Original subtitles

-Ducha. Yes. I had the the impression that you were feeding

on all my blood,

# taking me #

and my strength.

-(Quickly.)

-What are you doing here?

-(All right? Hurry up.)

-Please, leave it!

-Did you find her? -(Not yet. Are you OK?)

-(No. I'm just thinking about her, I'm distracted.)

-(Thank God you're here...)

-Where are you, Ducha?

-(Cecile, that'll be us.)

-(It'll be fine.)

-Can you blame yourself?

Everyone loved you, you were an inspiration to us all.

-(How is she doing?) -(Like someone

(who has replaced a missing actress at the last minute.

(Have you got any news?) -(No one knows where she is.)

-More crazy people playing in the catacombs!

-An urgent telegram.

-Thank you, Jacques.

No...

It's not possible.

Ducha!

-Bravo!

-(You don't just disappear like that.)

-Oh, shit... -Ah fuck...

-Mme. Chassagne? -Sorry, I must speak to you.

-Speak to me? It's a bit early.

-It's an emergency. Please...

-You know the way. -Thank you, sir.

"It was an accident!"

-An accident? -Yes.

That's good. -Mme. Chassagne,

lie down.

Lie down.

The question is not

what your captain thinks.

# No, it isn't

-But what you think. -Yes, well... What do you mean?

-Where are you with him?

Where is your desire?

-A real shrink's phrase!

My desire

is tired of putting up

with all of this.

I can never... be happy with him.

All of a sudden,

he has a revelation. How can I trust him?

That's him.

Hello ! *-Hello.

*I'm in a hurry, we have a homicide in the catacombs.

*Come with me. -I'll be right there. I'm finishing my...

I'm finishing my thing.

and I'll be right there. - OK.

Sorry

about "the thing".

Sorry to have disturbed you.

-"The thing" wishes you a good day!

-We only come by once a week,

they've redecorated.

You see everything here. Some people just come to sleep.

-Hey, Captain. -But never vampire freaks before.

-Where are you?

-Here, here. Thank you, goodbye.

-I was looking for you.

Hello.

-Captain! -Yes?

-Yes? -We haven't found the phone.

At the tableau, we couldn't find any trace of it.

You can examine it. -That's why I'm here.

Let's go.

Is that why I'm here? -Yes... Well, yes.

-Right this way.

-Thank you, sir. -The tableau's here.

What's the deal? -The murder weapon is not the stake,

she was shot through the heart.

-When did it happen? -Yesterday morning, around 10 or 11 o'clock.

-Thank you, sir. -You're welcome.

-This tableau, does it mean anything to you?

-Yes, it does. It's a painting by Munch.

Actually, everyone says "munch", but it's pronounced "munk."

-Is it?

-He painted "The Scream". Do you know that painting?

I'll show it to you, you'll say yes.

Here we are.

-Yes, it's like this.

What's this got to do with candles, the coffin and the vampires?

-The Vampire,

that's the title of the painting.

-Right, then.

-But Munch painted it at the end of the 19th century,

the time when the vampire

was becoming more feminine.

Women are represented as a creature

hyper-sexual

and... devouring.

-There, she's eating him

the carotid artery,

is that it? -Yes, it's... No. It's a metaphor.

-Excuse me!

-Excuse me.

The painting was to be to be called "Love and Pain".

-It was? -A special vision of love!

-The women vampires,

they use the men and throw them away.

- uh... Yes. Well, I...

I haven't studied at all...

this question.

So, then,

if we think that the murder has a connection to this painting,

that means that...

It's clear that the murderer is fascinated by the female vampire

And so, er...

-Alex?

-The victim is is Sarah Angeli, 24,

an actress. The poster of the play she was performing,

it's the same tableau.

-Where was she playing? *-At the Hebertot Theatre.

Are you with Florence? -Yes, I'm with her.

-Hello, Commander.

-She says hello.

See you later!

What do you think about it? - Captain...

- What?

Go on, tell me.

-It won't work between us.

-Why won't it? -Everything's against us.

We have nothing in common. Only the work that we do so well together.

-Are you serious? -I'm serious.

-That's the only thing?

-Besides the kissing.

-It was great. -Our vague physical attraction

will fade in time.

We should stop now to to save ourselves a lot of pain.

And we'll continue doing what we do best,

work.

-Work.

-Yes. If you like, we can pretend as if nothing had happened,

as if it was an accident, a little slip up.

Well, what?

-Ending it by saying we're still friends.

-Yes, we are. Don't you think that's possible?

Captain, don't leave me,

I'm too scared!

-Are you the director?

-Yes, I am. -When did she disappear?

-The day before yesterday. She left at the end of the performance.

-Anything unusual? -She was her usual self.

I don't get it.

-Who's the investigator? -You take over.

