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All language subtitles for Le plaisir a 20 ans. (full french movie) - Tnaflix.com.mp4

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:57,050 --> 00:01:58,370 Bonjour, couchez -moi. 2 00:01:58,690 --> 00:02:00,150 Peut -être que j 'étais un peu en retard. 3 00:02:01,790 --> 00:02:04,150 J 'avais un rendez -vous avec Monsieur Francis. 4 00:02:04,490 --> 00:02:05,590 Est -ce qu 'il est encore là? 5 00:02:06,270 --> 00:02:07,330 Effectivement, il est en retard. 6 00:02:07,650 --> 00:02:09,370 Ça fait trois quarts d 'heure qu 'on vous attend. 7 00:02:10,330 --> 00:02:11,950 C 'est de la trafic parisienne? 8 00:02:12,210 --> 00:02:13,790 Non, pas non plus. 9 00:02:14,130 --> 00:02:15,450 Vous voulez bien me suivre? 10 00:02:16,210 --> 00:02:19,750 Monsieur, vous connaissez quelqu 'un qui a déjà refusé de vous suivre? 11 00:02:25,450 --> 00:02:26,450 Oh, Francis! 12 00:02:26,940 --> 00:02:28,060 Excusez -moi pour le retard. 13 00:02:28,320 --> 00:02:30,200 C 'est un plaisir de vous revoir. Merci. 14 00:02:35,880 --> 00:02:36,400 Nous 15 00:02:36,400 --> 00:02:46,520 avons 16 00:02:46,520 --> 00:02:51,500 été contactés par quelqu 'un qui désire conserver l 'anonymat, mais qui nous a 17 00:02:51,500 --> 00:02:53,880 fait une proposition très intéressante. 18 00:02:54,110 --> 00:02:58,450 Il s 'agirait de réaliser un film sur le plaisir à 20 ans. 19 00:02:59,410 --> 00:03:00,990 Le plaisir il y a 20 ans? 20 00:03:01,310 --> 00:03:03,690 Non, le plaisir aujourd 'hui quand on a 20 ans. 21 00:03:03,970 --> 00:03:05,790 Aujourd 'hui il y a quelque chose de différent? 22 00:03:06,230 --> 00:03:09,530 L 'époque a changé. On ne vit plus le plaisir comme avant. 23 00:03:10,170 --> 00:03:12,650 Spécialement les jeunes filles. Et nous devons parler de ça? 24 00:03:13,470 --> 00:03:14,890 Pas en parler, le montrer. 25 00:03:15,410 --> 00:03:16,470 Il y a un scénario? 26 00:03:16,750 --> 00:03:18,070 Il y en aura un ce soir. 27 00:03:19,150 --> 00:03:21,510 Pourquoi? Le client doit vous l 'envoyer? 28 00:03:21,750 --> 00:03:23,890 Non, non, nous allons l 'écrire. 29 00:03:24,190 --> 00:03:27,610 Vous, ma collaboratrice. Et moi. 30 00:03:28,150 --> 00:03:31,110 On ne se quitte plus jusqu 'à ce que nous ayons un texte. 31 00:03:31,370 --> 00:03:32,750 Qui parle de vous quitter? 32 00:03:33,170 --> 00:03:36,670 Cette fois -ci, comme si une commande privée. Vous pouvez essayer de vous 33 00:03:36,670 --> 00:03:39,030 plaisir. Ah, c 'est formidable, ça. 34 00:03:40,050 --> 00:03:43,290 Enfin, condition que ça reste dans les limites du raisonnable. 35 00:03:44,490 --> 00:03:45,490 Financiellement, je veux dire. 36 00:03:45,850 --> 00:03:47,910 Donc, si je reste dans le budget. 37 00:03:49,110 --> 00:03:50,990 Je pourrais faire des choses qui me font plaisir. 38 00:03:51,210 --> 00:03:52,950 Bien sûr, si c 'est dans l 'esprit du projet. 39 00:03:53,510 --> 00:03:54,510 Voilà. 40 00:03:55,130 --> 00:03:56,130 C 'est quoi? 41 00:03:56,350 --> 00:03:59,550 Parce que j 'ai toujours rêvé de tourner des scènes différemment. 42 00:04:00,490 --> 00:04:01,930 Prenez, par exemple, un pouf. 43 00:04:02,370 --> 00:04:05,470 Qu 'est -ce qu 'il y a de plus banal d 'un pouf? 44 00:04:26,000 --> 00:04:32,960 ... ... ... ... 45 00:04:32,960 --> 00:04:44,580 ... 46 00:04:44,580 --> 00:04:45,580 ... 47 00:04:55,000 --> 00:04:56,680 It's a DVD edition. 