Original subtitles

I saw a dream last night, bright like a falling star.

The sources of light seemed so near,

yet so far.

I thought I was in flight, out where the planets are, moving between day

and night.

And there you are, mother dancing

girl, go to a quiet place in the weary world, somewhere

between time and space.

Da Nora gikk i sjette, fikk hun en stiloppgave der det skulle være et

Hun visste med en gang at hun ville være i huset deres.

Hun beskrev hvordan huset ristet i magen når hun og lillesøsteren løp ned

trappen og ut bak døren.

At de så dem ta snarveien gjennom hullet i jære, før de svingte ut på veien, for

huset ikke lenger kunne se dem.

She wondered if the house liked to be light and heavy.

Or full and heavy.

If the floorboards liked to be pulled on.

If it was cold in the walls.

Did it hurt sometimes?

And she thought, yes, it probably liked to be full.

Før dem had en rekke mennesker og kjeledyr hatt sitt lille glimt i husets

Hennes tipoldefar døde i soverommet i andre etasje, det samme rommet der

bestemor ble født, og som nå var hennes foreldre soverommet.

Their father said that the body was an old wound that was discovered right

the house was built 100 years ago.

She wrote that it was as if the house still sank, fell together, was in

very slow motion, and all the time her family had lived there was just one

little second in the middle of the fall.

When she read the style later, she thought that she had not used the word

quarreled, but wrote that the parents quarreled.

And if something in the house seemed even less than a quarrel, then it was

silence.

When daddy drove too well, the houses became lighter.

The quarrel between the parents disappeared.

Men huset savnet alle de andre lydene hans.

Læreren ga henne en sekter, og faren hadde elsket den.

Nora lette fram stilling, og hun skulle finne en monolog og fremføre til

opptaksprøvene på teaterskolen. Hun ble skuffet over at den var så lite

emotionell.

She therefore chose Nina's monologue from Måket instead.

Måket? No, no, it's... You're playing me?

Yes, it is.

Nora, can you open the door? I don't think I can.

Nora, can you open the door? Just a little bit.

Can

you

open the door?

What do you mean?

Just look at this. It's full of people.

You can't do that.

I've been there before.

No, it's not like that.

I can't do this. I can't get out of here. I understand.

I need to breathe. Can we breathe together?

Just look at me.

Okay. Okay.

No,

I don't have time.

Okay,

hit me then.

Just a clap.

I have to get out of here. No. I can't get out.

Oh, my God.

Are you ready?

Yeah, that's what it is.

And all you did was chase me into the pool.

I let your children into my home, and yet you witnessed against me.

I thought we were going to catch her.

No. It's just three of us.

No.

You. You.

Mom, can I have some cake?

Yes, of course.

I just asked him to cool it down a bit. He ate four pieces already.

Oh, but please.

No, you have to eat something else first.

That was a lovely talk you had.

What? It was from both of you. Yes, from both of us.

She was so happy.

She talked about it all the time.

Yes.

Mom. Yes.

Oh, no, please, please, please.

She took me to the theater, you know. I went to the National Theater many times.

Yes.

Thank you.

Do you know that your daughter is at work right now?

Mm -hmm. Mm -hmm.

You can talk to them if you need help.

Or you can talk to them.

You can talk to them about secret things.

When I was little, I used to listen to what they said.

Down there, in that room.

Don't let them hear you.

It's not easy to know what to say if you're going to congratulate

or congratulate.

There we go.

We talked yesterday.

What is that?

No.

Jumpers.

Did you know that?

Yeah, probably, when it was like that.

Hi, Dad.

There you are.

Excuse me.

Hi.

Hi, my girl.

Have you met Erik yet?

No, he's here.

Erik, I thought you were at the church.

No, I can't.

Why were you at the church?

She was a little religious in the end, wasn't she? No, no.

I thought it was nice of her.

It's so... It's so sad, this.

She was a fantastic mother before, wasn't she?

She was so beautiful, wasn't she?

Beautiful?

Beautiful as you.

Satan's intelligent.

She was always right.

Hi, is that your mother?

Yes, but hi to you.

What? Good morning.

We go way back.

Hey. Hey.

I'll

take your

spray.

What is this?

It's mine.

Are you with me?

No. How?

We're gonna have to talk to a guy in town.

Okay.