Sir!

-I want to see her! -Calm down, sir. Who the hell are you?

-St�phane Delage, the producer. What is it?

-The investigation has begun. You knew her for a long time?

-Yes, I have. Well, I mean... No.

It's been five years, but she's like my little sister.

She's an orphan. She started with me.

-This play was your idea? -Sarah's.

She loved

those paintings,

she was bugging me to do this piece... # She was thrilled

to do it.

-OK. That's all for now.

We'll keep you posted.

-It's about time!

You were chatting in the bar?

Is he sulking? -No...

It's complicated, but it's OK. -Complicated?

-It will be fine. -Ah! You got something?

-The victim and Cecile Monclar,

her understudy,

had an argument two days ago.

-Adele, can you interview this gentleman?

For sure, it's complicated.

I'll talk to the prosecutor. -You can count on me,

Commander!

-What about this argument?

-A bit violent, it was about photographs of a costume fitting.

-Just words or did they fight?

-Cecile was yelling at Sarah,

I could hear them in the next room.

-Were there ever disagreements? Threats?

-I don't want to accuse anyone... -Mr. Delorme,

it's a murder.

-Threats, no. But yes,

it could get tense. -OK, fine. Thank you.

Well, we'll summon this Mme Monclar.

Can I ask the captain to come with us?

-I think that's a good idea, but take it easy.

-OK... Captain!

-(Friendly.) -Captain...

-What? -Are we going to the office?

-Yes, we're going to the office!

That's a good idea, that.

-I didn't want her her to publish

my half-naked photos.

We had a bit of a fight. -And for the role,

it was tense between you. -I'm just her understudy.

-What's that?

-Would I have killed her to take her place?

That's ridiculous. Ask Leo.

-The director? Your husband? -Yes, my husband.

He asked me to take this job.

-Captain?

Captain...

-Go on, it's fine. -OK.

Where were you between 10 and 11? -I was rehearsing

# At home.

*-With your husband? *-He was at the theatre.

#-Witnesses?

-No. You think

that a single argument with Sarah is a motive

for murder?

-Yeah, pretty much.

-I'm just trying to understand. -We lost our heads,

that's all!

*-We'll check.

*That's great. We're good here. -He's taken

anti-anxiety drugs? Tell me

what he has! -I don't get it.

-Right, I'll go and get him.

-There's nothing happening!

-Don't take me for a fool. What's going on with Florence?

-None of your business... -It makes you unable to work,

it's really my business.

-OK.

Let's just say... There are two pieces of news, one good and one bad.

-Start with the good news.

-The good news,

we kissed, it was great. -Oh, man...

# Yes, it was.

But then... The bad news,

she turned me down.

-I'm not interested in vampires.

-According to the producer, Mme Angeli

wasn't interested in them either. -Why not?

-She was found in a coffin

and next to her was this.

They look like vampires.

-I...

#You have

#An explanation?

*-Actually, I...* #-What?

*Tell me. #-Sarah,

*she did not tell St�phane everything.

*Vampires fascinated her, she became interested in Munch

*because of that. -Her name was Dagny Juel,

you must have loved her very much. -But I suffered a lot.

She was married and pushed me away, a bit like you did with your captain.

-Like me?

I'm sorry, but that has nothing to do with this. I don't have a head

for vampirism. -No, you don't.

I don't wish him dead. -How did she die?

Murdered?

-A few years after she left me, she was killed. At the age of 34.

-By one of her lovers?

*-So she knew a guy who was into vampires.

-That's it. She told me about him once,

they made some special trips.

-What are you talking about? In a vampire sort of way?

-They were freaking out about Dracula.

*-Did she tell you about it? *-No. She confided in me...

-I'm a piece of shit.

-No, you're not. You're a very good cop with an active investigation!

-No. I'm a piece of shit.

All right?

You don't fall in love with a piece of shit.

-Antoine, you need to get a grip.

What if I told you

that Florence could fall in love with you?

# What? #

Did you read her mind? -No,

but I know... She told me.

-What did she tell you? She told you what? That she was in love with me?

-You're not a shit! You're gonna get it together.

# Wait for it... #

When did she tell you that?

-When you were with Juliet, before your wedding announcement.

She was crazy about you.

-She was in love with me? -Yeah, she was.

And she was a mess.

# Oh, shit...

-I've found something... -Ah, shit!

-You all right, Captain? -Yeah, I'm fine.

Come on, let's talk about it.

I'll be right back.

I'm listening.

-What's the matter? -Nothing, there's no problem. What's up?

-Are you sure? -Quite sure. What do you think?

-Let's find the victim's

lover. -Lover?

-Ducha, the woman in the painting,

was killed by her lover. -So what?

-Cecile Monclar has just said that Sarah Angeli was flirting

with a guy who was crazy about vampirism.

