All language subtitles for Wild Cards s03e10 Now You Steal Me.eng

[Max] Previously on Wild Cards.

Cheyenne isn�t your cousin.
She�s your mother.

She�s been in hiding
the past 15 years.

So why come out of hiding now?

What�s the job?

You are going
to steal us a diamond.

Ellis is one
of the good guys.

I know he�ll always
have Max�s back,

but they�re not together, Viv.

Oh, please, look at them.

It�s about me
and my big brother.

Javi was working, went
south, and I caught the heat.

I realized I�ve been taking
the rap for this guy ever since.

He�s using you.

He�s the only family I got.

[slow, seductive music]

[muffled yelp]

[airplane engine whirrs]

You have plans tonight?

Uh, no.

Good. I�m gonna make us
something special.

What�s the occasion?

Don�t be so suspicious,
Detective.

It�s kind of
part of my job, right?

Well, then I�m definitely
not going to tell you

�cause I gotta keep you
on your toes.

I�ll see you later.

Surprises await.

All right.

[phone rings]

Hello, this is Detec-

Whoa, whoa, whoa, whoa, whoa.
Slow down, slow down.

Okay, I�ll be right there.

[knocking on door]

Ellis, wh- what are you
doing here?

Vivienne called me.

- She did?
- Yeah. She sounded panicked.

- What�s going on?
- Vivienne�s not here.

She ate some bad shrimp
last night,

and it�s clearly
made her insane,

but I�ll- I�ll let her know
you stopped by.

[Vivienne] Ricky, let him in!

You called Ellis?

Yes, I called Ellis.

What�s going on?
What happened?

Ellis, this is a family matter.

Max has been kidnapped.

- Viv-
- My baby�s been kidnapped,

and we need
all the help we can get.

She�s my baby, too.
You don�t think

I�m gonna do whatever it takes
to get her back?

Well, I�m not gonna
leave anything to chance.

And I�m sure Max would agree.

- [George] You�ve gone totally-
- Okay. Everybody, stop.

Where�s Max?

Somebody start talking.
What happened?

Max was kidnapped
by Gedeon Varga.

Gedeon Varga? No.

Max said that- that-
that Varga was dead.

That all that was over with.

That�s why you came back,
isn�t it?

That�s true.

Except for the "dead" part.

And the "over with" part.

What is true?

I did go into hiding
to escape Varga,

and to keep him away from them.

But Varga is not dead
and he caught me.

And he threatened all
of our lives if we didn�t agree

to pull the job for him.

You guys all agreed to this job?

- [Vivienne] Yes.
- Max too?

We all did.
We had no choice.

You guys could have
come to me for help.

If you would have just
been straight with me

from the beginning,

Max wouldn�t
even be in this situation.

Yeah, well, we weren�t.

We dealt with it
the way that we know how.

Look, we can hash this all out
in group therapy later,

but right now,
the clock is ticking.

Why did Varga take Max?

As insurance to make sure
we go through with the job.

Go through with what job?

We�re going to steal a diamond.

[indistinct conversation]

[Guard] Furlong.

Diamond.

[Guard 2] There you go.
Let�s go.

You gotta be kidding me.

No, we�re not.

We�re going to break
a man out of prison.

[music intensifies]

[Vivienne] Without Max,
we can�t complete this plan.

So are you going
to help us or not?

Okay, first I need to know
when you last heard from her,

her last known location,
oh, and which, uh,

which number did Varga call-

What are you doing?

When someone�s kidnapped,
every second counts.

I mean, I need to loop in
the police, the feds, everybody.

No, no, no.
No one can know about this.

We called you to help us.

I am helping.

Well, if I wanted 9-1-1,
I would have called them.

Without Max,
we can�t pull this off.

We need you.

So you�re asking me,
a police officer,

to help you break
someone out of prison?

Did I- did I get that right?

Vivienne�s right.
We need a substitute, Max.

One without heels.

