Original subtitles

♪ YOU CAN HEAR THE BOATS GO BY ♪

♪ YOU CAN SPEND THE NIGHT BESIDE HER ♪

♪ AND YOU KNOW THAT SHE'S HALF-CRAZY ♪

♪ BUT THAT'S WHY YOU WANNA TO BE THERE ♪

♪ AND SHE FEEDS YOU TEA AND ORANGES ♪

♪ THAT COME ALL THE WAY FROM CHINA ♪

♪ AND JUST WHEN YOU MEAN TO TELL HER ♪

ROUGH START? ♪ THAT YOU HAVE ♪

♪ NO LOVE TO GIVE HER ♪ - JOIN IN.

I'M SORRY, MAN.

♪ SHE GETS YOU ON HER WAVELENGTH ♪

♪ AND LETS THE RIVER ANSWER ♪

♪ THAT YOU'VE ALWAYS BEEN HER LOVER ♪

♪ AND YOU WANT TO TRAVEL WITH HER ♪

♪ YOU WANT TO TRAVEL BLIND ♪

♪ AND THEN YOU KNOW ♪

♪ THAT SHE WILL TRUST YOU ♪

♪ FOR YOU'VE TOUCHED HER PERFECT BODY ♪

♪ WITH YOUR MIND ♪

SECOND VERSE?

♪ AND JESUS WAS A SAILOR ♪

♪ AS HE WALKED AMONG THE WATER ♪

♪ HE SPENT A LONG TIME WATCHING ♪

♪ FROM HIS LONELY WOODEN TOWER ♪

♪ AND WHEN HE KNEW FOR CERTAIN ♪

♪ THAT ONLY DROWNING MEN COULD SEE HIM ♪

♪ HE SAID ALL MEN MUST BE SAILORS THEN ♪

♪ UNTIL THE SEA SHALL FREE THEM ♪

♪ BUT HE HIMSELF WAS BROKEN ♪

♪ LONG BEFORE THE SKY SHOULD OPEN ♪

♪ FORSAKEN, ALMOST HUMAN ♪

♪ HE SANK BENEATH YOUR WISDOM LIKE A STONE ♪

♪ AND YOU WANT TO TRAVEL WITH HIM ♪

♪ AND YOU WANT TO TRAVEL BLIND ♪

♪ THEN YOU KNOW YOU CAN TRUST HIM ♪

♪ FOR HE'S TOUCHED YOUR PERFECT BODY WITH HIS MIND ♪

♪ AH, AH, AH ♪

♪ AH, AH, AH ♪

♪ AH, AH, AH ♪

♪ AH, AH, AH ♪

RIGHT.

DEAR FRIENDS, I AM NOT VERY GOOD AT GOODBYES,

SO WE SNUCK OUT ON THE FERRY.

I JUST WANT TO LET YOU ALL KNOW THAT

I'VE HAD SOME OF THE BEST YEARS

OF MY LIFE ON THIS ISLAND.

AND WHEN WE CAME HERE, IT WAS ALL WE HAD DREAMED OF.

AND ALONG THE WAY, OUR, OUR LITTLE WORLD HERE HAS,

HAS BEEN HOME,

ADVENTURE, CHAOS, AND PEACE.

IT'S BEEN, IT'S BEEN HELL IN PARADISE.

I THINK AT ONE POINT, YOU WAKE UP, YOU LOOK AROUND YOU

AND YOU FIND YOURSELF A STRANGER IN YOUR OWN WORLD.

AND EVEN IN YOUR OWN LIFE.

YOU CAN'T REMEMBER

THE DREAM ANYMORE.

THAT'S WHEN YOU REALISE IT'S TIME TO MOVE ON.

I WILL WAKE UP MORNINGS AND THINK ABOUT THIS ISLAND,

ABOUT ITS PEOPLE.

AND I WILL MISS THEM

AND THE DREAMS THAT WE LEFT BEHIND HERE.

TAKE CARE.

YOURS, CHARMIAN CLIFT.

SOON YOU AND I WILL BE THE ONLY ONES LEFT.

MAYBE WE SHOULD TAKE THAT AS A SIGN.

HELL IF I KNOW.

I JUST WANT THINGS TO BE THE WAY THEY'VE ALWAYS BEEN.

OH.

I TALKED TO GEORGE THE OTHER DAY.

MM?

HE CALLED FROM AUSTRALIA.

