Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,200 --> 00:00:03,920
NANCY:
I killed Isaac Pincher.
2
00:00:03,920 --> 00:00:05,360
ARMITAGE: The night watchmanfound his body
3
00:00:05,360 --> 00:00:07,600
at the docksearly this morning.
4
00:00:07,600 --> 00:00:09,840
NANCY: If Hal finds out
that either of us were there,
he'll gut us both.
5
00:00:09,840 --> 00:00:11,640
EMILY: Hal loves me.
NANCY: You're playinga dangerous game.
6
00:00:11,640 --> 00:00:13,160
‐ Will I tell him about
the sailor I had at the docks
7
00:00:13,160 --> 00:00:14,720
and what I might have
seen there?
8
00:00:14,720 --> 00:00:16,520
‐ This is your chance
to earn some coin.
9
00:00:16,520 --> 00:00:18,120
‐ £5.
‐ I can't see you anymore.
10
00:00:18,120 --> 00:00:19,720
‐ He's turned you against me.
11
00:00:19,720 --> 00:00:21,760
JACK: [muffled screaming]
‐ Jack!
12
00:00:21,760 --> 00:00:23,840
Leave us alone!
‐ I'll leave when I decide!
13
00:00:23,840 --> 00:00:25,840
‐ Would you be daring too?
14
00:00:25,840 --> 00:00:29,040
‐ Sophia's married
to the footman, Edmund Turner.
15
00:00:29,040 --> 00:00:30,960
She says she's happy.
16
00:00:30,960 --> 00:00:32,640
CROFT: I will block
Blayne's ambitions.
17
00:00:32,640 --> 00:00:34,760
I will expose him.
LYDIA: Croft works against you.
18
00:00:34,760 --> 00:00:36,440
He has Lucy Wells.
19
00:00:36,440 --> 00:00:37,800
‐ She must be silenced.
20
00:00:37,800 --> 00:00:39,800
‐ How much do you want
this place, Lucy?
21
00:00:39,800 --> 00:00:42,040
You keep quiet and when
Blayne becomes governor,
22
00:00:42,040 --> 00:00:43,560
I'll relinquish my share.
23
00:00:43,560 --> 00:00:45,720
‐ That's bunk.
‐ Am I in danger?
24
00:00:45,720 --> 00:00:46,840
‐ From me?
25
00:00:46,840 --> 00:00:48,280
BLAYNE:
I want to know
26
00:00:48,280 --> 00:00:49,800
every word he says
when you're together.
27
00:00:49,800 --> 00:00:51,760
‐ I'm afraid.
I don't know who I can trust.
28
00:00:51,760 --> 00:00:54,840
FANNY:
This is our house.We run it together.
29
00:00:54,840 --> 00:00:56,680
LUCY: Have you not got
any money, then?
30
00:00:56,680 --> 00:00:59,120
ELIZABETH:
I am drowning in debt.
31
00:00:59,120 --> 00:01:00,480
SALABAT:
Take everything
you can carry.
32
00:01:00,480 --> 00:01:01,640
ELIZABETH: What are you doing?
My love‐‐
33
00:01:01,640 --> 00:01:03,200
‐ You are nothing to me.
34
00:01:03,200 --> 00:01:05,120
EMILY: You killed
Charlotte Wells.
35
00:01:05,120 --> 00:01:06,520
Oh, Hal.
36
00:01:06,520 --> 00:01:09,280
HAL: You said
you'd never leave me.
37
00:01:09,280 --> 00:01:12,280
[jaunty classical music]
38
00:01:12,280 --> 00:01:19,280
♪ ♪
39
00:01:41,480 --> 00:01:44,480
[both panting]
40
00:01:44,480 --> 00:01:47,480
[funky rock music]
41
00:01:47,480 --> 00:01:49,720
‐ [moans]
42
00:01:49,720 --> 00:01:56,720
♪ ♪
43
00:02:02,360 --> 00:02:05,360
[laughter]
44
00:02:05,360 --> 00:02:06,640
♪ ♪
45
00:02:06,640 --> 00:02:09,640
[all panting]
46
00:02:09,640 --> 00:02:15,120
♪ ♪
47
00:02:15,120 --> 00:02:18,680
LYDIA:
Your cull complained
about you.
48
00:02:18,680 --> 00:02:21,800
‐ [hisses through teeth]
‐ I'm not a monster.
49
00:02:21,800 --> 00:02:23,920
‐ [scoffs, whines]
50
00:02:23,920 --> 00:02:25,760
‐ You're at liberty
to offer tongue and hand
51
00:02:25,760 --> 00:02:27,080
until you're fully recovered.
52
00:02:27,080 --> 00:02:29,480
‐ Why haven't you
fought for me?
53
00:02:29,480 --> 00:02:32,040
I gave Blayne a son.
He's spoiled my body.
54
00:02:32,040 --> 00:02:34,880
I should be paid.
Get me my money.
55
00:02:34,880 --> 00:02:37,480
‐ [scoffs]
56
00:02:37,480 --> 00:02:40,480
Now you're being tedious.
57
00:02:40,480 --> 00:02:42,760
[retreating footsteps]
58
00:02:42,760 --> 00:02:45,240
FREDO:
Salabat's gone,
59
00:02:45,240 --> 00:02:48,160
not a scrap of silk left.
60
00:02:48,160 --> 00:02:50,440
‐ Bastard swindling guiler.
61
00:02:50,440 --> 00:02:53,360
I gave our takings to Mr. Wade,
a beast from the past.
62
00:02:53,360 --> 00:02:54,560
I owed him.
63
00:02:54,560 --> 00:02:56,560
‐ So now you owe me.
64
00:02:56,560 --> 00:02:58,960
We'll raise a loan.
‐ I bought the place on loans.
65
00:02:58,960 --> 00:03:02,240
My credit is stretched
over the rainbow.
66
00:03:02,240 --> 00:03:04,960
‐ So your share
is nothing but debt?
67
00:03:04,960 --> 00:03:06,880
‐ My mother's worked tirelessly
68
00:03:06,880 --> 00:03:10,040
while you've sat
reading gossip rags.
69
00:03:10,040 --> 00:03:13,200
‐ She's not your mother,
is she?
70
00:03:13,200 --> 00:03:15,840
Tell me something real.
71
00:03:15,840 --> 00:03:18,480
‐ You're lazy.
72
00:03:18,480 --> 00:03:21,040
‐ How deep is the hole?
73
00:03:24,360 --> 00:03:27,400
‐ [chuckles]
74
00:03:27,400 --> 00:03:31,280
‐ This came in a coach
from the palace.
75
00:03:31,280 --> 00:03:34,360
An invitation, but for what?
76
00:03:35,640 --> 00:03:38,240
‐ Cricket.
77
00:03:38,240 --> 00:03:41,280
But why has the prince
sent it here?
78
00:03:41,280 --> 00:03:44,280
[impish music]
79
00:03:44,280 --> 00:03:45,920
Where is she?
80
00:03:45,920 --> 00:03:47,440
‐ Stay.
81
00:03:47,440 --> 00:03:49,920
‐ [laughs softly]
82
00:03:52,640 --> 00:03:55,560
I have to go.
‐ [sighs]
83
00:03:55,560 --> 00:03:57,040
So in the cold light of day,
84
00:03:57,040 --> 00:03:59,480
the promise of wealth
outweighs your fear?
85
00:03:59,480 --> 00:04:02,880
Hmm?
86
00:04:02,880 --> 00:04:05,080
‐ What are you ambitious for?
87
00:04:05,080 --> 00:04:08,120
‐ Once, I'd have said
justice and fairness.
88
00:04:08,120 --> 00:04:11,440
Now, tavern dinner.
89
00:04:12,720 --> 00:04:16,720
‐ You pretend to be jaded.
‐ You pretend to be a jade.
90
00:04:16,720 --> 00:04:19,640
Don't be a rich man's toy.
91
00:04:19,640 --> 00:04:22,400
Stay.
‐ [sighs]
92
00:04:27,000 --> 00:04:29,800
And be your washerwoman?
93
00:04:32,160 --> 00:04:34,560
[laughs softly]
94
00:04:34,560 --> 00:04:37,560
[melancholy music]
95
00:04:37,560 --> 00:04:39,400
♪ ♪
96
00:04:39,400 --> 00:04:42,320
‐ [exhales sharply]
97
00:04:42,320 --> 00:04:44,360
♪ ♪
98
00:04:44,360 --> 00:04:47,360
[panting]
99
00:04:47,360 --> 00:04:50,360
[both breathing shakily]
100
00:04:50,360 --> 00:04:54,400
♪ ♪
101
00:04:54,400 --> 00:04:57,960
What is it?
102
00:05:00,080 --> 00:05:03,400
‐ I killed her.
103
00:05:03,400 --> 00:05:06,000
‐ It wasn't your fault.
104
00:05:07,480 --> 00:05:10,280
‐ I saw red.
105
00:05:10,280 --> 00:05:13,440
I killed her.
106
00:05:13,440 --> 00:05:16,200
‐ It was an accident.
107
00:05:16,200 --> 00:05:19,520
It wasn't your fault.
It was Isaac's.
108
00:05:19,520 --> 00:05:22,520
[somber music]
109
00:05:22,520 --> 00:05:25,240
♪ ♪
110
00:05:25,240 --> 00:05:27,080
‐ [sobbing]
111
00:05:27,080 --> 00:05:29,600
Isaac is dead.
112
00:05:29,600 --> 00:05:32,600
[sobbing]
113
00:05:32,600 --> 00:05:36,000
♪ ♪
114
00:05:36,000 --> 00:05:37,720
CREDITOR:
You assured us
she'd be here,
115
00:05:37,720 --> 00:05:41,120
so how much longer
must we wait?
116
00:05:41,120 --> 00:05:43,760
‐ Mrs. Harvey,
these men want repaying.
117
00:05:43,760 --> 00:05:48,200
‐ Can you be ignorant of this?
118
00:05:48,200 --> 00:05:51,480
‐ "Miss L. W. and the
Bronze Lady of Golden Square
119
00:05:51,480 --> 00:05:54,280
"dupe their custom by trading
in a vacuum of funds.
120
00:05:54,280 --> 00:05:57,440
"Creditors are urged
to make safe goods and loans,
121
00:05:57,440 --> 00:06:00,080
as these ladies
are soon to be bankrupted."
122
00:06:00,080 --> 00:06:02,960
Is this Salabat?
‐ He doesn't have the cunning.
123
00:06:02,960 --> 00:06:05,320
CREDITOR: Mrs. Harvey‐‐
‐ Where are you going? Lucy.
124
00:06:05,320 --> 00:06:08,360
FREDO:
Gentlemen, we have plenty
of funds in the bank.
125
00:06:08,360 --> 00:06:10,360
‐ Ah, return this afternoon
126
00:06:10,360 --> 00:06:12,080
and your debts will be repaid
in full.
127
00:06:12,080 --> 00:06:14,200
‐ Gentlemen.
128
00:06:14,200 --> 00:06:17,360
CREDITOR: Is that it?
CREDITOR: I should hope so.
129
00:06:17,360 --> 00:06:21,040
[indistinct chatter]
130
00:06:21,040 --> 00:06:22,920
‐ I won't go back
to debtors' jail.
131
00:06:22,920 --> 00:06:25,000
‐ You won't have to.
We'll find a way.
132
00:06:25,000 --> 00:06:28,240
‐ I will die.
133
00:06:28,240 --> 00:06:30,200
I'll die.
134
00:06:30,200 --> 00:06:33,200
[tender music]
135
00:06:33,200 --> 00:06:37,000
♪ ♪
136
00:06:43,880 --> 00:06:46,080
‐ We'll move in here tonight.
137
00:06:46,080 --> 00:06:48,920
This is our room now.
