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1
0:0:0,805 --> 0:0:4,76
[ ENGINES REVVING ]
2
0:0:16,554 --> 0:0:19,389
THOUGHT YOU WERE GONNA
LEAVE ME IN THE DUST
BACK THERE ON THAT TURN.
3
0:0:19,456 --> 0:0:21,391
I PAID ATTENTION WHEN POPE
TAUGHT ME HOW TO RIDE.
4
0:0:21,458 --> 0:0:23,160
FIGURED I'D HAVE TO
OUTRUN HIM SOME DAY.
5
0:0:23,227 --> 0:0:24,661
WHAT DO YOU GOT?
6
0:0:24,728 --> 0:0:26,830
WELL, WE'RE CLEAR ON THE 111
ALL THE WAY TO THE TURNPIKE.
7
0:0:26,896 --> 0:0:29,299
AND THERE'S A, UH, A WATER TOWER
AT THE CORNER OF HOSMER
8
0:0:29,366 --> 0:0:30,568
WE HAVEN'T TAPPED YET.
OKAY.
9
0:0:30,635 --> 0:0:32,136
ALL RIGHT?
ALL RIGHT.
10
0:0:32,203 --> 0:0:34,139
[ GRUNTS ]
11
0:0:35,572 --> 0:0:38,275
SO, ARE YOU
EVER GONNA TELL ME
12
0:0:38,342 --> 0:0:40,177
HOW YOU KNEW WHERE
ALL THESE DRUGS WERE?
13
0:0:40,244 --> 0:0:41,746
WHAT WERE YOU,
A JUNIOR IN HIGH SCHOOL?
14
0:0:41,813 --> 0:0:43,446
SENIOR.
15
0:0:43,513 --> 0:0:46,183
AND YOU DIDN'T KNOW WHERE
THE LOCAL DEALER KEPT HIS STASH?
16
0:0:46,250 --> 0:0:48,319
WHAT'D YOU DO
IN YOUR FREE TIME?
17
0:0:48,386 --> 0:0:50,921
I PLAYED LACROSSE.
18
0:0:50,988 --> 0:0:54,293
THAT EXPLAINS A LOT.
19
0:0:57,762 --> 0:0:59,196
YEAH, WE --
20
0:0:59,263 --> 0:1:1,533
PERCOCET
AND, UH, DEMEROL...
21
0:1:1,600 --> 0:1:4,135
OxyContin.
22
0:1:4,202 --> 0:1:5,469
AND HEROIN.
23
0:1:5,536 --> 0:1:7,137
I DON'T THINK I'VE EVER
EVEN SEEN HEROIN BEFORE.
24
0:1:7,204 --> 0:1:9,105
LOOKS A LOT
LIKE COCAINE.
25
0:1:9,172 --> 0:1:11,175
YOU LEARN THE DIFFERENCE
WHEN YOU WATCH A LOT OF
LATE-NIGHT COP SHOWS,
26
0:1:11,242 --> 0:1:13,543
WHICH IS WHAT I USED TO DO
WHEN I COULDN'T SLEEP.
HUH.
27
0:1:13,610 --> 0:1:15,712
I ONCE HAD A STUDENT
GIVE A THESIS
28
0:1:15,779 --> 0:1:18,549
ON THE HISTORY OF
THE AMERICAN POLICE DRAMA.
29
0:1:18,616 --> 0:1:20,885
I GRADED HIM DOWN 'CAUSE
HE DIDN'T MENTION "MIAMI VICE."
30
0:1:20,952 --> 0:1:23,221
REALLY?
THIS IS AMAZING.
31
0:1:23,288 --> 0:1:25,390
THANK YOU.
32
0:1:25,457 --> 0:1:26,824
THANK YOU, MARGARET!
33
0:1:26,891 --> 0:1:28,725
Margaret: YEAH.
34
0:1:28,792 --> 0:1:31,328
WE NEED TO WORK THESE
INTO A USABLE FORM.
35
0:1:31,395 --> 0:1:34,233
IS THIS ALL GONNA BE READY
BY TOMORROW NIGHT?
36
0:1:36,367 --> 0:1:40,370
LOOK, TOM, HARNESS REMOVAL
IS NOT MY AREA OF EXPERTISE.
37
0:1:40,437 --> 0:1:41,906
YOU SHOULD TALK TO HARRIS.
38
0:1:41,973 --> 0:1:44,408
HE'S THE ONE THAT FIGURED OUT
THIS OPERATION.
39
0:1:44,475 --> 0:1:47,578
I JUST WANT YOU TO UNDERSTAND
HOW RISKY THIS IS.
40
0:1:47,645 --> 0:1:49,479
IT WORKED ON RICK.
41
0:1:49,546 --> 0:1:52,517
IT SEEMS TO,
BUT WE'RE NOT SURE YET.
42
0:1:54,286 --> 0:1:55,853
I JUST...
43
0:1:55,920 --> 0:1:58,923
IF SOMETHING
WAS TO HAPPEN TO BEN...
44
0:1:58,990 --> 0:2:1,759
YOU WANT ME TO KNOW
THAT BEN COULD DIE.
45
0:2:1,826 --> 0:2:4,395
OKAY. I KNOW.
46
0:2:4,462 --> 0:2:6,597
LOOK, YOU'RE WORRIED,
I'M WORRIED.
47
0:2:6,664 --> 0:2:8,398
EVERYBODY'S GOT TO
DO THEIR BEST.
48
0:2:8,465 --> 0:2:12,371
I REALIZE
YOU CAN'T PERFORM MIRACLES.
49
0:2:14,505 --> 0:2:16,541
YOU KNOW, THE OTHER DAY,
I PUT A PICTURE OF HIM
50
0:2:16,608 --> 0:2:19,843
UP ON THAT BULLETIN BOARD.
51
0:2:19,910 --> 0:2:21,579
ALL THOSE KIDS
ARE MISSING...
52
0:2:21,646 --> 0:2:23,848
BUT BEN --
53
0:2:23,915 --> 0:2:25,650
I KNOW RIGHT WHERE HE IS.
54
0:2:27,819 --> 0:2:29,386
I'M GONNA GO GET HIM.
55
0:2:29,453 --> 0:2:31,590
AND THEN WE'LL TAKE IT
FROM THERE.
56
0:2:52,776 --> 0:2:54,744
WE JUST GOT THE REPORT
FROM THE RECON TEAM.
57
0:2:54,811 --> 0:2:57,414
THE OTHER GROUP OF
HARNESSED KIDS DIDN'T
COME BACK LAST NIGHT.
58
0:2:57,481 --> 0:2:59,282
BEN'S GROUP
IS STILL THERE,
59
0:2:59,349 --> 0:3:0,551
BUT WE DON'T KNOW
FOR HOW LONG.
60
0:3:0,618 --> 0:3:1,952
DRUGS ARE READY.
WE WANT TO MOVE.
61
0:3:2,19 --> 0:3:3,655
SHOW ME WHAT YOU GOT.
62
0:3:3,722 --> 0:3:6,656
OKAY.
63
0:3:6,723 --> 0:3:8,825
WE RIP OUT THIS WINDOW,
EIGHT GO IN.
64
0:3:8,892 --> 0:3:11,328
WE ASSUME THAT THE NOISE
WAKES UP THE SKITTERS
AND DRAWS THE MECH.
65
0:3:11,395 --> 0:3:13,630
THE MECH COMES AROUND.
IT GETS BLOWN UP RIGHT HERE.
66
0:3:13,697 --> 0:3:16,633
INSIDE, WE'VE GOT TWO MEN ON
THIS DOOR FACING THE HALLWAY --
67
0:3:16,700 --> 0:3:18,401
CONTINUOUS FIRE
ONCE THE SKITTERS SHOW UP.
68
0:3:18,468 --> 0:3:20,4
THAT LEAVES SIX MEN IN THE ROOM
TO KILL THE SKITTERS.
69
0:3:20,71 --> 0:3:21,638
HARD TO TIME THAT.
