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Bonjour, couchez -moi.
Peut -être que j 'étais un peu en retard.
J 'avais un rendez -vous avec Monsieur Francis.
Est -ce qu 'il est encore là?
Effectivement, il est en retard.
Ça fait trois quarts d 'heure qu 'on vous attend.
C 'est de la trafic parisienne?
Non, pas non plus.
Vous voulez bien me suivre?
Monsieur, vous connaissez quelqu 'un qui a déjà refusé de vous suivre?
Oh, Francis!
Excusez -moi pour le retard.
C 'est un plaisir de vous revoir. Merci.
Nous
avons
été contactés par quelqu 'un qui désire conserver l 'anonymat, mais qui nous a
fait une proposition très intéressante.
Il s 'agirait de réaliser un film sur le plaisir à 20 ans.
Le plaisir il y a 20 ans?
Non, le plaisir aujourd 'hui quand on a 20 ans.
Aujourd 'hui il y a quelque chose de différent?
L 'époque a changé. On ne vit plus le plaisir comme avant.
Spécialement les jeunes filles. Et nous devons parler de ça?
Pas en parler, le montrer.
Il y a un scénario?
Il y en aura un ce soir.
Pourquoi? Le client doit vous l 'envoyer?
Non, non, nous allons l 'écrire.
Vous, ma collaboratrice. Et moi.
On ne se quitte plus jusqu 'à ce que nous ayons un texte.
Qui parle de vous quitter?
Cette fois -ci, comme si une commande privée. Vous pouvez essayer de vous
plaisir. Ah, c 'est formidable, ça.
Enfin, condition que ça reste dans les limites du raisonnable.
Financiellement, je veux dire.
Donc, si je reste dans le budget.
Je pourrais faire des choses qui me font plaisir.
Bien sûr, si c 'est dans l 'esprit du projet.
Voilà.
C 'est quoi?
Parce que j 'ai toujours rêvé de tourner des scènes différemment.
Prenez, par exemple, un pouf.
Qu 'est -ce qu 'il y a de plus banal d 'un pouf?
... ... ... ...
...
...
It's a DVD edition.
In any case, for this project, Le Plaisir à 20 ans, we must not forget the
romanticism. It's an accessory, all right, but we must be able to show
differently.
And how, for example?
I don't know.
To be more tender, more affectionate.
More soft?
No, no, no, I never said that. But first, music.
Nothing like music.
The blue.
Bless the Lord.
Forever.
Oh, my baby, forever.
I want to see you now.
Oh, boy.
Pleasure. Pleasure.
Tonight, in the boy's home.
It's the reason for your presence.
Tell us how a girl like you sees things.
Yes,
with special effects, decascaders, helicopters.
Yes.
No, we forget.
It's too expensive.
We can very well show modern films without falling into a fascist cliché.
Take a simple thing.
A nightclub set.
A couple dancing.
The slow.
No, not the slow.
The American boy has a sign. I don't see city.
Take you to run and sing. I run and wait. I want to get on the street.
Look at the sun.
Look at the fun. It will still be.
Baby, it's new.
It's new. I don't see.
I don't see.
The American boy has a sign.
Dream,
this is the way to love.
Dream,
I can see on this day, this is love.
Dream,
it's just different people forever.
Thank you.
It's Kirstie Fink. She's both body and heart.
All this finally seems very classic to me. A
box, a little greedy girl.
Deux types aux ordres.
Vous dites ça parce que l 'idée ne vient pas de vous.
Moi, je trouve très bien cette scène.
On la garde.
En plus, je suis sûr de faire un carton avec dans les pays scandinaves.
Ah oui, pour vendre à l 'étranger.
Merci. Vous m 'apporterez l 'édition à moins que vous ne vouliez autre chose.
Une scène lesbienne.
Qu 'est -ce que vous pensez d 'une scène lesbienne?
C 'est vrai que pour qu 'il y ait du plaisir au féminin,
Do you have an idea?
And in the meantime, did you say anything else?
No, thank you.
um
Thank you for watching.
Have you ever been told that you have a specific permission?
Vous savez, le plaisir, que ce soit pour la personne qui vive la situation ou
celle qui la regarde, ça passe aussi par l 'intrigue.
C 'est vrai qu 'une bonne intrigue amoureuse... Le mystère, le danger,
l 'inconnu, voilà aussi ce que demandent les femmes.
Il suffit de trouver une situation forte.
Et vous avez quoi à proposer?
Encore un truc cher.
Mais non, mais non.
Une bonne situation ne devait pas suffire.
On pourra trouver un thème plus compliqué, genre comédie de l 'art, mais
moderne.
Attendez, je crois que j 'ai une idée.
C 'est l 'histoire d 'une fille qui commence à trouver sa vie conjugale
ennuyeuse et qui se confie à sa meilleure amie. Son rêve, rencontrer un
inconnu, juste pour une aventure d 'un soir.
Un espèce de blind date, comme disent les Américains.
