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(mellow soothing music)

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(mellow dramatic music)

(bright dramatic music)

(helicopter engine whirring)

- I haven't seen this place.

I don't know this place.

I don't know why Greg booked this place,

but I trust that probably came from you in some way.

- It did, I liked it.

I liked what I saw online.

- I've got an intuition.

I'm not gonna say what that is yet,

but I do feel like something could be a vibe today.

- Okay.

- Okay? - Okay.

- That's all.

So we're not gonna play chess.

Pick it up, pack it up.

We need to meet them.

They need to come here.

I need to get into this.

- [Luke] Yep, we're rolling.

- Okay. - What's your name?

- Well, I'm clearing out.

- [Jack] No, sit down.

Action, sit down.

Sit down.

- [Steve] Oh, you want me-

- Sit down. - To sit down here?

- Yes. - Crossing.

- Sit down.

- Can I look at the camera?

- Wow.

- What?

- It's the first time I meet you,

and you say, "Can I look at the camera?"

Hi, I'm Jack. - Hi.

- It's nice to meet you.

That's Luke.

- [Luke] Hi.

- What's the camera's name?

- You're supposed to be speaking with a German accent.

Can we do that again?

- Oh yeah, oh yeah.

- Keep this rolling. - Yes.

- [Jack] Okay, good, let's do it again.

Ready?

Action. - Sorry.

- Hi. - Hello.

- Hey, nice to meet you.

- Hello. - Nice to meet you.

- My name is Hildegard.

- Nice to meet you, Hildegard.

Hi. - Hi, I'm Delilah.

- Hi Delilah, I'm Jack.

He was up here?

I mean, it's just weird that he was up here by the way,

but I don't know what he was doing.

No, but it's just odd.

Just introduce yourself.

Okay.

Okay.

(mellow guitar music)

- [Luke] Hey, Jack.

Can we move this carpet later?

- Later.

- [Luke] 'Cause it's not rolling

through. - Later, later.

All right, so you know why you're here today.

Why are you here today?

- [Delilah] To make movies.

- To make a movie.

The main reason you're here, let's all face it,

it's Los Angeles, it's expensive.

None of us, you know,

we're breaking the bank to live out here.

And I live out in The Valley.

Chatsworth, been in the news recently.

It's the golden ticket, okay.

This is Steve's life savings,

which he's donated to the production.

Right, Steve?

- Yeah, right, yeah. - Yay.

- Yeah, I'd like it back (laughs).

- But anyway, so what we're gonna do today, listen,

all seriousness, I don't wanna repeat

the same kind of things I've done in like different movies,

but what I wanna let you know is this is real.

All of this is real, and it really is Steve's savings.

So the winner of today's show is gonna win,

how much is there?

- There's $4 million.

- Right.

- [Luke] $38,000.

- 38,000? - $38,000.

- [Steve] I was trying to make more exciting work,

- Work- - Trying to make it

more exciting for the show.

- [Jack] I don't know if you thought you signed up for this

or like if you know what you're getting into.

How long have you been in the U.S.?

- Two years. - Okay.

From?

- Stuttgart.

- [Jack] Okay, good.

And?

- I'm from Carmel, Indiana.

- [Jack] Fantastic.

Great.

I've been the Gary multiple times.

- Oh yeah, yeah. - Yeah.

- [Jack] Cool.

I like the shirt. - Thank you.

- [Jack] It's cool, it's cool, it's good colors.

Didn't you tell her to wear something colorful or?

- [Steve] Yeah, I did.

- [Jack] Did you even eat?

- You liked the purple.

- So honestly, all jokes aside, everything aside,

all truth of the matter is why do we do these things?

We do them because we want to-

- Win money.

- No, we- - Act.

- We want to- - Oh.

- No. - Oh.

- We want to become better.

We want to become better people.

Right?

- Wanna become better. - Right.

- Is that okay to say that?

Safe to say it? - Yeah.

- That's why we do this. - Yeah.

- We wanna make great art

and we want to become better people.

So money, self-development, good challenges, good time.

Gregory's coming sometime today.

So we're gonna make him proud

and we're gonna wait for him as long as it takes.

Okay?

All right, you with me?

Yeah? - Woo.

- Yeah. - Yeah.

- All right, all right, fantastic, good.

We're gonna get into it.

Down, down, down.

Don't get this, don't get this.

Beautiful rug.

And a little surprise.

Steve can stand here.

All right, we do have the first self-development challenge.

Before we get into the challenge though, I would like to,

today, to take a little word from our sponsors

and we wanna say, welcome Gregory and Friends.

Welcome Gregory and friends, and you are our friends.

- Yeah. - So you're here.

Please put it back, not, don't, just put it back over there.

So as friends, we welcome you, welcome you to the set.

And we're gonna play a little game

and we're gonna utilize this beautiful studio

that we're in today.

And we're gonna do it to get better,

and better and better as people.