138
00:06:48,920 --> 00:06:52,000
Margaret Wells
didn't kill Isaac alone.
139
00:06:53,520 --> 00:06:56,560
I'll find out
who else was there,
140
00:06:56,560 --> 00:06:57,720
and when I do‐‐
141
00:06:57,720 --> 00:07:00,760
‐ Don't go chasing death.
142
00:07:00,760 --> 00:07:04,040
We got so much to live for.
143
00:07:10,160 --> 00:07:11,760
[gasps]
144
00:07:11,760 --> 00:07:14,760
HAL: My steadfast girl.
‐ [sighs]
145
00:07:22,240 --> 00:07:24,520
[scoffs]
146
00:07:32,560 --> 00:07:35,640
You could grub away at me
for pounds and feathers,
147
00:07:35,640 --> 00:07:39,520
or you could
pick up a future
148
00:07:39,520 --> 00:07:42,280
for £15 a week.
149
00:07:42,280 --> 00:07:44,760
‐ I've been fraught with worry.
150
00:07:44,760 --> 00:07:46,960
‐ I was with the prince.
151
00:07:46,960 --> 00:07:48,240
I knew all about
the cricket match.
152
00:07:48,240 --> 00:07:49,640
He sent that as a jest?
153
00:07:49,640 --> 00:07:52,320
‐ I don't think I can bear
to hear you lie.
154
00:07:56,840 --> 00:07:58,960
‐ I wanted a moment of freedom.
155
00:07:58,960 --> 00:08:02,640
‐ I've given you freedom!
156
00:08:02,640 --> 00:08:06,520
Everything has been
your choice.
157
00:08:06,520 --> 00:08:08,400
Well, the time has come
when your choice is this:
158
00:08:08,400 --> 00:08:11,680
leave or serve our aim.
159
00:08:13,760 --> 00:08:16,760
‐ I am yours, wholeheartedly.
160
00:08:25,520 --> 00:08:28,160
‐ I can smell man.
161
00:08:30,520 --> 00:08:32,040
I don't know
who you've been with,
162
00:08:32,040 --> 00:08:35,000
but every fuck
lowers your value.
163
00:08:35,000 --> 00:08:37,920
For your own safety,
I beg you...
164
00:08:40,360 --> 00:08:42,920
Keep it high.
165
00:08:46,960 --> 00:08:48,840
[retreating footsteps]
166
00:08:48,840 --> 00:08:52,760
TURNER:
Sophia drinks like a fish,
gambles like a lag,
167
00:08:52,760 --> 00:08:57,040
dotes upon the charas pipe,
and curses like a sailor.
168
00:08:58,520 --> 00:09:01,520
‐ And what of her honor,
Mr. Turner?
169
00:09:01,520 --> 00:09:04,120
‐ It's mine.
‐ Hmm.
170
00:09:04,120 --> 00:09:07,080
Well, that's the next thing
to go.
171
00:09:07,080 --> 00:09:09,560
Take her to some vile tavern,
lose at cards,
172
00:09:09,560 --> 00:09:11,880
and put her up for sale.
173
00:09:13,440 --> 00:09:15,960
‐ [scoffs]
174
00:09:15,960 --> 00:09:18,760
But she's your niece.
175
00:09:28,080 --> 00:09:32,440
EMILY:
Oy, smile, yeah?
176
00:09:32,440 --> 00:09:35,360
This is Rosamund, my top girl.
177
00:09:35,360 --> 00:09:38,560
She deserves a place
at a fine house.
178
00:09:38,560 --> 00:09:41,760
I hate to see her go,
but needs must.
179
00:09:41,760 --> 00:09:43,880
‐ I've been told
I can earn 15 a week.
180
00:09:43,880 --> 00:09:45,480
‐ You worth it?
181
00:09:45,480 --> 00:09:47,400
‐ I'm not called Sugarcunt
for nothing.
182
00:09:47,400 --> 00:09:48,720
‐ What'll Hal Pincher do
183
00:09:48,720 --> 00:09:50,080
when he finds
we've took his girl?
184
00:09:50,080 --> 00:09:51,640
‐ I'll straighten things
with Hal.
185
00:09:51,640 --> 00:09:53,440
‐ No, she's got something,
186
00:09:53,440 --> 00:09:55,200
don't you think?
‐ A flea circus.
187
00:09:55,200 --> 00:09:58,280
‐ I keep myself clean.
‐ [sighs]
188
00:10:00,640 --> 00:10:02,080
All right, downstairs.
Spread 'em.
189
00:10:02,080 --> 00:10:04,240
We'll see.
190
00:10:04,240 --> 00:10:07,120
EMILY:
[laughs]
191
00:10:07,120 --> 00:10:10,400
[indistinct chatter]
192
00:10:10,400 --> 00:10:13,080
She saw me...
193
00:10:13,080 --> 00:10:14,880
[retreating footsteps]
194
00:10:17,200 --> 00:10:19,200
Down by the docks
195
00:10:19,200 --> 00:10:22,920
close enough to that warehouse
to make a sham of my grief.
196
00:10:22,920 --> 00:10:25,040
She's trying her hand
at blackmail.
197
00:10:25,040 --> 00:10:26,960
If Hal finds out...
198
00:10:26,960 --> 00:10:29,480
‐ You need to get out of there.
199
00:10:29,480 --> 00:10:33,080
‐ No, he‐‐he's got a temper,
but he'd never hurt me.
200
00:10:33,080 --> 00:10:35,160
He suffers, Nance.
201
00:10:35,160 --> 00:10:38,040
He suffers torment
for what he's done.
202
00:10:40,200 --> 00:10:42,600
‐ What did he do?
203
00:10:44,920 --> 00:10:47,320
Did he kill Charlotte?
204
00:10:49,200 --> 00:10:52,640
Was it him?
205
00:10:52,640 --> 00:10:55,520
‐ It was an accident.
‐ Oh, God, no!
206
00:10:55,520 --> 00:10:57,920
‐ It was a terrible,
horrible mistake!
207
00:10:57,920 --> 00:11:01,160
‐ Isaac?
‐ No, don't think of it.
208
00:11:01,160 --> 00:11:05,960
‐ [breathing heavily]
He loved Charlotte...
209
00:11:05,960 --> 00:11:07,240
and I killed him.
210
00:11:07,240 --> 00:11:10,000
‐ Rosamund saw me, not you.
211
00:11:10,000 --> 00:11:12,520
‐ You're with a known killer,
212
00:11:12,520 --> 00:11:14,760
and all you fear is blackmail?
213
00:11:14,760 --> 00:11:16,760
EMILY:
I want this, Nance.
214
00:11:16,760 --> 00:11:20,400
I want him‐‐
‐ Oh, you are brainsick.
215
00:11:20,400 --> 00:11:23,400
[tense music]
216
00:11:23,400 --> 00:11:26,560
EMILY:
We could both
lose everything.
217
00:11:26,560 --> 00:11:28,280
♪ ♪
218
00:11:28,280 --> 00:11:30,920
Keep that girl happy,
219
00:11:30,920 --> 00:11:33,400
and we're both safe.
220
00:11:33,400 --> 00:11:40,400
♪ ♪
221
00:11:49,280 --> 00:11:50,720
LUCY:
This is your doing, isn't it?
222
00:11:50,720 --> 00:11:52,520
I'm called bankrupt
in the press
223
00:11:52,520 --> 00:11:53,960
so you can
meanly wreck my trade?
224
00:11:53,960 --> 00:11:56,040
‐ Wells Minor, good morning.
225
00:11:56,040 --> 00:11:58,200
‐ Keep your talons off
my house.
226
00:11:58,200 --> 00:12:00,720
‐ Keep silent about
the Marquess of Blayne
227
00:12:00,720 --> 00:12:02,360
and your money worries vanish.
228
00:12:02,360 --> 00:12:04,080
‐ What low stratagem is this?
229
00:12:04,080 --> 00:12:05,880
‐ As part owner
of Golden Square,
230
00:12:05,880 --> 00:12:10,520
I can convince the press
that your capital is secure.
231
00:12:10,520 --> 00:12:13,160
‐ My silence must be
worth a lot.
232
00:12:13,160 --> 00:12:15,120
Why don't I sell it?
233
00:12:15,120 --> 00:12:17,440
£200 or I go to Mr. Croft
234
00:12:17,440 --> 00:12:20,520
and tell him all about Blayne
and his high priestess of rape.
235
00:12:20,520 --> 00:12:24,720
‐ [laughing]
£200?
236
00:12:24,720 --> 00:12:27,000
Oh, you are in a hole.
237
00:12:27,000 --> 00:12:30,480
[chuckles]
238
00:12:30,480 --> 00:12:33,200
‐ Your old ma miscalculates me.
239
00:12:33,200 --> 00:12:35,480
She thinks I'm easy reckoning.
240
00:12:35,480 --> 00:12:38,800
‐ I won't have you insult her.
‐ [chuckles]
241
00:12:38,800 --> 00:12:41,720
I like cricket.
Where's the game?
242
00:12:41,720 --> 00:12:43,880
LYDIA: None of your‐‐
‐ Blayne's cottage.
243
00:12:45,560 --> 00:12:48,720
‐ Is it, now?
244
00:12:48,720 --> 00:12:51,240
Then you shall see
how well I play.
245
00:12:51,240 --> 00:12:54,240
[funky percussion music]
246
00:12:54,240 --> 00:13:00,080
♪ ♪
247
00:13:00,080 --> 00:13:01,880
‐ We know there are slavers
in London
248
00:13:01,880 --> 00:13:03,480
illegally taking free men.
249
00:13:03,480 --> 00:13:04,840
‐ We live with this.
250
00:13:04,840 --> 00:13:06,760
The law's not even rags
and patches,
251
00:13:06,760 --> 00:13:08,480
but these are
no common slavers.
252
00:13:08,480 --> 00:13:10,120
‐ Lord Leadsom kidnapped Jack.
253
00:13:10,120 --> 00:13:11,440
‐ That's quite an allegation.
254
00:13:11,440 --> 00:13:14,000
What's your proof?
‐ His jealousy.
255
00:13:14,000 --> 00:13:15,640
Jack was his rival.
256
00:13:15,640 --> 00:13:18,600
‐ Harriet was kept prisoner
in her house last night.
257
00:13:18,600 --> 00:13:20,480
Lord Leadsom
almost broke down her door.
258
00:13:20,480 --> 00:13:23,000
‐ You have to arrest him,
take him off the streets.
259
00:13:23,000 --> 00:13:24,760
‐ Well, jealousy's not a crime.
260
00:13:24,760 --> 00:13:27,600
ELIZABETH:
Will you wait
until he hurts me?
261
00:13:27,600 --> 00:13:31,120
‐ There's nothing I can do‐‐
‐ Will you help?
262
00:13:31,120 --> 00:13:33,560
You can pry where we can't.
263
00:13:33,560 --> 00:13:36,640
Where are Leadsom's properties?
Whose shipping does he use?
264
00:13:36,640 --> 00:13:38,400
‐ What, am I taking orders
from you now?
265
00:13:38,400 --> 00:13:40,000
‐ If Jack Lively leaves
these shores,
266
00:13:40,000 --> 00:13:42,040
he will lose his name
and his humanity.
267
00:13:42,040 --> 00:13:44,120
‐ North.
268
00:13:44,120 --> 00:13:46,920
Why try?
269
00:13:46,920 --> 00:13:48,600
He doesn't care.
270
00:13:52,280 --> 00:13:55,280
[retreating footsteps]
271
00:13:58,320 --> 00:13:59,400
[door slams]
272
00:13:59,400 --> 00:14:02,000
‐ This goes beyond Jack,
273
00:14:02,000 --> 00:14:04,560
beyond Leadsom.
274
00:14:04,560 --> 00:14:05,880
I've long been thinking
275
00:14:05,880 --> 00:14:07,840
what use I could make
of my life.