Okay, this is ridiculous.

I�m calling the TRT right now.

You are not listening!

You have no idea
what we�re dealing with here.

This is Gedeon Varga,
not some common criminal.

He�s got eyes
and ears everywhere.

And he will not hesitate
to kill her

if he doesn�t get
what he wants.

I�m a cop, Vivienne.

When you asked me to help, what
did you think I was going to do?

I thought you�d move mountains
for her like she did for you.

I would move mountains for Max,
and you should know that.

Well, then stop being a cop
and act like it.

You know, we did have a chance
to walk away, but she stayed.

For you.

What do you mean?

Varga threatening our lives
isn�t why we agreed to the job.

It was when he threatened yours
that Max agreed.

She did it for you.

Look, look, I�m sorry to be
the timekeeper,

but if we�re
going to pull this off,

we need to get moving now.

Yeah. Ellis, I wish there was
another way, but I promise you,

this is our one chance
to save her.

We have to give Varga
what he wants.

All right.

What�s your plan
for this prison break?

Atta boy.

What are we?
About a 42 regular?

[tense music]

How�s your head?

Like the hangover
I had after Mardi Gras.

There�s some water beside you.

Chloroform makes you
very thirsty.

Thanks. That�s very considerate
for a kidnapper.

So what the hell is this?

Aren�t we breaking Artie
out of prison for you?

The others are still doing that.

Knowing you and your family,

we assumed you had
a plan to double cross us.

To think otherwise
would be foolish.

Kidnapping you is simply
our insurance policy

that the others
proceed with the plan.

Well, if you would have asked,

I gladly would have made
a pinky promise.

And don�t bother trying
to pick those handcuffs.

I soldered them shut.

Hm.

I�m flattered you think
so highly of my skills.

What�s next?
A moat of alligators.

I respect holding on
to your sense of humour.

You�re going to need it.

[heavy rock music]

I�ll need both your
names for the report.

Captain Barry Santino.

Captain Allison Harris.

Please sign and initial
where marked.

Okay.

I had less papers to sign
when I bought my house.

Every time we do this,

there seems to be more
and more red tape.

Are you boarding them?

They�re our responsibility

�til they�re locked
in their seats.

Then they�re all yours.

Well, we�ll take
good care of them for you.

Where�s the air marshal?

Accompanying another prisoner
under separate transfer.

Why?

Let�s just say he doesn�t play
well with others.

Oh, speak of the devil.

[rock music continues]

All right, let�s go.

[Ricky] That�s Silas Wren.

[Vivienne] Otherwise known as
The Butcher of Rock Island.

Murdered seven people.

And a parakeet.
And then he ate it.

You might want
to stand back a bit.

This one�s a bit off
three noses this year.

And that�s with the mask on.

How is that even possible?

Okay, let�s get this show
on the road.

Winds are supposed to pick up,

and I�d like to avoid
that turbulence

because I had some questionable
yogurt this morning.

Good luck.

[music concludes]

Okay. Phase one complete.

Ricky, where did you get
this mask?

It�s like a Turkish bath
under here,

I�m sweating so much.

But I did spray the inside
with lavender.

That part is nice, actually.

- Shall we get moving?
- Yes. Let�s go.

Let�s get our girl back.

Come on, George.

I gotta admit, I didn�t
even think we�d get this far.

You and your people
are really good.

George, are you all right?

Buckle up, Artie.

Wouldn�t want
to see you get hurt.

You never did tell me
where you learned to fly.

I spent two years
in the Japanese Air Force.

Oh, there�s got to be
a good story behind that.

There is.

And if we don�t end up
in jail or dead,

I�ll maybe
tell it to you someday.

What about you?

When you�ve been on the run
for 15 years,

you need to be
your own getaway driver

in every situation.

You ready?

Roger.

Zulu Romeo Yankee ground,

0-November-078-Bravo
ready to taxi with Alpha.

0-November-078-Bravo,
I�ve got you.