Ah! Isn't that bad?

-It's not bad. Did she give a name?

-She ignored him. -That's a bummer.

Sergio, Sarah Angeli was dating

a guy who was into vampires,

they must have communicated. Check for any criminal records.

-OK. -It's fine!

It's all right. It's great... -Antoine, should we leave it like that?

-I'll take care of it, don't worry.

He'll be fine, he's just a little tired.

-He's tired?

-He just needs to rest.

Go ahead, I'll join you. Congratulations again, we're making good progress.

Rest, yes...

So, you've recovered?

-What's this?

-The catering menu for... -For... ?

-For my wedding.

-Congratulations. -I'm getting married.

-Oooh!

-I'm such an idiot...

So stupid.

#-Allo? -Alex, it's me.

Did I wake you?

-What time is it? *-I do not know.

I need to talk to you something rather urgent.

-About the investigation?

-No, not about that.

I need to talk to you about Florence?

-Erm... Yes. Maybe, yes.

-She's scared,

# It's normal.

What if I reassure her?

# I tell her that... that... #

#That I've been thinking and that I've changed.

# I don't know... #

-You're very evasive. Tell me, is it yes or no?

-Yes! Yes...

-Is it yes? Damn.

Thanks, you're a mate.

-Feeling better? Are you back on the case?

-The case?

Of course I am, I'm back on the investigation.

*-We found the vampire fan. You got this?

-OKAY, OKAY. -Fire away!

-Thank you, sir. *-See you later.

-Where is the coffee? Shit...

-Hi, there. How are you? Did you sleep well?

-Very well. How about you?

-Yeah, I did. Very good, thanks. -Well, that's nice.

-Sit down, I'll take care of everything.

I just made some coffee. Would you like some?

-Thank you.

So, it's all about work.

Further to our discussion yesterday, it's best for us.

That way we

can give it some time.

# OK?

-Hello!

Everything OK? -Yes, fine.

-The phoenix...

The guy is known for possession

of cannabis. -Gabriel Rio, 30 years old.

-He runs aaccessories store.

-In what?

It's very special.

-(It's mainly super weird.)

-Some people actually wear this,

but in the first degree,

not as a disguise.

-Yes. OK.

Mr. Rio?

-Coming.

-I've been thinking about what you said at the crime scene.

About the painting "Vampire" by Munch.

-It's pronounced "munk."

- "Munk." And his relationship with women.

-How's that?

-He lost his mother when he was five,

then his sister at 14.

-I know. Thank you.

-I suspect maybe it might explain

why he had trouble engaging with women.

Perhaps he was afraid of losing her...

# Of losing

women. You know what I mean?

What's that? -Are you hitting on me?

# What? #

But... Why are you doing this?

Not at all, I'm talking to you about work.

-From now on, you're interested in life

of painters? -I'll do this

to keep the investigation going. -Listen to me carefully.

Between the two of us,

it is "not possible". -Yes, it's "possibile"!

-No. You can be interested in all the painters in the world,

# but nothing

will change. Even if we shared maybe something special once,

just between us,

it's too late.

-What was this special thing? -Drop it.

-I was sewing an outfit. Can I help you?

-You can help us. -We've got some questions...

-Who the hell are you?

# We go out sometimes, we sleep together #

from time to time. Sarah doesn't want to get involved.

-Okay. And do you ever do

Vampire stuff and all that?

# Sometimes # Why? What happened? Did something happen to her?

-That's confidential. Your little games,

how do they go? How far do they go?

-What do you mean? -Can it be violent for example?

-Violent how? That's fragile.

-I'm very careful.

-Wait a minute. Do you mind?

Getting bitten for blood,

that's violent.

Well, Mr. Rio?

-I would never do that to Sarah.

- "You perverted bitch!"

That's not very nice. -You wouldn't understand.

-Yes, we can. She didn't not look easy, your girlfriend.

At 18:42, you sent her an "I love you". She replies:

"You're just a sextoy for me." -Not nice.

-Listen up!

I wanted us to live

together, but she threw me out.

# I swear to you #

I didn't kill her.

-To make sense to this story, we need

a guy like you, who's into all that vampire bullshit.

-A little stake through the heart, that puts things in their proper place.

-This is a nightmare.

-You know Abraxas?

# Who? #

-Some guy who filmed Sarah in the catacombs.

-You can recognise

Sarah Angeli.

-Did you film her?

-I've never been there! -Easy.

-Come on, Antoine.

-I'll be back.

-(It's not him, his alibi holds.

(P�re-Lachaise security spotted him on a video.

(He was there at the time of the murder.)

-Fucking hell...

OK.

Right, well... We're going to assume that you're not Abraxas.

Then who posted

these videos?

Did she ever tell you about another guy like you?

