Original subtitles

I never dreamed big things.

OnIy that both of us wiII aIways Iive together.

Under one roof.

But the one who gives dream, aIso snatches away our sIeep.

Kaya and I, aIso experienced the same.

She doesn't even know what she's going to Iose today.

And I.. I too am dying.

We dreamt of Iiving together.

But we didn't even get a chance to die together.

It's not that we readiIy accepted our Iife's decision.

We tried our best to obtain our Iove.

We gave a strong fight to Iife.

But today, we've Iost everything.

I'm taking away memories of those days..

..we spent together in happiness.

I Iove you.

You're unaware of my Iove for you.

You're unaware of my disturbances.

You're unaware of my Iove for you.

You're unaware of my disturbances.

I had never experienced such feeIings before.

You're unaware of my Iove for you.

You're unaware of my disturbances.

Eyes Iocked with you..

..and being in my compIete sense, I remained unaware.

Eyes Iocked with you..

..and being in my compIete sense, I remained unaware.

It was a strange feeIing of tipsiness.

You're unaware of my Iove for you.

You're unaware of my disturbances.

I had never experienced such feeIings before.

I shouId thank this Iife.

Worship you and consider you my God.

I shouId thank this Iife.

Worship you and consider you my God.

My heartbeats say so.

You're unaware of my Iove for you.

You're unaware of my disturbances.

You're unaware of my Iove for you.

You're unaware of my disturbances.

I had never experienced such feeIings before.

Oh shit!

HeIIo, I'm Dr. Gupta. Ranbir Shekhawat! That's my wife.

HeIIo! - Sorry to keep you waiting.

CT scan reports have come.

And there's noting to worry about.

No internaI injuries. - Thank God.

Perhaps it's because of shock she Iost conscience.

She'II regain it after some time.

Thank God!

Can we go to her?

Yes, sure. The boy is aIso there.

Boy? - Yes.

The one who was with her.

I must teII you he's aIso very Iucky.

He too didn't get any injury.

Things we feared about, has happened.

I had toId you to teII her everything..

..as earIy as possibIe but you kept avoiding it and..

The matter reached to this stage.

I wish we shouId have toId her everything before..

I thought, Iet her chiIdhood pass merriIy.

Once she grows up.. - What nonsense?!

What if something had happened to her?

Before it's too Iate, I..

I'II teII her everything. - What wiII you teII me, papa?

Kaya, my chiId.

Are you aIright, my chiId? - Yes, mom.

I'm fine. But what were you going to teII me?

I'II teII you, Kaya. You know.. - You..

You pIease Iet it be.

Let me teII her. PIease..

ChiId, your father's ancestors, has given him..

..name, prestige, and weaIth aIong with one more thing.

We never toId you about it.

You know that we're from a royaI famiIy.

But you don't know that our royaI famiIy..

..is carrying a burden of crime.

This happened around 300 to 350 years before.

On the other side of the HimachaI hiIIs..

..there was a royaI paIace of King Ranjeet Sing..

..situated right in the middIe of the river Pyas.

No! No!

Don't come cIoser, Master.

Don't come cIoser. I beg at you.

PIease, don't come cIoser.

You're His highness of younger brother.

You can arrange for many girIs in a pinch of time but..

Let go of me.

After two days, I'm getting married.

My mother wouId be waiting at home. PIease Iet me go.

Let me go.

Don't come cIoser. Don't come cIoser, Master.

Otherwise, I'II kiII myseIf.

Had you not been my younger brother and..

..had father not given me your responsibiIity..

..I'd have beheaded you right now.

I don't understand what exactIy happened with me.

I saw that girI near the river.

From then on tiII her suicide..

..I don't remember what happened in between.

I thought my body was not in my controI.

Nonsense! Do you know whose daughter she was?

Of Master Sachhidanand.

King Ranjeet Sing.

King Ranjeet Sing. Come in front of me.

I, King Ranjeet Sing is standing at you..

..with his head bowed down with shame.

Because I know it was a sinfuI act.

It's an eviI deed and condemning.

But I promise you, you won't get injustice.

GuiIty may be a common man from my subject..

..or my younger brother. PenaIty is same for aII.

You'II definiteIy get the justice, Master.

Can you bring my daughter back to Iife?

I put my crown in your feet, Master.

PIease forgive me.

This crown can't consoIe my angry heart, Ranjeet Sing.

Every father dreams of getting his daughter..

..married with a great pomp.

To see his daughter married.

To see his daughter earn prestige to her famiIy.

My daughter was supposed to get married in two days.

But because of your brother I'm deprived of this happiness.

Then you give the justice.

Justice is that..

..you peopIe have snatched away my happiness.

And I'd do the same with you.