48 00:04:56,960 --> 00:05:01,620 In any case, for this project, Le Plaisir à 20 ans, we must not forget the 49 00:05:01,620 --> 00:05:06,020 romanticism. It's an accessory, all right, but we must be able to show 50 00:05:06,020 --> 00:05:07,020 differently. 51 00:05:08,340 --> 00:05:09,600 And how, for example? 52 00:05:09,900 --> 00:05:10,619 I don't know. 53 00:05:10,620 --> 00:05:13,040 To be more tender, more affectionate. 54 00:05:13,400 --> 00:05:14,400 More soft? 55 00:05:14,520 --> 00:05:19,540 No, no, no, I never said that. But first, music. 56 00:05:20,260 --> 00:05:21,720 Nothing like music. 57 00:05:42,980 --> 00:05:44,000 The blue. 58 00:06:11,050 --> 00:06:12,050 Bless the Lord. 59 00:06:17,190 --> 00:06:18,190 Forever. 60 00:06:22,450 --> 00:06:24,150 Oh, my baby, forever. 61 00:06:26,190 --> 00:06:31,470 I want to see you now. 62 00:06:33,510 --> 00:06:35,750 Oh, boy. 63 00:07:07,310 --> 00:07:10,590 Pleasure. Pleasure. 64 00:08:29,760 --> 00:08:35,240 Tonight, in the boy's home. 65 00:11:37,720 --> 00:11:39,120 It's the reason for your presence. 66 00:11:39,440 --> 00:11:41,960 Tell us how a girl like you sees things. 67 00:12:33,199 --> 00:12:34,199 Yes, 68 00:12:35,660 --> 00:12:39,800 with special effects, decascaders, helicopters. 69 00:12:40,600 --> 00:12:41,600 Yes. 70 00:12:43,620 --> 00:12:45,960 No, we forget. 71 00:12:46,240 --> 00:12:47,179 It's too expensive. 72 00:12:47,180 --> 00:12:50,980 We can very well show modern films without falling into a fascist cliché. 73 00:12:51,620 --> 00:12:52,720 Take a simple thing. 74 00:12:53,280 --> 00:12:54,540 A nightclub set. 75 00:12:54,860 --> 00:12:56,380 A couple dancing. 76 00:12:57,120 --> 00:12:58,120 The slow. 77 00:12:58,700 --> 00:13:00,160 No, not the slow. 78 00:13:30,280 --> 00:13:34,180 The American boy has a sign. I don't see city. 79 00:13:36,180 --> 00:13:40,160 Take you to run and sing. I run and wait. I want to get on the street. 80 00:13:42,140 --> 00:13:43,300 Look at the sun. 81 00:13:43,700 --> 00:13:45,820 Look at the fun. It will still be. 82 00:13:48,420 --> 00:13:49,420 Baby, it's new. 83 00:13:49,440 --> 00:13:50,440 It's new. I don't see. 84 00:13:50,500 --> 00:13:51,500 I don't see. 85 00:13:51,980 --> 00:13:56,740 The American boy has a sign. 86 00:14:38,660 --> 00:14:39,660 Dream, 87 00:14:41,500 --> 00:14:44,200 this is the way to love. 88 00:14:46,720 --> 00:14:47,720 Dream, 89 00:14:49,440 --> 00:14:53,720 I can see on this day, this is love. 90 00:14:54,900 --> 00:14:55,900 Dream, 91 00:14:57,700 --> 00:15:00,640 it's just different people forever. 92 00:15:16,270 --> 00:15:17,270 Thank you. 93 00:17:00,010 --> 00:17:02,750 It's Kirstie Fink. She's both body and heart. 94 00:19:06,070 --> 00:19:12,790 All this finally seems very classic to me. A 95 00:19:12,790 --> 00:19:15,150 box, a little greedy girl. 96 00:19:16,500 --> 00:19:17,800 Deux types aux ordres. 97 00:19:18,680 --> 00:19:20,880 Vous dites ça parce que l 'idée ne vient pas de vous. 98 00:19:21,820 --> 00:19:23,560 Moi, je trouve très bien cette scène. 99 00:19:24,000 --> 00:19:25,000 On la garde. 100 00:19:25,120 --> 00:19:29,180 En plus, je suis sûr de faire un carton avec dans les pays scandinaves. 101 00:19:29,700 --> 00:19:31,680 Ah oui, pour vendre à l 'étranger. 102 00:19:33,260 --> 00:19:37,720 Merci. Vous m 'apporterez l 'édition à moins que vous ne vouliez autre chose. 