Original subtitles

(All) you killers of Tamaz. your killers of Tamaz.

(All) you killers of Tamaz. your killers of Tamaz.

(All) you killers of Tamaz. your killers of Tamaz.

(All) you killers of Tamaz. your killers of Tamaz.

(All) you killers of Tamaz. your killers of Tamaz.

* Everyone screams. *

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

(All) cops are murderers. * Everyone is screaming. *

No, let go of me. No. Stop it. - * Everyone screams. *

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

karim

Karim!

Put your helmet back on. - They're right.

We're making it worse. - Put your helmet on.

This is totally out of whack. - Look at me. - I can't.

Look at me. - No. - You have to go.

No, I'm not going. I'm not going.

I'll come with you

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

(All) cops are murderers. cops are murderers.

* She screams. *

Damn pigs! - (Karim) Maria!

Lie down. Lie down.

Get down. Get down. - (All) cops are killers.

Get your asses. - Damn pigs.

(All) cops are murderers.

* theme music *

- Martin Beck - Alexandra Beijer

* theme music *

- (police officer) Good morning. - Morning.

- (Josef) Good morning. - Hey.

- Are you coming in or joining with the pacifists? - Stop.

I've heard that too many times. And what do you mean by pacifists?

Because they're standing there and protesting?

- I was kidding. - You sound worse

as our police chief Fred�n. Listen

if we lived in a society ,

where people would not respond

when a police officer shoots an unarmed 14 year old boy,

- then I'd be really worried . - Me too.

- I'm just saying... - What's wrong with being a pacifist?

The police officer is suspended, the internal investigator is investigating,

the minister is making a speech so they can't...

- Can't they do something? - You saw

what about the firebomb, what's it called,

whose face was burned? - Maria Mod�n,

I didn't know her well, we dated.

How is she now? - I'll check

It's in Karolinska, ICU,

severe burns on face and hands.

Damn. - Cops aren't the only ones who fuck up.

Did I say that? So, Josef,

can't you do anything useful?

I know you don't have a case

but I can get you something to do . So easy.

- Should I take that as a promise? - No. As a threat.

(Oscar) Good morning. - Good morning. - (Josef) What?

did i say something

He's on the morning show. - Who's that, Martin?

No, not Martin.

No? Well, that was clear.

- Mmmm. - Let's say hello to Klas Fred�n, t - h

The police are currently facing criticism, how do you respond?

First of all, I want to say that I feel really for Tamaz Aghiri's family.

It is deeply unfortunate what happened.

What was seen at the demonstration yesterday,

were police officers doing their job

in an explosive situation. - According to witnesses, they went

against protesters. - What was seen on the video,

that was sent to us... - Maybe we'll take a look,

I want to warn sensitive minds about these pictures.

What are we seeing? - (Fred�n) We see

that everything is quiet and peaceful to the point

where one of the activists attacks

and seriously injured a colleague.

And only when the perpetrator flees

and the other protesters impeding the police,

we are forced to crack down, with a certain severity,

however, in accordance with the law,

to get the situation under control and catch the attacker.

But that didn't work. - No.

He is still at large and efforts

to catch him, of course continue.

It's a serious offense

to attack the judiciary.

It just feels so wrong

And damn unfair.

Yes, there really are lousy cops out there.

But Mary is one

who just wants to help people.

- Ah. She, she, - s - he

It's my fault.

Oh damn.

If I hadn't freaked out, she never would have...

Remember more of what was there?

It's good that you came Karim.

But we are now at the end of the session.

Shall we see for a new date next week?

Do you have a duty of confidentiality? - Yes.

Except of course, I become aware of...

a serious crime.

Is there anything else, Karim?

No.

* He sighs. *

Well, now Emma, wants me to go out every night,

so you can take care of her. - * She laughs. *

Cute of her. - Yeah, isn't she?

But tell me, uh

if I may be curious, how's fertilization going?

Oscar, I'm so damn tired of talking about this. - I'm sorry.

You know what it's like living with someone

who's always on hormones? This is our fourth try.

And it's still nothing?

No. Maybe next time.

Do you think it's, uh...

on my sperm? You can tell

I mean, they used to be perky,

but maybe they sluggish now.

No, they're still doing quite well, Oskar.

OK. But what, uh...

then what is it?

Yeah, you know, I... - What?

I don't know if it's right. - What?

with lina

But you...

you both want kids, right?

I don't know if I'm in love with her.

What does it mean if you're in love? You don't have to be.

But it's, um... it's your life.

It's your life. - Yes. - So...

But don't rush things, hear? I mean,

it can be that one is very sensitive

and she feels a lot. You forget,

what you feel, so...

just think about it carefully so it doesn't cause any trouble.

Promise. - Okay.

* Quiet music *

(Karim) Bye.

(Sverker) The aspirants graduating

are confronted with a different reality than we were then.

There are gangs, extreme violence and terrorism.

Dwindling acceptance on the part of the general public,

like we've been seeing lately all the time.

But it wasn't better before, Sverker.

You just don't know everything anymore.

The 70s weren't a picnic.

- No, of course. But society - is - much more polarized today.

- That's how it is. We could use you - h

- Put yourself a little more. - Dude, I'm not that old either.

* He's laughing. * - No, no, but old enough

to be able to do without

watching the murder stack just keep growing.