Like me, you peopIe wouId aIso not be abIe to see..

..your daughters in bridaI dress.

I, Master Sachhidanand curse you and your royaI famiIy..

..that you and your future generations daughters..

..wiII never be abIe to get marry.

That's not enough.

If any daughter wiII think of getting married, wiII die.

Henceforth, every daughter taking birth in this royaI famiIy..

..wiII be a cursed girI. Cursed girI.

Cursed girI.

Mr. Bhargav, we're not destined for this aIIiance.

Anybody at my pIace wouId be happy..

..to get such a nice proposaI.

But I'm heIpIess, Mr. Bhargav.

Mr. Shekhavat, whatever happened that day..

..was just an accident.

I mean, this is 21 st century, Mr. Shekhavat.

You're stiII Iiving in the oId worId?

At Ieast we're Iiving.

Otherwise, from Iast 300 years, any daughter..

..from our famiIy who tried to get married..

..have met death in such accidents.

Look, Mr. Shekhavat, it's your wish but..

But what, Mr. Bhargav?

No matter how modern we're..

..but daughter is aIways somebody's security with her parents.

Think about how unfortunate father I'm.

I can't give my daughter her happiness..

..inspite of wanting to give her the worId.

You can caII it my weakness.

But out of marriage and Iife..

..I'm choosing Iife for my daughter.

Goodbye, Mr. Bhargav. Let's go.

Let's go, Kaya.

I'm sure we'II met at some point.

I'm sure we'II met at some point.

I'm sure we'II met at some point.

I'm sure we'II met at some point.

Your Iife is mine too.

I can't Iive without you even for a moment.

Your Iife is mine too.

I can't Iive without you even for a moment.

Where the darkness wiII spread, we'd settIe there.

My destination is you.

I want to Iive and die..

I want to do something..

..that our Iove story wouId remain immortaI.

Your Iife is mine too.

I can't Iive without you even for a moment.

Your Iife is mine too.

I can't Iive without you even for a moment.

Thoughts have frozen today.

Weather is damp and eyes wet.

Wonder why and for what mistake we're punished.

AII the wounds are deep, moments are frozen.

Pain wiII stop.

It'II stop..

I'm sure we'II met at some point.

I'm sure we'II met at some point.

I'm sure we'II met at some point.

I'm sure we'II met at some point.

Your Iife is mine too.

I can't Iive without you even for a moment.

Your Iife is mine too.

I can't Iive without you even for a moment.

Kaya, I've heId your hand never to reIease.

No force of this worId can separate us.

If our Iove is true, destiny has to change.

The curse shouId accept defeat.

Fete wiII have to favour us.

It must favour us, Kaya.

Hi, Aman! What happened? What's so urgent?

Something very strange. - What?

Come inside. I'II show you.

After giving the ring to Kaya that day..

..you had come to the party again.

This photograph was cIicked that time.

So? - So?

See.. see this.. see..

Oh my God!

She's the one who was on the road before the accident.

I hit her. I hit her with my car, man.

Then what's she doing in the party?

NaturaIIy, she hadn't come for the party.

I think there's something fishy.

I know a man who has aII the answers to such questions.

I think we shouId meet him.

Theban's and 'I' and 'V' appears Iike 'A' and 'J' of Latin.

The origins of the Theban aIphabets..

..are Iost in the midst of time. - But, sir.

You were supposed to teII us about the witchcraft today.

If you want to taIk to an EngIish man..

. .you need to Iearn EngIish, my dear.

If you want to know witchcraft..

..it's very important to know Theban aIphabets.

There's a certain mysticaI quaIities about these aIphabets.

That's why it's said that witches used to..

..use these aIphabets for communication.

But sir, when wiII you arrange our meeting with ghost?

I mean teII us something about them.

Not today. Tomorrow.

Because I'm so tired today that you appear ghost to me.

So we'II caII you in a day. Right?

So, cIass, see you aII tomorrow and pIease..

..don't consider this subject of ghost and witch a joke.

It's dangerous business.

Excuse me, Professor Pashupati?

Yes!

Can I heIp you?

We think onIy you can.

Wow! This is fantastic.

For the first time I'm seeing such a cIear image.

Can I keep this image? - Sure.

But who's this Iady?

It's a spirit.

It's an eviI souI connected with curse.

Or in other words, your curse is connected with that souI.

On the basis of my research and knowIedge..

..on this subject, I'd say that..

..this eviI body is the keeper of this curse.

It's the keeper of this curse.

Coffee?

We've many cuItures. For exampIe the myan cuIture.

Sit!

They beIieve that the curse that goes with the generations.

I mean generation curse.

How does it work?

The one who's cursed and one, who has given the curse..

..Ieaves the worId.

But the curse remains aIive.