276
00:14:07,840 --> 00:14:10,480
I've no learning, few words,
277
00:14:10,480 --> 00:14:12,760
but I must speak.
278
00:14:12,760 --> 00:14:15,720
‐ I can help you
find the words.
279
00:14:15,720 --> 00:14:18,880
We'll set it
in the city's gaze.
280
00:14:18,880 --> 00:14:23,000
[indistinct chatter]
281
00:14:23,000 --> 00:14:25,680
I tried not to feel for Jack.
282
00:14:25,680 --> 00:14:28,520
I knew it'd break me.
283
00:14:28,520 --> 00:14:30,760
‐ It won't break you.
284
00:14:30,760 --> 00:14:33,920
You can fight as well
as any of my lads.
285
00:14:36,200 --> 00:14:38,200
CROFT: Miss Wells.
286
00:14:38,200 --> 00:14:39,840
Lucy.
287
00:14:39,840 --> 00:14:42,000
Blayne is maneuvering
in the House of Lords.
288
00:14:42,000 --> 00:14:44,360
He'll be confirmed as governor
if we don't act now.
289
00:14:44,360 --> 00:14:47,600
I've arranged a hearing
for this afternoon.
290
00:14:47,600 --> 00:14:49,840
‐ I'll come.
291
00:14:49,840 --> 00:14:51,920
There's something else
you should know.
292
00:14:51,920 --> 00:14:53,960
Blayne and his Spartans
wielded the knife,
293
00:14:53,960 --> 00:14:56,160
but it was a bawd,
Lydia Quigley,
294
00:14:56,160 --> 00:14:57,920
who brought their prey.
295
00:14:57,920 --> 00:15:01,440
She procured for rape
and murder.
296
00:15:01,440 --> 00:15:03,920
‐ Will you say this
under oath?
297
00:15:03,920 --> 00:15:06,400
‐ I'll bare my soul
to bring them down.
298
00:15:06,400 --> 00:15:09,400
[suspenseful music]
299
00:15:09,400 --> 00:15:12,440
♪ ♪
300
00:15:12,440 --> 00:15:15,000
‐ The radicals
still move against me.
301
00:15:15,000 --> 00:15:16,800
[birds chirping]
302
00:15:16,800 --> 00:15:18,480
Help me to evade them.
303
00:15:18,480 --> 00:15:22,600
You can bypass parliament
and clear my way to the king.
304
00:15:22,600 --> 00:15:26,400
Then I can provide you
with your own household here.
305
00:15:26,400 --> 00:15:28,560
‐ Where I may sport
with my mistress?
306
00:15:28,560 --> 00:15:31,040
BLAYNE:
How else is a man
to learn who he is, hmm?
307
00:15:31,040 --> 00:15:32,840
[game pieces clatter]
308
00:15:32,840 --> 00:15:35,120
You were born to govern
and command, hmm?
309
00:15:35,120 --> 00:15:39,840
No more dull tutors
and sneaking moral clods.
310
00:15:39,840 --> 00:15:43,280
I'll teach you real sport,
311
00:15:43,280 --> 00:15:46,120
how to conquer and subdue.
312
00:15:47,720 --> 00:15:49,440
[nut cracking]
313
00:15:49,440 --> 00:15:52,680
FANNY:
Are you going out?
314
00:15:52,680 --> 00:15:54,240
NANCY:
Need to clear my head.
315
00:15:54,240 --> 00:15:56,760
‐ You can't go.
Don't leave me with that girl.
316
00:15:56,760 --> 00:15:59,200
She's like a great shadow.
317
00:15:59,200 --> 00:16:01,240
Culls won't like her,
and nor do I.
318
00:16:01,240 --> 00:16:03,800
[nut cracking]
[approaching footsteps]
319
00:16:06,520 --> 00:16:09,360
‐ Where's my gold, then?
320
00:16:09,360 --> 00:16:11,880
[indistinct chatter]
321
00:16:11,880 --> 00:16:13,520
[dog barking]
322
00:16:13,520 --> 00:16:15,680
LYDIA:
Ah, you're not coming.
323
00:16:15,680 --> 00:16:17,840
I've got a better task for you.
324
00:16:17,840 --> 00:16:20,240
The commissioner for debt
is listed here.
325
00:16:20,240 --> 00:16:21,640
Bring him.
326
00:16:21,640 --> 00:16:23,440
‐ I'm not shafting Lucy Wells.
327
00:16:23,440 --> 00:16:25,680
‐ Cherry...
328
00:16:25,680 --> 00:16:27,920
you cared for
my lovely Charles, didn't you?
329
00:16:27,920 --> 00:16:30,600
‐ I did.
I do.
330
00:16:30,600 --> 00:16:32,960
‐ You know what the Wells girl
did to him.
331
00:16:32,960 --> 00:16:37,000
If he heard that Golden Square
was his again...
332
00:16:37,000 --> 00:16:40,440
don't you think
he might return?
333
00:16:40,440 --> 00:16:43,600
[carriage creaks]
334
00:16:43,600 --> 00:16:45,160
[door slams]
335
00:16:45,160 --> 00:16:47,320
[hooves clattering]
336
00:16:47,320 --> 00:16:50,320
[tense music]
337
00:16:50,320 --> 00:16:53,200
♪ ♪
338
00:16:53,200 --> 00:16:56,800
‐ Let's hunt
for our next opportunity,
339
00:16:56,800 --> 00:16:59,400
like that land.
340
00:16:59,400 --> 00:17:01,800
We're a prospect, you and me,
341
00:17:01,800 --> 00:17:04,000
all kinds of potential.
342
00:17:04,000 --> 00:17:05,880
[door opens, creaks]
343
00:17:05,880 --> 00:17:08,040
HARRIET:
Can I trouble you?
344
00:17:08,040 --> 00:17:10,560
Emily, a friend of mine
has gone missing.
345
00:17:10,560 --> 00:17:11,920
Do you mind
if I leave these here?
346
00:17:11,920 --> 00:17:15,400
‐ Oh, of course.
347
00:17:15,400 --> 00:17:16,720
‐ The boxer?
348
00:17:16,720 --> 00:17:18,800
‐ Oh, I'm sorry
for your troubles.
349
00:17:18,800 --> 00:17:23,200
‐ Well, if you hear anything...
350
00:17:23,200 --> 00:17:25,800
‐ How the world turns.
351
00:17:25,800 --> 00:17:28,360
She was once my girl.
352
00:17:28,360 --> 00:17:30,320
She owns a fine house now.
353
00:17:30,320 --> 00:17:33,440
I heard Lord Leadsom's
besotted in her bed.
354
00:17:33,440 --> 00:17:36,040
[sniffs]
‐ Seems she's lost her bully.
355
00:17:37,200 --> 00:17:39,800
Perhaps she could
use protection.
356
00:17:39,800 --> 00:17:42,640
‐ Isaac floundered
offering protection.
357
00:17:42,640 --> 00:17:46,000
‐ No, we floundered
going after land.
358
00:17:46,000 --> 00:17:47,920
Isaac knew
what our business was.
359
00:17:47,920 --> 00:17:51,440
‐ [sighs]
‐ Our potential is in flesh.
360
00:17:51,440 --> 00:17:53,040
[retreating footsteps]
361
00:17:53,040 --> 00:17:56,080
[door creaks]
362
00:17:57,680 --> 00:17:59,840
‐ This is the best house
we've ever had,
363
00:17:59,840 --> 00:18:01,320
and there's friends
we shouldn't lose.
364
00:18:01,320 --> 00:18:03,960
‐ There are no friends
without money.
365
00:18:03,960 --> 00:18:06,800
They'll drop us, every one.
366
00:18:10,000 --> 00:18:12,640
‐ Is it not worth fighting for?
367
00:18:17,400 --> 00:18:20,400
HARRIET:
The article I wrote
is in the paper, but...
368
00:18:20,400 --> 00:18:22,320
[sighs]
I must go home.
369
00:18:22,320 --> 00:18:25,160
It worries me that
Leadsom hasn't made a move.
370
00:18:30,880 --> 00:18:33,280
‐ Let me give you
something to do.
371
00:18:33,280 --> 00:18:35,080
Handing these out
all around town.
372
00:18:35,080 --> 00:18:38,440
‐ You've help enough.
You don't need me.
373
00:18:38,440 --> 00:18:41,600
‐ There's spikes on you
like a flail, Nancy Birch.
374
00:18:43,480 --> 00:18:45,960
‐ I shot a man.
375
00:18:45,960 --> 00:18:47,400
There's not much joy in that.
376
00:18:47,400 --> 00:18:49,040
‐ That bastard
killed Charlotte.
377
00:18:49,040 --> 00:18:50,480
He's dead.
378
00:18:50,480 --> 00:18:52,560
It's over.
379
00:18:52,560 --> 00:18:55,480
We can begin to find our peace.
380
00:19:01,440 --> 00:19:03,360
Nance.
381
00:19:03,360 --> 00:19:06,480
Nance.
NANCY: [sighs]
382
00:19:08,160 --> 00:19:10,720
NORTH: Margaret lived
with her killing well enough.
383
00:19:10,720 --> 00:19:12,480
‐ [laughs]
384
00:19:12,480 --> 00:19:14,880
No, she felt it...
385
00:19:14,880 --> 00:19:17,920
like a stain on her soul.
386
00:19:17,920 --> 00:19:20,920
[birds chirping]
387
00:19:23,600 --> 00:19:26,480
Here's smoother company
for you.
388
00:19:26,480 --> 00:19:29,320
[dog barking]
[indistinct chatter]
389
00:19:31,120 --> 00:19:33,360
‐ Mrs. Harvey.
390
00:19:33,360 --> 00:19:35,520
I've called a public meeting.
Will you come?
391
00:19:35,520 --> 00:19:37,040
ELIZABETH:
Of course I will.
392
00:19:37,040 --> 00:19:40,880
I'm sorry to tell you,
but we've been robbed.
393
00:19:40,880 --> 00:19:42,680
Lucy's doing what she can
to fill our coffers,
394
00:19:42,680 --> 00:19:44,000
but she's sent me to ask
395
00:19:44,000 --> 00:19:45,760
if you could help out
with a loan.
396
00:19:45,760 --> 00:19:47,280
She knows that you've had a win
with your latest fight.
397
00:19:47,280 --> 00:19:50,240
‐ My money's pledged
for the reward on Jack.
398
00:19:50,240 --> 00:19:53,000
And if Lucy wants a loan,
she must ask me herself.
399
00:19:54,760 --> 00:19:57,120
‐ I'll tell her.
400
00:20:02,280 --> 00:20:04,400
[horse neighs]
401
00:20:06,680 --> 00:20:10,040
ISABELLA: Harcourt.
402
00:20:10,040 --> 00:20:12,320
This was just delivered.
403
00:20:12,320 --> 00:20:14,280
[paper rustles]
404
00:20:14,280 --> 00:20:17,400
‐ [sighs]
"I have information
about your daughter.
405
00:20:17,400 --> 00:20:20,640
In exchange"‐‐
406
00:20:20,640 --> 00:20:23,440
The villain seeks money
by giving you false hope.
407
00:20:23,440 --> 00:20:25,760
‐ Is the hand Edmund Turner's?
408
00:20:25,760 --> 00:20:27,760
BLAYNE: Nothing like.
409
00:20:27,760 --> 00:20:29,280
‐ So you've been
writing to him.
410
00:20:29,280 --> 00:20:30,600
‐ [clicks tongue]
411
00:20:30,600 --> 00:20:32,040
ISABELLA: You know
exactly where Sophia is.
412
00:20:32,040 --> 00:20:33,440
‐ I do not.
413
00:20:33,440 --> 00:20:34,840
The whoreson's probably
pimped her our
414
00:20:34,840 --> 00:20:36,720
to the king's hussars by now.
