Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:12,033 --> 00:00:13,767
PREVIOUSLY ON...
2
00:00:13,800 --> 00:00:16,733
I LOVE THIS JOB.
TOM'S CAREER TOOK OFF.
3
00:00:16,767 --> 00:00:19,367
AND YOU GAVE ME THE CONFIDENCE
TO JUMP AT IT.
4
00:00:19,400 --> 00:00:22,433
I COULD KILL YOU RIGHT NOW,
OR I COULD DO THIS.
5
00:00:22,467 --> 00:00:25,167
FELICIA MADE PEACE WITH PAUL...
6
00:00:25,200 --> 00:00:27,100
AND DON'T YOU WORRY ABOUT PAUL.
7
00:00:27,133 --> 00:00:28,333
OR SO HE THOUGHT.
8
00:00:28,367 --> 00:00:30,300
I'LL MAKE HIM PAY
FOR WHAT HE DID TO YOU.
9
00:00:30,333 --> 00:00:32,700
LOOK, I'M YOUR LANDLORD.
I HAVE A RIGHT TO COME IN.
10
00:00:32,733 --> 00:00:35,200
BUT IT WAS SUSAN
WHO GAVE HIM HOPE.
11
00:00:35,233 --> 00:00:37,767
I REMEMBER A GUY THAT USED
TO LIVE ON THIS STREET.
12
00:00:37,800 --> 00:00:41,033
HE HAD A LAUGH YOU COULD HEAR
THREE HOUSES AWAY.
I'M NOT THAT MAN ANYMORE.
13
00:00:41,067 --> 00:00:43,433
I THINK YOU CAN BE.
14
00:00:43,467 --> 00:00:46,600
WHO DO YOU WANT IN YOUR LIFE--
ME OR BREE? CHOOSE.
15
00:00:46,633 --> 00:00:49,233
AND GABY MADE A DECISION.
16
00:00:49,267 --> 00:00:51,333
CAN I STAY WITH YOU
FOR A WHILE?
OF COURSE.
17
00:00:51,367 --> 00:00:55,167
GIRLS, COME ON. GO ON IN.
18
00:00:55,200 --> 00:00:56,800
(sighs)
19
00:01:02,467 --> 00:01:05,433
(Mary Alice) BREE VAN DE KAMP
HAD OCCASIONALLY FOUND HER HOME
20
00:01:05,467 --> 00:01:08,333
INVADED BY HOUSEHOLD PESTS.
21
00:01:08,367 --> 00:01:12,333
AND HER MANNER OF DEALING
WITH THEM WAS RUTHLESS.
22
00:01:12,367 --> 00:01:14,800
SHE SMASHED THEM.
23
00:01:14,833 --> 00:01:17,333
SHE POISONED THEM.
(hisses)
24
00:01:17,367 --> 00:01:19,633
SHE EXECUTED THEM.
25
00:01:19,667 --> 00:01:21,067
(gun cocks, fires)
26
00:01:21,100 --> 00:01:24,533
BUT WHEN IT CAME
TO THE LATEST PESTS
27
00:01:24,567 --> 00:01:26,300
WHO HAD INVADED BREE'S HOME...
28
00:01:28,367 --> 00:01:31,600
EXTERMINATION
WAS NOT AN OPTION.
29
00:01:31,633 --> 00:01:35,333
GIRLS! THERE'S MUD ON
YOUR SHOES! MUD ON YOUR SHOES!
30
00:01:35,367 --> 00:01:37,267
GIRLS! WE ARE GUESTS HERE!
31
00:01:37,300 --> 00:01:39,567
WHAT HAVE I SAID
ABOUT WIPING YOUR FEET?
(sighs)
32
00:01:39,600 --> 00:01:42,100
SORRY.
33
00:01:42,133 --> 00:01:43,633
NO, NO, NO, NO, NO!
NO, NO, NO!
34
00:01:43,667 --> 00:01:48,267
JUST--UH, UH, NEVER MIND.
35
00:01:48,300 --> 00:01:51,167
IT HASN'T RAINED IN THREE WEEKS.
WHERE DID THEY FIND MUD?
36
00:01:51,200 --> 00:01:53,533
HONEY, THEY DON'T FIND MUD.
MUD FINDS THEM.
37
00:01:53,567 --> 00:01:57,667
SO, UM, SPEAKING OF
THE FUN WE'VE BEEN HAVING,
38
00:01:57,700 --> 00:02:00,567
HOW LONG DO YOU THINK IT'LL BE
BEFORE YOU AND CARLOS MAKE UP
39
00:02:00,600 --> 00:02:02,500
AND YOU CAN ALL...
GO BACK HOME?
40
00:02:02,533 --> 00:02:05,467
EH, A FEW DAYS. HE'LL BE
SITTING ALONE IN THAT HOUSE,
41
00:02:05,500 --> 00:02:08,633
REALIZING HOW BIG IT IS,
HOW QUIET IT IS...
42
00:02:08,667 --> 00:02:12,100
HOW CLEAN IT IS.
THEN HE'LL SHOW UP HERE WITH
THAT HANGDOG LOOK ON HIS FACE,
43
00:02:12,133 --> 00:02:13,433
BEGGING US TO COME BACK.
44
00:02:13,467 --> 00:02:16,433
(Juanita)
OW! MOM! CELIA HIT ME!
45
00:02:16,467 --> 00:02:19,367
THEN HIT HER BACK!
GABY, DON'T TELL HER
TO DO THAT.
46
00:02:19,400 --> 00:02:21,500
I'D RATHER THEY SETTLE IT.
OTHERWISE,
47
00:02:21,533 --> 00:02:25,067
I HAVE TO GO IN THERE.
THAT'S WHAT A MOTHER DOES.
COME ON.
48
00:02:25,100 --> 00:02:26,633
GIRLS, IF YOU STOP FIGHTING,
49
00:02:26,667 --> 00:02:29,700
THEN I'LL LET YOU HAVE
SOME FRESH BAKED... COOKIES?!
50
00:02:29,733 --> 00:02:32,067
(stammers)
51
00:02:32,100 --> 00:02:34,633
THERE WERE TWO DOZEN COOKIES
ON THAT PLATE.
52
00:02:34,667 --> 00:02:36,567
YEAH, YOU CAN'T LEAVE
FOOD OUT.
53
00:02:36,600 --> 00:02:39,133
THEY'RE LIKE BEARS.
YOU GOTTA TIE IT UP IN A TREE.
54
00:02:39,167 --> 00:02:42,067
UH, GABY, WHILE YOU'RE HERE,
THIS MIGHT BE A GOOD TIME
55
00:02:42,067 --> 00:02:43,800
TO TEACH THEM
A LITTLE... DISCIPLINE.
56
00:02:43,833 --> 00:02:45,733
DISCIPLINE?
WHAT ARE YOU TALKING ABOUT?
57
00:02:45,767 --> 00:02:48,667
IT'S NOT LIKE
THE PLATE'S BROKEN.
(loud shatter)
58
00:02:48,700 --> 00:02:50,400
OH, BOY.
59
00:02:50,433 --> 00:02:55,100
YES, BREE VAN DE KAMP
HAD FINALLY MET TWO PESTS
60
00:02:55,133 --> 00:02:58,533
SHE COULDN'T
SMASH, POISON, OR SHOOT.
61
00:02:58,567 --> 00:03:00,467
OKAY, I'M GONNA NEED
A GARBAGE BAG.
62
00:03:00,500 --> 00:03:03,767
UNLESS IT WAS AN ANTIQUE.
THEN I NEED GLUE.
63
00:03:03,800 --> 00:03:08,567
THAT'S NOT TO SAY
SHE WASN'T SORELY TEMPTED.
64
00:03:20,867 --> 00:03:26,300
GOOD DEEDS AREN'T ALWAYS DONE
FOR THE PUREST OF REASONS.
65
00:03:26,333 --> 00:03:29,100
WE MAY BE TRYING TO IMPRESS.
66
00:03:29,133 --> 00:03:35,667
WE MAY BE ACTING OUT OF GUILT.
67
00:03:35,700 --> 00:03:41,200
WE MAY BE EXPECTING
SOMETHING IN RETURN.
68
00:03:41,233 --> 00:03:43,467
BUT OCCASIONALLY,
69
00:03:43,500 --> 00:03:47,233
A GOOD DEED
COMES STRAIGHT FROM THE HEART.
70
00:03:47,267 --> 00:03:48,800
WOW. WHAT'S THIS?
71
00:03:48,833 --> 00:03:51,433
YOUR LUNCH.
I GOT HAM, HAM AND CHEESE,
72
00:03:51,467 --> 00:03:53,633
AND THAT ONE'S HAM AND GRAVEL.
I DROPPED IT.
73
00:03:53,667 --> 00:03:55,567
SUSAN, YOU DON'T HAVE
TO KEEP DOING THIS.
74
00:03:55,600 --> 00:03:58,067
I WANT TO.
YOU'RE MY NEW PROJECT, MISTER.
75
00:03:58,100 --> 00:03:59,433
YOUR PROJECT?
76
00:03:59,467 --> 00:04:01,800
YES. PAUL YOUNG, PHASE TWO--
77
00:04:01,833 --> 00:04:04,833
WHERE WE FIGURE OUT WHAT
YOU ARE DOING WITH YOUR LIFE,
78
00:04:04,867 --> 00:04:07,800
SET SOME NEW GOALS.
79
00:04:07,833 --> 00:04:10,733
NOW... YOU TRIED DESTROYING
THE NEIGHBORHOOD.
80
00:04:10,767 --> 00:04:12,667
THAT DIDN'T WORK OUT.
WHAT'S NEXT?
81
00:04:12,700 --> 00:04:14,600
I DON'T KNOW
WHAT I WANNA DO.
82
00:04:14,633 --> 00:04:16,700
I'VE MADE SUCH A MESS
OF EVERYTHING SO FAR.
83
00:04:16,733 --> 00:04:21,233
NO, NO. PHASE TWO IS ABOUT
THE FUTURE, NOT THE PAST.
84
00:04:21,267 --> 00:04:24,600
SO FROM NOW ON,
WE ARE ONLY LOOKING FORWARD.
85
00:04:24,633 --> 00:04:27,100
OH, MY GOD!
LOOK BEHIND YOU!
86
00:04:27,133 --> 00:04:28,567
HELLO, SUSAN.
87
00:04:28,600 --> 00:04:31,200
OH. HEY, FELICIA.
88
00:04:31,233 --> 00:04:33,133
"HEY, FELICIA"?!
89
00:04:33,167 --> 00:04:35,067
YOU KNEW SHE WAS
IN YOUR HOUSE?
90
00:04:35,100 --> 00:04:37,633
I-I THOUGHT YOU WERE
IN PRISON.
91
00:04:37,667 --> 00:04:40,533
OH, I'VE BEEN OUT FOR WEEKS.
WHAT NICE SANDWICHES.
MM.
92
00:04:40,567 --> 00:04:43,067
ARE YOU COOKING FOR PAUL NOW?
93
00:04:43,100 --> 00:04:45,700
YEAH, FOR PAUL...
94
00:04:45,733 --> 00:04:49,133
THE GUY THAT YOU CUT OFF
YOUR FINGERS TO FRAME.
95
00:04:49,167 --> 00:04:50,333
IT'S ALL RIGHT, SUSAN.