Aren't there millions of you out there enjoying this sort of thing.

Can you guess who that is?

-The Bloodsuckers' club! -There's an association

that organises

an evening every week. -We're making progress. Is there

a way you could

get us in there?

-A good chance.

-There's one tonight.

-You can't go as a cop.

-Why can't I? -Did you see the kind of party it was?

-Who cares? -It's practically a cult.

There's a password

to get in. Don't go in as a cop, go undercover.

-It's an evening for couples and in costume!

-Yes. Go on, then.

-Are you sure? -We have no choice.

You have four hours to find cute outfits from Mr. Rio.

-Cute outfits.. -Come on, come on.

Enjoy yourselves.

-Maybe we shared something special with each other.

# Something...

just the two of us.

But now..,

it's too late.

Something special...

# Special...

It's too late for that.

You know what I mean?

-Captain, it's me.

What are you doing?

You need to come right now.

If I stay here five more minutes, I'll be arrested for soliciting.

-BONSOIR.

-Yes, OK, but right away.

OK... I'll be right here.

-Florence?

-Hey, Dad... Are you coming to dinner?

-What's this?

Where are you going? -Sorry, I forgot to cancel.

-Thank you, it's a pleasure! This is such bullshit.

-It's for an investigation.

It's Captain Verlay.

-But, er... Next time,

what will you be? A sea lion in a circus?

-This is not the time. I'll call you.

-She'll call me. -Jesus Mary Joseph!

-If you make one comment about me or my dad, I'll slap you.

What if Abraxas isn't here? -We'll figure it out.

Do you have the password? -Of course I do. Don't worry about it.

-Good evening, madam.

It's hot in the Carpathians in summer.

-I would like chilled cup of blood.

-I welcome you.

I'll take care of your car. -Thank you, sir.

-Thank you.

-You're welcome.

-Madam... -Yes, of course.

-Thank you, sir. -Your hat.

Thank you, sir.

-(We'll keep it discreet.) -(Yes. We can chat and make friends.)

-(We'll try to spot Abraxas, but it doesnt look promising.)

-(It's okay.)

-Please. We'll bring your accessories for the ceremony.

-(What ceremony?)

-(I don't know.)

# (Madam...

(Blindfold your eyes.)

# Sir...

Follow me.

-(I'm not sure about this.)

-(I'm not letting you go, don't worry.

(Oh, shit...) -(What is it?)

-(Everything's fine.) -Sir!

-(Don't leave me alone.) -If you please.

Very nice.

-Leave it to me.

Don't move.

The music will start and the men will do the rounds. The ladies

will spin around. The music will stop, they will go

for their new master.

Music!

Take off your blindfolds.

-It'd be great if you'd to avoid kissing my neck.

-I want to talk to him!

#Sir #

please... -Let go of me!

I know, I have no costume. I want to talk to this guy.

-You can't do that. -I don't care about your stupid parties.

-Abraxas? -That's me.

-And Sarah Angeli?

-We met a couple of times.

-Be more specific. -We slept together

# Twice # She's not the kind of girl who's quiet

with her boyfriend and her dog. You know what I mean?

-Did you film it? -She suggested it.

-How many times have you done it? -Three times.

-Why is the third video not online?

-That reminds me about

Munch. -Of what?

-It must have gone wrong.

-Is that it, last time it went wrong?

-Because last time,

there's this crazy guy who came along.

I've never seen a guy so devoted in my life.

*-Don't touch her! -I'm got out of there,

this jerk would have broken my face.

-We found this in Mr. Ferly's hard drive.

Is this what you wanted back?

-Yes, it is. -It looks bad.

When you consider what happened happened to Mme Angeli, it's...

You called her your "little sister", right?

-Right, look...

I was having an affair with Sarah

and I wanted to hide it.

-Because you're married or because you killed her?

-I did not kill Sarah!

*-What was it

*then?

*You didn't say anything... *

-His mobile phone didn't show him at the catacombs.

He could have gone without it.

Give this to the captain. -OK.

Thanks, Adele.

-What happened next?

-Nothing happened. She yelled at me, then she left.

-What kind of relationship did you have with Mme Angeli?

-An open relationship.

-What do you mean by that?

-Meaning that...

She was seeing other men, but I didn't mind.

-You look more like of a guy who's jealous of his wife.

-I wasn't jealous. * Ah...

* OK.

Why do you barge in like that, then?

-I was worried about her,

she's the star of my play.

These are unhealthy delusions,

you saw the guy's face. -Yes, I did.

*- He's crazy.

-What a liar. You can tell he's jealous.

-You know a lot about it:

you've painted 11 pictures entitled "Jealousy".

World record!

Is that Ducha biting the apple?

-I can't stand free relationships.

One of us is enjoying it and the other suffers in silence.