415
00:20:36,720 --> 00:20:39,080
Are you sure
you want her back?
416
00:20:40,800 --> 00:20:43,400
‐ One day,
I will watch you hang.
417
00:20:43,400 --> 00:20:46,320
‐ [clicks tongue]
418
00:20:46,320 --> 00:20:49,080
Cross Isabella
is still so pretty, hmm?
419
00:20:49,080 --> 00:20:50,480
I used to provoke you
420
00:20:50,480 --> 00:20:54,000
just to see that furrow
on your brow.
421
00:20:54,000 --> 00:20:57,000
[inhales deeply, sighs]
422
00:20:57,000 --> 00:20:59,200
Come and play cricket, hmm?
423
00:20:59,200 --> 00:21:00,640
It's lords against whores.
424
00:21:00,640 --> 00:21:04,520
You could lead their team.
425
00:21:04,520 --> 00:21:07,680
I will find the girl
when I'm ready.
426
00:21:07,680 --> 00:21:09,880
See yourself out.
427
00:21:09,880 --> 00:21:12,080
[tense music]
428
00:21:12,080 --> 00:21:14,480
My love.
429
00:21:14,480 --> 00:21:19,000
♪ ♪
430
00:21:19,000 --> 00:21:21,800
‐ [screams]
431
00:21:21,800 --> 00:21:27,200
♪ ♪
432
00:21:27,200 --> 00:21:29,760
[sighs]
433
00:21:29,760 --> 00:21:32,040
♪ ♪
434
00:21:32,040 --> 00:21:35,040
[baby crying]
435
00:21:35,040 --> 00:21:42,040
♪ ♪
436
00:21:42,040 --> 00:21:45,040
[crying continues]
437
00:21:45,040 --> 00:21:52,040
♪ ♪
438
00:21:54,120 --> 00:21:57,120
[crying continues]
439
00:21:57,120 --> 00:22:03,120
♪ ♪
440
00:22:03,120 --> 00:22:05,120
Let me calm him.
441
00:22:05,120 --> 00:22:08,120
[baby crying]
442
00:22:08,120 --> 00:22:10,880
[baby fussing]
443
00:22:10,880 --> 00:22:12,600
♪ ♪
444
00:22:12,600 --> 00:22:15,600
Hello, sweet boy.
445
00:22:15,600 --> 00:22:17,880
I'm your Aunt Isabella.
446
00:22:17,880 --> 00:22:20,880
[dramatic music]
447
00:22:20,880 --> 00:22:27,880
♪ ♪
448
00:22:29,000 --> 00:22:32,000
[hooves clattering]
449
00:22:39,960 --> 00:22:44,360
‐ If the prince takes you
for his mistress,
450
00:22:44,360 --> 00:22:47,880
all this would be yours.
451
00:22:47,880 --> 00:22:49,840
[dynamic music]
452
00:22:49,840 --> 00:22:51,840
[chuckles]
453
00:22:51,840 --> 00:22:56,080
♪ ♪
454
00:22:56,080 --> 00:22:57,720
[laughter]
[indistinct chatter]
455
00:22:57,720 --> 00:23:00,480
FANNY:
There is everything
to win in here.
456
00:23:00,480 --> 00:23:02,160
[band playing lively music]
457
00:23:02,160 --> 00:23:05,240
‐ Do they powder
their ass cracks?
458
00:23:05,240 --> 00:23:08,400
‐ You can't be lewd, right?
459
00:23:08,400 --> 00:23:10,400
You must try and act bashful,
460
00:23:10,400 --> 00:23:12,560
you know, head down,
sweet smile.
461
00:23:12,560 --> 00:23:15,280
‐ Oh, I'm sweet enough.
462
00:23:15,280 --> 00:23:19,560
♪ ♪
463
00:23:19,560 --> 00:23:22,240
[laughs] Do you know
where I keep my sugar?
464
00:23:22,240 --> 00:23:25,000
Shall I show you?
465
00:23:25,000 --> 00:23:26,600
PLAYER:
That's a little forward.
466
00:23:26,600 --> 00:23:28,920
My.
467
00:23:28,920 --> 00:23:31,880
HAL:
I can see you're unprotected.
468
00:23:31,880 --> 00:23:33,760
I can help.
469
00:23:33,760 --> 00:23:35,320
I have strong and able men‐‐
470
00:23:35,320 --> 00:23:37,440
‐ For a quarter cut?
471
00:23:37,440 --> 00:23:40,000
I know the Pincher game.
472
00:23:40,000 --> 00:23:42,640
You've come to profit
from Jack's capture.
473
00:23:42,640 --> 00:23:46,000
‐ I can help you,
if you'll listen.
474
00:23:46,000 --> 00:23:48,000
I know men who,
to keep themselves fed,
475
00:23:48,000 --> 00:23:50,560
take on ignoble work.
476
00:23:50,560 --> 00:23:53,160
One of them will know
where your boxer's held.
477
00:23:53,160 --> 00:23:55,360
‐ Lord Leadsom has him.
478
00:23:55,360 --> 00:23:57,600
‐ I've done business
with Lord Leadsom,
479
00:23:57,600 --> 00:23:59,720
and I think I have his trust.
480
00:23:59,720 --> 00:24:02,400
If he took your man,
I'll soon find out.
481
00:24:06,520 --> 00:24:09,840
Pay me one coin in every ten.
482
00:24:09,840 --> 00:24:11,200
And let me say
this is a Pincher house‐‐
483
00:24:11,200 --> 00:24:14,400
‐ No, this is
a carnivorous deal.
484
00:24:14,400 --> 00:24:17,320
I say yes,
and your teeth spring shut.
485
00:24:18,760 --> 00:24:21,600
HAL: If you trust me,
I'll find him.
486
00:24:29,240 --> 00:24:31,640
HARRIET:
One coin in ten.
487
00:24:31,640 --> 00:24:34,360
[tense music]
488
00:24:34,360 --> 00:24:35,680
♪ ♪
489
00:24:35,680 --> 00:24:37,520
FANNY:
You can't get your tits out.
490
00:24:37,520 --> 00:24:38,720
‐ The cull wanted it.
491
00:24:38,720 --> 00:24:40,160
‐ We have always
traded in there,
492
00:24:40,160 --> 00:24:41,440
and now we're thrown out.
493
00:24:41,440 --> 00:24:43,040
‐ You saying
I'm not good enough?
494
00:24:43,040 --> 00:24:44,960
FANNY:
You must be more
than a shagging tool.
495
00:24:44,960 --> 00:24:46,880
‐ You don't know a wink
from a wank, do you?
496
00:24:46,880 --> 00:24:48,920
Why'd you take me on,
you haughty cow?
497
00:24:48,920 --> 00:24:51,640
NANCY:
Oy, we're giving you
a proper chance.
498
00:24:51,640 --> 00:24:54,000
FANNY: [scoffs]
499
00:24:58,560 --> 00:25:01,200
ROSAMUND:
What's Emily Lacey
got on you?
500
00:25:01,200 --> 00:25:03,320
Why are you helping her?
501
00:25:03,320 --> 00:25:05,280
‐ She knows I take on girls
from the street.
502
00:25:05,280 --> 00:25:06,880
‐ You must think I'm stupid.
503
00:25:06,880 --> 00:25:09,600
There's something between you.
‐ Rosamund.
504
00:25:11,880 --> 00:25:14,720
You could go a long way.
505
00:25:14,720 --> 00:25:17,000
‐ I'm being played here.
506
00:25:17,000 --> 00:25:20,000
[birds chirping]
507
00:25:26,520 --> 00:25:28,880
‐ You look how I feel.
508
00:25:28,880 --> 00:25:30,400
‐ You look like Lydia Quigley.
509
00:25:30,400 --> 00:25:32,800
‐ I'm sick of myself.
510
00:25:34,560 --> 00:25:37,040
‐ And what's she made you do?
511
00:25:37,040 --> 00:25:39,560
‐ I sold Lucy Wells
to debtors' jail.
512
00:25:41,880 --> 00:25:44,560
‐ Has that girl
not suffered enough?
513
00:25:44,560 --> 00:25:46,680
You go find her pa
and tell him.
514
00:25:46,680 --> 00:25:48,840
‐ Don't pick a fight
with Lydia.
515
00:25:48,840 --> 00:25:52,560
She's not Bedlam‐weak.
She's full of force.
516
00:25:52,560 --> 00:25:56,280
NANCY:
I'm a practiced model
of restraint.
517
00:25:56,280 --> 00:25:58,400
[baby crying]
ISABELLA: [shushing]
518
00:25:58,400 --> 00:26:00,560
Oh, thank goodness you've come.
519
00:26:00,560 --> 00:26:03,960
He won't stop crying.
‐ My baby.
520
00:26:03,960 --> 00:26:06,600
Oh, my boy.
521
00:26:06,600 --> 00:26:09,600
[stammers]
Does the Marquess not want him?
522
00:26:09,600 --> 00:26:12,080
‐ I took him for you.
523
00:26:12,080 --> 00:26:13,760
[baby fussing]
524
00:26:13,760 --> 00:26:15,760
‐ Blayne will smash down
your door.
525
00:26:15,760 --> 00:26:18,280
‐ We're barring it against him.
526
00:26:18,280 --> 00:26:22,040
I saved this baby,
and he's not going back.
527
00:26:24,400 --> 00:26:27,400
GANGER: There you go, son.
Take it.
528
00:26:27,400 --> 00:26:29,400
That's it.
And away we go!
529
00:26:29,400 --> 00:26:31,200
SOPHIA:
He's my husband!
530
00:26:31,200 --> 00:26:32,800
You've taken his money.
Just leave him be!
531
00:26:32,800 --> 00:26:34,200
GANGER: He took the king's
shilling fair and square.
532
00:26:34,200 --> 00:26:35,560
‐ Oy, what's this?
TURNER: Get off me!
533
00:26:35,560 --> 00:26:36,920
‐ They tricked my husband.
534
00:26:36,920 --> 00:26:38,400
They're saying
he's now in the navy.
535
00:26:38,400 --> 00:26:40,080
‐ Don't you dare
press‐gang my custom.
536
00:26:40,080 --> 00:26:42,400
‐ He's been drinking all day,
gambled all our money.
537
00:26:42,400 --> 00:26:45,200
‐ You fleeced him of his coin,
now put him down.
538
00:26:45,200 --> 00:26:47,600
He's a married man.
‐ He said she was his doxy.
539
00:26:47,600 --> 00:26:49,920
He's just trying to pimp her!
‐ That's a foul lie.
540
00:26:49,920 --> 00:26:51,800
Go to hell!
541
00:26:51,800 --> 00:26:53,920
GANGER: Oh, yeah.
542
00:26:53,920 --> 00:26:55,920
[Turner grunts indistinctly]
543
00:26:55,920 --> 00:26:58,600
[door creaks, slams]
544
00:26:58,600 --> 00:27:01,640
‐ When you tire of this sot,
545
00:27:01,640 --> 00:27:03,960
come see me.
546
00:27:03,960 --> 00:27:06,520
Could do marvels
for a girl like you.
547
00:27:06,520 --> 00:27:08,480
‐ Thank you,
but I'm quite content.
548
00:27:08,480 --> 00:27:10,760
TURNER:
Don't leave me, Sophia.
549
00:27:10,760 --> 00:27:13,840
‐ Poor fool.
550
00:27:20,680 --> 00:27:23,040
Your own coat fit better.
551
00:27:23,040 --> 00:27:26,280
‐ I'm wearing his.
552
00:27:26,280 --> 00:27:30,040
Rosamund, you're in charge.
553
00:27:30,040 --> 00:27:32,080
Emily, let's go.
554
00:27:32,080 --> 00:27:33,960
[door creaks]
555
00:27:33,960 --> 00:27:36,680
ROSAMUND:
Buy me a present
while you're out?