103 00:19:38,380 --> 00:19:39,480 Une scène lesbienne. 104 00:19:39,700 --> 00:19:41,700 Qu 'est -ce que vous pensez d 'une scène lesbienne? 105 00:19:42,960 --> 00:19:45,720 C 'est vrai que pour qu 'il y ait du plaisir au féminin, 106 00:19:47,050 --> 00:19:48,130 Do you have an idea? 107 00:19:53,030 --> 00:19:56,590 And in the meantime, did you say anything else? 108 00:19:57,350 --> 00:19:58,350 No, thank you. 109 00:20:33,740 --> 00:20:34,740 um 110 00:22:12,759 --> 00:22:16,100 Thank you for watching. 111 00:22:37,800 --> 00:22:40,080 Have you ever been told that you have a specific permission? 112 00:23:24,620 --> 00:23:29,780 Vous savez, le plaisir, que ce soit pour la personne qui vive la situation ou 113 00:23:29,780 --> 00:23:32,920 celle qui la regarde, ça passe aussi par l 'intrigue. 114 00:23:34,520 --> 00:23:40,620 C 'est vrai qu 'une bonne intrigue amoureuse... Le mystère, le danger, 115 00:23:40,980 --> 00:23:45,600 l 'inconnu, voilà aussi ce que demandent les femmes. 116 00:23:47,800 --> 00:23:50,180 Il suffit de trouver une situation forte. 117 00:23:51,800 --> 00:23:54,080 Et vous avez quoi à proposer? 118 00:23:54,699 --> 00:23:55,699 Encore un truc cher. 119 00:23:56,380 --> 00:23:57,680 Mais non, mais non. 120 00:23:58,340 --> 00:24:00,420 Une bonne situation ne devait pas suffire. 121 00:24:01,240 --> 00:24:06,860 On pourra trouver un thème plus compliqué, genre comédie de l 'art, mais 122 00:24:06,860 --> 00:24:07,860 moderne. 123 00:24:09,040 --> 00:24:10,220 Attendez, je crois que j 'ai une idée. 124 00:24:10,960 --> 00:24:14,220 C 'est l 'histoire d 'une fille qui commence à trouver sa vie conjugale 125 00:24:14,220 --> 00:24:19,020 ennuyeuse et qui se confie à sa meilleure amie. Son rêve, rencontrer un 126 00:24:19,020 --> 00:24:21,220 inconnu, juste pour une aventure d 'un soir. 127 00:24:34,770 --> 00:24:37,710 Un espèce de blind date, comme disent les Américains. 128 00:24:50,410 --> 00:24:51,410 Mais on n 'a pas les moyens. 129 00:24:51,830 --> 00:24:56,230 Mais on stylise le décor. On dira que c 'est un palace. 130 00:24:56,710 --> 00:25:01,190 Et puis, on pourra toujours demander un rallonge à votre commanditaire. 131 00:25:01,990 --> 00:25:03,350 Oh, n 'y comptez pas trop. 132 00:25:07,170 --> 00:25:08,170 Chut. 133 00:25:10,290 --> 00:25:11,290 Ça commence. 134 00:25:12,990 --> 00:25:14,010 Vous êtes en retard. 135 00:25:15,290 --> 00:25:17,290 Excusez -moi, j 'ai eu du mal à trouver un taxi. 136 00:25:18,010 --> 00:25:19,290 Je me fous de vous dire. 137 00:33:35,500 --> 00:33:38,820 There's no one who made me play like that, but I'd like to see what you look 138 00:33:38,820 --> 00:33:39,820 like. 139 00:33:41,080 --> 00:33:44,420 But no, Francis, what are you doing there? 140 00:33:44,860 --> 00:33:47,080 But you have nothing to do in this scene. 141 00:33:47,540 --> 00:33:49,600 But it's a matter of what to hide. 142 00:33:50,800 --> 00:33:54,720 I find your idea interesting, but you'll have a hard time finding a girl who's 143 00:33:54,720 --> 00:33:57,260 hard and who can play such a difficult situation. 144 00:33:57,640 --> 00:33:58,640 You know that? 145 00:33:58,700 --> 00:33:59,700 Are you an actress? 146 00:34:00,900 --> 00:34:02,700 No, I don't know, but... 147 00:34:03,580 --> 00:34:07,360 qui disent que j 'aurais pu faire du cinéma, que j 'ai certains dons. Non. 148 00:34:08,540 --> 00:34:09,540 Bien dirigée. 