96
00:04:50,367 --> 00:04:53,233
FELICIA AND I
HAVE REACHED AN UNDERSTANDING.
97
00:04:53,267 --> 00:04:55,167
(chuckles) WE CAN HARDLY
KEEP SQUABBLING,
98
00:04:55,200 --> 00:04:57,300
NOW THAT WE'RE GOING
TO BE NEIGHBORS AGAIN.
99
00:04:57,333 --> 00:05:00,267
WAIT. YOU'RE LIVING HERE?
100
00:05:00,300 --> 00:05:01,633
RIGHT ACROSS THE STREET.
101
00:05:01,667 --> 00:05:04,533
I JUST CAME BY TO PICK UP
SOME OF BETH'S THINGS.
102
00:05:04,567 --> 00:05:08,567
ALTHOUGH I THINK YOU SHOULD KEEP
THAT PRETTY OIL PAINTING
103
00:05:08,600 --> 00:05:10,500
SHE MADE FOR YOU.
MM.
104
00:05:10,533 --> 00:05:12,300
HANG ON.
YOU--YOU KNEW BETH?
105
00:05:12,333 --> 00:05:14,233
YOU DIDN'T TELL HER.
106
00:05:14,267 --> 00:05:16,667
THE TOPIC DOESN'T EXACTLY
INTRODUCE ITSELF.
107
00:05:18,233 --> 00:05:21,667
BETH WAS FELICIA'S DAUGHTER.
108
00:05:23,533 --> 00:05:24,800
WHAT?
109
00:05:27,467 --> 00:05:30,067
SO YOU'RE BETH'S...
110
00:05:30,067 --> 00:05:32,567
AND YOU KNEW...
111
00:05:32,600 --> 00:05:35,700
AND YOU'RE LIVING...
112
00:05:35,733 --> 00:05:38,233
I NEED TO SIT DOWN.
113
00:05:45,133 --> 00:05:48,733
WE'RE GONNA GET
A LOT OF THIS.
114
00:05:50,767 --> 00:05:54,500
SO FELICIA TILLMAN
WAS BETH'S MOTHER?
115
00:05:54,533 --> 00:05:56,433
"SNIP-SNIP" TILLMAN?
YOU SURE?
116
00:05:56,467 --> 00:05:59,333
YEP.
AND PEOPLE SAY
THE SUBURBS ARE BORING?
117
00:05:59,367 --> 00:06:03,267
GREAT. NOW WE'VE GOT ANOTHER
NUT JOB LIVING ON THE STREET.
ACTUALLY...
118
00:06:03,300 --> 00:06:06,133
PAUL IS NOT SO BAD.
YEAH, WHAT WERE YOU DOING
OVER THERE?
119
00:06:06,167 --> 00:06:08,400
BRINGING HIM FOOD.
UH, CHECKING UP ON HIM.
120
00:06:08,433 --> 00:06:10,067
MAKING SURE HE'S OKAY.
121
00:06:10,067 --> 00:06:11,067
WHY?
122
00:06:11,100 --> 00:06:13,433
'CAUSE I FEEL BAD FOR HIM.
123
00:06:13,467 --> 00:06:16,300
THE POOR GUY HAS HAD TWO WIVES
KILL THEMSELVES.
124
00:06:16,333 --> 00:06:19,567
AND HERE I WAS CONCENTRATING
ALL MY PITY ON THE DEAD PEOPLE.
125
00:06:19,600 --> 00:06:20,833
(Renee) SUSAN, BE CAREFUL.
126
00:06:20,867 --> 00:06:23,367
YEAH, WE UNDERSTAND
BETH GAVE YOU A KIDNEY,
127
00:06:23,400 --> 00:06:24,833
BUT YOU DON'T OWE
PAUL ANYTHING.
128
00:06:24,867 --> 00:06:26,733
I KNOW I DON'T.
129
00:06:26,767 --> 00:06:29,100
BUT THAT KIDNEY GAVE ME
A SECOND CHANCE IN LIFE,
130
00:06:29,133 --> 00:06:33,800
AND I'M SORRY. I FEEL THAT
PAUL DESERVES THE SAME THING.
131
00:06:36,500 --> 00:06:40,367
TO US, OUR DECORATING FIRM,
AND OUR LATEST TRIUMPH,
132
00:06:40,400 --> 00:06:41,567
THE DELANEY BATHROOM.
133
00:06:41,600 --> 00:06:43,500
TODAY, SUBWAY TILE
AND A LOW-FLOW TOILET.
134
00:06:43,533 --> 00:06:46,233
TOMORROW, NOT WALKING IN
ON MR. DELANEY
135
00:06:46,267 --> 00:06:48,067
ON THE LOW-FLOW TOILET.
136
00:06:48,100 --> 00:06:49,233
(inhales sharply)
137
00:06:49,267 --> 00:06:51,233
(cork pops, clatter)
138
00:06:51,267 --> 00:06:54,133
YOU BOUGHT THIS
AT A DRUGSTORE, DIDN'T YOU?
139
00:06:54,167 --> 00:06:56,833
COME ON. "DAN PERRIGNON."
IT'S CUTE.
140
00:06:56,867 --> 00:06:59,067
A LITTLE TIP--
WHEN PICKING CHAMPAGNE,
141
00:06:59,067 --> 00:07:01,767
WORDPLAY USUALLY ISN'T
A SELLING POINT.
142
00:07:03,200 --> 00:07:05,333
HEY. YOU'RE HOME EARLY.
143
00:07:05,367 --> 00:07:07,100
NO, JUST FORGOT SOME FILES.
144
00:07:07,133 --> 00:07:09,067
HEADED STRAIGHT BACK
TO THE OFFICE.
145
00:07:09,100 --> 00:07:13,067
OOH! DAN PERRIGNON!
WHAT ARE YOU GUYS CELEBRATING?
146
00:07:13,067 --> 00:07:15,200
RENEE AND I FINISHED
A DESIGN JOB TODAY.
147
00:07:15,233 --> 00:07:18,400
YEAH.
WE ACTUALLY CLEARED $293.
148
00:07:18,433 --> 00:07:20,333
WELL,
$290 AFTER THIS CHAMPAGNE.
149
00:07:20,367 --> 00:07:22,267
HEY, WE'RE A SMALL COMPANY.
150
00:07:22,300 --> 00:07:24,467
WHY IS THE GLASS
ALWAYS HALF EMPTY WITH YOU?
151
00:07:24,500 --> 00:07:27,333
HEY, I DON'T KNOW WHY I DIDN'T
THINK OF THIS SOONER.
152
00:07:27,367 --> 00:07:29,267
I JUST GOT MY BUDGET.
153
00:07:29,300 --> 00:07:31,467
THERE'S SOME MONEY IN THERE
TO REDECORATE MY OFFICE.
154
00:07:31,500 --> 00:07:33,400
HOW ABOUT YOU GUYS DO IT?
155
00:07:33,433 --> 00:07:35,633
UH, WELL,
WE'RE A LITTLE BUSY.
156
00:07:35,667 --> 00:07:36,700
IT'S 20 GRAND.
157
00:07:36,733 --> 00:07:38,667
BUSY THANKING YOU.
158
00:07:38,700 --> 00:07:40,600
YOU'D LET US DO THAT?
YOU'RE AMAZING!
159
00:07:40,633 --> 00:07:42,533
THAT WOULD BE HUGE
FOR OUR COMPANY. MWAH.
160
00:07:42,567 --> 00:07:45,433
LOOK, I KNOW THIS NEW JOB'S
PUT A BIT OF A STRAIN ON US.
161
00:07:45,467 --> 00:07:47,367
THIS MIGHT BE A GOOD WAY
TO SNEAK IN
162
00:07:47,400 --> 00:07:50,133
A LITTLE EXTRA TIME TOGETHER.
163
00:07:50,167 --> 00:07:54,067
SO YOU THINK YOU CAN DO
SOMETHING FOR 20 GRAND?
THIS MAY BE
THE DOG SHAMPOO TALKING,
164
00:07:54,100 --> 00:07:56,400
BUT FOR 20 GRAND, WE WILL
DECORATE YOUR OFFICE...
165
00:07:56,433 --> 00:07:58,333
AND WHACK AN EMPLOYEE
OF YOUR CHOOSING.
166
00:07:58,367 --> 00:07:59,667
(laughs)
167
00:07:59,700 --> 00:08:01,233
(clink)
168
00:08:03,200 --> 00:08:06,133
HEY, ROOMIE!
169
00:08:06,167 --> 00:08:08,533
HELLO... ROOMIE.
170
00:08:08,567 --> 00:08:10,533
THOSE ARE BEAUTIFUL.
171
00:08:10,567 --> 00:08:12,633
THEY'RE FOR YOU
FROM THE GIRLS.
172
00:08:12,667 --> 00:08:14,600
THEY FELT TERRIBLE
ABOUT BREAKING YOUR MIRROR.
173
00:08:14,633 --> 00:08:16,267
OH. YOU MEAN
MY SERVING DISH.
174
00:08:16,300 --> 00:08:18,500
OH, YOU HAVEN'T BEEN
UPSTAIRS YET.
175
00:08:18,533 --> 00:08:20,400
(whispers) GABY!
176
00:08:20,433 --> 00:08:22,267
BUT LOOK HOW BEAUTIFUL.
177
00:08:22,300 --> 00:08:24,367
(normal voice)
I'M GOING TO CHURCH.
178
00:08:24,400 --> 00:08:26,167
WEREN'T YOU JUST THERE?
179
00:08:26,200 --> 00:08:30,533
I NEED TO DO SOME MORE PRAYING.
APPARENTLY, IT'S NOT WORKING.
180
00:08:30,567 --> 00:08:33,067
(door opens and closes)
181
00:08:33,067 --> 00:08:35,600
(sighs)
182
00:08:39,133 --> 00:08:40,367
(sighs)
183
00:08:41,333 --> 00:08:42,600
(sighs)
184
00:08:42,633 --> 00:08:44,433
(exhales deeply)
185
00:08:46,533 --> 00:08:49,267
(bicycle clatters)
186
00:08:50,767 --> 00:08:53,367
(sighs)
187
00:09:01,633 --> 00:09:07,067
(horn honking)
188
00:09:07,100 --> 00:09:10,300
IF YOU'RE LOOKING
FOR THE OWNER, THAT'S ME.
189
00:09:11,300 --> 00:09:13,567
ARE YOU AWARE THAT
YOU'RE BLOCKING MY DRIVEWAY?
190
00:09:13,600 --> 00:09:16,100
YEAH. ARE YOU AWARE THAT YOU
ILLEGALLY ENTERED MY VEHICLE?
191
00:09:16,133 --> 00:09:18,667
WELL, I NEEDED
TO GET YOUR ATTENTION.
DOESN'T MAKE IT LEGAL.
192
00:09:18,700 --> 00:09:20,300
OH, DON'T TRY
TO MAKE THIS MY FAULT.
193
00:09:20,333 --> 00:09:23,400
BLOCKING MY DRIVEWAY
IS ILLEGAL.
YES, BUT BREAKING INTO MY CAR
IS CRIMINAL.
194
00:09:23,433 --> 00:09:24,633
REALLY? LET'S CALL 9-1-1.
195
00:09:24,667 --> 00:09:27,100
I'D LOVE TO GET
A POLICEMAN'S OPINION ON THAT.
196
00:09:27,133 --> 00:09:29,200
YOU JUST DID.
