All language subtitles for Sports Night - 01x01 - Pilot.Unspecified.English.orig.Addic7ed.com

[ Up-tempo instrumental music
plays ]

Chris: Studio "A, "
this is master control.

You're up on router 7.
Have a good show.

Dana: Will, show me Denver.
Natalie: And I need 15 points
of sound on Kansas City.

Will: Denver's up.
-- Yes, it is.
Give me Gr een Bay.

Stand by, Audio.
Stand by, VTR.

-- Georgia Dome's hot.
-- You'r e hot, Atlanta.

Somebody, Arrowhead,
then back to Mile High --
is that how it goes?

We'r e live her e
in 60 seconds.

Somebody? Anybody?

What do you need?

-- Does Arrowhead --
-- Arrowhead bounces
to Mile High.

Thank you.

Why'd you change that?

Just to mess with your head.
Get me Judy at Oakland-Alameda.

When you get right down to it,
what I'm saying is this, Case --

I think you should start getting
out of your house.

-- Dan, we'r e going
to Arrowhead first, then Denver.
-- Got it.

Just out of your house.

I am out of my house.

I've been out of my house
f or six months.

I don't live at my house.

Man:
30 seconds to tape.

We'r e coming to the studio
in 90 seconds.

Good evening.

-- Isaac Jaff ee's
in the house, Natalie.
-- Yo.

We can make a f eed on 43.

Just make sur e
the guys have the change.
[ Snaps fingers ]

[ Shouting ]
Casey, did you get the change
on Arrowhead and Denver?!

Natalie, if you shout
into a microphone

when I'm wearing an earpiece,
it poses the question

"Is ther e a decibel level at
which the human head will just,

you know, explode?"

Is he in a better mood
than he was this morning,

or is this gonna be
another crappy show?

Hey, Casey,
Isaac wants to know
if you'r e in a better mood --

Shut up.

Pr etty crappy, yeah.

-- Roll tape.
-- Good show, everybody.

Tonight on "Sports Night, "
we'll show you what comes up...

Dan, Casey, we'r e on you
in 60 seconds.

Uh, ex cuse me.

Dan's got his hand raised.

Why ar e we quoting
high-level sources

inside the Swiss
Olympic Committee

on Helsinki's bid
f or the 2010 Olympics?

-- What's the problem?
-- Helsinki's in Finland.

Really?

Yeah.
Don't worry. I got it.

Ar e you sur e?

Am I sur e that Helsinki's
in Finland?

Yeah. I'm quite sur e.

I thought it was in Sweden.

It says "unnamed Swiss
Olympic officials."

Graphics! Which is it,
Sweden or Switzerland?

It's in Finland.

-- Elliott, get something up
on the Net!
-- What do you need?

We think Helsinki might be
in Finland.

Yeah, we think
ther e's a pr etty good chance.

Man:
Coming in live in 15.

We'll change it
on the teleprompter.

Cool. We can go out
after the show.

You can stay at my place.
Whatever you need.
Whatever you need.

I'm getting a divorce.
I don't need a cruise dir ector.

Right.

My f oul.

Forget I said anything.

In 5...4...

3...2... 1.

Good evening, everybody.

From New York City,
I'm Dan Rydell alongside
Casey McCall.

Those stories and mor e,
plus we'll take you live
to the locker room at Arrowhead.

All that coming up after this.

You'r e watching "Sports Night"
on CSC, so stick around.

We're out. Up in 60.

Yeah. Finland.

The national bird is
the whooping swan.

-- Thank you.
-- Thank you.

Dan: Columbia, 34, Colgate, 3.
Who owes me money?

Thank you.

Oh!

Hey, Jason Grisham
got arr ested

in a strip bar
in Houston last night.

[ Chuckles ] That was
only a matter of time.

Kim and Elliott ar e on it.

Kim, Elliott.
Jason Grisham -- what's up?

He shot 12-f or-15
f rom the field,

and then he went
to the Silver Key.

-- It's a nude nightclub.
-- Topless only.

A guy called him something he
didn't like, and Grisham hit him
with a bottle of cognac.

-- It was brandy.
-- It was cognac.

It was Courvoisier.

Courvoisier is cognac.

You get me the lawyer,
you get me the agent, then get
us Jason Grisham on the phone.

-- We can't get Grisham
on the phone.
-- Yes, you can.

-- We ar e trying.
-- Try harder.