149 00:34:09,940 --> 00:34:12,320 Si c 'est moi qui la dirige. 150 00:34:40,580 --> 00:34:42,280 Go get it. 151 00:34:42,600 --> 00:34:43,699 Excuse me again, miss. 152 00:34:44,060 --> 00:34:45,659 He's very young and still a bit dumb. 153 00:35:13,109 --> 00:35:14,109 No, 154 00:35:33,510 --> 00:35:34,730 no, no. Rien à voir. 155 00:35:35,150 --> 00:35:38,110 I'm talking to you about the fear of the unknown, the real danger. 156 00:35:38,770 --> 00:35:41,050 It's the one that causes the great shiver. 157 00:35:41,750 --> 00:35:42,970 The smallest one? 158 00:35:43,470 --> 00:35:46,290 So, it's night, in a forest. 159 00:35:46,770 --> 00:35:48,070 A girl is alone. 160 00:35:49,230 --> 00:35:50,230 Snow White? 161 00:35:50,610 --> 00:35:53,750 No, she's alone under a tent. 162 00:35:54,670 --> 00:35:57,230 In fact, no, she's not really alone. 163 00:35:57,530 --> 00:36:01,650 She hears noise outside, but she doesn't dare to shoot. 164 00:36:05,260 --> 00:36:06,260 I can hear them. 165 00:36:11,060 --> 00:36:17,060 I can hear them. 166 00:37:25,850 --> 00:37:32,150 ... ... ... ... ... 167 00:37:32,150 --> 00:37:35,250 ... ... ... ... ... 168 00:38:01,680 --> 00:38:04,660 What do you think? 169 00:39:05,189 --> 00:39:07,250 Francesco, Francesco, you're still on the phone. 170 00:39:07,970 --> 00:39:10,270 Oh, excuse me, a friend. She must have broken it. 171 00:39:18,779 --> 00:39:22,220 What do you think? 172 00:39:25,900 --> 00:39:26,900 Listen to me, 173 00:39:28,800 --> 00:39:30,720 I... I think he's not black. 174 00:39:31,940 --> 00:39:36,220 Um, you know, women also like to shake a little. 175 00:39:37,060 --> 00:39:38,060 How do you do that? 176 00:39:38,260 --> 00:39:40,300 A little directed, you know. 177 00:39:40,800 --> 00:39:43,140 They are sensitive to the evil of the night, right? 178 00:39:43,360 --> 00:39:47,020 If it's liberally consenting, it can give a very static scene. 179 00:39:47,420 --> 00:39:48,840 So, what was it? 180 00:40:13,290 --> 00:40:15,330 I want to see you together. 181 00:40:18,710 --> 00:40:21,250 I want to make love to you, baby. 182 00:40:24,370 --> 00:40:26,130 I'm so excited to get born again. 183 00:42:06,220 --> 00:42:08,300 I want to see you together. 184 00:42:11,640 --> 00:42:14,200 I want to make love to you, baby. 185 00:42:17,220 --> 00:42:19,040 I want to get down and get born again. 186 00:42:22,900 --> 00:42:26,240 I want to love again, funny and all right. 187 00:42:28,280 --> 00:42:29,960 This place is baby love. 188 00:45:30,930 --> 00:45:32,510 I'll do what you said and get born again. 189 00:47:24,200 --> 00:47:25,420 So he gets down and gets born again. 190 00:48:13,480 --> 00:48:18,080 Oh, my God. 191 00:49:03,350 --> 00:49:04,930 You know why you're here? 192 00:49:06,190 --> 00:49:09,730 You're acquired by the exhibitionists. It seems that you're walking barefoot. 193 00:49:10,010 --> 00:49:11,010 It's you. 194 00:49:11,070 --> 00:49:15,070 And when you get on a chair, when you cross the window, does your neighbor see 195 00:49:15,070 --> 00:49:16,070 you very well? 196 00:49:18,850 --> 00:49:19,850 You deny it? 197 00:49:53,879 --> 00:49:56,680 Ah oui! 198 00:50:10,620 --> 00:50:16,240 En montrant par exemple un type qui parviendrait à rentrer dans la peau d 199 00:50:16,240 --> 00:50:17,240 super étalon. 200 00:50:51,500 --> 00:50:52,620 Oh, my darling, are you there? 