70
0:3:21,705 --> 0:3:23,506
GRAB THE KIDS, GET THEM
BACK OUT THAT WINDOW,
71
0:3:23,573 --> 0:3:25,877
AND WE DISAPPEAR
INTO THE WOODS.
72
0:3:26,978 --> 0:3:28,646
TOM, IN BATTLE,
73
0:3:28,713 --> 0:3:30,647
THE MORE IMPORTANT
THE OBJECTIVE,
74
0:3:30,714 --> 0:3:33,316
THE EASIER IT IS TO OVERLOOK
FLAWS IN THE PLAN.
75
0:3:33,383 --> 0:3:35,585
NOW, IF THE SKITTERS
BREAK THROUGH INTO THE ROOM
76
0:3:35,652 --> 0:3:39,291
OR CIRCLE AROUND OUTSIDE
TO INTERCEPT YOU, YOU FAIL.
77
0:3:40,490 --> 0:3:43,360
I CAN ACCEPT THAT RISK.
IT'S NOT JUST YOUR RISK.
78
0:3:43,427 --> 0:3:44,762
IT'S THE TEAM'S RISK,
AND IT'S BEN'S RISK.
79
0:3:44,829 --> 0:3:46,497
WHAT HAPPENS TO HIM
IF THE TWO OF YOU
80
0:3:46,564 --> 0:3:47,831
GET YOURSELVES KILLED?
81
0:3:47,898 --> 0:3:49,700
NOW, WITH YOUR PLAN,
THE FIRST THING THAT YOU DO
82
0:3:49,767 --> 0:3:51,2
IS YOU WAKE THE SKITTERS UP.
83
0:3:51,69 --> 0:3:52,836
THERE GOES
YOUR TACTICAL ADVANTAGE.
84
0:3:52,903 --> 0:3:55,374
YOU WANT TO KEEP THEM ASLEEP
AS LONG AS POSSIBLE.
85
0:3:57,108 --> 0:3:58,876
HMM.
86
0:3:58,943 --> 0:4:0,878
WHAT IF, UM...
87
0:4:0,945 --> 0:4:3,480
WHAT IF WE KEEP THEM ASLEEP
THE WHOLE TIME?
88
0:4:3,547 --> 0:4:6,551
'CAUSE, LIKE, THERE'S
JUST THAT ONE MECH
THERE DURING THE DAY.
89
0:4:6,618 --> 0:4:8,518
SO WE SEND THE RECON TEAM IN.
90
0:4:8,585 --> 0:4:10,354
THEY BREAK THE LOCK
ON THE BACK DOOR.
91
0:4:10,421 --> 0:4:14,357
THEN TONIGHT THEY COME IN,
AND JUST ONE GUY GOES IN ALONE.
92
0:4:14,424 --> 0:4:16,960
YOU KNOW, HE GOES IN,
GOES TO BEN'S ROOM,
93
0:4:17,27 --> 0:4:18,830
KILLS THE SKITTER
WHILE IT'S ASLEEP.
94
0:4:21,532 --> 0:4:24,568
WELL, THEY'RE NOT THAT EASY
TO KILL, HAL.
95
0:4:24,635 --> 0:4:27,606
WELL, YOU DID IT. ALMOST.
96
0:4:28,572 --> 0:4:31,804
GETTING IN AND OUT QUIETLY
IS YOUR BEST BET.
97
0:4:31,871 --> 0:4:33,578
PROBABLY YOUR ONLY BET.
98
0:4:33,645 --> 0:4:35,47
FIGURE IT OUT.
99
0:4:41,819 --> 0:4:45,656
[ GROWLS SOFTLY ]
100
0:4:45,723 --> 0:4:47,758
HOW MUCH WATER YOU GONNA
GIVE THAT DAMN THING?
101
0:4:47,825 --> 0:4:50,94
ENOUGH TO KEEP IT HYDRATED.
102
0:4:50,161 --> 0:4:51,829
IT'S NOT LIKE
IT WOULD BE HYDRATING YOU
103
0:4:51,896 --> 0:4:53,597
IF YOU WERE ITS PRISONER.
104
0:4:53,664 --> 0:4:56,567
I DON'T REMEMBER RICK BEING
DEHYDRATED WHEN WE GOT HIM.
105
0:4:56,634 --> 0:4:58,369
AH, THAT'S TRUE.
106
0:4:58,436 --> 0:5:1,606
BUT HE DID HAVE 12 METALLIC
SPIKES BORED INTO HIS SPINE
107
0:5:1,673 --> 0:5:3,574
AND BRAIN FUNCTION
AT THE LEVEL
108
0:5:3,641 --> 0:5:5,710
OF A MODERATELY
SOPHISTICATED TOMATO.
109
0:5:5,777 --> 0:5:7,44
[ SNARLS ]
110
0:5:7,111 --> 0:5:9,547
[ BELL RINGING ]
OOH. LUNCHTIME.
111
0:5:9,614 --> 0:5:12,478
WHY DON'T YOU GET IT
A NOSH?
112
0:5:13,445 --> 0:5:15,719
I JUST DON'T THINK WE SHOULD
BE KEEPING A SKITTER HERE.
113
0:5:15,786 --> 0:5:18,689
Margaret: YEAH, IT'S
BETTER IN A CAGE THAN
OUT SCOOPING UP KIDS.
114
0:5:18,756 --> 0:5:20,457
BETTER OFF DEAD
IF YOU ASK ME.
115
0:5:20,524 --> 0:5:22,859
DON'T GET YOUR BLOOD PRESSURE
UP. IT'S NOT GOOD FOR THE BABY.
116
0:5:22,926 --> 0:5:24,962
WHAT'S NOT GOOD FOR MY BABY
IS SHARING MY HOME
117
0:5:25,29 --> 0:5:26,764
WITH A KILLER ALIEN
FROM OUTER SPACE.
118
0:5:26,831 --> 0:5:28,833
[ CHUCKLES ]
119
0:5:30,702 --> 0:5:32,136
THANKS.
120
0:5:32,203 --> 0:5:33,704
HAVEN'T LAUGHED
IN A WHILE.
121
0:5:33,771 --> 0:5:35,106
YEAH, WELL,
I WASN'T JOKING.
122
0:5:35,173 --> 0:5:37,808
IT'S STILL FUNNY.
123
0:5:37,875 --> 0:5:39,477
HEY.
124
0:5:39,544 --> 0:5:40,811
I'M MARGARET.
125
0:5:40,878 --> 0:5:42,379
SARAH.
126
0:5:42,446 --> 0:5:43,748
♪ MANY RIVERS TO CROSS ♪
127
0:5:43,815 --> 0:5:45,482
Tom: THAT'S AN
INTERESTING CHOICE.
128
0:5:45,549 --> 0:5:47,384
IT'S A LIMITED SELECTION
BUT ECLECTIC.
129
0:5:47,451 --> 0:5:48,986
TELL ME YOU GOT
SOMETHING FOR ME.
130
0:5:49,53 --> 0:5:52,590
OKAY, WELL, SKITTERS COMMUNICATE
USING RADIO WAVES --
131
0:5:52,657 --> 0:5:54,158
THAT MUCH IS CLEAR.
132
0:5:54,225 --> 0:5:56,794
IF THEY'RE TRANSMITTING,
I CAN USUALLY PICK IT UP
133
0:5:56,861 --> 0:5:58,663
ON THE RADIO
IF THEY'RE NEARBY.
134
0:5:58,730 --> 0:6:0,163
BUT A SINGLE SKITTER
135
0:6:0,230 --> 0:6:1,899
WALKING DOWN A HALLWAY
PROBABLY ISN'T TRANSMITTING.
136
0:6:1,966 --> 0:6:3,766
THEY'RE JUST OFF IN THEIR
LITTLE SKITTER HEAD.
137
0:6:3,833 --> 0:6:5,636
THAT'S TOO BAD.
I WAS HOPING WE COULD USE IT
138
0:6:5,703 --> 0:6:7,338
LIKE AN EARLY-WARNING
DETECTION SYSTEM.
