Original subtitles

- PREVIOUSLY ON BELIEVE... HAVE BEEN PART OF BO'S LIFE.

- THEY THINK THAT WHOEVER CONTROLS HER ABILITIES

WILL CONTROL THE WORLD.

- YOU'RE THE GLOBAL AUTHORITY ON THE CONSCIOUS

AND UNCONSCIOUS MIND.

- SHE'S YOUR DAUGHTER.

BO IS YOUR DAUGHTER.

- IT WAS NINA, RIGHT? BO'S MOM?

NINA ADAMS? - YES.

- YOU'RE MY DAD, AREN'T YOU?

- DON'T LET ME LOSE YOU, JUST WHEN I FOUND YOU.

- SHE CAN'T CONTROL HER GIFTS.

HOW THEY MANIFEST IS COMPLETELY UNPREDICTABLE.

- WE'VE NEVER HAD A SUBJECT DEGRADE THIS SUDDENLY.

- NO ONE'S EVER BEEN THE FOCUS OF AN ATTACK BY BO.

WE'LL HAVE TO CONCENTRATE OUR EFFORTS ON SEAN.

- NO, SEAN IS TOO FRAGILE.

ONE WRONG MOVE, HE COULD SNAP IN TWO.

- DON'T CALL ME WEAK.

- I NEED YOU TO SHOW ME YOU HAVE THE STRENGTH

TO DO WHAT IT TAKES.

[flatline tone]

YOU WILL HAVE YOUR WEAPON, GENERAL.

- NOW, WHEN YOU'RE STRONGER

AND YOU CAN CONTROL THIS GIFT THAT YOU HAVE--

- I DON'T WANNA CONTROL IT. I DON'T WANNA USE IT.

IF I DON'T USE IT, I'LL NEVER HURT ANYONE.

I JUST DON'T WANT IT ANYMORE.

[clock ticks]

[ethereal music]

♪

[music warping]

[ticking]

[country music plays]

woman: BRANDICE COMSTOCK HAS BEEN

AT THE AGENCY FOR 20 YEARS

AND HAS SURVIVED SEVERAL ADMINISTRATIONS.

man: SPACE FLIGHT ISN'T JUST

FOR ASTRONAUTS ANYMORE, BUT IT'S ALSO NOT FOR ANYONE

WITH LESS THAN $250,000.

[click] - YEAH, MAYBE NEXT YEAR.

- [panting]

[background chatter]

[panicked breathing]

AAH!

- [whimpering]

- BO, WAKE UP. YOU'RE HAVING A BAD DREAM.

- WHERE ARE WE?

- YOU TELL ME. YOU'VE BEEN NAVIGATING

SINCE WE LEFT PHILLY.

[mocking tone] TURN LEFT. TURN RIGHT.

- I DON'T WANT TO GO ANYWHERE.

- NOT EVEN FOR A BURGER AND A CHERRY COKE, HUH?

IT'S JUST FAST FOOD, BO. I'M NOT ASKING YOU TO LEVITATE.

I KNOW YOU'RE STILL TIRED.

- THAT ONE.

- GOOD CHOICE.

BOLTON LANDING, HERE WE COME.

- BO AND TATE. WHERE ARE THEY AT THIS MOMENT?

- HEADING NORTH.

[sighs] IT'S--IT'S BEEN FOUR DAYS.

- AND WE'VE SPOKEN TO THEM EVERY ONE OF THOSE FOUR DAYS.

- WE SHOULD BRING HER BACK.

SHE'S SCARED OF HER POWERS, AND SHE'S BEEN THROUGH SO MUCH.

- CHANNING...

BO IS GROWING UP FASTER THAN WE WOULD HAVE LIKED, YES.

WHAT CHOICE DO WE HAVE?

ORCHESTRA IS COMING.

AND SHE NEEDS TO BE READY.

BOLTON LANDING, NEW YORK.

CAR IS HEADED TOWARD BOLTON LANDING.

- BOLTON LANDING.

NOW, WHY IS THAT NAME SO FAMILIAR?

- THERE.

[phone rings]

- TATE'S LIMO AND CHILD CARE.

- IT'S THE FOURTH TIME I'VE CALLED YOU

IN 30 MINUTES, MR. TATE.

THE AGREEMENT: THE PHONE RINGS, YOU ANSWER.

- YEAH, WELL, MY KID'S AN EATING MACHINE.

I MUST HAVE LEFT IT IN THE CAR WHEN WE STOPPED FOR LUNCH.

