.
490
00:33:06,618 --> 00:33:11,090
And someone's got to sing
the blood. And someone's got to
sing the pain.
491
00:33:12,691 --> 00:33:15,027
Watch out you fuckers.
492
00:33:15,061 --> 00:33:18,130
I've got my six shooter and my
housefly on lead,
493
00:33:18,164 --> 00:33:20,432
I'm Burj Al McQueen.
494
00:33:20,466 --> 00:33:23,369
And I'm coming to make
every last one of you bleed.
495
00:33:23,402 --> 00:33:27,139
How are you, Jim?
I'm alright, thank you.
How are you?
496
00:33:27,506 --> 00:33:29,175
[LAUGHING]
497
00:33:29,208 --> 00:33:31,577
Got your beard back, mate.
Yeah, yeah.
498
00:33:31,610 --> 00:33:33,312
I thought I'd grow it just
for the show.
499
00:33:35,147 --> 00:33:36,815
What about continuity?
500
00:33:36,848 --> 00:33:38,417
Fuck continuity.
501
00:33:39,351 --> 00:33:41,053
Fuck continuity.
502
00:33:41,087 --> 00:33:46,825
God is great, chances are
God is good,
well I wouldn't go that far
503
00:33:46,858 --> 00:33:48,260
[INDISTINCT]
504
00:33:48,660 --> 00:33:49,695
C to B Flat.
505
00:33:49,728 --> 00:33:52,731
I'm Steve McQueen
the atrocity man.
506
00:33:52,764 --> 00:33:57,303
* You wanna bleed on me.
507
00:33:58,637 --> 00:34:00,239
And sing too, Jim.
508
00:34:00,272 --> 00:34:05,177
* If you wanna bleed
Don't bleed *
509
00:34:05,211 --> 00:34:08,180
NICK: With my strap on blood
pondered dream...
510
00:34:08,214 --> 00:34:12,351
* If you wanna bleed
Don't bleed
511
00:34:13,485 --> 00:34:15,254
* Step away.
512
00:34:15,287 --> 00:34:19,691
NICK: But, mostly curl up
inside my typewriter
with my housefly and cry.
513
00:34:22,261 --> 00:34:24,763
I tell my housefly not to cry.
514
00:34:24,796 --> 00:34:27,299
My housefly chose me
not to die.
515
00:34:28,634 --> 00:34:31,737
Because someone's got to
sing the stars,
516
00:34:31,770 --> 00:34:34,072
and someone's got to sing
the rain.
517
00:34:34,673 --> 00:34:35,674
D minor.
518
00:34:35,707 --> 00:34:37,543
And, someone's got to
sing the blood.
519
00:34:40,312 --> 00:34:42,414
And, someone's
got to sing the pain.
520
00:34:43,882 --> 00:34:45,151
Okay.
521
00:34:48,354 --> 00:34:50,689
[INDISTINCT CHATTER]
522
00:34:50,722 --> 00:34:51,723
[CLEARS THROAT]
523
00:34:55,161 --> 00:34:56,328
NICK: Look at him.
524
00:34:59,331 --> 00:35:00,699
Holding everything together.
525
00:35:00,732 --> 00:35:02,100
NICK: Is my hair alright?
526
00:35:03,535 --> 00:35:05,671
Fucking, never been better.
527
00:35:05,704 --> 00:35:09,575
Best it's ever been.
Best it's ever been.
Huh? Best it's ever...
528
00:35:09,608 --> 00:35:14,546
It better be.
Fucking, proceed with
absolute confidence.
529
00:35:14,580 --> 00:35:16,415
NICK: What would I
do without Warren.
530
00:35:16,448 --> 00:35:17,516
If it's not...
531
00:35:17,549 --> 00:35:18,850
[PIANO MUSIC PLAYING]
532
00:35:18,884 --> 00:35:20,252
MAN: Cut! Cut!
533
00:35:21,520 --> 00:35:22,754
MAN: Three-Four minutes.
534
00:35:22,788 --> 00:35:26,392
NICK:
We should do one, we should
do a take pretty soon.
535
00:35:26,425 --> 00:35:29,861
Or we're gonna lose
the essence of the thing.
536
00:35:29,895 --> 00:35:33,432
Because I can the whole mojo
slipping away.
WARREN: Yeah, it's getting
537
00:35:33,465 --> 00:35:37,436
cold.
NICK: We're getting bored,
irritable.
538
00:35:37,469 --> 00:35:41,640
Can I hear, can I try that
out just with the backing track
please, Jake.
539
00:35:49,515 --> 00:35:50,649
What's the time line?
540
00:35:52,484 --> 00:35:55,287
[INDISTINCT CHATTER]
541
00:35:56,755 --> 00:35:58,757
NICK: 'Cause it's too loud.
542
00:36:02,494 --> 00:36:05,597
[PIANO MUSIC PLAYING]
543
00:36:29,388 --> 00:36:31,523
[CHATTERING]
544
00:36:35,661 --> 00:36:38,297
Tishi, see that guy?
Tishi.
545
00:36:38,330 --> 00:36:42,401
That means, go to...
The cameraman, was like, Tishi.
546
00:36:42,434 --> 00:36:44,970
Did you show him his camera?
Yeah, yeah, I showed him
a photo.
547
00:36:45,471 --> 00:36:46,905
Spooky.
548
00:36:46,938 --> 00:36:49,941
NICK: Warren just pointed out
how much the photographer
looks like.
549
00:36:49,975 --> 00:36:51,377
Tishi.
550
00:36:52,744 --> 00:36:54,580
Tishi is another photographer.
551
00:36:54,613 --> 00:36:57,349
MAN: Hang on.
[INDISTINCT]
552
00:36:57,383 --> 00:36:59,918
Who has like shaggy hair
and a beard and...
553
00:36:59,951 --> 00:37:02,521
Bad backs are coming back.
Yeah, mate.
554
00:37:02,554 --> 00:37:06,358
NICK: Lived most of his life in
the streets, of his home town.
555
00:37:06,958 --> 00:37:08,226
In the Czech Republic.
556
00:37:09,728 --> 00:37:12,398
He took photographs of
women, with a camera
557
00:37:12,431 --> 00:37:13,699
that he made himself.
558
00:37:14,633 --> 00:37:16,468
They are...
559
00:37:16,502 --> 00:37:19,037
really wonderful photographs.
560
00:37:19,070 --> 00:37:23,575
Like stolen moments, of women
in over many
561
00:37:23,609 --> 00:37:25,411
amazing facets.
562
00:37:28,514 --> 00:37:30,682
I mean,
many amazing facets.
563
00:37:33,752 --> 00:37:36,622
Women have more
facets than men.
564
00:37:38,089 --> 00:37:39,891
Men are...
[LAUGHS]
565
00:37:39,925 --> 00:37:42,661
Men are pretty much
two dimensional.
566
00:37:43,695 --> 00:37:45,564
And women are,
567
00:37:45,597 --> 00:37:46,698
like, fucking 3D.
568
00:37:48,367 --> 00:37:51,503
My wife is spectacularly
three dimensional.
569
00:37:54,906 --> 00:37:56,575
But, every time I try to, um...
570
00:37:57,843 --> 00:37:58,977
get a handle on her,
571
00:38:00,812 --> 00:38:03,882
and to put her into focus,
572
00:38:03,915 --> 00:38:07,018
she shifts and changes,
and becomes someone else.
573
00:38:07,052 --> 00:38:09,855
Or worse, she steps out of
the frame entirely.
574
00:38:10,689 --> 00:38:11,723
And...
575
00:38:12,624 --> 00:38:15,894
I'm left with a hovering
576
00:38:15,927 --> 00:38:17,963
ghost, in which...
that's...
577
00:38:19,365 --> 00:38:20,766
burned on my retina.
578
00:38:22,033 --> 00:38:24,670
Like I've starred into
a spotlight.
579
00:38:25,604 --> 00:38:26,972
And closed my eyes.
580
00:38:29,808 --> 00:38:31,710
Eventually she steps back
into the frame,
581
00:38:33,379 --> 00:38:35,647
and I pull her back in focus.
582
00:38:35,681 --> 00:38:37,649
But, she's changed because
she's been
583
00:38:39,951 --> 00:38:42,988
out there, communing
with the dead.