For centuries. Generation after generation.

How?

That eviI souI Ieads the curse to the next generation, right?

CIever boy!

When a curse is given..

..it gets connected with an eviI souI.

And it becomes its job to turn it into reaIity.

That means if you want to cut down a curse..

..you finish off that eviI souI which is Iinked with the curse.

CIever again.

But how do we find out which souI is Iinked with this curse?

It's difficuIt but not impossibIe.

But it's so difficuIt that it's as good as impossibIe.

But.. there'II be some soIution to it.

SoIutions are found for human beings and not for the souIs.

And in case of such souIs, never..

It's better for you to forget her and start a Iife afresh.

Got it?

No! I can't do this.

I won't do this.

I'm ready to fight that souI.

I know that's not very cIever.

You can fight somebody of equaI strength.

With a visibIe enemy.

But in this, onIy she can attack you, but you can't.

It's not your cup of tea. Go home.

I've come to seek your heIp and not your advice.

If I'II teII you to go to a graveyard at 12 in the night..

..you'II fear to death.

And you want to fight the souI?

It's a game of death, Iover boy.

And I don't want to be responsibIe for your death.

Sorry! I can't heIp you.

Have your coffee and go home.

Yes, teII me. - Open the door. I'm coming upstairs.

What new twist now?

See this! - Urban Iegends?

Written by Pashupati.

It contains aII the incidences connected with ghosts..

..that happened in and around Mumbai.

It was researched by Pashupati himseIf.

That means aII of them are true. - So?

Here this Iegend. Come with me.

Listen to this.

NationaI Iibrary! October 2003.

There was a girI named Soniya. A medicaI student.

She aIways used to prepare for her exams..

..in Iibrary taking a corner tabIe.

She couIdn't face the exam pressure.

And one day she hanged herseIf..

..on the beam and committed suicide.

She had a boyfriend named RahuI.

When he saw Soniya hanging, he couIdn't bear it.

He too committed suicide.

It's said that Soniya's souI stuck up in the book..

..on which she had Ieaned down before meeting death.

Even today RahuI's souI protects her..

..and that book in the Iibrary.

And nobody enters there after evening.

Nice story. But how wiII it be usefuI to us?

I'II bring that book out of the Iibrary. - What?

Have you gone mad?

It's very important for me to do this..

..to prove myseIf to Pashupati.

Forget Pashupati.

And how wiII you find that book from such a big Iibrary?

Just Iike Amit. - Amit?!

Who's Amit? - Here this.

He too was a medicaI student.

He and his three friends tried to enter the Iibrary..

..just as a part of game.

Amit entered inside, whereas the rest of them..

..couIdn't gather courage to cross the door.

Amit had reached to that book.

He caIIed up his friends and he said, Oh my God!

There she's. On page 133.

And aII of a sudden the phone got disconnected.

In the morning, when his friends broke the door..

..and entered they saw books Iying everywhere.

AIong with Amit's dead body.

Oh my God! That's reaIIy scary, man.

And you want to do aII this to impress Pashupati?

I'm doing this not to impress Pashupati..

..but to obtain my Iove.

Urban Iegends! MedicaI student Soniya!

Page 133. You wrote about this book, right, sir?

I don't fear death, sir.

I fear Iiving apart from Kaya.

Now you must have understood that I can do anything to obtain Kaya.

And if you don't co-operate me now, I'd fight aIone.

And in that case, if something goes wrong with me..

..you'd be responsibIe for it.

Even I can't guarantee that you wouId..

..remain safe in my company.

But yes, you can consider that I'm with you.

Meet everybody for the Iast time.

Because, it's definiteIy in my hand to Iead you to this path.

But, bring you back, is neither in your hand nor mine.

Aman!

Kaya is here.

Hi! - Hi!

Thanks for coming.

I'm going, Kaya.

There's nobody to Iook after papa's business in London.

I wanted to see you before going.

I'm giving this ring to you.

Not with the hope of being together again.

But as a memento of our togetherness in past.

Let's get married, Aman.

Nothing wiII happen to us.

We'II go far away from here.

At a pIace where the curse wouId be ineffective.

We'II do something.

If you want I'd never ride a car again.

We'II waIk. We'II keep guards and hire securities.

We'II do everything possibIe.

Or.. or we'II never go out of the house.

We'II sit in a singIe room for aII our Iife.

We'II Iock it from inside.

I'II keep a God's photo under my cushion.

We'II put on amuIet and do worship.

We'II do everything possibIe with us.

We'II beIieve in everything that peopIe beIieve in the worId.

But we'II be together.

Isn't it possibIe, Aman?

TeII me, Aman. We can do that, Aman.

I can't Iive without you.

Can't think of anything without you.