- ORGANIC FOOD, YES?

- NOTHING BUT THE BEST.

- GOOD. HOW'S BO DOING?

- I DON'T KNOW, MAN.

SHE'S ALL MOODY AND RECALCITRANT.

- VERY FUNNY, MR. TATE.

PHYSICALLY, SHE'S FINE? - SHE'S ALL RIGHT.

STILL NOT WANTING TO DO ANY SPOOKIES THOUGH.

WHAT'S BO SUPPOSED TO BE DOING?

- YOU IN BOLTON LANDING?

- YEAH, EYE IN THE SKY, WE ARE.

- THEN YOU'RE ALREADY DOING IT.

THERE'S SOMEONE THERE WHO NEEDS BO'S HELP.

MISSING WOMAN, LAURA CAMPBELL.

DISAPPEARED ABOUT THREE WEEKS AGO, BLONDE, 24 YEARS OLD.

WORKED AT THE LOCAL VFW.

- WHAT? YOU WANT US TO FIND HER?

'CAUSE SOMEONE HERE ISN'T EXACTLY BEING HELPFUL.

- MR. TATE, TRUST HER. SHE WAS BORN TO HELP PEOPLE.

SHE WILL FIGURE IT OUT.

- WHERE'D YOU SAY SHE WORKED?

- VETERANS OF FOREIGN WARS.

YOU CHECK INTO THAT AND WE WILL RENDEZVOUS IN A FEW HOURS.

- WHAT'S WRONG?

- WHY'D YOU WANT US TO PARK HERE?

- THE SPOT WAS EMPTY.

- NO COINCIDENCES WITH YOU, HUH, KID?

[airy, mysterious music]

♪

SO LET'S HAVE A LOOK AROUND. WINTER SAYS YOU LED US HERE, .

- TEACH YOU HOW TO FLIP. - I DON'T WANT TO.

THAT'S REALLY BORING. - NO, IT'S--CAN BE FUN.

YOU'D BE SURPRISED. - NO.

- YOUR BO-DAR GOING OFF? - NOTHING YET.

[country music in background, chatter]

♪

- WHOA, I'M SORRY, MAN. - NO PROBLEM.

- I CAN'T. - OKAY, THANK YOU.

- GO TALK TO HER.

- NO. - WHY NOT?

SHE LOOKS UPSET. YOU LIKE UPSET PEOPLE.

YOU LIKE THEM MORE THAN YOU LIKE CHOCOLATE.

- YOU'RE NOT FUNNY.

BAD THINGS ARE GONNA HAPPEN.

- GOOD MORNING, DR. BOYLE.

- SEAN.

- DID DR. SKOURAS TELL YOU WHAT HAPPENED?

- WHAT DO YOU MEAN? - TO JOSHUA.

DID HE TELL YOU WHAT HAPPENED TO JOSHUA?

- IT WAS THE DEGRADE, SEAN.

HE JUST PUSHED HIS POWERS TOO FAR.

IT WAS JUST HIS BODY. IT JUST SHUT DOWN.

- HE WAS IN PAIN.

- YOU DON'T HAVE TO WORRY ABOUT HIM.

NOT ANYMORE.

HOW ARE YOU FEELING?

- I'M FINE.

- LET ME TAKE A LOOK

AT YOUR HAND. - NO. I--

DON'T COME NEAR ME.

- MEDIUM? - BLOOD RARE IF YOU GOT IT.

- I CAN MAKE THAT HAPPEN.

WE HAVE SOMETHING IN COMMON.

- WHAT'S THAT? - PISSED OFF TWEENS.

I SAW YOU TUSSLE WITH YOURS ON THE WAY IN.

- OH, YEAH. I SAW YOU GO A FEW ROUND WITH YOURS TOO.

- YEAH. - IT'S TOUGH, MAN. KIDS.

- GIRLS.

- MOM SAYS I HAVE TO STAY WITH HIM ON THE WEEKENDS

'CAUSE IT'S IN THE AGREEMENT. I HATE IT THOUGH.

I MEAN, HE USED TO BE FUN,

BUT NOW IT'S JUST LIKE HE'S SOME CREEPY STRANGER.

HE NEVER SLEEPS AND HE ACTS LIKE HE'S ASLEEP WHEN HE'S AWAKE.

- HE'S WORRIED ABOUT YOU THOUGH.

I MEAN, I GUESS HE IS. 'CAUSE HE'S YOUR DAD.

- DIVORCED?