584
00:38:46,958 --> 00:38:48,827
[SIGHS]
585
00:38:57,503 --> 00:39:01,006
[GIRL IN AMBER PLAYING]
586
00:39:11,583 --> 00:39:16,755
* Some go and some stay behind
Some never move at all
587
00:39:18,123 --> 00:39:25,096
* Girl in amber trapped forever
Spinning down the hall
588
00:39:25,130 --> 00:39:31,837
* Let no part of her go
Unremembered, clothes
Across the floor
589
00:39:31,870 --> 00:39:38,577
* Girl in amber lumber slumber
Shuts the bathroom door
590
00:39:38,610 --> 00:39:45,651
* The phone, the phone
The phone it rings, it rings
It rings no more
591
00:39:45,684 --> 00:39:52,924
* The song, the song,
the Song it spins
since nineteen eighty-four
592
00:39:52,958 --> 00:39:59,865
* The phone, the phone
The phone it rings, it rings
It rings no more
593
00:39:59,898 --> 00:40:04,002
* The song, the song
It's been spinning
594
00:40:04,035 --> 00:40:07,873
* Since Nineteen
595
00:40:07,906 --> 00:40:11,610
* And if you want to
Bleed, just bleed
596
00:40:14,145 --> 00:40:18,550
* And if you want to
Bleed, just bleed
597
00:40:21,119 --> 00:40:25,824
* But if you want to leave
Don't breathe
598
00:40:26,825 --> 00:40:30,896
* The world just step away
599
00:40:30,929 --> 00:40:33,599
* And let the world
600
00:40:33,632 --> 00:40:40,071
* And now in turn, you turn
You kneel, lace up his shoes
Your little blue-eyed boy
601
00:40:41,940 --> 00:40:49,247
* Take him by his hand
Go floating down the hall
602
00:40:49,280 --> 00:40:56,488
* I get lucky, I get lucky
Cause I tried again
603
00:40:56,522 --> 00:41:03,862
* I knew the world it would
Stop spinning now since
You've been gone
604
00:41:03,895 --> 00:41:10,736
* I used to think that when
You died you kind of
Wandered the world
605
00:41:10,769 --> 00:41:17,275
* In a slumber till you
Crumbled, were absorbed
Into the earth
606
00:41:17,308 --> 00:41:21,680
* Well, I don't think
That any more
607
00:41:21,713 --> 00:41:24,249
* The phone it rings no more
608
00:41:24,282 --> 00:41:31,757
* The song, the song it
Spins now
Since nineteen eighty-four
609
00:41:31,790 --> 00:41:38,029
* The song, the song it spins
The song, it spins, it spins
It's been a spinning now
610
00:41:38,063 --> 00:41:44,670
* And if you'll hold me I will
Tell you that you know that
611
00:41:46,772 --> 00:41:51,176
* And if you want to leave
Don't breathe
612
00:41:52,844 --> 00:41:57,515
* And if you want to leave
Don't breathe
613
00:41:59,651 --> 00:42:04,990
* And if you want to leave
Don't breathe
614
00:42:05,957 --> 00:42:07,926
* A word
615
00:42:08,827 --> 00:42:11,329
* Just step away
616
00:42:11,362 --> 00:42:15,567
* And let the world turn
617
00:42:27,646 --> 00:42:33,852
* The song, the song it
Spins now
Since nineteen eighty-four
618
00:42:35,220 --> 00:42:41,092
* The phone, it rings, it rings
And you won't stay
619
00:43:10,088 --> 00:43:12,658
* Don't touch me
620
00:43:17,328 --> 00:43:19,264
* Don't touch me
621
00:43:24,135 --> 00:43:26,672
* Don't touch me
622
00:43:30,408 --> 00:43:33,111
* Don't touch me
623
00:43:38,416 --> 00:43:41,619
* Don't touch me
624
00:43:49,995 --> 00:43:53,799
[INDISTINCT CHATTER]
625
00:43:58,269 --> 00:43:59,871
NICK: Hair's still alright?
626
00:44:00,772 --> 00:44:02,173
WARREN: Even better.
627
00:44:02,207 --> 00:44:04,042
It's even better now.
628
00:44:05,476 --> 00:44:06,978
What ever you did,
don't touch it.
629
00:44:07,779 --> 00:44:09,715
NICK: Don't touch it.
630
00:44:15,754 --> 00:44:17,255
NICK:
Fuck! What happened to my face.
631
00:44:20,158 --> 00:44:22,060
Look at those bags
under my eyes.
632
00:44:24,095 --> 00:44:25,396
Where did they come from?
633
00:44:28,499 --> 00:44:29,901
They weren't there last year.
634
00:44:34,439 --> 00:44:37,342
The director says I look
like a battered monument.
635
00:44:40,178 --> 00:44:42,981
I have a terrible feeling he's
trying to be kind to me.
636
00:44:47,085 --> 00:44:49,187
I must remember
to be kind back.
637
00:44:51,790 --> 00:44:53,825
I must remember to be kind.
638
00:44:56,061 --> 00:44:58,764
[MAGNETO PLAYING]
639
00:44:59,998 --> 00:45:03,401
[INSTRUMENTAL MUSIC PLAYING]
640
00:45:34,065 --> 00:45:37,235
* Mostly I never knew
Which way was out
641
00:45:43,174 --> 00:45:46,845
* Once it was on
It was on and that was that
642
00:45:53,184 --> 00:45:57,088
* The umbilicus was a faucet
That fountained rabbit blood
643
00:45:57,122 --> 00:45:59,524
* And I spun on my wheel
644
00:46:02,961 --> 00:46:04,830
* Like a laboratory rat
645
00:46:11,937 --> 00:46:17,175
* I was an electrical storm
On the bathroom floor
Clutching the bowl
646
00:46:21,913 --> 00:46:26,017
* My blood was for the gags
And other people's diseases
647
00:46:31,056 --> 00:46:34,425
* My monstrous little memory
Had swallowed me whole
648
00:46:40,131 --> 00:46:45,136
* It was the year I officially
Became the bride of Jesus
649
00:46:46,337 --> 00:46:51,242
* In love, in love
In love you laugh
650
00:46:51,276 --> 00:46:53,979
* I move you move
651
00:46:54,012 --> 00:46:57,849
* And one more time
With feeling
652
00:46:57,883 --> 00:47:01,152
* In love, in love
In laugh, you laugh
653
00:47:02,020 --> 00:47:04,222
* I'm sawn in half
654
00:47:04,255 --> 00:47:07,258
* And the stars are splashed
655
00:47:10,495 --> 00:47:14,933
* Across the ceiling
656
00:47:17,168 --> 00:47:22,373
* Oh, the urge to kill
Somebody was basically
Overwhelming
657
00:47:26,611 --> 00:47:32,117
* I had such hard blues
Down there in the supermarket
Queues
658
00:47:36,154 --> 00:47:42,193
* And I had a sudden urge to
Become someone
Someone like you
659
00:47:42,227 --> 00:47:48,033
* Who started out with less
Than anyone I ever knew
660
00:47:54,372 --> 00:47:58,543
* In love, in love, I love
You love, I laugh, you love
661
00:47:58,576 --> 00:48:04,315
* I move, you move
And one more time with feeling
662
00:48:06,184 --> 00:48:09,254
* In love, in love
I love, You love
I laugh, you laugh
663
00:48:10,288 --> 00:48:12,958
* I'm sawn in half
664
00:48:12,991 --> 00:48:15,593
* And the stars are splashed
665
00:48:18,329 --> 00:48:23,001
* Across the ceiling
666
00:48:49,727 --> 00:48:54,165
* Oh, and oh you come shining
667
00:48:54,199 --> 00:48:57,202
* Softly to the hold
Of a drink
668
00:48:59,604 --> 00:49:05,376
*Come as far as the edge
Of my blood and swim
669
00:49:10,115 --> 00:49:15,020
* And in the bathroom mirror
I see me vomit in the sink
670
00:49:18,556 --> 00:49:24,362
* And all through the house we
Hear the hyena's hymns
671
00:49:28,433 --> 00:49:33,338
* Of love
I love, you love
I laugh, You laugh
672
00:49:33,371 --> 00:49:38,376
* I move, you move, you move
One more time with feeling
673
00:49:41,279 --> 00:49:46,017
* I love, you love
I laugh, you laugh
674
00:49:46,051 --> 00:49:52,190
* We saw each other in heart
And all the stars have
Splashed
675
00:49:52,223 --> 00:49:54,025
* And splattered
676
00:49:56,227 --> 00:49:59,330
* Across the ceiling
677
00:50:12,343 --> 00:50:14,145
[MUSIC FADES]
678
00:50:21,086 --> 00:50:23,288
How disturbing is this?
679
00:50:23,321 --> 00:50:25,256
It's quite disturbing. Yeah.
It is?
680
00:50:25,290 --> 00:50:29,727
Well, I think, um...
I'll make a deal with you.
681
00:50:29,760 --> 00:50:33,131
Absolutely anything in that's
in the film that you don't like?
682
00:50:33,164 --> 00:50:34,665
Yeah.
Right? You can cut out.
683
00:50:34,699 --> 00:50:36,033
Okay.
Okay?
684
00:50:39,404 --> 00:50:40,771
Okay.
685
00:50:40,805 --> 00:50:42,440
Let's just take one now.
686
00:50:42,473 --> 00:50:44,342
Wait till it's, um...
687
00:50:44,375 --> 00:50:48,079
I'll wait till...
You know, take a photo
of them,
688
00:50:48,113 --> 00:50:50,515
and then we can put it
in the film.
689
00:50:54,185 --> 00:50:56,321
That worked, yeah.
Okay, cool.
Yeah. Okay.
690
00:50:56,354 --> 00:50:58,123
And just wind it
on with the...
Okay.
691
00:50:58,556 --> 00:50:59,757
The winder thing.
692
00:51:00,891 --> 00:51:02,593
Okay.
693
00:51:02,627 --> 00:51:03,594
Awesome.
Okay.
694
00:51:03,628 --> 00:51:06,531
And so, if you wanna, um,
take any photos today,
695
00:51:06,564 --> 00:51:08,399
just gotta pop up the flash,
which is that.
696
00:51:13,838 --> 00:51:15,240
NICK: We didn't ask for it.
697
00:51:19,610 --> 00:51:21,612
But, it is all around us.
698
00:51:21,646 --> 00:51:23,214
A gratuitous beauty.
699
00:51:24,915 --> 00:51:27,852
That exists whether we,
uh, there to witness it or not.
700
00:51:30,488 --> 00:51:32,623
The world plunges on.
701
00:51:34,659 --> 00:51:36,361
And the world is magnificent.
702
00:51:40,398 --> 00:51:42,533
I watch you on your ice flow.
703
00:51:44,335 --> 00:51:46,771
Cold something into
the Arctic wind.
704
00:51:49,574 --> 00:51:52,343
The wind offers
a brutal resistance.
705
00:51:54,745 --> 00:51:56,113
But, still you plough on.
706
00:52:00,651 --> 00:52:03,221
I cling to my ice berg
and sing to you.
707
00:52:04,789 --> 00:52:10,528
*See the sun, see it rising
708
00:52:13,298 --> 00:52:16,834
* See it rising
709
00:52:17,902 --> 00:52:23,140
* Rising in your eyes.
710
00:52:27,745 --> 00:52:30,581
Oh my God.
Hey.
711
00:52:30,615 --> 00:52:32,817
Look at you.
I've got brown hair.
712
00:52:37,688 --> 00:52:40,458
You've been alright?
Yeah.
713
00:52:40,491 --> 00:52:43,228
What you doing.
Oh, good.
Nothing.
714
00:52:43,994 --> 00:52:47,732
Um...
No, get rid of it.
715
00:52:47,765 --> 00:52:50,535
Have the animal rights
people...
Shh, shh!
716
00:52:51,436 --> 00:52:52,703
Why is creaking?
717
00:52:55,005 --> 00:52:58,776
It's been, um, an enormous
amount of doing nothing,
718
00:52:58,809 --> 00:52:59,944
waiting around.
Yeah.