139
0:6:7,405 --> 0:6:9,6
I KNOW. THERE'S GOT TO BE
SOME USE FOR IT.
140
0:6:9,73 --> 0:6:11,842
YOU SEE, THESE COMPONENTS
ARE FROM THE 1940s,
141
0:6:11,909 --> 0:6:13,945
AND, I MEAN,
WHAT YOU'RE TALKING ABOUT,
142
0:6:14,12 --> 0:6:16,8
WE'RE JUST NOT THERE YET.
143
0:6:16,75 --> 0:6:17,614
WELL,
IF THERE ARE SENTRIES,
144
0:6:17,681 --> 0:6:19,583
MAYBE YOU SHOULD WAIT
AND GET BEN LATER.
145
0:6:19,650 --> 0:6:21,585
NO. NO, NO, NO.
WE CAN'T WAIT ANY LONGER.
146
0:6:21,652 --> 0:6:23,453
GOT TO TRUST
YOUR INSTINCTS, TOM.
147
0:6:23,520 --> 0:6:25,89
A LOT MORE RELIABLE
THAN TECHNOLOGY.
148
0:6:25,156 --> 0:6:27,659
OH, WELL,
KEEP YOUR BEST MAN ON IT.
149
0:6:31,829 --> 0:6:37,501
♪ WELL, I GUESS
I'LL HAVE TO CRY ♪
150
0:6:37,568 --> 0:6:40,704
♪ MANY RIVERS TO CROSS ♪
151
0:6:40,771 --> 0:6:42,940
♪ RIVERS TO CROSS ♪
152
0:6:43,7 --> 0:6:46,710
♪ BUT JUST WHERE TO BEGIN? ♪
153
0:6:46,777 --> 0:6:50,882
♪ I'M PLAYING FOR TIME ♪
154
0:6:50,949 --> 0:6:56,620
♪ THERE HAVE BEEN TIMES
I FIND MYSELF ♪
155
0:6:56,687 --> 0:6:59,990
♪ THINKING OF COMMITTING... ♪
156
0:7:0,57 --> 0:7:4,61
OOH, CAPTAIN WEAVER.
WHAT CAN I DO FOR YOU?
157
0:7:4,128 --> 0:7:7,464
♪ YES, I'VE GOT MAN-- ♪
158
0:7:7,531 --> 0:7:9,399
ARE YOU SAYING
WE CAN'T PLAY MUSIC?
159
0:7:9,466 --> 0:7:11,669
YOU CAN PLAY
WHATEVER YOU WANT.
160
0:7:11,736 --> 0:7:14,106
JUST NOT THIS.
161
0:7:20,778 --> 0:7:23,515
YOU GUYS BELONG
AT MEDIEVAL TIMES.
162
0:7:23,582 --> 0:7:24,982
WE'RE GOING TO GET BEN.
163
0:7:25,49 --> 0:7:26,884
GOT TO KILL A SKITTER
WITHOUT MAKING ANY NOISE.
164
0:7:26,951 --> 0:7:28,520
THESE THINGS ONLY GIVE YOU
ONE SHOT.
165
0:7:28,587 --> 0:7:30,789
LET'S KEEP AT IT.
166
0:7:32,256 --> 0:7:34,158
YOU GOT ANY POINTERS?
167
0:7:34,225 --> 0:7:35,927
MM-HMM.
168
0:7:35,994 --> 0:7:38,930
Margaret: ALL RIGHT.
169
0:7:38,997 --> 0:7:40,265
YOU FEEL THAT?
170
0:7:40,332 --> 0:7:41,832
MM-HMM.
171
0:7:41,899 --> 0:7:43,767
OKAY.
172
0:7:43,834 --> 0:7:45,235
THERE.
173
0:7:45,302 --> 0:7:48,72
AND IT'S A SLOW, STEADY PULL
ON THE TRIGGER,
174
0:7:48,139 --> 0:7:51,911
AND THE KICK COMES
FROM THE FRONT.
175
0:7:54,979 --> 0:7:57,749
HERE'S ANOTHER IDEA --
176
0:7:57,816 --> 0:7:59,818
MAKE SURE YOU'RE CLOSE.
177
0:8:1,152 --> 0:8:3,20
BEN'S AT THE HOSPITAL,
RIGHT?
178
0:8:3,87 --> 0:8:5,223
FRANKLIN PIERCE MEMORIAL
OFF ROUTE 2?
179
0:8:5,290 --> 0:8:6,724
YEAH.
180
0:8:6,791 --> 0:8:8,259
YEAH, I KNOW THAT PLACE.
181
0:8:8,326 --> 0:8:10,194
MY AUNT WAS THERE
FOR A LONG TIME,
182
0:8:10,261 --> 0:8:11,628
SO I USED TO VISIT HER.
183
0:8:11,695 --> 0:8:13,565
ARE YOU GOING
THROUGH THE REAR DOOR?
184
0:8:13,632 --> 0:8:15,65
THROUGH
THE AMBULANCE BAY.
185
0:8:15,132 --> 0:8:17,134
NO, YOU WANT TO GO THROUGH
THE E.R. AND THEN TURN LEFT.
186
0:8:17,201 --> 0:8:18,802
IT'LL TAKE YOU
TO THE MAIN CORRIDOR.
187
0:8:18,869 --> 0:8:21,140
Tom: CAN YOU SHOW ME
ON THIS MAP?
188
0:8:25,985 --> 0:8:28,488
[ INDISTINCT CONVERSATIONS ]
189
0:8:37,96 --> 0:8:38,798
[ CHILDREN LAUGHING ]
190
0:8:38,865 --> 0:8:41,367
WHOOP.
191
0:8:41,434 --> 0:8:44,36
YOU BETTER HURRY.
SOUP'S GOING FAST.
192
0:8:44,103 --> 0:8:45,471
YEAH, NOT FAST ENOUGH.
193
0:8:45,537 --> 0:8:48,308
I, UH, WANTED TO TALK
TO YOU, SWEETHEART.
194
0:8:49,943 --> 0:8:53,45
UH-OH.
IT'S A "SWEETHEART" TALK?
195
0:8:53,112 --> 0:8:55,381
[ SCREECHES ]
196
0:8:55,447 --> 0:8:57,149
[ CAGE RATTLES ]
197
0:8:57,216 --> 0:8:59,819
[ SQUEALS ]
198
0:9:1,854 --> 0:9:4,224
THAT'S A NEW SOUND.
199
0:9:9,294 --> 0:9:11,264
[ HISSES ]
200
0:9:14,967 --> 0:9:18,371
CHANGE YOUR MIND?
READY FOR DR. GLASS' CHAT?
201
0:9:19,872 --> 0:9:21,841
RAPID BLINKING.
202
0:9:30,916 --> 0:9:34,121
[ GROWLS ]
203
0:9:35,149 --> 0:9:36,421
[ SCREECHES ]
204
0:9:36,488 --> 0:9:38,424
YOU REMEMBER THAT TIME
IN LAKE HUNTINGTON
205
0:9:38,491 --> 0:9:40,559
WHEN SAM WAS IN THE BOAT,
I CAUGHT THE FISH,
206
0:9:40,626 --> 0:9:43,95
BUT AS SOON AS I PULLED
THE HOOK OUT OF ITS MOUTH,
207
0:9:43,162 --> 0:9:46,65
I-IT SWAM AWAY, AND --
UNCLE SCOTT, JUST STOP.
208
0:9:48,634 --> 0:9:50,869
KATE AND I
SPENT A LONG TIME
209
0:9:50,936 --> 0:9:53,105
LOOKING AT THAT BULLETIN BOARD
THE OTHER DAY.
210
0:9:53,171 --> 0:9:55,941
AND TOMORROW WE ARE GOING TO
PUT UP SOMETHING FOR SAM --
211
0:9:56,8 --> 0:9:58,945
I'M THINKING MAYBE SOMETHING
FROM THAT WEEKEND.
212
0:9:59,11 --> 0:10:1,947
MAYBE DRAW THAT FISH.