One thing I wanna say, I want to ask you a question

and I'd like to ask this question,

but I want to get your thoughts

on the magic word that I'm feeling these days

and that we all maybe have felt, maybe not,

but I really want you to think about this,

just off the top of your head,

what to you is, and you can play along too, Steve,

what to you is love?

What is love?

What is love?

Dana?

- Delilah.

I would say that love is just feeling truly comfortable

in yourself with someone else

and just wanting to share everything with them.

- Thank you very much.

Hold on, could you do that one more time?

- Yeah. - Okay.

And Dana.

- Delilah.

- Thank you.

- I would say that love is feeling comfortable

with yourself with someone else

and just wanting to share everything with them.

- Perfect, thank you.

Thank you, thank you, thank you.

Next is Hildegard.

- Love is money baby.

Love is money, baby.

- There you go, okay.

Can we expound, expand on that just a little bit?

'Cause I mean, I got Delilah over here,

she gave a really nice thoughtful reply

and I kind of want like a thoughtful reply

'cause you know, I have money

and we're gonna give out this money,

but let's do something really kind of special.

Okay? - Okay.

- And take two, go.

- There's nothing like feeling

that you're in love with someone.

When you connect with someone For real,

it's the best thing in the world.

And there there's nothing

that can take that away from you, even death.

- That's beautiful actually, thank you.

I really appreciate that.

And I really appreciate your response too.

Thank you, thank you.

Steve, go.

- Love is-

(comedic depressing music)

- Anyway, we're gonna play a little game of hide the money

and the winner of this gets to keep the money,

because although money is part of it, right?

Money, love, love is,

love is love.

Love is this magical stream that never ends.

It has no beginning, it has no end.

And you're right, whatever you said,

I can't remember, but it's right.

Whatever you said, I can't remember, but it's right.

What we're gonna do now

is I'm gonna have Steve take the money.

And what I want you both to do is turn around,

cover your eyes, and I'm going to set my little, beep, timer

and I'm gonna have Steve hide the money somewhere down here.

After he hides the money, we're gonna let you loose,

run around and try to find the money.

Understood?

Begin.

(mellow guitar music)

Man, I hate this stupid bathrobe.

It's dumb.

(people laughing)

What did you say?

Hold on.

What did you say love was?

What did you say?

- I said that it's-

(laughter drowns out speech)

- That's really thoughtful.

It's really thoughtful.

I do appreciate it.

I have complex ideas on love just based on like,

I don't know what you've been through, but I don't know,

I've been through a lot but you've-

- Can we go?

- [Luke] Who's the director on this?

- I'm sorry, I want the money.

- Mmm, (speaks indistinctly), it's like starting,

like, I'm starting to like lose my patience a little bit.

Like it's starting.

Did you hide the money yet?

- [Steve] I did.

- Nobody told me that was done.

Last time.

- The last- - We do these, we do these.

Gregory- - It was two the last.

- Two the last time, let's do two.

Ready?

Three, two, one, go.

- Woo!

- Let's see if they can find the money.

- Oh.

(mellow guitar music)

- [Hildegard] The bathroom's off limits.

- [Jack] Steve's (speaks indistinctly).

- [Delilah] Yeah.

- [Hildegard] They have a golden toilet in here.

- [Jack] There's a thing.

- A golden toilet.

Oh, oh, oh, oh, oh.

We have a winner, somebody did find the first stack.

- Is there more?

- [Jack] Somebody did find first stack of bills.

(hands clapping)

Good.

- [Hildegard] You bitch.

- [Jack] Somebody did find the first stack of bills.

So hey, bathrooms are off limits.

- [Person] So Hildegard can't find the money.

- Let's go, how many more seconds do we have?

- Four minutes. - We got one minute.

- I'm gonna start (speaks indistinctly).

- [Steve] One more minute.

- If I find the money, do I get the money?

- Ah, ha!.

- Hey.

Oh!

And we've got it.

We got equally divided.

You found it first.

So you can say what you,

what are you gonna buy with this money?

- I'm saving up to buy a house.

I need money for a down payment.

So I've got some saved up,

but this $38,000 would be really big.

- I'm from New York now.

I just bought a new dollhouse

and I have to buy all this stuff to put in it.

- [Luke] Like tiny fur.

- Tiny things, tiny things.

I have this collection of tiny things

and it gets dusty sometimes.

- [Jack] Wow.

- But I need, I need the money

to buy all my tiny things to fill my house.

You get a real house, I get a small house.

- That's great. - That's so fun.

- You two are amazing.

Go put it up in your stuff for a second.

Go put it back up in the dressing room.

I need to talk to you-

- Right. - For one second.

One second.

Listen, just a couple things.

Listen, hold on, I wanna make sure they go up.

Now they are.

Okay, serious, I'm getting a vibe off of the,

what's the one in the purple dress?

- Oh, Hildegard?

- Yeah, yeah.

She's matching the description that our contact gave us.

All right, we're rolling, we're back.

Welcome back.

So we have a tense situation outside.