HOW ARE THEY DOING?

HIS CONDITION IS GETTING WORSE.

HE'S IN THE HOSPITAL NOW.

BUT HE'S WRITING A NEW BOOK. AN AUTOBIOGRAPHY, I THINK.

CHARMIAN MENTIONED THAT.

OH.

WHEN I FIRST ARRIVED HERE,

THEY WERE THE KING AND QUEEN OF THIS PLACE.

TOWARD THE END, IT WAS THE TWO OF THEM AGAINST EACH OTHER INSTEAD.

BUT LISTEN, WE ARE STILL

QUITE YOUNG.

QUITE. - AND QUITE PRETTY.

OH.

QUITE.

ON THE MOST BEAUTIFUL ISLAND IN THE UNIVERSE.

THERE'S ONLY ONE WAY TO GO FROM HERE.

MORE WINE?

I WAS GOING TO SAY UP, BUT WINE ALSO SOUNDS WONDERFUL.

AH.

AH, OH, OH.

♪ OOH, LA, LA, LA, LA ♪

♪ LA, LA, LA, LA, LA ♪

♪ LA, LA, LA, LA ♪

♪ YEAH, THERE'S SOMETHING ♪

♪ OOH, LA, LA, LA, LA ♪ AH, CERTAIN PEOPLE IN A WAY,

IT ALL COMES DOWN TO MEMORIES,

BUT NO ONE CARES

♪ I SEE HER EVERY DAY ♪

♪ SHE ALWAYS WALKS MY WAY ♪

GOOD MORNING.

WHO IS IT?

YOU KNOW DAMN WELL WHO IT IS, COHEN.

RISE AND SHINE, LET'S GO.

HI.

SORRY, YOU OWE ME RENT.

I KNOW HAMMOND AND COLUMBIA ARE SIGNING YOU.

WHAT?

HOW DO YOU KNOW THAT?

HOW DO YOU KNOW?

MY SON ATTENDS YESHIVA WITH HIS DAUGHTER'S BEST FRIEND,

SO, YEAH.

WHO'S YOUR SON?

LEONARD, YOU WRITE ME A CHECK.

ALL RIGHT.

STANLEY?

YEAH?

I HAVE A CAREER, MAN.

PUT YOUR DICK AWAY. WRITE ME A CHECK.

HI.

ARE YOU COLD?

COME OVER HERE.

COME ON, LET'S GO HOME.

HMM?

- WHAT ARE YOU THINKING ABOUT? - I WAS WONDERING

WHAT DO YOU THINK LEONARD IS DOING NOW?

WELL, HE'S IN AMERICA RECORDING AN ALBUM.

CHECK, CHECK, CHECK, CHECK.

GOOD TO GO, LEONARD.

THIS ONE'S FOR, UH, FOR IVY.

YOU HEAR THAT, IVY?

THIS ONE'S FOR YOU.

♪ COME OVER TO THE WINDOW, MY LITTLE DARLING ♪

♪ I'D LIKE TO TRY TO READ YOUR PALM ♪

♪ I USED TO THINK I WAS SOME KIND OF GYPSY BOY ♪

♪ BEFORE I LET YOU TAKE ME HOME ♪

♪ COME ON, MARIANNE ♪

♪ IT'S TIME THAT WE BEGIN TO LAUGH ♪

♪ AND CRY ♪

♪ AND CRY ♪

LEONARD?

YEAH?

ALL RIGHT, IT'S GOOD, LET'S, UH,

LET'S LISTEN TO IT.

♪ COME ON, MARIANNE ♪

WHAT'S WRONG WITH IT, MAN?

WHAT DO YOU MEAN?

YOU SAY, "LOOK OUT, DYLAN,"

WHEN IT'S, WHEN IT'S PRETTY GOOD.

AND THEN WHEN YOU SAY, "GOOD,"

IT MEANS IT MUST BE REALLY, REALLY TOUGH TO, TO LISTEN TO.

NO, IT'S ACTUALLY GREAT, LEONARD.

IT'S, UH, IT'S JUST THE LYRICS.

OH, MAN, I THOUGHT THE LYRICS

WERE THE ONLY THING I COULD DO.

"COME ON, MARIANNE,"

FRANKIE VALLI AND THE FOUR SEASONS,

THEY JUST RELEASED A "COME ON, MARIANNE."