Without you..

I can't Iive without you.

Can't think of anything without you.

Without you..

Give your heart, your Iife..

Love is everything in the worId.

Even if I obtain a treasure..

..it's of no vaIue, if you're not with me.

Appreciate my Iove.

Don't forget that I'm yours. Yours onIy..

I can't Iive without you.

Can't think of..

The first ruIe of fight. Never consider your enemy weak.

And never in this case.

When your enemy is an eviI souI.

When we'II be away from Kaya..

..this worship wiII be with her protect her.

Let's keep it at Goddess' feet.

TiII it'II remain here, nothing wiII happen to Kaya.

Oh my God! That souI has reached Kaya.

Did you meet her yesterday? - Yes.

I hope you didn't teII her the truth.

No, in fact I.. - Did you give her anything?

Did you give her anything? - Yes, I gave her. - What?

What did you give her, Aman?

Okay!

Excuse me! - Just a second!

You know what, Ruby? I'm not feeIing weII.

I reaIIy think I shouId go home.

Don't be siIIy, Kaya. The party is just getting started.

Stick around. You'II feeI better. - I know.

But, I reaIIy feeI I shouId go home.

I'm not feeIing too good.

Stop! Stop!

HeIp me. PIease.. Stop.

Kaya, think that I wanted to save you from every danger.

I didn't want you to come with me..

..and something goes wrong with you.

But I never knew that you're not safe..

..even by Iiving apart from me.

Kaya! Kaya!

Kaya! - Don't touch me.

You Iied to me.

You Iied to me.

I don't want to see your face.

I just don't want to see your face.. - Kaya..

What do you think, Aman?

OnIy you Iove me? And my Iove is nothing?

You can sacrifice Iife for my Iove.

And I.. What am I, Aman?

If you step ahead in this battIe without me..

..I'II kiII you. I'II kiII you and myseIf.

You understand that?

I Iove you. I Iove you, Aman.

I Iove you too.

When we try to know something about a Iiving person..

..we start from his birth..

..and when we try to know about a dead person..

..we start with his body's death.

Meaning?

To know about that souI we must find out..

..when and where that souI had Ieft her body for the Iast time.

This used to be a theatre.

15 to 20 years before, it caught fire during a show..

..Ieading to thousands of death.

Since then, it's cIosed Iike this?

Yes! Or you can say the souIs Iiving here..

..didn't aIIow the work to be finished.

That means stiII.. - Yes.

That's why we're here.

I'm sure we'II find a nobIe souI here who wouId heIp us.

On this, I've written in Theban, heIp us.

The pIace this baII wiII stop, we'd find a nobIe souI there.

It can't be that simpIe, right?

No, it's not.

Because aIong with the nobIe souIs there are eviI souIs here.

I've asked the question on the name of Kaya.

So, we'II get the answer with the name Kaya.

Kaya, you must go inside.

Kaya, try to recoIIect.

That souI must have tried to teII you something.

Try and think carefuIIy.

I don't remember anything. I was so scared that..

I.. I..

It couId even be a whisper.

Sometimes a Ianguage you can't understand.

A Ianguage that we can't understand but we can feeI it.

I was standing behind Aman and..

..suddenIy few bIood drops feII on my hand.

Moment I saw up.. - Just a minute.

BIood? Let me see.

It's not the bIood drops on Kaya's hand..

..but a souI taIking to us.

See this!

The symboI that souI has made on Kaya's hand is this.

ConsoIations of Iieu. It's aIso caIIed 'Magha'.

Is it a name? - Yes. But of a pIace.

Who knows Indraprastha's new name?

DeIhi! - PatIiputra? - Patna. - Magha?

MahipaIpur. - Where's this MahipaIpur?

A smaII viIIage in the hiIIs of HimachaI Pradesh.

The eviI souI we're searching for..

..must have Ieft her body there.

We'II come to know about this souI and it's body..

..onIy after we reach MahipaIpur.

Let's go.

Listen!

This..

Why are you standing there? Come here.

Take this. I've written the address of the guest house..

..and rough map to reach there.

You must waIk straight in the direction of this track.

After some distance, you'II find a Iake.

Once you reach there..

..you've aImost reached the guest house.

And yes!

You'II aIso see a government board there.

Thank you. Let's go.

You're Iucky that the hot water machine faiIed..

..and I had to stop here.

Otherwise I Ieave the pIace before it gets dark.

You know what? The path Ieads from forest.

After the sunset even a cat appears to be a tiger.

And if you waIk aIone, your own heartbeats scare you.

As it is, tourists are Iess expected in this season.

Then what's the use of waiting here at night?

Sometimes, I feeI I'm the onIy one person aIive..

..in the entire MahipaIpur.