Taxi to runway 6 via taxiways,
Bravo-10-Charlie.

Is that our
prison transport flight?

Yeah.

- Keep on her.
- You got it, sir.

Thank you.

Don�t thank me yet, darling.

Let�s bring our girl home.

[engines roaring]

[Ricky] Good day, everyone.

This is Captain Barry
Santino speaking.

We�re expecting some
turbulence on our flight.

There are no snacks
or cabin service,

and the washrooms
are off-limits.

On the bright side, you�re all
chained to your seats,

so take comfort in knowing
that no one

can shiv you
for the next few hours.

Thank you,
and have a pleasant flight.

[soft ding]

[music continues]

Wow, that�s a lot of propane.

Are we having a cookout?

I could really
go for a barbecue.

I make a killer rub.

These are merely a precaution.

Precaution?

Should something go wrong or
your family fails in their task,

We have to be sure
there�s no trail

that could lead back
to Varga.

But I�m sure everything
will be fine,

and your family will succeed.

Yeah, everything will be fine.

Since we can agree on that,
how about that barbecue,

because I�m starving.

George, what�s- what�s wrong?

I trusted you.
I thought we were friends.

Yeah, we are.
What happened?

Your brother.
He kidnapped my daughter.

What?

I didn�t know
anything about that.

[George]
Am I supposed to believe that?

Your brother
threatened our lives

if we didn�t break you out.

But grabbing Max
was never part of our deal.

George... I swear.

I didn�t know anything
about that.

And you gotta believe me.
You are my friend.

You�re actually my only friend.

It�s pathetic, I know,
but it�s true.

All I care about now is
getting my daughter back alive.

George, you gotta listen to me.

I know you�re upset,
but whatever you do,

don�t even think about crossing
my brother.

Whatever you got planned, he�s
already two steps ahead of you.

He always is.

George, I�m telling you, man.

30,000 feet.
Are you ready?

Almost.

- [beeping]
- Got it.

[exhales]

Now let�s break a million
federal aviation laws.

[upbeat electronic music]

0-November-078-Bravo.
Confirm your position.

Flight 0-November-078-Bravo,
come in.

What�s wrong?

The prison transfer flight...

It vanished.

Flight 0-November-078 Bravo,
come in.

Where the hell is it?

I don�t know,
it just disappeared.

How do we lose a plane
full of prisoners?

Get adjacent sectors
on the line.

Last position, 9.2
miles northwest of Froman Tower.

[Controller] Flight
0-November-078-Bravo.

Do you copy?

You find me that damn plane.

Yes, sir.

[Pilot] Flight 1-1-Alpha-5,
10 miles east,

inbound for landing.

1-1-Alpha-5,
can you repeat position?

We don�t have you on radar.

One second!

Why aren�t we coming up
on the radar?

You try flying a plane
without your mother tongue!

[beeping]

Wunderbar!

1-1Alpha-5,
I see you now.

I have you on our manifest.

Expect runway 2
clear for landing.

[Ricky] Message received.

- Danke sch�n.
- It worked.

We�re coming up
as a new plane.

Time for phase three.

We�re approaching our
target altitude of 35,000 feet.

Got to give it to my daughter.

This is an inspired idea.

How cool is that?

I know how we�re gonna
get the diamond out.

The mug uses temperature
activated paint

to change colour.

In this case activated
by rising temperature.

But with a simple
chemical swap in the paint,

You can also make it change
by lowering the temperature.

This metal sheet

is made of the same
aluminum alloy as our plane.

Nothing�s happened.

That�s because George keeps
the temperature in here

cranked to a balmy 22 degrees.

Hey, I�m not the only
one who gets cold.

But when a plane reaches
cruising altitude

of 35,000 feet,

the external temperature
of the air also drops

to around -60.

The same temperature
as liquid nitrogen,

which I will now use
to demonstrate.

Please stand back.

That is amazing.