He has something to tell you.

Can't it be you?

No, it's not.

It's about time we sat down and talked, you and I.

Isn't it?

Fredrik has something to tell you.

What? Oops.

What? Yeah.

Okay.

Oh, no.

No. No.

No.

Hi.

I've thought a lot about it. I've been a little worried.

Okay.

Are you okay with that?

Yes, it's going very well.

You've heard that they're going to keep a retrospective of my films in France,

haven't you?

No, I haven't heard that.

But the most important thing is that I have a new film on the way.

What? Yes.

Well, that's enough.

I think it's the best I've written.

Mikael says the same.

Mikael, he's still producing.

Mikael said that now it's my turn.

The documentary is showing around, and now it's my turn.

You

said

you wanted to talk to me now?

Yes.

The film is about a young woman, a young man who...

I want you to play the main character.

I didn't write that.

You just have to play that part.

Thank you very much.

I feel like I'm doing something more personal.

200 years old, a piece for a bunch of pensioners.

It's a really good role.

Yes, you can get some money too, because my series has gone very well.

Yes, that helps me a lot.

I talked to Mikael.

I'm convinced he can get you financed.

We're going to film in our house.

Our house?

Perfect, yeah.

I really want to talk to you about what you think.

But it's not for me, this.

No pictures.

What do you see in your face? What do you see in your eyes?

But what do I know?

People like you.

It's not what people think.

I'm asking what you think.

Well, now it's really you who's the problem.

This role...

Thank

you.

As we go on.

I was sitting near you during the screening and sometimes I looked at you

saw you were also very, very moved by the screening.

Yes, I'm sorry.

It's 20 years ago probably since I saw it and

I remember vividly in detail the time.

The days on the set.

The people.

You know, I film with friends.

You know, my family.

Yes. Even more so in this movie.

Yes.

You mean my daughter, Agnes?

Yes. Yeah.

She's the one that plays Anna.

So, just one last question before we go.

I think that everyone here wants to know, there hasn't been a feature film

Les Dils 15 years ago.

Will we see another feature film from Gustav Borg?

Well, I hope so.

Sorry, sorry. You know, Rachel, she loves your film and she wants you to

her. She's having dinner at L 'Excelsior.

You know?

The festival is paying everything, of course.

Let's go.

Gustav Borg!

Thank you for coming.

Let me get you a chair.

Hi. Thank you. I was so impressed by your

film. Yeah.

It's a masterpiece, really.

Yeah, it's beautiful.

Thank you. It is exceptional.

It's beautiful.

How did your screening go?

It went well?

Oh, come on. The screening was amazing.

The theater loved it.

Loved her. She's fantastic. You'll have to see it in the fall when it comes out.

How does this work? Put this down.

Want more umbrellas?

I wish I could make films

like you do.

It really struck me today.

I don't know if I'd ever really seen a film like it before.

It was really, really moved me.

I've been thinking a lot about taking a break, actually.

I already have all these projects lined up.

They're good enough parts, but... They just don't have anything to do with me.

Just enough.

Sam would freak out if I just walked away like that.

He'd have a right to.

Fuck that.

Real nice.

New? Well... You working on anything new?

No, I thought I was, but... Couldn't get the money?

Something like that.

Take you to the hotel.

Thank you.

It was very nice to meet you.

Very nice.

Why are you so afraid of it? No,

I'm not.

It's perfect for me that you're married, and then I don't have to be confronted

in a serious way about how fucked I am. What a brutal thing to say about

yourself. How fucked are you, really?

On a scale from 1 to 100?

80.

That's 20 % when it comes down to it.

Yeah, that's the people you relate to now.

Did you talk to the theater manager?

Yes, he said that I should start therapy.

Yes? No.

Why not? Don't say yes. No, but it's a kind of phobia.

It can help with those things.

Yes, but I'm not that ill. It was just that... I had to hit you.

Yes, I'm sorry.

It was a little violent, but... Do you suddenly regret that I was reported?

No, I promise.

I feel I know too much about myself.

I don't need therapy.

No, no, I was just thinking the opposite.

No, no. Why not?

My mom was a therapist.

She was a therapist.

I... no.

But you're not a mom, are you?

I was just... Yes, but... No, it's true. Yes, but now we're done.

See you tomorrow.

And then you go out on stage, and it's counter -intuitive.