YOU, YOU MIGHT NEED TO FINESSE THAT LYRIC.

JUST HELP ME OUT A BIT THERE, I CAN MAKE THIS SONG A HIT.

♪ OH, YOU KNOW ♪

♪ I LOVE TO LIVE WITH YOU ♪

♪ BUT YOU MAKE ME FORGET SO VERY MUCH ♪

♪ I FORGET TO PRAY FOR THE ANGELS ♪

♪ AND THEN THE ANGELS FORGET TO PRAY FOR US ♪

♪ SO LONG, MARIANNE ♪

♪ IT'S TIME THAT WE BEGIN TO LAUGH ♪

♪ AND CRY ♪

♪ AND CRY ♪

♪ AND LAUGH ABOUT IT ALL AGAIN ♪

♪ OH, YOU ARE REALLY SUCH A PRETTY ONE ♪

♪ I SEE YOU'VE GONE AND CHANGED YOUR NAME AGAIN ♪

♪ AND JUST WHEN I CLIMBED THIS WHOLE MOUNTAINSIDE ♪

♪ TO WASH MY EYELIDS ♪

♪ IN THE RAIN ♪

♪ OH ♪ ♪ SO LONG ♪

♪ SO LONG, MARIANNE ♪ ♪ MARIANNE ♪

♪ IT'S TIME THAT WE BEGAN TO LAUGH ♪

♪ AND CRY ♪ ♪ AND CRY ♪

♪ AND CRY ♪ ♪ AND CRY ♪

♪ AND LAUGH ABOUT IT ALL AGAIN ♪ ♪ AND LAUGH ABOUT IT ♪

LEONARD, THAT WAS BEAUTIFUL.

WOW, THAT WAS REALLY GOOD.

LEONARD CALLED LAST NIGHT. - WHAT DID HE SAY?

THAT HE MISSED ME. AS ALWAYS WHEN HE'S DRUNK.

HE CALLS YOU OR MISSES YOU? - BOTH.

AND YOU? HOW ARE YOU DOING?

I SLEPT WITH THAT YOUNG FISHERMAN LAST NIGHT.

WHATEVER THAT MEANS.

DO YOU MIND IF I PLAY

THE SMARTER, OLDER BROTHER FOR A SECOND?

GO RIGHT AHEAD.

HE'LL NEVER LEAVE YOU.

HE NEEDS YOU, AND HE NEEDS TO KNOW THAT HE HAS YOU.

THANK YOU.

WHAT AM I SUPPOSED TO DO?

I LOVE LEONARD.

BUT I THINK YOU SHOULD TELL HIM TO GO TO HELL.

♪ SO LONG, MARIANNE ♪ ♪ SO LONG, MARIANNE ♪

♪ IT'S TIME THAT WE BEGAN ♪

IT'S A GOOD ALBUM, LEONARD.

YOU SHOULDN'T LET A FEW BAD REVIEWS GET TO YOU.

A LOT OF BAD REVIEWS.

YOU KNOW, THEY'RE PUTTING ME IN THIS INTELLECTUAL BAG

THAT I, THAT I DON'T BELONG IN.

THIS IS MY VERSION OF TRYING TO WRITE SONGS

FOR THE CAR RADIO.

YOU WANNA BE A POP STAR?

THIS IS LIKE, IT, IT'S A BAD THING, I LOVE POP STARS,

I WANT TO WRITE POP SONGS, AND I LIKE THE MONEY.

IT'S VERY SAD.

WHAT'S SAD?

THAT MONEYS HAD THIS SINISTER, MAGICAL EFFECT ON ME.

I'VE COMPLETELY, UH, FALLEN INTO IT LIKE A BLACK HOLE.

YOU KNOW?

I REALLY, I THINK I'LL GO BACK TO WRITING NOW,

WRITING NOVELS NO ONE READS OR LIKES, EXCEPT FOR THIS GUY.

COME ON, YOU'RE NOT FINISHED.

YOU'VE BARELY BEGUN.

MAYBE YOU SHOULD TRY

ANOTHER PRODUCER FOR THE NEXT ALBUM.

YOU'RE HIRED.

♪ KNOW IT WAS NEVER TO YOU ♪

♪ LIKE A BABY ♪

MR. CROSBY.

♪ STILLBORN ♪ - THANK YOU, UH,

IT'S AN HONOUR.

ADELE?

ADELAIDE.