We�ve reached our target

altitude and the outside
temp is-

- 60.
And now, ladies and gentlemen.

Abracadabra.

[exhilarating music]

No other sectors
have anything on their radar.

Get rescue and recovery
on the line.

We need all available
search parties scouring

a 10-mile radius from the last
point of contact.

Yes, sir.

What�s that?

Just a German charter flight.
It�s on our manifest.

Where the hell
is my plane, people?

[Ricky] Meanwhile, we�ll slip in
right under their noses.

[Ricky] Gentlemen, we have
reached our destination.

However, your transport
is slightly delayed.

So in the meantime,
sit tight

and enjoy a special
screening of Con Air on the TV.

Hold on.
You�re leaving us here?

Where�s he going?

Trust me,
you don�t want him to be here.

It�s lunchtime.

What about him?

- Oh. He�s lunch.
- [George snarls]

What the hell?

Where�s Max?

[phone ringing]

Hello?

[Tomo] Hello, George.

Where�s Max?

- Do you have Artie?
- Yes, now where�s Max?

There�s been a change of plans.

Do you see an SUV parked
next to the hangar?

Yes.

Keys are inside.

Artie will get
inside alone and drive south.

No one is to follow him.

I will then send
the coordinates.

When he arrives,
Max will be released.

I have eyes inside the car,

so I will know if you follow
my directions.

No, that is not
what we agreed to.

We�re not
letting Artie go without Max.

[Tomo]
Then you�ll never see her again.

If you so much as touch
my daughter,

I will rip your throat out.

Vivienne... for the last
15 years

you�ve been such
a huge pain in my ass.

But it ends today.

Send Artie alone.

If he�s not
on the road in two minutes,

your daughter dies.

Oh! Damn it.

Well, what happened?
What did he say?

He�s got Max.

He wants Artie to drive
himself before he lets her go.

Absolutely not.

We lose Artie,
we lose our leverage.

He�ll kill her if
we don�t do what he says.

He could kill her anyway.

[Artie] You don�t have a choice.

George, I told you.
He�s always two steps ahead.

Just do what he says
because he is not bluffing.

[tense music]

What are you thinking?

He�s expecting Artie alone.

So what?

So that�s exactly
what he�ll get.

[phone ringing]

- [Tomo] Hello, Artie.
- I�m alone.

I can see that.

I�m sending the location
to the GPS system.

Tell me when you have it.

- Yeah, I got it.
- Good.

Your brother looks forward
to seeing you soon.

So Artie�s on his way.
Great.

Well, if you could
be so kind to unlock these,

I�ll be on my merry way.

Maybe we can find
a barbecue joint nearby?

Sorry, the plans changed again.

Okay, the plan�s changed.
I can pivot.

What�s that?

This is a detonator.

One call from my phone
and it will go off.

Boom boom boom... boom.

So... I�m the barbecue.

You know, my family held up
their end of the bargain.

You did.

So you have to hold up yours.

We won�t.

All right,
well, if I�m gonna die,

can I at least not go out
with morning breath?

[tense music]

[man chuckling]

[Man] Welcome back,
my handsome brother.

I have waited
a long time for this.

[ominous music]

Look at you, huh?

You look fantastic.
You lost some weight.

Looks good on you.

You must feel pretty good.

I�m okay.

So what do you think?

About what?

The prison break, huh?

Now, I got to give some credit
where credit is due.

Because, see,
if it had just been me,

I would have simply hired
a militia

and murdered a bus
convoy and then snatched you.

But George and his family, they-

they went full David
Copperfield.

They- they made
an airplane disappear!

[laughs]

Oh, I gotta admit,
I dig their style.

Oh. All right, we gotta move.

What about George�s daughter?

What about her?

[Artie] She didn�t see
your face, right?

[Gedeon] Of course not.
What�s your point?

You said you�d...
let her go.

Oh. Oh, oh, Artie.

You went and made
friends with George, didn�t you?