719
00:53:01,279 --> 00:53:02,680
Sounds pretty difficult.
720
00:53:05,350 --> 00:53:07,852
You'll get used to the camera
being there, now your on.
721
00:53:08,819 --> 00:53:10,187
Thanks.
722
00:53:11,556 --> 00:53:12,690
Good day Suz!
723
00:53:12,723 --> 00:53:14,459
[LAUGHING]
724
00:53:15,460 --> 00:53:16,727
See you're shy.
725
00:53:22,767 --> 00:53:24,402
That's what I'd do
at the time, and they...
726
00:53:24,435 --> 00:53:27,305
they give me special one
that's not connected.
727
00:53:27,338 --> 00:53:28,806
Just for the fuck of it.
728
00:53:30,040 --> 00:53:32,810
Go to DFA fader, that's
fuck all.
729
00:53:32,843 --> 00:53:34,211
[LAUGHING]
730
00:53:36,514 --> 00:53:38,749
BOY: And the buttons?
Can I press
the buttons as well.
731
00:53:46,324 --> 00:53:50,661
NICK: And this guy,
is the videographer. We're
watching the videographer,
732
00:53:50,695 --> 00:53:54,031
who's watching the camera man,
who's watching us,
733
00:53:54,064 --> 00:53:56,501
and it just goes around,
and around, and around.
734
00:53:57,902 --> 00:53:59,704
Spooky, huh?
735
00:53:59,737 --> 00:54:01,606
WOMAN:
So, which is the 3D camera?
736
00:54:01,639 --> 00:54:02,673
Cam-ception!
737
00:54:02,707 --> 00:54:04,609
They heavy one.
That one.
738
00:54:04,642 --> 00:54:06,444
This is the videographer.
739
00:54:06,477 --> 00:54:09,614
Is this in 2D?
That's in 2D.
740
00:54:09,647 --> 00:54:11,716
Okay.
He's in 2D.
741
00:54:13,318 --> 00:54:14,985
[LAUGHING]
742
00:54:22,026 --> 00:54:25,363
WARREN:
Yeah, I mean it's...
No, I mean it's...
743
00:54:25,396 --> 00:54:28,833
Yeah, yeah. Basically
the couple of record in
the soundtrack stuff
744
00:54:28,866 --> 00:54:32,870
has been really about that
I just pall a bunch of
stuff in there,
745
00:54:32,903 --> 00:54:36,974
and then just try and find
something in there, like it's
really about... that's
746
00:54:37,007 --> 00:54:38,909
the really exciting thing.
747
00:54:38,943 --> 00:54:43,080
Um, for the last few years with
me, has been about that, like...
748
00:54:43,113 --> 00:54:47,385
trying to find something that
kind of, just comes out of
nowhere.
749
00:54:47,785 --> 00:54:48,986
Um...
750
00:54:49,019 --> 00:54:52,457
NICK: These guys, Warren
and Andrew the director,
751
00:54:52,490 --> 00:54:54,459
they like to go on about,
752
00:54:54,492 --> 00:54:58,663
accidents
and the accident... uh...
753
00:54:59,630 --> 00:55:03,701
the accidental nature of art,
754
00:55:03,734 --> 00:55:07,938
but, this is just another way
of saying they're communing
with the Gods.
755
00:55:09,774 --> 00:55:13,077
I mean, you think God would
have more pressing to do.
Really.
756
00:55:14,979 --> 00:55:17,047
There's no such thing as
accidents.
757
00:55:17,081 --> 00:55:18,549
[LOUD CLANG]
758
00:55:19,417 --> 00:55:20,485
MAN: Oh, fuck!
759
00:55:23,821 --> 00:55:26,524
Yeah, I think accidents
is the wrong word, because,
760
00:55:28,459 --> 00:55:30,595
um, it more...
761
00:55:32,930 --> 00:55:34,432
Um...
762
00:55:34,465 --> 00:55:38,803
that we just get into... that
we get ourselves into
a space these days.
763
00:55:39,537 --> 00:55:41,506
Where, um...
764
00:55:41,539 --> 00:55:45,643
some sort of magical thing
happens, that isn't
765
00:55:45,676 --> 00:55:46,911
to do with, uh,
766
00:55:49,079 --> 00:55:51,982
which isn't to do with knowing,
767
00:55:52,016 --> 00:55:56,053
which isn't to do with knowing
at all actually, so...
768
00:55:56,787 --> 00:55:59,390
um...
769
00:55:59,424 --> 00:56:04,929
I mean there are of course,
happy accidents and stuff
like that, but...
770
00:56:04,962 --> 00:56:10,100
Mostly, um, I find that me
and Warren particularly,
when we kind of
771
00:56:10,134 --> 00:56:13,738
jam together and stuff like
that, we get into, uh...
772
00:56:15,440 --> 00:56:19,810
a situation where a lot of very
beautiful things just happen
773
00:56:19,844 --> 00:56:25,149
after each other. And, then we
get into a situation where
that doesn't happen at all.
774
00:56:25,182 --> 00:56:27,885
And we kind of, um,
forever...
775
00:56:30,020 --> 00:56:34,525
um, foraging away
for these moments.
776
00:56:40,765 --> 00:56:45,536
NICK: It's a very different
collaborative situation with me
and Warren that is
777
00:56:45,570 --> 00:56:50,475
with anybody else, that has
been working with me.
778
00:56:50,508 --> 00:56:54,044
Because, we actually sit down
in a room together and compose
779
00:56:54,078 --> 00:56:55,480
a song together.
780
00:56:57,081 --> 00:56:59,584
* We're beginning our descent
781
00:57:01,051 --> 00:57:04,489
* I never knew
What that meant
782
00:57:06,824 --> 00:57:09,159
* We grabbed the oxygen pod
783
00:57:24,241 --> 00:57:28,813
* And I call out the window
784
00:57:32,783 --> 00:57:35,119
* Down here the sea.
785
00:57:38,723 --> 00:57:44,261
And it actually really exciting
to sing the same if you're
in a room together,
786
00:57:44,294 --> 00:57:46,196
to sing to something,
787
00:57:47,632 --> 00:57:49,667
that you don't know.
788
00:57:49,700 --> 00:57:51,769
You don't know
where it's going.
789
00:57:51,802 --> 00:57:53,871
So, I'm singing
a melody,
790
00:57:55,205 --> 00:58:01,178
that's being kind of,
stretched into all these
791
00:58:01,211 --> 00:58:05,583
into a wholly different way,
that I can never come up with
myself.
792
00:58:10,087 --> 00:58:12,557
[PLAYING THE VIOLIN]
793
00:58:34,879 --> 00:58:37,648
When I sit at the piano,
794
00:58:37,682 --> 00:58:42,853
I play chords and I know what
it's gonna sound like before I
press the keys down.
795
00:58:45,956 --> 00:58:50,260
And so you just... it becomes
repetitious, there's no way
around it.
796
00:58:58,302 --> 00:59:00,170
It's very exciting to have
797
00:59:01,071 --> 00:59:03,307
someone else doing
798
00:59:03,340 --> 00:59:05,042
that side of things.
799
00:59:07,778 --> 00:59:10,948
Because, your melodies aren't
dictated by
800
00:59:10,981 --> 00:59:12,116
what you know,
801
00:59:30,134 --> 00:59:33,237
[SKELETON TREE PLAYING]
802
00:59:33,270 --> 00:59:37,341
* Sunday morning
803
00:59:37,374 --> 00:59:41,178
* Scattered in trees
804
00:59:42,713 --> 00:59:45,215
* Pressed against the sky
805
00:59:46,751 --> 00:59:50,655
* The jittery TV
806
00:59:51,756 --> 00:59:54,692
* And an empty bed
807
00:59:57,261 --> 01:00:02,733
* Glowing white like fire
808
01:00:02,767 --> 01:00:06,671
* And I called out the window
809
01:00:10,374 --> 01:00:15,012
* Down to the sea
810
01:00:17,882 --> 01:00:21,886
* And the devil
Comes collecting
811
01:00:21,919 --> 01:00:24,822
* For nothing is for free
812
01:00:25,723 --> 01:00:28,893
* And I call out the window
813
01:00:29,927 --> 01:00:35,766
* Jesus rising by
814
01:00:35,800 --> 01:00:38,335
* In a
815
01:00:42,039 --> 01:00:44,775
* Field.
816
01:00:57,087 --> 01:00:58,823
You know, I'm...
817
01:00:59,890 --> 01:01:01,926
to a fault,
818
01:01:01,959 --> 01:01:06,230
have had a thing about words,
both, love and respect about
819
01:01:06,263 --> 01:01:11,836
words, but, a kind of fear
about words, of where they can
actually take you, and...
820
01:01:11,869 --> 01:01:18,142
Um, what they can expose and
stuff about you. Words right,
that's what that's...
821
01:01:18,175 --> 01:01:21,979
what makes the world go around,
if we didn't have any way about
822
01:01:22,012 --> 01:01:25,816
articulating anything, we would
have no way of even remembering
anything really.
823
01:01:26,884 --> 01:01:30,187
Um... so,
824
01:01:30,220 --> 01:01:34,091
because of that power of
words I've really kept them
825
01:01:34,524 --> 01:01:37,094
contained like,
826
01:01:37,127 --> 01:01:39,930
don't let a line go,
in my opinion...
827
01:01:39,964 --> 01:01:43,433
I mean, people might just think
what I do is shit. I have to
forget about that.
828
01:01:43,467 --> 01:01:45,502
But, in my opinion I don't
need a line go,
829
01:01:45,535 --> 01:01:47,471
that I'm not really really
please with.
830
01:01:47,504 --> 01:01:49,306
Basically, right?
831
01:01:49,339 --> 01:01:51,008
Um, and this record
832
01:01:52,042 --> 01:01:55,813
I have to let go of that,
because,
833
01:01:55,846 --> 01:01:58,482
um, the line is successful
834
01:01:58,515 --> 01:01:59,917
for another reason.