- Do I have time to think? - Think about it,

as long as you want.

You would be in touch with your grandson more often,

- that might be an incentive. A - b

But well...

Grab it. - * groan *

Come on Kullgren, now pack it up. Come on.

Yes. Good thing. - * He laughs. *

You still managed it. Great. - Yes, of course.

(Kullgren) Now what? Now what?

* Kullgren gasps. * - What? - I'm not letting him go,

when armed. - When someone aggressive

or is armed, you must limit your mobility.

Are you okay? - Yes, thanks. - Good.

No what. Ah, Ah. - * He groans. *

so you see

How tight should I reach? - It depends on the situation.

You don't weigh much, take all your weight in.

Okay, I see, I see. - * He groans. *

Okay. Now go ahead alone. Again, move.

Get up. - Soon. - Want to rest?

Can I breathe easy for ten seconds? - Come up.

Don't mouth too much. - * He groans. *

You little braggart.

(woman) Come on, up.

*babble of voices*

(Kullgren) We'll do it again. - So,

can you leave me alone

* silent, exciting music *

It's racist to say watch your kids?

Yes it is. - Sebastian, stop it.

Should we disband the police?

We should not shoot so fast.

Wait until you is in a situation like this.

Against a 14 year old?

- Wilhelm. Want a ride? - W - hat are you doing here?

I was here to chat with Sverker.

Are you there not asleep, he's...

Nice car you have. - Isn't it?

Hop in, we're going all the way into town.

- Can Rebecca come with you? - Yes.

- Come on, Becca. - It's a bit cold,

- standing there. - Yes, it's really uncomfortable.

* Bus brakes squeak. *

* Beat *

* oppressive music *

What do you think? - What the hell is going on?

* oppressive music *

(Radio) "Only as the perpetrator flees" - * Dog barks. *

"and you obstruct the police, we are forced to crack down,

with a certain harshness, but..." - Off, Britt-Marie.

"...to get things under control ." - Stop it.

* Barking *

(Hubert) This is just a bus.

And then something else.

I just don't check it. - *squeak*

* moans and groans* - What the heck is that?

What's up?

Shouldn't we drive you home?

No, I'll be fine from here. Thank you.

- Take care grandpa. - Y - ou

Thanks again.

- So what now? - Well,

- will you drive me home? - I can do that.

- Do you still live in... - Sorry.

* Cell phone rings. *

Yes, this is Beck.

Where?

Solna?

How many do you say?

hey

What is it?

Wilhelm...

would have been on that bus.

* Police Sirens *

Damn Martin.

Do you really want to?

Martin?

Absolutely.

OK.

Let's go.

(Man) E 4 and E 20 are cordoned off.

Forensics are on their way. Damn, that's it...

And no survivors?

- Oh my god. - Yes, I'm listening.

* dramatic music *

*beep*

* sad-dramatic music *

* sad-dramatic music *

I've seen a lot, but this...

Is this a terrorist attack, or are these gangs?

Bergstr�m will be ready in a few hours then we'll know more.

- Who was there first? - The two biggest zeros,

that the Police Corps has to offer. Kristiansson and Kvant.

- What is it? - S - teinar and I

I managed to get her moved

from Normalm to Solna seven, eight years ago.

The two let a perpetrator escape

and rebuked a young man,

who, in their opinion, showed disrespect to officials.

How a wanted killer escaped

and shoot two more, one of which should testify in court.

- Like, Kristiansson and... - Kvant.

kvant

Ulf Kvant, Ellinor Kristiansson, these are my colleagues Alex Beijer

and Josef Eriksson, whom I think you've already met.

- And you're supposed to clear up the mess now. - Exactly right.

I guess it ends with work for a few migrants, as usual.

- Don't do that. - Seven people w - e

- Can we take this more seriously? - Absolutely.

what do you need to know

Where and when did you get the message?

We just drove by. Pure coincidence.

The bus was on the street, we stopped,

- to take a look. - You saw it,

- how bad was it? - Obviously,

that illegal activity had occurred.

It was... blood on...

- everywhere. - A - nd that's when

No, not immediately.

- But it all happened quickly. - It only took seconds,

- to pick up the phone. - C - olleague

She said that we should report it immediately.

I saw it as likely

that the terrorist attack might not be over yet.

And alternatively, that someone else was alive.

I decided that we should assess the situation on our own.

And intervene if there was anything to intervene.

Ulf thought the perpetrators maybe still be there,

or that someone else was alive. And we searched the bus.

And what did you find? - All were...

Well, everyone was dead.

So, uh

"the perpetrators", why?

- What? - Y - ou just said

Why should there have been more than one ?

We saw a motorcycle driving away from the scene

when we got there. - Two men on it, dressed in black,

looked like, uh, military Protestants.

Militant activists maybe?

Protestants, that's different.

(pathologist) This is Sebastian �berg and, uh...

this is Karim Sourhani,

37 years old. Also police officer.

Did you know him?

- No. - No.

Four hits. Neck, thorax with ruptured aorta, two vertebrae.

If we open it, we know more, you see the pattern.

It wasn't an amateur that shot.

- All of the victims may have died more or -

- Two cops, three contenders. - I guess that wasn't a coincidence.

Revenge?

For the dead boy or that Crackdown on the demonstration?

