All language subtitles for Girls.S04E02.KILLERS.English-WWW.MY-SUBS.CO

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I feel like Adam is putting on this
really brave face for me,

but the minute I leave tomorrow,
he's just gonna fall apart.

Modern communication, we're gonna talk,
like, 10 times tomorrow. It's all good.

Smile, my honey.

- I graduated today.
- Welcome to the world.

I wanted to say that I'm sorry.

For, like, trying to manipulate you into
being in a relationship with me again.

I'm her daughter. You lied to the police
and she could've died.

She's coming to live with me
in Connecticut.

We are Desi and Marnie.

I think that I was just maybe threatened
by the musical connection you guys share.

Well, I'm sorry.

You're pussying out right after you told me
I need to come back to New York.

- Do you want to go over the plan again?
- We'll take it day by day.

There's no need to create some drama.

Girls - S04E02
Triggering

sync and correction by solfieri
www.MY-SUBS.com

12, 13, 14,

15, 16, 17.

Okay, this place is huge.

How much did you say this is?

It's 250.

A month.

It's got really great light.

Okay, what do you think
I could get for, like, 800?

I mean, two thumbs the fuck up.

Well...

does that mean you want it?

- Don't bother.
- What?

You're in Iowa.
No one locks their bike here.

- Really?
- 100%.

Are you a first-year?

Uh, no. Me? I'm in graduate school.

Yeah, no, you don't look
like an undergrad at all.

Sorry, bro.

Well, I mean, a lot of
people think I am 19.

I get carded all the time and
no one ever thinks I'm legal,

like, in the bedroom.

I'm gonna break eye contact with you now.

Let's go get your materials.

Awesome. Are you sure I can leave my bike?

Hell, yeah. This is Iowa.

Okay, this is my living room, which is
really more like a lounging parlor.

This is my shelf of curiosities.

There's my Lubriderm.

This is my kitchen.

I'm sort of figuring out
the decorative scheme.

Can you believe it just took me four
minutes to show you my entire house?

In New York it would've
taken four seconds.

I'm telling you, Iowa's incredible.

We should all move here
and start the revolution.

No one is moving to Iowa ever,

but I'm so, so glad you're happy.

- Seriously.
- Honestly, I feel like I made the right decision,

which is a totally new sensation for me.

I mean, I'm eating grapes as a snack.

I knew you would do it eventually.

- How's New York?
- It's really good. And don't start.

Don't start with what?

I just know that you're gonna try
to talk to me about Adam right now

and you're gonna be subtle about it.

Don't start. I'm not gonna tell you.

I didn't want to talk about Adam
until you brought Adam up.

- I mean, how is Adam?
- Oh, my God!

Marnie, we talked about,
like, 20 things first.

I just know that whatever I tell
you is gonna make you act weird.

Marnie, I've 100% moved on, okay?

I'm here, I'm totally at one with
my body and my surroundings.

- Good.
- I just want to make sure that if he were to, say,

go into to the hospital,
you would let me know.

Okay, here's the deal.
If he goes into the hospital,

I will tell you. I promise.

Great. That's all I ask for.

By the way, what are you doing?

You haven't knit since, like,
second semester, freshman year,

when you made the hat for the bipolar guy.

You're gonna make fun of me.

- I'm knitting Desi a scarf.
- So you made him one?

Why didn't you just go to
Uniqlo like a regular person?

Because I wanted to make him one

so it's, like, homemade,
and so that I'm always with him.

- I don't know.
- Even when he's with his girlfriend.

This is why I'm not
telling anyone about us.

You mean because it's an affair and
those are generally kept secret?

No, and stop using that word.

It's because people are really judgmental

and they're threatened by this idea.

- Mm-hmm.
- Would they be happier if their boyfriend ha...

Marn?

Marn, your face is frozen
in a very funny position.

Cool, well, that's it.

- Thank you.
- Yeah.

Your hair looks like it smells great.

It smells so good.

Must be nice to have your parents
paying for all your shit.

What?

Just, you know, must be nice
to still be on the teat.

I'm a graduate student, so that's
not really my situation anymore.

Okay.

So, yeah, this is four things of nuts.

- Four nuts.
- Brain food.

Four nuts for a nut, right?

Cool.

- Here you go.
- Thank you.

Oh, my God. What did you do?

It's a long story, but the strip
still works and that's what matters.