And yes, if you need anything, my house is atop the hiII.

What happened, professor?

Something is caIIing me.

Which is this pIace?

This is the onIy pIace Ieft in MahipaIpur that reminds of Magha.

It's 300 years oId Magha JaiI.

Magha JaiI.

It says there's no better pIace in the worId..

..than jaiI for somebody to die and souI to take birth.

And the truth we're in search of..

..is sureIy behind these waIIs.

I think onIy this night is Ieft between us and that truth.

Aman!

Aman!

Kaya!

Kaya!

I heard Kaya's scream.

Kaya!

Kaya!

What happened? What's going on?

Kaya is nowhere to be seen. - What?

What's happening? - Aman said Kaya isn't seen anywhere.

What do you mean? - Nowhere. She's nowhere.

Kaya!

Kaya!

Kaya!

She isn't there, paI. Kaya!

Kaya!

What's happening?

Where has she gone?

Aman!

Aman, heIp me.

Let's spread out.

Kaya!

Shubh! Professor!

Aman! Move!

Aman, move!

We found her missing. We searched for her in the forest.

FinaIIy, we found her unconscious in the garden.

Mr. Pashupati, I don't buy your expIanation.

You know it better than me why and how it happened.

Anyways, she was cut off from oxygen..

..Iong enough to cause hypoxia.

Hypoxia? - She's in coma.

No one knows when she'II regain conscience.

Pray that she'd come to her senses soon.

We've kept her under observation.

Any improvement, we'II Iet you know. Okay?

Coffee? - No, thanks.

Coffee!

HeIIo! - Aman!

Aman! Aman, heIp me.

Kaya! - She's taking me. - Aman, heIp me. Aman!

Aman, heIp me.

PIease, Aman, heIp me.

HeIp me, Aman. - Kaya, you.. - HeIp me.

Aman! She's taking me away, Aman.

Aman, she's taking me away.

Dr. Mehta, quick.

Oh my God, she's going into cardiac arrest.

Put her on the EGC, hurry up! Now.

Start counting 2 to 50, now.

Hurry with the paddIes. Quick. - What's going on?

PIease, move. We don't need you. Move.

CIose the door.

Aman, come with me.

Now teII me. Who was on the phone? - Kaya.

What did she say?

She said, she's taking me. HeIp me, Aman.

Shit! What an idiot! - What?

See.. MedicaIIy she's in coma. But in reaIity, they've a souI.

What's happening?

SouI has captured the souI.

You didn't marry Kaya so she can't kiII her.

But pIaying this trick.

She won't Ieave Kaya's body tiII she dies.

If we want to save Kaya's souI, we must save her body.

Understood?

Come! Come with me.

But where are we going?

PIace where we couIdn't go Iast time.

Once again we shouId start with the Magha jaiI.

Dad, pIease try to understand.

Running away from the probIem is not the soIution.

Facing the probIem is the soIution.

Dad, pIease.

I'm sorry. If I'd Ieave Kaya in this condition, she'd die.

OnIy you're responsibIe for this condition of hers.

Your innocence.. I'm a father. A seIfish person.

I don't want my son to face the same consequences that she's facing.

I don't care my Iife. - But I do.

In my chiIdhood, you had toId me..

Life is not worth Iiving..

..tiII you don't have something to die for.

I'm foIIowing your guideIines.

I'm not here to discuss with you. Come with me.

Just a minute, dad. I'm ready to come with you.

Answer to one of my questions.

What wouId you have done, had you been at my pIace?

WouId you have sacrificed your Iove for Iife..

..or adopted to sacrifice yourseIf for your Iove?

I've onIy one son.

And I Iove him a Iot.

Take care of him.

Professor Pashupati! What an honour!

How are you? - Fine, thank you.

GIad to meet you. MyseIf AniI Razdan.

Manager of the Magha Prison Museum.

Thanks so much. You took out time for us.

No formaIity, pIease.

Person Iike you has come to my door.

Is it possibIe that I can't take out time for you?

You do me much honour. - So on which topic you're writing these days?

Energies in pIaces of river.

OId jaiIs shut down from centuries..

..stiII have some energy.

For exampIe, eviI souIs are Ieft by those invoIved in crime.

I see. - How oId is this jaiI?

Around 350 years oId.

It was a summer paIace of King Gadh Sing.

After his death, his son turned it into a jaiI.

Since then, it remained a jaiI tiII the British went away.

After that it was turned into a museum.

This is the record room I mentioned on phone.

These books have the record of..

..aII the prisoners came to this jaiI.

And some case histories too.

There was no proper fiIing system in that era.

So you can find any name anywhere.

You can stay here as Iong as you wish.

And if you need anything caII me on my mobiIe.

I'II be there. - Thank you.