Steve has been shot and he needed medical attention,

so we got him the medical attention that he needed.

And now he's eating some almonds,

which is insanely annoying on camera.

But we're gonna barrel through this

and we're gonna do our next challenge.

- I didn't know we-

- Because we're all about self-development,

we're all about self-development

and growing stronger and growing better.

And there's cash prizes on the line.

So let's call everybody down.

We'll get them down, have them come down.

And we're gonna start the next challenge.

- Talent, we're ready for you.

Come back downstairs, thank you.

They're on their way.

Talent to set.

- You guys can have snacks anytime you want,

but if you see him snacking too much, let me know.

Okay, it's a annoying.

- Get a water. - Snacks.

(person speaks indistinctly)

(eerie opera music)

- Thank you, thank you.

Have a seat, have a seat.

Have a seat.

- Where'd you get that?

- I like to stay armed on set.

I like to stay armed on set.

Lot of stuff going on right now, okay.

We got a literal serial killer wandering the streets.

You don't know anything about that, do you?

- No.

- Of course you wouldn't, you're (speaks indistinctly).

Do you know anything about that?

Nothing?

What do you know about the Chatsworth Butcher?

- I've never been to Chatsworth before.

- Okay, okay.

Haven't been there on like a Tuesday evening-

- No. - We'll stay around-

- Where is it, North? - 3:00 AM.

- Never been there. - West.

It gets hot out there though.

- So what's gonna happen is eight seconds,

I want you to look at this for eight seconds.

Tell me exactly what you see.

Look into the oracle and describe the vision to me.

- Do we- - Ready to do that?

- Question.

Are we gonna look at the same time or we each get

our own- - Yes.

- Eight seconds?

- You're gonna look at the same time.

- Okay. - Okay.

In order to develop yourself,

you have to develop your perceptive abilities,

the ability to look at something

and to really truly see the thing that you are looking at.

Are you ready?

- Yeah. - Eight seconds.

- [Luke] Yup.

- And begin.

(eerie opera music)

- [Luke] Okay, eight seconds.

- Eight seconds.

You'll have six seconds.

You'll have six seconds to think about it.

(eerie opera music)

This is the magic sauce right here.

But they're not gonna see this.

- [Luke] It's in six seconds.

- Oh. - This is the magic sauce.

Shwoo.

(eerie opera music)

What I need is, I need to know exactly

what you saw in this oracle.

- [Delilah] Delilah.

- Perfect.

- I saw just a beautiful green field and blue skies,

and the sun was shining

and there was crystal clear creek running nearby

and a family of horses was just trotting through the field.

And there's a brown one

and one that was like brown and white, like spotted.

And another baby horse

that was also brown and white spotted.

And the little baby horse like ran up to the creek

and drank some water.

It was really beautiful.

- That was beautiful.

That was really cool.

Did you grow up around horses?

- [Delilah] Yeah, I, not, I didn't have any horses,

but I always really wanted one.

- Where'd you grow up?

- Carmel, Indiana.

- Oh, that's right, I asked you that.

I'm from Michigan.

- [Delilah] Oh.

- It's like I grew up around horses.

- [Delilah] Oh.

- Yeah, love 'em.

- [Delilah] That's so lucky.

(Delilah laughing)

Wow.

- I know a thing or two about horses.

- That's so lucky. - It's cool.

Thank you.

- I saw there was a small picture frame.

In this picture frame there was a picture of a staircase

that went simultaneously,

it was like from the perspective of the camera

and it went down and then backwards.

And then, on the left side of it,

there was this big cavernous area

and there were like little monsters in it.

Like there was a mummy.

What?

What, horses?

Okay, there was a mummy

and then there was a little gate at the bottom in white.

- Good.

You know what?

That's really good.

That's exactly what I was hoping you would say actually.

Both of you, I mean, technically,

both of you, you know what, I'm just gonna give you this

because this is like, it's hard for me to do this exercise.

It's an eyeball, all right.

It's an eyeball in slime.

However, when the viewer sees it,

it excites something in your imagination.

Do you know why?

- How did you do that?

- Because-

- Move magic.

Yes?

- Because eyes are the window to the soul?

- Ugh. - Yes.

- What?

I did good.

- You did good.

I wanna say thank you to both of you

because I wanna teach you something.

I wanna teach you something.

You both saw your own truth and you saw a truth-

- I did.

- That you were able to communicate to me in the moment.

And I appreciate that so much.

Okay?

So thank you for sharing your thoughts and your creativity.

Really. - It's like magic.

- Thank you.

Yeah.

- It's like magic.

That was freaky.

- But we're gonna go on the next challenge.

And the next challenge is one that I think

you're gonna be familiar with

and we're gonna jump right into it

and we're gonna get right into it

and we're gonna get right into it.

(Hildegard laughing)

(soothing orchestra music)

- Oh. - I know.

- It's like- - It's gross.

- It's like a- - Is it infected?

- Dot. - Do you think it's infected?