201 00:50:53,520 --> 00:50:54,780 I was afraid you weren't there. 202 00:51:24,330 --> 00:51:26,190 You don't know what you're talking about. 203 00:51:30,230 --> 00:51:31,230 It's brilliant. 204 00:52:49,840 --> 00:52:51,320 I'm going to go visit your little dog. 205 00:53:23,560 --> 00:53:24,560 I just want to be there. 206 00:57:52,140 --> 00:57:56,220 ... ... ... 207 00:57:56,220 --> 00:58:04,020 ... 208 00:58:04,020 --> 00:58:05,020 ... 209 00:59:48,880 --> 00:59:50,440 You know, it's the first time I've done that. 210 00:59:51,740 --> 00:59:53,760 Me too. It's the first time I've done that. 211 00:59:54,860 --> 00:59:55,860 No, 212 00:59:56,960 --> 00:59:58,640 but it's the first time I've done that with a man. 213 01:00:00,600 --> 01:00:01,600 Don't worry. 214 01:01:25,070 --> 01:01:26,070 I'm sorry. 215 01:03:30,730 --> 01:03:36,890 Oh my God. 216 01:03:49,740 --> 01:03:50,740 Oh. 217 01:06:18,779 --> 01:06:21,320 Excusez -moi, vous ne seriez pas metteur en scène? 218 01:06:22,160 --> 01:06:25,400 Et vous êtes assez incroyable. 219 01:06:25,700 --> 01:06:28,340 Ah, vraiment, quelle joie, enfin, je veux dire, quel honneur de vous 220 01:06:29,290 --> 01:06:32,930 You know, for me, you're the king. What do I say? You're the emperor of current 221 01:06:32,930 --> 01:06:35,130 cinema. I've seen all your films. 222 01:06:35,450 --> 01:06:37,310 You're very nice. 223 01:06:37,650 --> 01:06:42,950 But you paid for it. Listen, maestro, I dream of one thing. To make even a short 224 01:06:42,950 --> 01:06:44,910 appearance in one of your masterpieces. 225 01:06:45,150 --> 01:06:46,850 But if it pleases you. 226 01:06:47,070 --> 01:06:49,670 But you know, it's not as easy as we imagine. 227 01:06:50,990 --> 01:06:55,270 But rest assured, I'm ready to work on my scene as often as you want. Really. 228 01:06:55,510 --> 01:06:58,410 Well, listen, I have to film, but I'll leave you my coordinates. 229 01:06:58,790 --> 01:07:00,150 Don't forget to remind me. 230 01:07:00,390 --> 01:07:03,630 Oh, really, what a joy, what an honor. Goodbye, Mr. Tarantino. 231 01:07:11,510 --> 01:07:12,510 Hey, Mr. 232 01:07:12,670 --> 01:07:13,670 Tarantino. 233 01:07:13,870 --> 01:07:14,870 It's fun, isn't it? 234 01:07:15,530 --> 01:07:17,950 I swear I've never seen this guy. 235 01:07:37,220 --> 01:07:38,840 Yes, perfectly. 236 01:07:40,220 --> 01:07:43,320 Ah, this will be the report of the year. 237 01:07:43,540 --> 01:07:44,780 Can you imagine that? 238 01:07:45,080 --> 01:07:47,520 24 hours with the headwood of sex. 239 01:07:48,620 --> 01:07:49,800 It's a joke, isn't it? 240 01:07:50,160 --> 01:07:51,160 Yes. 241 01:07:51,960 --> 01:07:52,960 Yes. 242 01:07:53,560 --> 01:07:54,560 Yes. 243 01:07:54,880 --> 01:07:58,720 I have two photographs that are already on the way to be on the next show. 244 01:08:00,980 --> 01:08:01,980 Next week. 245 01:08:02,960 --> 01:08:04,040 Oh, yes, absolutely. 246 01:08:06,940 --> 01:08:08,360 Oh, my God, he's beautiful. 247 01:08:08,700 --> 01:08:10,580 This guy makes me completely crack. 248 01:08:11,180 --> 01:08:12,620 I don't even know if he noticed me. 249 01:08:13,680 --> 01:08:14,680 Huh? How? 250 01:08:14,820 --> 01:08:17,040 Oh, yes, yes, I listen to you. 251 01:08:17,439 --> 01:08:21,899 Just, I had the impression that there was friction on the line. 252 01:08:22,439 --> 01:08:23,700 Vas -y, je vous écoute. 