The whole body screams, and you go out there in front of a lot of people, and

you don't have a place to go home.

It's a little fun.

It's not just to... No, I love it. I love it.

And the frustration, and the guilt, and the

injustice in being the one to take responsibility.

When she says that he is so conflict -prone, it's because she learns it, and

that she hates it in herself.

What I like best about it is building a character, going into perspective,

or into feelings, through building someone else.

Which I think makes it safer for me to feel my own way.

You just don't want to be yourself, do you?

It sounds a little different.

Do you think mom would have said that? Yeah.

No, we've done it for as long as it took you.

No, no, no, no.

No, we've done it for as long as it took you. No, no.

Here, here, here, here.

Have you seen it?

No, not really.

Do you want to have one?

Yes.

But it's not always that easy.

But I love you.

Yes.

I love you too.

I want to get married when I grow up.

That's very nice of you to say, but that's not possible.

Did you fall asleep?

No.

He is so cute.

I think I will be happy with him.

Congratulations. Thank you. It's not just him.

Sorry. What is it?

It's okay.

I think I'm going to work.

No, wait.

It's going well.

Are you sure?

Yes.

Are you sure?

Yes. Did something happen? No, it's going well. Sorry.

Are you okay?

Yes.

Do you think she's like, she's not there anymore?

No, I don't think so.

I just think she's a little lonely.

Yeah.

Do you think she's sick?

A little.

It's weird.

When mom got sick, there was a part of me who thought I should move here.

Live here with Evne and Erik.

Would you live here?

No.

That's what we can't afford. I can't buy anything.

I've never been there. It's just some old papers.

Thank you very much for everything you have done. It was fantastic.

For my part, we will just drive away what you don't want.

I don't know about that. There are a lot of nice things here.

Things with affections and things like that.

Maybe look a little.

I would very much like to have a watermelon for example.

Yes, that was a little nice.

Oh yes.

Because I want it.

No.

You can just say it. No, that's not it. We're going to look at it together and

figure it out. That's the whole point.

Yes.

Then I'll take it.

How long does he live here?

He doesn't know.

But he's here to arrange the sale, isn't he?

I don't know.

He said he'd be here at 2 o 'clock. You can ask him.

I don't think so.

You can't just leave him like that.

He can try.

He's not here to arrange the sale.

We have a project.

What did you say?

It's a good thing, but he's making a movie again.

Which project?

The one he talked to you about.

My movie?

The one he got after me?

Yes, the one you didn't want to play in.

But he got money for it?

Yes, he has to.

He didn't say much. I think he wanted to say it himself.

He asked if you would be there.

Okay. Hello?

Yeah.

Shit, isn't that Rachel Kemp?

So great to see you again.

There's a cafe a couple of minutes that way.

Rachel will let you know when we're done.

Hi. Hi.

Nora.

Rachel,

this is my daughter, Agnes.

Hi, Rachel.

Nice to meet you.

Are you in the business as well?

Oh, no.

No, she helps me with research on death.

Yeah, I'm an academic historian.

Sorry, I'm... Do you recognize her?

She played Anna in the film you saw.

Oh, that's a long time ago.

Of course.

That's... You're Anna.

That's right. I see it. Can I take a selfie with you?

Starstruck. Thank you.

So, she's here, talking to her son.

You know, this is the last thing, the ending.

She's preparing him something to eat.

It's important for her. The last motherly touch, maybe.

Come.

They hug.

And he leaves.

And the moment the door closes, something in her, you know, changes.

Almost like she relaxes.

What do you think?

The boy's meeting up with his father, so she's not in a hurry.

And here's the wire to, what do you call it, to dry clothes on? A clothes line.

Clothing line. Yeah, clothing line. The clothing line.

And then she goes in here and starts preparing.

Suddenly, she has the veranda door opening.

Come.

It's her son.

He's forgotten his flag.

His Norwegian flag.

Yeah, it's the 17th of May. It's like the national day. Yes.

Did I say that all this will be one shot?

A one -er? Yeah. This whole thing?

The whole landing just one shot.

No editing.

Complete think between time and place.

So, the boy just stands there looking at her.

Something's off. He doesn't get it.

So he just grabs the flag and runs off.

She goes here.

And make sure that this time he really leaves.