This is the exception. Sven Dahlberg.

was hit by bullets of the same weapon,

but also from a other gun with a larger caliber.

And at a closer range... Here are the exit wounds.

Like an execution.

But why did they shoot him in the shoulder?

We counted 32 bullet casings. - Oh my God.

It's more than a magazine. Then there were two shooters?

At least two guns. - footprints?

You can see what that looks like.

Your colleagues were trampling everywhere.

You thought the attack was still going on.

Adrenaline can take over, understandable.

You certainly made a real mess.

That was terribly amateurish.

One ??of them emptied his stomach.

I can understand too.

If it was an assassination, it's unusual,

that no one has yet committed to this?

What do you mean if, that's obvious.

We need to put out a warning for the corps.

We won't. If word gets around in the Corps,

that this was an attack connected to the demonstration,

then all hell broke loose, I tell you that.

* sad music *

* She sobs. *

Tell me, do you recognize that over there?

Whom do you mean?

Well, that one over there with the beard, the mid-life crisis.

* She sobs. *

(Rebecca) No.

Who the hell is that?

I don't know, just... that I've seen him before.

* Barking *

(Hubert) From the police? - Can you see that?

Her, you look like you're at the post office. - Mmm.

- miner. Homicide Stockholm, - t - his is Jenny Bod�n.

- Hubert. - Can you say hello t - o

Hey. Hey, you're a pretty one. * delighted growl *

What's her name? - Britt-Marie.

You must have heard what happened down there yesterday.

- Yes. I knew - t - hat

Britt-Marie jumps up as soon as she hears someone driving past.

She barked at the bus and at the police car.

Did you hear the shots? - Yes, yes, sure. * Dog barking *

A motorcycle too? - No, I don't remember that.

Kristiansson and Kvant. There.

Really. Is that something to brag about?

okay guys what do we have? Uh, what to the crime scene, witnesses, traffic cameras?

- Almost nothing. The nearest camera - i

and there are many junctions and forest trails.

Hardly an overview. - Except for Kristiansson and Kvant

we have no witnesses, except for this man,

who heard the shots. - We don't need witnesses for that.

Someone was there who heard something...

- This isn't getting us anywhere. - Hey listen, listen.

We have here a difficult task. It's like this:

Despite extensive searches we have no trace of the perpetrators.

Until further notice we have to search for possible motifs

look at our victims.

Salman Bedouri,

bus driver. Sven Dahlberg, lawyer, Karim Sorhani, police officer.

Viktor Palmgren, Police Officer

Sebastian �berg, police candidate,

Martin Sundell, Police Candidate.

And Josefine Svensson, police officer.

lawyer Dahlberg, who was shot with the other gun,

- stands out. - Yes, a different type of ammo

and a different shot angle. Have a chat about him.

- Do we have any background info? - He was a criminal defense attorney,

has defended members of the S�dert�lje network several times.

I'll send you the data.

They would shoot at a bus ,

- just to get to him? - No.

The bus driver and the candidates were less likely targets.

We should take a closer look at the two colleagues ,

Palmgren was the chief of operations in Stockholm,

and he also worked for the police academy.

Sorhani was on call downtown

and drove out to talk to Viktor.

Both were assigned to the demonstration.

Karim Sorhani was on call,

wasn't that the one who suffered the burns too? - Maria.

- I'll look into it. Maybe there is a connection. - Yes.

Who is the next of kin by Viktor Palmgren?

- His wife, Stine Palmgren. - Okay, Josef, you're going

and talk to her and find out

why the two were on the bus together.

Good.

Then get started.

Martin?

- Uh, yeah, yeah. I'm about to read Kvants - a

I...

I don't know what to say.

"A motorbike was seen leaving...

from the crime scene, presumably 500cc, with two sitting on it,

presumably non-Nordic males aged 20 to 30 years.

They were all black. What happened was in the dark

and went fast.

However, the following was noted by the signatories:

The perpetrator who was driving probably had a rectum piercing."

* She laughs out loud. *

You'll talk about the nose later, so you probably mean the septum.

- * She laughs. * - Oh god.

- Tag. - Oh. Wilhelm.

Can I talk to you about something?

B�rje J�rnlund, two years ago.

I think that was the photo of the year.

- And you saw him outside at the crime scene? - Mmm. Today.

There were a lot of people there, but... I thought it was weird that he was there,

- to mourn cops. - Why, because he,

because he has something against Nazis, most do.

Yes, but if you, if you know,

what's going on in the left scene... There are the climate protesters,

the anti-racists and such, but there is violence.

And quite a bit of hate for the police.

And if anyone is in the middle of all this, it's him.

Then I should talk to B�rje J�rnlund, I think.

Yes. Very attentive, Wilhelm.

Uh, can I come with you? And talk to J�rnlund?

Some kind of internship, I thought.

You think you have something like special status

because of your grandfather?

* Laugh *

Maybe? * Door is closing. *

hey Jenny Boden.

You called? - I did, yes.

How nice that I could come. - Elsa Wallin. Welcome.

- Thank you. - I went through a - l

All the cases he lost and the I think

they could be dangerous.

Well, one of them is dead and three are in.

But this one, he could have sent someone but he's in...

Solitary confinement, so...

Listen Sven was heavy fine.

He was really fair and treated everyone well.

We don't know whether Sven was the actual target.