253 01:08:24,700 --> 01:08:27,020 Voyons voir si ma nouvelle tenue lui plaît. 254 01:08:31,180 --> 01:08:32,180 Oui, 255 01:08:32,620 --> 01:08:33,620 bien sûr. 256 01:08:34,040 --> 01:08:39,479 Oui, bien sûr, je vous fais prévenir la maquette dans une semaine. 257 01:08:39,859 --> 01:08:41,319 Je crois que j 'ai fait l 'effet. 258 01:08:41,939 --> 01:08:42,939 Essayons un truc. 259 01:08:43,399 --> 01:08:44,399 Oui, évidemment. 260 01:08:45,040 --> 01:08:46,040 Ah, bien sûr. 261 01:08:47,240 --> 01:08:48,240 Vous aussi. 262 01:08:49,300 --> 01:08:50,300 Bien sûr. 263 01:08:50,779 --> 01:08:51,779 OK. 264 01:08:52,540 --> 01:08:54,859 Merci. Merci beaucoup. 265 01:08:57,120 --> 01:09:02,160 Vous avez oublié de signer ça. 266 01:09:03,380 --> 01:09:06,939 Dépêche -toi, mon gosse. Tu devrais en profiter. Je suis toute excitée. 267 01:09:07,340 --> 01:09:08,700 Eh, pas de mindset. 268 01:09:09,160 --> 01:09:10,580 Ne laisse pas passer ta chance. 269 01:09:11,279 --> 01:09:14,100 J 'ai envie que tu me prennes là, sur bureau. 270 01:09:24,450 --> 01:09:27,470 I'm sure there will be a lot of people who will be scared. 271 01:10:18,809 --> 01:10:21,630 Let me please close the door. 272 01:10:51,950 --> 01:10:52,950 Yes, it is. 273 01:12:27,500 --> 01:12:28,760 Is it time to go to bed? 274 01:13:19,150 --> 01:13:20,150 I can't breathe. 275 01:15:43,210 --> 01:15:47,470 I'm not going to ask you what I want you to take from me. 276 01:17:27,219 --> 01:17:33,820 I don't know if you noticed, but married couples, happy, who love each other, 277 01:17:33,880 --> 01:17:37,140 who desire each other, it exists too, but we're not talking about masses. 278 01:17:37,760 --> 01:17:38,760 She's right. 279 01:17:39,420 --> 01:17:41,480 But, for example... 280 01:19:04,580 --> 01:19:05,580 Thank you, Mr. V. 281 01:19:06,320 --> 01:19:08,460 I never know where to put the baguettes. 282 01:19:11,880 --> 01:19:12,880 Yes, I love you. 283 01:19:13,540 --> 01:19:14,540 But your cuckoo. 284 01:19:14,760 --> 01:19:16,020 They are no longer 20 years old. 285 01:19:16,300 --> 01:19:20,320 And the project, it's all about pleasure at 20 years old. 286 01:19:20,920 --> 01:19:23,380 At 20 years old, the rope is no longer romantic, it's true. 287 01:19:26,440 --> 01:19:27,440 I don't know. 288 01:19:28,080 --> 01:19:29,520 I think I have an idea. 289 01:19:30,640 --> 01:19:31,640 What is it? 290 01:19:33,200 --> 01:19:34,200 Un jeune couple. 291 01:19:34,460 --> 01:19:37,980 Bien. Ils se désirent. Oui. 292 01:19:38,900 --> 01:19:44,020 Ils partent pour une croisière avec un paquebot qui traverse l 'Atlantique. 293 01:19:44,380 --> 01:19:48,120 Quoi? Vous êtes fou? Un paquebot? Mais ça va coûter une fortune. 294 01:19:50,560 --> 01:19:53,080 Mais non. C 'est comme chez Ed Wood. 295 01:19:53,960 --> 01:19:56,880 Une cabine de paquebot. C 'est rien de plus simple. 296 01:19:58,240 --> 01:19:59,240 Un oblong. 297 01:19:59,480 --> 01:20:00,640 Un pimpé. 298 01:20:01,340 --> 01:20:02,400 Un tabouret. 299 01:20:40,810 --> 01:20:41,870 You know, I'm starting to have cramps. 300 01:20:43,110 --> 01:20:44,110 Be patient. 301 01:20:45,130 --> 01:20:46,130 It's long all the same. 302 01:20:46,510 --> 01:20:47,510 Stop whining. 303 01:20:47,910 --> 01:20:48,910 It's going to be great. 304 01:20:49,190 --> 01:20:50,830 No, but I'm not happy. I really have a cramp. 