556
00:27:36,680 --> 00:27:39,680
[indistinct chatter]
557
00:27:41,480 --> 00:27:43,280
HENRY:
Look, come here.
Let me help you.
558
00:27:43,280 --> 00:27:45,920
[both laugh]
559
00:27:45,920 --> 00:27:47,800
You're not holding it right.
KATE: You can't teach me.
560
00:27:47,800 --> 00:27:49,160
I know how
to hold a man's bat.
561
00:27:49,160 --> 00:27:51,440
HENRY:
So these are the stumps,
562
00:27:51,440 --> 00:27:53,240
and this is the wicket.
563
00:27:53,240 --> 00:27:55,120
‐ It's the pricket.
564
00:27:55,120 --> 00:27:57,360
Seems I've landed
in the right place.
565
00:27:57,360 --> 00:27:59,520
‐ [scoffs]
566
00:27:59,520 --> 00:28:01,080
‐ Miss Lucy Wells.
567
00:28:01,080 --> 00:28:03,640
‐ Let me remove
this pert gadfly.
568
00:28:03,640 --> 00:28:08,000
HENRY: [laughs]
You're the gadfly, madam.
569
00:28:08,000 --> 00:28:10,640
I heard Lucy Wells rode naked
on a white mare
570
00:28:10,640 --> 00:28:12,440
through the streets
of Covent Garden.
571
00:28:12,440 --> 00:28:14,040
‐ [laughs]
The mare was naked.
572
00:28:14,040 --> 00:28:16,320
I wore a wig.
‐ [laughs]
573
00:28:16,320 --> 00:28:18,920
Pleasure to meet you
and your very fetching wig.
574
00:28:18,920 --> 00:28:20,240
Harry Hanover.
575
00:28:20,240 --> 00:28:21,720
‐ I tell you
to get rid of Lucy Wells,
576
00:28:21,720 --> 00:28:23,320
and you bring her
to my mansion
577
00:28:23,320 --> 00:28:24,800
and throw her at my prince?
578
00:28:24,800 --> 00:28:27,320
‐ I didn't bring her.
She's hunting coin.
579
00:28:27,320 --> 00:28:29,560
HENRY: Are you here to play?
‐ I'm here to win.
580
00:28:29,560 --> 00:28:31,960
‐ She's here to cause trouble.
581
00:28:33,400 --> 00:28:35,720
LUCY: My lords,
stake 100 guineas,
582
00:28:35,720 --> 00:28:39,120
and he who bowls me out
gets me.
583
00:28:39,120 --> 00:28:40,840
‐ [scoffs]
584
00:28:40,840 --> 00:28:42,360
‐ You'd turn a trick
like a street corner drab?
585
00:28:42,360 --> 00:28:44,120
LUCY:
I'll not dupe you
with affection
586
00:28:44,120 --> 00:28:45,800
like this wilting plant.
587
00:28:45,800 --> 00:28:47,400
I'm here for my pleasure
588
00:28:47,400 --> 00:28:49,560
and to earn
an honest coin, of course.
589
00:28:49,560 --> 00:28:51,880
‐ I'd stake 100 on that.
590
00:28:51,880 --> 00:28:54,320
‐ [laughs]
591
00:28:54,320 --> 00:28:56,520
‐ We should
keep our enemies close.
592
00:28:56,520 --> 00:28:59,200
‐ We should
keep our enemies dead.
593
00:28:59,200 --> 00:29:01,320
LYDIA: She'll be locked
in the debtors' jail
594
00:29:01,320 --> 00:29:03,240
within this hour.
595
00:29:03,240 --> 00:29:05,640
It's under way.
596
00:29:06,800 --> 00:29:08,320
‐ Have you played before?
597
00:29:08,320 --> 00:29:11,000
‐ There's not much
I can't do, Your Highness.
598
00:29:11,000 --> 00:29:14,320
‐ Uh, Miss Wells,
our captain, Blayne.
599
00:29:16,320 --> 00:29:19,280
‐ I thought you only played
blood sports.
600
00:29:19,280 --> 00:29:22,000
‐ Will you bid for her honor?
‐ She has none.
601
00:29:22,000 --> 00:29:25,160
[birds chirping]
602
00:29:25,160 --> 00:29:28,160
[suspenseful music]
603
00:29:28,160 --> 00:29:34,240
♪ ♪
604
00:29:34,240 --> 00:29:36,560
LUCY: Run, Kate, run!
605
00:29:36,560 --> 00:29:39,160
[indistinct chatter]
606
00:29:39,160 --> 00:29:41,760
Again!
607
00:29:41,760 --> 00:29:44,920
‐ Here!
608
00:29:44,920 --> 00:29:46,840
KATE:
Stay, stay, stay, stay!
609
00:29:46,840 --> 00:29:49,200
Wait, Lucy!
PLAYER: Oh!
610
00:29:49,200 --> 00:29:52,640
[indistinct chatter]
611
00:29:52,640 --> 00:29:54,240
‐ Out.
612
00:29:54,240 --> 00:29:56,440
100 guineas, and she's yours.
613
00:29:59,080 --> 00:30:00,640
LUCY:
You're like that king
from ancient Greece,
614
00:30:00,640 --> 00:30:02,680
the one who corrupted
everything he touched.
615
00:30:02,680 --> 00:30:04,440
LYDIA: [scoffs]
LUCY: What was he called again,
616
00:30:04,440 --> 00:30:07,880
the king of Sparta?
‐ Please, you are reckless.
617
00:30:09,640 --> 00:30:13,280
I'm doing as your mother asked
and taking care of you.
618
00:30:13,280 --> 00:30:15,160
BLAYNE: Miss Lucy Wells
of Golden Square.
619
00:30:15,160 --> 00:30:16,680
‐ What is this?
620
00:30:16,680 --> 00:30:18,560
LYDIA: Trust me,
it's for your own good.
621
00:30:18,560 --> 00:30:20,480
BAILIFF: You'll come with me.
‐ You brought this on yourself.
622
00:30:20,480 --> 00:30:22,120
‐ I'm good with a knife,
and, I swear,
623
00:30:22,120 --> 00:30:23,840
one day, I will stick you.
624
00:30:23,840 --> 00:30:27,400
‐ To make full disclosure
of your estate and effects
625
00:30:27,400 --> 00:30:29,360
and be taken in full
to the Fleet,
626
00:30:29,360 --> 00:30:30,920
where your creditors
have charged you...
627
00:30:30,920 --> 00:30:33,280
‐ The grasping little grub
has got herself in debt.
628
00:30:33,280 --> 00:30:34,880
BAILIFF: Calling into account.
629
00:30:34,880 --> 00:30:37,480
‐ You'll have
to catch me first.
630
00:30:37,480 --> 00:30:39,480
BAILIFF: Oy!
Oy, stop!
631
00:30:39,480 --> 00:30:42,280
Well, get after her, man!
632
00:31:06,240 --> 00:31:09,280
LUCY: Charlotte?
[breathing shakily]
633
00:31:13,440 --> 00:31:16,440
I‐‐I came for Charlotte.
634
00:31:16,440 --> 00:31:19,440
I need Charlotte.
635
00:31:19,440 --> 00:31:22,440
[breathing heavily]
636
00:31:23,680 --> 00:31:25,960
‐ I keep thinking
I hear her voice.
637
00:31:25,960 --> 00:31:29,280
[sniffs]
Her laughter's in this house.
638
00:31:33,360 --> 00:31:34,920
‐ I don't know what to do.
639
00:31:34,920 --> 00:31:36,880
[approaching footsteps]
640
00:31:36,880 --> 00:31:39,840
NORTH: What's all this?
LUCY: Pa.
641
00:31:39,840 --> 00:31:42,280
NORTH:
[sighs] Lucy.
642
00:31:43,400 --> 00:31:45,640
LUCY: It's bad.
NORTH: [sighs]
643
00:31:45,640 --> 00:31:48,840
So Elizabeth Harvey's
dropped you in a lake of debt?
644
00:31:50,840 --> 00:31:52,560
How much do you need?
645
00:31:52,560 --> 00:31:54,440
‐ It's too much.
646
00:31:54,440 --> 00:31:55,880
[knocking on door]
647
00:31:55,880 --> 00:31:57,840
BAILIFF: Lucy Wells!
NORTH: I'll get rid of him.
648
00:31:57,840 --> 00:32:00,800
FANNY: I'll hide you, come on.
‐ They know I'm here.
649
00:32:00,800 --> 00:32:03,200
There's a great
steaming horse outside.
650
00:32:03,200 --> 00:32:06,240
This is Lydia Quigley's doing.
651
00:32:06,240 --> 00:32:08,560
I'm not gonna solve it
by running away.
652
00:32:08,560 --> 00:32:12,560
BAILIFF:
Miss Lucy Wells!
653
00:32:12,560 --> 00:32:15,240
Ah.
‐ Keep your prattle.
654
00:32:15,240 --> 00:32:17,520
I'll come.
‐ At last.
655
00:32:17,520 --> 00:32:19,040
[dog barking]
656
00:32:19,040 --> 00:32:20,880
[birds chirping]
657
00:32:20,880 --> 00:32:24,200
‐ You have vanquished
the fairer sex.
658
00:32:24,200 --> 00:32:26,400
Now you must choose your prize.
659
00:32:30,640 --> 00:32:33,480
‐ Come live with me
and be my love
660
00:32:33,480 --> 00:32:36,360
and we will
all the pleasures prove.
661
00:32:36,360 --> 00:32:37,720
And if these pleasures
may thee move,
662
00:32:37,720 --> 00:32:40,240
come live with me
and be my love.
663
00:32:40,240 --> 00:32:42,520
‐ [laughs]
664
00:32:44,880 --> 00:32:48,240
‐ [chuckles]
665
00:32:48,240 --> 00:32:51,000
‐ I've been happy
in this house.
666
00:32:51,000 --> 00:32:53,960
‐ My mother
brings the sun with her.
667
00:32:53,960 --> 00:32:56,280
‐ So do you.
668
00:32:56,280 --> 00:32:59,640
‐ Travel light.
Look forward, never back.
669
00:32:59,640 --> 00:33:02,640
[melancholy music]
670
00:33:02,640 --> 00:33:09,640
♪ ♪
671
00:33:09,640 --> 00:33:11,160
[indistinct chatter]
672
00:33:11,160 --> 00:33:12,880
CREDITOR: We were told
we'd hear Lucy Wells.
673
00:33:12,880 --> 00:33:14,360
KNOX:
A few minutes more,
and she'll be here.
674
00:33:14,360 --> 00:33:16,440
CREDITOR:
She better had.
675
00:33:16,440 --> 00:33:18,600
‐ They'll not tarry
for a harlot's tale.
676
00:33:18,600 --> 00:33:21,040
Half of them
are under Blayne's sway.
677
00:33:21,040 --> 00:33:25,720
‐ My brave Miss Wells
has lost her nerve.
678
00:33:25,720 --> 00:33:28,360
Her story's fantastical enough,
679
00:33:28,360 --> 00:33:31,040
the marquess and his acolytes
murdering young girls
680
00:33:31,040 --> 00:33:34,600
procured by a ruthless bawd,
Lydia Quigley.
681
00:33:34,600 --> 00:33:36,920
[indistinct chatter]
682
00:33:36,920 --> 00:33:38,840
‐ I must go.
683
00:33:38,840 --> 00:33:42,280
She must be found.
684
00:33:42,280 --> 00:33:44,320
[knocks on table]
685
00:33:44,320 --> 00:33:46,680
[birds chirping]
686
00:33:46,680 --> 00:33:49,000
‐ Lucy Wells hates Blayne.
687
00:33:49,000 --> 00:33:51,200
Why?
688
00:33:51,200 --> 00:33:53,800
‐ Let me caution you...