Maybe he was just in the wrong place at the wrong time.

* She sighs. *

It's a relief to hear that.

Excuse me. Does that seem weird?

No.

Anything you want? - Thanks, no need.

I think I need a whiskey.

Are you sure you don't want anything?

She's conscious at times. - Yeah, okay.

* oppressive music *

*beep*

(Doctor) She has many thinking of her. - (Oscar) Mm.

I'll wait here until she wakes up. - Okay.

Good.

*babble of voices, muffled music*

- (man) Hello. - Hello.

* Punk rock music will be louder. *

*unintelligible*

*clink*

(B�rje) There is no organized Police hatred here.

"The Autonomous Left" means exactly that.

Hundreds of small groups and people who are not organized.

These are anti-fascists, anti-racists, anti-capitalists.

But, no, we are not violent.

- * He slurps. * - Most of you. - Mmm.

Idiots are everywhere. But you know that yourself.

mmm

Listen, there's a photo of you,

- where you fight with... - Nazis, yes. - Yes.

(laughs) I would do it again if I had to.

Tolerance of all except the intolerant

I'd love to smack some bastard again.

You were at the crime scene today and put flowers. Why?

Seven people died, didn't they?

No other reason? - No, what else?

- What do you think of him? - What was your impression?

- He's acting nice buddy, but did you see his tattoo? - No.

A-C-A-B. All cops are bastards.

Ah Martin.

hey

* Door closes. *

Terrible, the thing with the bus.

Yes, really.

But I hear no protests against it,

no public outcry. Just acknowledging.

But if we ever make a mistake, oi-oi-oi-oi.

- No. I'm going to the boy's funeral, of course - .

- Mhm. - Show my sympathy and such.

I mean, what was he doing out there,

in this area, in the middle of the night?

Where is the responsibility of parents? That's what I'm wondering.

* He sighs, door closes. *

- (boy) Hey. - Do you n - e

So really.

Yes, unfortunately, we...

need to know who as... - But that's obvious.

Isn't that enough that they throw stones and...

and setting cars on fire? Now they're getting started,

to murder those who are trying to save society,

that once stood for solidarity. - Stine,

I heard Viktor and Karim Sorhani were classmates, right?

Did you also have private contact? * Child babbles. *

Stine... the reason is why I'm asking

that I want to know why Viktor and Karim

sitting next to each other on this bus. - *babble* - If there's anything,

what you can help me with any little thing...

what ever...

I was mad at him.

Because he came home so late from the demonstration .

And then he just went up the restroom and called someone.

I asked who he was talking to.

He said it was Karim.

She's important. I can feel that, she knows something.

(Jenny) "Why do you think that?" - Karim's map.

And then my, uh, gut feeling. - "Listen, Oskar,"

"It's been an hour since closing time"

"and I need to get my life in order too ."

"Yes, yes. It's clear."

You're there if she has something important to say.

You want to meet up with Lina? I get that, I mean,

"you have to nurture your relationship, sort of."

Yes. You... - "Yes."

"But I'm here, so, no problem." - Okay, see you then.

"Well then good luck."

Thanks. - "See you then." - Hey.

Sorry, that had to be that was work.

* laughter, bar music *

*beep*

(weakly) Wait... wait.

Maria, can you hear me?

(Mary) K... Mmm.

* Maria groans. *

Mary, you're in the hospital. Do you know why?

Uh, * She moans. *

* Mary stutters. *

Er, my name is Oskar Bergmann and I should...

need to ask you a few questions, okay?

Do you know what happened?

Ka... Karim...

* She stammers incomprehensibly. *

*babble of voices*

Another? - What?

want another one

Yes, okay. OK.

Uh, I just have to...

*babble of voices*

(woman) I can't imagine that . - (Woman) Yes.

(woman) Really, believe me.

(woman) He's just a nut. * laughing *

(woman) Yes. And what a.

*dull party music*

* Beat *

* knocking, closing sound *

* Quiet music *

* menacing music *

Oscar, meeting.

- Oscar. - Yes?

- Is it time yet? - Y - es.

Uh, they... I don't know but can you listen to this?

That's Maria Mod�n, but I don't quite understand what she's saying.

She, uh, didn't know that Karim Sorhani was dead

and I had to tell her, that hit her hard.

That didn't make it easier to understand them, but...

"Ka, Karim..."

*unintelligible* - Lost. So, Karim lost...

* incomprehensible* -...the version? Or...

- Not sure if this will get you anywhere. - No.

- But I'll try again. - Yes, that's fine. Let's start.

- Joseph. Viktor Palmgren. - Yes.

Stine Palmgren says that Viktor and Karim are

knew from the police academy, but not privately.

But it was like this: Viktor came back from the demonstration,

locked himself in the toilet and was on the phone with Karim.

She doesn't know what they were talking about. - According to the psychologist,

who he visited

Karim asked about her confidentiality,

- but didn't want to say more. - We know beyond that

that Karim and Maria Mod�n knew each other

after his visit at the psychologist

he drove to the hospital to visit her and left a card.

"I'll get those pigs for you."

Good morning. Sorry, I overslept.

Yes, you look very... rested.

Yes. Thanks.

Do we have a match on this bike and the boys?

- No. The description is just - fa - int. But I have two things,

which are important. Forensic Medicine would like

that someone will come and look at Karim's corpse

and the analysis of the ammunition came.