835
01:02:00,317 --> 01:02:01,919
[TAPPING]
836
01:02:06,323 --> 01:02:08,425
[ANTHROCENE PLAYING]
837
01:02:08,458 --> 01:02:12,162
* All the fine wind is gone
838
01:02:16,801 --> 01:02:20,204
* And this sweet world is so
Much older
839
01:02:25,910 --> 01:02:31,115
* Animals pull the night
Around their shoulders
840
01:02:34,819 --> 01:02:40,224
*Flowers fall to their
Naked knees
841
01:02:41,225 --> 01:02:45,462
* Here I come now here I come
842
01:02:45,495 --> 01:02:50,467
* I hear you been out there
Looking for something to love
843
01:02:54,271 --> 01:02:59,143
* The dark force that shifts
At the edge of the tree
844
01:03:00,510 --> 01:03:04,514
* It's alright, it's alright
845
01:03:04,548 --> 01:03:10,220
* When you turn
So long and Lovely
It's hard to believe
846
01:03:13,357 --> 01:03:20,297
* That we're falling now
In the name of the Anthrocene
847
01:03:31,241 --> 01:03:37,447
* All the things we love
We love, we love, we lose
848
01:03:40,985 --> 01:03:47,892
* It's our bodies that fall
When they try to rise
849
01:03:51,295 --> 01:03:56,901
* And I hear you been looking
Out for something to love
850
01:03:59,069 --> 01:04:03,107
* Sit down beside me
851
01:04:03,140 --> 01:04:05,842
* And I'll name it for you
852
01:04:08,478 --> 01:04:13,951
* Behold, behold
The heaven bound sea
853
01:04:17,654 --> 01:04:23,160
* The wind cast its shadow
And moves for the tree
854
01:04:25,462 --> 01:04:32,469
*Behold the animals
And the Birds
And the sky entire
855
01:04:32,502 --> 01:04:38,275
* I hear you been out there
Looking for something to
Set on fire
856
01:04:40,978 --> 01:04:47,484
*The head bow children
Fall to their knees
857
01:04:47,517 --> 01:04:53,623
* Humbled in the age
Of the Anthrocene
858
01:05:07,972 --> 01:05:11,141
* Here they come now
Here they come
859
01:05:11,175 --> 01:05:13,944
* Are pulling you away
860
01:05:15,345 --> 01:05:20,951
* There are powers at play
More forceful than we
861
01:05:23,587 --> 01:05:27,224
* Come over here and sit down
862
01:05:27,257 --> 01:05:30,327
* And say a short prayer
863
01:05:32,162 --> 01:05:37,534
* A prayer to the air, the air
That we breathe
864
01:05:39,069 --> 01:05:44,408
* And the astonishing rise
Of the Anthrocene
865
01:05:45,642 --> 01:05:48,645
* Come on now, come on now
866
01:05:48,678 --> 01:05:52,049
* Hold your breath
While you're safe
867
01:05:54,684 --> 01:06:00,557
* It's a long way back
And I'm begging you please
868
01:06:00,590 --> 01:06:04,594
* To come home now
Come home now
869
01:06:09,233 --> 01:06:15,372
* Well, I heard you been out
Looking for something to love
870
01:06:18,275 --> 01:06:22,279
* Close your eyes
Little world
871
01:06:22,312 --> 01:06:24,714
* And brace yourself
872
01:06:32,422 --> 01:06:36,660
I don't want to just write
songs like a diary,
873
01:06:36,693 --> 01:06:40,430
of what my life is like, I'm
not really interested in that.
874
01:06:40,464 --> 01:06:42,666
Um...
875
01:06:42,699 --> 01:06:46,603
I want to write songs that
radiate out... that...
876
01:06:46,636 --> 01:06:49,506
connect with people
and don't alienate people.
877
01:06:54,344 --> 01:06:56,613
A kind of great...
878
01:06:56,646 --> 01:07:00,284
trauma isn't actually
a very good thing,
879
01:07:00,317 --> 01:07:01,918
um...
880
01:07:01,951 --> 01:07:06,423
you know, you kind of...
Well sometimes you know,
we all wish we have something
881
01:07:06,456 --> 01:07:10,794
to write about. We all wish
we have something in
our lives,
882
01:07:10,827 --> 01:07:13,830
that can happen.
That we can...
883
01:07:13,863 --> 01:07:16,032
that we can, um...
884
01:07:20,104 --> 01:07:22,772
to write about and make
our writing interesting.
885
01:07:22,806 --> 01:07:25,742
And all of that
sort of stuff.
886
01:07:25,775 --> 01:07:30,114
But, actually trauma actually
I think in the way that
this happened and,
887
01:07:30,147 --> 01:07:31,548
and in the events that
happened,
888
01:07:35,152 --> 01:07:38,388
it was extremely damaging to
the creative process.
889
01:07:42,759 --> 01:07:49,099
NICK: Later someone entered
the garden and bashed the
snakes brains in with a rock.
890
01:07:49,133 --> 01:07:54,238
Basically every one stood
around among the long black
cars in a state of shock.
891
01:07:56,473 --> 01:08:01,111
Everything got sad,
sad as a wind chime.
Sad, as stream as,
892
01:08:01,145 --> 01:08:03,280
sad as a single lost sock.
893
01:08:05,382 --> 01:08:10,854
There are many snakes, many
trees, many gardens to unlock.
894
01:08:10,887 --> 01:08:16,660
The media and it's complicitors
reader blew the whole thing out
of proportion.
895
01:08:16,693 --> 01:08:21,731
A snake became a serpent,
and in a typical tabloid
distortion
896
01:08:21,765 --> 01:08:26,236
the dead tree grew apples,
the wasteland paradise,
God was brought in
897
01:08:26,270 --> 01:08:28,672
blame apportioned.
898
01:08:28,705 --> 01:08:33,610
The whole thing went tits up
to the ceiling. A complete
fuck up and a total abortion.
899
01:08:33,643 --> 01:08:34,711
It's like a rap song.
900
01:08:35,879 --> 01:08:40,850
The children let off hand fulls
of balloons into the sky,
901
01:08:40,884 --> 01:08:42,486
they huddled under the marquis.
902
01:08:44,954 --> 01:08:46,323
The wind chime stopped.
903
01:08:49,193 --> 01:08:50,394
Stream is flagged.
904
01:08:53,197 --> 01:08:55,332
The straight sailing ships
on the sea.
905
01:08:57,967 --> 01:09:02,206
There is a toll gate now in
paradise, absolutely nothing
is for free.
906
01:09:06,810 --> 01:09:08,345
What's the worst
that can happen?
907
01:09:10,547 --> 01:09:13,483
Turning, pushing the hair
from you face
and smiling at me.
908
01:09:18,955 --> 01:09:22,859
MAN: Do you think it's a good
idea to have Suzie coming out
of the toilet?
909
01:09:24,594 --> 01:09:27,631
Just from an aesthetic
910
01:09:27,664 --> 01:09:29,699
and emotional and,
911
01:09:29,733 --> 01:09:32,336
How do you feel Suzie?
SUZIE: I don't mind. No, no.
912
01:09:32,369 --> 01:09:33,537
It's fine.
I don't mind.
913
01:09:33,570 --> 01:09:35,672
[INDISTINCT]
914
01:09:35,705 --> 01:09:39,209
Darling, do you really wanna be
photographed pinning
and dressed up in the toilet?
915
01:09:39,243 --> 01:09:40,610
It's fine. I don't mind.
916
01:09:40,644 --> 01:09:42,579
Just decide though.
Okay.
917
01:09:42,612 --> 01:09:45,915
Well, it probably, oh...
MAN: Let's move the camera
up there.
918
01:09:45,949 --> 01:09:47,451
Can we avoid seeing th toilet?
919
01:09:47,484 --> 01:09:49,253
You won't see the toilet.
920
01:09:49,286 --> 01:09:51,521
You're not going down
into the bowl.
921
01:10:14,944 --> 01:10:16,613
MAN:
What d'you think when you
look at the picture?
922
01:10:18,682 --> 01:10:20,284
Yeah, things are changed.
923
01:10:20,984 --> 01:10:21,985
Um...
924
01:10:24,053 --> 01:10:25,889
I like that because, uh...
925
01:10:29,459 --> 01:10:34,598
because of the position of our
bodies, that we're not, uh,
connected.
926
01:10:34,631 --> 01:10:36,366
That we're sorbed
in our own...
927
01:10:38,067 --> 01:10:43,740
whatever. And, uh... but there
is a real connection as well
928
01:10:43,773 --> 01:10:44,841
at the same time.
929
01:10:50,414 --> 01:10:52,382
Anyway I love that picture.
930
01:10:52,416 --> 01:10:57,654
Actually went to a union
psychiatrist, 'cause I had
931
01:10:57,687 --> 01:11:00,990
some problems or whatever. But,
when you ended up talking about
Suzie all the time because
932
01:11:01,024 --> 01:11:04,461
she's actually much more
interesting than I am,
933
01:11:04,494 --> 01:11:08,565
And he was obviously more
interested in her as well.
934
01:11:09,065 --> 01:11:11,301
Um, and...
935
01:11:13,002 --> 01:11:17,474
and he said, that it was a kind
of untapped
936
01:11:17,507 --> 01:11:21,044
creativity makes... is quite
a common thing, actually
937
01:11:21,077 --> 01:11:24,948
to... for... um,
938
01:11:24,981 --> 01:11:28,017
that she's not doing what
she's supposed to be doing.
939
01:11:28,051 --> 01:11:30,854
So, it's a common
thing for women
940
01:11:31,855 --> 01:11:33,423
to move furniture around.
941
01:11:34,391 --> 01:11:36,360
I mean, what should we do... 2.
942
01:11:36,393 --> 01:11:38,362
Yes?
Where can this go?
943
01:11:38,395 --> 01:11:40,997
It can go back to where it
was the other day.
Back into...
944
01:11:41,030 --> 01:11:44,000
SUZIE:
Where was it the other day?
It was where?
945
01:11:44,033 --> 01:11:48,338
The bike was there. Yeah.
SUZIE: Yeah, but do you want
this out of the shot completely.
946
01:11:48,372 --> 01:11:49,573
If you can just get that.
947
01:11:49,606 --> 01:11:51,741
That could go into
Nick's office.
948
01:11:51,775 --> 01:11:55,579
NICK: She knows I don't like it,
so, um,
949
01:11:55,612 --> 01:11:58,515
tends to happen when I'm
not in the house.