32 points.
It was a car eer high.

Then he sends a guy to
the hospital with 14 stitches.

-- Can you imagine
if he'd had a lousy game?
-- [ Chuckles ]

You come in early?

I came in early.

You slept in the office?

-- I came in early.
-- You came in yesterday.

Mom...

Have I told you about
my New York r enaissance?

Yeah. A lot.
You've told me about your
New York r enaissance a lot.

Last night's show.
What's up?

Grisham's f r ee on bail,
Casey slept in his office,

and I'm having
a New York r enaissance.

[ Chuckles ]
Cool. Rundown meeting's
in five minutes.

I think the show's going to hell
in a handbasket,

and I'm r eady to fir e
the whole bunch of you.

Yes, but you won't
'cause we'r e all f amily her e,

and I'm just like
a daughter to you.

No, this is
a television show her e,

and you'r e very much like
an employee to me.

I got to give Casey
some slack, Isaac.

-- Why?
-- Why do I have to give him
some slack?

That's the question.
If you can't tell me,
I can't tell the network.

-- Isaac...
-- What, is ther e something
going on between the two of you?

-- Absolutely not.
-- Then why?

Because I owe it to him,
that's why. We all do.

Now he's having
some personal problems --

Oh, I know all about
his problems.

You know, the network
knows about his problems, too,

as a r esult of which,
they become my problems.

And I'm saying
that at the very most,
I want them to be your problems.

-- Got it.
-- Do you?

-- Yes.
-- Good.

It's a genuine r enaissance,
Casey.

I have lived in New York
my whole lif e.

This is the time
I should be sick of it,
but I'm not.

-- 'Cause you'r e having
a r enaissance.
-- That's right.

-- Really?
-- Yeah.

Nobody car es.

So how do we avoid
these Helsinki mishaps
in the f utur e?

-- We've been short-handed
since Phil and Michael left.
-- Well, hir e somebody.

Natalie's been interviewing
people f or an associate
producer position,

and I'm meeting her finalists
this afternoon.

You guys, he is so
totally cute and intense

with a dark mystery
about him that says,

"This is not a technician,
this is an artist."

Well, bef or e you hir e him,
can you make sur e he can find
Finland on a map?

You know what, Isaac?
Maybe let that go.

You have Metropolitan Opera
under the baton of
Mr. James Levine.

-- What is he talking about?
-- His New York renaissance.

-- Want to hear about it?
-- No.

Good.
Quickly, now -- talk to me.

7 through 17.
We got the whiparound with what?

Lambeau, 3Com, and Foxboro.

Casey's got Tampa Bay
and the mighty Bengals
of Cincinnati.

-- What's in Cincinnati?
-- Well, the mighty Bengals,
for one thing.

-- They'r e gonna cut Santori.
-- The placekicker?

He's made eight field-goal
attempts in thr ee games

and has connected on a grand
total of none of them.

-- Oh, I've met him.
He's a good guy.
-- Can't kick.

-- He is a good guy.
-- Can't kick.

-- He'll get picked up
by another team.
-- No, he won't. You know why?

-- Why?
-- 'Cause he can't kick.

All right, commercial one,
then on to The Dugout Report --

I saw him kick in practice.

At this level, they pr etty much
want you to be able to kick
in a game.

Moving on,
f rom center ice --

I once kicked a 12-yard
field goal in a gym class.

Well, then you should get
yourself a tryout f or the
mighty Bengals of Cincinnati.

Ex cuse me. If anyone
needs me, I'll be hurling
myself out the window.

Plaza hotel, Oak Bar,
dry martini.

New York at night, my f riend.
This city never sleeps.

Commercial 2,
then on to segment 24.

Actually, I'd like to go back
to 23 if nobody minds.

Any chance we could do it
a little later?

-- I want to move this along.
-- The network would like me to
address this now.

J.J., Dana's the producer.
We like to give her the
impr ession she's in charge.

[ Chuckling ]

It's just that we'r e
a little short on time.

-- Segment 2 4 --
-- I have some concerns
about segment 23.

Is this you or the network?

In these meetings, Casey, mine
is the voice of the network.

Wow, J.J.!

What ar e your concerns?

Who is Ntozake Nelson,

and why ar e you doing a
3-minute-and-20-second f eatur e
on him?

Natalie!

Ntozake Nelson's
a South Af rican distance
runner -- 15,000 meters.