689
00:33:53,800 --> 00:33:55,880
he's deadly.
690
00:33:55,880 --> 00:33:58,320
Keep his goodwill.
691
00:33:58,320 --> 00:34:01,000
‐ You'll learn, with a woman,
692
00:34:01,000 --> 00:34:04,280
that there's an ecstasy
in enforcing power.
693
00:34:04,280 --> 00:34:06,720
The more they cry "no,"
694
00:34:06,720 --> 00:34:11,320
the more they quicken
the pulse of your dominion.
695
00:34:11,320 --> 00:34:13,800
That girl needs taming.
696
00:34:15,320 --> 00:34:16,920
‐ Stay with me.
697
00:34:16,920 --> 00:34:19,360
‐ I can't.
698
00:34:19,360 --> 00:34:21,960
You've reached the pinnacle
of your profession.
699
00:34:24,280 --> 00:34:26,120
Go.
700
00:34:26,120 --> 00:34:29,120
[tense music]
701
00:34:29,120 --> 00:34:36,120
♪ ♪
702
00:34:38,200 --> 00:34:40,520
‐ Where are they headed?
‐ I don't know.
703
00:34:40,520 --> 00:34:42,160
‐ I'm a patient man,
704
00:34:42,160 --> 00:34:45,080
but I will shake you
upside down for what you know.
705
00:34:47,320 --> 00:34:49,680
‐ The Great West Road.
706
00:34:49,680 --> 00:34:52,800
Fredo told me
to look for him in Plymouth.
707
00:34:53,960 --> 00:34:55,520
[indistinct chatter]
708
00:34:55,520 --> 00:34:58,040
[liquid gurgling]
709
00:34:58,040 --> 00:35:00,160
EMILY:
[clears throat]
710
00:35:00,160 --> 00:35:03,480
‐ I trust you're happy with
the land I sold you, my Lord?
711
00:35:03,480 --> 00:35:06,120
I've another opportunity
for you.
712
00:35:06,120 --> 00:35:09,760
EMILY:
We provide female company
all over Covent Garden.
713
00:35:09,760 --> 00:35:13,480
‐ We're seeking to expand
our trade into Soho.
714
00:35:13,480 --> 00:35:16,280
I've taken on a house
in Thrift Street
715
00:35:16,280 --> 00:35:18,480
run by a Mrs. Lennox.
716
00:35:18,480 --> 00:35:20,640
‐ I want that house.
717
00:35:20,640 --> 00:35:22,480
Black Harriet's house,
I want it.
718
00:35:22,480 --> 00:35:24,320
‐ We don't own it, my Lord.
719
00:35:24,320 --> 00:35:26,600
LEADSOM:
See what she writes here?
720
00:35:26,600 --> 00:35:29,440
Lambasting the trade that
brought her out of savagery
721
00:35:29,440 --> 00:35:31,240
into the lux of civilization.
722
00:35:31,240 --> 00:35:34,360
HAL:
Mm, she had
an unruly bully on her door
723
00:35:34,360 --> 00:35:37,480
no doubt filling her head
with rot.
724
00:35:37,480 --> 00:35:40,280
It seems he's been taken
off the streets.
725
00:35:40,280 --> 00:35:44,160
If I met the man who did that,
I'd like to shake his hand.
726
00:35:44,160 --> 00:35:48,040
LEADSOM: Yes,
good for him, I say.
727
00:35:48,040 --> 00:35:49,640
HAL:
His actions
have allowed me
728
00:35:49,640 --> 00:35:52,720
to colonize her house.
729
00:35:52,720 --> 00:35:54,880
Why should these bawds
take all the gold?
730
00:35:54,880 --> 00:35:57,360
In my properties,
the lion's share of profit
731
00:35:57,360 --> 00:36:01,160
will go to investors,
men such as yourself.
732
00:36:01,160 --> 00:36:03,840
[indistinct chatter]
733
00:36:03,840 --> 00:36:07,400
‐ Call on me at home tomorrow.
734
00:36:13,200 --> 00:36:16,600
‐ How could you dupe Harriet?
735
00:36:16,600 --> 00:36:21,080
‐ Isaac and me, our mothers
were both tavern girls,
736
00:36:21,080 --> 00:36:23,880
but when mine fell foul
of our father,
737
00:36:23,880 --> 00:36:26,920
he sold her to a slaver
to cut sugar.
738
00:36:26,920 --> 00:36:28,760
‐ Oh...
739
00:36:28,760 --> 00:36:31,560
So you mean to dupe the lord.
740
00:36:31,560 --> 00:36:34,000
[tender music]
741
00:36:34,000 --> 00:36:37,000
I knew you were a good man.
742
00:36:37,000 --> 00:36:38,400
I knew it.
743
00:36:40,040 --> 00:36:42,120
NORTH:
Don't let them board!
744
00:36:42,120 --> 00:36:44,320
Don't let them!
745
00:36:44,320 --> 00:36:46,600
They're cowards and debtors!
746
00:36:46,600 --> 00:36:48,800
Lucy's been taken to the Fleet.
747
00:36:48,800 --> 00:36:51,560
‐ Which is why we must go.
748
00:36:51,560 --> 00:36:52,840
We will set up in a new town
749
00:36:52,840 --> 00:36:54,440
and‐‐and we will
pay our debts back.
750
00:36:54,440 --> 00:36:56,440
‐ Lies.
751
00:36:56,440 --> 00:36:58,120
You're as smooth as butter.
752
00:36:58,120 --> 00:37:00,360
‐ It doesn't help Lucy
if we all suffer.
753
00:37:00,360 --> 00:37:03,080
‐ Has anything you've ever said
to me been true?
754
00:37:03,080 --> 00:37:04,840
That child has suffered
too much.
755
00:37:04,840 --> 00:37:07,960
‐ I have worked ceaselessly
to fill that void for her.
756
00:37:07,960 --> 00:37:11,360
‐ By fleeing and leaving her.
757
00:37:11,360 --> 00:37:14,640
Elizabeth Harvey,
you're a heartless nothing.
758
00:37:17,800 --> 00:37:19,840
‐ We've been
to debtors' jail before.
759
00:37:19,840 --> 00:37:21,880
FREDO:
She cared
for three of us then.
760
00:37:21,880 --> 00:37:23,320
I'm the only one who lived.
761
00:37:23,320 --> 00:37:25,000
‐ I cannot go back there.
762
00:37:25,000 --> 00:37:28,680
Call me what you like:
coward, debtor, liar, cheat.
763
00:37:29,600 --> 00:37:32,360
‐ You'll turn around
and face this.
764
00:37:35,880 --> 00:37:38,880
[indistinct chatter]
765
00:37:43,280 --> 00:37:45,120
‐ Margaret's gone one day
766
00:37:45,120 --> 00:37:47,640
and you turn your beam
on her only living girl.
767
00:37:47,640 --> 00:37:49,240
‐ That girl made her bed
768
00:37:49,240 --> 00:37:51,320
when she bought Golden Square
from under my son.
769
00:37:51,320 --> 00:37:53,680
‐ You're like a powdered wasp
770
00:37:53,680 --> 00:37:57,520
still scuttering around
when it's been stamped on.
771
00:37:57,520 --> 00:37:59,360
‐ If you intend violence,
do it.
772
00:37:59,360 --> 00:38:01,800
Go on, punish me.
773
00:38:06,240 --> 00:38:09,360
‐ Why did you pick me?
774
00:38:09,360 --> 00:38:11,000
I remember the day.
775
00:38:11,000 --> 00:38:14,200
The workhouse mother
lined us all up.
776
00:38:14,200 --> 00:38:16,080
A lovely woman wanted
a housemaid.
777
00:38:16,080 --> 00:38:18,440
But you...
778
00:38:18,440 --> 00:38:22,280
took my face in your hands...
779
00:38:22,280 --> 00:38:24,160
and gazed.
780
00:38:25,640 --> 00:38:27,440
What did you see?
781
00:38:27,440 --> 00:38:29,400
I spent my life
trying to answer that.
782
00:38:29,400 --> 00:38:33,000
Why did the devil choose me?
783
00:38:33,000 --> 00:38:35,240
‐ I saw a spark of pride.
784
00:38:38,120 --> 00:38:40,240
Men like that in a plaything.
785
00:38:42,160 --> 00:38:44,440
And I'm not the devil...
786
00:38:45,760 --> 00:38:48,480
An under‐demon only.
787
00:38:49,560 --> 00:38:50,960
‐ They say
when you've killed once,
788
00:38:50,960 --> 00:38:52,400
the next comes easy.
789
00:38:52,400 --> 00:38:55,920
Is that your experience?
‐ I've never killed.
790
00:38:55,920 --> 00:38:58,360
‐ I have.
791
00:38:58,360 --> 00:39:00,440
♪ ♪
792
00:39:00,440 --> 00:39:04,080
You mend what you've done
to Lucy Wells,
793
00:39:04,080 --> 00:39:06,440
or with my bare hands,
794
00:39:06,440 --> 00:39:09,960
I'll pluck out your sting.
795
00:39:09,960 --> 00:39:16,960
♪ ♪
796
00:39:17,920 --> 00:39:20,520
‐ Now, I haven't known
Jack Lively long,
797
00:39:20,520 --> 00:39:22,000
but he is bright...
798
00:39:22,000 --> 00:39:24,760
WOMAN: Mm‐hmm.
‐ Generous, the best of men.
799
00:39:24,760 --> 00:39:25,880
NORTH: Make sure
she doesn't leave.
800
00:39:25,880 --> 00:39:27,160
HARRIET:
A man who fought poverty
801
00:39:27,160 --> 00:39:28,920
with his fists
and his sharp wit.
802
00:39:28,920 --> 00:39:30,200
CROWD: Yes!
803
00:39:30,200 --> 00:39:32,480
‐ With relief,
Mr. William North.
804
00:39:32,480 --> 00:39:34,240
[cheers and applause]
805
00:39:34,240 --> 00:39:36,800
MAN: Mr. North!
806
00:39:36,800 --> 00:39:40,280
‐ Jack's disappearance
shines a light
807
00:39:40,280 --> 00:39:42,760
upon an outrage
against liberty.
808
00:39:42,760 --> 00:39:44,560
[cheers and applause]
809
00:39:44,560 --> 00:39:48,240
Free citizens of our color
are being snatched
810
00:39:48,240 --> 00:39:50,880
from these streets
and traded like livestock
811
00:39:50,880 --> 00:39:53,360
to make profit for the rich!
812
00:39:53,360 --> 00:39:56,800
We last five years
cutting sugar.
813
00:39:56,800 --> 00:39:59,480
We're worked to death,
pure and simple.
814
00:39:59,480 --> 00:40:01,360
And Jack Lively sits in chains,
815
00:40:01,360 --> 00:40:05,000
but while he's on these shores,
there's hope.
816
00:40:05,000 --> 00:40:08,040
To help us find him,
stand with us.
817
00:40:08,040 --> 00:40:10,880
We offer a reward of £50.
818
00:40:10,880 --> 00:40:14,440
By saving one man,
we may save more!
819
00:40:14,440 --> 00:40:16,040
Yes!
820
00:40:16,040 --> 00:40:18,880
[cheers and applause]
821
00:40:18,880 --> 00:40:20,920
[indistinct chatter]
822
00:40:20,920 --> 00:40:23,000
He's got a damn cheek
coming here, hasn't he?
823
00:40:23,000 --> 00:40:25,560
‐ Well, he can help us
as good as any.
824
00:40:25,560 --> 00:40:28,160
[indistinct chatter]
825
00:40:28,160 --> 00:40:30,000
NORTH:
Thank you, my friend.
826
00:40:30,000 --> 00:40:32,240
‐ That went well.
827
00:40:32,240 --> 00:40:35,920
‐ Three ships leave this week,
Gold Coast and West Indies.