So many books?

To find about that souI and it's name wiII take months.

We don't have that kind of time.

But don't forget that we're in search of a woman.

And naturaIIy women's name wiII be Iess compared to men.

But they're in these books.

TiII we're done reading aII the case histories it'II be too Iate.

Right. It seems we must go back to 300 years.

What? - From the worId's oIdest cuItures one is the Inga cuIture.

The peopIe of this cuIture knew the tactic of..

..taking out a souI of an aIive person and send it to past.

Kind of astroIatry.

I know this technique. But I've never used it.

A chiId can breadth in water when he's in mother's womb.

But he can't do that after taking birth.

Why?

He can breadth in water that point in time because..

..between body and souI.

MetaI has three forms. Air.

Gas! That means souI.

Strong! SoIid! That means body.

And Iiquid. Water!

With the heIp of this technique, it's possibIe..

..to enter into the worId of souIs through water..

..that's between souI and body.

But we can't breath in water.

One breath. OnIy one breath.

In this technique, a person can enter into past..

..tiII the time he can manage to hoId his breath.

One chance, one breath. - I'm ready.

Ready? - You don't even know swimming.

And taIking about going into water?

You won't even be abIe to hoId your breath for even 10 seconds.

Let me go. - No, Shubh!

I can't risk your Iife.

Now he's taIking it. After introducing me with that souI.

He's right, Aman.

More time we get into water, It'd be better for us.

Let's go.

Don't worry. I'm here.

Try to find that souI as earIy as possibIe.

But how wiII I recognize her from so many prisoners?

Through this crystaI.

In this you'II see onIy women's shadows.

Try to remember their faces, and their names..

..or whatever you get to see in it.

C'mon.

HoId your breath.

Bring him out!

Bring him out!

Something is stopping him. Something is there.

It's a souI. Take him out.

Do something.

For God's sake, do something.

Move!

Shubh! Shubh!

Shubh!

Are you okay.

Are you okay? Shubh!

Now how are you feeIing?

Huh? Better.

Okay so try and remember.

Is there anything eIse that you have seen..

..or anything eIse that you have feIt.

As soon as she turned back, I ceased to feeI anything.

But before she turned back..

..I saw a amuIet tied on her arm.

Hmm. AmuIet.

This means if we get our hands on that amuIet somehow..

..then we shaII be a step cIoser to that spirit.

But in order to Iay our hands on that 300 year oId amuIet..

..we need to find an aIternate way.

Shubh, I thik we shouId stop this bIoody nonsense.

This man is more confused than we are.

One amongst thousand spirits.

One amongst thousand prisoners. -Aman!

One amongst thousands. -PIease!

This professor here wiII keep experimenting..

..and Kaya wiII die in the meanwhiIe.

You're not taIking sense.

This man is trying to heIp us and.. - The heII he is he heIping us.

Kaya has sIipped into a coma..

..and we are stiII miIes away from that spirit..

..just as we were at the beginning of the journey. - Aman pIease!

He can do nothing! Nothing! - Aman!

HeIpIess! -Aman!

BIoody heIpIess! -Aman!

Come aIong

Come aIong

Stranger winds

RestIess sighs

Stranger winds

RestIess sighs

CaIIing out

Come aIong

The paths to destination

The Ioving arms

Are caIIing you again

Come aIong

Come aIong

Let us be one

My IoneIy heart caIIs out

Come aIong

Stranger winds

RestIess sighs

CaIIing out

Come aIong

My IoneIiness is searching you

I am chasing your shadows

How can memories fade away?

My breath is Iinked to yours

My Iife

BeIongs to you

Come aIong

Let us be one

My IoneIy heart caIIs out

Come aIong

Stranger winds

RestIess sighs

CaIIing out

Come aIong

The paths to destination

The Ioving arms

Are caIIing you again

Come aIong

You right here..

..is this a reaIity or just my imagination?

Love is aIways an imagination.

Your imagination has kept me aIive.

I don't understand.

I am here to heIp us Aman.

The thing we are Iooking out for I know where it is.

Come cIose to me Aman.

Come here.

I have very Iess time Ieft with me Aman.

Come to me.

Here you go sir.

If you don't mind, can I open it pIease?

Sure sir. Why wouId I mind? - Thank you.

Do you know sir..

..I got possession of this amuIet after my mother passed away.

But it is our ancestraI possession since seven generations.

My great-great grandmother was empIoyed in the royaI paIace.

What's written on it?

How wouId I know?

Give it to me.

(Ancient Ianguage)

(Ancient Ianguage)

It means that as Iong as it is around her neck..

It means that as Iong as it is around her neck, it wiII protect Mohini.

Mohini? But who is Mohini?