950
01:11:58,548 --> 01:12:02,686
And, so I go away and then I
come back in and it's different.
951
01:12:02,719 --> 01:12:07,591
You don't mind if I put this
back under the...
SUZIE: Yeah, that's fine.
952
01:12:07,624 --> 01:12:12,529
NICK: I found this article of
this guy up north, who had a
similar situation with his wife
953
01:12:12,562 --> 01:12:14,297
and, he would nail...
954
01:12:14,330 --> 01:12:18,702
everything. All the chairs to
the ground and everything like
that. And she would tear them up
955
01:12:18,735 --> 01:12:23,640
and she'd be... it was like,
that chronic. And eventually
he divorced her in the end.
956
01:12:24,641 --> 01:12:25,709
But, um...
957
01:12:28,011 --> 01:12:29,779
doesn't bid well for the future.
958
01:12:33,016 --> 01:12:35,819
'Cause it's cropped up in
couple of Nick's songs,
959
01:12:35,852 --> 01:12:37,654
I'm like...
MAN: Yeah, yeah, yeah.
960
01:12:37,687 --> 01:12:39,923
I'm really embarrassed.
MAN: I always thought that
961
01:12:39,956 --> 01:12:44,961
it was some brilliant...
He'd come up with
some brilliant kind of,
962
01:12:44,994 --> 01:12:47,731
metaphor, you know...
SUZIE: Yeah, I know.
963
01:12:47,764 --> 01:12:50,767
Is an actual description.
Actual description.
964
01:12:50,800 --> 01:12:55,739
Suzie changes, um, it's better
but Suzie actually changes
965
01:12:55,772 --> 01:12:57,907
the function of the room.
966
01:12:57,941 --> 01:13:00,877
While you asleep, right.
[LAUGHING]
967
01:13:00,910 --> 01:13:02,479
So that you wake up,
968
01:13:03,680 --> 01:13:07,751
and, yeah it's...
it's a different, yeah.
969
01:13:07,784 --> 01:13:11,488
It's like the TV room,
when before it was
the bedroom or something.
970
01:13:13,022 --> 01:13:15,459
No, I unplug it myself, darling.
971
01:13:15,492 --> 01:13:18,495
The woman keeps it
plugged in though.
Suzie, I think here...
972
01:13:18,528 --> 01:13:22,031
they should...
SUZIE: The boots
and everything. Thank you.
973
01:13:24,734 --> 01:13:26,069
NICK: Alright, just take
it in and out.
974
01:13:28,738 --> 01:13:30,139
NICK: Oh, fuck.
975
01:13:30,173 --> 01:13:32,075
Because there's, um...
SUZIE: Okay.
976
01:13:35,879 --> 01:13:37,947
MAN: Did you see that?
That's Nick Cave.
977
01:13:38,915 --> 01:13:40,617
[SUZIE LAUGHS]
978
01:13:40,650 --> 01:13:43,987
Now, should we just see,
you can see what's gong
on there, Nick.
979
01:13:44,020 --> 01:13:46,456
You can see what you're being
photographed by.
980
01:13:46,490 --> 01:13:48,492
NICK: Yeah.
981
01:13:48,525 --> 01:13:51,795
MAN: You just thought that we'd
leave the house and you'd
be safe from us right?
982
01:13:51,828 --> 01:13:54,598
Yeah. In a sense yeah.
983
01:13:54,631 --> 01:13:57,801
But, we're still filming you,
in 3D.
984
01:13:57,834 --> 01:13:59,703
From another location.
985
01:13:59,736 --> 01:14:01,170
Thats amazing.
986
01:14:01,204 --> 01:14:04,941
But, seriously what...
what do you think about
Suzie's shoes?
987
01:14:06,042 --> 01:14:07,911
Well, let me see her feet.
988
01:14:11,515 --> 01:14:13,617
You see them?
989
01:14:13,650 --> 01:14:16,986
I think you should wear
the high heels.
Okay.
990
01:14:17,020 --> 01:14:18,187
I'll keep them on.
991
01:14:18,922 --> 01:14:21,591
Alright.
Okay.
992
01:14:21,625 --> 01:14:24,961
Now, Suzie, you want to just
explain to us the philosophy
of the dress?
993
01:14:24,994 --> 01:14:30,667
Yeah, um, okay this dress is
based on the American
prairie dress,
994
01:14:31,034 --> 01:14:33,069
and, um...
995
01:14:33,102 --> 01:14:36,640
it's, you know, there's
some cults that all wear
the same dresses...
996
01:14:37,674 --> 01:14:39,543
that was kind of
the inspiration,
997
01:14:39,576 --> 01:14:42,579
because I wanted to do them
in all these different color
pastels.
998
01:14:42,612 --> 01:14:46,082
And I wanted them to be kind
of, instead of, being really
frumpy that they're really
999
01:14:46,115 --> 01:14:48,885
see through. Some of them are
completely see through.
1000
01:14:48,918 --> 01:14:52,021
And some of them, like, this
one is sort of,
semi see through.
1001
01:14:52,055 --> 01:14:54,791
We can decide how much you...
1002
01:14:54,824 --> 01:14:56,459
want to reveal.
1003
01:14:56,492 --> 01:15:01,665
MAN: So, its the idea that takes
something that is supposed to
be deeply conservative,
1004
01:15:01,698 --> 01:15:03,166
and sexualize it.
1005
01:15:03,199 --> 01:15:06,903
Yeah, I guess so. There is that.
And it's not that see through.
1006
01:15:06,936 --> 01:15:08,204
So you don't have to worry.
1007
01:15:09,873 --> 01:15:11,274
Since, um,
1008
01:15:11,307 --> 01:15:16,012
you know, since everything that
happened my work became
something
1009
01:15:16,045 --> 01:15:19,182
different, you know. Before it
was something I was doing
1010
01:15:19,215 --> 01:15:23,687
you know, because I was enjoying
it and loving it, but, then
it became a real necessity,
1011
01:15:23,720 --> 01:15:26,856
I really had to be able to work,
1012
01:15:26,890 --> 01:15:29,325
'cause it was the only thing
that would take my mind
off everything.
1013
01:15:29,358 --> 01:15:30,193
Yeah.
1014
01:15:32,028 --> 01:15:36,165
SUZIE:
I tried to not
allow myself,
1015
01:15:36,199 --> 01:15:41,304
to sink down into, you know,
I try to...
1016
01:15:41,337 --> 01:15:46,910
You know, to just keep moving
forward and keep looking
forwards, and just, um...
1017
01:15:46,943 --> 01:15:53,149
But, sometimes, you know,
physically sometimes I feel
it almost more on my...
1018
01:15:53,182 --> 01:15:58,121
Don't know how to describe it.
It's like a physical depression
almost. Not 'cause I'm
1019
01:15:58,154 --> 01:16:02,959
depressed, but just the grief
process and, you know, and
everything like that is very...
1020
01:16:02,992 --> 01:16:07,664
physical but, very you know,
my work is so diverting,
1021
01:16:07,697 --> 01:16:10,867
and, I'm so grateful
for that.
Right.
1022
01:16:10,900 --> 01:16:14,938
Nick tells me, "You're really
different when you go..."
Nick really encourages
1023
01:16:14,971 --> 01:16:17,774
me to work, and, um,
1024
01:16:17,807 --> 01:16:22,912
people have said to me all
that's what... creativity,
where it comes from.
1025
01:16:22,946 --> 01:16:27,083
It comes from all other time
from pain and from...
1026
01:16:27,116 --> 01:16:30,286
some terrible situations and...
1027
01:16:30,319 --> 01:16:33,890
And, then I realized that
that's what was happening
to me.
1028
01:16:34,991 --> 01:16:36,259
You know, in a small way.
1029
01:16:39,896 --> 01:16:44,233
I haven't got anything I can
say any words of...
1030
01:16:44,267 --> 01:16:50,173
wisdom or anything about it.
Because, I'm not at that... I
don't know if I ever will be.
1031
01:17:02,886 --> 01:17:04,420
[INDISTINCT]
1032
01:17:04,453 --> 01:17:05,922
MAN: Suzie, can tell us
what it is?
1033
01:17:07,356 --> 01:17:08,758
Um...
1034
01:17:08,792 --> 01:17:09,926
[WHISPERS] It's difficult.
1035
01:17:12,896 --> 01:17:13,897
I'm gonna cry.
1036
01:17:14,297 --> 01:17:15,298
[GULPS]
1037
01:17:18,968 --> 01:17:26,175
Um, well, after Arthur died
I found this in storage.
1038
01:17:26,209 --> 01:17:32,048
I just couldn't believe it when
I saw it because, it's a
painting that he did when he was
1039
01:17:32,081 --> 01:17:37,386
how old? About five or,
something like that? And it
was... it's of the windmill,
1040
01:17:40,056 --> 01:17:41,324
and, you know, just where died.
1041
01:17:44,193 --> 01:17:46,062
Um...
1042
01:17:46,095 --> 01:17:49,833
And Earl did one as well.
There's two of them.
1043
01:17:49,866 --> 01:17:54,437
Um, and then I found this one
and I just kind of couldn't
believe it.
1044
01:17:58,107 --> 01:18:01,845
I sort of hid it for a while,
I didn't want to show
Nick, I didn't know what to
1045
01:18:01,878 --> 01:18:03,780
do with it,
1046
01:18:03,813 --> 01:18:08,017
and, I was upset that it's
framed in black and why
it's framed in black.
1047
01:18:08,051 --> 01:18:09,318
I don't know why?
1048
01:18:09,352 --> 01:18:12,221
Um, because it was framed
a long time ago,
1049
01:18:12,255 --> 01:18:16,125
and it kind of, freaked me out
as well. 'Cause I thought "Why
is it framed in black?"
1050
01:18:16,159 --> 01:18:17,260
You know, maybe that's...
1051
01:18:19,228 --> 01:18:24,000
you know, it's been really
superstitious, and, um,
anyway yeah.
1052
01:18:24,033 --> 01:18:25,902
But, I'm...
I don't really know
1053
01:18:27,771 --> 01:18:28,972
what else to say about it.
Really.
1054
01:18:36,780 --> 01:18:37,981
Yeah.