-That's right.

-Take a good look at him.

It looks like a soul crying. -A soul that...

*I loved her, I swear to you... *

#I loved her.

I was not jealous!

Excuse me.

-Well, I don't want to say it, but your girlfriend,

she was into making guys jealous.

-I'm telling you, I was not jealous.

-Yeah. I got that.

Ten witnesses can testify that Abraxas

was with them at the time of the murder. That's what bothers me.

* Can you *

* come with me?

I might have something.

We can prove that Mr. Delage is lying.

-(Shh. Come on.) -(Of course.)

-(So, what is it?)

-Delage was jealous, but not a little bit jealous,

sickly jealous. He was very unhappy with Sarah Angeli.

-How can you prove it?

-You wont not tell me that it's nonsense,

agreed? -No, I won't. Go on, then.

go ahead. -OK, Here goes..

What's this?

-A mummy? -The Chachapoya Mummy

who inspired Munch

to paint "The Scream". Take a look.

What do people call it?

-The "chachachu"...

-What nickname do we give it? It's "the weeping soul"

because it symbolizes all the sufferings.

You know what I mean? -No, I don't know what you mean.

(I don't. What's that got to do the connection with Delage?)

-According to the GPS tracking of his mobile phone the day before the murder,

he was in front of the mummy. -How do you know that?

-That little dot,

is the Museum of Man, at Trocadero, where Chachapoya is.

-Hypotheses... She's coming to take me away

to interview the Incas!

-Tell her it's too much of a stretch.

That or something else. -I can't do that,

I don't want to lose her.

-Okay. In the meantime, Adele and I have to investigate.

-Because you knew her a little,

did she tell you about something that we both had.

-Both of us?

-Not you and me, me and her!

-Something special? -She threw it at me yesterday.

It sounded like she was regretting it.

Telling me that secret.

-I'm not her shrink! You must have been to be on the case!

-Fucking hell, her shrink... -Huh?

-Nothing... And this,

was very helpful.

-I don't understand a thing.

-Who are you?

-Antoine Verlay. It concerns Mme Chassagne.

-Monsieur, I have patients waiting.

-It's an emergency. I really need to talk to you.

-Go inside. First on the right.

I'll be two seconds. Go in.

-Something special, about us, that we would have shared together.

-M. Verlay, I can't. Professional secrecy,

Does this mean anything to you? Is this an official investigation?

-No...

But it could be.

All these lovely little objects,

did you pay for them in cash?

Does the taxman know about them?

-Just call the death squad instead.

-Until I get my answer, I'm gonna keep you on your toes.

-With Mme Chassagne, I get three patients for the price of one,

the daughter, the father and the suitor. It's really the Holy Trinity!

Maybe there is something...

-What is it? -She spoke to me

about a painting.

-A painting? -Yes, a painting. A painting that...

you might have had in common during your childhood.

Does that mean anything to you?

-Our childhood... No, it doesn't.

-That's a shame, It's all I have!

-She told you some other stuff.

-She's not thinking about it anymore. -She doesn't?

-Here, we don't force anyone to talk. That's your job.

-If I could find the painting,

do you think I could convince her to...

-Do I look like Madame Soleil? No. Not at all.

-Give me a little advice. -That painting seemed to touch

a very raw nerve in her.

-Shrinks make sentences that we don't understand.

What is it? Is it yes or no?

-It means yes. -Yes?

-Yes. Good luck!

-I'm here. -I've been waiting for you. Are you OK?

-I'm fine. I had something to do.

Er... You wait for me at the mummy, I'm going to go check the videos. OK?

-Right, OK. Are you sure you're OK?

-Look at me, this is great! Come on.

They're reviewing the videos, it won't take long.

She's creepy.

-She was found in a mausoleum

in the Andes. Munch saw it in Paris in 1889.

It's amazing, this vision inspired one of the most famous paintings

in the world. It makes me...

No ?

-No?

Yeah, it's crazy.

This painting touches you

particularly?

-What do you mean by that? -Something to do with childhood.

As a little girl, did you know this painting?

-You have to stop hitting on me. -Captain!

-Stop it! Yes ?

I'm not hitting on you. -Everything's fine.

-We found what you were looking for.

-Oh, good. -Look here.

-I'm not talking about Munch, I'm talking about me, Sarah. Fucking hell!

Where are we going?

-Please... -I can't take it anymore.

I don't get it, I don't know what you want.

What do you want?

For me to leave my wife? -Let me do what I want.

-I just can't imagine you with all those guys,

I can't take it anymore, I can't help it.

-Too bad for you.

-Look at her! -Stop it...

-You see her,

the suffering? Look at her! This is exactly

what you're doing to me.

-Get off me, you're hurting me!

-For someone who's not jealous, it's heated, isn't it?