Okay, I can�t say
that I blame you.

I mean, even I sort of like
the guy.

You want me to let
his daughter go?

Well, yeah.

Yeah, well,
I understand, but, um...

Max is never going home.

And neither are the others.

Let�s move, huh?

Oh, I got soda and snacks
in the car if you�re hungry.

Yeah, but they did
everything you asked for.

Yes, yes they did!

And I don�t want to hear
another word about it!

Do you understand?!

Yeah.

I made a killer
road trip playlist.

Come on.

[tense music]

[engine starts]

[music intensifies]

You know, I�m pretty
great at being discreet.

I work for the cops,
but I�m not a snitch.

So if you let me go,

I�ll just forget what
you look like.

Heck, I already forget
what you look like.

Tomo who?
Am I, right?

Stop talking.

That I�m not so good at.

All the charm in the world
won�t save you now

or your family members.

Do whatever you want to me,
but leave my family out of this.

Oh, that won�t be happening.

No matter where they go,

I will find them
just like I found you.

And when I do,
I�m gonna kill them.

And it will be slow,

and painful.

First Ricky, then your father.

And of course, I�ll...
I�ll save your mother for last.

You don�t have to do this.

But I do, and you should
know that better than anyone.

A well-executed job
leaves no trail.

Now... any last words?

[Ellis] Hands in the air!

Oh, I would have said something
wittier, but that�ll do.

Hands in the air now!

On your knees!

Get on your knees!

All right.

You have the right
to remain silent-

[fighting grunts]

Damn!

[dramatic music]

[fighting grunts]

[grunts]

[winces]

[grunts]

[landing blows]

[heavy thud]

[thud]

[board clatters]

No, please!
He�s innocent!

When did that ever matter?

[phone ringing]

Yes, sir.

- Is it done?
- It will be.

You�re behind schedule, Tomo.

Get it done and kill the others.
Do you understand?

[Tomo]
Of course.

What are you doing?

Acting with efficiency.

Two birds.

One stone.

Tomo, please stop.
Just listen to me, okay?

You don�t have to do this.
Just forget about my family.

One day you�ll look back at this
moment and you�ll regret it.

Happy trails.

Hey, you okay?

[Ellis groans]
What happened?

You got Chuck Norris�d.

I can�t get out of these cuffs,
I tried.

- [dialing]
- [beeping]

No, no, no, no,
no, no, no.

[beeping intensifies]

[Tomo and Ellis fighting]

[fighting continues]

He�s innocent!

[explosion]

I told him not to do it.

You know those murdery types,
they just can�t stop murdering.

Hey, are you okay?

Yeah. Now that I�m not
a human barbecue.

How are my parents and Ricky?

They�re fine.

They�ll be a lot better once
they know that you�re safe.

How did you get
pulled into this?

Your mother.

Pressure or guilt?

Both.

Guilt, mostly.

- She�s good at that.
- Very good.

Ellis, how are
we going to get out of this?

With a little help
from our friends.

[sighs] Are you hungry?

Look, uh, grab me a bag of chips
from the back, would you?

[sirens approaching]

Oh! Damn it, damn it, damn it!

[officer] Police! Go, go, go!

Show me your hands!

Don�t, don�t, don�t,
don�t, don�t, don�t!

There�s nowhere to go!

[dramatic music]

So, Chief, that�s
how it all went down.

Take me back to the beginning.

How did this all start?

I counsel guys on the inside.
Artie got to trust me.

Told me his brother
was Gedeon Varga.

The Gedeon Varga.

And a break was coming.

So of course, Dad and I went
straight to Ellis right away.

Quietly.

We wanted to confirm

before pressing
the panic button on your desk.

So we started digging.

And that�s what
brought us here today.

And everything we just told you.

You got Varga in a box now,
get him singing.

It�s a good idea.

Let�s go see what he has
to say.

I keep telling you,
I�m Jackie Diamond.

Just an ordinary guy,
not a criminal mastermind.