We only hear the guard getting closer behind her because the camera's here.

On her.

And this is crucial.

The expression she has here.

What is she thinking?

Exactly.

And she walks back here.

This is where she does it.

Yeah.

You think that would bear her weight?

What would happen like that with my mother?

Your mother?

Yeah.

Oh.

But not here.

This is a very long time ago.

No.

She used us.

That?

Uh -huh.

You know, to get high enough.

But we won't see that.

We'll end the shot with her going back in and closing the door.

We'll just hear the sound.

As the camera moves away.

Can I ask why you didn't just leave after that?

Well, we did leave after this.

We moved to Sweden. My father was Swedish.

Well, I'd love to hear more about her.

It's not my mother in the script, you know.

Right, but they would still let me do it.

Yeah, yeah.

I know.

Many years earlier, the psychology office was just called the library.

The room was rarely used.

And the eldest daughter in the house, Karin, got the privilege of being with

friends and listening to music.

When the war came, Karin got involved in the resistance movement.

And one late autumn evening in 1943, she was kidnapped by the state police.

She was in captivity for two years.

She never talked about her time at Grini.

After the liberation, Karin got married and took over the house in Losveien.

She gave birth to Gustav at Ullevål Hospital in 1951.

Many years later, when he worked on making film, Gustav liked to say,

are the most beautiful thing in the world.

And then he saw for himself the house he had lived in as a child.

Karin's little sister, Edith, took over the house together with her daughter,

Lillian.

Edith was happily childless, but Gustav often came to visit about the summer.

If there were any complaints, Edith turned up the volume even more.

As sure as she was that it was one of the neighbors who had kissed her sister.

When Edith died, Augusta was his

aunt's only inheritance.

And in 1996, he moved back to the house with all the memories.

There are two stories about how Gustav met his wife Sissel.

She told that he came as a patient and complained about sleep problems.

For her, it was obvious that moving back was more complicated than he wanted to

admit.

Gustav's version was more colorful.

Six months later,

Sissel was pregnant.

They got married three weeks before Nora was born in December 1987.

With little sister Agnes, they became a family of four.

After the

divorce, Gustav returned to Sweden.

The pulse became easier and easier.

Peter is an old man.

He hasn't made a film in ten years.

Neither has he.

But he doesn't work anymore.

He's doing it for me. I'm going to work with him now.

I'm not making a film about a pilot.

But you have to talk to him about yourself.

Yes, yes. Okay. I will.

Do it.

He's not here today.

So, how do you like Norway?

Oh, I love Norway. It's beautiful.

The people are very friendly.

It's been very welcoming.

Another question for Rachel Kemp.

It's about the reception of your last film, Kathy's Choice.

It must have made you a bit disappointed.

I'm very proud of that film.

I don't think that's what we're here for today, are we? Were you nervous

before taking on, like, a real drama film?

I... I'm working... I'm doing this film because I wanted to work... Huh?

Rachel Kev is the best actress of her generation.

You're lucky that she's here.

You should be grateful.

Get out.

Get out!

Okay.

Thank you.

Should we find out what they want to ask before they come in here?

We can't.

Tick -tock, Tom.

Yes, he taught me that. I did it once with him, yes.

I'm not going to make such a serious speech, but I just have to say that I

understand now that I'm going to feel a sense of comfort.

Because I just want to say that I think it's so cool to work with you, every

single one of you.

And of course, is there anything left?

Yes, we talked about it on the way over.

Yes, we also talked about it. But we'll fix it when we get to the hotel.

Jakob, I know there are some people at home right now, but thank

you for working the way you work.

And if there is anything, you just have to do it.

Always.

Thank you. I'll do it.

Okay,

but I think this will be really good. I think so too.

Cheers. Cheers.

Why didn't you say anything?

No, no.

Yeah, I don't.

Do you?

We suck at this.

Hello. Hello.

Hi,

welcome.

Good to see you.

Good to see you too.

Hi, good to see you.

Nine -year -old man, right? Big guy now.

I never forgot a woman like Therese.

She's a great woman.

I'll get a pair of glasses.

How was the movie?

Good. I've heard it's not that exciting.

How's the job with Rachel Kemp?

I'm just asking how's the job with her?

She's a bit short, but she's doing fine.

I heard you fooled her with an Ikea crack.

Can I just look at the screen all the time?