- OH, NO, MAN. I NEVER MARRIED.

- TAKE IT FROM ME, THAT IS A BULLET DODGED.

STEVE VIGNATI.

- MAX.

MAX WALTERS.

SO YOU KNOW THE GIRL THAT WENT MISSING?

- MOST EVERYONE DOES. IT'S NOT THAT BIG OF A TOWN.

TOOK HER IN A COUPLE YEARS BACK.

- TOOK HER IN?

- YEAH. SHE'S A GOOD KID. SHE MADE SOME MISTAKES.

BUT SHE STRAIGHTENED HERSELF OUT.

- SO YOU'RE A COP?

- ALMOST EVERYONE HERE IS. IT'S PUT ON BY THE DEPARTMENT.

WELL, HERE YOU GO.

- YOU ALL RIGHT?

HEY, YOU ALL RIGHT, MAN?

- SORRY, HIT THE-- LET ME GET YOU A FRESH ONE.

HEY, VINCE, CAN WE GET A FRESH PATTY?

I'M SORRY ABOUT THAT, MAN. IT'LL JUST TAKE A MINUTE.

- YOUR DAD'S COOL, THOUGH.

- HE REALLY ISN'T.

- HE COULD BE A MOVIE STAR.

- MAYBE IN A HORROR MOVIE. - [laughs]

- COME ON, BOBBY FLAY. SOME OF US ACTUALLY WANNA EAT.

- ANOTHER OF BOLTON LANDING'S FINEST--MY PARTNER ELAINE.

- NICE TO MEET YOU.

- SO I SEE RACHEL GOT A NEW BFF.

- THAT'S MAX'S KID, UH...

- BO. - BO.

- YEAH? YOU TWO NEW IN TOWN?

- OH, NO, NO. WE'RE JUST PASSING THROUGH.

WE SHOULD ACTUALLY BE HITTING THE ROAD SOON--

- AH, COME ON, NO NO NO NO, GIVE THEM A FEW MORE MINUTES, HUH?

LET THEM GET TO KNOW EACH OTHER.

- STEVIE? - LAURA. LAURA, PLEASE.

LAURA, PLEASE.

[sizzles]

[moans] - HEY, WHAT THE HELL, MAN?

HEY, HEY, WHAT THE HELL? - GET--GET A MEDIC!

STEVE? [commotion]

AND THE YELLOW TANG, THAT'S ELLEN.O

MY DAD FEEDS THEM WHEN I'M NOT HERE.

WISH I COULD TAKE THEM TO MY MOM'S THOUGH.

- BUT HE LIKES FEEDING THEM WHEN YOU'RE NOT HERE.

HE'D MISS THEM.

- MAYBE. MAYBE NOT.

- HE MISSES YOU.

- I DON'T CARE.

- YOU CARE A LITTLE. KIND OF LIKE MY DAD.

HE ACTS ALL GROUCHY, BUT HE STILL CARES A LITTLE.

- THAT'S SO COOL.

IS IT MAGIC?

- THANKS, LAINEY. I OWE YOU ONE.

- NAH. [chuckles]

THANK THIS GUY. IF HE HADN'T PULLED YOU OFF,

YOU WOULD HAVE BURNED DOWN TO THE BONE.

- OH, IT WAS NOTHING.

LISTEN, WE SHOULD GET GOING. - OH, NO, NO, NO.

I HAVEN'T SEEN RACHEL THIS UP IN A LONG TIME.

DON'T. COME ON. AT LEAST STAY FOR DINNER.

- WELL, I HAVE A SHIFT THAT STARTED TEN MINUTES AGO,

SO I'M GONNA GO UPSTAIRS AND GET CLEANED UP.

YOU ALL RIGHT? - YEP, MAX IS HERE.

UGH! I CANNOT BELIEVE THAT I WAS THAT CLUMSY.

- COULD HAVE BEEN THE BOOZE CAUSED THE CLUMSY.

NOT THAT IT'S MY BUSINESS. - NO, IT'S NOT.

- LOOK, MAN, I GET IT.

I KNOW YOU THINK YOU UNDERSTAND WHAT'S GOING ON HERE

AND I KNOW WHAT YOU'RE THINKING.

YOU'RE RIGHT. I SHOULD HAVE--

I SHOULD HAVE SLOWED DOWN SOONER.

IT'S JUST THIS CASE, IT'S GOT ME WOUND SO TIGHT.

- I'LL BET.

- BUT BEING A COP DOES TEACH YOU TO RECOGNIZE SOME OTHER THINGS.