I�ve never even heard
of a... Gedeon Varga?

And what were you doing
in a car with your brother,

an escaped convict?

[sighs] Artie called me
in a panic.

He said his flight
had been hijacked.

Luckily, he escaped.

I went to get him,
but only to bring him back in.

That�s where we were headed
when you stopped me.

Why�d you have a gun?

Oh, it�s dangerous world today.

What about Tomo Hayashi, the man
who tried to kill my detectives?

No idea who that is.

Oh, come on.

Listen, you�re making a mistake.
You got the wrong man.

[Ellis] Tell us about that.

Sorry, what?

That�s how you forced a prison
evacuation and transfer.

With a rubber ducky?

[laughs]

How- how would I even do that?

[Max] Using the Trojan Ducky.

You sent a bomb
into the prison sewer pipe.

[funky, upbeat music]

[Li] Meanwhile,
inside the prison,

you had your brother, Artie,

shut off the plumbing
overflow valve.

[music continues]

Over to you, Ricky.

- [explosion]
- [prison buzzer sounds]

[Guard] Cell block D�s
been flooded.

What happened?

100-year-old sewage pipes
is what happened.

Everyone�s been ordered
to stay where they are.

You too, George,
get comfortable.

It may be a while.

You knew the prison
was at max capacity,

and once your brother�s
prison block flooded,

you knew the prisoners
would need to be transferred.

And there�s no way to do that

without intercepting
the call from the warden.

Yes, Warden, that�s definitely
a health concern.

We�ll need to transfer
the entire cell block

to a new facility.

I�ll arrange a con air
transport for tomorrow.

You get them to the airfield,
I�ll take care of the rest.

That is an amazing story.

But it�s a total fantasy.

- So you deny it?
- Of course I deny it.

Plus, how the hell would I
get access to a federal plane?

Well, that�s the beauty of it.

You didn�t have to.

[Max] You copy the key card
of a billionaire

who happened
to own his own plane.

It was just under
some renovations.

[heavy rock music]

[Li] And with that card,

you had access to his
private hangar.

[Li] Once you were inside,
you rigged the plane

to look like
a legitimate prison transport.

Even added a coating
of temperature sensitive,

colour-changing paint.

Okay, a coat of paint
would still not make it drop

from the radar, right?

And- oh, unless, of course,

I also made it disappear
into thin air.

Well, that�s exactly
what you did.

With a little help from
a hacked transponder.

- [beeping]
- [Ricky] Got it.

It vanished.

You altered the plane�s
identifier

and rerouted the flight.

Okay. That�s it.

Story time is done.
You can�t prove any of this.

That�s where you�re wrong.

[Li] We found your storage unit,
and as we speak,

our forensics teams are
examining every inch of it.

[Ellis] And we found
your prints over everything.

Okay, now I know
we�re in fantasy land.

I don�t actually have
a storage unit,

so there�s no way my prints
could be on any of that stuff.

So you�re saying someone
stole your prints

in advance
and set this whole thing up?

I don�t know, this is
sounding a little crazy.

Take care, George.

[instrumental rock music]

[exhales]

[music intensifies]

Done and dusted.

This is a setup.

It�s a setup! It�s a long con
by all of them!

- [knocking]
- [door opens]

You�re going to want
to see this, sir.

Oh, more fake evidence
for your fantasy prison break?

Turns out that�s
the least of your problems.

We ran your biometrics.

Interpol lit you up.

We�ve been getting calls
from Lisbon, Santo Domingo,

Prague and Frankfurt.

[Ellis] Apparently, you�ve been
a very busy boy.

Robberies, extortion, murders.

Oh, and now that we got
that new eyewitness,

they�re gonna throw
the book at you, Varga.

Eyewitness?

Yeah. Your brother finally
decided to do the right thing.

He�s expecting Artie alone.

So what?

So that�s exactly
what he�ll get.

I�ll hide in the trunk.
He won�t know that I�m with you.