-I didn't kill her.

-With that, unfortunately, you're not credible at all.

Sick with jealousy, you even even nicked this, her notebook.

It was stashed in your office. You wanted to control her life.

-It's an actress' notebook, it's to prepare for her roles.

-Before you stole this from her, you didn't know.

-Why would I go there to kill her

with a stake through her heart?

-I don't know, man.

For the symbolism, maybe. -I don't know.

-You played one of her lovers.

-This is ridiculous!

That's enough of the photos!

-With all this, I have the right to keep you another 38 hours.

After 38 hours in police custody, we might see things differently.

-It doesn't add up.

It's not her preparation book.

-They are definitely Munch's paintings.

-But it has nothing to do with the play. The part she was to play,

Ducha, was a female vampire. But now they're

sad, fragile or abused.

There are

a dozen versions with different backgrounds, an obsession.

And there,

she's crying.

-Not a preparation book then...

-No. It's intimate!

It's not just texts, there are also drawings.

-Here!

-Collages...

-It can be all of that.

-It's to convey emotions.

-I don't see what's wrong.

-Leave it, she knows where she's going. -Sarah Angeli, she was

a manipulative woman.

She dominated men, she abused them

It doesn't match this book.

-No, it doesn't.

-We'll look at the date she started it.

When was that? -Two months ago.

-And... # ?

-It was the start of rehearsals. -As if something else

has come into her life. Can I borrow this?

I'd like to study it. -We'll make you some photocopies.

-OK.

-For you,

sexuality is linked to anxiety,

like this. -In "Puberty"?

-Yes. It's like she's experiencing it as a threat, a danger.

Captain?

-I'm not disturbing you? -No. I'm working.

-OK. Erm... I think I found what you're looking for.

-You have? -Come over.

-I'll be there in a minute.

Hm... He'll forget me one day.

Work, work!

Captain! -I've managed to identify

the images in the notebook.

Come and see.

Where is it? Ah, there.

That young lady, it's as if she were

Sarah Angeli,

isn't it?

There, she's naked,

vulnerable,

and who is she looking at? -I'm sorry, what?

-Look at her eyes,

she looks scared.

It looks like

someone's walking towards her. Huh?

Who is it? A guy who'd like to attack her?

-It's more complicated than that ... -Mme. Chassagne, no thesis.

Let's keep it simple.

-I know, straight to the point. -Sarah Angeli

could she have interpreted this as a young woman

who was about to be assaulted or raped? Yes or no?

-Yes. -This is the location of the assault,

the home where she was placed between the ages of 12 and 15,

and here, the nearest police station.

It's a story.

-Did she go?

-I couldn't find a complaint, but she's cited

in the police register. I'm questioning the person who took it.

-There are faces like that you can't forget.

She came every day, but she always left.

It was me

who went looking for her.

-Was she raped?

-Yes, she was. By a guy

who ran a

theatre course. -In the home?

-Yes.

-Why didn't she file a complaint?

You didn't

believe her? -We believed her,

but we advised her not to do so. We put her on the register.

-What was the problem? -No evidence. She was going to

get eaten alive. -What's that?

-It would have come to nothing.

-To nothing. Go on.

-She couldn't afford a good lawyer,

it would have taken years.

Ten years ago, it wasn't like it is today.

We had to move on.

-Ten years ago, a raped woman was a raped woman.

-The guy who did this, do you remember his name?

-No, I don't remember his name.

-Reassure me, did you summons him?

-I'm sorry.

# Shit...

-You're sorry?

You should be!

She was an orphan, she needed adults to protect her,

like a cop!

Her murderer, is maybe her rapist!

-Florence...

-It's OK.

This kid was building herself up.

In her very short life, she's had nothing but rotten relationships.

That's crazy.

-Right, come on...

The best thing we can do for her,

is to do our job, and we're gonna find this guy. OKAY?

- OKAY.

Bye-bye, now. -That's it!

-Captain! I got the home

of Sarah Angeli. Unbelievable! The guy who organised the courses

when the victim was raped, it was Leo Monclar,

the director of the play.

-I'll be there in a minute. Well done, thank you.

-It's Sarah.

who chose the director? -No. I chose Leo.

-Did they know each other?

-No. I even had to insist for them to meet.

-You could have warned me. -Everyone's going for it,

he's been nominated for a Moli�re... -I don't know.

-Without him,

I wouldn't have the money to do the play. # OK?

Just trust me.

Sarah Angeli, Leo Monclar! -Nice to meet you!

This is a great project. -Glad you liked the play!

-Great!

It's great to mix paint

and theatre, I think we're gonna be a hit.

-She started

this notebook at that time, as if to try to get over it.

To see the bastard every day who raped you 10 years ago

it's unbearable!