305 01:20:51,350 --> 01:20:52,950 My mother wouldn't have been so well educated. 306 01:20:53,850 --> 01:20:55,610 You're going to be able to do everything. 307 01:20:55,850 --> 01:20:56,850 Do what? 308 01:21:00,370 --> 01:21:07,250 I can tell you that she's not quite in 309 01:21:07,250 --> 01:21:08,250 that state. 310 01:21:08,930 --> 01:21:09,990 So double vision? 311 01:21:11,120 --> 01:21:12,120 Thank you very much. 312 01:26:47,060 --> 01:26:50,740 It's true that they are young. 313 01:26:51,160 --> 01:26:55,200 But let me make you notice that it doesn't really reflect the mentality of 314 01:26:55,200 --> 01:26:56,200 -year -old girls today. 315 01:26:56,520 --> 01:26:57,600 Precisez votre pensée. 316 01:26:58,000 --> 01:27:03,360 Aujourd 'hui, les filles sont plus affranchies, plus délurées, plus 317 01:27:03,360 --> 01:27:04,360 quoi. 318 01:27:24,640 --> 01:27:28,460 Mais que tout ça ne nous empêche pas de parler de votre mission, mademoiselle. 319 01:27:28,640 --> 01:27:32,220 Ah oui, Charlotte, la mission, la mission. 320 01:27:32,700 --> 01:27:36,400 Alors voilà, un dangereux malfaiteur rôde dans les environs. Il se fait 321 01:27:36,400 --> 01:27:37,420 pour un aveugle. 322 01:27:37,920 --> 01:27:39,800 Oh, mais ça, c 'est pas bien. 323 01:27:40,040 --> 01:27:43,620 Il demande aux gens de l 'aider à traverser la rue et il en profite pour 324 01:27:43,620 --> 01:27:45,280 détrousser. Mais qu 'est -ce qu 'on doit faire? 325 01:27:45,720 --> 01:27:46,860 Ben, le neutraliser dans le groupe. 326 01:27:47,480 --> 01:27:49,280 Ben, le neutraliser comment, Charlotte? 327 01:27:49,800 --> 01:27:53,200 Par tous les moyens, vous m 'entendez? Par tous les moyens. 328 01:27:53,840 --> 01:27:57,180 Allez, bonne chance, les filles. Je vous laisse gérer R2 en personne et tout 329 01:27:57,180 --> 01:27:58,180 bon. 330 01:28:13,540 --> 01:28:14,640 Hey, monsieur, arrêtez -vous. 331 01:28:16,060 --> 01:28:16,938 Arrêtez -vous. 332 01:28:16,940 --> 01:28:19,120 Mais, j 'ai toujours vu la veuve. 333 01:28:29,290 --> 01:28:30,290 At least he went in there. 334 01:28:31,590 --> 01:28:32,590 No! 335 01:28:33,870 --> 01:28:34,870 No! 336 01:28:45,670 --> 01:28:46,670 My cow! 337 01:28:49,270 --> 01:28:50,270 Oh, shit! 338 01:28:50,390 --> 01:28:51,530 We said no to the fire! 339 01:30:41,950 --> 01:30:44,750 Thank you. 340 01:31:41,900 --> 01:31:42,900 Peace out. 341 01:33:49,640 --> 01:33:51,020 I'm going to be happy to have you. 342 01:33:51,700 --> 01:33:52,700 That's for sure. 343 01:33:54,680 --> 01:33:57,480 To our 344 01:33:57,480 --> 01:34:02,740 project. 345 01:34:04,140 --> 01:34:08,680 And you don't have a definitive answer yet? It takes news from one minute to 346 01:34:08,680 --> 01:34:09,980 another. Who should call me this afternoon? 347 01:34:10,780 --> 01:34:12,680 It has always been very anonymous. 348 01:34:24,010 --> 01:34:25,690 Yes, dear friend, yes, yes, yes. 349 01:34:27,110 --> 01:34:29,270 Finally, he wrote this scenario quite quickly. 350 01:34:29,890 --> 01:34:35,410 And your Ed Wood, do you think he wrote this script so quickly? I don't know. I 351 01:34:35,410 --> 01:34:36,530 don't know his films very well. 352 01:34:36,790 --> 01:34:41,350 And what is his film called with the flying saucers and the aliens there? 353 01:34:43,010 --> 01:34:45,390 So there, you put me a glue. 354 01:34:46,230 --> 01:34:47,890 Plan 9 from outer space. 