As a schoolteacher in Jamestown,
he led protests against
the white majority.

That's swell,
but, f olks, I have --

-- No, I --
-- Hey!

He was beaten up
and thrown in jail.

His legs wer e broken,
and the doctor said he'd
never walk without a cane.

He's 4 1 years old,
and guess what he's doing
tonight.

It doesn't matter, 'cause I've
alr eady changed the channel.

He's running
in the World Pacific Games,

an event this network is
carrying live tonight at 9:00.

The Ntozake Nelson f eatur e
is promoting --

Look, I am all f or
you guys spotlighting
our other programming.

But can't we find
a good-looking 22-year-old
American who might actually win?

Well, if you find him,
send him over to my place,
but in the meantime --

Look, I have
a ratings book on my desk
that's very instructive.

Now, it says
that our key demographics,
including 11 - to 17-year-olds

who watch your
morning r erun over br eakf ast,
do not want to see f eatur es

about 41-year-old,
politically oppressed
Third World distance runners.

Now, they ar e instructing us,
and I think it's a good idea
to listen.

I've got Jason Grisham
on the phone.

J.J., Danny and I have
hosted shows

in the fifth- and
third-largest markets
in the country,

and we've r eceived awards
f or journalistic ex cellence.

I'd pr ef er
not to take my instructions
f rom 11 -year-olds.

And the next time you sit
in our rundown meeting

and I hear the voice
of the network come out
of your mouth,

I'm gonna put my f oot
on your throat.

[ Door opens, closes ]

You ever ride
the subway all day long,

I mean,
just f or the f un of it?

Natalie, Kim, Elliott,
everybody else,

um, you want to step outside
as well, please?

Go ahead.

[ Dana clears throat ]

I'd like to apologize
f or Casey's perf ormance
in these meetings lately.

Dana, I'm not concerned
with Casey's performance
in these meetings lately.

Well, I appr eciate
your understanding.

I'm concerned with Casey's
perf ormance on the air lately.

-- What's your point?
-- My point is...

at the moment, Casey has
less on-air charm and charisma

than my high school
driving instructor,
and you know it, Dan.

Now, I think
the time has come

f or you to think about the
possibility of another partner.

I'm not gonna do the show
with your high school
driving instructor, J.J.,

if that's what you'r e
asking me, okay, so...

Who will you do
the show with?

I'll do the show with Casey.

You've got a very big f utur e
at this network, Dan --

My f utur e is writing
and anchoring a sports program
with my partner, Casey McCall.

Now, if it's her e, it's her e.
If it's not, it is
someplace else.

For right now I'm gonna f orget
this conversation
ever took place.

Dana, Isaac,
you guys need me?

No. Thanks, Dan.
You'r e done.

I r eally got to admir e

the way you manhandled
my staff this morning, J.J.

Look, Isaac,
I have a specific --

Look...

don't take me on.

The network's not gonna
wait f or ever.

[ Door opens, closes ]

It's your call, Dana.

But pr etty soon,
it's gonna be my call.

'Cause her e's the thing --

I can't let it be
their call.

Yeah.

They can put a Tonka truck
on Mars and send me pictur es,

but I can't get
a decent satellite signal
f rom Buenos Air es.

Ex cuse me. Ma'am?

That's probably because of
a high-pr essur e system

building up around 32 degr ees
south latitude.

It'll blow by in two hours.

-- Ther e's weather
in outer space?
-- Uh, no, ma'am.

But I think you'r e leasing time
on the East Tech keyhole
satellite,

and their signal gets clear ed
through a tracking station
in Mexico City.

Yeah, but the point
I'm making is that I can't --

Who -- Who --
Who is this?

I'm Jer emy Goodwin.

Oh, you'r e her e f or
the associate producer job.

Yes, and let me just say that
it is an extraordinary honor
to even be asked --

-- I'm not r eady f or you yet.
-- I'll sit right her e.

32 degr ees latitude.

-- South latitude.
-- Ah. I get them mix ed up.

Common mistake.

-- Hey.
-- Casey.

Listen, I need you to take
30 seconds off the NFL
injury r eport

and give it to me
f or the, uh, intro
on ACC r ecruiting violations.

-- Fine.
-- Thanks.

You'r e scr ewing up
my show, Casey.

Keep the 30 seconds.

-- That's not what I mean.
-- I know. I was joking.