828
00:40:35,920 --> 00:40:37,680
Lord Leadsom invests
in all of them.
829
00:40:37,680 --> 00:40:40,520
I don't have the manpower
to watch the docks.
830
00:40:42,520 --> 00:40:44,880
‐ My thanks.
831
00:40:44,880 --> 00:40:46,720
‐ I hoped to find
Miss Wells here.
832
00:40:46,720 --> 00:40:50,120
‐ On my way to see her
in the Fleet.
833
00:40:50,120 --> 00:40:52,760
‐ Who locked her there?
834
00:40:52,760 --> 00:40:55,240
‐ Devil's own bawd,
Lydia Quigley.
835
00:40:59,520 --> 00:41:02,840
‐ Lucy needs money.
I can get her some.
836
00:41:02,840 --> 00:41:05,160
‐ Don't let her
leave your sight.
837
00:41:07,120 --> 00:41:09,840
My thanks.
838
00:41:19,720 --> 00:41:22,720
[both grunting]
839
00:41:25,600 --> 00:41:27,640
‐ Ow.
[grunts]
840
00:41:27,640 --> 00:41:30,800
‐ [grunting]
‐ You're hurting me.
841
00:41:30,800 --> 00:41:32,720
[grunts]
842
00:41:32,720 --> 00:41:35,280
Stop!
‐ [grunts]
843
00:41:35,280 --> 00:41:38,480
[both panting]
844
00:41:38,480 --> 00:41:41,040
‐ You hit me,
845
00:41:41,040 --> 00:41:43,680
your lord and master.
846
00:41:45,800 --> 00:41:48,120
Kate, Blayne said‐‐
847
00:41:48,120 --> 00:41:50,120
‐ I don't care
what Blayne said.
848
00:41:50,120 --> 00:41:53,240
Never do that to me again.
849
00:41:53,240 --> 00:41:54,680
[door slams]
850
00:41:54,680 --> 00:41:57,680
[hooves clattering]
851
00:41:58,760 --> 00:42:00,160
KNOX: I'm here to warn you.
852
00:42:00,160 --> 00:42:02,280
If you're putting Kate
in any danger‐‐
853
00:42:02,280 --> 00:42:06,000
‐ [laughs]
So it's you,
854
00:42:06,000 --> 00:42:09,360
her threadbare Galahad.
[chuckles]
855
00:42:09,360 --> 00:42:11,320
‐ If you intend her any harm‐‐
856
00:42:11,320 --> 00:42:13,440
‐ She's currently in bed
with the fourth in line
to the throne.
857
00:42:13,440 --> 00:42:15,040
That's what I've given her.
858
00:42:15,040 --> 00:42:16,280
She doesn't give a damn
about you.
859
00:42:16,280 --> 00:42:18,000
She simply sees, as I did,
860
00:42:18,000 --> 00:42:20,720
the wisdom of getting the law
between her legs.
861
00:42:20,720 --> 00:42:25,000
Now, get the limp rod
of justice out of my way.
862
00:42:27,320 --> 00:42:28,920
[indistinct chatter]
863
00:42:28,920 --> 00:42:31,240
LUCY: Everything costs:
864
00:42:31,240 --> 00:42:34,000
my cell, my food,
865
00:42:34,000 --> 00:42:35,760
even emptying the pail.
866
00:42:35,760 --> 00:42:37,600
BEGGAR: Sir, please, please.
867
00:42:37,600 --> 00:42:40,280
LUCY: There's people that havespent decades in here.
868
00:42:40,280 --> 00:42:41,840
They start in these
better cells
869
00:42:41,840 --> 00:42:43,960
and then fall into the gulch
out there.
870
00:42:43,960 --> 00:42:46,120
[distant chatter]
871
00:42:46,120 --> 00:42:47,960
‐ Mrs. Harvey
was on the Great West Road
872
00:42:47,960 --> 00:42:50,440
when I turned her back.
873
00:42:50,440 --> 00:42:53,120
Don't berate yourself
for trusting her.
874
00:42:53,120 --> 00:42:56,320
That woman could charm
the flies off a turd.
875
00:42:57,560 --> 00:43:00,040
[grunts]
876
00:43:00,040 --> 00:43:01,960
For your needs.
877
00:43:01,960 --> 00:43:05,400
‐ [sighs]
Thanks, Pa.
878
00:43:13,040 --> 00:43:15,640
‐ So, Lucy Wells...
879
00:43:17,040 --> 00:43:20,160
How you gonna
fuck your way out of this?
880
00:43:20,160 --> 00:43:21,520
[door clangs]
881
00:43:29,720 --> 00:43:31,480
[baby cooing]
882
00:43:31,480 --> 00:43:34,360
‐ You must say
the child's not Blayne's.
883
00:43:34,360 --> 00:43:36,160
Then he has no claim on it.
884
00:43:36,160 --> 00:43:37,800
‐ But he is his,
885
00:43:37,800 --> 00:43:40,600
and he'll kill me
before he gives up his son.
886
00:43:40,600 --> 00:43:44,360
ISABELLA: You must go away
into the country
887
00:43:44,360 --> 00:43:46,880
far from London.
888
00:43:46,880 --> 00:43:48,800
You'll have a home
of your own.
889
00:43:48,800 --> 00:43:51,000
We'll say you're a widow.
890
00:43:51,000 --> 00:43:53,080
‐ Far from London?
891
00:43:53,080 --> 00:43:54,800
By myself?
892
00:43:54,800 --> 00:43:56,240
‐ You'll have your child.
893
00:43:56,240 --> 00:43:59,040
[knocking on door]
894
00:43:59,040 --> 00:44:00,760
Don't be afraid.
895
00:44:00,760 --> 00:44:02,400
All will be well.
896
00:44:02,400 --> 00:44:05,280
[door opens, closes]
897
00:44:08,920 --> 00:44:11,720
You'll never guess
what I've done.
898
00:44:11,720 --> 00:44:14,760
This is Henry Harcourt,
my nephew.
899
00:44:16,240 --> 00:44:17,800
‐ You stole
your brother's baby?
900
00:44:17,800 --> 00:44:19,960
‐ I rescued him.
‐ Are you completely cracked?
901
00:44:19,960 --> 00:44:21,520
‐ Not in the least.
902
00:44:21,520 --> 00:44:23,680
I've returned him
to his mother.
903
00:44:23,680 --> 00:44:25,360
‐ Holy God.
904
00:44:25,360 --> 00:44:27,960
This'll scramble your brother.
905
00:44:27,960 --> 00:44:30,120
‐ I hope so.
906
00:44:30,120 --> 00:44:32,400
I hope it fucks him
907
00:44:32,400 --> 00:44:34,360
right up the ass.
[both laugh]
908
00:44:34,360 --> 00:44:37,360
‐ [laughing]
909
00:44:39,520 --> 00:44:42,160
Hallelujah.
910
00:44:42,160 --> 00:44:44,000
Hmm.
911
00:44:44,000 --> 00:44:46,920
He's the sweetest little theft
I've ever seen.
912
00:44:46,920 --> 00:44:49,920
[pensive music]
913
00:44:49,920 --> 00:44:53,320
♪ ♪
914
00:44:53,320 --> 00:44:56,320
[birds chirping]
915
00:45:01,280 --> 00:45:03,040
‐ You can't be here.
916
00:45:03,040 --> 00:45:05,120
Go.
917
00:45:09,640 --> 00:45:12,640
‐ Kate, Mrs. Quigley has fed
girls like you to Blayne
918
00:45:12,640 --> 00:45:14,520
for rape and murder.
919
00:45:14,520 --> 00:45:17,840
You need to come with me.
920
00:45:17,840 --> 00:45:19,200
‐ Well, then
who will stop Blayne?
921
00:45:19,200 --> 00:45:21,280
‐ Not you, for God's sake.
922
00:45:21,280 --> 00:45:23,400
‐ [breathing heavily]
923
00:45:23,400 --> 00:45:25,800
Henry is a boy.
924
00:45:25,800 --> 00:45:29,240
Blayne will corrupt
and debauch him.
925
00:45:29,240 --> 00:45:31,520
[sighs]
926
00:45:31,520 --> 00:45:34,840
I don't need a rescuer.
927
00:45:34,840 --> 00:45:37,360
I am the rescuer.
928
00:45:37,360 --> 00:45:39,440
Go.
929
00:45:39,440 --> 00:45:42,000
‐ This morning...
930
00:45:42,000 --> 00:45:44,880
I should have said more.
931
00:45:44,880 --> 00:45:47,120
I should have said stay
and be with‐‐
932
00:45:47,120 --> 00:45:50,040
‐ Will you just go?
Please.
933
00:45:50,040 --> 00:45:53,040
[tense music]
934
00:45:53,040 --> 00:45:58,880
♪ ♪
935
00:45:58,880 --> 00:46:01,880
[hooves clattering]
936
00:46:05,840 --> 00:46:08,040
BLAYNE: [shouting]
Where's my boy, Isabella?
937
00:46:11,800 --> 00:46:14,640
Give me my boy.
‐ He's with his mother.
938
00:46:14,640 --> 00:46:16,800
‐ You will be jailed
for kidnap.
939
00:46:16,800 --> 00:46:19,000
I demand my son.
940
00:46:19,000 --> 00:46:21,600
ISABELLA:
Miss Pettifer says
the father's a Venetian.
941
00:46:21,600 --> 00:46:23,440
‐ And?
942
00:46:23,440 --> 00:46:25,040
Anne, I was going
to recall you‐‐
943
00:46:25,040 --> 00:46:28,720
‐ Stop, beast.
944
00:46:28,720 --> 00:46:31,480
‐ Where's Sophia?
A child for a child.
945
00:46:31,480 --> 00:46:34,680
‐ I want my boy!
‐ Then bring me my girl!
946
00:46:34,680 --> 00:46:37,360
‐ You damned abomination.
[hollers]
947
00:46:37,360 --> 00:46:38,840
Ah!
948
00:46:38,840 --> 00:46:41,800
‐ You take this
withering ballsack out.
949
00:46:41,800 --> 00:46:44,680
BLAYNE: Damned witch!
[hollers]
950
00:46:44,680 --> 00:46:47,280
[shoes scuffling]
[door closes]
951
00:46:48,720 --> 00:46:51,720
[pensive music]
952
00:46:51,720 --> 00:46:53,440
♪ ♪
953
00:46:53,440 --> 00:46:56,520
‐ Thank you.
954
00:46:56,520 --> 00:46:58,280
‐ [exclaims softly]
955
00:46:59,160 --> 00:47:03,680
♪ ♪
956
00:47:03,680 --> 00:47:04,800
‐ [sniffs]
957
00:47:04,800 --> 00:47:06,280
[approaching footsteps]
958
00:47:06,280 --> 00:47:08,280
ELIZABETH:
Forgive our impertinence.
959
00:47:08,280 --> 00:47:10,040
We're here on behalf of Lucy.
960
00:47:10,040 --> 00:47:12,400
She's in debtors' jail.
961
00:47:12,400 --> 00:47:13,960
‐ They've silenced her.
962
00:47:13,960 --> 00:47:15,720
ELIZABETH:
Our property's threatened.
963
00:47:15,720 --> 00:47:18,320
I must help her.
Our boys can still work.
964
00:47:18,320 --> 00:47:20,400
‐ I can have no association
with your house,
965
00:47:20,400 --> 00:47:22,080
you know that.
966
00:47:22,080 --> 00:47:25,720
‐ We need a loan
from a kind investor
967
00:47:25,720 --> 00:47:27,720
for Lucy.
968
00:47:32,480 --> 00:47:35,560
‐ I know the ways
of bawds too well.
969
00:47:36,960 --> 00:47:40,400
How much buys your silence?
970
00:47:40,400 --> 00:47:42,440
‐ You have misconstrued.
