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1
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for too long. I know it's wrong, but
never say I'm sorry.
2
00:01:07,550 --> 00:01:10,350
Now I try to think it over.
3
00:02:13,920 --> 00:02:16,720
I'm worried.
4
00:03:51,760 --> 00:03:57,020
I think in the summer vacation
represents to me my fearlessness when it
5
00:03:57,020 --> 00:04:03,840
experimenting, not just with my sound,
but also with my identity and the way
6
00:04:03,840 --> 00:04:09,660
that I want to be seen, whether that's
visually with my hair, with my looks,
7
00:04:09,860 --> 00:04:15,620
with the visuals accompanying the music.
This album feels like it's kind of a
8
00:04:15,620 --> 00:04:20,320
concoction of all of the best of those
sounds that I've tried out. I've been
9
00:04:20,320 --> 00:04:25,040
calling. this album the cinderella shoe
because it's just a perfect fit and it
10
00:04:25,040 --> 00:04:30,540
feels like it's only mine and it could
only be mine here we go set nice and
11
00:04:30,540 --> 00:04:32,820
quiet everybody hold still please we're
rolling sound on this
12
00:05:03,760 --> 00:05:09,000
If I had control of you
13
00:05:09,000 --> 00:05:11,420
We could stay
14
00:05:51,210 --> 00:05:58,150
Make it last till we die My baby's got
lips like kale Make a
15
00:05:58,150 --> 00:06:04,370
mess of a nice hotel If I had control
over you
16
00:06:04,370 --> 00:06:06,970
We could stay like
17
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I'm writing a song. I try to be really
descriptive in my lyrics and paint a
18
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picture of the moment in time that the
song stemmed from. So the visuals are
19
00:08:29,290 --> 00:08:33,510
pretty vivid in the words, you know,
whether it's sticky, sweet lemonade,
20
00:08:33,510 --> 00:08:37,190
in rose colored lenses, you know, you
can kind of taste that. The fun thing
21
00:08:37,210 --> 00:08:40,570
is if you're a friend of mine, if you're
close to me and you listen to this
22
00:08:40,570 --> 00:08:44,550
album, it sounds like a conversation
with me. There's subtle shade.
23
00:08:45,630 --> 00:08:49,520
There's... you know, honesty and truth
and there's some wisdom and there's some
24
00:08:49,520 --> 00:08:52,680
humor and there's some heaviness and
depth.
25
00:08:52,880 --> 00:08:57,400
It really represents who I am and I feel
that the greatest records that I've
26
00:08:57,400 --> 00:09:01,460
been able to make or the greatest songs
that I've been able to write, they do
27
00:09:01,460 --> 00:09:07,220
exactly that. They just really connect
me and whoever's listening in a way that
28
00:09:07,220 --> 00:09:09,600
feels like an intimate, honest
conversation.
29
00:09:13,240 --> 00:09:15,280
So this is the one that I said no one...
30
00:09:15,660 --> 00:09:18,100
They might not use it, but I can't fake
it, so I'm going to tell you the truth.
31
00:09:18,420 --> 00:09:19,760
But I might get a little emotional.
32
00:09:21,500 --> 00:09:22,740
I have to collect myself.
33
00:09:26,240 --> 00:09:32,200
When I wrote Thousand Miles, it started
as a song that was very different from
34
00:09:32,200 --> 00:09:33,420
the one that's on the album.
35
00:09:33,940 --> 00:09:40,820
I wrote it in 2016 or 2017, and it was
36
00:09:40,820 --> 00:09:43,220
after one of...