I mean, it looks like
somebody tried to cut it

and then you found it in the garbage.

Nope, my card. Says my name on it.

Okay, fine. I don't really care anyway.

Normally, you would do this...

- Uh-oh.
It says we gotta call Amex.

- You have another card?
- Nope, let's call Amex.

No, I don't want to.
Just give me another card.

I said let's call Amex.

If it says let's call Amex,
let's call Amex.

Okay. Who travels with one card?

Just have another card.

- Can you call Amex?
- Absolutely, yeah.

- Thank you so much.
- Customer's always right.

Thank you.

That's not true, though.

Yeah, don't bother.
You're in the dead zone.

It's, like, this block
and, like, 200 feet that way.

Yeah, but my phone worked here earlier.

Yeah, I don't know. It's weird and random.

Phones work at the yacht club, though.

You should come by.
Battle of the Bands tonight.

I'm drumming... in both bands.

No!

No!

There's a bat.

Fuck.

Fuck, shit!

Ow.

"She comes home after work

smelling of cheap beer and menthols,

grabbing at her cheek,
crying over her rotting tooth.

'Looks like a fuckin'
black hole, ' she says.

'How do they expect me to bag
groceries when I got this pain?'

She smokes some of the pot
I got her from my buddy Whiz.

'Give Mommy a kiss.
I love you, ' she says.

I go to my room and draw
pictures of her rotting tooth."

Thank you, D. August.

Who wants to say what the story was about?

First of all, I just want to say

that I thought this
was one of the best pieces

that I've read in this program so far,

- and I'm a second-year.
- Ah.

Gut-wrenching.

And not asking to wrench our guts.

Just wrenching them.

Chester, hi. Chester Chong.

- Hi.
- Hey, what's up?

- Chester.
- Um, hi.

I liked how the language
was really spare but cutting,

and I thought you played
with gender in a way

that was really surprising and, like,
almost offensive but not offensive.

- It's a really fine line.
- Yeah, he's just walking it.

- It's really good.
- Yeah.

I agree.

Man, I would literally cut my arm
off or pay you everything I have

just to write three more pages of that.

I need to know more, please.

Well, I assume the mom dies.

Okay, let's change focus here. Hannah?

Okay, so I just wanted to say that
I know you've all read the story

in the privacy of your own homes,

but hearing me read it aloud here today

may bring up some of the more
triggering aspects of the piece,

so I just want you to feel free
to quietly leave the room

or express your emotional reaction
in any way that feels safe,

even if that is
kind of a darker expression.

Okay, here goes.

This story's called "Contact."

"There was no going back.

There were new rules now,
new reasons for him to call.

He made choices and I obeyed.

I let him press his thumb
so hard into my neck

that blue marks appeared.

I let him bend my limbs
ways they didn't go,

and once his arm reared back

and his fist landed with a
thud on my collar bone,

like sex, that didn't feel like
anything I thought it would.

He moved me where I had to go.

The goal was not to say no,

and so it didn't matter if I
was good in my choicelessness.

I was free for a moment."

Okay, what is this story about?

It's about a really privileged girl

deciding that she's just
gonna let someone abuse her.

Yeah, that's what it's about.

Honestly, I was very distracted
by how "Fifty Shades" it was.

I actually haven't read
"Fifty Shades of"...

Hannah, you know you have to sit
tight until we're done discussing.

Okay.

In some ways, I was
struggling not to be offended

because it seemed to really trivialize

the very real abuse suffered by some.

I don't know if anybody
else felt that way.

- Yeah.
- That was just one paragraph.

Hannah.

Anything else?

No?

Okay.

What's working?

I'm sorry, I have to say something.

I'm actually really struggling
with how to talk about this piece.

Like, I tried writing my
notes for Hannah last night,

but I think there's a larger issue here,

which is how are we
supposed to critique a work

which is very clearly based directly
from the author's personal experience?

- Mm.
- Hmm.

I had the chance to speak
with Hannah yesterday

and she is very much this character.

- Hmm.
- Yeah.

Because this
is a fiction workshop,

I think we need to treat
every piece we receive in here

as a work of fiction.

Uh, but I have the same problem,
and I've never even met her.

It's just... look at her.
She's obviously her.

I mean, the main character is a girl
with a lot of tattoos named Anna.

Who needs to eat every two
hours or she passes out.