-- I know you wer e joking.
-- Yeah, I could tell by the way
you didn't laugh at all
when I said it.

That's 'cause I'm mad at you
and also, it wasn't that f unny.
[ Chuckles ]

Dana, did you come in her e
to give me a pep talk?

'Cause if you came in her e
to give me a pep talk,

can we assume that it alr eady
happened, that it worked,
and that I'm peppy?

Casey, sit down.

Now, I know you think
that ther e ar e 250 other people
in this business

-- No, I don't think ther e ar e
250 other people who can produce
this show.
-- who could produce this show.

Yes, you do,
and whether you'r e right
or whether you'r e wrong,

I'm the one that has the job,
and I love it.

I love producing
"Sports Night."

I don't come down
till 3:00 in the morning.

I love doing "Sports Night,"
and you used to, too.

Now, I came in to tell you
that it looks like

Cleveland's gonna go
to a f our-man rotation
f or the str etch drive,

I came in to tell you
that it looks like

segments 16 through 21
might have to get condensed

but mostly
I came in to tell you...

you ar e scr ewing up my show.

-- Natalie!
-- Yo!

Let's meet with your guy.

[ Indistinct voices ]

Jer emy,
this is Dana Whitaker.

-- We've met.
-- Yes.

You have an impr essive r ésumé.
Let me ask you some questions.

-- You look nervous.
-- I'm okay.

-- Would you like
a glass of water?
-- Uh, no, thank you.

A soft drink?
We have Fresca.

If you'r e taking orders,
I'll have the angel-hair pasta
and a nice merlot.

-- I'm just -- I'm just trying
to make him comf ortable.
-- Can we interview the man?

I know.
A little prof essionalism
is all I'm saying.

-- I could come back later.
-- What ar e
your f avorite sports?

Uh, beg your pardon.

-- Wher e ar e you strongest?
-- Oh, f ootball.

-- Great.
Let's talk about basketball.
-- I said f ootball.

I heard you.
Let's talk about basketball.

Uh, we could talk about
baseball or hockey.

Oh, you'r e pr etty strong
in baseball and hockey, ar e you?

-- Not as strong
as f ootball, but --
-- Good.
Let's talk about the Knicks.

[ Clears throat ]
I walked right into
that one, didn't I?

Well, I left the door
wide open f or you.

-- Shot of bourbon?
-- Please.

Sit.

I'm sorry. That was harsh.
I hurt your f eelings.

[ Clears throat ]
Name thr ee things the Knicks
need to do this season

to make it to the finals.

Um, I couldn't get
another question?

You will, but not till I hear
an answer to the first one.

What do the Knicks...

Three things the Knicks
need to do to contend.

Ms. Whitaker...

I would be great
at this job.

You've got to believe me
when I tell you I've been
training my whole lif e f or it.

I've crunched stats,
I've broken down film,

and ther e wasn't a team at my
high school that didn't have me
f or an equipment manager.

I have r ead every box scor e
in every newspaper

that's printed in English
and has a sports section,

and I have seen
"Sports Night" every night
since your first broadcast,

two years, two months,
and a week ago today.

Now, yes, sur e, indeed.

I can tell you
what Ewing and Oakley ar e
shooting f rom the field

and that you'r e not gonna stop
John Starks if he squar es up
to the basket,

and put any def ensive pr essur e
on Charlie Ward, he's gonna f old
like a cheap card table,

but if you'r e asking me
f or genuinely sophisticated
analyses --

and I sense that you ar e --

you gotta give me some time...

at least 20 minutes.

-- Did that make any sense?
-- I wasn't really listening.

-- Oh, God! It's just --
-- Jeremy, Jeremy...
this is television.
Things happen.

If you want to work her e,
you've got to not
spontaneously wig out.

Right. Right.

The Knicks.

Name thr ee things.

-- lmprove their
f r ee-throw percentage.
-- Yes.

-- Run the floor.
-- Okay. One more.

Tell Spike Lee to sit down
and shut up?

-- Ex cellent!
-- Well, welcome
to "Sports Night."

"Dale Earnhardt, Jeff Gordon,
and Rusty Wallace

"wer e just a f ew
of the big-name drivers
NASCAR had on hand yesterday

-- at the Darlington
Motor Speedway --"
-- "yesterday, " "Speedway"?

What's the problem?

You don't want the rhyme.

You got to put "yesterday"
in the second sentence.