The 30 shots were the usual 5-56 caliber.

But the two different bullets are really interesting.

Two bullets Speer Gold Dot nine millimeters. So...

Our service ammo? - Exactly.

And that usually happens rarely.

- That can't be true. - What?

These two.

Let's go and eat something?

Tag. - Hello.

How can you think about food? - Oh man.

Fuck the whole thing.

Let's go to Palmyra Kebab. In �rsta.

(Ulf) There are such large portions.

We're on duty soon, let's eat something here in Solna.

Man, you can be exhausting. Pizza then, okay?

No sushi or shit today. - I don't know how you at...

I can't think of anything else anymore,

I keep seeing him... - Shut up!

Pull yourself together. You have to let this go.

do you want to pout now huh

You think too much all the time .

Yes I know.

Can you stop thinking so we can get something to eat? Huh?

OK.

* Beat *

What the hell...

- It's all in the report. - Yes. But tell it again.

They passed there, the bus was on the street.

We stopped to check

The front door was open and...

Yes, and that's when we saw the bike go away.

Before I ask the next question, I want you to be clear

all ammunition that was fired

is in such good condition

that you can easily assign them to a possible murder weapon.

With that being said...

Was it one of you two, regardless of the reason,

firing his gun on the bus?

No.

Holy shit!

The two idiots must be removed from the service immediately .

Then you have to report them to the internal.

If I have anything to say about your future,

then they will never work as policemen again .

- Gosh. - "I felt

as he moved behind my back

and I got scared." And then she shoots him.

That's really reassuring, isn't it?

If a mass murderer, without wanting to,

leaves one of his victims alive

then the swedish police will come and finish this.

Damned!

So this is Karim Sorhani's arm.

- That must mean something. - Well, it definitely did for him.

But what's interesting is underneath.

Is that a cover-up? - That's right.

Pricked to cover up an old tattoo .

- Cheaper than removing them. - All Cops Are Bastards.

* keyboard clatter *

What makes someone get from a police hater

to become an applicant at police academy?

- People might change. - So fundamental?

Then he reports of all people on call?

- And if that's exactly what it was about? - What do you mean?

If he wants to infiltrate us, he goes on call

- and fighting with old friends. - Well, I would say

if they want to get to us it's a good idea

to start from within.

I want to know more about Karim.

Karim Sorhani grew up in Alby, he skateboarded, sprayed graffiti

and hung out at the Yellow Mansion a lot, you know.

Where Alex was. - Yes.

Guess who was working as a youth leader during that period

where Karim has been there so many times.

Uh, what, is that B�rje J�rnlund?

* Beat *

Hey Boerje.

We'd like to talk to you. - Mmm.

Well, my wife works from home,

we should talk somewhere else.

Yes, we can do that here in the stairwell. Heyho.

* classical music *

Yes.

Thanks.

- Hey. - Hey, hey. - Hey.

- This is Kitty. - Maybe s - h

* classical music *

Hm.

Our lease has been converted to permanent occupancy.

Yes, we were just lucky.

Otherwise we couldn't afford this .

Listen, one of those police officers that died on the bus

was, uh, Karim Sorhani.

Here is a photo of his arm and a tattoo.

Aha.

Can we see your arm, B�rje?

Am I suspected? Do you think I killed seven people?

Did you know Karim? - I don't need to talk to you.

Why didn't you say that when we last saw each other?

I know exactly how you guys work. If you've decided

get someone, then you do it.

They worked in the Yellow Mansion, where Karim was too.

Your tattoos are very similar,

that can't be a coincidence, or?

Did you know Karim?

I want for you to leave now.

If you suspect me, arrest me.

Here we are, the 25...

Here you go. Good succeed.

(Jenny) Thank you.

* exciting music *

*key click*

* Maria stammers incomprehensibly. *

Damn.

* He moans. *

Crap.

* He moans. *

May I try it?

Don't force yourself.

* Maria stammers incomprehensibly. *

She speaks Finnish.

What? * Martin laughs. *

(Maria) "Ka... Karim."

* Cell phone rings. *

Yes, Oscar?

"Your mother is from Finland." - Whose mother? - Marias.

The recording was translated for me. Karim was with her in the hospital,

and there must be some movie there. - There are a lot of movies here,

I can tell you. - Take everyone with you.

* punk rock music *

So Karim Sorhani had 100 hours film of a Kitty �tterwall,

who is B�rje J�rnlund's wife.

Yes, she was some kind of punk queen in the Yellow Villa, 20 years ago.

You, uh... I should have...

not to dismiss them, that Maria track,

- that you cracked so well. - It was Martin who heard

- that it's Finnish. - We helped each other.

- The main thing is that we move forward. Joseph. - Yes.

You take the punk queen, I'll take the police hater.

Er, Martin, would you like to help Ayda a little?

Yes.

Coffee?

(B�rje) No, thank you.

* He laughs. *

Kitty. Is your name Katharina, or...

Uh, no, kitty.

OK.

- Do you know why you are here? - No.

I heard you were quite well acquainted with Karim Sorhani.

Uh, is it about Karim?

(Josef) It's the third time that we've spoken to you.

And every time there is new information.

You react to that as a police officer.

mmm

So, let's start again.