197
00:09:29,233 --> 00:09:31,833
OH, MY.
YOU ARE A POLICEMAN.
198
00:09:31,867 --> 00:09:34,167
DETECTIVE CHUCK VANCE,
FAIRVIEW P.D.
199
00:09:34,200 --> 00:09:36,267
YOUR NEIGHBOR MRS. TILLMAN'S
A PAROLEE.
200
00:09:36,300 --> 00:09:38,600
I WAS PAYING A ROUTINE CALL.
BUT NOW IT APPEARS
201
00:09:38,633 --> 00:09:41,233
THAT SHE'S NOT THE ONLY
DANGEROUS WOMAN ON THE STREET.
202
00:09:41,267 --> 00:09:43,800
LOOK, I-I DON'T KNOW WHAT LAWS
I MAY HAVE BROKEN, BUT--
203
00:09:43,833 --> 00:09:46,633
UNLAWFUL TRESPASS,
TAMPERING WITH A POLICE VEHICLE,
204
00:09:46,667 --> 00:09:48,367
MALICIOUS MISCHIEF...
205
00:09:48,400 --> 00:09:50,733
OKAY, OKAY. I'M SORRY.
I'M JUST SO FRAZZLED TODAY.
206
00:09:50,767 --> 00:09:53,133
A FRIEND OF MINE
IS STAYING WITH ME,
207
00:09:53,167 --> 00:09:55,067
AND HER TWO GIRLS
ARE ABSOLUTE MONSTERS.
208
00:09:55,100 --> 00:09:57,767
IN FACT, I DON'T SUPPOSE
I COULD BORROW YOUR GUN?
209
00:09:57,800 --> 00:09:59,833
TO SHOOT THE CHILDREN?
210
00:09:59,867 --> 00:10:02,167
I WAS JOKING.
211
00:10:02,200 --> 00:10:03,500
SO WAS I.
212
00:10:03,533 --> 00:10:06,600
I'M SORRY
I BLOCKED YOUR CAR.
213
00:10:06,633 --> 00:10:08,800
UH, WELL, UM...
214
00:10:08,833 --> 00:10:11,667
I-I'M SORRY THAT, UM,
I GOT INTO YOURS.
215
00:10:11,700 --> 00:10:13,600
I'LL TELL THAT
TO THE JUDGE.
216
00:10:13,633 --> 00:10:16,467
I'M SURE YOU'LL GET OFF
WITH COMMUNITY SERVICE.
217
00:10:16,500 --> 00:10:18,133
WAIT.
218
00:10:18,167 --> 00:10:19,367
(door closes)
219
00:10:19,400 --> 00:10:20,533
(engine starts)
WHAT?
220
00:10:20,567 --> 00:10:23,100
STILL JOKING.
221
00:10:32,800 --> 00:10:34,600
(Juanita) I'M GONNA GET YOU!
YOU COME BACK HERE!
(Celia) NO! NO! NO!
222
00:10:34,633 --> 00:10:38,500
(sighs)
(girls yelling indistinctly)
223
00:10:38,533 --> 00:10:41,233
GABY?
224
00:10:41,267 --> 00:10:43,467
OH. RIGHT.
GIRLS! NO RUNNING!
225
00:10:43,500 --> 00:10:46,100
IS THAT ALL YOU'RE GONNA DO?
226
00:10:46,133 --> 00:10:48,300
OF COURSE NOT. NEXT TIME
I'LL TRIP ONE OF THEM.
227
00:10:48,333 --> 00:10:51,100
OR PERHAPS YOU COULD TRY
TAKING A FIRMER HAND.
228
00:10:51,133 --> 00:10:53,600
OH, PLEASE.
I'VE TRIED EVERYTHING.
229
00:10:53,633 --> 00:10:56,500
I EVEN BOUGHT THEM A PUPPY JUST
SO I COULD THREATEN TO KILL IT.
230
00:10:56,533 --> 00:10:58,133
THEY ASKED
IF THEY COULD WATCH.
231
00:10:58,167 --> 00:11:00,067
WELL,
I CAN'T TAKE IT ANYMORE.
232
00:11:00,100 --> 00:11:01,833
WOULD YOU MIND
IF I TALKED TO THEM?
233
00:11:01,867 --> 00:11:04,500
PERHAPS HEARING IT
FROM SOMEBODY ELSE
234
00:11:04,533 --> 00:11:06,067
WOULD MAKE THE DIFFERENCE.
235
00:11:06,100 --> 00:11:07,833
WHAT ARE YOU SAYING, BREE?
236
00:11:07,867 --> 00:11:09,533
YOU THINK YOU'RE
A BETTER MOTHER THAN ME?
237
00:11:09,567 --> 00:11:12,467
WELL, NOT TO CAST ASPERSIONS
ON TRIPPING AND KILLING PUPPIES,
238
00:11:12,500 --> 00:11:13,500
BUT THERE ARE
OTHER APPROACHES.
239
00:11:13,533 --> 00:11:16,333
OKAY, MOTHER SUPERIOR.
240
00:11:16,367 --> 00:11:20,400
YOU THINK YOU CAN GET THOSE
GIRLS TO BEHAVE? BE MY GUEST.
241
00:11:24,100 --> 00:11:26,067
OH, AND IF THE LITTLE ONE
CHARGES, MOVE.
242
00:11:26,100 --> 00:11:27,833
IT'S LIKE SOMEONE DROPPING
A SACK OF FLOUR
243
00:11:27,867 --> 00:11:30,100
OFF THE EMPIRE STATE BUILDING.
244
00:11:30,133 --> 00:11:32,433
(screams)
GIRLS, I NEED TO TALK TO YOU.
245
00:11:32,467 --> 00:11:36,300
NOT NOW.
WE'RE PLAYING DEATH MATCH.
WE DO NOT FIGHT IN THIS HOUSE
246
00:11:36,333 --> 00:11:37,667
WITH PILLOWS
MADE OF HAND-DYED SILK.
247
00:11:37,700 --> 00:11:41,200
NOW I AM GONNA
COUNT TO THREE. ONE...
248
00:11:41,233 --> 00:11:42,233
TWO...
249
00:11:42,267 --> 00:11:44,700
DO YOU KNOW WHAT HAPPENS
AFTER THREE?
250
00:11:44,733 --> 00:11:46,100
FOUR?
251
00:11:46,133 --> 00:11:47,700
PUT THE PILLOWS DOWN.
252
00:11:49,833 --> 00:11:52,733
NOW, I AM SURE
YOU'VE HEARD THE EXPRESSION,
253
00:11:52,767 --> 00:11:54,100
"MY HOUSE, MY RULES."
254
00:11:54,133 --> 00:11:55,467
NO.
255
00:11:55,500 --> 00:11:57,533
WELL, THERE IS AN EXPRESSION--
"MY HOUSE, MY RULES."
256
00:11:57,567 --> 00:12:00,200
AND AS LONG AS YOU ARE
STAYING HERE WITH ME,
257
00:12:00,233 --> 00:12:02,400
YOU WILL BEHAVE PROPERLY.
YOU WILL MIND YOUR MANNERS,
258
00:12:02,433 --> 00:12:05,433
YOU WILL DO YOUR CHORES.
YOU WILL LISTEN WHEN SPOKEN TO.
259
00:12:05,467 --> 00:12:08,733
AND--
WHERE ARE THEY GOING?
260
00:12:08,767 --> 00:12:11,800
HMM? I WASN'T PAYING ATTENTION.
WHAT WERE YOU TELLING 'EM?
261
00:12:11,833 --> 00:12:16,100
GIRLS, GET BACK HERE!
262
00:12:17,800 --> 00:12:21,267
DON'T SMIRK. THE KEY
TO DISCIPLINE IS CONSISTENCY.
263
00:12:21,300 --> 00:12:24,467
AND I WILL NOT GIVE UP.
264
00:12:24,500 --> 00:12:26,833
NEITHER WILL THEY, BREE.
265
00:12:26,867 --> 00:12:29,833
NEITHER WILL THEY.
266
00:12:29,867 --> 00:12:33,633
(telephone ringing,
indistinct conversations,
267
00:12:33,667 --> 00:12:36,633
WOW, IF I KNEW TOM WAS WORKING
WITH SO MANY HANDSOME RICH MEN,
268
00:12:36,667 --> 00:12:38,567
I WOULD HAVE WORN
A LOWER TOP.
269
00:12:38,600 --> 00:12:41,500
LOWER? I THINK YOU WOULD
CALL THAT A BELT.
270
00:12:41,533 --> 00:12:44,667
WILL YOU LOOK AT THIS?
HE'S KEPT US WAITING 45 MINUTES.
271
00:12:44,700 --> 00:12:48,133
GOOD TO SEE BEING MARRIED TO
THE BOSS GAVE US THE LEG UP.
272
00:12:48,167 --> 00:12:50,067
AH. IF HE KEEPS US
WAITING ANY LONGER,
273
00:12:50,100 --> 00:12:53,067
I KNOW TWO LEGS
THAT WON'T BE GOING UP.
274
00:12:53,067 --> 00:12:54,500
(sighs) SORRY ABOUT THE WAIT.
275
00:12:54,533 --> 00:12:56,467
I JUST GOT OFF THE PHONE
WITH LONDON.
276
00:12:56,500 --> 00:12:59,733
CLOSED A DEAL WORTH $10 MILLION.
PHYLLIS?
277
00:12:59,767 --> 00:13:02,267
(chuckles) OKAY, LADIES,
I HAVE 15 MINUTES,
278
00:13:02,300 --> 00:13:06,067
AND THEY ARE ALL YOURS.
THAT IS ALL WE NEED.
279
00:13:07,533 --> 00:13:11,367
THE OVERALL LOOK WE'RE GOING FOR
IS VERY WARM AND INVITING.
280
00:13:11,400 --> 00:13:15,500
WE'RE THINKING SOFT WOOD,
AN OVERSTUFFED LINEN SOFA,
281
00:13:15,533 --> 00:13:19,167
THAT SOUNDS GREAT,
BUT I ALREADY KNOW WHAT I WANT.
282
00:13:19,200 --> 00:13:22,067
RIPPED THAT OUT OF A MAGAZINE.
283
00:13:22,100 --> 00:13:25,500
(laughs)
THIS IS DONALD TRUMP'S OFFICE.
284
00:13:25,533 --> 00:13:26,700
ISN'T IT COOL?
285
00:13:26,733 --> 00:13:29,600
I-I LOVE THAT DESK--
BLACK MARBLE AND CHROME.
286
00:13:29,633 --> 00:13:34,400
A-AND LOOK AT THAT SAMURAI SWORD
AND THOSE DRAGON LAMPS.
287
00:13:34,433 --> 00:13:37,300
I'M SORRY. ARE YOU PLANNING
TO TAKE OVER THE WORLD
288
00:13:37,333 --> 00:13:38,400
WITH YOUR DEATH RAY?
289
00:13:38,433 --> 00:13:41,233
I THINK THIS IS IMPRESSIVE.
290
00:13:41,267 --> 00:13:42,800
BUT... IT'S NOT YOU.
291
00:13:42,833 --> 00:13:45,700
YOU'D NEED A TELEPHONE BOOK
TO SIT BEHIND THAT DESK.
292
00:13:45,733 --> 00:13:48,200
LYNETTE, IF THIS IS WHAT
OUR CLIENT WANTS...