HOW LONG WERE YOU IN FOR?

YOU EAT LIKE SOMEONE'S GONNA STEAL YOUR FOOD.

GOT THE PRISON YARD STARE.

- [sighs] SEVEN YEARS. - PHEW.

- LUCKY SEVEN.

- NO WONDER YOU AND BO ARE SO AWKWARD.

YOU'RE NEW AT BEING A DAD.

- VERY.

- IT'S TOUGH WHEN YOU'RE NOT AROUND.

CAN'T SAY IT GETS ANY EASIER.

- LISTEN, BEFORE YOU BURNED YOUR HAND, YOU SAID "LAURA."

- NO, YOU MUST HAVE HEARD ME WRONG.

- OH, MY GOD.

MY GOD, STEVE.

[knock at door]

- LIEUTENANT, UH, CONNERS IS COVERING MY SHIFT.

- NO, NO, THAT'S ALL GOOD.

STEP OUTSIDE A MINUTE? - SURE.

- LOOK, I DON'T LIKE THIS, YOU UNDERSTAND?

- IT WAS AN ACCIDENT, LT. CLUMSY.

- NO, NO, THAT'S NOT IT. IT'S, UH,

WE'VE ALL WORKED OURSELVES INTO EXHAUSTION ON LAURA'S CASE.

- I GOT TO. NO STONE LEFT UNTURNED.

- WE'VE WORKED EVERY ANGLE. WE FOLLOWED EVERY LEAD.

I'M OUT OF OPTIONS.

I NEED YOU TO COME DOWN TO THE STATION.

WITNESS SAW YOU WITH LAURA THE NIGHT SHE VANISHED.

- NO WAY IN HELL YOU'RE GOING DOWN THERE.

- STAY OUT OF THIS, EL. - IT'S ALL RIGHT.

IT'S ALL RIGHT.

JUST GOTTA GO TALK TO MY DAUGHTER.

- RACHEL, GIVE IT BACK! - [laughing] NO WAY.

- WHOA, WHOA, HEY, LADIES, YOU WANNA SLOW IT DOWN A LITTLE BIT?

GONNA HAVE TO WRITE YOU A TICKET.

[both laughing]

HEY, HEY, GIRLS?

GIRLS. GIRLS! [both laughing]

DID YOU DRAW THIS?

- [laughing] BO DID. IT'S GOOD, ISN'T IT?

- HONEY, HOW DID YOU KNOW--

HOW DO YOU KNOW ABOUT THIS-- THIS TH--THIS THING?

- I DON'T KNOW, I MADE IT UP. - NO, THIS IS IN MY HEAD.

IT'S IN MY HEAD. HOW DO YOU KNOW ABOUT IT?

- HEY, GO EASY, MAN. - WHERE IS IT?

HOW DO YOU KNOW ABOUT IT?

WHERE--WHERE IS THIS?

[shouts] WHERE IS THAT?! - HEY, HEY, HEY. HEY!

- HOW DO YOU KNOW ABOUT IT? - GET OFF OF ME!

- BACK UP, MAN! - I KEEP SEEING IT!

- OKAY, OKAY, CALM DOWN. - I KEEP SEEING IT. MY GOD!

OH, MY GOD, I'M GONNA...

WHAT HAVE I DONE? WHAT DID I DO?

WHAT DID I DO?

- YOU COME WITH US NOW.

COME ON, BUD.

WE'LL GET THIS SORTED OUT.

- I SHOULD GO BE THERE WITH HIM.

- WE'LL TAKE CARE OF RACHEL.

- WE GOT THIS. YOU GO WITH HIM, ALL RIGHT?

- LAURA'S SOMEPLACE COLD.

SHE'S NOT WHY WE'RE HERE.

HE IS.

- OH, UH, I DON'T WANT HER TO SEE ME LIKE THIS.

I'M GONNA GO WASH UP.

- THEY CUT HIM LOOSE?

- NO CHARGES, BUT THEY'RE COMING.

CAN YOU KEEP AN EYE ON HIM FOR A COUPLE OF HOURS?

- YEAH. - THANKS.

- THOUGHT YOU WERE DONE WITH THAT.

- THEY THINK I KILLED HER.

AND NOW RACHEL THINKS I DID SOMETHING,

AND SHE'S SCARED OF ME.

I'M SCARED.

GOD, WHAT IF I DID IT?

- BO SAYS YOU DIDN'T.

AND TRUST ME, SHE'S NEVER WRONG.