"Just a f ew of the big-name
drivers NASCAR had on hand

"at the Darlington
Motor Speedway.

The pr ess event, held yesterday
to announce that --"

Hey, we have to talk.

What's up?

Well, I've been thinking
about this f or a while.

I mean, I want you to know that
I've given this some thought.

I think "yesterday" has got to
go in the first sentence.
I'll tell you why.

I'm thinking about
leaving the show.

For how long?

I've been thinking about it
f or a while now.

No, I didn't ask you how long
you wer e thinking about
leaving the show.

I asked you how long
you wer e thinking about
leaving the show for.

For good.

Did you get an off er?

No, I didn't
get an off er, Danny. I'm not --
I'm not going to another show.

I'm talking about
getting out of sports.

-- Why?
-- Look, I'm just tired of it.

-- All right?
-- You'r e tir ed of what?

"But first this --

"Sacramento power f orward
Jason Grisham was r eleased

by a judge
in Houston this morning
after posting a $5,000 bond."

Which, by the way,
he paid in cash he happened
to have in his pocket.

So Jason Grisham's a jackass.
You know Jason Grisham.

Look, I got into this
'cause I like getting people
to like sports.

And I've turned into a P.R. man
f or punks and thugs.

Now any atrocity,
no matter how ridiculous or
hideous or childish --

it doesn't matter --
I make it sports.

10-cent bagman whacks a
skater's leg with a crowbar --
that's sports.

second-round draft pick
gets cranky in a Houston bar,
and that's sports.

And let's not f orget
the mother of all gr eat
sports stories --

a double homicide
in Br entwood.

If you want to talk,
I'm all f or it.

Really, I am.
But let's talk about what you
need to talk about, okay?

The moral decay in American
sports isn't the problem
her e, all right?

Look, it is the problem.

I -- Look, I have
a 7-year-old son

that I get to
see on Wednesdays

and alternate weekends,
and these ar e his heroes.

And now, six days a week,
they'r e also his male
role models.

Well, quitting your job
ought to do the trick.

-- Look, Danny, I know I'm
leaving you in the lurch --
-- No, I mean it.

You should definitely quit
your job, because that way,
sports will be good again. Yeah.

A-Also, your wife,
she'll take you back,

and you can be
a role model f or your son,
knowing as we do how --

how women and childr en,
you know, admir e the bitter
and the unemployed.

-- Ar e you mental?
-- I'll see you at airtime.

Yeah, one thing you definitely
don't want to do is talk
to your f riends.

You know,
I wouldn't do that.

Hey, I know you'r e pissed,
and that's fine,

but canning the sarcasm
wouldn't be out of line.

"Fine" and "line" rhymed.
I'd move "fine" to
the second sentence.

Danny, you'r e gonna find
another partner.

Anybody would kill
to do this show with you.

I've been her e every day,
Casey --

every day --
and I have kept my mouth shut

because that's
what you asked me to do.

But if you'd have asked me,

I'd have told you
that Lisa is an angry,
unhappy, punishing woman,

and in 10 years ther e's
never been a single moment

that has suggested to me
she has any aff ection
f or you at all.

And I have no patience
f or people like that.

Now, the people her e,
they like you --

Isaac, Natalie,
Kim, Elliott.

I don't know who this new guy,
Jer emy, is, but he seems to
like you just fine.

Have you even noticed
that Dana's been keeping

J.J. and the network away
f rom you with a whip
and a chair, huh?

Have you noticed that
she's been risking her job
for you every day?

And do you r eally think,
my f riend, it has that much
to do with your talent?

These ar e people
who like you, okay,

-- Guys...
-- and know what
you've been going through,

-- and f or thr ee months now,
you have shown us nothing
but the back of your hand,
-- Guys...

and now you'r e gonna show us
the door?

Well, ex cuse me, all right,

but the wisdom of your decision
isn't entir ely clear to me her e.

-- Okay? Yeah, I'm pissed.
-- Ex cuse me. Fellas...

And you know what?
I'm tir ed of it.

-- Dan! Casey!
-- What?!

Ther e's something going on
you'r e gonna want to see.
Come on!

[ Footsteps depart rapidly ]

[ Telephones ringing ]

[ Indistinct voices ]

Hey.

Hey.
Hey, what's going on?

Check it out.

Oh, we need audio!
Yo!

That time can't be right.
Danny. Danny...