♪ WITH HIS HORN ♪

♪ I HAVE TORN ♪

♪ ALL MY RIBBONS ♪

DAVID, HOW'S IT SOUNDING OUT THERE?

'CAUSE I CAN'T TELL, MAN, 'CAUSE I,

I DON'T KNOW IF YOU'RE LISTENING TO ME OR NOT.

YOU'RE ALL GOOD.

ALL RIGHT, IS THERE ANYTHING I SHOULD DO, YOU KNOW?

I LIKE THE SONG.

OKAY. IS THAT THE END OF THE SENTENCE?

LOOK, I NEED TO BE HONEST WITH YOU HERE,

I THINK THOSE WHO LIKE YOU ARE MORE INTO YOUR LYRICS, MAN.

SO

I WAS GONNA SUGGEST, WHY DON'T YOU RECITE THE LYRICS

INSTEAD OF SINGING THEM?

WELL, YOU KNOW, I'VE TRIED THAT, MAN, BEFORE.

IT'S, UH, YOU KNOW, I'M TRYING SOMETHING ELSE.

UP TO YOU, MAN. YOUR CALL.

TERRIFIC.

AH, TERRIFIC. THANKS A LOT, I APPRECIATE IT.

FORGIVE ME, MAN.

FORGIVE ME, I'M SORRY, REALLY,

I'M SORRY.

♪ I REMEMBER YOU WELL ♪

♪ IN THE CHELSEA HOTEL ♪

GOOD NIGHT?

♪ YOU WERE TALKING SO BRAVE AND SO SWEET ♪

OH, OH! WAIT A MINUTE.

♪ GIVING ME HEAD ON THE UNMADE BED ♪

WHAT FLOOR, MA'AM?

DO YOU KNOW WHAT FLOOR KRIS KRISTOFFERSON IS ON?

DO YOU KNOW KRIS KRISTOFFERSON?

NOPE.

OH, WELL, THEN YOU'RE IN LUCK, DARLING.

I AM KRIS KRISTOFFERSON.

♪ WE WERE RUNNING FOR THE MONEY AND THE FLESH ♪

♪ I REMEMBER YOU WELL ♪

♪ IN THE CHELSEA HOTEL ♪

♪ YOU WERE FAMOUS ♪

♪ YOUR HEART WAS A LEGEND ♪

♪ YOU TOLD ME AGAIN ♪

♪ YOU PREFERRED HANDSOME MEN ♪

♪ BUT FOR ME, YOU WOULD MAKE AN EXCEPTION ♪

♪ OH, AND CLENCHING YOUR FISTS ♪

♪ FOR THE ONES LIKE US WHO ARE ♪

UH, HELLO, LEONARD, IT'S GEORGE, GEORGE JOHNSTON.

MARIANNE!

SHE KILLED HERSELF.

NO.

WHAT?

WE SAW HOW DEPRESSED SHE WAS.

I SHOULD HAVE DONE SOMETHING TO HELP HER.

I DID NOTHING.

DARLING, I'M SORRY ABOUT THIS.

I CAN'T STAND BEING HATED.

AND YOU HATED ME SO MUCH TODAY.

I'M OPTING OUT,

AND YOU CAN PLAY IN ANY WAY YOU WISH FROM NOW ON.

I AM SURE YOU WILL HAVE A MOST SUCCESSFUL

AND DISTINGUISHED CAREER.

I WENT ASHORE, I HAD $500 IN MY POCKET.

EVERY OPPORTUNITY, THE WORLD WAS MY OYSTER.

BUT THAT WAS WHEN I DROWNED ON LAND.

WENT HOME SAFE.

IT'S TRUE.

MANY A TRUE WORD HAS PASSED

THROUGH THESE FALSE TEETH.

I KNOW THAT LOOK.

YOU JUST SET SAIL FOR SOMEWHERE YOU THINK IS PARADISE.

AND ALONG THE WAY, YOUR BOAT TAKES ON WATER.

SOMEWHERE AROUND THERE,

YOU LOSE YOUR MAP.

MM.

DARLING MARIANNE COHEN, THE RADIO SAYS IT'S MORNING,

BUT THE WINDOWS DON'T CONNECT TO THE SKY HERE,

SO I'M NEVER SURE.

I'M WORRYING THAT YOU'RE LONELY.

SOMETIMES I STOP AND FEEL YOU'RE WANTING THINGS

I HAVEN'T GIVEN YOU.