Well, even if the character
was named Hannah,

it doesn't mean it's about her.

I mean, writers do that all the time.

We know that, right?

And if it's about her, so what?

Who fucking cares? This is her voice.

This is who she is.

We can't squash her voice
of what she's trying to say.

Totally, D. August.

As usual, you hit the nail on the head.

That's not really
my problem with her piece.

I definitely felt a lack of sympathy
towards the male perspective

and some stunted feminist idea...

- I'm sorry, can I say one thing?
- No, not yet. Not yet.

- Five words.
- No, I know it's hard, but just not yet.

- One word.
- Hannah.

History.

History didn't really focus
on the female perspective.

I forgot what I was saying.

Stunted feminist idea.

Yeah, for me it would be
much more interesting

if there was a complex
examination about the real ways

that people challenge each other sexually.

- You coming?
- Do they have onion rings at the Fox Head?

- Hey.
- Hey.

You headed for the Fox Head?

No, I'm just gonna go home and
metabolize the notes that I was given,

figure out a way to
integrate them into my work

in a fashion that makes sense to me.

No, no, no, no, you gotta go or
everybody thinks you're a baby.

No one's gonna think I'm a baby.

- I'm metabolizing my notes.
- Look, you're gonna go through a lot of these, okay?

So, suck it up. I'll see
you there, all right?

I'm not stressed!

No fucking way.

Hello?

Please bring my bike back!

I mean, look.

That is the danger of conferences, right?

They really attract, like, the lowest
common denominator who don't want to write.

They just want to talk about writing.

- It's awful.
- I don't mean that in a bad way.

- I just mean...
- I'm just gonna get another beer.

Do you guys want anything?

- We're cool.
- No, thanks.

Honestly, Logan, I felt
so misunderstood in class.

Oh, yeah. I can understand
that feeling, you know?

But you have to understand it's all
just a part of one big process.

Because in the real world, let's just say
you were to actually get "published."

I mean, you can't go to everybody's house
individually and defend your work, you know?

It's important to know how your
work comes across to a reader.

I know, but, like, okay, just
here alone, woman to woman,

you don't have to put on a show,

you didn't actually think
the piece was insensitive

to sufferers of abuse, did you?

That is how I perceived it.

But it's just a story.

Stories can be very powerful, Hannah.

Oh, my God.

What's wrong?

You're a survivor of abuse.

What?

Of course you're gonna be sensitive to it.

You have a right to be sensitive to it.

You're a survivor of abuse.

Hannah, I don't know
what you're talking about.

I knew aspects of the story
would be triggering,

but I didn't imagine just how
close to home it would hit.

Okay, great, you don't know
what I'm talking about.

You don't know what you're talking about.

And my story isn't about the time

that I took a couple Quaaludes

and asked my boyfriend
to punch me in the chest.

TMI, Hannah. TMI.

By the way, TMI is such
an outdated concept.

There's no such thing
as too much information.

This is the Information Age.

We're all just here to express ourselves,

so it's like to censor each other?

We're no better than... George W. Bush.

When you licked my face,

when you put your tongue on my cheek,

apparently that was just what you needed

to get in the mood
to rip out my molars, right?

I hope someday I know the passion
that Huck feels for Quinn.

But your tongue in my mouth?

That's different.

- You put your tongue in my mouth...

and now I deserve to live?

- That's a thing?
- Okay, it's, like, just a bunch of zeroes.

Prison.

Hello?

You have a collect call from...

This is Hannah. My phone broke.

Hello? What? Hannah?

To accept
this call, press one.

Dude, something insane
is happening right now.

- It's Hannah?
- Can you hear me? This is a...

Please enter your choice now.

I, like, can't understand her.
It's really fast.

This is Hannah.
My phone broke.

- is calling collect.
- Can you hear me?

To accept
charges, press 1 now.

Accept the call!

- Should I pause?
- Hello?

Have you ever heard of a collect call...

you motherfucking cunts?

Say your name after the tone.

- This is your daughter Hannah.
Please pick up.

- Honey?
- Is it Hannah?

Yeah, collect. She's calling collect.

Accept the charges.

- Hi.
- Honey, what happened to your phone?

Ask her what happened to her phone.

Oh, I just dropped it
in a creek 'cause I was...

creek walking with just a
group of my new friends.

Oh, that's nice. She has
a bunch of new friends.