293
00:13:48,233 --> 00:13:50,433
THANK YOU, RENEE.
294
00:13:50,467 --> 00:13:52,367
YOU KNOW, WHEN DOUG PLAYED
FOR THE YANKEES,
295
00:13:52,400 --> 00:13:54,567
"THE DONALD" INVITED US
ON HIS YACHT ALL THE TIME.
296
00:13:54,600 --> 00:13:56,467
I'LL JUST CALL HIS ASSISTANT
297
00:13:56,500 --> 00:13:58,400
AND FIND OUT
WHERE THEY GOT THE DESK.
298
00:13:58,433 --> 00:14:00,367
"THE DONALD."
299
00:14:00,400 --> 00:14:03,300
YOU'RE WONDERING IF YOU CAN
PULL OFF "THE TOM," AREN'T YOU?
300
00:14:03,333 --> 00:14:04,433
NO.
301
00:14:04,467 --> 00:14:08,267
GOOD, BECAUSE THE IDEA OF YOU
IN AN OFFICE LIKE THIS--
302
00:14:08,300 --> 00:14:09,767
IS TOTALLY WORKABLE.
303
00:14:09,800 --> 00:14:12,333
WHY DON'T WE GET SOME PIECES
IN HERE OVER THE WEEKEND?
304
00:14:12,367 --> 00:14:16,633
AND YOU CAN TAKE A LOOK
ON MONDAY.
NOW THAT IS THE ATTITUDE
I LIKE--CAN-DO.
305
00:14:16,667 --> 00:14:21,200
I HAVE A MEETING.
GREAT WORK, EVERYONE. MM.
306
00:14:21,233 --> 00:14:23,567
SEE PHYLLIS ON THE WAY OUT.
SHE'LL VALIDATE YOUR PARKING.
307
00:14:23,600 --> 00:14:26,467
WOW, THAT WAS EASY.
I KNOW A PLACE THAT HAS
308
00:14:26,500 --> 00:14:29,400
THESE FABULOUS
CHROME AND STEEL PIECES.
WE'RE NOT DOING THAT.
309
00:14:29,433 --> 00:14:32,133
WHY NOT?
BECAUSE THAT'S NOT TOM.
310
00:14:32,167 --> 00:14:35,167
HE'S DEFINITELY
A SOFT WOOD KIND OF GUY.
311
00:14:35,200 --> 00:14:37,167
OKAY, LESSON ONE--
TOM IS THE CLIENT.
312
00:14:37,200 --> 00:14:40,600
IF HE WANTS A BIG SHOT OFFICE,
HE GETS IT.
UGH!
313
00:14:40,633 --> 00:14:43,433
AND LESSON TWO--
NO MAN WANTS TO BE REFERRED TO
314
00:14:43,467 --> 00:14:45,700
AS "SOFT WOOD."
315
00:14:45,733 --> 00:14:49,333
(sighs) FELICIA.
WHAT ARE YOU DOING HERE?
316
00:14:49,367 --> 00:14:51,267
I'M SORRY TO DROP BY
WITHOUT CALLING.
317
00:14:51,300 --> 00:14:53,567
IS THIS A BAD TIME?
318
00:14:53,600 --> 00:14:56,333
YEAH, IT IS. UH, I'M IN
THE MIDDLE OF COOKING DINNER.
319
00:14:56,367 --> 00:14:58,067
OF COURSE.
320
00:14:58,067 --> 00:14:59,233
I-I JUST...
321
00:14:59,267 --> 00:15:02,767
I WAS MISSING BETH SO MUCH,
AND...
322
00:15:02,800 --> 00:15:07,433
THEN I REMEMBERED THAT PART OF
HER WAS STILL ALIVE SOMEWHERE.
323
00:15:07,467 --> 00:15:09,367
COULD YOU SPARE
A FEW MINUTES
324
00:15:09,400 --> 00:15:11,400
FOR A WOMAN WHO LOST
HER ONLY CHILD?
325
00:15:11,433 --> 00:15:15,367
SURE. COME IN.
326
00:15:17,233 --> 00:15:19,067
SMELLS GOOD.
327
00:15:19,067 --> 00:15:22,067
OH, IT'S FOR PAUL.
CHICKEN POT PIE.
328
00:15:22,100 --> 00:15:25,167
RIGHT. YOU SAID
YOU WERE COOKING FOR HIM.
329
00:15:25,200 --> 00:15:27,100
THAT'S SO THOUGHTFUL.
330
00:15:27,133 --> 00:15:30,067
WELL, JUST TRYING
TO BE A GOOD FRIEND.
331
00:15:30,067 --> 00:15:32,400
I HOPE THAT WE
CAN BE FRIENDS, TOO.
332
00:15:32,433 --> 00:15:33,633
YOU DO?
333
00:15:33,667 --> 00:15:36,267
YOU AND ME? FRIENDS?
334
00:15:36,300 --> 00:15:39,533
I KNOW WHAT YOU'RE THINKING.
WHAT I DID TO PAUL WAS HORRIBLE,
335
00:15:39,567 --> 00:15:41,533
BUT THANK GOD,
HE'S FORGIVEN ME,
336
00:15:41,567 --> 00:15:44,300
AND NOW I JUST WANT THINGS
BACK TO NORMAL.
337
00:15:44,333 --> 00:15:48,300
I EVEN GOT THIS GLOVE SO PEOPLE
WOULDN'T BE PUT OFF BY ME.
338
00:15:48,333 --> 00:15:51,567
WHAT, YOU--YOU MEAN
THE FINGER THING?
339
00:15:51,600 --> 00:15:54,700
OH, PEOPLE HARDLY NOTICE IT.
BUT THE GLOVE IS GOOD.
340
00:15:57,067 --> 00:15:58,367
OH...
341
00:15:58,400 --> 00:15:59,567
WHAT'S WRONG?
342
00:15:59,600 --> 00:16:02,400
I... GET THESE MIGRAINES.
343
00:16:02,433 --> 00:16:04,767
COULD I TROUBLE YOU
FOR SOME ASPIRIN?
344
00:16:04,800 --> 00:16:07,567
SURE. HANG ON.
345
00:16:11,833 --> 00:16:14,267
MMM.
346
00:16:14,300 --> 00:16:18,067
THIS SMELLS WONDERFUL.
347
00:16:19,133 --> 00:16:22,600
I WOULDN'T BEGIN TO KNOW HOW
TO MAKE A POT PIE.
348
00:16:22,633 --> 00:16:25,467
WELL, THE CRUST
IS STORE-BOUGHT.
349
00:16:25,500 --> 00:16:27,500
BUT DON'T TELL PAUL,
OKAY?
350
00:16:27,533 --> 00:16:29,533
DON'T YOU WORRY.
351
00:16:29,567 --> 00:16:32,233
I KNOW HOW
TO KEEP A SECRET.
352
00:16:37,433 --> 00:16:40,133
"WITH REPEATED SMALL DOSES
OF THE TOXIN,
353
00:16:40,167 --> 00:16:43,600
DEATH IS BOTH SLOW
AND AGONIZING."
354
00:16:43,633 --> 00:16:47,200
WHAT DID I TELL YOU, DEAR? IT'S
SO MUCH BETTER THAN A BULLET.
355
00:16:47,233 --> 00:16:51,267
"INITIAL SYMPTOMS
INCLUDE NAUSEA AND VOMITING.
356
00:16:51,300 --> 00:16:54,433
"THESE ARE FOLLOWED
BY METABOLIC ACIDOSIS
357
00:16:54,467 --> 00:16:57,200
AND CARDIOVASCULAR DYSFUNCTION."
358
00:16:57,233 --> 00:16:59,433
HE'LL THINK IT'S HIS HEART.
359
00:16:59,467 --> 00:17:02,333
AS IF HE HAD ONE.
360
00:17:02,367 --> 00:17:08,133
"AND FINALLY,
ACUTE RENAL FAILURE AND...
361
00:17:08,167 --> 00:17:10,733
DEATH."
362
00:17:10,767 --> 00:17:13,600
AND YOU KNOW THE BEST PART?
363
00:17:13,633 --> 00:17:17,733
I COULDN'T GET NEAR PAUL'S FOOD
IF IT WEREN'T FOR YOU...
364
00:17:17,767 --> 00:17:20,700
OR AT LEAST
THAT LAST LITTLE PIECE OF YOU
365
00:17:20,733 --> 00:17:23,500
THAT'S STILL ALIVE IN SUSAN.
366
00:17:23,533 --> 00:17:27,467
IT JUST GOES TO SHOW...
367
00:17:27,500 --> 00:17:30,233
YOU MAY BE GONE...
368
00:17:30,267 --> 00:17:31,700
(cap clatters)
369
00:17:31,733 --> 00:17:35,767
BUT WE'RE STILL
ONE HECK OF A TEAM.
370
00:17:43,367 --> 00:17:46,367
***
371
00:18:16,767 --> 00:18:19,767
SUSAN, HOW'S HE DOING?
372
00:18:19,800 --> 00:18:22,667
I DON'T GET IT. HE JUST KEEPS
GETTING WORSE AND WORSE.
373
00:18:22,700 --> 00:18:25,500
I THINK I'M GONNA HAVE TO START
BRINGING HIM BREAKFAST, TOO.
374
00:18:25,533 --> 00:18:29,133
YOU'RE A GOOD FRIEND.
375
00:18:33,700 --> 00:18:36,833
DADDY! I MISSED YOU SO MUCH!
376
00:18:36,867 --> 00:18:38,767
OH, I MISSED YOU, TOO.
HO-HO-HO!
377
00:18:38,800 --> 00:18:42,633
WHY DON'T YOU GUYS
GO WASH UP FOR DINNER? GO ON.
378
00:18:42,667 --> 00:18:46,600
SO TOMORROW AFTER SCHOOL,
THEY COME BACK TO ME, RIGHT?
379
00:18:46,633 --> 00:18:48,767
RIGHT.
380
00:18:51,633 --> 00:18:56,300
(sighs) CARLOS,
HOW DID WE GET HERE?
381
00:18:56,333 --> 00:18:59,200
WE'RE TALKING
LIKE A DIVORCED COUPLE.
382
00:18:59,233 --> 00:19:01,367
(sighs)
WHAT DO YOU WANT ME TO SAY?
383
00:19:01,400 --> 00:19:05,133
JUST TELL ME HOW LONG
THIS IS GONNA GO ON.
384
00:19:05,167 --> 00:19:08,300
HOW LONG ARE YOU GONNA
BE FRIENDS WITH BREE?
385
00:19:08,333 --> 00:19:09,567
CARLOS--
386
00:19:09,600 --> 00:19:12,400
'CAUSE THAT IS HOW LONG
IT'S GONNA GO ON.
387
00:19:15,467 --> 00:19:18,067
WHAT ARE YOU DOING?
388
00:19:18,100 --> 00:19:20,100
GIVING MY PLANT A DRINK.
389
00:19:22,733 --> 00:19:24,733
WHY DO YOU HATE MOMMY
SO MUCH?
390
00:19:26,633 --> 00:19:30,333
I DON'T HATE MOMMY.
I JUST...
391
00:19:30,367 --> 00:19:32,333
I'M MAD AT SOMETHING
BREE DID.
392
00:19:32,367 --> 00:19:33,633
WHAT DID SHE DO?