MARIANNE, ISN'T IT CURIOUS AND WARM

TO GROW OLD IN EACH OTHER'S LIVES?

I THINK I NEED YOU NOW MORE THAN EVER.

KISSES, LEONARD.

MOMMY, THERE'S LENNY!

THERE HE IS! DO YOU SEE HIM?

OH.

OH, OKAY.

ALL RIGHT.

OKAY, ALL RIGHT.

LOOK WHO'S HERE.

WELCOME BACK.

WAS IT NICE TO SEE HIM AGAIN?

OH.

LOVE YOU.

GOOD,

BECAUSE I'M, I'M VERY IN LOVE WITH YOU,

MY DEAR, DEAR, PERFECT FRIEND.

MY NORDIC ANGEL.

WHAT HAPPENED TO THE ALBUM?

I DON'T KNOW.

YOU KNOW, THE FIRST ONE DIDN'T DO VERY WELL.

IT'S NOT VERY GOOD AT ALL.

I, I'M THRILLED TO BE HONEST,

I LIKE SAVING PEOPLE MONEY AND SAVING PEOPLE TIME.

WHAT WILL YOU DO NOW?

I DON'T KNOW, I, LIKE,

I, I, I'M, I THINK I'M GOING TO THROW MYSELF INTO THE BOOK,

HAVE A LOT OF IDEAS JAMMING IN MY BRAIN,

AND, YOU KNOW, I'M EXCITED TO HAMMER THEM AWAY AT THE PAPER.

IT'LL BE A JOYFUL MASSACRE.

A, UH, A MAN'S RESIGNATION TO HIS TRUE CALLING,

HIS ONLY CALLING.

YOU KNOW,

PEOPLE ARE LOSING EACH OTHER AND, UH,

IT'S GETTING EMPTY HERE.

CAN WE PROMISE NOT TO LOSE EACH OTHER AGAIN?

PLEASE?

NO, I PROMISE, I PROMISE. DON'T GO AWAY.

REALLY? MM. - YEAH.

♪ LA, LA, LA, LA ♪

THEN PULL. ♪ LA ♪

♪ LA, LA, LA, LA ♪

YOU LOOK HANDSOME.

HI. HI, HI, HI. - HI.

HI, HI, HI.

DID YOU GUYS MAKE THIS? - YEAH, WE SET IT UP.

YES, EVERYTHING'S READY!

I'VE NEVER SEEN A NICER BREAKFAST.

NEW PEOPLE AT THE GROCERY STORE?

YEAH, THEY'RE FROM, UH, THEY'RE FROM THE MAINLAND.

UH, YEAH, LOOK!

DO YOU KNOW THEM ALREADY? GOOD MORNING!

- HI. - UNCLE!

HEY!

FINALLY, ONE FAMILIAR FACE.

YEAH.

OH, IT'S SO GOOD TO SEE YOU, MY FRIEND.

IT'S ALL CHANGED, MAN, THERE'S ALL THOSE YOUNG PEOPLE AND-

SAY HI TO GORAN.

IT'S TERRIBLE.

THERE WAS A PHONE CALL FOR YOU DOWN AT KATSIKAS.

ALREADY? DID THE GOVERNMENT CALL IN?

IS, IS THAT THEM? - HEY!

HEY! - HI.

WHY DIDN'T THEY CALL HERE?

I GUESS THEY DON'T HAVE THE NUMBER, BUT, UH,

THEY SAID THEY WILL CALL - WOW, THAT'S TERRIBLE.

IN, IN ABOUT FIVE MINUTES. WHO WANTS THIS?

DON'T GIVE HIM ANY MORE SUGAR.

NO, REALLY. - NO, IT'S MINE!

IT'S MINE!

MOVE, IT'S MINE.

OKAY, I'LL BE RIGHT BACK.

OKAY.

SEE YOU. - SEE YOU IN FIVE.

OKAY.

ALL RIGHT.

VERY, VERY, VERY, I APPRECIATE IT.

YEAH, ALL RIGHT, SO LONG.

ALL RIGHT.

WHAT'S GOING ON?

YOU KNOW, THE PROGRAMME, I, UH,

THE TV PROGRAMME I DID IN LONDON?

HEY.

UM,

I THOUGHT I WAS RATHER HOSTILE

ON IT, BUT THEY REALLY LIKED, UH,

I DON'T KNOW, LOTS OF PEOPLE SAW IT.