213
0:10:2,14 --> 0:10:3,916
WE WANT YOU
TO COME WITH US.
214
0:10:6,418 --> 0:10:9,288
NO.
OKAY. OKAY.
215
0:10:9,355 --> 0:10:10,923
FINE.
216
0:10:10,990 --> 0:10:13,393
NO, I UNDERSTAND.
217
0:10:16,28 --> 0:10:19,132
YOU CAN'T GO ON
LIKE THIS FOREVER.
218
0:10:20,467 --> 0:10:21,934
I CAN.
219
0:10:22,1 --> 0:10:23,436
[ SKITTER SCREECHES ]
220
0:10:23,502 --> 0:10:26,139
Harris: NO! NO! AAH!
221
0:10:26,205 --> 0:10:28,641
[ SKITTER SNARLING ]
222
0:10:28,708 --> 0:10:30,610
AAH! AAH!
223
0:10:32,445 --> 0:10:35,915
GET A GUARD!
WE NEED TO SHOOT IT!
224
0:10:35,981 --> 0:10:38,151
AAH!
225
0:10:43,189 --> 0:10:45,958
[ ELECTRICITY CRACKLES ]
226
0:10:47,226 --> 0:10:49,596
[ SKITTER SCREECHING ]
227
0:10:51,130 --> 0:10:53,366
[ SKITTER GROWLS ]
228
0:11:0,39 --> 0:11:1,308
HE'S DEAD.
229
0:11:3,303 --> 0:11:4,577
[ CAGE RATTLES ]
230
0:11:4,644 --> 0:11:7,214
[ SKITTER SNARLS ]
231
0:11:10,382 --> 0:11:12,18
[ GRUNTS ]
232
0:11:12,84 --> 0:11:14,521
[ GROWLS ]
233
0:11:18,257 --> 0:11:21,527
GET A RUNNER OUT TO PORTER.
HE WON'T BE HAPPY.
234
0:11:21,594 --> 0:11:25,531
WE NEED TO FORM
A BURIAL DETAIL.
235
0:11:25,598 --> 0:11:28,200
AND WE NEED TO KILL IT --
NOW.
236
0:11:28,267 --> 0:11:31,336
PORTER WOULDN'T WANT THAT.
237
0:11:31,403 --> 0:11:33,539
DR. GLASS...
238
0:11:33,605 --> 0:11:35,674
WHEN THE CIVILIANS
FIND OUT ABOUT THIS,
239
0:11:35,741 --> 0:11:38,643
THEY ARE GOING TO PANIC,
AND IN THIS CASE,
I CANNOT BLAME THEM.
240
0:11:38,710 --> 0:11:41,614
WE NEVER SHOULD HAVE HAD THIS
THING HERE IN THE FIRST PLACE!
241
0:11:41,680 --> 0:11:44,717
WE HAVE IT HERE FOR A REASON,
AND THAT REASON IS STILL VALID.
242
0:11:44,783 --> 0:11:46,652
STUDYING THEM
IS OUR BEST CHANCE
243
0:11:46,718 --> 0:11:48,554
AT FIGURING OUT
HOW TO STOP THEM.
244
0:11:48,621 --> 0:11:50,523
AND I WAS MAKING PROGRESS.
245
0:11:52,191 --> 0:11:54,393
[ SCOFFS ]
246
0:11:54,460 --> 0:11:57,562
I'LL TELL YOU WHAT --
I WILL GIVE YOU 24 HOURS
247
0:11:57,629 --> 0:12:0,532
TO LEARN WHATEVER THERE IS LEFT
TO LEARN FROM THAT THING,
248
0:12:0,599 --> 0:12:5,105
AND THEN I AM COMING
TO KILL IT MYSELF.
249
0:12:13,646 --> 0:12:16,348
[ SKITTER GROWLS SOFTLY ]
250
0:12:16,415 --> 0:12:18,785
[ INDISTINCT CONVERSATIONS ]
251
0:12:31,96 --> 0:12:33,366
HOW YOU FEELING?
252
0:12:36,330 --> 0:12:37,771
YOU'RE HAL.
253
0:12:37,837 --> 0:12:40,307
YEAH.
254
0:12:41,607 --> 0:12:43,442
YOU'RE NOT GONNA EAT THAT?
255
0:12:43,509 --> 0:12:45,44
I'M NOT HUNGRY.
256
0:12:45,110 --> 0:12:47,747
THAT'S A LITTLE UNCOMMON
AROUND HERE.
257
0:12:47,814 --> 0:12:49,281
[ CHUCKLES ]
258
0:12:49,348 --> 0:12:51,684
SO, UH...
259
0:12:51,750 --> 0:12:54,254
WHAT'S IT LIKE --
BEING WITH THEM?
260
0:12:56,488 --> 0:12:58,690
[ DISH THUDS ]
261
0:12:58,757 --> 0:13:1,661
ARE YOU, LIKE, WITH THEM
ALL THE TIME?
262
0:13:3,162 --> 0:13:4,631
WE STAYED TOGETHER.
263
0:13:4,698 --> 0:13:6,298
ALL RIGHT.
264
0:13:6,365 --> 0:13:8,595
WHAT IF YOU HAD TO
TAKE A PISS OR SOMETHING
265
0:13:8,662 --> 0:13:11,304
IN THE MIDDLE
OF THE NIGHT?
266
0:13:12,838 --> 0:13:15,141
YOU WENT.
267
0:13:15,207 --> 0:13:17,510
OKAY.
268
0:13:19,779 --> 0:13:21,713
WHAT ABOUT THOSE HARNESSES?
269
0:13:21,780 --> 0:13:24,316
YOU KNOW,
THEY EVER, UM...
270
0:13:24,383 --> 0:13:27,86
LIKE, BREAK OR ANYTHING?
271
0:13:30,723 --> 0:13:32,325
YOU KNOW, I MEAN, LIKE...
272
0:13:32,391 --> 0:13:34,326
IS THAT HOW THEY KNEW
THAT YOU WERE ONE OF THEM?
273
0:13:34,393 --> 0:13:35,629
IS IT BECAUSE
OF THE HARNESS?
274
0:13:35,695 --> 0:13:38,331
THEY'RE NOT LIKE THAT.
275
0:13:39,733 --> 0:13:41,267
YOU KNOW, MY BROTHER
276
0:13:41,333 --> 0:13:42,501
IS IN THAT HOSPITAL.
277
0:13:42,568 --> 0:13:43,836
THAT'S WHERE
YOU WERE, RIGHT?
278
0:13:43,902 --> 0:13:45,737
NOW, DO THEY HAVE
ANY SENTRIES IN THE HALL--
279
0:13:45,804 --> 0:13:48,641
YOU'RE GOING TO TRY AND GET HIM,
AREN'T YOU?
280
0:13:48,708 --> 0:13:51,311
YEAH.
281
0:13:53,646 --> 0:13:55,248
THEY'LL KILL YOU ALL.
282
0:13:55,315 --> 0:14:2,315
MARGARET, HEY.
I WANTED TO ASK YOU --
283
0:14:6,258 --> 0:14:8,860
WE'RE HAVING A BABY SHOWER
FOR SARAH TOMORROW NIGHT, AND --
284
0:14:8,927 --> 0:14:10,762
DID YOU GET IN A FIGHT
OR SOMETHING?
285
0:14:10,829 --> 0:14:13,866
OH, NO, I HAD TO
CLEAN OUT AND RE-STITCH
286
0:14:13,933 --> 0:14:15,601
AN INFECTED WOUND
THIS MORNING.
287
0:14:15,668 --> 0:14:16,869
YOU A DOCTOR?
288
0:14:16,936 --> 0:14:18,971
I WAS IN MED SCHOOL.
289
0:14:19,38 --> 0:14:21,440
BUT I'M INVITING YOU
TO THE BABY SHOWER TONIGHT.
290
0:14:21,507 --> 0:14:24,442
FOR SARAH. YEAH.
I JUST MET HER. I'LL PASS.
291
0:14:24,509 --> 0:14:27,812
I THINK SARAH WOULD
REALLY LIKE IT IF YOU CAME.