Did you know any of the passengers on bus 526?

I don't need to talk to you. - Sooner or later you will.

OK, again.

Did you know any of the passengers?

We knew him, both B�rje and I.

- But that was a good 20 years ago. - How did you know him?

We met in the Yellow Villa , I was in a band there.

I made out with him a few times and,

er, he was probably more in love with me than I was with him.

And then what?

When I was with B�rje, he was damn jealous.

And walked away.

And then suddenly he started at police academy.

I remember that I found that strange.

He was way too perceptive.

- Hm. - K - arim said

That everything would be on one film.

Did he say that? - Mmm.

You know about a movie? - Who did he tell that to?

How come?

is there a movie

Yes.

Had the Karim? The shots from back then,

from the Yellow Villa?

* He laughs. *

you know i think

that you know more than you say.

Don't you want Karim's murder solved?

I don't think that you guys want to enlighten him.

Not really, no.

You create a conflict to justify yourself.

You destroy evidence.

What do you mean?

Yes, damn it, there's a movie.

He shows what happened... at the demonstration the other day.

It's about something that's going on now

not some 20 year old shit.

What can you see on this film?

You should know that. - What?

You confiscated it to cover up what happened, didn't you?

(Kitty) We know the boy that was filming.

He's hiding because he is terrified of you.

- Before us. - Yes. In front of the police.

And what 's his name?

No.

- * She sniffs. * - What's his name?

* Clear your throat * - (Josef) Who filmed, B�rje?

i need to know the name

* He sniffles. * - We need to look for cell phones,

who were on the demo. - And after the person who filmed.

I think I know someone who can help us.

A... former... acquaintance...

outside in the Yellow Mansion.

OK.

So this has nothing to do with those old movies. - No.

Maybe someone should say that to Ayda.

* punk rock music *

It's the cops, we're going away. - Yeah, dammit.

* He's laughing, punk rock music* The cute little ones.

* punk rock music *

Well, I don't think so now.

Martin Beck.

- Come here, dammit. - Hello, Gullis.

Can you guys stop? - * Music stops. *

- Man, that was a long time ago. - Yeah.

Aha. High visit,

- from the monopoly on violence. - Alex Beijer.

- Micke Gullis. - How do you know each other?

- Yes, how do we know each other? - Well...

Oh well...

See that shed out there?

- No, please. - Yes, yes, yes.

The Shed was the first outhouse here.

Year of construction 1976.

I got the boards, Martin nailed them together.

- But Martin... - Yes, that's how it was.

This used to be a meeting place for common people.

It should be torn down. That's where we moved in.

- Well, the house was empty, there was nobody here anymore. - Yes.

Listen Martin, I really missed you.

Yes, but now you have a toilet inside the house.

Yes. - * He laughs. *

- That's it. - Listen, Gullis.

- Hm? - I need your help.

Do you know anything from a cell phone,

seized during the demonstration seized?

And from a movie

that's on it.

But that's the movie your police chief,

that Fred�n has shown a few times on TV.

But it was edited, the end is missing.

And, and what was cut away, you mean?

Proof that the police know

who threw the firebomb. And it wasn't one of us.

They let him through the barricade, and that's how he got away.

Do you know who filmed that?

Well, the, the people here,

they got more hits from you for help.

(sighs) Yes.

Yes.

Uh, this is Tore.

Hey Tore.

Uh, was it you who filmed?

- Mhm. - And then what?

That cop punched me

and took my phone.

Did you see an identification number on the helmet or uniform?

You've got something on your screen. - No, I haven't.

If you see a photo of him would you recognize him?

Not him. It was a she.

Could be.

I can not do this.

Of course you can.

The suspension is doing you good.

You can relax there.

i need to talk to someone

What do you mean by that?

Hey, you can talk to me.

Hm.

No, that's your problem alone.

If you contact me again there will be consequences.

I hope we understand each other.

*key click*

* engine noise *

* Police Sirens *

* Door opens with a squeak. *

Awful.

What exactly do you mean?

Alltogether.

He'll be buried tomorrow, the boy whom the police shot.

Tamaz.

- Are you going? - No,

no no.

I think you should go, Martin.

You must see that you show regret.

The area police chief will go.

- Fred�n, you know. - (laughs) Him?

He probably shits ice cubes, huh?

No. What this family needs to see is

that the police have a human face.

And I see this face now for 25 years on the balcony.

Skal, Martin.

scale

- You don't have anything to drink. - No, but you know

you have to be very careful with the liquor .

It poisons the body and weakens the mind.

* Squeak, door closes. *

* Bus rattles. *

What sweet for breakfast?

I don't eat anything sweet. Ayda. - Mmm? - It's an iPhone 8,

that we're looking for, with tears and a picture of Marx on the sleeve.

Karl,

not Groucho. - I get it. - Good.

No.

Hello.

- * Door is closing. * - A

Thank you. - Here you go.

And it's not one of them?

(sighs) Sometimes you wonder what you actually do.

(Jenny) What?

If you chose the right profession. - Come on, stop.

I understand if you don't want heritages from someone,

who hears no difference between Swedish and Finnish.

You're a good cop. - You don't have to... - Oskar.

There's nothing wrong with your genes. I'm just scared shitless.

OK? I am...

I'm not ready for children yet.

Maybe we should start with a dog or something.