YOU KNOW, MY, MY FIRST ALBUM

WAS APPARENTLY CHARTING IN THE UK.

IT'S IN THE TOP 20 NOW, WHICH IS, NO,

SOMETHING I NEVER THOUGHT WAS A POSSIBILITY.

AND, UM,

AND THEY WANT ME TO RECORD

THE REST OF THE SECOND ALBUM.

SO WHAT, SO YOU,

SO YOU'RE LEAVING AGAIN, N-NOW, OR-

- RIGHT, THAT'S THE PLAN. - RIGHT.

YEAH.

BUT, UH, YEAH,

THEY, UM,

OH, BOY,

THEY SAID THAT, UH, I MIGHT BE A STAR.

WHAT?

PLEASE, I LOVE YOU, I'LL BE BACK, OF COURSE.

WHEN YOU'RE A STAR,

YOU DON'T KNOW HOW LONG YOU'RE GOING TO BURN.

YOU GOTTA, YOU GOTTA MAKE SURE YOU'RE UP IN THE SKY

WHILE YOU'RE STILL SHINING.

YEAH?

BUT I'LL BE BACK, YOU KNOW, I'M COMING BACK, OBVIOUSLY.

YEAH?

NO, I AM.

MAMMA?

HMM?

IS LEONARD NEVER COMING BACK?

I DON'T KNOW.

MAYBE.

HMM.

OKAY.

THANK YOU.

DON'T GET MORE.

I'VE SEEN YOU AROUND.

WOULD YOU LIKE TO HAVE A GLASS OF WINE WITH ME?

WHY?

IT'S BORING DRINKING ALONE.

AND I HAVE THIS WHOLE BOTTLE.

AND, WELL, YOU LOOK A LITTLE DOWN, FRANKLY.

SO I DON'T KNOW, ANY OF THE ABOVE.

SURE.

FOR MARIANNE.

MM.

THANK YOU.

SO WHY ARE YOU DOWN?

DOWN? I...

WHY DO YOU WANT COMPANY?

I'M DYING.

WHAT?

YOU'RE- - DYING, YES.

SIX MONTHS OR SOMETHING.

CANCER.

I'M SORRY.

IT'S THE FIRST TIME EVER THAT I FELT

THAT MY LIFE IS PRECIOUS.

REALLY WISH I'D KNOWN THAT SOONER.

WHAT ABOUT YOU? DO YOU, DO YOU FIND IT'S PRECIOUS?

LIFE?

AH, I'M NOT SURE THAT I DO, RIGHT NOW, I THINK.

I MEAN, RIGHT NOW IS ALL THERE IS.

REALLY WISH I'D KNOWN THAT SOONER.

BUT IT'S SORTA TOO LATE NOW.

YEAH.

I DON'T KNOW IF THIS IS A VERY RUDE QUESTION,

BUT WHAT DO YOU THINK YOU WOULD'VE DONE DIFFERENTLY?

I THINK I WOULD HAVE CARED MUCH LESS

ABOUT WHAT PEOPLE THINK.

I THINK I WOULD'VE LOVED AND FUCKED,

KNOWING FULL WELL THAT I AM NOT WHO I SLEEP WITH.

WOULDN'T HAVE CARED ABOUT MY WEIGHT,

OR THAT OTHER PEOPLE JUDGING ME

HAS REALLY NOTHING TO DO WITH ME.

I WOULD'VE LOVED MYSELF BETTER.

I WOULD'VE NOT BEEN SO AFRAID OF PEOPLE NOT WANTING ME.

ARE YOU SCARED?

NO.

NOT YET.

I'M SURE I WILL BE,

BUT UNTIL THEN, I PLAN TO LIVE AS MUCH AND AS WELL AS I CAN.

THANK YOU.

FOR WHAT?

PERSPECTIVE.

I KNOW, I THINK IT'S JUST...

SOMETIMES YOU DON'T EVEN REALISE HOW EASY IT IS TO JUST

CONSTANTLY HIDE THE TRUTH FROM YOURSELF.

UH,

SO, YEAH,

THANK YOU FOR PULLING DOWN THE BLINDS.

HEY, RUMOUR HAS IT THAT YOU'RE TRYING TO KILL YOURSELF, HM?

THERE'S BEAUTIFUL PEOPLE.