YEAH, WELL...
292
0:14:27,879 --> 0:14:30,383
I'M A LITTLE BUSY WITH
THIS WHOLE WAR THING, BUT --
293
0:14:30,450 --> 0:14:31,718
YOU'RE LEAKING.
294
0:14:34,52 --> 0:14:36,989
YOU KNOW, IT WASN'T EASY FOR ME
AT FIRST, EITHER --
295
0:14:37,56 --> 0:14:38,957
SETTLING INTO
A NEW COMMUNITY.
296
0:14:39,24 --> 0:14:41,660
A COMMUNITY, HUH?
THAT'S A PRETTY FANCY NAME
297
0:14:41,727 --> 0:14:44,396
FOR A BUNCH OF OLD PEOPLE
AND TEACHERS WITH GUNS.
298
0:14:44,463 --> 0:14:46,65
I KNOW THAT YOUR LAST PLACE
WASN'T ONE.
299
0:14:46,132 --> 0:14:47,633
HOW DID YOU END UP
300
0:14:47,700 --> 0:14:48,867
WITH THOSE CREEPS?
301
0:14:48,934 --> 0:14:51,738
YOU DON'T WANT TO KNOW,
SWEETHEART.
302
0:15:9,822 --> 0:15:11,558
I'M SORRY
ABOUT HARRIS.
303
0:15:14,427 --> 0:15:16,395
HE DIDN'T DESERVE TO DIE.
304
0:15:16,462 --> 0:15:19,98
[ SIGHS ] NOBODY DID.
305
0:15:19,165 --> 0:15:21,366
YOU'LL BE FINE WITHOUT HIM.
306
0:15:21,433 --> 0:15:23,35
I HOPE SO, TOM.
307
0:15:23,102 --> 0:15:26,104
WELL, HOPE'S GOT NOTHING
TO DO WITH IT.
308
0:15:26,171 --> 0:15:29,408
YOU WERE THE ONE I ALWAYS
WANTED TO OPERATE ON BEN.
309
0:15:29,475 --> 0:15:32,344
HARRIS WAS A GREAT SURGEON.
310
0:15:32,411 --> 0:15:34,380
YOU CARE.
311
0:15:34,447 --> 0:15:38,351
SURGEONS WOULD NOT
CONSIDER THAT A PLUS.
312
0:15:38,418 --> 0:15:41,87
PATIENTS DO.
313
0:15:43,656 --> 0:15:45,792
YOUR SON'S NOT UP THERE,
IS HE?
314
0:15:47,694 --> 0:15:49,696
NO.
315
0:15:49,763 --> 0:15:51,630
WELL, MAYBE...
316
0:15:51,697 --> 0:15:53,794
I MEAN, I REALIZE
IT'S NOT THE SAME --
317
0:15:53,861 --> 0:15:55,434
BEN'S STILL WITH US --
318
0:15:55,501 --> 0:15:59,334
BUT MAYBE YOU SHOULD
PUT SOMETHING UP THERE.
319
0:16:1,7 --> 0:16:3,442
WHY?
320
0:16:3,509 --> 0:16:4,911
IT'S JUST...
321
0:16:4,978 --> 0:16:7,380
HOW WE ARE.
322
0:16:7,447 --> 0:16:9,583
[ SIGHS ]
323
0:16:13,619 --> 0:16:15,755
[ FOOTSTEPS DEPART ]
324
0:16:17,456 --> 0:16:19,824
Hal: BETWEEN IT BEING NIGHTTIME
AND THEM BEING ASLEEP,
325
0:16:19,891 --> 0:16:22,728
I MAY BE ABLE
TO GO RIGHT IN.
WHAT'S GOING ON?
326
0:16:22,795 --> 0:16:24,930
HAL'S COME UP
WITH AN ALTERNATIVE PLAN.
327
0:16:24,997 --> 0:16:26,833
REALLY?
328
0:16:26,900 --> 0:16:28,434
I'M GOING IN --
329
0:16:28,501 --> 0:16:30,136
WITH RICK'S HARNESS
STRAPPED TO MY BACK.
330
0:16:30,203 --> 0:16:31,905
I'M GONNA PRETEND
TO BE ONE OF THEM.
331
0:16:31,972 --> 0:16:33,939
ABSOLUTELY NOT.
332
0:16:34,6 --> 0:16:35,574
IT'S ORIGINAL.
333
0:16:35,641 --> 0:16:37,10
IT'S CRAZY.
334
0:16:37,77 --> 0:16:38,677
I DON'T KNOW
WHAT'S CRAZY ANYMORE.
335
0:16:38,744 --> 0:16:40,613
WE'RE FIGHTING ALIENS
FROM OUTER SPACE.
336
0:16:40,680 --> 0:16:43,850
WE GOT AN ARMY
HALF-FULL OF KIDS.
337
0:16:45,917 --> 0:16:48,654
GIVE US A MINUTE.
LOOK, DAD,
I TALKED TO RICK.
338
0:16:48,721 --> 0:16:50,523
HE SAYS THE KIDS WANDER
AROUND IN THERE BY THEMSELVES.
339
0:16:50,590 --> 0:16:51,757
YOU'RE SAYING
THAT THEY CAN'T TELL
340
0:16:51,824 --> 0:16:53,687
WHETHER THE HARNESS
IS CONNECTED OR NOT?
341
0:16:53,754 --> 0:16:55,827
I DON'T THINK SO, NOT
UNLESS THEY'RE TRYING
TO COMMUNICATE WITH YOU.
342
0:16:55,894 --> 0:16:58,764
THIS IS GOOD. THIS IS GREAT.
BUT YOU'RE --
343
0:16:58,831 --> 0:17:0,465
LOOK, DON'T!
DAD! LISTEN TO ME!
344
0:17:0,532 --> 0:17:1,700
IF WE HAD MORE TIME,
345
0:17:1,767 --> 0:17:3,502
MAYBE WE COULD COME UP
WITH THE PERFECT PLAN.
346
0:17:3,569 --> 0:17:4,703
BUT WE HAVE TO
GET BEN NOW.
347
0:17:4,770 --> 0:17:6,137
YES --
WHEN YOU'RE YOUNG,
348
0:17:6,204 --> 0:17:7,806
YOU FEEL LIKE
YOU'RE INVINCIBLE...
OH, MY GOD.
349
0:17:7,873 --> 0:17:10,441
...AND YOU DON'T ALWAYS
USE THE BEST --
350
0:17:10,508 --> 0:17:12,844
Y-YOU GONNA GIVE ME A LECTURE
ON DRUNK DRIVING RIGHT NOW?
NO, I'M TRYING
TO EXPLAIN TO YOU
351
0:17:12,911 --> 0:17:15,447
THAT YOU DON'T UNDERSTAND
HOW EASILY YOU CAN DIE.
ARE YOU KIDDING ME?
352
0:17:15,514 --> 0:17:17,649
'CAUSE EVERY LAST PERSON
WHO'S STILL ALIVE ON THIS PLANET
353
0:17:17,716 --> 0:17:19,18
REALIZES HOW EASILY
THEY CAN DIE.
354
0:17:19,85 --> 0:17:20,886
WELL, I'M NOT GONNA
LET IT BE YOU.
355
0:17:20,953 --> 0:17:23,622
I'M NOT SAYING THIS IS GONNA
WORK. I'M SAYING IT MIGHT WORK.
356
0:17:23,689 --> 0:17:25,859
BUT IF YOU GO IN THERE
INSTEAD OF ME,
357
0:17:25,926 --> 0:17:27,893
IT WILL NOT WORK, OKAY?
358
0:17:27,960 --> 0:17:30,796
WE GOT TO TAKE RISKS
AS A FAMILY, OKAY?
359
0:17:30,863 --> 0:17:33,665
YOU GOING IN THERE
IS NO DIFFERENT THAN
ME GOING IN THERE.
360
0:17:33,732 --> 0:17:36,502
ME GOING IN THERE
IS NO DIFFERENT THAN
YOU GOING IN THERE.