37
00:09:43,660 --> 00:09:50,100
my really close friends lost her sister
to suicide and um I
38
00:09:50,100 --> 00:09:57,000
just couldn't imagine not having my
little sister in my life and so I wrote
39
00:09:57,000 --> 00:10:01,080
this song for her and it was originally
called happy girl and it was I just want
40
00:10:01,080 --> 00:10:05,580
to see you happy and all I really want
is just for you to be happy girl and it
41
00:10:05,580 --> 00:10:09,020
was just about happiness and sisterhood
and
42
00:10:11,210 --> 00:10:17,890
It just makes me emotional because now
the song is filled with so
43
00:10:17,890 --> 00:10:24,570
much joy in the music and it's become
something so far
44
00:10:24,570 --> 00:10:30,430
from the sadness that inspired the song.
45
00:10:33,130 --> 00:10:34,770
My makeup's still beat.
46
00:10:35,490 --> 00:10:36,490
Thank you.
47
00:10:51,820 --> 00:10:54,960
I'm driving around town in a beat up old
Mercedes.
48
00:10:56,300 --> 00:10:58,160
You think I'm crazy.
49
00:10:59,040 --> 00:11:00,740
Well, you might be right.
50
00:11:02,620 --> 00:11:05,980
But when he smiles, I don't care about
the past.
51
00:11:07,660 --> 00:11:08,960
Just like that.
52
00:11:10,920 --> 00:11:15,840
I told myself I'd close that door, but
I'm right back here again.
53
00:11:16,900 --> 00:11:19,300
Half of what I'm saying don't make no
sense.
54
00:12:13,870 --> 00:12:17,090
here again I know after what I'm saying
don't
55
00:12:57,480 --> 00:13:01,900
I told myself to close that door and
I'll write back here again.
56
00:13:02,900 --> 00:13:05,400
Half a line of saying don't make no
sense.
57
00:13:58,950 --> 00:14:05,310
makes me emotional so we'll see if i can
sing it but it said
58
00:14:05,310 --> 00:14:11,770
there was a friend of mine her name was
darlene but all of us called her
59
00:14:11,770 --> 00:14:12,770
becky
60
00:14:13,230 --> 00:14:14,530
I don't know why.
61
00:14:14,890 --> 00:14:16,970
I knew she was hurting.
62
00:14:17,950 --> 00:14:21,350
But I never thought I'd wake up to that
call.
63
00:14:22,270 --> 00:14:23,470
Never at all.
64
00:14:24,010 --> 00:14:28,350
And I remember on that day I promised
you the world.
65
00:14:28,750 --> 00:14:32,030
But soon realized the world ain't what
you need.
66
00:14:32,910 --> 00:14:36,890
Now all I want is simply for you to be
happy, girl.
67
00:14:37,570 --> 00:14:40,910
Even if that's a world without me.
68
00:14:41,960 --> 00:14:47,420
And somehow it evolved to a song that's
about happiness and joy and being okay
69
00:14:47,420 --> 00:14:49,320
with not knowing exactly where you're
going.
70
00:15:11,630 --> 00:15:15,030
Maybe I could say, not break your heart.
71
00:15:16,570 --> 00:15:19,990
But don't forget, baby, that I'm a wild
card.
72
00:16:03,020 --> 00:16:09,960
in the door but my lips ain't red on the
floor and the flowers
73
00:16:09,960 --> 00:16:15,320
make the music stop before it starts
74
00:16:15,320 --> 00:16:18,940
but don't forget baby
75
00:17:31,850 --> 00:17:36,310
The sequencing of an album is very
important to me. I kind of think of it
76
00:17:36,310 --> 00:17:42,730
film. You know, you want there to be a
conflict and an overcoming. And when it
77
00:17:42,730 --> 00:17:47,210
comes to the sequencing of In the Summer
Vacation, I divided it by two parts, a
78
00:17:47,210 --> 00:17:50,730
.m. and p .m., to kind of represent
almost like an act.
79
00:17:51,050 --> 00:17:56,850
And the a .m. to me is representing the
morning time where there's like a buzz
80
00:17:56,850 --> 00:17:59,630
and an energy and there's a potential.