Babies don't bark at every little one...

Come with me. - What? - Something's wrong.

What then?

I only saw her for a few seconds

and then there was the mask, well...

Can you do that, I have to go to Fred�n.

Thanks.

- Thank you, Tore. - Yes, thank you.

Can it be one of those?

No.

* Footsteps are approaching. *

* beep* Oh, Alex.

I went through all the seizures from the demo.

- There was no mobile phone, that fits. - Okay.

- Either the boy is lying or... - Or it wasn't entered at all.

Exactly.

Good, thanks.

Something sweet?

No, I don't want anything.

*key click*

*sigh*

Uh, no.

They weren't either.

Moment.

- Did we make an appointment? I want to go. - Say

the movie from the demo that you showed publicly, where was it from?

- What, please? - It is related to my investigation.

To the bus massacre?

How come?

It came from a cell phone confiscated from the demonstration.

But then it wasn't entered, as usual.

That's strange.

- Where was the movie from? - * He laughs. *

I don't see any reason to tell you about this.

The film has been manipulated.

- The ending is missing. - It's not like that,

that you accuse me of being withhold investigative material?

I don't know it. So far.

I'll come back to that.

* Door closes. *

* exciting music *

Sorry I couldn't help. - It's okay.

- Have you found my phone? - No, unfortunately not yet.

Damn, that's typical again,

my mom is giving me hell.

- And? - He doesn't say anything.

So.

What the hell... - What is it?

It was him.

- I'm sure. - He? - Mmm.

But you said that it was a woman.

Yes, that took my phone, but this...

is the one who threw the bomb. - Okay, wait a minute.

Wasn't his face covered? - First of all,

then there was another policeman, ripped off his mask.

OK, thanks, Tore.

Come.

- Ayda, I want Kristiansson's and Kvant's numbers, right away. - Yes.

Okay. What does that mean assuming

- he doesn't talk shit. - That it was Kvant,

- who threw the bomb. - But why?

- What the hell do I know. - I thought Ulf Kvant was joking.

mmm It smells like Fred�n.

- * Ringback Tone * - Damn, no one's answering.

- Address. - By�lsv�gen 16, Bagarmossen.

*ringtone*

Something bothered me the whole time .

What then?

What the dog was doing between the gunshots and the sirens.

Nothing, he said. - Yes.

Isn't that strange?

What? - Think, when are Kristiansson

and Kvant drove by here? - (Man) What do you want now?

* Dog growls. * - Hey, Britt-Marie, come here.

Yes come here. hey

I have a few more questions.

You said Britt-Marie barks at everything.

Yes, with everything that drives by.

When did the police car come by?

Well, that was, um... before the shooting.

* exciting music *

We gotta stick together now, okay? We're both in this.

I'm just doing this for us.

But it wasn't me, it was you, Ulf.

You shot that lawyer.

You're just as guilty as me. - It was you,

you made me do it. - Why don't you check it? Huh?

If Viktor had sung, Fred�n would have sacrificed us right away, right?

You and me, we don't give a fuck.

Yes. That's how it is.

* She sobs. *

I spent 25 years in this damn cop car.

On duty, protected society.

While these assholes had a career.

Klas Freden,

Martin Beck.

Cursed.

Beck ruined our lives booted us out.

Yes.

They spit on us. But you don't check that.

It's us that are on the street standing and doing the shit.

I hate them. I hate these pigs!

* Tires squeak. *

* Cell phone rings. *

- Yes? - (Ayda) "Alex,"

it was Viktor Palmgren and Kristiansson,

- who were at the barrier. - Kristiansson stopped goals?

"Kvant has gun licenses for seven guns,

- one of them is an AK 5." - What the hell is this?

Kvant is licensed for an AK 5. He is a marksman.

* Cell phone rings. *

- Yes? - (Oscar) "Hey,

we're with the witness in Solna. Listen,"

the police car drove by before the gunshots.

Well, first the bus, then the police car, then the shots.

Then the sirens came. There there were no perpetrators on a motorcycle.

Then it was Kristiansson and Kvant who fired.

- "Where are you?" - In front of Kvant's apartment,

drive to Kristiansson.

- We're not going in. - But heck he lives here.

(Kristiansson) Please, Ulf. * She is sobbing. *

Can't we call someone?

Then you can talk to him and explain.

What, are you really that stupid?

Who should I call? Beck?

If that's it for me, then that's it damn it for him too.

* exciting, pulsating music *

* Crash *

- (All) police. Police. - P - olice. Police.

hallway empty.

room one empty

kitchen empty.

living room empty.

The apartment is secured.

* exciting, pulsating music *

* Cell phone rings. *

He's not here, Oscar.

* exciting, pulsating music *

* Engine starts. *

* Tires squeak. *

* Tires squeak. *

* exciting, pulsating music *

* suppressed screams, cracking *

(man) police. Police.

Police. Police.

Person in front of sofa. - Remain seated. Stay seated!

* She whimpers. * - The apartment is secured.

You must stop him.

I think he's up to something crazy.

(Jenny) Where is he?

I don't know. I don't know. He hates you.

* She sobs. * We have Kristiansson.

Search for Kvant.

*babble of voices*

* Church bell chimes. * Stay back.

- Please. Keep calm. Please. K - e

* Church bell tolls. *

hey

Yes, let's do it.