393
00:19:33,667 --> 00:19:37,133
WELL... IT'S KIND OF
A GROWN-UP THING, HONEY.
394
00:19:37,167 --> 00:19:39,067
YOU GUYS SAY THAT
ABOUT EVERYTHING
395
00:19:39,100 --> 00:19:41,100
YOU DON'T WANNA TALK ABOUT.
396
00:19:43,067 --> 00:19:44,767
YOU'RE RIGHT.
397
00:19:44,800 --> 00:19:47,400
SIT.
398
00:19:50,533 --> 00:19:54,433
(clears throat)
399
00:19:54,467 --> 00:19:56,333
YOU KNOW GRANDMA DIED.
400
00:19:58,233 --> 00:20:03,033
BUT YOU NEVER HEARD THE STORY
OF HOW IT HAPPENED.
401
00:20:03,067 --> 00:20:06,500
HEY, HAVE YOU SEEN
OUR BANK STATEMENT?
402
00:20:06,533 --> 00:20:08,833
I'M IN THE MIDDLE
OF A QUIZ.
403
00:20:08,867 --> 00:20:11,800
WELL, I THINK YOU MIGHT
LIKE THIS A LOT BETTER THAN...
404
00:20:11,833 --> 00:20:13,767
"ARE YOU HAVING
ENOUGH ORGASMS?"
405
00:20:15,700 --> 00:20:18,667
OH! (sighs)
I JUST HAD ONE.
406
00:20:18,700 --> 00:20:21,467
WE ACTUALLY HAVE MONEY!
407
00:20:21,500 --> 00:20:25,333
WE PAID ALL OF OUR BILLS,
AND WE HAVE MONEY LEFT OVER.
408
00:20:25,367 --> 00:20:27,800
WELL, THE INSURANCE
IS COVERING YOUR SURGERY 100%,
409
00:20:27,833 --> 00:20:30,333
AND ADD THAT TO THE MONEY YOU
WON PLAYING POKER--BY THE WAY,
410
00:20:30,367 --> 00:20:33,667
DON'T DO THAT AGAIN--AND WE'RE
FINALLY OUT OF THE HOLE.
411
00:20:33,700 --> 00:20:37,067
IN FACT, WE CAN AFFORD
TO MOVE BACK INTO OUR OLD HOUSE.
412
00:20:37,100 --> 00:20:38,833
OH, THAT WOULD BE GREAT.
413
00:20:38,867 --> 00:20:41,800
BUT WE CAN'T
UNTIL PAUL'S READY TO LEAVE.
414
00:20:41,833 --> 00:20:44,333
WELL, HE MIGHT BE READY
A LITTLE SOONER
415
00:20:44,367 --> 00:20:46,267
IF HIS NEW BEST BUDDY
ASKED HIM.
416
00:20:46,300 --> 00:20:50,267
MIKE... I'M NOT GONNA
DO THAT TO PAUL.
417
00:20:50,300 --> 00:20:53,133
THINK OF WHAT HE'S BEEN THROUGH.
HE'S A WRECK.
418
00:20:53,167 --> 00:20:55,067
WELL, MAYBE MOVING OUT
OF A HOUSE
419
00:20:55,100 --> 00:20:58,133
FILLED WITH MEMORIES OF BETH
WOULD BE GOOD FOR HIM.
420
00:20:58,167 --> 00:21:00,067
AM I SUPPOSED TO BELIEVE
421
00:21:00,100 --> 00:21:04,133
THAT YOU ARE SUDDENLY INTERESTED
IN PAUL'S WELL-BEING?
422
00:21:04,167 --> 00:21:06,433
LOOK, I DON'T LIKE THE GUY.
I NEVER WILL.
423
00:21:06,467 --> 00:21:08,800
BUT AS LONG AS YOU'RE
TAKING HIM UNDER YOUR WING,
424
00:21:08,833 --> 00:21:11,533
WHY CAN'T WE GET
SOMETHING OUT OF IT?
425
00:21:15,300 --> 00:21:16,767
SO...
426
00:21:16,800 --> 00:21:20,833
NOW DO YOU UNDERSTAND
WHY I'M SO UPSET?
427
00:21:20,867 --> 00:21:23,733
I KNOW IT'S A COMPLICATED STORY.
YOU HAVE ANY QUESTIONS?
428
00:21:23,767 --> 00:21:25,267
NO, DADDY.
429
00:21:25,300 --> 00:21:26,500
OKAY.
430
00:21:26,533 --> 00:21:31,700
I'M GONNA GO GRAB MY WALLET,
AND WE ARE GONNA GO GET PIZZA.
431
00:21:34,567 --> 00:21:37,167
CELIA, COME HERE.
432
00:21:37,200 --> 00:21:41,533
YOU KNOW WHAT DADDY
JUST TOLD ME?
433
00:21:41,567 --> 00:21:45,067
BREE KILLED GRANDMA.
434
00:21:50,200 --> 00:21:52,733
(footsteps approach)
435
00:21:57,700 --> 00:21:59,733
HELLO, GIRLS.
436
00:21:59,767 --> 00:22:02,667
DID YOU HAVE A NICE TIME
AT YOUR FATHER'S LAST NIGHT?
437
00:22:02,700 --> 00:22:05,167
UH-HUH.
438
00:22:05,200 --> 00:22:07,267
WELL, NOW THAT
YOU'RE BACK AT MY HOUSE,
439
00:22:07,300 --> 00:22:10,300
I'D LIKE TO TRY ONCE AGAIN TO
DISCUSS MY RULES. THAT BE OKAY?
440
00:22:12,800 --> 00:22:15,800
YES, MRS. VAN DE KAMP.
441
00:22:24,833 --> 00:22:26,667
OH, HELLO, GABY.
442
00:22:26,700 --> 00:22:28,533
WHAT IS THIS?
443
00:22:28,567 --> 00:22:30,733
JUANITA'S HELPING ME
MAKE DINNER. GOOD JOB.
444
00:22:30,767 --> 00:22:33,400
NOW AFTER YOU'RE DONE
WASHING THE BRUSSELS SPROUTS,
445
00:22:33,433 --> 00:22:35,333
YOU CAN HELP ME SET THE TABLE.
446
00:22:35,367 --> 00:22:37,200
YES, MRS. VAN DE KAMP.
447
00:22:42,600 --> 00:22:44,433
BRUSSELS SPROUTS?
448
00:22:44,467 --> 00:22:46,633
YOU DO KNOW THE GIRLS
ARE EATING HERE TONIGHT?
449
00:22:46,667 --> 00:22:48,767
YES. DON'T THEY LIKE
BRUSSELS SPROUTS?
450
00:22:48,800 --> 00:22:52,167
SURE... AS PROJECTILES.
451
00:22:52,200 --> 00:22:56,067
WELL, THEY'LL EAT THEM
TONIGHT, OR NO CUPCAKES.
452
00:22:56,067 --> 00:22:58,233
YOU ACTUALLY LEFT THOSE OUT
IN PLAIN SIGHT?
453
00:22:58,267 --> 00:23:00,500
HAVE YOU LEARNED NOTHING?
YOU COULD LOSE THE SIDEBOARD.
454
00:23:00,533 --> 00:23:04,233
OH, THEY WON'T TOUCH THEM,
NOT TILL I TELL THEM THEY CAN.
455
00:23:06,833 --> 00:23:09,467
THANK YOU
FOR STRAIGHTENING UP, CELIA.
456
00:23:09,500 --> 00:23:12,700
NOW WOULD YOU PLEASE HELP
YOUR SISTER IN THE KITCHEN?
457
00:23:14,433 --> 00:23:16,767
OKAY. WHAT THE HELL
DID YOU DO TO THEM?
458
00:23:16,800 --> 00:23:19,067
OH, I SIMPLY SAT THEM DOWN
AND EXPLAINED
459
00:23:19,100 --> 00:23:21,400
WHAT I EXPECTED OF THEM
WHILE THEY'RE STAYING HERE.
460
00:23:21,433 --> 00:23:23,167
OH, CUT THE CRAP,
VAN DE KAMP.
461
00:23:23,200 --> 00:23:24,800
DID YOU GIVE 'EM DRUGS?
THREATEN 'EM?
462
00:23:24,833 --> 00:23:26,433
CHILDREN DON'T
RESPOND TO THREATS.
463
00:23:26,467 --> 00:23:29,100
THEY RESPOND TO STRUCTURE
PROVIDED WITH A FIRM HAND.
464
00:23:29,133 --> 00:23:30,600
SO YOU HIT THEM.
465
00:23:30,633 --> 00:23:32,533
IF YOU STICK TO MY SYSTEM,
466
00:23:32,567 --> 00:23:35,067
BY THE TIME YOU TAKE
THESE GIRLS BACK TO CARLOS,
467
00:23:35,100 --> 00:23:37,100
THEY'LL BE PERFECTLY BEHAVED.
YOU'RE WELCOME.
468
00:23:45,233 --> 00:23:46,733
HEY, SWEETIE.
469
00:23:46,767 --> 00:23:49,133
YOU CAN RELAX.
SHE WENT UPSTAIRS.
470
00:23:49,167 --> 00:23:51,233
NO, I HAVE TO GET THIS DONE.
471
00:23:52,533 --> 00:23:54,133
(sets down dish)
472
00:23:57,600 --> 00:23:59,767
DO YOU WANT A CUPCAKE?
473
00:23:59,800 --> 00:24:04,300
MRS. VAN DE KAMP SAYS
THOSE ARE FOR AFTER DINNER.
474
00:24:04,333 --> 00:24:08,200
WELL, MRS. VAN DE KAMP
ISN'T HERE.
475
00:24:08,233 --> 00:24:10,300
MMM.
476
00:24:10,333 --> 00:24:13,300
I'M NOT SAYING I LOVE THIS
MORE THAN YOU AND CELIA,
477
00:24:13,333 --> 00:24:15,600
BUT IF THE THREE OF YOU
FELL IN A POOL,
478
00:24:15,633 --> 00:24:17,533
AND I COULD ONLY SAVE TWO,
479
00:24:17,567 --> 00:24:20,800
ONE OF YOU WOULD FINALLY
GET HER OWN ROOM.
480
00:24:20,833 --> 00:24:24,400
HERE. SNEAK THIS UPSTAIRS.
EAT IT LATER.
481
00:24:24,433 --> 00:24:28,833
NO, THANKS.
I'LL HAVE AN APPLE.
482
00:24:28,867 --> 00:24:30,500
(footsteps retreat)
483
00:24:30,533 --> 00:24:33,733
WHAT DID SHE DO TO YOU?!
HOW DID SHE BREAK YOU?!
484
00:24:33,767 --> 00:24:35,400
(sighs)
485
00:24:41,133 --> 00:24:43,400
OKAY, THOSE GO RIGHT
IN FRONT OF THE DESK.
486
00:24:43,433 --> 00:24:44,833
YES, MA'AM.
487
00:24:44,867 --> 00:24:47,233
AND WATCH THE... YEAH.
THANK YOU.
488
00:24:47,267 --> 00:24:51,233
UH, WHAT'S GOING ON? I TOLD
THE MOVERS TO BE HERE AT 11:00.
489
00:24:51,267 --> 00:24:53,133
YEAH. I MADE A TEENSY CHANGE.
490
00:24:53,167 --> 00:24:57,067
AND THIS IS NOT
THE FURNITURE I ORDERED.