Mais on n 'a pas les moyens.
Mais on stylise le décor. On dira que c 'est un palace.
Et puis, on pourra toujours demander un rallonge à votre commanditaire.
Oh, n 'y comptez pas trop.
Chut.
Ça commence.
Vous êtes en retard.
Excusez -moi, j 'ai eu du mal à trouver un taxi.
Je me fous de vous dire.
There's no one who made me play like that, but I'd like to see what you look
like.
But no, Francis, what are you doing there?
But you have nothing to do in this scene.
But it's a matter of what to hide.
I find your idea interesting, but you'll have a hard time finding a girl who's
hard and who can play such a difficult situation.
You know that?
Are you an actress?
No, I don't know, but...
qui disent que j 'aurais pu faire du cinéma, que j 'ai certains dons. Non.
Bien dirigée.
Si c 'est moi qui la dirige.
Go get it.
Excuse me again, miss.
He's very young and still a bit dumb.
No,
no, no. Rien à voir.
I'm talking to you about the fear of the unknown, the real danger.
It's the one that causes the great shiver.
The smallest one?
So, it's night, in a forest.
A girl is alone.
Snow White?
No, she's alone under a tent.
In fact, no, she's not really alone.
She hears noise outside, but she doesn't dare to shoot.
I can hear them.
I can hear them.
... ... ... ... ...
... ... ... ... ...
What do you think?
Francesco, Francesco, you're still on the phone.
Oh, excuse me, a friend. She must have broken it.
What do you think?
Listen to me,
I... I think he's not black.
Um, you know, women also like to shake a little.
How do you do that?
A little directed, you know.
They are sensitive to the evil of the night, right?
If it's liberally consenting, it can give a very static scene.
So, what was it?
I want to see you together.
I want to make love to you, baby.
I'm so excited to get born again.
I want to see you together.
I want to make love to you, baby.
I want to get down and get born again.
I want to love again, funny and all right.
This place is baby love.
I'll do what you said and get born again.
So he gets down and gets born again.
Oh, my God.
You know why you're here?
You're acquired by the exhibitionists. It seems that you're walking barefoot.
It's you.
And when you get on a chair, when you cross the window, does your neighbor see
you very well?
You deny it?
Ah oui!
En montrant par exemple un type qui parviendrait à rentrer dans la peau d
super étalon.
Oh, my darling, are you there?
I was afraid you weren't there.
You don't know what you're talking about.
It's brilliant.
I'm going to go visit your little dog.
I just want to be there.
... ... ...
...
...
You know, it's the first time I've done that.
Me too. It's the first time I've done that.
No,
but it's the first time I've done that with a man.
Don't worry.
I'm sorry.
Oh my God.
Oh.
Excusez -moi, vous ne seriez pas metteur en scène?
Et vous êtes assez incroyable.
Ah, vraiment, quelle joie, enfin, je veux dire, quel honneur de vous
You know, for me, you're the king. What do I say? You're the emperor of current
cinema. I've seen all your films.
You're very nice.
But you paid for it. Listen, maestro, I dream of one thing. To make even a short
appearance in one of your masterpieces.
But if it pleases you.
But you know, it's not as easy as we imagine.
But rest assured, I'm ready to work on my scene as often as you want. Really.
Well, listen, I have to film, but I'll leave you my coordinates.
Don't forget to remind me.
Oh, really, what a joy, what an honor. Goodbye, Mr. Tarantino.
Hey, Mr.
Tarantino.
It's fun, isn't it?
I swear I've never seen this guy.
Yes, perfectly.
Ah, this will be the report of the year.
Can you imagine that?
24 hours with the headwood of sex.
It's a joke, isn't it?
Yes.
Yes.
Yes.
I have two photographs that are already on the way to be on the next show.
Next week.
Oh, yes, absolutely.
Oh, my God, he's beautiful.
This guy makes me completely crack.
I don't even know if he noticed me.
Huh? How?
Oh, yes, yes, I listen to you.
Just, I had the impression that there was friction on the line.
Vas -y, je vous écoute.
Voyons voir si ma nouvelle tenue lui plaît.
Oui,
bien sûr.
Oui, bien sûr, je vous fais prévenir la maquette dans une semaine.
Je crois que j 'ai fait l 'effet.
Essayons un truc.
Oui, évidemment.
Ah, bien sûr.
Vous aussi.
Bien sûr.
OK.
Merci. Merci beaucoup.
Vous avez oublié de signer ça.
Dépêche -toi, mon gosse. Tu devrais en profiter. Je suis toute excitée.
Eh, pas de mindset.
Ne laisse pas passer ta chance.
J 'ai envie que tu me prennes là, sur bureau.
I'm sure there will be a lot of people who will be scared.
Let me please close the door.
Yes, it is.
Is it time to go to bed?
I can't breathe.
I'm not going to ask you what I want you to take from me.
I don't know if you noticed, but married couples, happy, who love each other,
who desire each other, it exists too, but we're not talking about masses.