-Rape victims need to find a way

to protect themselves in order to to rebuild themselves. As a vampire woman,

she gave herself a bit of a the role of the one who dominates.

-So there's a connection between the murder and the rape.

-The problem is, we have no evidence to charge him with.

-Let's get back to the investigation.

by focusing on on their links to the theatre.

-Someone must have seen something. At work.

-Come on.

What's the problem? -Sarah's passion for Munch

may have been born in front of this painting.

She looked at it a lot, she was a kid like her.

Maybe...?

No, nothing. -What?

-Well... There are paintings like this, we don't know why...

they follow us all our lives.

Back to work!

-The painting, does that mean anything to you?

A painting you might have had in common during your childhood...

Does it ring a bell?

-How do I deal with this kid? -Stop it! Stop it!

Did you get it all? Don't forget the wallpaper

and the books! -Don't worry, it'll stop.

# Leave the child #

alone!

-Don't touch that,

you little shit!

-That's my friend!

-That's my painting, I paid for it!

-Give it back! -It's mine!

-Hello?

-Mr. Chassagne, Antoine Verlay. I didn't wake you up?

-No. I'm out exercising. *-That's good.

*I have some information to ask you about.

As a child, did your daughter tell you about a particular painting?

-She loved hundreds of them.

-You bet she did. But, there's a reproduction of a kid, standing

in shorts, in a living room with lots of plants around him

and there's an ugly chandelier

* just above it and ugly curtains too

-Doesn't ring a bell.

-If I send you a picture, would you take a look?

-Of course I would. What's it for?

-Erm... It's for a little present.

*-A present? -Yes.

A little joke between colleagues.

Please don't say anything to your daughter.

-Right, OK. Bye-bye, now.

-Is that how you are playing it?

You will not replace Sarah!

All the work

Munch's work, it was his sister's death that he wanted to ward off. He sees her

in every woman

he loves. Ducha refuses to be a ghost

in his eyes. Do you understand?

-Yes, I understand... -What's wrong with you today?

I feel like I'm directing an inflatable doll. Let's start again.

-(Wer there any other tensions besides that?)

-(There's always tension in the workplace.) -(I see.)

-(You've seen Leo, he's quite bossy.)

-(Yes.) -(I'm thinking more of his wife.)

(He's hard on her, constantly on her back and she...)

-(What?) -(She never says anything.)

-We'll stop now.

Go take a nap, it's not working.

-(She's submissive. Watch out, she's coming.)

-Does he talk to you like this often?

-No, not at all. He's intense and involved,

committed to what he does.

-I'm sorry, but...

He was beyond intense. -I swear to God,

it was nothing.

It was my fault. I just...

I said something stupid about that painting,

it was inappropriate.

-What did you say? -That this looks like

vampire dentures

in the glass.

It didn't make him laugh. # He...

He's under the impression I'm stepping out of my role.

-Yes, Adele?

Excuse me, I'll be right back.

-Can I go get my wig fixed?

-Yes, go ahead.

Did anyone ever tell you that?

-That these were vampire teeth? No.

There were a lot of horrible things said about them, like "fish paste

"drowning in lobster sauce", but never "vampire teeth."

-We've got a problem.

-I'm sorry. What?

-2 techs saw Monclar here at the time of the murder.

It's not him.

# His wife... #

Was she at the theatre at the time of the murder?

Cecile Monclar knows Sarah Angeli's diary.

-What's in it? -The vampire's dentures,

it's in her diary.

-What's in her notebook? -In her notebook,

Sarah made a collage with dentures and a glass.

-Cecile may have seen this somewhere else. -No. I've never seen it,

unless you're a vampire fanatic like Sarah Angeli.

-OK. Cecile Monclar could have stolen the notebook.

That's a lot of thieves... -Yes.

-Or could Sarah Angeli would have shown her?

-Exactly. -She would have shown her the notebook

where she talks about her rape to her rapist's wife?

-Yes. She wanted to tell her

to protect her, warn her. -This is hot.

-Isn't that a good lead? -Yes, it is.

-No. If it had mentioned a rape, I'd remember it.

-Even a hint or something incomprehensible?

They had an argument two days before the murder,

you were there. -Yes, yes, I was.

But I... # I was...

-What?

-Give me back the photos, it's my body!

-I'm keeping them!

-Give me back those photos...

-Get the costume. -Yeah, sure.

They care about their image,

Cecile didn't want those photos on the internet.

-Cecile Monclar, does she dress herself or do you help her?

-She dresses herself, I'll just check some details.

Excuse me, I'll be right back.

- "Just checking on the details.

"She dresses herself."

-Go on, turn around.

-That's enough.

-You agreed to help me. -Delete those photos.

-Sorry, I can't.

-Delete them! -I can't.

Don't let him do this to you!