361
0:17:36,569 --> 0:17:38,905
IT'S ALL ABOUT WHO HAS
THE BEST CHANCE OF COMING OUT.
362
0:17:38,972 --> 0:17:40,573
AND THAT'S ME.
363
0:17:40,640 --> 0:17:43,709
MAKING YOURSELF INVISIBLE
TO THE ENEMY
364
0:17:43,776 --> 0:17:46,44
IS A BASIC TACTIC, TOM.
365
0:17:46,111 --> 0:17:50,517
I THINK IT'S YOUR BEST SHOT.
BUT IT'S YOUR CALL.
366
0:17:52,585 --> 0:17:54,920
WE STILL DON'T KNOW
HOW TO KILL ONE OF THESE THINGS
367
0:17:54,987 --> 0:17:57,90
WITHOUT MAKING ANY NOISE,
SO UNTIL WE FIGURE THAT OUT,
368
0:17:57,157 --> 0:17:59,454
I DON'T HAVE TO MAKE A CALL.
369
0:18:0,960 --> 0:18:2,994
WITHOUT MAKING
ANY NOISE?
Hal: YEAH.
370
0:18:3,61 --> 0:18:4,663
DO YOU THINK
IT'S GONNA BE SLEEPING
371
0:18:4,730 --> 0:18:6,933
IN SOME SOUNDPROOF CHAMBER
WITH ITS HEAD IN A GUILLOTINE?
372
0:18:7,0 --> 0:18:9,536
[ CHUCKLES ]
PROBABLY NOT.
373
0:18:10,904 --> 0:18:13,105
THERE IS ONE THING.
374
0:18:13,172 --> 0:18:16,875
MIKE HIT HIM -- IT --
IN ITS MOUTH THE OTHER DAY.
375
0:18:16,942 --> 0:18:18,710
IT SEEMED
TO KNOCK IT UNCONSCIOUS.
376
0:18:18,777 --> 0:18:20,546
WE KNOW
THAT THERE'S A SOFT PALATE.
377
0:18:20,613 --> 0:18:22,614
IF THE NERVE CENTER
IS IN THERE,
378
0:18:22,681 --> 0:18:25,550
WE KNOW IT'S CONNECTED
TO THE BASE OF THE BRAIN STEM.
379
0:18:25,617 --> 0:18:27,921
THAT MEANS,
THEORETICALLY...
380
0:18:29,856 --> 0:18:31,224
CAN YOU OPEN THAT?
381
0:18:37,697 --> 0:18:40,567
[ SKITTER SNARLING, SCREECHING ]
382
0:18:51,210 --> 0:18:52,778
ANNE.
383
0:18:52,845 --> 0:18:54,848
I'M NOT GONNA LET HAL
RISK HIS LIFE ON A THEORY.
384
0:18:56,616 --> 0:18:57,817
ANNE, DON'T!
[ GRUNTS ]
385
0:18:57,884 --> 0:18:59,986
[ SCREECHING ]
386
0:19:3,957 --> 0:19:5,258
[ GRUNTS ]
387
0:19:13,199 --> 0:19:16,102
[ THUD ]
[ BREATHING HEAVILY ]
388
0:19:23,810 --> 0:19:25,44
[ SCALPEL CLATTERS ]
389
0:19:28,748 --> 0:19:31,150
OKAY. THAT WORKED.
390
0:19:40,359 --> 0:19:42,762
WE HAD TO KNOW
HOW TO DO IT.
391
0:19:42,829 --> 0:19:44,696
YOU. HAL. ME.
392
0:19:44,763 --> 0:19:48,267
ALL OF US --
THE HUMAN RACE.
393
0:19:48,334 --> 0:19:49,934
I KNOW.
394
0:19:50,1 --> 0:19:52,706
AND DON'T THINK IT WAS HARD
FOR ME -- BECAUSE IT WASN'T.
395
0:19:54,373 --> 0:19:56,703
ALL I HAD TO DO
WAS THINK ABOUT MY FAMILY.
396
0:19:56,770 --> 0:20:0,814
I JUST PICTURED THEM FOR ONE
SECOND, AND THAT'S ALL IT TOOK.
397
0:20:3,83 --> 0:20:4,316
YOU AND KATE AND SCOTT --
398
0:20:4,383 --> 0:20:6,818
YOU GUYS ALL WANT ME
TO HAVE A PICTURE UP HERE,
399
0:20:6,885 --> 0:20:9,388
BUT I DIDN'T WANT TO TELL YOU --
I DON'T HAVE ANYTHING.
400
0:20:9,455 --> 0:20:11,285
I DON'T HAVE ONE SINGLE
PHOTOGRAPH.
401
0:20:11,352 --> 0:20:13,59
I DON'T HAVE A TRUCK.
I DON'T --
402
0:20:13,126 --> 0:20:15,61
I DON'T HAVE
A BORIS BEAR. I DON'T --
403
0:20:15,128 --> 0:20:17,129
[ GASPING ]
404
0:20:17,196 --> 0:20:19,265
ALL I HAVE IS THIS.
405
0:20:41,236 --> 0:20:43,707
[ THUDDING ]
406
0:20:49,78 --> 0:20:52,182
[ THUDDING CONTINUES ]
407
0:20:59,589 --> 0:21:2,792
OKAY. TELL ME.
408
0:21:2,859 --> 0:21:4,694
LEFT AT THE FIRST CORRIDOR,
LOBBY,
409
0:21:4,761 --> 0:21:6,495
LEFT AT SECOND CORRIDOR,
RIGHT.
410
0:21:6,561 --> 0:21:9,98
THE NEXT CORRIDOR IS BEN'S,
THE SOUTH CORRIDOR.
411
0:21:9,164 --> 0:21:11,0
THIRD DOOR ON THE RIGHT.
412
0:21:11,66 --> 0:21:12,667
REFERENCE?
413
0:21:12,734 --> 0:21:15,37
MOON FALLING
IN THE EAST-SOUTHEAST.
414
0:21:15,104 --> 0:21:17,40
ALL RIGHT, WEAVER TOLD YOU
THAT THE SLOWER YOU GO,
415
0:21:17,106 --> 0:21:18,874
THE LESS NOISE
YOU'RE GONNA MAKE, RIGHT?
416
0:21:18,941 --> 0:21:21,9
YEAH. I GOT IT.
ALL RIGHT.
WHAT'S THE DISTRESS SIGNAL?
417
0:21:21,76 --> 0:21:23,513
I YELL "HELP"
AS LOUD AS I CAN.
[ Laughing ] DON'T DO THAT.
418
0:21:23,580 --> 0:21:25,147
DON'T JOKE.
419
0:21:25,214 --> 0:21:26,715
ONE FLASH OUT THE WINDOW.
420
0:21:26,781 --> 0:21:28,217
WHAT'S THE "READY" SIGNAL?
THREE FLASHES.
421
0:21:28,284 --> 0:21:32,56
ALL RIGHT, TURN AROUND.
LET ME SEE THAT THING.
422
0:21:34,757 --> 0:21:37,959
YOU KNOW, EVER SINCE YOU WERE
A LITTLE KID, YOU COULD --
423
0:21:38,26 --> 0:21:40,863
YOU COULD DO ANYTHING WITH
YOUR BODY, WITH YOUR HANDS.
424
0:21:40,929 --> 0:21:43,232
YOU THREW A PERFECT FOOTBALL
WHEN YOU WERE 2.
425
0:21:43,299 --> 0:21:44,901
IT'S CALLED A SPIRAL, DAD.
426
0:21:44,968 --> 0:21:47,737
YEAH.
427
0:21:47,804 --> 0:21:49,273
AND YOU CAN BE STUBBORN.
428
0:21:50,907 --> 0:21:53,176
SOMETIMES
THAT'S A GOOD THING.
429
0:21:53,242 --> 0:21:56,578
ANYTHING YOU WANTED TO GET DONE,
YOU GOT DONE.