971
00:47:43,640 --> 00:47:47,320
I have the highest respect
for men like you.
972
00:47:47,320 --> 00:47:50,800
I'd rather fold a house and run
than expose a man to blackmail.
973
00:47:50,800 --> 00:47:53,680
‐ Yet here you are.
974
00:47:53,680 --> 00:47:55,160
What's your price?
975
00:47:55,160 --> 00:47:57,040
‐ He insults us.
976
00:47:57,040 --> 00:47:59,240
Let's go.
977
00:47:59,240 --> 00:48:02,200
[retreating footsteps]
978
00:48:11,640 --> 00:48:14,640
[birds chirping]
979
00:48:21,440 --> 00:48:24,480
‐ I'm sorry.
980
00:48:24,480 --> 00:48:28,440
‐ A prince saying sorry
to his whore?
981
00:48:28,440 --> 00:48:31,480
‐ Well, Blayne said
you'd like it.
982
00:48:36,600 --> 00:48:38,960
‐ That man knows nothing.
983
00:48:41,560 --> 00:48:43,960
Let me show you what I like.
984
00:48:49,600 --> 00:48:52,600
[muffled chatter, laughter]
985
00:48:55,640 --> 00:48:58,600
‐ The house is full.
Our gentlemen came.
986
00:48:58,600 --> 00:49:03,000
They heard of your troubles.
You have their support.
987
00:49:03,000 --> 00:49:05,600
‐ Tell your lads to leave
or get to work.
988
00:49:05,600 --> 00:49:08,080
I'll be guarded no more.
989
00:49:08,080 --> 00:49:11,640
[dishware clinking]
990
00:49:11,640 --> 00:49:13,640
[indistinct chatter]
991
00:49:13,640 --> 00:49:16,720
‐ [retches]
‐ Edmund.
992
00:49:16,720 --> 00:49:19,120
[vomit splashes]
993
00:49:20,720 --> 00:49:22,800
FREDO:
James.
994
00:49:26,480 --> 00:49:29,320
How could you think
so little of me?
995
00:49:30,800 --> 00:49:33,400
‐ Why does my tailor
accost me in the street?
996
00:49:33,400 --> 00:49:36,040
‐ How could you think
we'd destroy you?
997
00:49:37,800 --> 00:49:39,960
James.
998
00:49:41,160 --> 00:49:43,640
[tense music]
999
00:49:43,640 --> 00:49:45,720
‐ I'm sorry.
1000
00:49:45,720 --> 00:49:48,280
♪ ♪
1001
00:49:48,280 --> 00:49:50,600
I'll do what I can for Lucy,
1002
00:49:50,600 --> 00:49:53,000
but this ends.
1003
00:49:53,000 --> 00:50:00,000
♪ ♪
1004
00:50:01,440 --> 00:50:04,440
[indistinct chatter]
1005
00:50:06,480 --> 00:50:09,320
‐ I could get you a better
house than Greek Street.
1006
00:50:09,320 --> 00:50:12,120
‐ I'm staying here.
I like Hal.
1007
00:50:12,120 --> 00:50:14,600
Makes me sad
to see him fucked by you.
1008
00:50:14,600 --> 00:50:17,720
EMILY: Watch your mouth.
‐ Emily doesn't like my mouth.
1009
00:50:17,720 --> 00:50:19,960
It's full of filth!
1010
00:50:19,960 --> 00:50:23,520
‐ Keep it shut.
1011
00:50:23,520 --> 00:50:26,000
‐ Tell him why
you want rid of me.
1012
00:50:26,000 --> 00:50:28,400
‐ This slut's
not to be trusted.
1013
00:50:28,400 --> 00:50:30,240
[laughs]
1014
00:50:30,240 --> 00:50:32,800
‐ I saw her down the docks
the night that Isaac died.
1015
00:50:32,800 --> 00:50:35,240
She was there.
‐ That's not true.
1016
00:50:35,240 --> 00:50:38,040
‐ She was white as a ghost.
1017
00:50:39,880 --> 00:50:42,560
‐ Hal, Isaac attacked me.
1018
00:50:42,560 --> 00:50:45,240
He said he was gonna
give me money
to get on a boat and leave.
1019
00:50:45,240 --> 00:50:46,560
He said to meet him
down at the docks.
1020
00:50:46,560 --> 00:50:50,160
I‐‐I was afraid.
1021
00:50:50,160 --> 00:50:52,600
‐ Why didn't you come to me?
1022
00:50:52,600 --> 00:50:54,360
[tense music]
1023
00:50:54,360 --> 00:50:57,840
‐ Hal, please,
just let me tell you.
1024
00:50:57,840 --> 00:51:00,280
I didn't want
to put strife between you.
1025
00:51:00,280 --> 00:51:02,200
I thought it was easier
if I left.
1026
00:51:02,200 --> 00:51:03,720
I said I'd meet him.
1027
00:51:03,720 --> 00:51:05,200
Mrs. Wells got wind
of where we were.
1028
00:51:05,200 --> 00:51:07,720
‐ You told her?
‐ No!
1029
00:51:07,720 --> 00:51:09,760
She was on a path of vengeance.
1030
00:51:09,760 --> 00:51:12,680
I wanted peace between them,
so help me God.
1031
00:51:12,680 --> 00:51:14,760
I tried to stop it
from happening.
1032
00:51:14,760 --> 00:51:16,480
Nancy Birch will swear to it.
1033
00:51:16,480 --> 00:51:17,880
‐ So that cunt was there
as well?
1034
00:51:17,880 --> 00:51:20,160
‐ She did nothing, Hal, please!
1035
00:51:20,160 --> 00:51:22,880
‐ Don't make me
feel like this.
1036
00:51:22,880 --> 00:51:25,520
Don't make me do this.
1037
00:51:25,520 --> 00:51:29,160
Who fired the gun?
1038
00:51:29,160 --> 00:51:31,000
‐ Margaret Wells,
and she's gone.
1039
00:51:31,000 --> 00:51:33,600
‐ [growls]
‐ Isaac scared me!
1040
00:51:33,600 --> 00:51:34,920
I thought he killed Charlotte!
1041
00:51:34,920 --> 00:51:36,440
I thought he was gonna
kill me!
1042
00:51:36,440 --> 00:51:38,320
‐ [hollers]
‐ [gasps]
1043
00:51:38,320 --> 00:51:41,320
HAL:
[panting]
1044
00:51:46,400 --> 00:51:48,400
‐ [whimpers]
1045
00:51:51,600 --> 00:51:54,920
[tense music]
1046
00:51:54,920 --> 00:51:57,360
‐ I'd never hurt you.
1047
00:51:57,360 --> 00:51:59,800
♪ ♪
1048
00:51:59,800 --> 00:52:01,920
‐ I know.
1049
00:52:01,920 --> 00:52:05,160
[melancholy music]
1050
00:52:05,160 --> 00:52:07,640
I know.
1051
00:52:07,640 --> 00:52:14,640
♪ ♪
1052
00:52:32,160 --> 00:52:35,120
[both grunt]
‐ [gasps]
1053
00:52:35,120 --> 00:52:38,120
[moans]
[both panting]
1054
00:52:38,120 --> 00:52:41,800
♪ ♪
1055
00:52:41,800 --> 00:52:44,800
[breathing heavily]
1056
00:52:46,920 --> 00:52:49,920
[dog barking]
1057
00:52:49,920 --> 00:52:56,920
♪ ♪
1058
00:53:08,600 --> 00:53:11,920
LYDIA:
I bring glad tidings.
1059
00:53:11,920 --> 00:53:13,920
Lucy Wells is locked up
1060
00:53:13,920 --> 00:53:18,280
and I have a secret
to confound Mr. Croft,
1061
00:53:18,280 --> 00:53:21,280
so your role as governor
is secure.
1062
00:53:21,280 --> 00:53:23,120
‐ Nothing you say to me
makes any sense.
1063
00:53:23,120 --> 00:53:25,920
You're like a fly
buzzing in my ear.
1064
00:53:27,240 --> 00:53:30,080
‐ Are you not pleased?
1065
00:53:31,400 --> 00:53:34,080
‐ Isabella stole my son,
1066
00:53:34,080 --> 00:53:37,320
and that ungrateful
fucking post Anne Pettifer
1067
00:53:37,320 --> 00:53:40,480
says I'm not the father.
1068
00:53:40,480 --> 00:53:42,320
‐ I didn't know.
1069
00:53:42,320 --> 00:53:44,040
‐ I can say what I like to you
1070
00:53:44,040 --> 00:53:45,800
because you are complicit
in everything I've done.
1071
00:53:45,800 --> 00:53:47,760
‐ [chuckles]
1072
00:53:47,760 --> 00:53:49,440
BLAYNE: We could have
made her die in childbirth.
1073
00:53:49,440 --> 00:53:50,880
I let her live.
1074
00:53:50,880 --> 00:53:53,720
Mistake.
1075
00:53:53,720 --> 00:53:56,120
I spared Isabella Bedlam.
1076
00:53:56,120 --> 00:53:58,400
Mistake.
1077
00:53:58,400 --> 00:54:02,000
Lucy Wells goads us with Sparta
1078
00:54:02,000 --> 00:54:04,720
and lives.
1079
00:54:04,720 --> 00:54:06,680
Mistake.
1080
00:54:08,280 --> 00:54:11,040
I want her silenced.
1081
00:54:18,400 --> 00:54:19,800
‐ What would you have me do?
1082
00:54:19,800 --> 00:54:22,120
‐ Get my son back.
1083
00:54:24,120 --> 00:54:26,080
It is a sign of greatness
1084
00:54:26,080 --> 00:54:29,160
to shake the moral order.
1085
00:54:29,160 --> 00:54:31,440
It is the preserve of gods
1086
00:54:31,440 --> 00:54:34,000
and mighty men,
1087
00:54:34,000 --> 00:54:37,200
and I've quelled my nature
long enough.
1088
00:54:38,520 --> 00:54:41,760
I know my power quickens you.
1089
00:54:44,760 --> 00:54:46,880
It quickens you with lust.
1090
00:54:46,880 --> 00:54:49,160
We are locked
1091
00:54:49,160 --> 00:54:52,240
in ravishment and death.
1092
00:54:52,240 --> 00:54:54,880
You like to shake
the moral order too.
1093
00:54:54,880 --> 00:54:56,600
[dark music]
1094
00:54:56,600 --> 00:54:58,600
LYDIA: [gasps]
1095
00:54:58,600 --> 00:55:05,600
♪ ♪
1096
00:55:10,320 --> 00:55:12,600
‐ I want to kill again.
1097
00:55:12,600 --> 00:55:14,560
♪ ♪
1098
00:55:14,560 --> 00:55:18,040
My hands are longing
for a neck to break.
1099
00:55:18,040 --> 00:55:21,160
♪ ♪
1100
00:55:21,160 --> 00:55:24,400
‐ Break it, then.
1101
00:55:24,400 --> 00:55:27,640
‐ Not your scrag.
I want a doe.
1102
00:55:27,640 --> 00:55:30,000
‐ I can't do that.
1103
00:55:30,000 --> 00:55:32,560
‐ Get me a kill
1104
00:55:32,560 --> 00:55:36,840
or beautiful, resisting Kate
will feel my grasp.
1105
00:55:36,840 --> 00:55:39,560
♪ ♪
1106
00:55:39,560 --> 00:55:42,160
‐ [gasps]
1107
00:55:42,160 --> 00:55:47,280
♪ ♪
1108
00:55:47,280 --> 00:55:50,280
[music swells dramatically]
1109
00:55:50,280 --> 00:55:54,120
♪ ♪
1110
00:55:54,120 --> 00:55:57,120
[pensive music]
1111
00:55:57,120 --> 00:56:04,120
♪ ♪
77312
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