-Give those photos back! -No. I'm keeping them. All right?

-With the photos of the beating he gave his wife,

Sarah could have

built a case.

-She killed her to protect her husband, she's under his control.

She was willing to kill for him.

She's an abused, submissive woman.

She's a battered woman.

-And she has no alibi.

-She's got no alibi.

By talking to her, Sarah Angeli signed her own death warrant.

-Yes.

We'll just have to catch her.

-That's right, just have to. Do you have any ideas?

# Erm...

Maybe, yeah.

# Ducha... #

Ducha!

-BRAVO!

Knocking. -It's Juliette.

-Come in.

You OK? -Yes.

I wanted to tell you, the cops talked to me.

-Did they? What about?

-About you and Sarah,

they're looking for photos that you might have asked her for.

-They're paranoid. What did you tell them?

-I told them nothing. I wanted to warn you. -That's good.

The cops are capable of inventing anything.

See you tomorrow. -See you tomorrow.

She's dialling a number.

It's OK, I spoke to her.

- OK.

Go home, you'll be fine.

Thank you.

She'll be back

if the photos are here.

-(There's no one left...)

-(Mme Chassagne...)

-(Yes?) -(Can I ask a question?)

-(Is it about work?) -(Not really.

(Wait and see.)

-(But of course.)

-(What?)

-(Was that your plan?) -(What are you talking about?)

-(We're going to try to catch C�cile Monclar who wants to get

("the SD card with showing her husband's violence" It was all a sham!)

-(Not at all.)

-(Yes, of course!) -(But I'm telling you it wasn't.)

-(You don't care about the evidence, you just want

(to make me change my mind.) -(Florence...)

-("Mme Chassagne"!) You know what? I'm off.)

-(Was my plan so bad?

(Come on.)

-(Where's that card?)

(Where is it?)

(Shit.

(Damn...

(Where is it?

(There!)

-(Come on.)

-Hey!

-Hey!

-They're all speak of seduction,

jealousy, anxiety... -All but one.

-How? -All but one.

-All but one?

All but...

Except one.

A suffering child.

-Sophie, my sister.

She's inside me.

-When she died, she was the same age as Sarah Angeli

when she was raped. She must have seen...

The dead girl inside her

at that moment.

-Well done.

-You were looking for this.

-Come on, then.

Move it.

-Where is my wife?

Release her.

-She confessed to everything.... Because of you, Mr. Monclar.

-What are you talking about?

-Do you recognize this girl?

Theatre workshop, Crowns Children's Home, 2012.

-She is... -Sarah Angeli.

She wanted to convince Ms. Monclar to file a complaint against you.

We have the photos of your assault and battery.

She protected you.

-Give me the photos back! -What are you doing here?

-You want to destroy Leo's life? -What's the matter with you?

-And destroy my life? -Cecile, calm down!

-I won't let you.

- Oooh...

-The D.A. has instructed me to warn you:

you are under investigation for rape of a minor under the age of 15.

-Follow me sir.

-Papa?

-Oh, chouchou... -What's this?

-No, nothing. How's it going?

-It's a painting. Who's it for? -It's not for you.

It's for the captain.

Florence, stop!

He wanted to surprise you,

that's quite smart.

-What did you tell him?

-Nothing. He wanted to give it to you. I found

that copy you loved.

-He must never know my story with that painting

-But... (sighs) But why? Didn't you tell him?

-No.

-Oh, don't... Don't make that face. -What face?

-You were little and you were talking to your painting.

At that age, children talk to their rabbits.

That's him.

Stop it! -(Shh... You don't say anything. OK?)

-You're a pain! -Not a word, really!

It's me. My dad's gone to the bathroom. What do you want?

-Mme. Chassagne? -Yes,

*it's me. -Your father is waiting for me.

Did you know about that?

-Actually,he had an appointment with me.

He'll leave right away.

-Okay, I'll be right there. I'll just be a minute.

-Right here and now?

OK... See you soon.

-Mme. Chassagne! *-Yes?

-You saw,

it's going pretty well between us.

- Uh... - I mean the...

*The investigation and the job.

- Yes.

*That's really great, you know.

-That's great. I'm hanging up now.

*-See you in a minute. -OK.

-But what's going on?

-Don't try to understand. You've never seen this painting. OK?

-I never lie. -For once, be my ally.

-We must always tell the truth.

-I'll tell you

the truth.

As a child, he talked to that painting too.

We didn't know each other.

Without knowing it, this painting connected us.

If he ever

finds out...

I've suffered too much.

Our love is no longer possible. If he finds out, he won't let go.

- I want to -

want it to stop.

Would you mind?

-Florence isn't with you? -No.

She had to leave, she had an emergency.

I have to go too.

-But she just told me...

-I know, but...

She'll call you back.

-OK.

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