491
00:24:57,100 --> 00:24:59,733
AGAIN, TEENSY CHANGE.
492
00:25:09,333 --> 00:25:10,733
(scoffs) OH, MY GOD.
493
00:25:10,767 --> 00:25:13,700
I CAN'T BELIEVE
YOU DID THIS BEHIND MY BACK.
494
00:25:13,733 --> 00:25:16,333
WE'RE SUPPOSED TO BE A TEAM.
I ALMOST BOUGHT YOU
495
00:25:16,367 --> 00:25:19,500
A COFFEE THIS MORNING
WITHOUT YOU EVEN ASKING.
BUT YOU DIDN'T.
496
00:25:19,533 --> 00:25:21,467
YEAH, AND I FELT BAD
ABOUT IT...
497
00:25:21,500 --> 00:25:24,367
TILL NOW. (sighs) I'VE GOT
TWO DRAGON LAMPS IN MY CAR.
498
00:25:24,400 --> 00:25:26,700
WHAT THE HELL AM I SUPPOSED
TO DO WITH THOSE?
499
00:25:26,733 --> 00:25:29,633
I'M SORRY, BUT TRUST ME,
I'M SAVING US TIME.
500
00:25:29,667 --> 00:25:32,067
HOW?
TOM SAID WHAT HE WANTS.
501
00:25:32,067 --> 00:25:34,333
TOM SAID
WHAT HE THINKS HE WANTS.
502
00:25:34,367 --> 00:25:37,533
I KNOW WHAT HE REALLY WANTS.
AND YOU HAVE TO ADMIT,
503
00:25:37,567 --> 00:25:41,233
LOOKS PRETTY GOOD, DOESN'T IT?
ALL COMFY AND COZY...
504
00:25:41,267 --> 00:25:43,167
YEAH, LYNETTE,
YOU DID A GREAT JOB
505
00:25:43,200 --> 00:25:45,100
IGNORING WHAT HE ASKED FOR.
506
00:25:45,133 --> 00:25:47,067
ALL THAT'S MISSING
IS AN ANTIQUE JAR
507
00:25:47,100 --> 00:25:50,400
FOR TOM TO PUT
HIS TESTICLES IN.
508
00:26:06,367 --> 00:26:07,800
(inhales sharply)
509
00:26:07,833 --> 00:26:10,100
AAH! AAH!
510
00:26:10,133 --> 00:26:12,067
JUANITA, WHAT IS IT?
511
00:26:12,067 --> 00:26:13,267
GET AWAY! GET AWAY! (screams)
512
00:26:13,300 --> 00:26:14,567
AAH!
513
00:26:14,600 --> 00:26:16,100
YOU'RE JUST HAVING
A NIGHTMARE!
514
00:26:16,133 --> 00:26:18,067
HONEST,
EVERYTHING IS OKAY!
515
00:26:18,067 --> 00:26:20,067
(continues screaming)
516
00:26:22,733 --> 00:26:25,467
THEY WON'T COME OUT.
517
00:26:25,500 --> 00:26:28,300
NOT EVEN FOR YOU?
NOPE. THAT'S HOW SCARED
YOU GOT THEM.
518
00:26:28,333 --> 00:26:30,233
I SWEAR,
I DIDN'T DO ANYTHING.
519
00:26:30,267 --> 00:26:33,133
I WENT IN TO CHECK ON THEM,
AND THEY GOT HYSTERICAL.
520
00:26:33,167 --> 00:26:35,067
CARLOS, IT'S ME.
WHERE ARE YOU?
521
00:26:35,100 --> 00:26:37,800
THE GIRLS WON'T COME OUT
FOR ANYONE EXCEPT THEIR DADDY.
522
00:26:37,833 --> 00:26:39,200
(doorbell rings)
523
00:26:39,233 --> 00:26:41,833
IT'S ABOUT TIME!
524
00:26:41,867 --> 00:26:44,633
OKAY, CARLOS...
WHO THE HELL ARE YOU?
525
00:26:44,667 --> 00:26:47,467
DETECTIVE VANCE,
FAIRVIEW P.D.
526
00:26:47,500 --> 00:26:50,167
WE GOT A 9-1-1 CALL
FROM 2 GIRLS
527
00:26:50,200 --> 00:26:53,500
WHO SAY THAT THEIR MOM'S CRAZY
FRIEND IS TRYING TO KILL THEM.
528
00:26:53,533 --> 00:26:54,567
WHAT?
529
00:26:54,600 --> 00:26:56,267
HELLO AGAIN.
530
00:26:56,300 --> 00:26:59,500
I GUESS YOU FOUND SOMEONE
TO LOAN YOU THAT GUN.
531
00:27:05,633 --> 00:27:07,133
OKAY.
532
00:27:07,167 --> 00:27:09,600
I SPOKE WITH THE GIRLS.
THEY'RE PRETTY SURE
533
00:27:09,633 --> 00:27:12,733
THAT MRS. VAN DE KAMP HERE
WAS TRYING TO MURDER THEM.
534
00:27:12,767 --> 00:27:15,667
(scoffs)
WELL, THAT'S PREPOSTEROUS.
535
00:27:15,700 --> 00:27:17,600
WHY WOULD THEY SAY
SUCH A THING?
536
00:27:17,633 --> 00:27:19,433
WELL, THAT'S NOT
ALL THEY SAID.
537
00:27:19,467 --> 00:27:20,733
(knock on door)
538
00:27:20,767 --> 00:27:24,067
GABY? WHAT'S WITH
THE PANICKED PHONE CALLS?
IT'S NOTHING.
539
00:27:24,100 --> 00:27:27,067
THE GIRLS GOT ALL FREAKED OUT
AND CALLED THE POLICE.
540
00:27:27,100 --> 00:27:28,600
FREAKED OUT ABOUT WHAT?
541
00:27:28,633 --> 00:27:31,200
ARE YOU THE FATHER?
YEAH. CARLOS SOLIS.
542
00:27:31,233 --> 00:27:33,700
DETECTIVE VANCE. MR. SOLIS,
DID YOU TELL YOUR DAUGHTER
543
00:27:33,733 --> 00:27:36,067
THAT MRS. VAN DE KAMP
KILLED YOUR MOTHER?
544
00:27:42,333 --> 00:27:44,167
DID YOU TELL HER THAT, SIR?
545
00:27:48,300 --> 00:27:51,300
I THINK I KNOW WHAT THIS IS.
546
00:27:51,333 --> 00:27:54,533
ME AND THE GIRLS WERE TALKING
ABOUT MY MOTHER'S DEATH,
547
00:27:54,567 --> 00:27:59,267
AND I SAID BEING APART FROM
THEIR MOM FELT ALMOST AS BAD,
548
00:27:59,300 --> 00:28:04,100
AND I SAID
THAT I BLAMED BREE FOR THAT.
549
00:28:04,133 --> 00:28:05,667
THEY MUST HAVE
GOTTEN CONFUSED.
550
00:28:05,700 --> 00:28:08,767
YEAH, WELL,
DON'T BE MAD AT THEM.
551
00:28:08,800 --> 00:28:11,433
IT'S HARD ON KIDS
WHEN THEIR PARENTS ARE APART.
552
00:28:11,467 --> 00:28:14,667
IT'S ACTUALLY KIND OF FUNNY
IF YOU THINK ABOUT IT.
553
00:28:14,700 --> 00:28:16,200
(chuckles)
554
00:28:16,233 --> 00:28:20,567
I MEAN, NOT "FUNNY" FUNNY,
BUT SAD... FUNNY.
555
00:28:20,600 --> 00:28:21,533
DADDY!
556
00:28:21,567 --> 00:28:22,800
HEY, GIRLS...
557
00:28:22,833 --> 00:28:26,400
SO SORRY TO HAVE DRAGGED YOU OUT
HERE IN THE MIDDLE OF THE NIGHT.
558
00:28:26,433 --> 00:28:29,667
NO PROBLEM. I HOPE EVERYTHING...
YOU KNOW, WORKS OUT.
559
00:28:29,700 --> 00:28:32,467
LET ME WALK YOU TO YOUR CAR.
560
00:28:32,500 --> 00:28:35,767
LET'S GO PACK YOUR STUFF.
I'M TAKING YOU HOME.
561
00:28:35,800 --> 00:28:38,067
(footsteps retreat upstairs)
562
00:28:40,300 --> 00:28:41,833
(door closes)
563
00:28:41,867 --> 00:28:43,767
I'M GLAD YOU DIDN'T
KILL SOMEONE.
564
00:28:43,800 --> 00:28:45,700
I'D HAVE FELT PRETTY DUMB
565
00:28:45,733 --> 00:28:48,067
FOR NOT ARRESTING YOU
WHEN I HAD THE CHANCE.
566
00:28:48,067 --> 00:28:50,767
UH, TELL ME SOMETHING.
WHEN SOMEONE CALLS 9-1-1,
567
00:28:50,800 --> 00:28:53,567
DON'T THEY USUALLY
JUST SEND A PATROLMAN?
568
00:28:53,600 --> 00:28:56,400
I WAS AT DISPATCH
WHEN THE CALL CAME THROUGH.
569
00:28:56,433 --> 00:28:59,433
WHEN I HEARD THE ADDRESS,
I SAID, "I'LL TAKE IT."
570
00:29:01,333 --> 00:29:03,767
I WANTED TO SEE YOU AGAIN.
571
00:29:03,800 --> 00:29:05,133
REALLY?
572
00:29:05,167 --> 00:29:07,500
ABOUT WHAT?
573
00:29:07,533 --> 00:29:10,767
YOUR NEIGHBOR, MRS. TILLMAN.
HERE'S MY CARD.
574
00:29:10,800 --> 00:29:13,667
IF YOU SEE ANYTHING SUSPICIOUS,
I WANT YOU TO CALL ME.
575
00:29:13,700 --> 00:29:14,533
OKAY.
576
00:29:14,567 --> 00:29:18,433
OR EVEN IF YOU DON'T.
577
00:29:18,467 --> 00:29:20,267
WHAT IS IT ABOUT YOU?
578
00:29:20,300 --> 00:29:22,467
I NEVER HAVE A CLUE
WHAT YOU'RE THINKING.
579
00:29:22,500 --> 00:29:27,200
I'M A DETECTIVE.
I FIND CLUES. I DON'T GIVE THEM.
580
00:29:27,233 --> 00:29:30,100
GOOD NIGHT, CITIZEN.
581
00:29:30,133 --> 00:29:33,067
GOOD NIGHT, DETECTIVE.
582
00:29:35,400 --> 00:29:37,633
(car door opens and closes)
583
00:29:37,667 --> 00:29:39,633
(engine starts)
584
00:29:39,667 --> 00:29:42,533
THEY ARE ALMOST
DONE PACKING.
585
00:29:42,567 --> 00:29:44,233
I CAN'T BELIEVE
YOU TOLD THEM.
586
00:29:44,267 --> 00:29:46,167
JUANITA WANTED TO KNOW
WHY WE WERE FIGHTING.
587
00:29:46,200 --> 00:29:48,100
I TOLD HER THE TRUTH.
588
00:29:48,133 --> 00:29:50,300
GREAT. SO NOW THEY THINK
MOMMY WALKED OUT ON DADDY
589
00:29:50,333 --> 00:29:53,067
TO LIVE WITH THE LADY
THAT KILLED GRANDMA?