No, but he only has 20 minutes of his screen time, so just let him hold on.

But then, Eivind?

Yes?

I'm just wondering how long you have one of my screen time.

Aren't you over anything?

How long do I have one of my screen time?

Yes, or has Eivind got one of your screen time?

Ten minutes.

Come on, get out of here. Now there's pizza.

Yes,

what do you say?

Thank you very much. Look at this.

Monica Bellucci, damn it.

This is the only movie you need to understand women and their relationship

their mothers.

That doesn't sound nice.

Thank you, Dad, but we don't have DVDs.

That's good.

But we'll find a way to put them on.

I don't see too much filling.

Are you going to start writing?

Yes.

Can you see it?

It's wrong to sit and wait for some old man to tell you to play Ophelia.

Are you going to play Hamlet?

No, are you going to?

Yes. I talked to Rachel about it. She has begun to develop things herself.

She has a production company now.

It's very tough to be an actor, I think.

You don't decide anything yourself. You sit and wait for them to want you.

It's not good in the country.

I've played a lot of... You lack self -confidence, and your need for attention

becomes unbearable.

It would have been nice to get married with an actress.

But lying with her was fine.

You should have been like everyone else, as boring and small as you were.

You can't write a list, so you have to go to football training and compare car

insurance all the time.

What about the free artists?

The artists have to be free.

They don't have children, Dad.

Say something, Nora.

Can I be honest with you?

Cecil was around two when she was your age.

She wasn't a teenager.

You know.

Overdriven? Yes.

It's not good for the gas either.

Does anyone need to take care of a child or something?

Do you have any children?

Nothing lasts forever.

Dead and true.

Now you've made an offer.

I'll take more.

Peter.

Hi. How nice to see you. Hi.

What a place.

Yeah, but this is all thanks to Lasse Hallström. It's not thanks to you.

Lasse would never have booked that man.

It must be fantastic for tomorrow.

No, it's still hard with Daniel.

The worst thing is that it goes out of his way.

He doesn't get to come here and meet his grandfather.

But this is the story.

Not the whole pizza, then.

It's absolutely wonderful.

Are you with me?

Yes, yes, yes. I have to do this.

Come on, then.

Let's go in there and get something to drink.

No.

I don't think there are so many hand cameras in this.

I'm thinking Dolly and the tripod.

I'm sorry I can't keep in touch.

I'm bad at that when I'm filming.

It's the same here, you know.

It's the same here.

I have to... I have to hear who this is.

But Netflix will also have a word with the team.

They want us to talk to someone else, too.

Oh, I see.

Yes.

Skål på det.

Kul å se det.

I don't know.

I can't see it.

But check if I can read his

little pieces.

I'm an emotional person, and you're an emotional person.

We're the same.

I was wondering, who is the you?

She says, you know.

Who is the you?

Who do you think?

I don't think it's her mother.

She'd never say that to her.

It feels like it's just an inner voice, I guess.

It just feels weird to speak and not be talking to anyone.

Great.

Let's do it once with Ingrid listening.

I am.

Come here.

Try sitting here.

And you pick it up at...

I had this kind of crisis, and talk to Ingrid.

I remember

she's never told

anyone about this.

She's embarrassed about praying like this, you know. Might try to hide it or

laugh at herself, but... You're ashamed.

You're ashamed of being...

Okay. Okay.

I had this kind of crisis.

I was alone in the house again, lying in my bed, crying.

I know everyone lies in bed crying.

Someone said praying isn't really talking to God.

It's acknowledging the despair.

To throw yourself on the ground because that's all you can do.

Not unlike lying with your heart broken.

Thinking.

Please call me.

Please forgive me. Please take me back.

And I had fucked up.

And I was alone and crying.

And then for the first time,

sat down on the floor and prayed.

I don't know who I said it to, but I said it out loud.

Help me.

I can't do this anymore.

I can't do it alone.

I want a home.

I wish her mother was like this in the film. Yeah.

Are you sure it works, doing this in English?

Yeah, of course.

Maybe I should have a Norwegian accent, like Ingrid.

I don't have an accent.

Do I?

She's Swedish.

Do I have an accent? Your accent's non -existent. I just mean, wouldn't it be

weird if everyone has a Scandinavian accent and I sound like this?

Well, maybe.