Danny, can that time
be right?

Man on TV:
...absolutely crazy!

With 900 meters left,
at 41 years old,

Ntozake Nelson is on a pace
to absolutely shatter
the world record!

Go ahead on, old man.

Is he gonna do this?

-- Does it look like
he's planning on slowing down?
-- Come on.

-- Bring it.
-- Bring it on.

Come on! Move it!

Go! Come on!

Go!

[ Cheers and applause ]

All chanting:
Go! Go! Go! Go! Go!

Go! Go! Go! Go! Go! Go!
Go! Go! Go! Go!

Lisa!
Lisa, Lisa, it's me!

Listen, I need you to do
something f or me.
I'm sorry.

I need you to wake up Charlie
and give him the phone
f or a second.

B-Because I need you to!

[ Cheering continues ]

Charlie!

l-lt's dad. Hey, uh, did you
finish all your homework?

Good. Turn on your TV.
Turn to my channel.

I want you to watch this.

This guy's name is
Ntozake Nelson.

Now, look,
I'll call you tomorrow.
I'll tell you all about it.

But f or now,
you just watch him run.

'Cause he's not doing much.

He's just running f aster
than any man's ever run bef or e.

I'm gonna be on the air
in about 12 minutes,

and if Mom says it's okay,
you can watch the beginning
of the show.

Then I'm gonna give you
the special signal.

That means you got to turn off
your TV and go to sleep.

I love you, too, Charlie.

[ Receiver hangs up ]

[ Cheers and applause ]

Listen up. They'r e gonna bounce
to us f or a 15-second promo
at the end of the race.

Natalie, get the first team
in the studio.

Elliott, Kim, let's go.

I need graphics!

-- We need Casey.
-- Okay. Got it.

I'll take car e of him.

[ Indistinct voices ]

You okay?

Absolutely.

Get to work.

Absolutely.

[ Telephone ringing ]

It's a 15-second teaser, Dan.
You need copy?

-- Is the opening Lakers/Sonics?
-- Lakers/Sonics, Pistons/Heat.

-- I'll take it.
-- You want it?

It's not that my teasers ar e
better than yours, Danny,

it's just that yours ar e
vastly inf erior to mine.

I'm new her e, so, uh,
if I'm in your way,
you just let me know.

[ Chair rattles, thud ]

No problem.

-- Daniel.
-- What?

You wer e right. I was wrong.
It won't happen again.

Man: 15 seconds.

You want to do something tonight
after the show?

Yeah. You know, I was gonna
ride the Staten Island Ferry
f or a while, eat a hot dog.
You want to come?

Yeah, absolutely,
and I'll tell you why.

'Cause it's 17 degr ees outside
with the windchill,

so what I want to do
is stand in a boat

in the middle of
New York Harbor at
half-past midnight.

-- You have a better idea?
-- Well, we could go to a bar,

find some people
we don't like, and beat
the crap out of them.

Heads up.

In 3...2...1 .

I'm Casey McCall
alongside Dan Rydell.

Lakers/Sonics, Pistons/Heat,
and guess what.

Ntozake Nelson's
got something to say
about a world r ecord.

Seeing is believing,
so stick around f or
"Sports Night,"

-- coming at
the top of the hour.
-- He's back.

You'll be glad you did.

Man: We're out.

We'r e up in nine minutes.

Dana, could you come her e
f or a second?

Do you have any idea
how to spell Ntozake?

-- What do you want?
-- I want you to come here.

What?

No one...can produce
this show but you.

[ Jazz music plays ]

[ Clears throat ]
You...have nine minutes.

Somebody get him
a new shirt.

What's wrong
with my shirt?

You got my mascara
on your collar.

-- Natalie?
-- Yeah.

Get somebody on the phone.
I want to make sur e ther e ar en't
going to be any mistakes.

-- I'm nervous
about the satellite f eed
f rom Buenos Air es.
-- Sur e.

-- Natalie?
-- Yeah.

-- Argentina.
-- Right.

Natalie!

Um...double-check that.

You know what?
Her e's something I don't
understand about rugby.

Oh, you do understand
something about rugby?

I've played rugby, all right?
Now, I want to ask you --

Wait. Wait. W-When have
you played rugby bef or e?

When I was in college
I played...coed rugby.

[ Laughing ]
You did not play rugby.

I played rugby. I want
to ask you a question...

[ Rock music plays ]