590
00:29:53,100 --> 00:29:55,800
WELL, THAT IS KIND OF
WHAT YOU DID. AND I NEVER SAID
591
00:29:55,833 --> 00:29:58,433
THAT BREE KILLED THEIR GRANDMA.
I SAID THAT SHE HELPED
592
00:29:58,467 --> 00:30:01,200
THE PERSON WHO DID KILL HER
GET AWAY WITH IT.
593
00:30:01,233 --> 00:30:02,767
YES.
SHE WAS PROTECTING HER CHILD,
594
00:30:02,800 --> 00:30:05,500
WHICH IS EXACTLY WHAT WE'D DO
IF IT WAS OUR KID IN TROUBLE.
595
00:30:05,533 --> 00:30:07,200
FAMILIES STICK TOGETHER.
596
00:30:07,233 --> 00:30:08,833
THEN WHY ARE YOU
LIVING HERE?
597
00:30:08,867 --> 00:30:12,167
WHY DID YOU PICK BREE
OVER ME?
598
00:30:12,200 --> 00:30:15,133
(door opens and closes)
599
00:30:15,167 --> 00:30:16,233
CARLOS, THANK YOU
600
00:30:16,267 --> 00:30:19,733
FOR NOT SAYING ANYTHING
IN FRONT OF THAT POLICEMAN.
601
00:30:19,767 --> 00:30:21,800
YOU THINK I DID THIS
FOR YOU?
602
00:30:21,833 --> 00:30:24,467
WELL, I JUST ASSUMED--
THAT WAS FOR ANDREW.
603
00:30:24,500 --> 00:30:27,500
HE WAS A KID WHEN ALL
THIS HAPPENED. YOU WEREN'T.
604
00:30:27,533 --> 00:30:29,667
OKAY, LAY OFF HER, CARLOS. SHE'S
APOLOGIZED AGAIN AND AGAIN.
605
00:30:29,700 --> 00:30:32,300
WELL, I DON'T FORGIVE HER,
AND AS LONG AS
606
00:30:32,333 --> 00:30:36,100
YOU'RE TAKING HER SIDE,
I DON'T FORGIVE YOU, EITHER.
607
00:30:36,133 --> 00:30:37,767
WE'RE READY, DADDY.
608
00:30:37,800 --> 00:30:39,233
LET'S GO HOME.
609
00:30:43,833 --> 00:30:44,933
(door closes)
610
00:30:44,967 --> 00:30:48,667
I'M SORRY. I JUST KEEP WAITING
FOR THIS TO BLOW OVER.
611
00:30:48,700 --> 00:30:52,367
WE HAVE TO FACE IT, GABY.
THIS IS NEVER GONNA BLOW OVER.
612
00:30:52,400 --> 00:30:55,500
SO WHAT AM I GONNA DO?
613
00:30:55,533 --> 00:30:58,333
YOU'RE GONNA GO HOME
TO YOUR HUSBAND.
614
00:30:58,367 --> 00:31:01,167
I FEEL GUILTY ENOUGH
ABOUT CARLOS LOSING HIS MOTHER.
615
00:31:01,200 --> 00:31:06,200
I WILL NOT BE RESPONSIBLE
FOR HIM LOSING HIS WIFE.
616
00:31:08,600 --> 00:31:11,700
THAT MEANS YOU AND ME...
617
00:31:11,733 --> 00:31:13,700
YEAH.
618
00:31:13,733 --> 00:31:16,433
I KNOW.
619
00:31:21,867 --> 00:31:23,467
I'LL CALL YOU, OKAY?
620
00:31:23,500 --> 00:31:25,167
PLEASE...
621
00:31:25,200 --> 00:31:27,267
DON'T.
622
00:31:33,533 --> 00:31:37,500
THESE LOOK DELICIOUS.
NICELY DONE.
623
00:31:37,533 --> 00:31:39,533
WELL, I HAD HELP.
624
00:31:39,567 --> 00:31:41,500
I JUST STIRRED THE BATTER.
625
00:31:41,533 --> 00:31:45,733
A VERY IMPORTANT JOB,
SO YOU GET TO TRY THE FIRST ONE.
626
00:31:45,767 --> 00:31:48,267
NO.
627
00:31:48,300 --> 00:31:51,067
I DON'T WANT TO
SPOIL MY DINNER.
628
00:31:51,067 --> 00:31:52,800
PLEASE? I WANT TO KNOW
629
00:31:52,833 --> 00:31:55,300
THAT THEY TASTE GOOD,
AND I'M ALLERGIC TO NUTS.
630
00:31:58,433 --> 00:32:04,200
WELL, I... I GUESS THAT
MAKES ME THE... GUINEA PIG.
631
00:32:04,233 --> 00:32:06,433
(chuckles)
632
00:32:09,067 --> 00:32:12,067
BEST I'VE EVER TASTED.
633
00:32:14,867 --> 00:32:19,433
BUT... NOT GOOD ENOUGH
TO FINISH?
634
00:32:19,467 --> 00:32:20,533
THEY'RE TERRIBLE,
AREN'T THEY?
635
00:32:20,567 --> 00:32:23,700
YOU KNOW WHAT? I'M GONNA
TOSS THESE AND START AGAIN.
636
00:32:23,733 --> 00:32:25,800
NO. YOU CAN'T. I...
637
00:32:25,833 --> 00:32:29,167
I JUST DIDN'T WANT
TO BREAK MY DIET...
638
00:32:29,200 --> 00:32:30,133
(laughs)
639
00:32:30,167 --> 00:32:33,400
BUT WHO CAN RESIST
WITH THESE?
640
00:32:35,333 --> 00:32:37,200
THEY'RE REALLY GOOD?
641
00:32:37,233 --> 00:32:42,233
LIKE NOTHING
I HAVE EVER EATEN.
642
00:32:42,267 --> 00:32:45,133
I'M GONNA GET YOU SOME MILK
TO WASH THAT DOWN.
643
00:32:45,167 --> 00:32:46,567
NO, I CAN'T STAY.
644
00:32:46,600 --> 00:32:48,833
I, UH...
645
00:32:48,867 --> 00:32:51,533
NEED TO GO BUY
A NEW HANDBAG.
646
00:32:51,567 --> 00:32:54,267
WHAT'S WRONG WITH THAT ONE?
647
00:32:54,300 --> 00:32:56,500
(gags)
648
00:33:04,300 --> 00:33:07,067
MY KEYS...
649
00:33:10,600 --> 00:33:14,700
(indistinct conversations,
telephone rings)
650
00:33:14,733 --> 00:33:16,833
YOU'RE NOT STILL
MAD AT ME, ARE YOU?
651
00:33:16,867 --> 00:33:18,733
NO. I'M GOOD.
652
00:33:18,767 --> 00:33:20,433
BECAUSE I THINK
653
00:33:20,467 --> 00:33:23,333
WE'RE GONNA SEE A HAPPY CLIENT
WALK OUT OF HIS NEW OFFICE.
654
00:33:23,367 --> 00:33:24,833
(sighs)
655
00:33:24,867 --> 00:33:29,300
ANY SECOND NOW.
656
00:33:32,600 --> 00:33:35,333
YOU TWO... (sighs)
(door closes)
657
00:33:35,367 --> 00:33:38,133
(telephone ringing)
658
00:33:38,167 --> 00:33:40,833
I LOVE IT!
659
00:33:40,867 --> 00:33:43,267
YOU DO?
LOVE IT!
660
00:33:43,300 --> 00:33:44,633
YOU DO! HEY...
661
00:33:44,667 --> 00:33:46,167
MWAH.
662
00:33:46,200 --> 00:33:48,500
WELL, YOU LIVE WITH SOMEONE
FOR 25 YEARS,
663
00:33:48,533 --> 00:33:51,400
YOU MIGHT KNOW A THING OR TWO
ABOUT A THING OR TWO.
664
00:33:51,433 --> 00:33:53,467
COME ON.
665
00:34:02,167 --> 00:34:04,067
BUT... THAT'S NOT...
666
00:34:04,067 --> 00:34:06,833
WHERE WE TOLD THEM
TO PUT THE DESK.
667
00:34:06,867 --> 00:34:09,600
YOU'RE RIGHT, LYNETTE.
668
00:34:09,633 --> 00:34:11,733
WHAT ARE YOU TALKING ABOUT?
IT'S PERFECT RIGHT HERE.
669
00:34:11,767 --> 00:34:14,400
I MEAN, LOOK AT THIS!
THE ONLY WAY
670
00:34:14,433 --> 00:34:18,667
IT COULD BE MORE INTIMIDATING
IS IF FLAMES SHOT OUT OF IT.
671
00:34:18,700 --> 00:34:21,167
IS THERE ANY WAY
THAT WE COULD...
672
00:34:21,200 --> 00:34:23,500
NAH! FORGET IT.
673
00:34:23,533 --> 00:34:26,100
AND WHAT IS IT ABOUT LEATHER
THAT JUST SAYS,
674
00:34:26,133 --> 00:34:28,133
"I OWN YOUR ASS."
675
00:34:28,167 --> 00:34:31,167
OH, I'M OUT OF ORDER?
NO, YOU'RE OUT OF ORDER.
676
00:34:31,200 --> 00:34:34,400
GET OUT! (laughs)
677
00:34:34,433 --> 00:34:36,267
SO YOU REALLY LIKE THIS?
678
00:34:36,300 --> 00:34:39,167
I LOVE IT. YOU KNOW,
I WAS A LITTLE WORRIED ABOUT
679
00:34:39,200 --> 00:34:41,533
HOW THIS WAS GONNA WORK OUT,
BUT YOU CAME THROUGH.
680
00:34:41,567 --> 00:34:43,467
I MEAN, YOU CAPTURED IT.
IT'S AMAZING.
681
00:34:43,500 --> 00:34:45,167
I'LL TELL YOU
WHAT'S AMAZING--
682
00:34:45,200 --> 00:34:48,067
THE RUG THAT WE HAVEN'T PUT DOWN
YET. LET'S GET TO THAT SHOWROOM,
683
00:34:48,100 --> 00:34:50,100
LYNETTE, BEFORE SOME
OTHER HOTSHOT TAKES IT.
684
00:34:50,133 --> 00:34:51,800
THANKS AGAIN.
685
00:34:51,833 --> 00:34:53,700
HEY...
686
00:34:53,733 --> 00:34:56,067
HOW COULD YOU DO THAT?
687
00:34:56,067 --> 00:34:57,767
DO WHAT?
MAKE OUR CUSTOMER HAPPY?
688
00:34:57,800 --> 00:34:59,433
OH, HE'S KIDDING HIMSELF.
689
00:34:59,467 --> 00:35:01,733
THAT TESTOSTERONE TRAP
IS NOT TOM.
690
00:35:01,767 --> 00:35:04,367
MAYBE IT'S NOT THE TOM
WHO'S BEEN PITCHING IN
691
00:35:04,400 --> 00:35:07,267
WITH CARPOOL THE PAST FEW YEARS,
BUT THE TOM WHO'S RUNNING
692
00:35:07,300 --> 00:35:10,233
THIS COMPANY? YEAH, IT IS,
AND YOU NEED TO ACCEPT THAT.
693
00:35:12,067 --> 00:35:13,667
YOU'RE NOT GONNA ACCEPT THAT.
694
00:35:13,700 --> 00:35:15,333
NO.