355 01:34:48,810 --> 01:34:49,810 Pardon? 356 01:34:50,070 --> 01:34:53,630 Van Nuys from Outer Space. There's no real French translation, but if you 357 01:34:53,630 --> 01:34:57,270 of the film where the aliens resurrect the dead just before invading the Earth, 358 01:34:57,350 --> 01:34:58,830 then it's Van Nuys from Outer Space. 359 01:34:59,110 --> 01:35:02,850 He made it in 1959, the same year as Night of the Ghouls. You know, Ed Wood 360 01:35:02,850 --> 01:35:05,690 very unproductive. Just after Final Curtain. 361 01:35:06,110 --> 01:35:07,110 Thank you. 362 01:35:08,370 --> 01:35:09,370 You're very strong. 363 01:35:10,490 --> 01:35:11,490 Never mind. 364 01:35:12,810 --> 01:35:14,250 I'll have the pleasure of serving you. 365 01:35:17,510 --> 01:35:18,510 Goodbye. 366 01:35:23,950 --> 01:35:27,970 It is obvious that if you have any critics, we are ready, my collaborators 367 01:35:27,970 --> 01:35:29,490 myself, to review certain scenes. 368 01:35:29,930 --> 01:35:32,910 No, no, it's not because I'm asking you, but I don't see much to say about your 369 01:35:32,910 --> 01:35:34,390 scenario. It's even rather obvious. 370 01:35:34,730 --> 01:35:38,570 But are you sure you can do it in the budget imparted? 371 01:35:38,910 --> 01:35:42,170 Don't worry, I found the solution with two or three sales abroad. 372 01:35:42,860 --> 01:35:46,340 Mais vous ne voulez pas que nous nous rencontrions finalement pour quand même 373 01:35:46,340 --> 01:35:49,980 discuter du script avant le tournage ? N 'insistez pas, je vous ai dit que je 374 01:35:49,980 --> 01:35:54,000 tenais à garder l 'anonymat. Bon, c 'est vous le client, mais vous savez, ça n 375 01:35:54,000 --> 01:35:59,740 'a pas été facile de trouver des situations pour... Bonjour, cher ami, 376 01:35:59,740 --> 01:36:01,480 allez -vous ? Fort bien, merci. 377 01:36:02,140 --> 01:36:03,920 Et vous ? Très bien, merci. 378 01:36:04,490 --> 01:36:08,630 Toujours dans les programmes un peu olé olé ? Non, ça fait longtemps que je les 379 01:36:08,630 --> 01:36:12,310 laisse tomber. Aujourd 'hui, je suis dans le commétrage institutionnel. Ah, 380 01:36:12,330 --> 01:36:15,990 bien. Excusez -moi. Non, mais je vous en prie. C 'était ravi de vous revoir. A 381 01:36:15,990 --> 01:36:16,990 très bientôt. A très bientôt, j 'espère. Au revoir. 382 01:36:17,590 --> 01:36:20,930 Où en étions -nous ? Ah oui, je disais qu 'il n 'a pas été facile de trouver 383 01:36:20,930 --> 01:36:24,970 autant de situations différentes pour illustrer le plaisir à 20 ans à propos d 384 01:36:24,970 --> 01:36:27,710 'âge, si vous me permettez, puisqu 'on ne se rencontrera jamais. 385 01:36:27,970 --> 01:36:30,750 Quel âge avez -vous ? Peu importe. Peu importe. 386 01:36:31,250 --> 01:36:33,890 Quand on prend du plaisir, on a toujours 20 ans. 387 01:36:35,180 --> 01:36:39,820 Au fait, une chose m 'a gêné. Je n 'ai pas lu de séquence de fin. 388 01:36:40,420 --> 01:36:42,780 Vous avez quelque chose à me proposer pour le générique? 389 01:36:43,300 --> 01:36:46,920 Rassurez -vous, on y travaille. On trouvera bien une idée de génie. En tant 390 01:36:46,920 --> 01:36:48,840 titre. Eh bien alors, c 'est formidable. 391 01:36:51,400 --> 01:36:52,400 Formidable. 392 01:37:08,330 --> 01:37:11,510 Bitchin' mama, don't listen to me. 393 01:37:11,730 --> 01:37:16,510 Bitchin' mama, all the places we go. Bitchin' mama. 27567