YOU SAW WHAT SHE DREW.

BO...SHE HAS A GIFT.

SHE...KNOWS THINGS.

IT'S GONNA BE ALL RIGHT. TRUST ME.

- WHO ARE YOU CALLING?

- SOMEONE WHO CAN HELP.

- IS THERE SOMETHING YOU AREN'T TELLING ME, ROMAN?

- I DON'T UNDERSTAND. - I'M WORRIED ABOUT SEAN.

HE ASKED IF YOU TOLD ME WHAT HAPPENED TO JOSHUA.

- I DON'T KNOW WHAT SEAN MEANT.

I'M SURE HE'S UPSET BY JOSHUA'S DEATH.

- POSSIBLY.

- HOW ARE WE COMING WITH THE GENETIC ANTIDOTE THERAPY?

- THE RESULTS ARE ERRATIC.

THERE'S NO GUARANTEE IT'LL EVER WORK.

OBVIOUSLY, IT DIDN'T WORK FOR JOSHUA.

- WELL, KEEP ON IT.

SEAN HAS ANOTHER TRAINING THIS AFTERNOON.

I EXPECT YOU TO BE AT THAT SESSION.

- [scoffs]

- STEVE VIGNATI, THIS IS MILTON WINTER AND CHANNING...

- JANICE CHANNING.

- THESE PEOPLE CAN HELP YOU.

- SO YOU GUYS CAN TURN BACK TIME?

[Winter chuckles] NO, MR. VIGNATI.

NOT EXACTLY. BUT THAT...THAT'D BE HELPFUL.

UH, MAY WE?

- SURE, COME ON IN.

- DO YOU BELIEVE YOU DID SOMETHING TO LAURA CAMPBELL?

- I BLACK OUT SOMETIMES.

MY PARTNER GAVE ME A RIDE HOME FROM THE BAR

THE NIGHT THAT LAURA DISAPPEARED AND SO I, UH...

I DON'T KNOW.

- BO DOESN'T BELIEVE YOU DID.

NEITHER DO I.

YOU'RE A GOOD MAN, MR. VIGNATI.

- I KEEP, UH, SEEING THINGS.

I SEE LAURA DEAD.

- BUT YOU'VE ALWAYS SEEN THINGS.

HAVEN'T YOU?

- EVER SINCE I WAS A KID.

PICTURES OF THINGS--

MOVING PICTURES OF THINGS THAT HAPPENED

OR WERE ABOUT TO.

FOR A LONG TIME I THOUGHT I WAS CRAZY.

BUT I COULD READ A SUSPECT BETTER THAN ANYBODY.

KNEW WHEN MY KID WAS LYING.

I KNEW WHEN MY WIFE FELL IN LOVE WITH SOMEONE ELSE.

- YOU SEE VISIONS, YOU HEAR VOICES,

IT'S VERY EASY TO THINK YOU'RE CRAZY.

YOU THINK YOU'RE SICK.

BUT YOU'RE NOT.

YOU'RE NOT.

- IT'S JUST NEVER BEEN LIKE THIS, WHERE...

IT'S LIKE I DID SOMETHING WRONG, LIKE I HURT SOMEBODY.

- YOU DIDN'T.

- MR. VIGNATI, I'VE WORKED WITH PEOPLE LIKE YOURSELF

FOR MANY, MANY YEARS.

YOU TAKE ON THE EMOTIONS OF OTHER PEOPLE--

THEIR...ANGER, SADNESS

AND EVEN, SOMETIMES, THEIR GUILT.

THESE VISIONS CAN BE OVERWHELMING.

MAYBE BO CAN HELP YOU SORT THEM OUT.

YOU DIDN'T HURT HER.

YOU DIDN'T HURT HER.

- SO?

- YOU'RE NOT SAFE HERE.

- BOLTON LANDING IS BOUND TO BE ON ORCHESTRA'S RADAR

THANKS TO YOUR NEW FRIEND.

SKOURAS WILL HAVE SOMEONE WATCHING HIM.

- SO WHAT, YOU'RE JUST GONNA CUT BAIT?

DO SOMETHING! THE GUY'S ABOUT TO BE ACCUSED OF A MURDER

HE DIDN'T DO. - IT'S NOT THAT SIMPLE.

- BO SAID WE'RE HERE TO HELP HIM.

SO...HELP HIM.

- STEVE SAID THAT HIS PARTNER PICKED HIM UP

THE NIGHT THAT LAURA DISAPPEARED?