1055
01:18:41,918 --> 01:18:43,486
Put it over here?
Yeah.
1056
01:18:59,035 --> 01:19:00,036
[SIGHS]
1057
01:19:03,172 --> 01:19:07,210
NICK: There is more paradise
in hell than what we've been
told.
1058
01:19:07,243 --> 01:19:10,980
And every step we take,
we stop from blue.
1059
01:19:11,014 --> 01:19:13,016
Lie down and bleed
into the water hole.
1060
01:19:15,151 --> 01:19:18,221
And so, the night, it will
in time unfold.
1061
01:19:18,254 --> 01:19:21,457
Curled up inside my palm
and it's sleeping too.
1062
01:19:21,490 --> 01:19:25,461
There is more paradise in
hell than we've been told.
1063
01:19:25,494 --> 01:19:28,898
From your lashes tumble
stars of gold,
1064
01:19:28,932 --> 01:19:32,068
star lashes, little splashes
of dew.
1065
01:19:32,101 --> 01:19:34,770
Spill across the world
and through my soul.
1066
01:19:36,139 --> 01:19:39,375
Now call your tiny animals
to the drinking hole.
1067
01:19:39,408 --> 01:19:43,346
Little cat, little bear, little
fire horse, little kangaroo,
1068
01:19:43,379 --> 01:19:46,950
there is more paradise in hell
than we've been told.
1069
01:19:46,983 --> 01:19:50,920
Little cat, little fire horse
with a shivering foal.
1070
01:19:50,954 --> 01:19:54,057
Curled in my demon palm
and dreaming too.
1071
01:19:54,090 --> 01:19:57,526
And, all across the world
the night night unfolds.
1072
01:19:57,560 --> 01:20:00,897
And all across the night
and through my soul.
1073
01:20:00,930 --> 01:20:04,500
But, every step
we take we start
from blue.
1074
01:20:04,533 --> 01:20:06,936
Fresh tears bleed into
the water hole.
1075
01:20:09,138 --> 01:20:11,574
There is more paradise
in hell than we've been told.
1076
01:20:21,650 --> 01:20:26,122
You need... The imagination
needs room to move.
1077
01:20:26,155 --> 01:20:28,524
It needs room to invent.
1078
01:20:28,557 --> 01:20:32,428
Um, and to dream,
and when
1079
01:20:32,461 --> 01:20:36,900
a trauma happens, that's
that big...
1080
01:20:36,933 --> 01:20:40,970
It is no room, it's just
no imaginative room around it.
1081
01:20:41,004 --> 01:20:42,405
It's just the fucking trauma.
1082
01:20:44,307 --> 01:20:47,576
Um, and I think that was...
1083
01:20:47,610 --> 01:20:51,981
that was what the problem
was when I tried to do new
songs in the studio.
1084
01:20:54,050 --> 01:20:56,185
It's almost like
the songs, uh...
1085
01:20:57,420 --> 01:21:00,556
that songs that you
had written, uh...
1086
01:21:03,126 --> 01:21:07,463
in a way... maybe there
were songs you might have
needed.
1087
01:21:10,366 --> 01:21:13,136
I don't know.
I don't know about the songs.
1088
01:21:13,169 --> 01:21:15,571
Because the songs do seem
to have a...
1089
01:21:17,306 --> 01:21:19,308
The...
Um...
1090
01:21:22,178 --> 01:21:24,513
There's a sense of helplessness
in the songs.
1091
01:21:24,547 --> 01:21:27,416
Yeah. Well, you know...
You know.
1092
01:21:29,986 --> 01:21:34,157
When we... you know, it's sort
of talking about this prophetic
nature of all of them,
1093
01:21:34,190 --> 01:21:37,226
that sort of stuff, I mean we
gotta take that with a pinch
of salt.
1094
01:21:37,260 --> 01:21:39,495
Yeah.
You know, um...
1095
01:21:41,264 --> 01:21:44,567
And I don't really care
about their prophetic,
1096
01:21:44,600 --> 01:21:47,170
they're not important enough.
1097
01:21:47,203 --> 01:21:49,939
At this stage...
1098
01:21:49,973 --> 01:21:53,676
but, the way that they've been
presented, the way that...
1099
01:21:53,709 --> 01:21:55,511
the way that you hear them
on this record.
1100
01:21:59,582 --> 01:22:03,486
It's very much because of
the emotional state,
1101
01:22:03,519 --> 01:22:06,455
just... not just of myself but,
everybody actually.
1102
01:22:06,489 --> 01:22:08,224
In the studio when we
were doing that...
1103
01:22:09,458 --> 01:22:11,727
it's... it's, um,
1104
01:22:11,760 --> 01:22:17,266
the kind of state we were all in
gave us, I think a confidence
just to allow this thing
1105
01:22:17,300 --> 01:22:21,537
to go out like it was. This
document to go out like it was.
1106
01:22:21,570 --> 01:22:26,642
Um, which we wouldn't have done
if events were different,
you know.
1107
01:22:26,675 --> 01:22:30,713
Fix this up and we would have
redone this and, um...
1108
01:22:34,117 --> 01:22:39,122
There's something about
the naked nature
of the songs that have
1109
01:22:39,155 --> 01:22:40,256
um...
1110
01:22:41,757 --> 01:22:43,159
Alpha.
1111
01:22:44,493 --> 01:22:47,263
Or, you know...
1112
01:22:48,564 --> 01:22:50,166
all through.
1113
01:22:51,667 --> 01:22:52,668
So we're here.
1114
01:22:56,139 --> 01:22:57,373
[BUTTON CLICKS]
1115
01:23:00,243 --> 01:23:03,412
[INSTRUMENTAL MUSIC PLAYING]
1116
01:23:16,659 --> 01:23:19,562
[I NEED YOU PLAYING]
1117
01:23:47,690 --> 01:23:52,761
* When you're feeling
Like a lover
1118
01:23:52,795 --> 01:23:58,334
* Nothing really
Matters anymore
1119
01:23:59,302 --> 01:24:02,571
* I saw you standing there
1120
01:24:02,605 --> 01:24:06,709
* In the supermarket
1121
01:24:06,742 --> 01:24:13,716
* With your red dress falling
And your eyes are to
The ground
1122
01:24:15,818 --> 01:24:20,289
* Nothing really matters
1123
01:24:20,323 --> 01:24:27,096
* Nothing really matters
When the one you love is gone
1124
01:24:28,464 --> 01:24:31,467
* You're still in me, baby
1125
01:24:32,168 --> 01:24:35,704
* I need you
1126
01:24:41,344 --> 01:24:46,782
* In my heart, I need you
1127
01:24:52,888 --> 01:24:57,460
* Cause nothing
Really matters
1128
01:24:57,493 --> 01:25:01,630
* I'm standing in the doorway
1129
01:25:01,664 --> 01:25:07,836
* You're walking around my
Place in your red dress
1130
01:25:07,870 --> 01:25:12,408
* Hair hanging down
1131
01:25:12,441 --> 01:25:18,514
* With your eyes on one, we
Love the ones we can
1132
01:25:18,547 --> 01:25:23,619
* Cause nothing really matters
When you're standing
1133
01:25:31,760 --> 01:25:37,366
* I need you, I need you
1134
01:25:40,703 --> 01:25:45,674
* Cause nothing
Really matters
1135
01:25:45,708 --> 01:25:51,847
* We follow the line of
The palms of our hands
1136
01:25:51,880 --> 01:25:56,585
* You're standing
In the supermarket
1137
01:25:56,619 --> 01:25:59,788
* Nothing, holding hands
1138
01:25:59,822 --> 01:26:05,361
* In your red dress, falling
1139
01:26:05,394 --> 01:26:09,198
* Falling, Falling in
1140
01:26:09,232 --> 01:26:14,603
* A long black car is
Waiting 'round
1141
01:26:14,637 --> 01:26:19,908
* I will miss you
When you're gone
1142
01:26:19,942 --> 01:26:26,782
* I'll miss you when you're
Gone away forever
1143
01:26:26,815 --> 01:26:31,254
* Cause nothing
Really matters
1144
01:26:31,287 --> 01:26:36,759
* I thought I knew better
So much better
1145
01:26:36,792 --> 01:26:40,863
* And I need you
1146
01:26:47,002 --> 01:26:51,407
* I need you
1147
01:26:56,379 --> 01:27:00,683
* Cause nothing
Really matters
1148
01:27:00,716 --> 01:27:05,421
* On the night we
Wrecked like a train
1149
01:27:05,454 --> 01:27:09,725
* Purring cars
And pouring rain
1150
01:27:09,758 --> 01:27:15,698
* Never felt right about
Never again
1151
01:27:15,731 --> 01:27:20,269
* Cause nothing
Really matters
1152
01:27:20,303 --> 01:27:25,541
* Nothing really
Matters anymore
1153
01:27:25,574 --> 01:27:27,743
* Not even today
1154
01:27:27,776 --> 01:27:32,014
* No matter how hard I try
1155
01:27:34,049 --> 01:27:39,488
* When you're standing in
The aisle
1156
01:27:40,723 --> 01:27:44,393
* And no, baby
1157
01:27:44,427 --> 01:27:49,998
* Nothing, nothing, nothing
1158
01:27:51,367 --> 01:27:54,370
* Nothing
1159
01:27:55,904 --> 01:28:02,478
* I need, I need, I need you
1160
01:28:04,613 --> 01:28:09,752
* I need you
1161
01:28:14,723 --> 01:28:17,926
* In my heart
1162
01:28:17,960 --> 01:28:22,064
* I need you
1163
01:28:25,000 --> 01:28:28,737
* Just breathe, just breathe
1164
01:28:29,438 --> 01:28:36,379
* I need you
1165
01:28:48,591 --> 01:28:50,426
[MUSIC FADES]
1166
01:28:55,831 --> 01:28:59,001
There are things that are
being torn apart,
1167
01:28:59,034 --> 01:29:03,105
and I'm desperately trying
to find
1168
01:29:03,138 --> 01:29:07,876
a way of making some
kind of, um...
1169
01:29:07,910 --> 01:29:12,014
narrative sense out of it,
if we're talking about song
writing, or, at least
1170
01:29:12,047 --> 01:29:15,418
some sense out of it
where, um...