81
00:18:00,670 --> 00:18:05,330
new possibilities it's a new day and in
the night time it feels that there's
82
00:18:05,330 --> 00:18:12,010
like a slinky seediness and kind of a
grime but a glamour at the same time
83
00:18:12,010 --> 00:18:17,210
and you know in the evening it's a great
time for a rest it's a time to recover
84
00:18:17,210 --> 00:18:23,950
or it's a time to go out and experience
kind of the wild side and LA
85
00:18:23,950 --> 00:18:29,030
there's a certain energy to the night
that you can kind of feel trouble boil
86
00:18:29,030 --> 00:18:31,470
to the surface and it's very inspiring
to me.
87
00:18:33,310 --> 00:18:39,710
When I came up with an idea for Island,
the idea was kind of everyone is still a
88
00:18:39,710 --> 00:18:43,310
stranger to me, but I'm a stranger to no
one.
89
00:18:44,150 --> 00:18:48,650
For me, I've been able to create these
paradises where I feel safe, but I was
90
00:18:48,650 --> 00:18:51,270
contemplating this life that I have for
myself.
91
00:18:51,710 --> 00:18:54,770
Is it a paradise or is it a lonely
island?
92
00:19:21,200 --> 00:19:25,760
I'm on an island, dirty, dancing in the
sun.
93
00:19:26,760 --> 00:19:31,140
So close to heaven, but so far from
everyone.
94
00:19:32,840 --> 00:19:37,380
Yeah, I got treasure buried underneath
the sand.
95
00:19:38,600 --> 00:19:43,220
But I'm still wishing for the love that
I don't have.
96
00:19:44,460 --> 00:19:47,300
Mama told me, girl, smoke them if you
got them.
97
00:19:47,620 --> 00:19:49,580
If I light it back at home with all
my...
98
00:21:25,000 --> 00:21:26,000
is such a song
99
00:22:33,550 --> 00:22:40,510
My nails today are this 2000s French tip
because like 2002 through eight was a
100
00:22:40,510 --> 00:22:42,070
really strong time for me.
101
00:22:42,350 --> 00:22:45,030
I was in sixth grade. I was slaying.
102
00:22:45,290 --> 00:22:51,130
And when I saw women with French tips, I
just always wanted to be like them,
103
00:22:51,230 --> 00:22:57,630
whether that was Britney Spears or
Pamela Anderson or even my mom. I
104
00:22:57,630 --> 00:22:59,450
mom would like get her nails done.
105
00:23:00,000 --> 00:23:05,820
and she would always have these really
long, gorgeous, feminine, sexy nails,
106
00:23:05,820 --> 00:23:07,960
she was never afraid to break one.
107
00:23:09,080 --> 00:23:15,080
When we started writing the song Wonder
Woman, the lyrics felt
108
00:23:15,080 --> 00:23:18,480
like too big of a shoe for me to fill.
109
00:23:18,720 --> 00:23:25,460
I wrote this song after my mom had lost
her mom, and me and my
110
00:23:25,460 --> 00:23:28,860
mammy were really close, and she ran my
fan club.
111
00:23:29,280 --> 00:23:34,980
If you ever got an autograph from my fan
club sent in for probably 2008
112
00:23:34,980 --> 00:23:41,720
to 2018, that was my grandma. She
responded back to every single fan. She
113
00:23:41,720 --> 00:23:43,920
the fan club in my dressing room at
Hannah Montana.
114
00:23:44,360 --> 00:23:48,220
Then when we stopped doing Hannah
Montana, my fan club ran out of her
115
00:23:48,600 --> 00:23:53,220
And it was just the joy of her life
being the head of my fan club. And she's
116
00:23:53,220 --> 00:23:54,260
always just supported me.
117
00:23:54,720 --> 00:23:59,580
And my mom and her mom were just really,
really close. Me and my mom are really
118
00:23:59,580 --> 00:24:06,160
close. You know, this song is about, I
guess, that kind of generational
119
00:24:06,160 --> 00:24:12,860
and the wisdom that my grandma gave to
my mom. It was embedded in my DNA.