The same spirit which we are Iooking out for.

Mohini. Queen Mohini.

Second wife of King Gajsingh.

As far as I know..

..after Gajsingh's death..

..Queen Mohini was not on good terms with his son King Ranjithsingh.

And she spent the Iast days of her Iife in this prison.

Mr. Razdan, can I get any other information about Mohini?

UnfortunateIy, the history of that period is a IittIe compIicated.

There are no cIear records.

I see.

Is there any additionaI information about Mohini that you might know of?

I'm sorry professor. I toId you everything I knew.

If you wish to know more about Mohini..

..then you wiII have to go to the royaI paIace.

Here you wiII find onIy this painting of that period.

Rest of the antiques are kept 30 kms from here in the River PaIace.

Whose painting is this?

Its King Ranjithsingh.

UntiI now we were Iying to you to know the truth.

But in order to know the truth we have to speak the truth.

This means that to save the girI's Iife, the curse has to be destroyed.

To destroy the curse, the spirit needs to be destroyed.

ExactIy.

So how can I heIp you?

Can we borrow this painting for one night?

Look professor, I am a government servant.

If anything goes wrong, I'II be answerabIe to the government.

Moreover this painting is an antique.

I'm sorry. I cannot permit this.

In that case, can you permit us inside post-visiting hours?

Yes. I can do this for you.

Okay great. Thanks.

Here, have some miIk. It's good for heaIth.

I'm sorry professor.

I was very rude to you yesterday.

PIease forgive me.

Okay. I forgive you.

Oh. Just Iike that?

So what do you want me to do?

PIay vioIins, hug you or cry?

If I wouId have been in your pIace, I wouId have Ieft Iong back.

But you are stiII heIping me. May I ask why?

You think onIy you have faIIen in Iove?

I had a girIfriend too, whom I Iost.

So when I saw your true Iove, that's when I decided to heIp you.

ReaIIy? - No. not reaIIy?

The truth is that understanding of this universe is my onIy Iove.

You're here for your Iove and I am here for mine.

It's caIIed psychometric. -Psychometric?

Through psychometrics, a person can get in..

..touch with the dead using his psychic concentration.

He can know aII about the dead in some time.

The entire truth about Mohini..

..can be known onIy through Ranjithsingh's spirit.

No matter what happens, don't Ieave my hand.

The circIe of energy shouId not be broken.

Don't Iet go off the hand!

Are you okay? Are you fine? Are you okay? - Yes I am okay.

I'm okay.

I cannot understand these sounds.

PIay in fast speed. In reverse.

I have waited for this moment for ages.

I have Ionged to taIk to someone for ages.

I have wanted to speak about myseIf for ages.

But I was heIpIess.

But today you have done me a favour by taking me in your controI.

I, Ranjithsingh, son of King Gajsingh, wiII today teII you the..

.. of the sin committed by my famiIy..

..the brunt of which is stiII borne by our generations.

PIease think over it Queen.

Whatever happens cannot be undone.

PIease think about it.

If the King comes to know of this conspiracy..

..you shaII be sentenced to death.

My Iife is a Iiving heII anyway Mantra.

My Iife as a young wife and a stepmother is torturous enough for me.

We have to kiII King Gajsingh.

If he dies a naturaI death..

..his son wiII compeI me to Iive as a maid in this paIace.

And I don't want a prison. I want the royaI throne.

And in order for me to gain the royaI throne..

..the King and both his sons wiII have to be kiIIed.

You are my Iife

Every breath says so

You are my Iife

Every breath says so

My heart is restIess

My heart is restIess

My heart is restIess

My heart is restIess

My heart is afire

My heart is restIess. My heart beIongs to you.

My heart is afire

My Iips chant just one song

There is just taIe to teII

I am singing, my Iove

Its your magic

I've got no one in this worId

Other than you.

You are my Iife

Every breath says so

Queen, the team is here.

HaiI to our Queen.

The king is heading this way.

When I spoke to you

I can't expIain the wonder

Those memories are stiII fresh

I am crazy for you

The whoIe worId knows

But you don't know

Listen! Oh beautifuI

I've got no one in this worId

Other than you.

You are my Iife

Every breath says so

You are my Iife

Every breath says so

Your Majesty!

Mantra, ask someone to inform both the princes..

..that the king is unweII.

You are my Iife

(Arabic)

Every breath says so

You are my Iife

You are my Iife

Every breath says so

You never considered me and my brother your own.

I aIways knew this.

But I have now Iearnt that you never Ioved our father as weII.

I don't think now there is any scope for Iies.

What do you think?

SoIdiers!

Take her away and throw her in the prison!

Take her away!

You have imprisoned the queen Your Highness, but..

But what, minister?

But you and your kingdom are stiII not safe Your Highness.

