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There were a couple of monologues today
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that were quite poetic, written by quite
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famous writers who are known for that
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and sort of I so felt the actors had
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fallen into a certain trap down trap
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doors of of having to do it in a
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particular way or there being an
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expectation that therefore it had to be
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kind of flowery and beautiful and said
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in a certain language. would weigh
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particularly the Tennessee Williams
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stuff or the O'Neal stuff. So in trying
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to push them in a certain direction to
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see if
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by giving them something quite specific,
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usually an activity
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to do something domestic. And it was
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quite remarkable then to watch once
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given that direction to add something
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that was a task
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how suddenly the piece came alive.
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Suddenly the actors started to carve out
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words and suddenly things that had not
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been funny the first time they did them
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took on a a humorous tone, a lighter
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tone. And and it was no longer about
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watching an actor doing a monologue. It
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was about watching a person behaving in
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a room.
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What are you going to do?
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I'm going to do uh Beyond the Horizon by
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Eugene O'Neal.
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Those were the only happy moments of my
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life. Then
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dreaming there at that window.
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I like to be all alone those times.
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I got to know all different kinds of
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sunsets by heart. And
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all the sunsets took place over there
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beyond the horizon.
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So gradually I came to believe that all
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the wonders of the world happened on the
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other side of those hills. There was a
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home of the good fairies who performed
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beautiful miracles.
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I believed in fairies then.
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Perhaps I still do.
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Anyway, in those days they were real
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enough and sometimes I could hear them
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calling to me to come out and play with
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them, to dance with them down the road
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in the dusk in a game of hide-and-seek
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to find out, you know, where the son was
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hiding himself.
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And they sang their little songs to me.
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Songs that told of all the wonderful
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things they had in their home on the
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other side of those hills. And they
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promised to show me them all if I'd only
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come.
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But I couldn't come. Then
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sometimes I would cry and Ma would think
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I was upset.
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That's why I'm going now, I suppose,
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because the horizon is still as far away
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and as alluring as ever.
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Do you understand now, Ruth?
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Thank you.
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Uh, let me start by asking a question.
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Uh, what are you trying to make her
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understand? Why I need to go?
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It's also a I mean,
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it's a breakup. They weren't really in a
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relationship,
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but he is like cutting things off and
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getting ready to leave.
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But did he make her fall in love with
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him?
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Is that what you're saying?
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Yeah, he did.
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So he got what he wanted.
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Yeah.
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And now he doesn't want it.
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Right.
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How typical.
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The women laughed more than the guys.
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It's it's a very poetic piece and it and
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you're kind of out here and and there's
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almost no way to ground it because
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it's a kind of high flutin kind of
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dreamy kind of it has that quality. So I
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kind of feel like I if it were rooted in
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something, if it were grounded in
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something, then all of that stuff might
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feel less high flutin, less O'Nealic.
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And so I kind of wish you were doing
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something domestic,
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doing something that takes it out of
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itself.
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Could you be packing a suitcase?
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Could you be ironing a shirt? Could you
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be doing something that would
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take your mind off of all this stuff
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that you're you're saying you're saying
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all this stuff, but you don't want to.
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You got other things to do.
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Okay.
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You got other stuff you're trying to
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finish.
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I'd also love it. Maybe if you can try
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it that this is something you've done a
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bunch of times.
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Okay.
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This isn't [ __ ] new.
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You're good at it.
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You know, those were the only happy
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moments of my life. Then,
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dreaming there at that window,
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I like to be all alone those times. I
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got to know all different kinds of
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sunsets by heart and all the sunsets
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took place over there
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beyond the horizon.
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So gradually I came to believe that you
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know all the wonders of the world
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happened down the other side of those
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hills. You know there was the home of
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the good fairies who performed beautiful
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miracles.
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You know I believed in fairies then.
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Perhaps I still do believe in them.
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Anyway, in those days, you remember that
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sometimes I could hear them calling to
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me to come out and play with them. You
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to dance with them down the road in the
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dusk in a game of hideand seek to find
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out where the son was hiding himself.
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They sang their little songs to me.
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Songs that told of all the wonderful
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things they had in their home on the
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other side of those hills.
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And they promised to show me them all.
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if I'd only come.
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But I couldn't come then. And sometimes
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I would cry and Ma would think I was
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upset.
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But that's why I'm going now, I suppose.
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Nice. The horizon is still as far away
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and as alluring as ever.
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Do you understand now, Ruth?
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Yeah. Come on.
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Making him mean really it adds
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Yeah.
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Yeah.
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Yeah.
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Yeah. But it's also really interesting
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because
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the moment you
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start living,
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right? The moment you're in a scene and
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you're living, there's something going
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on. you take all the onus off the oh now
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I'm performing a monologue and I'm doing
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it even when you got to you know beyond
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the horizon that
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the moment you did that it was like yeah
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that's a real person talking in a real
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situation to another person who now we
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actually started to imagine
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because of the way you were treating her
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and that it was all a bit you know but
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that's the incredible thing about O'Neal
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too is that you know it's so easy to get
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trapped trapped in the now I'm doing
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your Jun O'Neal. Same thing about
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getting trapped in in Tennessee
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Williams. Now I'm doing your Jun O'Neal.
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So everything has to be quite poetic and
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quite meaningful and it all has to be on
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the horizon. So it's like [ __ ] that
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[ __ ] A it's not interesting. But
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that was interesting. you know, you
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don't even need to put a mask on because
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that was a shift of a large degree that
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made that piece come to life and it made
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it enjoyable and made it funny and we
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still got what was going on. Very nice
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work.
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Thank you.13198
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