Oh. He�ll know.

Somehow, he�s gonna know.
He always does.

You�ve been telling me for
months how you want to get out.

This is the door, kid.
You�re walking through it,

or you�re letting him
lock it behind you.

- You don�t know my brother.
- No, but I know you.

You�re stronger than the story
he wrote for you.

There�s no place I can go
that he won�t find me.

He always finds me.

Because you�re always standing
right where he left you.

Listen, Artie,
Max isn�t just my partner.

She�s my best friend, okay?

Whatever�s going on between
you and your brother,

she has nothing
to do with that.

She doesn�t deserve to die
for this.

Please, help us.

Artie, you�ve been carrying
your brother on your back

your entire life.

Break the cycle... today.

Okay.

See, your brother...

he knows every crime
you ever committed,

including at least five murders.

He just agreed
to testify against you.

[scoffs] No.
Artie would never, never.

[Max] He did.

You�re going away, Varga,
for the rest of your life.

Well, I don�t want to jinx it,
but we nailed that.

Oh, yeah. He�s cooked.

I told you our story
would hold water.

[Varga] Hey, hey.
Hey, George!

Uh. That�s weird.
I don�t even know that guy.

Uh, but I�ll see
what he has to say.

[clears throat]

Howard.

Cut the crap
and just tell me one thing.

How did you figure out
who I was?

You made one minty
fresh mistake.

You want some gum?

Oh, yeah. Thanks.

To what do we owe the honour?

Oh, I just dropped by to make
sure everything is on track.

As you know,
the clock is ticking.

Is this yours?

Tomo�s. Japanese gum.

I don�t even think
they import it.

And yet...

Where�d you get that?

My parole officer.

Howard?

Two wrappers, two men.

What are the chances they both
have the same rare Japanese gum?

- Lousy.
- Yeah.

Unless they�re working together.

Ricardo, my dear boy,
we have been played.

And we don�t like that.

No, we do not.

Just takes one mistake
to gum up the whole works.

It�s too bad.
I�m gonna miss Howard.

He was a nice guy.

Hey...

Thank you for
risking your life

for my family.

Yeah, well, I heard you did
the same for me.

I guess that makes us even.

Yeah.

Even.

[George] Detective Ellis.

My gratitude again for your,
uh, discretion back there.

I just told the truth.

Clever boy.

How about you come over
and celebrate with us?

It�s been a long day.
Another time?

Another time.

We�ll save your cheers
for later, okay?

Sounds good.

[pensive music]

Ellis.
Come talk to me.

Have a seat.

I�m seeing a pattern.

A pattern that
I don�t like in you.

Okay.

What you did to close
your brother�s case?

You bent the rules,
I looked the other way.

Fast forward
to today�s sideshow.

And yes, you brought in
a nasty murderer.

One that�s been evading
the law for years.

That�s a win, a big one.

Then there�s Max.
I actually think

you�ve been rubbing off on her
in a good way.

She�s never been more
a part of this team,

but I�m concerned
that she�s rubbed off on you,

and not in a good way.

I know Max crosses a line
here and there,

but she�s just a consultant.

We don�t have that luxury.

It�s our job to hold the line.
We are the line.

These are choices that we make
for our job, for our lives.

Yeah.

You have to choose what path
you want to take, Cole.

I know which side I�m on, sir.

Let�s hope so.

Go get some rest.

[troubled music]

- Max.
- Mom!

[Vivienne] Oh, baby.

[touching music]

[chuckles]

All right, enough melodrama.

We�ve had a long day.
Can we get drunk now?

[laughs]

[sighs]

Okay.

A toast.

To all three of you.

I know I�ve made
a lot of mistakes and, um,

endangered all of your lives
in the process,

but you helped me.

And you managed
to make it out alive.

And for that,
I�m forever grateful.

No need to thank us, Viv.

Why not?

We�re family.
And family helps each other.