I'll think about it.

Can I ask a little bit more about the character?

Sure.

I think my big question is still why.

Why she decides to kill herself.

No.

So what do you think?

I get that she's depressed, like her mother.

But she has a child.

That's the question the film is asking, isn't it?

I think you have to find your own breeze.

Could I ask about your mother?

I don't mean to pry.

I just can't help but feel she might be relevant in some way.

Oh, this is not about my mother.

Okay, thank you very much.

Da hun senere skulle fortelle om det til Even, føltes det ikke som om hun kom

med så mye nytt.

De hadde vel visst det meste.

Det var vanskelig å beskrive hva som hadde gjort så sterkt inntrykk.

Var det bestemorens vittneavhør?

Hvor tørt og usentimentalt hun hadde beskrevet det?

Eller var det at hun bare var ett av mange offre som vittnet i samme mappe?

The police report on her suicide 15 years later was thin.

There were no pictures.

But her father's name was there.

He had not been heard.

Probably because he had only been 7 years old when it happened.

And then you panoramically...

Wait, wait, wait.

Why don't we just go to Nora's premiere?

Therese is pregnant.

She might want to eat there first.

I have to get a car from the office, I think.

But you're coming, right?

Yes, of course.

I want Erik to be in my film.

It's perfect.

Okay.

I don't have anything.

I have a secret.

You're also a bit pale.

What? You were really good at the movie.

Keep going with it.

I want three glasses of juice Thank you for washing my clothes Thank you

for washing my clothes Thank you for washing my clothes

I almost don't dare to close my eyes.

I'm afraid that when I open them, you won't be here anymore.

Let's take a break.

You seem a little distracted.

I'm a bit tired.

You can't go wrong here.

The only thing you can't do wrong is not to listen.

And don't rush it.

Okay?

Let's try one without the accident.

We'll take it from the previous page of the talk.

Hey. Hi.

So nice to meet you.

Nice to meet you. Sorry I had to wait.

No, thank you for taking the time. Of course, of course.

Why didn't you want to do the role?

I can't work with him.

Why?

We can't really talk.

But he wanted you to do it.

Yeah.

Yeah.

I don't know.

Just keep thinking that he made it.

He made a mistake.

I just can't... I can't get a handle on her,

you know?

The more that I study her, the more lost I feel trying to be her. Like, her

sadness is... It's such an...

overwhelming part of her.

It's a beautiful thing.

But I can't tell if that's just the cause of everything

or is it a symptom of something deeper.

I don't want to disappoint him.

You know.

He's a very difficult person.

But he's a really good director. And he sees something in you.

So you'd be stupid to walk away.

And it's like I don't have control over it. I don't like it when I don't have

control over it.

Do you understand?

I'm too old.

It's thanks to the people in Prärje.

It's the Mohicans, for fuck's sake.

And the new guys there.

And they send a murder report to me.

I miss Peter.

I get so fucking sick.

I'm too tired, Mickey.

When Dad left on the 15th, I was 54.

Maybe it was him.

Maybe we're too old.

It could be the last movie we make together.

But you shouldn't think that...

Do you think you should keep up with the times or something like that?

Do you promise?

This topic, you've stressed it before.

We know that.

But you've never agreed with her in this way before.

So purely, so personally.

And okay, so it took all those years to get there.

But you really have to make this film.

And you have to do it your way.

You have to.

Yeah. Okay.

Bye.

Thank you. Thank you.

Thank you.

Thank you.

Yeah, I'm going to do that now. Then I'll call you back.

But it's not possible tonight.

No, I've played a lot of games.

I haven't given up on it before.

It's just not possible.

I'm very sorry for you.

Yeah, thanks.

Okay.

Bye. Bye.

Where's Erik?

He'll be here soon.

Why didn't you come to Nora's premiere?

It's your fault.

She didn't want me there.

Let me show you. This is the original, and this is the translated version.

So that Erik can practice the English lines.

Don't do anything like that.

He talks like he does.

Who talked to you?

No.

I don't know if that's a good idea.

It's really good.

It'll be nice.

No, I don't know if he wants it.

Yes, he wants it.

How do you know?

I've talked to him.

Have you talked to him?

Yes, I just mentioned it. He was very happy. Oh my God, Dad, you can't talk to

him without me.

When you played in my film, that's exactly what I have.