- YEAH. - TALK TO HER.

SHE'LL KNOW WHO HE WAS WITH. AND TAKE BO, RACHEL WITH YOU.

IF THERE ARE EYES ON STEVE, THEN WE'LL DEAL. ALL RIGHT?

- THIS TOWN'S LOOKING FOR A SCAPEGOAT.

THEY GOT ONE GUY THAT JUST THINKS HE SAW STEVE

TALKING TO LAURA? THAT MAKES HIM AN EASY TARGET.

WE NEED TO KNOW WHAT YOU SAW THAT NIGHT.

- IT DOESN'T MATTER.

- EVERYTHING MATTERS. WHATEVER YOU SAW MATTERS.

IT CAN--IT CAN HELP.

- IT'S MORE THAN WHAT SOMEONE SAW--IT'S YOUR BEHAVIOR,

HOW IT CHANGED SO ABRUPTLY.

I MEAN, LOOK, I LOVE YOU, BUT YOU'VE ALWAYS BEEN A LITTLE OFF.

JUST A LITTLE BIT OFF.

THEN LAURA DISAPPEARS AND SOMETHING IN YOU TWISTED,

AND SHE WAS THE PIVOT POINT. EVERYONE SAW THAT.

- THE NIGHT YOU PICKED HIM UP FROM THE BAR,

WAS HE WITH ANYBODY? - I DON'T KNOW. MAYBE.

IT WAS STILL REALLY-- - IF YOU KNOW SOMETHING,

PLEASE, ELAINE. PLEASE.

- YOU WERE BLACKOUT DRUNK, STEVE.

YOU WERE TALKING ABOUT LAURA. YOU SAID YOU TOOK HER.

YOU SAID YOU TOOK HER INTO THE WOODS.

YOU SAID THAT--

YOU HAD MUD ON YOUR SHOES, ON YOUR CLOTHES.

- WHY DIDN'T YOU SAY ANYTHING TO LT?

- BECAUSE YOU'RE MY FRIEND. YOU'RE MY PARTNER.

I DIDN'T WANT TO BELIEVE IT. - I HAVE TO TURN MYSELF IN.

- I DON'T WANT TO BELIEVE IT! - I HAVE TO TURN MYSELF IN.

- LET IT GO. JUST--

- I NEED TO KNOW WHAT THE TRUTH IS.

- YOU'LL HATE THE TRUTH YOU FIND.

- TAKE ME TO THE STATION. - NO.

YOU'RE NOT GOING DOWN FOR SOMETHING YOU DIDN'T DO.

WHERE DID SHE SAY THE MUD WAS FROM?

- THE WOODS NEAR THE VFW. THAT'S WHAT I KEEP SEEING.

THE WOODS, SOME WEIRD SYMBOL.

- ALL RIGHT, THAT'S WHERE WE'RE GOING THEN.

[bang]

- [groans] FANTASTIC.

- EXCUSE ME, SIR.

- UHH!

[thud]

- LAST CALLED 30 MINUTES AGO.

- SKOURAS? - THE GAME IS ON, MY DEAR.

- I'M SEEING THE WOODS AND THIS TREE--THIS FORKED TREE.

- YOU SURE YOU DON'T WANT TO GO WITH ME?

- I JUST--I CAN'T.

- IT'S ALL RIGHT, MAN. I GOT THIS.

- HEY, IT'S GONNA BE ALL RIGHT, HONEY.

[girl panting]

SHE SAYS STEVE DIDN'T DO IT. I BELIEVED HER.

- YOU BELIEVED HIM TOO. - OH, YEAH. RIGHT UP UNTIL

I STARTED FINDING BODY PARTS.

- MR. TATE, CALM DOWN.

BO IS RIGHT.

NO MATTER HOW THINGS APPEAR, SHE'S RIGHT.

- YOU KNOW, SHE HAS BEEN SCARED AND UPSET.

MAYBE SHE'S CONFUSED.

IT WOULDN'T BE THE FIRST TIME. - [whispers] STOP!

SHE'S NOT WRONG. PLEASE HAVE FAITH.

SHE CAN HELP HIM.

SHE CAN HELP HIM.

- CAN YOU TELL ME WHAT I'M SEEING?

SEAN? - I-I CAN'T.

- YOU HAVE TO TRY, SEAN.

- NO, WE HAVE TO STOP.

SEAN, THAT'S ENOUGH.

WE'RE DONE. - NO.

- I THINK WE'VE DONE ENOUGH FOR TODAY. OKAY?