1171
01:29:15,451 --> 01:29:21,056
over the... I can do what
it keeps saying in the books.
What people keep saying to me
1172
01:29:21,089 --> 01:29:26,495
that It's, uh...
that I can reduce
this chaotic...
1173
01:29:26,529 --> 01:29:30,566
mess that's happened down
into something that...
1174
01:29:30,599 --> 01:29:31,634
that's more um...
1175
01:29:34,870 --> 01:29:39,074
You know, that I can reduce,
distill it down to like
1176
01:29:39,107 --> 01:29:43,979
a platitude that I can fit
nicely you know,
a kind of greeting card
1177
01:29:44,012 --> 01:29:46,148
sized platitude,
1178
01:29:46,181 --> 01:29:50,118
that means something to me,
like, "He lives in my heart",
or something like that.
1179
01:29:50,152 --> 01:29:52,721
People say it all
the time to me.
1180
01:29:52,755 --> 01:29:56,525
"He lives in my heart",
and I go, "Yeah, yeah, I know,
I know".
1181
01:29:56,559 --> 01:29:58,827
But, he doesn't you know.
MAN: He doesn't?
1182
01:29:58,861 --> 01:30:03,065
I mean, he is in my heart but,
he doesn't live at all.
1183
01:30:03,098 --> 01:30:07,803
And, there is no...
I wanna be able to sit
here and...
1184
01:30:10,005 --> 01:30:15,143
round this off in some kind of
way. But, to me it's just
not.
1185
01:30:16,679 --> 01:30:18,447
You know, it's just not...
1186
01:30:23,952 --> 01:30:28,791
things... it's affected me
in a way that I don't
understand.
1187
01:30:28,824 --> 01:30:33,862
So, then my reactions to things
aren't, um,
1188
01:30:33,896 --> 01:30:37,800
the same as they used to,
and they used to be able to
predict what would...
1189
01:30:37,833 --> 01:30:40,669
I would feel at certain
times and now...
1190
01:30:40,703 --> 01:30:42,571
um...
1191
01:30:42,605 --> 01:30:45,841
I just have a handle on things
anymore.
1192
01:30:46,809 --> 01:30:50,579
Um...
What's that like?
1193
01:30:50,613 --> 01:30:53,949
Well, it's frightening
because, uh...
1194
01:30:53,982 --> 01:30:56,451
like, I don't know what I'm
fucking doing now.
1195
01:30:56,885 --> 01:30:58,120
For example.
1196
01:30:58,153 --> 01:31:01,557
What am I sitting in a...
in a... camera...
1197
01:31:02,791 --> 01:31:06,194
being filmed, talking about
this sort of thing.
1198
01:31:06,228 --> 01:31:09,164
I wouldn't have dreamed
of doing that before.
1199
01:31:09,197 --> 01:31:11,767
MAN: Well, I'm not sure that
I feel entirely comfortable
about it either.
1200
01:31:11,800 --> 01:31:13,135
[LAUGHING]
1201
01:31:13,168 --> 01:31:14,503
I don't know either.
1202
01:31:16,672 --> 01:31:21,109
[DISTANT SKY PLAYING]
1203
01:31:25,614 --> 01:31:28,684
* Let us go now
1204
01:31:33,956 --> 01:31:36,491
* My one true love
1205
01:31:38,193 --> 01:31:40,663
* Call the gasman
1206
01:31:41,263 --> 01:31:44,099
* Cut the power out
1207
01:31:46,134 --> 01:31:50,005
* We can set out
1208
01:31:50,038 --> 01:31:53,141
* We can set out
For the distant sky
1209
01:31:56,078 --> 01:32:01,550
* Watch the sun
Watch it rising
1210
01:32:04,186 --> 01:32:06,589
* In your eyes
1211
01:32:26,709 --> 01:32:30,846
* Let us go now
1212
01:32:31,847 --> 01:32:38,320
* My darling companion
1213
01:32:45,928 --> 01:32:48,163
* Set out
1214
01:32:48,196 --> 01:32:55,170
* For the distant sky
1215
01:33:05,948 --> 01:33:10,819
* See the sun
See it rising
1216
01:33:13,789 --> 01:33:18,293
* See it rising
1217
01:33:18,326 --> 01:33:23,832
* Rising in your eyes
1218
01:33:41,349 --> 01:33:44,687
* Let us go now
1219
01:33:46,288 --> 01:33:51,760
* My only companion
1220
01:34:00,736 --> 01:34:05,173
* Set out for
1221
01:34:06,308 --> 01:34:11,847
* The distant skies
1222
01:34:19,487 --> 01:34:24,459
* Soon the children
1223
01:34:24,492 --> 01:34:28,130
* Will be rising
1224
01:34:29,031 --> 01:34:34,903
* Will be rising
1225
01:34:34,937 --> 01:34:41,910
* This is not for our eyes
1226
01:34:57,159 --> 01:35:02,330
* They told us our gods
Would outlive us
1227
01:35:04,332 --> 01:35:09,772
* They told us our dreams
Would outlive us
1228
01:35:12,775 --> 01:35:18,346
* They told us our gods
Would outlive us
1229
01:35:20,548 --> 01:35:24,987
* But they lied
1230
01:35:34,897 --> 01:35:37,332
[VIOLIN PLAYING]
1231
01:36:25,313 --> 01:36:27,382
[MUSIC FADES]
1232
01:36:42,330 --> 01:36:46,268
NICK: I'm driving in a car
along the M25,
1233
01:36:46,301 --> 01:36:52,240
and I'm driving in a car along
the M25, on a tiny blue spec
trapped in a moon beam.
1234
01:36:56,011 --> 01:37:00,949
I'm looking out the window,
and up at the countless
and indifferent stars.
1235
01:37:02,517 --> 01:37:04,052
I am barely a child, really.
1236
01:37:06,088 --> 01:37:08,490
The blue spec spins in
a dark field,
1237
01:37:10,258 --> 01:37:14,529
that began 15 billion
years ago.
1238
01:37:14,562 --> 01:37:19,467
I'm driving home from
the studio where I've been
making a record.
1239
01:37:19,501 --> 01:37:23,872
I'm feeling what every person
who makes a record probably
feels.
1240
01:37:23,906 --> 01:37:28,176
That I am making something
of great significance,
and permanence.
1241
01:37:28,210 --> 01:37:33,281
Even though in reality I know
what I've committed my self to
is of no real significance.
1242
01:37:34,449 --> 01:37:35,951
And, no real permanence.
1243
01:37:39,654 --> 01:37:44,192
But, I have something
that the universe has not
1244
01:37:44,226 --> 01:37:45,560
never has had.
1245
01:37:45,593 --> 01:37:47,262
And will never have.
1246
01:37:48,463 --> 01:37:49,531
Consciousness.
1247
01:37:53,035 --> 01:37:58,173
My consciousness exists only
at this given time,
it has no past.
1248
01:37:58,206 --> 01:38:00,642
And no future.
1249
01:38:00,675 --> 01:38:06,014
But, it's present, is bigger
in magnitude than
all the trillion stars
1250
01:38:06,048 --> 01:38:07,382
and planets, and galaxies.
1251
01:38:18,460 --> 01:38:19,461
There's no, um...
1252
01:38:21,596 --> 01:38:26,201
it... you know, I can put it in
different ways with...
1253
01:38:26,234 --> 01:38:30,939
and make it sound nice
and stuff like that,
what happened, and...
1254
01:38:30,973 --> 01:38:36,078
you just kind of, tied up in
language and stuff like that,
but, actually...
1255
01:38:36,111 --> 01:38:39,614
every time I try and articulate
it just... just...
1256
01:38:40,983 --> 01:38:44,519
does the whole...
does him a disservice.
1257
01:38:44,552 --> 01:38:46,021
That's what it feels
like to me.
1258
01:38:50,692 --> 01:38:52,527
You know, 'cause it's...
1259
01:38:52,560 --> 01:38:54,462
it happened to us
but, to happened to him.
1260
01:39:09,111 --> 01:39:10,945
Um, and that's um...
1261
01:39:13,515 --> 01:39:18,053
like the day, or the night,
and around that time is, um...
1262
01:39:20,455 --> 01:39:22,157
is like this place...
1263
01:39:25,760 --> 01:39:27,662
you just don't wanna go,
1264
01:39:27,695 --> 01:39:29,264
you know.
It's like...
1265
01:39:29,297 --> 01:39:32,100
all the rest around
is okay, I can
1266
01:39:32,134 --> 01:39:37,272
deal with that. I can deal with
that. It's okay. In fact that's
something I wanted to say...
1267
01:39:38,140 --> 01:39:39,774
is that...
1268
01:39:39,807 --> 01:39:43,345
if everything is not okay, but,
it's also okay.
1269
01:39:43,378 --> 01:39:47,782
Right? Things go on,
and, you know, if
1270
01:39:47,815 --> 01:39:50,552
anyone's interested,
the records go on.
1271
01:39:50,585 --> 01:39:52,420
And, we're still going
what we do.
1272
01:39:53,288 --> 01:39:54,489
Um, and the work goes on.
1273
01:39:55,790 --> 01:39:57,425
Um...
1274
01:39:57,459 --> 01:39:59,627
And, in that respect things...
1275
01:40:01,196 --> 01:40:02,630
continue.
1276
01:40:07,602 --> 01:40:09,704
Can we hear the, uh...
1277
01:40:09,737 --> 01:40:12,507
song please?
Jake, where ever you are.
1278
01:40:15,310 --> 01:40:17,679
What ever, we just want
to see how it goes.
1279
01:40:18,446 --> 01:40:19,681
Okay.
1280
01:40:21,483 --> 01:40:23,385
NICK:
Can you do one one way,
and one they other way?
1281
01:40:23,418 --> 01:40:24,686
Here we go guys,
And...
1282
01:40:24,719 --> 01:40:26,621
[CLICK]
We're rolling.