430
0:21:56,645 --> 0:22:0,884
AND IF ANYBODY CAN DO THIS,
IT'S YOU.
431
0:22:2,886 --> 0:22:5,521
ALL RIGHT, 15 MINUTES.
432
0:22:5,587 --> 0:22:7,256
GIVE ME THAT SIGNAL,
OR I COME IN AFTER YOU.
433
0:22:7,323 --> 0:22:10,593
WELL, YOU GIVE ME 10,
AND YOU'LL BE LOOKING FOR ME.
434
0:22:10,660 --> 0:22:13,130
HEY. COME HERE.
435
0:22:17,266 --> 0:22:20,70
SEE YOU IN A FEW.
436
0:22:25,274 --> 0:22:27,744
[ THUDDING ]
437
0:23:38,976 --> 0:23:41,185
[ SKITTER GRUNTS ]
438
0:23:47,256 --> 0:23:49,726
[ HINGES CREAK ]
439
0:23:55,364 --> 0:23:58,735
NO SKITTERS IN SIGHT.
SO FAR, SO GOOD.
440
0:24:0,402 --> 0:24:2,972
IT DOESN'T FEEL LIKE THAT.
441
0:24:8,745 --> 0:24:10,880
[ SKITTER HISSES ]
442
0:25:23,19 --> 0:25:25,155
[ SKITTER WHIMPERS ]
443
0:25:29,959 --> 0:25:31,995
[ SKITTER WHIMPERS ]
444
0:25:38,101 --> 0:25:40,304
[ SKITTER WHIMPERS ]
445
0:25:57,887 --> 0:25:59,754
IT'S BEEN 20 MINUTES.
446
0:25:59,821 --> 0:26:2,158
HOW LONG SHOULD IT TAKE HIM
TO GET TO BEN'S ROOM?
NOT THIS LONG.
447
0:26:2,225 --> 0:26:5,195
ALL RIGHT.
I'M GONNA GO CHECK ON HIM.
448
0:26:12,535 --> 0:26:14,871
[ THUDDING ]
449
0:26:23,980 --> 0:26:26,977
TOM! WE NEED TO WAIT
FOR THE SIGNAL!
450
0:26:27,44 --> 0:26:28,485
COME ON.
451
0:26:36,593 --> 0:26:39,28
YOU GOT A PLAN, BOSS?
452
0:26:39,94 --> 0:26:40,462
IF I CAN GET
TO BEN'S ROOM,
453
0:26:40,529 --> 0:26:42,932
I MIGHT BE ABLE TO FIND
ANOTHER ENTRANCE.
454
0:26:42,998 --> 0:26:45,502
[ THUDDING, WHIRRING ]
455
0:26:47,69 --> 0:26:50,240
NO, NO, NO, NO, NO, NO.
GO, GO, GO, GO, GO!
456
0:26:52,441 --> 0:26:55,177
OKAY.
I KNOW ANOTHER WAY.
457
0:26:55,244 --> 0:26:56,512
SHOW ME.
458
0:26:56,578 --> 0:26:58,214
YOU GUYS STAY HERE,
WAIT FOR THE SIGNAL.
459
0:26:58,281 --> 0:27:0,50
OKAY.
460
0:27:32,248 --> 0:27:34,284
[ SKITTER SNORTS ]
461
0:27:54,3 --> 0:27:55,539
BEN.
462
0:27:57,406 --> 0:27:59,804
[ GRUNTS, SCREECHES ]
463
0:28:17,594 --> 0:28:19,963
[ SKITTER SCREECHING ]
464
0:28:25,268 --> 0:28:27,504
[ SKITTER WHEEZES ]
465
0:28:30,339 --> 0:28:32,409
YOU OKAY?
I GOT HIM.
466
0:28:32,476 --> 0:28:34,43
OKAY.
467
0:28:34,109 --> 0:28:37,212
BEN.
BEN.
468
0:28:37,279 --> 0:28:39,949
BEN, I'M TAKING YOU HOME.
WE'RE TAKING ALL OF THEM.
469
0:28:54,63 --> 0:28:55,699
WE GOT TO GO.
470
0:28:59,334 --> 0:29:1,505
[ GRUNTING ]
471
0:29:10,245 --> 0:29:13,149
Tom: PUT EACH KID ON
A STRETCHER ALONG THE WALL.
Woman: WE NEED MORE GAUZE!
472
0:29:13,215 --> 0:29:15,184
MONITOR ALL THEIR VITALS,
LET ME KNOW OF ANY CHANGES.
473
0:29:15,251 --> 0:29:17,621
WE'RE DOING THE SURGERIES
ONE AFTER THE OTHER.
ALL RIGHT.
474
0:29:19,221 --> 0:29:21,157
Tom: DON'T WORRY, BEN.
I GOT YOU.
475
0:29:21,223 --> 0:29:22,925
Anne: I NEED 10cc
OF MORPHINE, STAT.
476
0:29:22,992 --> 0:29:24,326
Woman:
HAND ME ANOTHER BLANKET.
477
0:29:24,393 --> 0:29:25,660
YOU MIGHT NOT WANT
TO BE HERE.
478
0:29:25,727 --> 0:29:27,362
NO, THIS IS EXACTLY
WHERE I WANT TO BE.
479
0:29:27,429 --> 0:29:29,98
LET'S JUST GET THIS THING
OFF OF HIM.
480
0:29:29,165 --> 0:29:30,634
Woman:
CAREFUL! CAREFUL!
481
0:29:30,700 --> 0:29:32,469
Anne: BLOOD PRESSURE?
482
0:29:32,536 --> 0:29:34,204
110/70.
483
0:29:36,272 --> 0:29:39,41
Man: MORE GAUZE!
Tom: I GOT THIS.
484
0:29:39,108 --> 0:29:40,977
LET'S GET THE I.V.s
IN ALL THE OTHER PATIENTS.
485
0:29:41,43 --> 0:29:42,644
Woman: MAKE SURE
THOSE NEEDLES ARE STERILE!
486
0:29:42,711 --> 0:29:46,182
Man: OKAY.
LET'S GO! LET'S GO!
487
0:29:46,248 --> 0:29:50,152
SOMETHING'S HAPPENING.
HIS PRESSURE'S DROPPING.
488
0:29:50,219 --> 0:29:52,188
THIS ONE'S PULSE
IS DROPPING, TOO!
Tom: HANG ON, BEN.
489
0:29:52,255 --> 0:29:54,358
[ INDISTINCT SHOUTING ]
490
0:29:55,759 --> 0:29:58,62
[ GRUNTS ]
491
0:29:59,428 --> 0:30:0,997
BEN, HANG IN THERE.
IT'S DAD.
492
0:30:1,64 --> 0:30:2,964
PULSE IS PICKING BACK UP.
493
0:30:3,31 --> 0:30:5,566
ALL RIGHT, LET'S GET HIM
DOWN. LET'S GET HER UP.
WHAT'S HAPPENING?
494
0:30:5,633 --> 0:30:8,772
THIS ONE'S PULSE IS FAINT.
Anne: ALL RIGHT, LET'S
SPEED UP THE PREP. LET'S
GET EVERYONE READY.
495
0:30:11,373 --> 0:30:13,76
TOM, I NEED YOU
TO CUT OFF HIS SHIRT.
496
0:30:13,142 --> 0:30:15,77
THIS ONE'S HAVING
TROUBLE BREATHING!
497
0:30:15,144 --> 0:30:16,579
THEY'RE GOING
INTO WITHDRAWAL!
498
0:30:16,645 --> 0:30:20,16
ALL RIGHT, LIFT THE HARNESS.
LET'S GET THIS DONE.
499
0:30:20,83 --> 0:30:21,417
BP's 90/50.
500
0:30:21,483 --> 0:30:24,186
HOLD HER STEADY.
501
0:30:24,253 --> 0:30:26,290
[ GASPING ]
502
0:30:29,91 --> 0:30:31,260
Man: NO PULSE!
SOMEBODY GIVE ME A HAND!
503
0:30:31,327 --> 0:30:33,395
WE NEED TO GET HIM
TO THE TABLE!