I mean, sure, we only just
narrowly dodged a mass murderer,

and we�re completely
out of money yet again, but-

Ricky. Come on.

But on the bright side,
we have each other.

And that deserves a clink.

[clinking glasses]

Thank you so much
for what you said earlier.

I know that I haven�t
made things easy on you.

[laughs]
No, you have not.

So...

I�ve been thinking.

I think I�m going to move on.

I�ll be out of your hair,
finally.

What?

George, I know your life
is-is better-

well, easier,
without me in it.

Is that what you really think?

I have put you through so much.

I�m surprised that you
even want to talk to-

I never want to spend another
minute apart from you, Viv.

You�re the love of my life.

Alive or fake dead.

? Every morning ?

Woo!

Finally!

? Comes from a place ?

? That�s far away ?

[rain pouring]

? When I�m done ?

? I feel like ?

? Talking ?

Whoa.

? Without you here ?

? There is less to say ?

Oh, my God, what happened?

Yeah. I�m fine.

Normally I�d say you should
see the other guy,

but today I�m the other guy.

Oh, okay.

Do you just maybe
want to lie down?

I- I can go-

No, no, no.
Absolutely not.

I missed you.

Okay, good. [laughs]

This is amazing.

You okay?

I�m just gonna say this
before I lose my nerve.

Say what?

[sharp exhale]

All right, sports fans.

That�s it for us.

We�re on our way
to my suite at the Ritz.

Use protection, kids.

Ricky! Gross.

Your parents are
obviously gonna bone.

Well, and on that
elegant note,

I�m gonna bring
the car around, my love.

And I have some very dirty
dishes that are calling my name.

I�m really happy
for you and Dad, Mom.

Oh, sweetie, thank you.
Me, too.

And I- I am so sorry
we fought like that.

You were right.
I was being controlling.

I think I was just so afraid

of losing everything again,
that I held on way too tight

to try to control the outcome.

I understand.

And I apologize, too.

I didn�t tell you
how I was feeling

because I was scared
you were going to leave again.

Until it all
just built up and burst.

Well, it makes sense.

I have to be honest.

I�m afraid that there are
other ways

that you�re holding
yourself back because of me.

What do you mean?

I mean...

Ellis.

What about him?

I�m worried that this
emotional armour

that you�ve developed,
that is so strong,

that it keeps you from seeing
what�s right in front of you,

which is that man loves you.

Mom, no.

We�re co-workers, friends,
and he has a girlfriend.

Oh, yeah, I know
all of that already,

but it doesn�t change
what�s plain to see.

Ellis loves you, and I saw it
the moment I met him.

And today confirmed it.

Because otherwise he wouldn�t
have risked his life

and his career for you
the way he did.

Mom...

And I know
you love him, too.

Months ago,

he asked you
to sail away with him,

and you were ready
to take that leap.

And then I showed up
on your doorstep.

Yeah, but that
wasn�t your fault.

Mm.

A simple twist of fate
that changes the course...

the course of a life.

And I�m sure since then
you�ve been trying to

convince yourself
that it�s for the best, but...

it wasn�t.

I have been out of your
and your father�s lives

for 15 years,
and I would move

heaven and earth just to get
even one of those years back.

So don�t waste time.

And don�t waste love.

You never know
what will happen.

Sure, it might not work out.

There are a million things
that could get in the way,

but if you don�t try,

you will always,
always regret it.

? I just don�t think a little ?

I love you, sweetie.

- I love you.
- Mmm.

[soft acoustic music]

? If I lived ?

? Till I was 102 ?

[Max] Permission to board?

Max?

What are- what are you
doing here?

I know.

I don�t even have
an egg roll excuse.

I just came to
tell you something.

Okay. What is it?

[Jess] Max!

Hey!

[Jess laughs]

Did you tell Max the good news?

News?

What news?

[Jess giggles]

Jessica and I are engaged.

[laughs awkwardly]

[acoustic music continues]

?

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