- GET AWAY FROM ME!

- SEAN! - I'LL SHOW YOU.

I'LL SHOW ALL OF YOU.

- STOP IT!

- [groans]

[knock at door]

- MILTON.

- HEY, ANGEL. HEY!

YOU MUST BE RACHEL, YEAH?

UH, I'M MILTON.

RACHEL, CAN I BORROW YOUR ROOM FOR A FEW MINUTES?

I JUST NEED TO TALK TO BO.

IT'S OKAY.

THANK YOU.

RACHEL, YOUR DAD'S GONNA BE FINE.

THANK YOU.

- I DON'T WANT TO. - BO.

YOU CAN'T IGNORE WHO YOU ARE.

YOU CAN'T--

SWEETIE, LISTEN.

YOU CAN'T IGNORE THIS GIFT.

WE HAVE TO LEARN HOW TO HELP YOU USE IT.

YOU CAN SAVE RACHEL'S DAD.

HE REALLY, REALLY, REALLY NEEDS US.

I KNOW YOU'VE BEEN THROUGH A LOT AND YOUR GIFTS HAVE SCARED YOU.

LET ME TRY TO HELP YOU, ALL RIGHT?

I CAN HELP YOU THROUGH IT. - NO, I DON'T WANT TO DO IT.

YOU CAN DO IT. I DON'T WANT TO DO IT

YOU CAN JUST DO IT! - WAIT.

- MILTON, I JUST DON'T WANT TO.

LEAVE ME ALONE!

- STEVE.

[Steve sniffling]

- I THINK SOMEBODY SHOULD TAKE ME IN.

- WHY DON'T WE TALK FOR A WHILE FIRST?

THAT SOUND LIKE A PLAN?

- THERE'S NOTHING TO TALK ABOUT.

- I KNOW YOUR VISIONS ARE OVERWHELMING,

BUT WE CAN SORT THEM OUT.

I CAN HELP YOU.

WALK ME THROUGH THIS.

LET'S MAKE SENSE OF WHAT YOU SAW.

IF YOU DO KNOW THE ANSWER,

WHO KILLED LAURA...

IT'S HERE...

AND IT IS HERE.

THE NIGHT LAURA DISAPPEARED,

IS THAT THE FIRST TIME THAT YOU SAW A VISION OF HER?

- YES.

- WHERE WERE YOU?

- IT WAS A FRIDAY.

BUNCH OF US HIT THE VFW AFTER WORK.

HALF THE DEPARTMENT ARE REGULARS.

[overlapping chatter]

Winters: I SEE IT.

[chatter, laughter]

AND WHEN WAS THE LAST TIME YOU SAW A VISION OF HER?

- [whispers] IN THE CAR.

[Laura panting]

- AAH!

- HEY, YOU OKAY? - I'M OKAY.

- DID YOU SEE IF I DID IT? - JUST FLASHES.

- YOU GOTTA KEEP GOING. I NEED TO KNOW.

PLEASE DON'T STOP. YOU CAN'T STOP NOW.

DON'T STOP. - I WON'T STOP.

- TELL ME IF I DID IT. YOU HAVE TO TELL ME.

PLEASE, YOU--PLEASE KEEP GOING. DON'T STOP.

HEY, HEY, HEY. - [whimpers]

- COME ON, COME ON. PLEASE, YOU HAVE TO KEEP GOING.

- MILTON! - PLEASE!

- I CAN SHOW YOU WHERE IT IS.

- WHERE WHAT IS?

- THIS. I KNOW WHERE LAURA IS. [sirens approach]

- WAIT, WAIT, WE--WE HAVE TO GO. WE HAVE TO GO, COME ON. QUICKLY.

QUICKLY!

- SORRY. - WHERE IS HE?

[engine revving]

- HE'S GOT BO.

- IS SHE OUT HERE? IS THWAS IT ME? IS?

- THERE.

- THE WATER TOWER.

THE MARK IS ON THE WATER TOWER.

- WE SHOULD GET OFF.

[Steve breathing hard]

- DID I PUT HER HERE?

- WE HAVE TO GET OFF. - HELP ME, PLEASE.

- NO! WE HAVE TO GET OFF HERE! - I NEED TO KNOW, TELL ME!

AAH!

- AAH!

- YOU OKAY?

I GOT YOU, I GOT YOU.

[creaking]

LOOK OUT! - [screams]

- IT'S ALL RIGHT, IT'S OKAY. IT'S OKAY, SWEETIE.