1283
01:40:33,128 --> 01:40:34,096
[SKELETON TREE PLAYING]
1284
01:40:39,834 --> 01:40:42,637
* Sunday morning
1285
01:40:43,771 --> 01:40:46,108
* Skeleton tree
1286
01:40:48,476 --> 01:40:51,646
* Oh, nothing is for free
1287
01:40:55,717 --> 01:41:00,288
* In the window, a candle
1288
01:41:03,791 --> 01:41:07,495
* Well, maybe you can see
1289
01:41:11,666 --> 01:41:18,140
* Fallen leaves thrown
Against the sky
1290
01:41:19,707 --> 01:41:23,245
* A jittery TV
1291
01:41:26,648 --> 01:41:30,752
* Glowing white like fire
1292
01:41:34,889 --> 01:41:38,626
* Nothing is for free
1293
01:41:42,264 --> 01:41:45,433
* I called out
1294
01:41:46,468 --> 01:41:49,237
* I called out
1295
01:41:50,638 --> 01:41:54,176
* Right across the sea
1296
01:41:58,180 --> 01:42:02,184
* But the echo comes
Back empty
1297
01:42:05,953 --> 01:42:09,324
* Nothing is for free
1298
01:42:14,296 --> 01:42:16,598
[INSTRUMENTAL MUSIC PLAYING]
1299
01:42:43,458 --> 01:42:46,228
* Sunday morning
1300
01:42:47,395 --> 01:42:49,431
* Skeleton tree
1301
01:42:52,334 --> 01:42:55,570
* Pressed against the sky
1302
01:43:00,007 --> 01:43:02,810
* The jittery TV
1303
01:43:06,514 --> 01:43:11,586
* Glowing white like fire
1304
01:43:14,689 --> 01:43:18,560
* And I called out
1305
01:43:18,593 --> 01:43:20,928
* I called out
1306
01:43:23,565 --> 01:43:26,568
* Right across the sea
1307
01:43:30,638 --> 01:43:33,608
* And I called out
1308
01:43:33,641 --> 01:43:36,311
* I called out
1309
01:43:38,480 --> 01:43:41,716
* Nothing is for free
1310
01:43:42,584 --> 01:43:45,287
* And it's
1311
01:43:46,521 --> 01:43:49,824
* Alright
1312
01:43:51,793 --> 01:43:53,528
* Now
1313
01:43:57,499 --> 01:43:59,567
* And it's
1314
01:44:01,403 --> 01:44:04,339
* Alright
1315
01:44:06,741 --> 01:44:08,310
* Now
1316
01:44:12,647 --> 01:44:14,716
* And it's
1317
01:44:16,618 --> 01:44:19,521
* Alright
1318
01:44:22,089 --> 01:44:23,625
* Now.
1319
01:44:34,902 --> 01:44:38,306
Anyway, that's what
I mean, you know...
1320
01:44:38,340 --> 01:44:42,377
All of this stuff that I'm
saying now it just...
it feels like,
1321
01:44:42,410 --> 01:44:44,712
it's just a lot of
bullshit to me.
1322
01:44:44,746 --> 01:44:47,782
You know, it may mean something
but, in the end,
1323
01:44:49,050 --> 01:44:51,919
in the end there's something
that happened,
1324
01:44:53,788 --> 01:44:59,661
um, and there's a kind of,
like a ring around that
event...
1325
01:45:01,028 --> 01:45:02,797
um, it's fenced off.
1326
01:45:07,034 --> 01:45:11,406
And, everything else is okay
around it but, there's just
something that happened
1327
01:45:11,439 --> 01:45:15,677
in that short space of time
that we can never get
that far away from.
1328
01:45:16,778 --> 01:45:17,879
That we're, uh...
1329
01:45:18,746 --> 01:45:20,648
You probably
don't want to.
1330
01:45:20,682 --> 01:45:23,718
Well, it's I think,
you know, when I looked
at the film back there was
1331
01:45:23,751 --> 01:45:26,454
something I was rattling all
about time being elastic.
1332
01:45:26,488 --> 01:45:27,922
Yeah.
And that is
1333
01:45:27,955 --> 01:45:32,727
I think, that's what I meant
that we're attached to this
1334
01:45:32,760 --> 01:45:37,765
event. And that we move
away like that and we're
line on a rubber band.
1335
01:45:37,799 --> 01:45:41,636
And life can go on, and on,
and on, but eventually,
1336
01:45:41,669 --> 01:45:44,739
it just keeps coming
back to that thing.
And that's, uh...
1337
01:45:47,742 --> 01:45:50,612
that's some kind of
trauma, I guess.
1338
01:45:56,918 --> 01:46:00,755
NICK:
It's strange reading those
scripts back, those,
1339
01:46:01,989 --> 01:46:03,791
lyrics...
1340
01:46:03,825 --> 01:46:05,026
from my song book back.
1341
01:46:08,195 --> 01:46:11,833
And, you know, they're okay.
1342
01:46:13,468 --> 01:46:15,136
They're actually kind
of beautiful really.
1343
01:46:17,605 --> 01:46:20,174
But, at the time they never
revealed themselves as such.
1344
01:46:20,207 --> 01:46:21,909
And they just thought
that I was writing
1345
01:46:22,610 --> 01:46:23,845
a lot of rubbish.
1346
01:46:27,815 --> 01:46:29,116
That was one of
the things I lost.
1347
01:46:31,553 --> 01:46:33,955
That was one of the things
that I lost hard.
1348
01:46:36,691 --> 01:46:38,826
A sense of belief in myself.
1349
01:46:41,128 --> 01:46:42,764
Like I had fucked up bad.
1350
01:46:44,799 --> 01:46:48,870
The me and Suzie had looked
away for a terrible moment.
1351
01:46:48,903 --> 01:46:51,473
And this reflected savagely
on everything else.
1352
01:46:54,041 --> 01:46:56,944
My belief in the good in things
in the world.
1353
01:46:58,480 --> 01:47:00,848
In ourselves, evaporated.
1354
01:47:06,854 --> 01:47:09,591
But, you know, after a while,
after a time,
1355
01:47:11,025 --> 01:47:13,094
Suzie and I decided
to be happy.
1356
01:47:14,796 --> 01:47:18,900
This happiness seemed to
be an act of revenge.
1357
01:47:21,669 --> 01:47:23,137
An act of defiance.
1358
01:47:27,675 --> 01:47:30,478
To care about each other,
and everyone else.
1359
01:47:31,746 --> 01:47:33,080
And to be careful.
1360
01:47:34,148 --> 01:47:35,617
To be careful with each other.
1361
01:47:37,118 --> 01:47:38,653
And the ones around us.
1362
01:47:49,831 --> 01:47:53,901
* I'm walking through
Deep water
1363
01:47:55,069 --> 01:47:58,606
* It's all but I can do
1364
01:48:02,109 --> 01:48:05,747
* I'm walking through
Deep water
1365
01:48:07,682 --> 01:48:11,786
* Trying to get to you
1366
01:48:14,622 --> 01:48:19,527
* Your face is hidden from me
But your love is not
1367
01:48:19,561 --> 01:48:24,265
* I will not reach for other
Things till I know what
I have got
1368
01:48:24,298 --> 01:48:30,271
* I'm walking through
Deep water
Trying to get to you
1369
01:48:34,208 --> 01:48:37,111
* I'm walking through
Deep water
1370
01:48:39,581 --> 01:48:44,218
* I have no time to lose
1371
01:48:46,921 --> 01:48:51,593
* I'm walking through
Deep water
1372
01:48:51,626 --> 01:48:55,897
* There's nothing
Left to choose
1373
01:48:58,933 --> 01:49:03,738
* This little heart of mine
Got loaded up with chains
1374
01:49:03,771 --> 01:49:08,976
* The world just swirls
Around me
The water makes its claim
1375
01:49:09,010 --> 01:49:14,015
* I'm walking through
Deep water
Trying to get to you
1376
01:49:18,953 --> 01:49:22,023
* Who will calm my fears?
1377
01:49:23,725 --> 01:49:28,830
* Who will drive my
tears away
1378
01:49:28,863 --> 01:49:32,333
* Who will calm my fears?
1379
01:49:33,835 --> 01:49:37,805
* Who will drive my
Tears away
1380
01:49:47,214 --> 01:49:51,218
* I'm walking through
Deep water
1381
01:49:52,419 --> 01:49:56,223
* Nearer to the sea
1382
01:49:59,326 --> 01:50:04,165
* I'm asking the deep water
1383
01:50:04,198 --> 01:50:08,035
* Don't take my love from me
1384
01:50:11,438 --> 01:50:16,043
* I'll dance with little ladies
With a hundred just like me
1385
01:50:16,077 --> 01:50:20,915
* They hold their breath
And hesitate
And dance beneath the sea
1386
01:50:20,948 --> 01:50:26,387
* I'm walking through
Deep water
Trying to get to you *
1387
01:50:31,859 --> 01:50:36,063
[MUSIC FADES]
1388
01:50:43,104 --> 01:50:46,640
NICK: One, two, three, four...
1389
01:50:47,875 --> 01:50:49,944
* Come one
1390
01:50:51,913 --> 01:50:55,116
* Morning comes
1391
01:50:58,152 --> 01:51:02,223
* A jittery TV
1392
01:51:05,960 --> 01:51:08,696
* I call out the window
1393
01:51:08,730 --> 01:51:11,265
* When the morning comes
1394
01:51:13,034 --> 01:51:15,803
* Nothing is for free
1395
01:51:18,172 --> 01:51:24,712
* Nothing is for free
1396
01:51:33,755 --> 01:51:36,891
* Fire
1397
01:51:38,159 --> 01:51:41,095
* Nothing
1398
01:51:42,229 --> 01:51:45,967
* Can narrow the bed
1399
01:51:46,000 --> 01:51:52,139
* Glowing white like fire
1400
01:51:52,173 --> 01:51:58,279
* And I called out the window
1401
01:52:00,547 --> 01:52:05,052
* Down in the sea
1402
01:52:08,289 --> 01:52:12,393
* But the echo
Comes back in, dear
1403
01:52:12,426 --> 01:52:16,230
* 'Cause nothing is for free
1404
01:52:16,263 --> 01:52:19,801
* And I called out the window
1405
01:52:19,834 --> 01:52:24,505
* Skeleton tree
1406
01:52:37,852 --> 01:52:40,054
[MUSIC FADES]
108132
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