ALL DIFFERENT KINDS OF HAIRSTYLES.

YEAH. LENNY?

YEAH?

I JUST WANNA SAY ONE THING BECAUSE I'VE BEEN THERE,

I KNOW, FAME IS LIKE HEROIN, IT CAN KILL YOU.

YEAH. TAKE IT OR LEAVE IT.

HEY, LENNY, RIGHT, LET'S GET THE TRAILER GOING.

GUYS, GUYS, COME ON, CLEAR A PATH.

I LOVE YOU. - GUYS, NO AUTOGRAPHS.

- I LOVE YOU. - NO AUTOGRAPHS.

COME ON, CLEAR A PATH, GUYS.

LEONARD, YOU READY? - OH, YEAH, YEAH, YEAH.

WILL WE SEE YOU AGAIN?

WELL, UH, NEXT WE GO TO GENEVA.

NO, AFTER, AFTER THE SHOW.

UH, NOW? NO.

NO. - YOU WILL NOT SING FOR US?

WHY, WOULD YOU LIKE TO LISTEN?

YES.

UH, WELL, I DON'T HAVE ANY PLANS FOR IT.

IT'S HARD TO COME ON TO A GIRL IN FRONT OF THE CAMERA.

WHAT?

DID YOU GET ALL THAT?

OKAY.

HERE WE GO. - WE'RE GOOD?

READY. - OKAY.

SEE YOU LATER, OKAY?

OKAY. - ALL RIGHT.

READY?

I SAW YOU WALKING TO THE BEACH YESTERDAY, HAND-IN-HAND WITH SOME MAN.

WAS IT THAT FRENCHMAN?

JEAN-MARC.

JEAN-MARC.

LEONARD CALLED.

HE ASKED ABOUT YOU.

MM.

WHY WON'T YOU TELL HIM?

WANT TO COME DANCE, AXEL? - NO.

NO?

ARE YOU SURE? - POSITIVE.

YEAH.

LEONARD! LEONARD!

LEONARD! LEONARD!

LEONARD! LEONARD!

LEONARD! LEONARD!

LEONARD! LEONARD!

I'LL LET YOU FINISH THIS FOR ME.

LEONARD!

LEONARD! LEONARD!

LEONARD! LEONARD!

LEONARD! LEONARD!

LEONARD! LEONARD!

I APPRECIATE THE WARM WELCOME.

I APPRECIATE THE WARM WELCOME.

♪ YOU THOUGHT THAT IT COULD NEVER HAPPEN ♪

♪ TO ALL THE PEOPLE WHO YOU BECAME ♪

♪ YOUR BODY LOST IN LEGEND ♪

♪ THE BEAST SO VERY TAME ♪

♪ BUT HERE ♪

♪ RIGHT HERE ♪

♪ BETWEEN THE BIRTHMARK ♪

♪ AND THE STAIN ♪

YEAH?

HEY, MARIANNE, THIS IS IRVING LAYTON.

UH, HI.

OH.

HOW ARE YOU DOING? I HAVE TO GO BACK TO MY ROOM NOW.

JIM, YOU SOUND GREAT. - MM.

MAN.

UH, BEAUTIFUL.

I REALLY LOVE HIM. HE'S VERY REAL.

MAN, I'M NOT SURE I CAN.

OH!

HELLO.

LOOK WHO'S HERE!

WELCOME BACK.

NO, GUYS, GUYS,

COME ON, CLEAR A PATH.

GUYS.

COME ON, CLEAR A PATH, GUYS.

HOW THE FUCK DID WE GET HERE?

WHAT?

H-HOW DID WE GET HERE?

SHH.

SHH.

I'M HERE, I'M HERE, IT'S OKAY.

JUST WAIT, I GOT YOU, IT'S OKAY, IT'S OKAY, IT'S OKAY.

JUST BREATHE, JUST BREATHE LIKE THAT.

PERFECT.

HEY, HEY, HEY, LOOK AT ME.

SHH.

SHH, IT'S OKAY, IT'S OKAY. IT'S ME.

SHH, JUST, JUST BREATHE, IT'S OKAY, IT'S OKAY, IT'S OKAY.

HI, I'M HERE.

HI.

MY LOVE,

I THOUGHT YOU WERE,

I'M SO HAPPY YOU'RE HERE.

NO, JUST EAT AND STAY IN BED.

STAY IN BED, STAY IN BED, MY LOVE.