- I don't, I don't think so.

- It hurts.

- Well-

- It's like right on my knuckles.

But like if my skin was over.

- Oh yeah.

- I was drunk in a pool.

- That would do it.

- I know.

And I also have some on my foot.

I don't know what I did.

Isn't that weird though?

- [Delilah] Yeah.

- [Hildegard] So I showed it to somebody and then they said

it looked like there's this thing that they do with frogs

where they somehow take drugs out of them

and then put it on in your body in holes like that.

- What? - I'm serious.

- Like, on purpose? - I'm not fucking kidding.

- Start on him.

All right, we're back.

Don't start on him, start on me.

Okay, we're back.

We're back in action.

And we're ready.

We're getting plugged in

because I can feel the level is going up.

I can feel that there's some learning going on today.

I feel like that we're becoming better people

through each little puzzle and each little challenge.

And I just got report on my phone, a notification that,

yes, folks, it's been discovered

that last night the Chatsworth Butcher struck again.

Another dead body was found.

Could you believe it?

Let's get their thoughts so far

on self-development, what it means to them.

Please, go.

- Me? - Yes.

- Getting older.

- Yeah. - Getting older.

- Yeah. - Trying to not

become like your parents.

- [Jack] Yeah, okay.

Fantastic.

Delilah?

- I would say that self-development

is thinking of the ideal version of yourself

and then the steps that you can take to become that person.

- You're so smart.

- Thank you.

- That was amazing.

All right, thank you, thank you.

Delilah, thank you very much.

All right.

I gotta stay in character.

It's hard to stay in character

when I got like such a nice personality over here.

I'm like, geez, man, all right.

I almost feel like we've worked

on something together before, but I don't know what.

- [Delilah] I feel like I'd remember if we did.

- Serious?

All right. - What's happening here.

- All right, all right.

Anyway, we gotta shoot.

I'm sorry, nothing.

We gotta shoot, we gotta shoot.

You're talking back.

I need you to come down here.

We need your phone.

Come on, I need your phone.

No, come down, I need your phone now.

We need this.

We need it, we need it, we need it, we need it.

All right, we're waiting on Steve, guys.

We're waiting on Steve.

- [Person] Saving the world.

- We're waiting on Steve, let's go.

We're gonna do a little thing

called the call your mom challenge.

Phone, please.

(mellow piano music)

(Hildegard laughing)

Oh, he's got superheroes on there.

He's got his own superheroes.

- Aww, don't make fun of him.

- He's got his own superheroes.

- What do you have?

- I don't have a phone.

(mellow piano music)

- Sorry.

Oh, that's so good.

California.

We miss.

Yes, oh wow.

You, whoa, me love this car.

And it goes and I feel it and I wanna get in there

and then I really do it.

And then I stab it and then I do it.

And then I go again.

And then I do it.

And then I stab, stab, stab, stab, stab,

stab, stab, stab, stab, stab,

stab, stab, stab, stab, stab

(exclaims) the whole day, the day.

And then I think about it and then I feel it.

And then my mom is really, I love you.

I love you, mom.

I'm so happy that I love you, mom.

I love, wow, wow-we, yes.

I love you with my all my heart.

Bye-bye.

- Good.

Wow, she nailed it like 100%.

- I'm gonna have to call her again later.

- That was so good.

- She's gonna call the cops.

- The reason that I wanted you to do that challenge

was because I do feel that it's important for us

to keep in touch with those people that love.

Okay?

Because that at the heart, we're here because of

love. - Money.

- Love.

- Oh. - Love.

Right? Love.

Love is a stream.

Love is one continuous stream

that has neither beginning nor end.

Just continuous.

(somber orchestra music)

Now, what I would like you to do next,

since now we've talked about loved ones,

is I would like you to focus on love of self.

And when we focus on love of self,

we're going to focus on the performative self.

Do you know what the performative self is?

Finish this metaphor for me.

Life is a-

- A bouquet of flowers.

- Okay.

- Box of chocolates.

- Okay.

Performing art, life is a performing art.

So what I would like us to do,

what I would like you to do as actresses who,

a lot of money on the line, Steve's fortune.

What I would like you to do

is I would like you to put on a play.

Are you up for that?

I mean, you're actresses, right?

- Yeah. - Yeah.

- Like actresses do plays.

- I like plays. - So, you know,

I don't care how you wanna spin it,

I don't care what you want to get into,

but I would love to see something

that comes from your creativity.

Okay?

Now, Steve likes to think that he's an actor.

He's done a couple things.

But I'm not gonna have him do anything today.

Okay?

Sorry, buddy, I know you were thinking about this,

but we're not gonna, the thing I was telling you about.

- [Steve] Yeah, that's fine, that's fine.

- All right, we don't have time for it.

All right, so what I want you to do

is I do want you to do a play.

I mean it, and we'll give you two minutes to prepare.

Yes.

- Shoot, one big play or two small individual plays?

- I want, good, great question.

I would love it to be a solo dramatic performance.

So a monologue of sorts.

- Cool. - You can-

- Okay? - Pretend that there's

another person there

and let's keep it under two minutes, three minutes-ish.

Let's not go on and on.

- Okay. - If that's possible.

- Okay. - Okay.

- Okay. - And if it goes on too long,

I'll just stop you, but-

- Okay. - I will be the judge

of how much I think each performance is worth.

All right, now you have two minutes to prepare

to go get some things to prepare, to go do it.

Let's go, let's go

and begin. - Wait, can you put?

- Go, go, go, go, go, go.

Get them to go.

Go prepare, go prepare,

Get.

Don't shoot the genitals.

Get off of there.

- It's funny.

- What is wrong with you?

Steve, seriously, dude.

- They're like- - Very Craigslist

kind of people.

- [Steve] I don't know.

- Listen, come here-

- Who designed this stuff.

- Come here, come here, so...

(people speak indistinctly) (mellow piano music)

Here's the thing.

I've heard that subjects at a play

can sometimes be so taken in by the performance itself

that they lose all sense of reason.

And what I would like to do

is I would like to test that out today.

I would like to put on this play so that I can see,

I wan to judge what she, what they do in this play

because it'll reveal something to us about the butcher.

- Okay, like a clue or something.

- Yes.

The play is the thing.

The play is the thing where we'll catch the killer.

(mellow piano music)

There's a certain poetic quality

to human life and human expression.

The expression of life, the puzzle of life.

One puzzle to another.

One challenge to another.

Always improving.

Artistic creation.

The embodiment of drama.

That's what we are up to today.

Today is the day of the play.

We are going to play today.

And we're gonna make a play happen

in front of your very eyes.

Today is the day of the play.

Are you still in the bathroom?

(Hildegard laughing)

(mellow piano music)

(door knob rattling)

He missed his cue.

You were supposed to come out earlier,

like, and do the kind of,

the other, kind of the submodel.

Like you're supposed to piggyback off of what I was saying.

Were you literally serious in there taking a piss?

- I've had a lot of water today that's why.

- All right, just go.

I have to like, kind of keep going and then segue-

- Crossing. - This later.

- Did he wash his hands? - Probably not.

Dirty.

No, no, no, no, just later.

Go wash 'em somewhere else.

- Crossing. - Go sanitize them.

Then stay in there.

Shut the door.

Shut the door right now.

Just stay in there.

(mellow piano music) (door thuds)

The performance of life.

Drama, love.

Acting

(door creaks)

(mellow piano music)

(object thuds)

(mellow piano music)

Today.

Shh, shh, shh, shh, shh. (person speaks indistinctly)

Sometimes it goes too far and it's not funny.

(mellow piano music)

Today is the day of the play.

What we have for you today is, are,

is or are two dramatic performances.

We wanna see the expression of life

and we wanna see the expression of art.

So this is what we're going to do.

Today, I've been more than impressed with Delilah

and how she's been performing and the thoughtfulness

that she's put into everything she's done so far.

She's been nothing but a joy to work with.

And my casting choice was correct.

So I would like to start with Delilah.

She's going to do a dramatic performance.

So let's go.

Let's give it away.

Let's give it up for Delilah

and let's let her take it away.

(people clapping)

- Thank you.

For my dramatic performance,

I am going to perform the balcony monologue

from "Romeo and Juliet."

I was wondering, could I go up on the balcony?

(Delilah speaks indistinctly)

- [Jack] Absolutely.

- It's gonna be (speaks indistinctly).

- [Jack] No, absolutely.

- I can say it to you if that works.

- [Jack] Yeah, that'd be nice.

- Okay. - I love that.

- Okay. - I don't wanna do mine

on the balcony.

- Oh, that's okay.

- Okay. - Okay.

- Do you really wanna go up to the balcony and do it

or do you wanna pretend?

You wanna go up there?

- Go up to this one.

- There's a- - Okay.

- Yay. - Okay, go up to the balcony.

(footsteps thudding) (mellow piano music)

(dramatic piano music)

I guess I'm Romeo now.

That's kind of cool.

I've never been Romeo.

(laughing) It's kind of cool.

I like this.

Where's should I stand?

- [Luke] Right there to your left.

- Right here?

Dude, what are you doing up there?

Dude, get down.

Get down.

- [Steve] I want a front row-

- No, no, no, get down now.

Seriously, get down.

You know what?

You're seriously pissing me off.

- [Steve] Come on, Jack.

- Did you bring the dress?

Did you bring the dress?

- Yes.

- You get ready 'cause you're gonna be wearing it.

(mellow piano music)

Sick of this shit.

(person speaks indistinctly)

Every scene, phone, almonds, water.

- I'm a producer. - Toilet, phone, water,

almonds, toilet.

- Production is always moving.

I'm answering emails, we've got budgets.

- Get the dress on.

- We got food- - Put the dress on.

- That has to be ordered.

- Put the dress on.

So sorry.

Okay.

So now Delilah's going to perform a monologue

from "Romeo and Juliet."

And action.

- Oh, Romeo.

Romeo.

Wherefore art thou, Romeo?

Deny thy father and refuse thy name.

Or if thou shall not, be but sworn, my love.

And I'll no longer be a Capulet.

'Tis put by name that is mine enemy.

Thou art thou self, thou not a Montague.

What's Montague?

It is nor hand, nor foot, nor arm, nor face,

nor any other part belonging to a man.

Oh, be some other name.

What's in a name?

That which we call a rose

by any other word would smell as sweet.

Some Romeo would, were he not Romeo called,

retain that dear perfection

which he owes with without that title.

Romeo, doff thy name,

and for thy name, which is no part of thee,

take all myself.

- Thank you. - And scene, thank you.

(audience clapping)

- Wow. - Yes.

- Wow.

Woo, boy (laughing).

- Delilah. - That was amazing.

- [Hildegard] Delilah.

- [Jack] That was, that was so good.

- You're so good.

- Thank you, thank you.

I know, I wanna see it again.

It's like, is there gonna be a part two to one?

- Good job. - Great.

Hildegard.

Very excited.

Now you didn't tell me what you were going to do, my dear.

- I'm not going to.

- Oh, wah, okay then.

All righty, well, interesting.

Just gonna move this over here.

You don't mind if I do?

Good, okay.

Okay, well, I'm going to,

that was really good, thank you, that's good.

I love Shakespeare.

I'm gonna-

May I sit there?

- I thought I was gonna do a monologue here.

- You're gonna use it? - Where else?

Where do you want me to do it?

- [Jack] We're gonna do it here.

- [Hildegard] Standing?

- Good job, buddy. - You want sit?

Oh, you wanna go there?

You're gonna sit?

(Hildegard speaks indistinctly)

Ooh, oh, where where'd she go?

Who's sitting where?

(Hildegard clears throat)

- [Jack] This is the king's throne.

(Hildegard scoffs)

(Hildegard exclaims) Luke?

- Yup. - Luke, get me one

one more time.

- [Hildegard] You're by the bathroom.

- Well, at least stinky Steve's not in it.

We have our second performance, our dramatic monologue.

Actually, I'm really excited to see it.

I don't know anything about it,

but I'm truly, truly excited.

The next performer has experience

in immersive theater and beyond.

So without further ado,

(horn honking)

there's a clown car outside apparently.

Without further ado, turn your attention

to the wonderful, talented, creative, beautiful Hildegard.

(horn honking)

- Don't you think I can stand the sight of blood?

You think I'm weak.

Oh, I should like to see your blood flowing.

Your brain on the chopping block, all your sex,

swimming in a sea of blood.

I think I could drink from your skull,

bathe my feet in your breast

and eat your heart cooked whole.

You think I'm weak.

(Hildegard laughing)

You believe that I love you

because my life has mingled with yours.

You think I would carry your offspring under my heart,

nourish it with my blood,

give birth to your child and take your name.

Hear you!

But what are you called?

What is your family name?

I'm sure you have none.

I should be Mrs. Gatekeeper perhaps, or Madam Dump Heap.

You dog with my collar on.

You lackey with my father's name on your buttons.

I play rival to my cook.

Ugh.

Oh (coughs).

(Hildegard gags)

Oh, oh.

You think I'm cowardly and want to run away.

No.

Now I shall stay.

Thunder may roll.

My father will return

and find his desk broken into, his money gone.

And he will ring that bell twice.

A scuffle with a servant, he sends for the police.

And then I tell all, everything.

Oh, how beautiful it will be to finally be over.

If only that were the end.

My father will have a shock and die.

And then that will be the end.

They will put his swords across his coffin

and his line will be gone.

The count's line will be extinct.

But the serf's line will continue in an orphanage

and win honors in the gutter and end in prison.

- Okay.

Oh, okay.

All right.

Wow.

That was a bit different from "Romeo and Juliet," but wow.

Amazing.

Are you?

Whew.

You with me?

That was a- - Yeah, I'm here.

- That was something else.

That was something else.

- You asked for it.

- Thank you.

Well, ladies, creativity is rewarded.

We reward creativity.

- Great job.

- I'd buy that for a hundred dollars or two.

$200 to you, my dear.

$200 to you, my dear.

Fantastic.

There's more where that came from.

Just you wait.

Now I'm sorry I have to do this to you,

but the bathroom thing that happened over there

really pissed me off.

I don't know if you've seen much of my work,

but I did a movie recently.

- No way.

(Steve sobbing)

- Listen to this, please.

It's horrible.

Just listen.

- Mama. - Listen, listen.

Listen to this.

Listen, look.

- [Steve] Mama.

- Eww.

- Mama.

- Look at this.

- No. - Horrifying.

- Look at that. - Wah.

- Ew. - Wah.

- Look. - Wah.

- It's disgusting.

It's filth. - Mama.

Mama.

- You know who this is?

This is Steve.

- Oh, no.

- Disgusting.

- Oh no. - Mama.

Me mama.

- Ew. - Horrible.

- Me mama. - It's horrifying trash.

- Me mama. - Why are we watching it then?

- Because Steve owes me an apology

and I want Steve to reprise his role,

and have a seat, please.

- Where? - At your thrones over here.

Your golden thrones.

And I would like Steve to reprise his role.

So he learns his lesson

and he's not gonna interrupt me again

in the bathroom with his potty humor.

Horrible.

(Hildegard exclaims) Despicable.

Steve.

Action.

- [Steve] Mama.

Mama.

- [Jack] Don't smile, play it straight.

- [Steve] Mama.

- [Jack] Put your hair in front of your face, please.

I can see your hair.

I can see your face I mean.

It's not good, that's better.

Hands down and walk.

Say it.

- [Steve] Mama.

Mama.

- [Jack] You're really scaring the girls.

- [Steve] Mama.

- [Jack] Disgusting.

- Mama.

Mama.

Mama.

Mama.

Mama.

- [Jack] Delilah's horrified.

- [Steve] Mama.

- [Jack] Hildegard's-

- [Steve] Mama.

- [Jack] Oddly fascinated

- [Steve] Mama.

(Delilah speaks indistinctly)

- Mama. - Leave her alone.

- Flower. - Leave her alone you,

give him the flower.

- [Steve] Mama.

- [Jack] He's so disgusting sometimes.

- [Steve] Money.

- Don't give him any money.

- I'm not giving him money.

- [Jack] You don't need money.

- Mama. - Stop it.

Shit.

You got a flower that's more than you normally get.

- Mama. - Go back to your hole.

- Mama. - Go!

(Hildegard laughing)

- [Steve] Mama.

- Go back to your hole.

- [Steve] Mama, mama, mama.

- [Jack] Oh, it's just horrible, I'm sorry.

- [Steve] Mama.

- Is this what producers normally do?

(Hildegard laughing)

- No, it's just, it's disgusting.

- Mama. - Horrible.

- Where's he going?

- Back to his hole.

- Let him outside.

- Lock him out.

I'm sorry, I'm really sorry.

- It's okay. (Hildegard laughing)

- I had to do that though

'cause I need to teach him a lesson.

- Wow. - All right.

Well, let's, you both did amazing.

Let's break for, let's break.

Let's get a refresh and a reset.

And we're gonna come back with the next challenge.

I gotta snap back into this.

I need to talk to Steve about this.

It's junk arcs what he's given me, okay.

I'm sorry, but you guys did fantastic.

I loved the "Romeo and Juliet," by the way.

It was great, it was great.

Yours was, I don't know.

I need to let it digest, but you did good.

What, what, what, what'd you got?

- Okay, listen, so Detective Pierre is on it.

I guess some evidence, some DNA evidence just came through.

They ran it, did some scanning

and it sort of is, it kind of leads to here.

Some matches between here

and these crime scenes in Chatsworth.

- Okay.

- And I have to admit, Hildegard,

her monologue, pretty violent stuff.

She kind of hinted and I observed.

- Shh, shh, yeah.

Come, come, come, come.

Yeah.

- I just observed some behaviors of-

- Yeah.

- Violence from that monologue that she did.

- Okay.

Listen, let me know as soon as the, you know,

Pierre gets back to you about whatever's unveiled.

I need to know, I need to know.

We're here until what time?

- Yeah, we're here until about-

- What time?

- 6:00, 6:30.

- 6:30. - 6:30.

- So we'll stop shooting around 5:30.

- Okay. - Okay.

Honestly, guilty, not guilty, I'm like 80%.

You know, I don't care.

Like no matter what, Greg needs a sacrifice before he comes.

You know that, right?

- I do.

- So you do know like no matter what,

you're gonna have to do it.

- I do, I do. - Okay.

- But listen, listen, I wanna tell you this and,

and Luke, I want you to know too, just watch your back.

We don't know what we're dealing with here.

- Shit.

Okay.

- We don't know, just be careful, okay?

- Okay.

- Do you want me to go get him?

- Yeah, yeah, yeah, yeah, yeah, yeah.

Thank you. - Okay.

- Thanks, buddy.

- Yeah? - Okay.

- [Steve] All right, talent, we're ready.

- When you use it and you stab something,

the thing that gets stabbed bleeds more

because that little lip is there

and it lets the blood come out so they die faster.

My dad was a hunter.

- Wow.

- That's why I know that.

- Wow.

- Yeah.

You know rural Upper Michigan, there's not much to do.

- Hear ye, hear ye.

The king has arrived.

I heard there's a play today.

So I bring good tidings.

And a rose for the lady.

- Oh. - Here you are.

- Yeah. - You're welcome.

Did you bring Hildegard's?

- No.

- Sorry about that.

- What do I get?

- You'll get it next time.

So what we're gonna do now

is I've set these two performers

to unravel the ultimate puzzle of human drama.

So they're going to enact drama.

If life is truly a performing art,

we've seen them perform in a solo capacity,

now we're gonna see them perform together.

(mellow guitar music)

- Hello?

- Edwina.

- Gertrude.

It's good to see you.

- Yes (speaks indistinctly).

- So Wilhelm, I assume he is doing well.

- Oh my Wilhelm, of course, he's lovely.

- Right.

- What about (speaks indistinctly)?

- Well, I saw him at the fair.

- Oh.

- And let me tell you, he was looking dashing.

- I'm sure he was.

- He was.

- You know how he likes the fair.

- In that burgundy suit that you got him for his birthday.

- Yes.

You like that suit, don't you?

- I do.

- Let's skip the pleasantries.

- You know, have you talked to mother recently?

- No, why would I?

- Because you're her daughter and you love her.

- Well, you know she was always more fond of you.

- That's right, she was.

No, I've been thinking Gertrude,

how about we all go on a trip?

Yes, a trip.

A beautiful trip to the country.

Oh, wouldn't it be lovely to go on a trip?

- Well, that would be lovely.

But I don't think you'll be going on anymore trips.

- Just think it.

- Not with me and my Wilhelm.

- Why?

- I know what you did.

- Gertrude, I haven't done anything.

- I saw you in our marital bed.

You were supposed to be my sister.

- Saw me, what?

I am your sister, Gertrude.

I am your sis-

- Not anymore. - Ah.

Ah, ahh!

You bitch.

Ahh.

(mellow guitar music)

(knife thuds)

(Hildegard coughing)

(Hildegard exclaims)

- He's mine.

(mellow guitar music)

- Fantastic.

(Jack and Steve clapping)

That was fantastic.

- Bravo, bravo.

- Bravo.

- [Steve] Bravo.

- Steve, what did you think?

- I thought it was very, very, very engaging.

I thought the dialogue was fantastic.

It was very, thank you.

Oh okay.

Got that.

- There you go. - I mean, thank you.

- Yes. - Yeah.

- Good and stunning performance from both of you.

- Thank you.

- What? - Thank you.

Fantastic.

Fantastico as they say.

All right, well, then let's see.

Let's see the other side of things.

Shall we? - Let's.

- Things are getting very interesting.

What is this next play gonna be about?

- [Hildegard] The same play.

- Same play.

So it goes

(mellow guitar music)

- Well, you decided to show.

- Of course, I would never miss one of our lunch dates.

How are you today?

- Splendid.

Yourself?

- Wonderful.

I recently came back from the fair.

I saw our dear Wilhelm there.

- I'm sure you did.

- He looks lovely. - I'm sure you did.

- Well, of course.

And didn't you know he was going?

- He would never miss him for the world.

It's his favorite day.

- Such fun.

Well.

(flower thwacks) Oh.

Gertrude, what's this for?

- You know damn well what it's for.

- Oh, for my birthday next week, that's so lovely.

- That's right.

- Thank you.

- I just love you so much.

- Indeed.

(mellow guitar music)

(Delilah speaks indistinctly)

- Indeed.

- [Delilah] Is everything all right dear?

- Sure, fine.

- Okay (laughing).

Well...

You've spoken to mother lately?

- Yes, I have.

Have you?

- Oh, I think we've chat a few times.

You know her.

Everything's all right?

- Yes, I'm great.

I'm splendid even.

We just redid this wallpaper.

I wanna know what you think.

- Oh, it's quite lovely.

- [Hildegard] You like it?

- Yes.

The gold, is that real?

- [Hildegard] Yes, it is.

(Delilah exclaims)

- Why?

Oh, oh.

(Delilah exclaiming) (knife thudding)

(knife thudding)

How's mother like you now?

(knife thudding) (Hildegard laughing)

- Lights, lights.

- Good job. - Lights.

Stop to play, stop to play.

Stop. - What?

- Stop. - What?

(Jack muttering)

- Fantastic, wonderful.

Well, give them some money.

Beautiful, beautiful job.

Wonderful job.

- [Delilah] Thank you.

- Wonderful job.

Fantastic, fantastic.

You can go to your dressing room for a second.

I just need to talk to production.

(siren wailing) (horn honking)

- Listen.

- They really-

- Hold on, hold on.

Is that the backup you called?

Tell me.

Tell me what did you see?

- Definitely Hildegard was very much more violent.

But I notice something different

about the other performance

and she was done killing her.

She stuck her foot on the body

as if really claiming the murder.

That's what I take away from this.

- So you're saying it's not Hildegard?

- Yeah. - It's Delilah.

- Yeah.

Just that one little gesture at the end.

(percussive clapping music)

(twangy guitar music)

(twangy guitar music continues)

- Maybe it's my sweet angel, maybe it's not.

But we will do this for the sake of art

and we will bring down the butcher once and for all.

(somber synth music)