This will be good.

Just so I can see them together.

I think Rachel will like doing these scenes with Arnold.

A little more joy in them.

I think she needs to know the other side of the film.

Can you stop talking, Larsen? Stop, just stop.

I don't want Erik to play in the film.

Agnes, for fuck's sake. Yes, it was fine, dad.

It was fantastic.

It's the best thing that's happened to me in my life. I got to be with you.

You made me feel like the world's most important and best person. And then you

were just gone again. I didn't see you for several months.

Yes.

But I don't understand.

I don't understand how you can screw off and how you can be so close and real

and just disappear.

And then there are others who are the world's most important.

I don't care.

I really don't care if it's good or bad.

I care about Erik.

Hi.

Hi. Hi.

Okay, I'm going to put it on.

I'm going to put it on.

Hi. To what do I owe the honor?

You okay?

Yeah, I guess.

Come on in. We can come and see.

Thank you.

So, you don't want to do the film anymore?

I... I just...

I just don't... I don't want to let you down.

I won't drop out if you really want me to stay.

Is it just me?

This doesn't feel right.

It doesn't feel right for you either, does it? Me doing this film?

Of course it does.

I don't think it does.

You know...

You you asked me to dye my hair the same color as your daughter And

I mean you don't want this film to be in English do you that feels wrong to you

too, right?

And I don't want to disappoint you

I'm

sorry

I let you down, Rachel.

I'm sorry.

Those doctors will do their role even if it felt wrong.

Just leave and let the agents sort it out.

You came here.

You're a good person.

Please don't look back on this as a failure.

You're a great actress.

Before I come, I have to answer the phone.

Are you okay?

You have to answer.

I get nervous when you don't answer.

What's going on? Is it sick?

I quarreled with my dad.

I thought it was nice.

He wanted me to act in the movie, and I didn't want to.

And then I read Manso.

It was really nice. It was completely different than I thought it would be.

I know you don't want anything to do with it, but I want you to read it.

I felt like it was about you.

I felt like if I wrote it to you, it wouldn't be about my mother.

You know,

I don't believe in God at all.

We came from a home where everything was completely unimportant.

We weren't even baptized, and my sister and I just confirmed that we were

citizens for the money.

But then I had this crisis.

I was all alone in the house again.

I was lying in bed crying.

I know, everyone is lying in bed crying at some point.

But someone said that praying is not talking to God, but realizing the

despair.

I threw myself on the ground, because that's the only thing I can do.

A bit of love -sorrow, and thinking, call me.

You have to regret.

Take me back.

And I was there.

I had put everything on being alone, and I was there crying.

Why? For the first time.

I sat down and begged.

It's hard to explain.

I don't know who I was to, but I just said, help me.

I can't do this.

I can't do this alone.

I want a home.

I want a home.

Did you tell your father about the suicide attempt?

No, of course not.

But I thought about it, how he got me involved.

I've mixed up a lot of stuff with my mother.

I'll see you later. I think I might have been there when you walked through that

thing. It was nothing.

It was just you.

How did it happen that you read so well and I read so well?

It's not true.

How did you become such a good person with your growth?

It hasn't always been okay for me.

But now I've got family and a home.

There's a big difference in how white and white you are.

Yes, you and you.

I know you think you can't show concern, but you were there for me.

When mom was gone.

You washed my hair.

Good morning.

Subscribe.

Subscribe.

Champagne?

Yeah.

I saw a dream last night bright like a falling star and the sources of

light seemed so near yet

so far

You know... Yeah,

okay. Yeah.

Bye -bye.

All right.

And it's over.

Thank you.

Perfect.

Sitting in the back seat of my car with my arms around my

guitar.

And the rain falls from the roof of the world.

Nothing around, just trees and ground.

There's a bird in a tree singing his song just for me.

Just for me.

Seems like my soul is dead and gone.

But it's all right.

I'm back in the fight.

I thought my day would never come.

Maybe it won't, but I'll have fun.

And I'll hold tight.

Because that way it might.

just where I am.

I'm a nowhere man. I'm a desperate dad.

But I'll find out.

Maybe if I shout.

Give me your hand, I'll give you my mind.

It's a fair exchange if you're deaf, dumb, and blind.

We're sold out.

Well, that's what it's all about.

Ta -da!