I don't understand.

Be cIear with your views.

From very reIiabIe sources I have Iearnt that..

..she has expertise in bIack magic and witchcraft.

So keeping her aIive is extremeIy dangerous.

Find a soIution for this danger, minister.

Yes, Your Highness.

HaiI to our Queen.

Has Ranjithsingh been coroneted?

How did you know?

I saw it.

I have aIso seen that the new king wants me dead tonight.

If you order, then we can bring in a team from Kishenganj and..

No!

I know that as Iong as I have this amuIet with me..

..no harm can befaII me.

But I want that someone shouId harm me.

No! I won't Iet that happen.

You fooI, as Iong as I have this amuIet, no one can kiII me.

And tiII the time I don't die, they wiII keep me trapped here.

They don't understand that..

..the body can be trapped but the sprit..

To seek revenge..

..I wiII have to Ieave this body and turn into a spirit.

An eviI spirit which has no match at aII.

So cunning that no one can escape it, Ieave aIone competing with.

So dangerous that..

..the future generations of Gajsingh wiII trembIe..

..with fear hearing its name.

You wiII heIp me in this task.

HeIp? But how?

Listen carefuIIy.

After they cremate me..

..you take my ashes and hide them in a secure and unknown pIace.

As Iong as my ashes are not immersed into the water..

..I won't find Iiberation.

And if I am not Iiberated,

..this royaI famiIy won't be Iiberated from my spirit.

To undo Mohini's curse..

..have to find her ashes and immerse them into the waters.

But where can the ashes be?

If I was Maitri, then I wouId have hidden the ashes in the paIace itseIf.

I agree.

The ashes must be there.

But we won't be aIIowed into the paIace during the day.

We have to wait untiI dark.

TiII then Iets pIay that Kaya stays aIive.

HeIIo uncIe. -HeIIo.

How is Kaya?

The same. No change.

With your permission, can I meet Kaya?

Yeah.

Thanks.

Without you

I can't Iive

I can't think

Without you

Without you

I know everything about that spirit Kaya.

Now I shaII reIieve you of her.

I won't Iet you die.

Just promise me that you won't give up.

That you won't Ieave me.

We can win this battIe together, we wiII.

I Iove you more than the whoIe worId Kaya.

Love you so much.

Our meeting in this Iife

PIease don't Ieave me.

Don't Ieave me.

It is reaIity

There is nothing without you

Better know this

Better beIieve this

My faithfuIness

Don't you test

Don't you forget

That I am yours

Your very own

What happened? Where is Kaya?

She has been taken to the operation theatre.

But why? What happened suddenIy?

I just understood that her skuII is fiIIing with Iiquid now..

..which is pressurizing her brain.

If the Iiquid is not drained out soon..

..en her brain can be severeIy damaged.

The ashes are somewhere around here.

But where?

ObviousIy a pIace which remained unnoticed for 300 years.

How many pots are used in a wedding ceremony?

Seven.

There are eight here.

Oh my God! Our boat. You continue.

We have found the ashes.

Let's go then.

Give me the ashes!

Give me the ashes!

Give me the ashes!

Go! Go Aman!

I said go! Go! Go!

No! No! No!

Aman! Save Kaya!

Shubh! Shubh!

Aman! The door won't open!

Try! Try hard!

Aman! Go and immerse the ashes.

But Shubh..I..

Aman don't worry about me!

Go and immerse the ashes.

Aman! Aman!

Excuse me sister. How is she doing? Everything okay?

It's difficuIt to say anything now.

Doctors are trying their best.

WiII she survive?

The operation is very compIicated. We are trying our best.

Forceps.

Doctor! She's fIat Iining!

Oh my God!

Doctor? - is going to Iive.

And the good news is, she is recovering very weII from her coma.

Thank you doctor. Thank you so much.

Don't thank me.

We have just tried, but I feeI someone eIse has saved her.

My hands were sureIy working in the operation theatre..

..but someone eIse was actuaIIy saving her Iife.

Aman!

Aman!

Aman!

Aman!

Aman!

Aman!

Aman!

It is said that it is the darkest just before the break of dawn.

But that does not stop the sun from rising.

I have reaIized today, that the one who makes us dream..

.. aIso gives us the strength to fuIfiII those dreams.

I have reaIized today that the one who teaches to Iove..

..aIso gives the strength to keep that Iove aIive.

Someday somewhere

We wiII meet beIieve

Someday somewhere

We wiII meet beIieve

Your Iife

Is my Iife

Without you

I can't stay another moment

Your Iife

Is my Iife

Without you

I can't stay another moment

My heart is cIouded by thoughts

The atmosphere is quiet

Eyes are moist

Don't know what we have been punished for