AND EAT SOME FOOD.

OH, I CAN'T.

YES, YOU CAN.

NO, NO, NO, NO, THE PILLS, THE POWDERS,

IT'S ALL IN THE NEW YORK SEWERS

BECAUSE YOU ARE GONNA COME BACK TO LIFE.

HOW'D YOU GET IN MY ROOM?

IT'S VERY EASY,

I JUST CONVINCED THE NIGHT PORTER THAT I,

UH, I'M YOUR FIANCE.

HOW'D YOU DO THAT?

WELL, YOU KNOW, I JUST HAD A LITTLE

TRICK UP MY SLEEVE.

AND I JUST SHOWED HIM THE, THE BACK COVER

OF YOUR LATEST ALBUM.

I'M SORRY.

I HOPE YOU DON'T MIND I USED THAT.

I LIKED IT, ACTUALLY. AND, UM, I LIKED THE ALBUM, TOO.

HMM.

THAT'S BEAUTIFUL.

WHAT IS, THE SUNSET?

OR THE YOUNG LOVE?

BOTH.

SOMETIMES I WORRY THAT, UH, WHAT WE HAD,

NO, WHAT WE HAVE,

THAT, UM, IT BELONGS TO SOME ROCK ON THE ISLAND OF HYDRA.

MAYBE THAT'S WHY YOU FEEL LIKE WHEN YOU'VE LIVED ON HYDRA,

YOU CAN'T REALLY LIVE ANYWHERE ELSE.

INCLUDING HYDRA.

INCLUDING HYDRA.

OH.

THANK YOU.

THAT'S MY LINE, "THANK YOU."

YOU'VE SAVED MY LIFE OVER AND OVER AND OVER AND OVER AGAIN.

NO.

IT CAN'T BE EASY.

IT GOES BOTH WAYS.

YOU SAVED MINE, TOO.

MM.

HEY,

I FEEL LIKE WE'RE IN ONE OF MY SILLY POEMS.

I'M BEING VERBOSE,

AND TERRIBLE AND PRETENTIOUS,

AND YOU'RE LOOKING BEAUTIFUL AND TRUE.

AND, UM,

IF WE ARE ONE OF YOUR POEMS,

ARE WE FINISHED NOW?

WELL, MARIANNE, IT'S COME TO THIS TIME,

WHEN WE ARE REALLY THIS OLD,

AND OUR BODIES ARE FALLING APART,

AND I THINK I WILL FOLLOW YOU VERY SOON.

KNOW THAT I AM SO CLOSE BEHIND YOU THAT

IF YOU STRETCH OUT YOUR HAND, - STRETCH OUT YOUR HAND,

I THINK YOU CAN REACH MINE. - I THINK YOU CAN REACH MINE.

AND I KNOW THAT I HAVE ALWAYS LOVED YOU

FOR YOUR BEAUTY AND YOUR WISDOM.

BUT I DON'T NEED TO SAY ANYTHING MORE ABOUT THAT

BECAUSE YOU KNOW ALL ABOUT THAT.

BUT NOW I JUST WANT TO WISH YOU A VERY GOOD JOURNEY.

GOODBYE, OLD FRIEND.

ENDLESS LOVE.

I'LL SEE YOU DOWN THE ROAD.

LEONARD.

♪ COME OVER TO THE WINDOW, MY LITTLE DARLING ♪

♪ I'D LIKE TO TRY TO READ YOUR PALM ♪

♪ I USED TO THINK I WAS SOME KIND OF GYPSY BOY ♪

♪ BEFORE I LET YOU TAKE ME HOME ♪

♪ NOW, SO LONG, MARIANNE ♪

♪ IT'S TIME WE BEGAN TO LAUGH ♪

♪ AND CRY ♪

♪ AND CRY ♪

♪ AND LAUGH ABOUT IT ALL AGAIN ♪

GOODBYE, OLD FRIEND.

ENDLESS LOVE.

I'LL SEE YOU DOWN THE ROAD.

LEONARD.

♪ NA, DA, DA, DA ♪

♪ MM ♪

♪ MM-MM ♪

♪ MM-MM ♪

♪ MM ♪

♪ MM-MM ♪

♪ MM-MM ♪

♪ UH ♪

♪ WHAT HAPPENS TO THE HEART ♪

♪ MM-MM ♪

♪ MM-MM ♪

♪ MM ♪