695
00:35:20,133 --> 00:35:21,600
YOU CANNOT BE SERIOUS.
696
00:35:21,633 --> 00:35:24,300
WHAT ARE YOU TALKING ABOUT?
697
00:35:24,333 --> 00:35:29,400
THIS. THIS WHOLE MASTER
OF THE UNIVERSE PLAYROOM.
698
00:35:29,433 --> 00:35:31,433
I-I THOUGHT YOU LIKED IT.
699
00:35:31,467 --> 00:35:34,567
(chuckles) I... HATE IT.
700
00:35:34,600 --> 00:35:37,767
THEN WHY DID YOU
DO IT THIS WAY?
701
00:35:37,800 --> 00:35:40,367
I DIDN'T! I HAD
A WHOLE OTHER OFFICE IN HERE!
702
00:35:40,400 --> 00:35:42,300
THEN RENEE
CAME AND CHANGED IT.
703
00:35:42,333 --> 00:35:46,433
THEN GOOD FOR RENEE.
AT LEAST ONE OF YOU GETS ME.
704
00:35:46,467 --> 00:35:47,400
TOM...
705
00:35:47,433 --> 00:35:48,200
(sighs)
706
00:35:48,233 --> 00:35:50,533
THIS OFFICE
IS NOT WHO YOU ARE.
707
00:35:50,567 --> 00:35:53,167
YOU'RE A GREAT,
DOWN-TO-EARTH GUY,
708
00:35:53,200 --> 00:35:57,367
NOT SOME JERK THAT HAS TO
SHOW PEOPLE HOW POWERFUL HE IS.
709
00:35:57,400 --> 00:35:59,433
I AM POWERFUL...
710
00:35:59,467 --> 00:36:02,067
AND I DO NEED TO SHOW IT.
711
00:36:02,100 --> 00:36:05,667
I AM SURROUNDED BY GUNSLINGER
KIDS WHO'D STEAL THIS JOB
712
00:36:05,700 --> 00:36:08,633
IN A HEARTBEAT IF THEY WEREN'T
A LITTLE SCARED OF ME.
713
00:36:08,667 --> 00:36:11,100
I HAVE A ROLE TO PLAY,
714
00:36:11,133 --> 00:36:13,367
AND I PLAY IT DAMN WELL,
715
00:36:13,400 --> 00:36:16,567
AND I'M SORRY
IF THAT THREATENS YOU.
716
00:36:16,600 --> 00:36:18,267
IT DOESN'T THREATEN ME.
717
00:36:18,300 --> 00:36:21,100
I JUST DON'T WANT TO
LOSE THE GUY I MARRIED.
718
00:36:21,133 --> 00:36:22,333
OH,
YOU MEAN TOM THE SCREWUP?
719
00:36:22,367 --> 00:36:25,400
THE ONE WHO COULDN'T MAKE A "GO"
OF THE PIZZA PARLOR? THE ONE
720
00:36:25,433 --> 00:36:28,300
YOU COULD ALWAYS PUT YOUR ARM
AROUND AT THE END OF THE DAY,
721
00:36:28,333 --> 00:36:30,633
AND SAY, "IT'S OKAY, HONEY.
I'LL GET US THROUGH"?
722
00:36:30,667 --> 00:36:33,467
DON'T MAKE IT SOUND LIKE
I'M NOT GLAD YOU'RE SUCCEEDING,
723
00:36:33,500 --> 00:36:36,633
'CAUSE I AM.
YOU SAY THAT.
YOU SAY THAT ALL THE TIME,
724
00:36:36,667 --> 00:36:40,300
BUT I AM WAITING FOR A SIGN TO
SEE THAT YOU ACTUALLY MEAN IT.
725
00:36:40,333 --> 00:36:43,100
AND I THOUGHT THIS OFFICE
WAS THAT SIGN.
726
00:36:43,133 --> 00:36:45,233
I MEAN, I WALKED IN HERE
AND I THOUGHT,
727
00:36:45,267 --> 00:36:51,800
"HOW GREAT IS THIS? SHE GETS IT.
SHE'S HAPPY. SHE'S PROUD OF ME."
728
00:36:51,833 --> 00:36:54,067
MY MISTAKE.
729
00:36:54,100 --> 00:36:56,267
(intercom beeps)
730
00:36:58,500 --> 00:36:59,700
(click)
731
00:36:59,733 --> 00:37:01,367
YEAH?
732
00:37:01,400 --> 00:37:03,433
(Phyllis) Ed Nicks. You in?
733
00:37:05,700 --> 00:37:07,167
YES.
734
00:37:07,200 --> 00:37:10,233
W-WE CAN'T END
THE CONVERSATION LIKE THIS.
735
00:37:10,267 --> 00:37:14,367
(lowered voice)
I HAVE TO TAKE THIS CALL.
736
00:37:17,267 --> 00:37:19,833
(normal voice)
HEY, EDDIE, HOW ARE YA?
737
00:37:19,867 --> 00:37:21,633
WHAT, ARE YOU KIDDING?
738
00:37:21,667 --> 00:37:25,500
THE CHANCE TO KICK YOUR ASS
AT GOLF AND TAKE YOUR MONEY?
739
00:37:25,533 --> 00:37:28,200
OU DON'T HAVE TO ASK ME TWICE.
740
00:37:28,233 --> 00:37:29,400
TUESDAY WORKS.
741
00:37:29,433 --> 00:37:32,300
YEAH, I'LL LET YOU HIT
FROM THE LADIES' TEES.
742
00:37:32,333 --> 00:37:35,067
(chuckles)
743
00:37:41,600 --> 00:37:42,767
(sighs)
744
00:37:42,800 --> 00:37:44,467
(thud, dish clatters)
745
00:37:44,500 --> 00:37:45,667
NO GOOD, HUH?
746
00:37:45,700 --> 00:37:48,667
NO, I'M JUST NOT
VERY HUNGRY THESE DAYS.
747
00:37:48,700 --> 00:37:51,167
ARE YOU OKAY?
748
00:37:51,200 --> 00:37:52,533
A LITTLE DIZZY.
749
00:37:52,567 --> 00:37:55,200
SIT. I'LL CLEAN UP.
750
00:37:59,267 --> 00:38:02,767
OH, UM, YOU TOOK DOWN
BETH'S PAINTING?
751
00:38:02,800 --> 00:38:06,833
YEAH. SOME DAYS IT'S NICE TO BE
REMINDED OF HER, BUT OTHERS...
752
00:38:06,867 --> 00:38:09,067
IT'S TOO MANY MEMORIES.
753
00:38:10,800 --> 00:38:14,300
HEY, UM... DID YOU EVER THINK
LIVING IN THIS HOUSE
754
00:38:14,333 --> 00:38:17,200
MIGHT BE ONE OF THE REASONS
YOU FEEL SO BAD?
755
00:38:17,233 --> 00:38:21,067
MAYBE YOU COULD USE
A CHANGE OF SCENERY?
756
00:38:21,067 --> 00:38:22,833
YOU MEAN LEAVE FAIRVIEW?
757
00:38:22,867 --> 00:38:25,333
NO, NO, NO, JUST THIS HOUSE.
758
00:38:25,367 --> 00:38:29,267
I COULDN'T DO THAT TO YOU. WHERE
YOU GONNA FIND ANOTHER TENANT?
759
00:38:29,300 --> 00:38:32,467
WELL, THAT'S THE GREAT PART.
MIKE AND I HAVE BEEN SAVING UP,
760
00:38:32,500 --> 00:38:35,633
AND NOW WE'RE READY
TO MOVE BACK IN.
761
00:38:39,367 --> 00:38:41,667
I'M AN IDIOT.
762
00:38:41,700 --> 00:38:44,267
WHAT?
763
00:38:44,300 --> 00:38:46,100
VERY IMPRESSIVE, SUSAN.
764
00:38:46,133 --> 00:38:48,767
I ACTUALLY THOUGHT
YOU GAVE A DAMN ABOUT ME.
765
00:38:48,800 --> 00:38:51,067
WHAT ARE YOU TALKING ABOUT?
OF COURSE I DO.
766
00:38:51,067 --> 00:38:53,533
BRINGING ME FOOD,
CHECKING IN ON ME--
767
00:38:53,567 --> 00:38:55,467
IT WAS
A MASTERFUL PERFORMANCE.
768
00:38:55,500 --> 00:38:57,833
MUST HAVE BEEN HARD
BEING PATIENT, THOUGH--
769
00:38:57,867 --> 00:39:00,467
NOT SHOW YOUR HAND TOO SOON.
770
00:39:00,500 --> 00:39:04,467
YOU DON'T GIVE A CRAP ABOUT ME.
IT'S THIS HOUSE YOU WANTED.
771
00:39:04,500 --> 00:39:06,367
(dish clatters)
NO, PAUL, THAT'S NOT TRUE.
772
00:39:06,400 --> 00:39:08,300
I SWEAR,
MIKE SUGGESTED IT, AND--
773
00:39:08,333 --> 00:39:10,800
MIKE.
OF COURSE HE'S IN ON IT.
774
00:39:10,833 --> 00:39:13,800
I BET YOU HAD A HELL OF A TIME
PLANNING OUT THE WHOLE THING.
775
00:39:13,833 --> 00:39:16,167
I KNEW NOBODY ON THIS STREET
CARED ABOUT ME,
776
00:39:16,200 --> 00:39:19,067
BUT FOR YOU TO PRETEND YOU DID
JUST TO GET SOMETHING OUT OF ME,
777
00:39:19,067 --> 00:39:21,500
THAT MAKES YOU
THE WORST ONE OF ALL!
778
00:39:21,533 --> 00:39:23,067
PAUL, PLEASE. OH! AAH!
779
00:39:23,100 --> 00:39:27,067
LEAVE ME ALONE!
AND THIS TIME, I MEAN IT.
780
00:39:33,433 --> 00:39:38,600
PEOPLE DO GOOD DEEDS
FOR MANY REASONS,
781
00:39:38,633 --> 00:39:44,667
BUT SOMETIMES GOOD DEEDS
HAVE BAD CONSEQUENCES.
782
00:39:46,467 --> 00:39:50,433
CORRECTING A COLLEAGUE'S
MISTAKE COULD BREED RESENTMENT.
783
00:39:52,233 --> 00:39:55,333
OPENING ONE'S HOME TO A FRIEND
784
00:39:55,367 --> 00:39:59,500
CAN DAMAGE THAT FRIENDSHIP.
785
00:40:01,333 --> 00:40:03,667
TRYING TO BRING A SPOUSE CLOSER
786
00:40:03,700 --> 00:40:07,067
MIGHT PUSH HER FURTHER AWAY.
787
00:40:08,433 --> 00:40:09,800
THAT'S WHY
788
00:40:09,833 --> 00:40:13,700
THERE'S AN OLD EXPRESSION
ABOUT HELPING PEOPLE--
789
00:40:13,733 --> 00:40:17,400
NO GOOD DEED...
790
00:40:19,200 --> 00:40:22,267
GOES UNPUNISHED.
791
00:40:22,300 --> 00:40:24,200
(pants)
792
00:40:24,233 --> 00:40:26,133
(gasps)
793
00:40:26,167 --> 00:40:27,667
(pants)
794
00:40:27,700 --> 00:40:30,567
(gasps)
795
00:40:30,600 --> 00:40:33,600
(pants)
55734
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Uighur
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof