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Now love has bound me, trembling hands
and feet.
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Oh, love so fatal, love so bitter.
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Her
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name
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is Jennifer Bradley, age 24.
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occupation, photographer.
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She is an only child and comes from a
small town 70 miles to the north of San
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Francisco.
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00:00:42,490 --> 00:00:47,450
In many ways, Jennifer is like thousands
of other modern young women.
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But in one important way, she is quite
different.
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Jennifer has never had a satisfactory
relationship with a man.
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00:01:10,710 --> 00:01:15,910
As a result of this void in her life,
she has devoted herself entirely to her
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work and achieved a fair amount of
success.
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Photography is work she enjoys.
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Bye -bye.
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00:02:48,840 --> 00:02:54,380
She finds her work stimulating, but
occasionally recognizes that she does
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something in her life.
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At times such as these, Jennifer makes
an effort to be normal.
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Normal. But indeed, what is normal?
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Jennifer can only guess.
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In contrast to Jennifer, Belinda is a
girl who never craves what is normal.
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An examination of her background would
suggest the beginnings of assortedness
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which now fills her present life.
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She is a complete wanton who makes no
attempt whatsoever to control her
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Her depravity has led her into a dark
and rank alley.
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Belinda is not a happy person.
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00:04:45,480 --> 00:04:49,800
She is one who exists from thrill to
thrill.
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00:07:23,450 --> 00:07:27,430
Belinda is a photo model, a sort which
poses for the center's spread.
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She is a lazy girl, and when she is
unable to find a man or a woman to
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her, she makes her living as a model.
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Belinda is a strange sort of
exhibitionist.
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Belinda and Jennifer had never met
before they were immediately attracted
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another
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No.
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Jennifer had booked the number of female
models, but none had had the same
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strange effect on her that Belinda
called.
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Belinda was all sensuality, playfully
sexy, wild, female.
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Jennifer meant to hide her desires by
busying herself with her work at hand.
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00:11:51,470 --> 00:11:54,770
But it was very evident to her that she
never felt this way before.
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She was aflame and pleased and
distressed at the same time.
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She knew she could not resist this
strange sensuality.
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Jennifer's night of ecstasy had ended.
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She was led into the strange bound of
sex by the officiant Belinda.
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But morning brought with it the cold,
harsh light of reality.
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To Jennifer's surprise, it was not
unpleasant to face it.
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That morning she found she was anxious
to be done with the work.
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She wanted to be with Belinda.
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The work took her to many unusual
places.
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00:15:00,580 --> 00:15:03,840
But today everything was more vivid,
more exciting.
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He was almost through with her silence,
all through the days he had taught about
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Belinda.
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00:17:07,280 --> 00:17:08,740
Belinda was pleased with herself.
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She had found someone who cared for her.
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This was not the first time anyone had
taken care of her.
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00:17:16,380 --> 00:17:19,300
Indeed, Belinda coveted the role of kept
woman.
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It meant she no longer had to work.
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This time she was sure she had some real
security.
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If Jennifer earned a good living,
Belinda liked him.
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They were on their way to see a show of
special thought that wouldn't be viewed
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by the average person.
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00:18:31,880 --> 00:18:36,620
Jennifer and Belinda were both very
happy for entirely different reasons.
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But nevertheless, their high spirits
were ambivalent.
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The club was located on a dark side
street.
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It was a place for girls only.
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Its clientele included the freakish sort
of exhibitionists, as well as girls
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like Belinda and Jennifer.
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As different as they were in appearance,
they all had one thing in common, and
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that was their craving for desire.
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It was a new world for Jennifer, but for
the depraved Belinda, the surroundings
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and the entertainment.
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We're all too familiar.
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deserved. Naturally the whole thing was
meant as a rather voluptuous joke and no
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one was meant to get hurt.
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It was a lively sort of fun.
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and more humorous, or perhaps ludicrous.
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It was bizarre and prominent.
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Belinda grew more and more stimulated by
what they were watching.
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made certain pointed remarks about the
act.
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She apparently enjoyed such an
exhibition and its effect on her was
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She was growing very amorous.
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00:27:36,780 --> 00:27:38,700
Jennifer no longer felt ill at ease.
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She felt as though she belonged among
such people, since they and she were
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alike.
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Jennifer decided to leave the city for
the weekend.
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It would be the first trip she had taken
with Belinda.
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Jennifer had arranged to use a friend's
cabin in the mountains for the love
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triumph.
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And they were so delighted to be away
from the noise of the city, they were
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exuberant.
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00:30:31,950 --> 00:30:34,890
They both were relaxed in these pleasant
surroundings.
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This tranquility foreshadowed the
tragedy that would overtake their lives.
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00:30:41,030 --> 00:30:45,690
But on such a fine spring morning,
neither girl thought of anything
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Life was a happy game when you had a
companion you cared about.
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It was good to be alive, to be young and
filled with desire.
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Indeed, Belinda was a strange girl.
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Her desires were even more strange.
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Jennifer could refuse her nothing.
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She participated with a strange sense of
curiosity mingled with desire.
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She would allow Belinda anything that
made her happy.
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And in truth, Belinda's four bows were
harmless enough.
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But even such reasoning could not
completely subdue the sense of distaste.
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Jennifer felt deep down.
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She could not help but feel shame, even
though she hid it very carefully.
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She knew this relationship was wrong,
and it was this knowledge that blackened
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her waiting moments.
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It was the physical which bound her to
Belinda.
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00:33:09,920 --> 00:33:14,160
Emotionally, she was possibly sickened
by the behavior of this board.
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Thank you.
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a skilled practitioner of sapphic love.
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Jennifer was carried to a fever pitch.
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A strange, distasteful love aroused in
her a sense of completeness as though it
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were meant to be, as though she were
born for this.
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Such moments her physical reactions
overcame the warnings of her conscience.
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She lost all sense of decency.
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Another girl had known the ecstasy
Belinda had to offer.
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She was called Jolly.
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Jolly had kept Belinda.
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They had been rather happy until Jolly's
money had run out.
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Belinda left.
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Jolly was crazed.
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She could find no one to interest her.
She frequented the same gay bars.
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But nothing distracted Jolly.
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The acts were no longer entertaining.
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She watched without seeing.
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It was in the strange world of forbidden
offbeat love that Jolly tried to
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recover herself.
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But the voice she heard inside allowed
no return from misery.
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The strange, saccharine world of the
bazaar, with its flashing lights and
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flashing sexes, was a sack.
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Jolly drank and watched.
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Later, Jolly would act out her role in a
saccharine tragedy.
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Thank you.
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was young and lovely.
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Jolly noted the fact that these days
more and more young girls were throwing
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their lives away by entering the
sickening twilight world.
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The girl's voluptuousness was wasted on
Jolly. She craved no one but Belinda.
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Belinda, a wanton bitch whom she loved
and so hated.
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The girl Jolly was watching was younger
and far more desirable than Belinda.
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Yet nothing could make Jolly forget
Belinda.
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Jolly was at last drunk enough to do
what she planned.
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It was crazy, but Jolly was beyond
amazing.
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She found out about her rival, Jolly now
nothing more than a pathetic, crazed
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animal, confronted Jennifer.
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She grew more and more hysterical, as
she called Jennifer a whore, a wanton
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bitch.
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She had not meant for this to happen.
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Perhaps she had.
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No matter.
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The result was the same.
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She was none.
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And no longer cared what became of her.
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Thou shalt thou lie forever and
forgotten.
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For whom the flowers of song have never
bloomed.
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What are you reading?
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A book about love.
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What's that all about?
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It's just about two chicks making it
together.
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I don't believe in half of those things
anyway.
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They're sick.
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Sick lesbian love.
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Well, I don't know about that.
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It's love.
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I've had some good experiences with
love.
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Men and their love, mainly, though.
165
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They're not so bad. I've had a couple
good ones.
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The first love I had was pretty good. It
spoiled me rotten.
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Served me breakfast and bed.
168
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Did all kinds of nice things.
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But as usually, goofed up at the end.
They all do.
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Yeah, I had one that was really great.
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We lived together for two weeks.
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Two of the most wonderful weeks of my
life.
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Yeah. Well,
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it was to me.
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served me breakfast in bed as well, took
me out to the nicer places, treated me
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gentle, was considerate of me. Mm -hmm.
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He seemed to know what happened.
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It's a typical story. Everybody knows
it. You know, the second he got that
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marriage license in his hand, he was
like, typical.
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Right. He owes me.
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Yeah, right. They ask you to do
everything for them.
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Afterwards, right? They won't do
anything for you, but before that,
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Breakfast in bed and everything.
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Wow.
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You know, it's funny, too. I can name
almost, well, just about every kind of
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experience that I've had, and yet almost
every one of them is identical with the
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bad things I've had with men.
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Like, for instance, well, the thing in
bed.
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You go with a guy, and he's like... He
wants to please you, he doesn't, you
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know, stop until you're satisfied, and
this, that, and the other.
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And then all of a sudden, when he's got
you, and he feels like you're deeply in
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love with him, he starts in with the
unshaven beard.
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Mmm, I love that.
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And sweating on top of you and never
using deodorants.
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And hurting you, and he doesn't really
care because he's...
196
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So full of his own damn passion, he's
turned to an animal.
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Women are so much cleaner.
198
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Really. Like men are like pigs
sometimes. Wow.
199
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Well, a woman has to be for the kind of
love she has.
200
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That's true.
201
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Maybe that's why I prefer women.
202
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Well, I think we're a little softer and
a little gentler.
203
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We appreciate each other's bodies more.
I don't think there's anything prettier
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than a woman's body.
205
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Not only that, but the sex thing lasts
much longer.
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Oh, really?
207
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And it's not right afterwards.
208
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Right?
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Right, right.
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I can't stand that. You know, like
you're ready for fondling and kissing.
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Gentleness. Right, right.
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Rather than hurry up and off he is and
that's it. Like I'm satisfied and to
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with you, right?
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Oh, well, Jen.
215
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I wish people understood it more.
216
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It's a shame that we're not accepted by
the public. It really is.
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Well, each individualist, I think, is
that way.
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You know, these stupid books they write
on us, honest to God, the illustrations
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are terrific.
220
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The pictures are beautiful.
221
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You know, the positions, the whole
thing.
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But the language they use and the things
they describe is just not true. It's
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not like us at all.
224
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Yeah, but I sure like those positions.
225
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Yeah, aren't they beautiful?
226
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They really turn you on.
227
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Look at this one.
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I bet I could do as well.
229
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I don't know. I don't think we've tried
that one.
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Hello?
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Hi, Jen. How are you?
232
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Fine.
233
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What?
234
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I'd love to go.
235
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Sure.
236
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Well, where will I meet you?
237
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Oh, I can hardly wait to see you. I
really miss you.
238
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It should be a beautiful place.
239
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Yeah?
240
00:55:48,100 --> 00:55:49,100
Of course.
241
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Yes.
242
00:55:52,330 --> 00:55:53,330
I love you.
243
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I love you with all my heart.
244
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I can give you a thousand reasons why I
love you.
245
00:56:04,430 --> 00:56:07,970
They're not all coming out of my mouth.
They're in my heart.
246
00:56:11,350 --> 00:56:13,030
Because I like to kiss you.
247
00:56:14,730 --> 00:56:16,510
Kiss your body and your breasts.
248
00:56:18,070 --> 00:56:21,250
Your nice, firm, well -developed
breasts.
249
00:56:23,180 --> 00:56:26,200
Feel the nipple come up on end from your
passion.
250
00:56:28,000 --> 00:56:29,100
Kiss your thighs.
251
00:56:32,760 --> 00:56:34,300
I love you very much.
252
00:56:39,720 --> 00:56:41,680
Yes, we do. We have a lot together.
253
00:56:43,120 --> 00:56:44,360
We have each other.
254
00:56:47,000 --> 00:56:48,820
It means a lot to me, too.
255
00:56:56,110 --> 00:56:59,110
No. No, I don't think I could ever find
anyone else.
256
00:57:00,330 --> 00:57:03,630
You're all that this world means to me.
257
00:57:09,130 --> 00:57:13,030
Well, thank you.
258
00:57:18,950 --> 00:57:20,730
Oh, don't talk like that.
259
00:57:31,820 --> 00:57:32,820
in my studio.
260
00:57:34,160 --> 00:57:35,460
This is a very nice place.
261
00:57:36,020 --> 00:57:37,020
Yeah, I like it.
262
00:57:37,360 --> 00:57:39,360
You take a lot of pictures of your
friends in here?
263
00:57:40,860 --> 00:57:41,860
Mostly friends.
264
00:57:41,900 --> 00:57:43,280
Like you're going to take pictures of
me, huh?
265
00:57:44,420 --> 00:57:45,420
Yeah.
266
00:57:46,160 --> 00:57:47,500
How often do you take pictures?
267
00:57:48,740 --> 00:57:50,560
Constantly, but I don't always do them
in here.
268
00:57:51,060 --> 00:57:52,060
Yeah?
269
00:57:53,880 --> 00:57:56,220
You know, I've never had anyone ever
take pictures of me.
270
00:57:57,340 --> 00:58:00,200
Something you don't often do. I mean,
you never know who's around or who's
271
00:58:00,200 --> 00:58:00,879
to see you.
272
00:58:00,880 --> 00:58:02,580
There's nobody up here but us.
273
00:58:02,780 --> 00:58:04,000
Well, who's going to listen to you?
274
00:58:04,240 --> 00:58:05,280
You got any bugs in here?
275
00:58:06,220 --> 00:58:10,020
Hang on. I wouldn't have brought you up
here if I had bugs in my place. Come on.
276
00:58:11,000 --> 00:58:13,100
This is an undercover place, you know.
277
00:58:15,520 --> 00:58:18,780
Where are you? You're, you know, you're
supposed to be taking pictures.
278
00:58:19,160 --> 00:58:20,900
Well, I mean...
279
00:58:21,490 --> 00:58:24,150
How do I know you're really going to
take my picture? How do I know you're
280
00:58:24,150 --> 00:58:27,170
going to do something else like you're
going to mail my name into some
281
00:58:27,170 --> 00:58:32,430
authorities and say that I, you know,
that I don't wear the right clothes or I
282
00:58:32,430 --> 00:58:36,670
sometimes talk with a lot of uhs or
something?
283
00:58:36,930 --> 00:58:38,690
I mean, how do I know you're really
straight with me?
284
00:58:39,130 --> 00:58:40,190
I'll give you the pictures.
285
00:58:42,790 --> 00:58:43,890
Is that fair enough?
286
00:58:44,230 --> 00:58:46,230
Sure. Okay, stand over there.
287
00:58:47,250 --> 00:58:48,310
Let me set up the lights.
288
00:58:49,880 --> 00:58:51,000
Hey, I like you.
289
00:58:51,400 --> 00:58:52,400
I like you.
290
00:58:55,220 --> 00:58:58,480
Why don't you sit down right there where
the pillows are?
291
00:58:59,640 --> 00:59:00,820
You think I'll take your head?
292
00:59:01,300 --> 00:59:02,680
Yes. Okay.
293
00:59:03,940 --> 00:59:04,940
The pillows?
294
00:59:06,040 --> 00:59:11,960
How's that? Can I throw the silly ball
away? I mean, you really don't need
295
00:59:12,020 --> 00:59:13,020
do you? Throw it to me.
296
00:59:20,880 --> 00:59:23,600
like the way you're posing. Haven't you
ever posed before for a photographer?
297
00:59:24,000 --> 00:59:25,000
How about this?
298
00:59:25,080 --> 00:59:26,460
That's nice. Yeah, I like that.
299
00:59:30,080 --> 00:59:36,640
What do you do with pillows and
300
00:59:36,640 --> 00:59:38,140
balls and things like that?
301
00:59:42,000 --> 00:59:46,580
I see what you photographers do all the
time. You throw pillows at each other.
302
00:59:47,520 --> 00:59:49,540
Hey, hey, I've got a good dog.
303
00:59:49,850 --> 00:59:53,110
I've got a better idea. Why don't you
take your shirt off, you know, and let
304
00:59:53,110 --> 00:59:56,270
have the ball and be casual, you know,
like I want casual pictures.
305
00:59:57,070 --> 00:59:58,650
You want to take my shirt off? Yeah.
306
01:00:03,750 --> 01:00:10,470
What? What do you want me to take my
shirt off for? Hey, none of that. I just
307
01:00:10,470 --> 01:00:11,470
want to take pictures.
308
01:00:24,970 --> 01:00:26,310
Do you think maybe I can take one of
your pictures?
309
01:00:27,730 --> 01:00:28,730
Huh?
310
01:00:33,450 --> 01:00:35,470
Would you like the camera to take a
picture of me?
311
01:00:36,250 --> 01:00:37,710
Yeah, why don't you take your shit off?
312
01:00:39,330 --> 01:00:42,550
Well, what do you think? I invited you
up here. Well, why did you invite me up
313
01:00:42,550 --> 01:00:43,550
here, huh?
314
01:00:43,690 --> 01:00:46,650
Look at you. You chicks think you can
walk down the street and take off anyone
315
01:00:46,650 --> 01:00:49,630
you want and just bring them up to your
place and have them take off your
316
01:00:49,630 --> 01:00:53,470
clothes and you don't even take off...
You're all the same thing. Every time I
317
01:00:53,470 --> 01:00:56,110
bring someone up here, they want to rape
me. What the hell is it with you
318
01:00:56,110 --> 01:00:58,910
people? Take off your clothes and let me
see you. Take off my clothes. You're
319
01:00:58,910 --> 01:00:59,769
the photographer.
320
01:00:59,770 --> 01:01:03,570
Now let me see you. If you want to take
a picture of me, you've got to take off
321
01:01:03,570 --> 01:01:07,210
your clothes, and that's how you take a
picture of me. All right, but stand over
322
01:01:07,210 --> 01:01:08,710
there while I take the picture, you
know?
323
01:01:12,210 --> 01:01:13,650
I don't know. Who are you?
324
01:01:14,850 --> 01:01:17,170
I'm a photographer. Who the hell do you
think I am?
325
01:01:20,519 --> 01:01:22,740
I've never brought anyone up here like
you.
326
01:01:24,240 --> 01:01:27,120
Yeah? Are you afraid of me or something?
No, but what do you think of me?
327
01:01:27,460 --> 01:01:28,460
I mean,
328
01:01:29,440 --> 01:01:33,120
just exactly who are you? I mean, you
bring me here and you tell me to take
329
01:01:33,120 --> 01:01:34,500
my clothes. Do you want me to take off
my pants too?
330
01:01:34,820 --> 01:01:36,320
No. Do you want me to take off my pants?
331
01:01:36,780 --> 01:01:39,840
Put your pants back on. Please, don't
take your pants off.
332
01:01:40,800 --> 01:01:41,800
Well.
333
01:02:10,960 --> 01:02:12,820
Hi, Carol. Put it on, will you please?
334
01:02:14,200 --> 01:02:17,760
Carol? Yeah, I was just calling to
confirm the appointment for this
335
01:02:18,540 --> 01:02:19,640
Who are you going to send over?
336
01:02:21,280 --> 01:02:22,280
Belinda?
337
01:02:22,920 --> 01:02:25,380
No, I've never heard of a Belinda
Frazier. Is she any good?
338
01:02:26,560 --> 01:02:29,040
Yeah, well, she better be. Better than
the last one you sent over.
339
01:02:29,940 --> 01:02:31,380
Yeah, for 3 o 'clock.
340
01:02:32,260 --> 01:02:36,220
Okay, yeah. I want just the regular. You
know, the bras, the panties, the garter
341
01:02:36,220 --> 01:02:37,220
belt, the whole thing. Black.
342
01:02:37,660 --> 01:02:39,220
Make sure she has black hose.
343
01:02:40,270 --> 01:02:44,330
And she's got to be able to turn me on.
You know, like that's what they want.
344
01:02:45,130 --> 01:02:46,530
Okay, three o 'clock.
345
01:02:47,470 --> 01:02:48,750
Right. Thank you.
26835
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