120
00:24:12,920 --> 00:24:17,220
So we almost all feel like just one
woman in a way.
121
00:24:18,340 --> 00:24:19,460
One Wonder Woman.
122
00:24:34,960 --> 00:24:39,860
She's a wonder woman
123
00:24:39,860 --> 00:24:43,540
She knows what
124
00:27:45,040 --> 00:27:51,080
for an artist can feel like torture so i
always need to reinvent and in this era
125
00:27:51,080 --> 00:27:56,140
the way i've been doing that is bringing
my audience into my endless summer
126
00:27:56,140 --> 00:28:02,740
vacation in a way it's a vacation from
taking myself and the success of records
127
00:28:02,740 --> 00:28:08,820
so seriously and just doing it for the
reason i started writing music because i
128
00:28:08,820 --> 00:28:13,200
love it beginning and end i can almost
see
129
00:28:20,550 --> 00:28:21,550
Okay,
130
00:28:25,390 --> 00:28:26,390
we're reset.
131
00:28:26,790 --> 00:28:29,330
The journey is usually the part that you
remember anyways.
132
00:28:30,150 --> 00:28:33,810
Usually the getting there, once you're
there, wherever that may be, you're
133
00:28:33,930 --> 00:28:35,610
this is what I've been expecting?
134
00:28:36,350 --> 00:28:41,150
And usually you look back and the
journey was actually the part that was
135
00:28:41,150 --> 00:28:42,150
makes up your life.
136
00:28:52,270 --> 00:28:58,930
I can almost see it, that dream I'm
dreaming, but there's a
137
00:28:58,930 --> 00:29:03,690
voice inside my head saying, you'll
never reach it.
138
00:29:04,130 --> 00:29:11,090
Every step I'm taking, every move I make
feel lost
139
00:29:11,090 --> 00:29:12,630
with no direction.
140
00:29:13,350 --> 00:29:15,730
My faith is shaking.
141
00:30:00,750 --> 00:30:07,530
I'm facing, the chances I'm taking,
sometimes might knock me
142
00:30:07,530 --> 00:30:13,950
down, but no, I'm not breaking, and I
may not know it,
143
00:30:14,330 --> 00:30:20,930
but these are the moments that I'm gonna
remember most, yeah, just
144
00:30:20,930 --> 00:30:22,130
gotta keep going.
145
00:32:36,110 --> 00:32:41,970
It was a time in my life where I was
going through just a lot emotionally and
146
00:32:41,970 --> 00:32:42,970
personally.
147
00:32:43,350 --> 00:32:49,570
And then I had a dance party with my
friends. The rule was that every girl
148
00:32:49,570 --> 00:32:51,630
to bring their gay best friend. No
entrance.
149
00:32:51,890 --> 00:32:53,010
That was your pass.
150
00:32:53,250 --> 00:32:54,250
That was how you entered.
151
00:32:54,450 --> 00:33:01,170
And we were listening to Diana Ross,
Whitney, Lindsay Lohan, Paris,
152
00:33:01,490 --> 00:33:03,390
Brittany, you know, all the legends.
153
00:33:03,650 --> 00:33:07,860
We had little... We had boys in crop
tops, little shorts, little high heels.
154
00:33:07,860 --> 00:33:12,200
had like bundles and bundles. The hair
was like everyone was Rapunzel.
155
00:33:12,440 --> 00:33:16,480
And it was just, it was so inspiring.
Again, I guess all my songs kind of
156
00:33:16,480 --> 00:33:18,760
evolve. They could start as something
that was a trouble.
157
00:33:19,240 --> 00:33:21,260
Like it just feels like it's an April
shower.
158
00:33:21,460 --> 00:33:24,620
It never stops raining. And then it
started raining down like love.
159
00:33:25,420 --> 00:33:29,280
River, sometimes we just need a dance
floor banger. AKA they don't want me to
160
00:33:29,280 --> 00:33:30,820
talk about how the fact the song is
about.