Show time.

They wanted him infiltrated the demonstration.

To stir up trouble.

Taking attention away from the dead boy.

Who wanted that?

Someone up there. He wouldn't say who.

(All) cops are murderers. - But the one with the gas bottle

was his own idea.

It wasn't on purpose that she met anyone.

We had planned for him to come down this side street,

- where I stood. An old colleague - st - ands with me, Bengtsson.

But then he was substituted and Viktor Palmgren came on.

He knew nothing. Then Ulf came running

and I didn't have time to explain it.

(Palmgren) Stop!

Kristiansson!

Kristiansson!

And then this guy stood there and filmed everything.

Stop filming. - No.

I grabbed the phone from that guy.

But Palmgren recognized Ulf. * Police sirens *

Make sure you get ahead. - He's leaving.

What are you doing, huh?

(Kristiansson) Let go. We tried

explaining it to Palmgren, but that didn't go so well.

And Ulf panicked that he would talk.

So we kept an eye on him.

(Kvant) What the heck are they up to? Huh?

(Kristiansson) When we saw him with Karim, we thought

we were screwed that they would report us.

I was trying to calm down Ulf.

But that was... that was impossible.

He gets so excited sometimes, you can't get to him anymore.

We drove after until we were outside the houses.

So he made the bus stop.

Is that why he took the gun?

He always had this with him. - * Rifle is unlocked. *

* dramatic music *

*multiple shots*

(sobs) I should have told someone that.

(Oskar) She must have realized that he was having problems.

Why didn't she say anything? - Love.

* dramatic music *

* moans, she's startled. * - (Kristiansson) This lawyer...

He wasn't dead yet. - Shoot you stupid cow. - No.

No! *shot*

* Shot, she coughs and vomits. *

Pull yourself together, dammit!

i shot him

He would have died anyway, right?

Help us find Ulf now. Tell more about him.

* She sniffles. * He hates all cops,

who have made a career.

Beck, Freden.

(Oscar) The funeral. Damn shit. - *knock*

Alex! * Church bells are ringing. *

* Floor creaks. * (All) cops are killers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

* Police Sirens *

(shouts) Cops are killers. Cops are killers.

* church bells *

(shouts) Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

Pull yourself together, Martin. It could have been worse.

It could have been your funeral. - (shouts) Cops are killers.

(All) cops are murderers.

* Police Sirens *

(All) cops are murderers. cops are murderers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

Cops are killers. Cops are killers.

* Police sirens, Tires screech. *

- (All) cops are murderers. - Martin!

Take cover!

(All) cops are murderers.

* exciting, pulsating music *

* He shouts. *

Let me go.

Ah! Ah!

No.

No.

Police!

Quiet. To lie down.

* He gasps, handcuffs click. *

* dramatic music *

Everything okay?

- Yes, yes, I'm fine. - Uff, oi-oi-oi, we were lucky.

* Cell phone is ringing. * This is...

Hello?

- Thank you. - Oh...

Tolerance of all except the intolerant?

something like that.

Borje Jarnlund.

- Martin Beck. - Yes, I know.

The toilet builder.

* Quiet music *

Oh damn what a story. Just sick.

It's understandable that people are losing faith in us. - Yes.

So where did all this go Tore's phone?

Kristiansson claims she gave it to Kvant,

who hasn't said a word yet.

But who told him to be a provocateur?

Well, that...

I guess we'll never know. Are you driving me home?

- Sure. - Ville, you have a sharp eye.

- Thank you. - L - isten,

I want your reports on the table before you go home.

sorry

Hm.

Coffee?

Uh, no thanks. - No, I can't sleep then.

Have you broke up with Lina?

No. Not yet.

But I have to do that.

Maybe tonight. * keyboard clatter*

And what about my little swimmers,

do they end up in the drain, or...

You already have a child.

Yes but...

Emma is getting big and it would be...

been nice to be a part of it, so to speak.

Blow on a child now and then on the neck.

* keyboard clatter *

*babble of voices*

It always bothered me that Mom worried about me so much.

Listen, I know how she can be, always has been.

Hat, gloves, bicycle helmet.

Yes.

But I think I just got it now

how dangerous this job is.

That was pretty close. For you and for me too.

Have you changed your mind?

No, on the contrary.

The more I see what bad cops there are

the more certain I am that I want to be a good one.

mmm

Now you're about to say

what a fantastic role model you had.

- You mean now? - M - mm.

- (laughs) No. - You there, you thought...

- Eat. - Okay.

What are you doing now?

I think I'm going home.

Me too.

Or I'll go somewhere have a glass of wine.

- See you tomorrow then. - Yes.

Until then.

Joseph?

- Isn't it a little sad drinking wine alone? - Yes.

But you're pretty sad. -* She laughs. *

* He laughs. *

Thanks for the takeaway. - It's alright. * Cell phone rings. *

But listen. Come on.

Yes, yes, but... one is allowed to mourn, right?

* Cell phone rings. *

I'm almost home, I just want...

Wa... wait a minute, wa, what, what did you say?

umm...mh...

what, are you sure?

Yeah, but Li, you have you there...

* You catch your breath. *

What if I'm happy?

- (stutters) What? That, - i

it goes without saying that I'm happy.

What did she say?

What did she say?

* exciting music *

* exciting music *

*splash*

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