- IT'S ALL RIGHT. I GOT YOU. I GOT YOU.

[police sirens] man: YOU FOLKS OKAY?

- MILTON!

[police radio chatter]

- [coughing]

- [wailing]

- MR. VIGNATI, DON'T BE AFRAID.

I SEE THINGS TOO.

SOMETIMES THEY'RE SCARY. BUT IT'S GONNA BE OKAY.

BECAUSE NOW YOU KNOW THE TRUTH.

- THANK YOU.

I UNDERSTAND NOW.

IT WAS YOU. - WHAT?

- IT WAS YOU.

YOU WERE IN THE BAR WITH LAURA THAT NIGHT.

YOU WERE TAKING BRIBES TO GET PEOPLE OFF.

- NO. NO. - SHE FOUND OUT,

AND SHE THREATENED TO OUT YOU.

SHE WAS BLACKMAILING YOU.

YOU FRAMED ME.

YOU'RE MY PARTNER.

- I'M SORRY. [cries]

I'M SORRY, I AM.

I'M SO--I'M SO SORRY.

[crying]

- IT'S GONNA BE ALL RIGHT, HONEY. IT'S ALL RIGHT.

EVERYTHING'S GONNA BE ALL RIGHT NOW, I PROMISE.

- YOU KNOW WHAT?

THEY'RE GONNA BE JUST FINE.

- I KNOW. I TOOK HIS POWER AWAY.

- WHAT?

- IT'S BAD FOR SOME PEOPLE.

- HOW LONG HAS HE BEEN LIKE THAT?

- ALMOST AN HOUR.

- [voice distorted] I AM NOT WEAK.

- WHAT DID HE SAY?

- "I'M NOT WEAK."

[woman screams]

[guns clicking]

[thud]

[woman whimpering]

- WINTER, WHAT YOU DID WITH STEVE,

YOU CAN'T DO THAT.

- IT WAS WORTH IT, CHANNING.

HELPED BO SEE WHAT SHE NEEDED TO DO.

YOU REALIZE SHE TOOK AWAY THAT MAN'S POWER?

IF BO CAN DO THAT WITH ONE PERSON,

SHE CAN DO IT WITH MANY.

AND WE CAN STOP ORCHESTRA.

WE CAN WIN.

- WHAT YOU GOT THERE?

- A FAMILY.

THIS IS STEVE AND THIS IS RACHEL.

- LOOKS LIKE THEY'RE GONNA BE OKAY, HUH?

- I THINK SO.

- YOU KNOW...WHAT YOU DID HELPIN' THOSE TWO...

THAT WAS ALL RIGHT.

- WHY ARE PEOPLE ALWAYS SO SURPRISED

WHEN YOU HELP OTHER PEOPLE?

- IT'S BECAUSE NOT EVERYONE'S LIKE THAT.

- THEY SHOULD BE. IT WOULD CREATE LESS PROBLEMS.

- YOU GOT IT ALL FIGURED OUT.

WHAT'S GOING ON WITH THIS ONE?

- OH, THAT'S ME AND MOM.

- WHAT ARE YOU GUYS DOING? YOU DANCING?

- MM...

- YOU KNOW, THAT WAS YOUR MOM'S FAVORITE THING TO DO.

- REALLY?

DID YOU DANCE WITH HER?

- YEAH. SOMETIMES.

- SHOW ME.

- REALLY?

- YOUR MOM LIKED THE SLOW STUFF,

THE KIND OF STUFF THAT TAKES YOU OUT OF THE OLD DAY-TO-DAY.

[clicking through stations]

[Cheek to Cheek plays] - LIKE THAT.

- ARE YOU GONNA DANCE?

- YOUR MOM WAS THE EXPERT. I...

HAVE TWO LEFT FEET.

- COME ON. PLEASE?

♪

THIS IS NOTHING, COME ON.

- OKAY, SO YOU JUST GO HERE, BACK OVER HERE.

AND THEN LIKE THAT AND OUT.

SPIN, SPIN, DIP, DIP.

[both laugh]

DO ANOTHER SPIN.

AND DANCING CHEEK TO CHEEK. - [squeals]

- ♪ THE HAPPINESS I SEEK

- ♪ DAH AH

- ♪ WHEN WE'RE OUT TOGETHER

♪ DANCING CHEEK TO CHEEK

♪ CHEEK TO CHEEK

♪ CHEEK TO CHEEK

♪ CHEEK TO CHEEK

[end notes]