161
00:33:36,650 --> 00:33:37,650
It's nasty.
162
00:33:53,210 --> 00:33:56,890
I got a new dress to meet you downtown.
163
00:33:57,250 --> 00:34:00,430
Then you walk me through the bar to show
it off.
164
00:34:01,160 --> 00:34:06,140
I can pull my hair back in the tight way
that you like. If you wrap me in your
165
00:34:06,140 --> 00:34:07,780
arms, it'll never stop.
166
00:34:08,620 --> 00:34:12,139
Heartbeat so loud that it's drowning me
out.
167
00:34:13,360 --> 00:34:15,400
Living in an April shower.
168
00:34:15,679 --> 00:34:19,540
You're pouring down, baby, drown me out.
169
00:34:42,510 --> 00:34:48,290
You could be the one, the honor of my
babes. Hope they have your eyes on that
170
00:34:48,290 --> 00:34:49,290
crooked smile.
171
00:34:49,409 --> 00:34:52,770
Was it dead before I met you? I was in a
jail.
172
00:36:21,930 --> 00:36:28,050
Highlighting negativity is pretty
constant. We wake up with devastating
173
00:36:28,050 --> 00:36:29,850
sadness and hurt and pain.
174
00:36:30,050 --> 00:36:33,810
All of that is very real and should
never be ignored.
175
00:36:34,090 --> 00:36:39,090
But we also can't erase that at the same
time there is joy, there's growth,
176
00:36:39,230 --> 00:36:40,209
there's connection.
177
00:36:40,210 --> 00:36:46,830
I'm so fortunate to be physically and
mentally well. And so I think that needs
178
00:36:46,830 --> 00:36:50,890
to be honored and celebrated. Self -love
is...
179
00:36:51,120 --> 00:36:56,960
a conversation that's really amazingly
kind of current. I think all of us are
180
00:36:56,960 --> 00:37:02,480
waking up to, you know, what Mama Ru has
been saying for a long time now. If you
181
00:37:02,480 --> 00:37:06,080
can't love yourself, how in the hell are
you going to love somebody else? Can I
182
00:37:06,080 --> 00:37:07,080
get an amen?
183
00:37:08,120 --> 00:37:14,420
The demo of Flowers is pretty different
from what ended up being released to the
184
00:37:14,420 --> 00:37:18,540
world as this like celebratory song. It
actually is more melancholy.
185
00:37:19,020 --> 00:37:24,720
Really, when you strip away all the
sounds and all the big harmonies,
186
00:37:24,720 --> 00:37:25,840
lot of sadness to it.
187
00:37:26,900 --> 00:37:30,960
But I've always, I've liked the idea of
fake it till you make it. And on the
188
00:37:30,960 --> 00:37:36,300
first chorus, I'm kind of telling myself
and I'm trying to convince myself.
189
00:37:36,620 --> 00:37:41,200
And by the third chorus, you can hear
that there's a confidence that I finally
190
00:37:41,200 --> 00:37:42,200
believe it.
191
00:37:43,520 --> 00:37:46,880
i think you can hear that a lot in the
demo because everything is just stripped
192
00:37:46,880 --> 00:37:52,420
away so you can really hear the kind of
evolution of that song okay miley good
193
00:37:52,420 --> 00:37:59,020
yeah thank you ready we were good
194
00:37:59,020 --> 00:38:05,000
we were gold kind of dream that can't be
sold
195
00:38:05,000 --> 00:38:11,220
we were right till we weren't built a
home
196
00:38:14,670 --> 00:38:18,410
I didn't want to leave you. I didn't
want to lie.
197
00:38:19,050 --> 00:38:20,270
Started to cry.
198
00:39:11,690 --> 00:39:12,690
Oh, yeah
199
00:40:13,710 --> 00:40:14,710
to cry.
17279
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