She's right.
But, for example...
Thank you, Mr. V.
I never know where to put the baguettes.
Yes, I love you.
But your cuckoo.
They are no longer 20 years old.
And the project, it's all about pleasure at 20 years old.
At 20 years old, the rope is no longer romantic, it's true.
I don't know.
I think I have an idea.
What is it?
Un jeune couple.
Bien. Ils se désirent. Oui.
Ils partent pour une croisière avec un paquebot qui traverse l 'Atlantique.
Quoi? Vous êtes fou? Un paquebot? Mais ça va coûter une fortune.
Mais non. C 'est comme chez Ed Wood.
Une cabine de paquebot. C 'est rien de plus simple.
Un oblong.
Un pimpé.
Un tabouret.
You know, I'm starting to have cramps.
Be patient.
It's long all the same.
Stop whining.
It's going to be great.
No, but I'm not happy. I really have a cramp.
My mother wouldn't have been so well educated.
You're going to be able to do everything.
Do what?
I can tell you that she's not quite in
that state.
So double vision?
Thank you very much.
It's true that they are young.
But let me make you notice that it doesn't really reflect the mentality of
-year -old girls today.
Precisez votre pensée.
Aujourd 'hui, les filles sont plus affranchies, plus délurées, plus
quoi.
Mais que tout ça ne nous empêche pas de parler de votre mission, mademoiselle.
Ah oui, Charlotte, la mission, la mission.
Alors voilà, un dangereux malfaiteur rôde dans les environs. Il se fait
pour un aveugle.
Oh, mais ça, c 'est pas bien.
Il demande aux gens de l 'aider à traverser la rue et il en profite pour
détrousser. Mais qu 'est -ce qu 'on doit faire?
Ben, le neutraliser dans le groupe.
Ben, le neutraliser comment, Charlotte?
Par tous les moyens, vous m 'entendez? Par tous les moyens.
Allez, bonne chance, les filles. Je vous laisse gérer R2 en personne et tout
bon.
Hey, monsieur, arrêtez -vous.
Arrêtez -vous.
Mais, j 'ai toujours vu la veuve.
At least he went in there.
No!
No!
My cow!
Oh, shit!
We said no to the fire!
Thank you.
Peace out.
I'm going to be happy to have you.
That's for sure.
To our
project.
And you don't have a definitive answer yet? It takes news from one minute to
another. Who should call me this afternoon?
It has always been very anonymous.
Yes, dear friend, yes, yes, yes.
Finally, he wrote this scenario quite quickly.
And your Ed Wood, do you think he wrote this script so quickly? I don't know. I
don't know his films very well.
And what is his film called with the flying saucers and the aliens there?
So there, you put me a glue.
Plan 9 from outer space.
Pardon?
Van Nuys from Outer Space. There's no real French translation, but if you
of the film where the aliens resurrect the dead just before invading the Earth,
then it's Van Nuys from Outer Space.
He made it in 1959, the same year as Night of the Ghouls. You know, Ed Wood
very unproductive. Just after Final Curtain.
Thank you.
You're very strong.
Never mind.
I'll have the pleasure of serving you.
Goodbye.
It is obvious that if you have any critics, we are ready, my collaborators
myself, to review certain scenes.
No, no, it's not because I'm asking you, but I don't see much to say about your
scenario. It's even rather obvious.
But are you sure you can do it in the budget imparted?
Don't worry, I found the solution with two or three sales abroad.
Mais vous ne voulez pas que nous nous rencontrions finalement pour quand même
discuter du script avant le tournage ? N 'insistez pas, je vous ai dit que je
tenais à garder l 'anonymat. Bon, c 'est vous le client, mais vous savez, ça n
'a pas été facile de trouver des situations pour... Bonjour, cher ami,
allez -vous ? Fort bien, merci.
Et vous ? Très bien, merci.
Toujours dans les programmes un peu olé olé ? Non, ça fait longtemps que je les
laisse tomber. Aujourd 'hui, je suis dans le commétrage institutionnel. Ah,
bien. Excusez -moi. Non, mais je vous en prie. C 'était ravi de vous revoir. A
très bientôt. A très bientôt, j 'espère. Au revoir.
Où en étions -nous ? Ah oui, je disais qu 'il n 'a pas été facile de trouver
autant de situations différentes pour illustrer le plaisir à 20 ans à propos d
'âge, si vous me permettez, puisqu 'on ne se rencontrera jamais.
Quel âge avez -vous ? Peu importe. Peu importe.
Quand on prend du plaisir, on a toujours 20 ans.
Au fait, une chose m 'a gêné. Je n 'ai pas lu de séquence de fin.
Vous avez quelque chose à me proposer pour le générique?
Rassurez -vous, on y travaille. On trouvera bien une idée de génie. En tant
titre. Eh bien alors, c 'est formidable.
Formidable.
Bitchin' mama, don't listen to me.
Bitchin' mama, all the places we go. Bitchin' mama.
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