- Yeah? Ask her what their names are.
- What are their names?

Oh, their names are Shannon...

- Shannon.
- Shannon.

- Jeff...
- Jeff.

- Okay.
- Jonesly...

Jonesly.

Rancheny, Nagasaki, and Cher.

There are a bunch.

Hey, tell us more. Have you had class yet?

Uh, no, I didn't have class yet.

Just getting ready and, you know,
hangin' with the new pals.

Hey, Mommy, can I ask you a question?

Sure, of course.

Is it normal when you get to a new place

to think about suicide
for the first time ever?

- What?
- Not that you want to do it or anything.

Just that you could do it.

You're thinking about ways to do it

that never occurred
to you before, you know?

Just like cutting off your own wrist.

I don't know. It's just
that it's the only way

to get out of your current
situation that you're in.

Yeah, I think that's normal.

I mean, whenever
I'm on a very high building,

I always think I could jump.

You think of dropping the baby.

- Just because.
- You do.

Honey, can you ask Hannah to call us
back when we're done with the game?

Ooh, your dad wants us to call you back.

I think he has a really good word.

- Wait.
- We'll call you right back, okay, sweetie?

- I think I can make...

Who opened the door?!

I'm not kidding!

I have a self-defense keychain

that I bought illegally, okay?

And I can slice you

from top to bottom!

Hello?

Hello?

I have a family!

- What are you even doing?!
- Calm down.

On the way here from the airport,

two people asked me if I was
Blake Lively's husband.

Iowa is amazing!

- What are you doing here?
- Well, your last text was sort of a bummer,

so I figured maybe you
could use a candy striper.

Elijah, I can't use a candy striper.

I'm in the midst of a very intense...

- I love you.
- I love you.

I love you.

But there's no way that you came
here just to be nice to me.

Okay, well, that hurts my feelings.

Honestly, New York was just too grotesque.

I mean, I just feel like a fucking loser.

I just keep running into
people that I've slept with,

and then last week I saw a homeless
woman fist herself on my stoop.

No.

It's like I've had enough.

- I love you so much.
- I love you, too.

- I hate everyone who isn't you.
- Me, too.

I've been saying that for years.

Why don't you change
out of whatever this is,

'cause we're gonna go to a
rager on North Linn Street!

Elijah, I would love to go
to a rager, but I'm sorry.

I have to, you know, revise my story

and meditate on Priya's story and...

let's forget who we are.

That's why I'm here.

- Your body looks amazing.
- Oh, thanks.

I haven't seen your pubic
hair in a long time.

I just grew it back.

I'm not gay.

Yeah, me neither, bro.

Oh? Okay.

All right.

- Yeah.
- Yeah. Parties are fun, right?

Is this what happens at every party?

Every party I'm at.

Excuse me, ding-a-ling, coming through.

What's wrong?

My boyfriend, he's cheating on me.

Your boyfriend is cheating on you?

Where the fuck is that dingbat?

Des Moines. He goes to Iowa State.

Oh, so you're saying
it's a long-distance thing?

Uh-huh.

Oh, then you're gonna
need to snap out of it.

Them's the rules, honey.
Don't ask, don't tell.

If you're not gonna know
what he's doing there,

he's not gonna know
what you're doing here.

And that's okay. And that's why you're
gonna move into that living room,

and you are gonna bust a nut.

You are gonna get your dick wet.
You are gonna get yours.

That's what you need to do.

You can't sit around think...
being Little Miss Faithful.

That's fucking crazy.

- Are you crazy?
- No.

I'm sorry. Here, drink this. Drink this.

It's okay. It's just I've
seen a lot of things.

I'm 25 years old and I'm
here to help you, all right?

All right? You're gonna be all right.

You're gonna be all right, okay?

I'm gonna use the bathroom before you.

Thank you.

Get her!

Come on, Hannah!

Get her!

Fight! Fight! Fight!

Scissor her! Really lez out!

That's what they all wanna see!

- Yeah!
- Go, take her down! Whoo!

Yeah!
- Whoo! Whoo! Whoo!

Elijah?

Elijah, let's go.

Hannah, we did it.

We did it. Come on.

We did it.

Everyone's sleeping.

Why is everybody asleep?

Fuckin' pussy.

I want to go back
to undergrad school.

I don't want to stay in grad school.

Iowa.