504
0:30:33,462 --> 0:30:35,299
THIS IS THE LAST PATIENT!
505
0:30:39,135 --> 0:30:40,304
[ BALL THUDS ]
506
0:30:41,571 --> 0:30:43,105
[ HISSING ]
507
0:30:43,172 --> 0:30:44,374
[ GRUNTING ]
508
0:30:46,776 --> 0:30:49,546
TURN HIM OVER.
WATCH HIS HEAD.
509
0:30:52,581 --> 0:30:55,685
ONE, TWO, THREE,
FOUR, FIVE...
510
0:30:55,752 --> 0:30:58,521
EIGHT, NINE.
511
0:30:58,588 --> 0:31:0,324
[ GRUNTING SOFTLY ]
512
0:31:5,795 --> 0:31:7,396
I'M NOT GETTING A PULSE.
513
0:31:7,463 --> 0:31:9,265
I DON'T HAVE A PULSE.
514
0:31:9,331 --> 0:31:11,601
[ GRUNTING CONTINUES ]
HE'S GONE, ANNE.
515
0:31:13,535 --> 0:31:15,605
HE'S GONE.
HE'S GONE. HE'S GONE.
516
0:31:15,671 --> 0:31:18,108
[ BREATHING HEAVILY ]
517
0:31:23,512 --> 0:31:26,516
I DON'T KNOW
WHAT WENT WRONG.
518
0:31:38,356 --> 0:31:40,497
Tom: ANNE.
519
0:31:40,563 --> 0:31:43,733
YOU SAVED FIVE.
520
0:31:43,800 --> 0:31:46,370
I LOST ONE.
521
0:31:57,54 --> 0:31:59,391
[ INDISTINCT CONVERSATIONS ]
522
0:32:8,866 --> 0:32:11,35
[ DOOR OPENS ]
523
0:32:11,102 --> 0:32:13,303
YOU SHOULD GET THAT HAND
LOOKED AT.
524
0:32:13,370 --> 0:32:15,841
THEY'VE BEEN
A LITTLE BUSY IN THERE.
525
0:32:17,375 --> 0:32:19,911
HEY, UM...
526
0:32:19,977 --> 0:32:22,880
THANKS FOR WHAT YOU DID
BACK THERE.
527
0:32:22,947 --> 0:32:24,514
IT WAS ALL YOUR DAD.
528
0:32:24,581 --> 0:32:26,884
YEAH, HE SAID THAT YOU KNEW A
DIFFERENT WAY INTO THE HOSPITAL.
529
0:32:26,951 --> 0:32:28,518
THROUGH THE NURSES'
LOCKER ROOM.
530
0:32:28,585 --> 0:32:30,922
I USED TO HANG OUT WITH THEM
DURING THEIR CIGARETTE BREAKS.
531
0:32:30,988 --> 0:32:35,159
SO WHEN YOU WERE VISITING
YOUR AUNT AT THE HOSPITAL,
532
0:32:35,225 --> 0:32:37,595
YOU WERE HANGING OUT
WITH THE NURSES?
533
0:32:37,661 --> 0:32:40,465
SOMETHING LIKE THAT.
534
0:32:42,566 --> 0:32:44,536
FRIENDS WITH ALL
THE DRUG DEALERS IN TOWN,
535
0:32:44,602 --> 0:32:46,103
ALL THE NURSES
IN THE HOSPITAL --
536
0:32:46,170 --> 0:32:48,940
YOU MUST HAVE BEEN
ONE POPULAR GIRL.
537
0:32:49,6 --> 0:32:51,109
[ CHUCKLES ]
538
0:32:57,648 --> 0:33:1,386
I HAD CANCER
WHEN I WAS 16.
539
0:33:4,289 --> 0:33:6,524
SO...
540
0:33:6,591 --> 0:33:9,860
UM...
541
0:33:9,927 --> 0:33:11,461
[ CHUCKLES ]
542
0:33:11,528 --> 0:33:15,566
ONE OF THE DOCTORS
TOLD ME TO SMOKE POT TO --
543
0:33:15,633 --> 0:33:18,535
YOU KNOW,
FOR THE NAUSEA, WHATEVER.
544
0:33:18,602 --> 0:33:22,873
AND, UM, SO I'D GO
TO THIS GUY'S HOUSE, AND...
545
0:33:22,940 --> 0:33:25,375
HE WOULD, LIKE,
SHOW OFF FOR ME, I GUESS.
546
0:33:25,442 --> 0:33:27,644
I DON'T KNOW WHY. I WASN'T
LOOKING SO GOOD IN THOSE DAYS,
547
0:33:27,710 --> 0:33:31,950
WITH THE WHOLE NO HAIR
FROM THE CHEMO AND EVERYTHING.
548
0:33:34,385 --> 0:33:36,921
WHAT KIND OF CANCER?
549
0:33:36,988 --> 0:33:39,123
IT WAS BAD.
550
0:33:39,190 --> 0:33:42,927
HAD A 50/50 CHANCE.
551
0:33:42,994 --> 0:33:46,965
THOSE ODDS MAKE YOU
THINK DIFFERENTLY.
552
0:33:51,536 --> 0:33:53,371
I'M GLAD YOU MADE IT.
553
0:33:57,575 --> 0:33:59,873
[ CHUCKLES ]
554
0:34:8,585 --> 0:34:11,523
DAD, GUARD TOLD ME BEN
PULLED THROUGH. HOW IS HE?
555
0:34:11,589 --> 0:34:14,358
HE'S STILL UNCONSCIOUS.
556
0:34:14,424 --> 0:34:16,328
PROBABLY UNTIL
SOMETIME TOMORROW.
557
0:34:16,394 --> 0:34:18,996
WE GOT HIM BACK.
558
0:34:19,63 --> 0:34:21,198
YOU DID.
559
0:34:21,264 --> 0:34:24,702
[ SIGHS ]
YOU GOT HIM BACK.
560
0:34:28,405 --> 0:34:31,576
YOU WERE
INCREDIBLY BRAVE TONIGHT.
561
0:34:33,611 --> 0:34:35,212
AND I'M SO PROUD OF YOU.
562
0:34:35,279 --> 0:34:36,614
[ CHUCKLES ]
I KNOW, DAD.
563
0:34:36,681 --> 0:34:38,183
YOU DON'T KNOW.
THAT'S OKAY.
564
0:34:38,249 --> 0:34:39,617
YOU DON'T KNOW.
565
0:34:39,684 --> 0:34:41,385
[ INHALES DEEPLY ]
566
0:34:41,451 --> 0:34:45,23
YOU DON'T KNOW WHAT IT'S LIKE
TO BE A FATHER...
567
0:34:46,724 --> 0:34:51,62
...AND TO SEE YOUR SON
GROW INTO A MAN.
568
0:34:51,128 --> 0:34:54,332
HE'S STILL YOUR KID, BUT...
569
0:34:54,399 --> 0:34:57,669
A MAN, LIKE YOU...
570
0:34:57,735 --> 0:35:1,5
AND IN SO MANY WAYS...
571
0:35:1,71 --> 0:35:2,507
BETTER THAN YOU.
572
0:35:4,41 --> 0:35:6,611
I'M NOT.
HEY, IT'S WHAT WE WANT.
573
0:35:7,645 --> 0:35:10,681
WE WANT YOU
TO BE BETTER.
574
0:35:10,748 --> 0:35:13,118
[ DOOR OPENS ]
575
0:35:19,289 --> 0:35:21,626
[ INDISTINCT CONVERSATIONS ]
576
0:35:28,327 --> 0:35:31,35
OH, MY GOD.
577
0:35:31,101 --> 0:35:33,538
IT'S BEAUTIFUL.
578
0:35:37,341 --> 0:35:40,711
EVERY BEAD
REPRESENTS A WISH
579
0:35:40,778 --> 0:35:42,680
OR A GOOD THOUGHT...
580
0:35:42,746 --> 0:35:45,182
OR A PIECE OF ADVICE...
581
0:35:45,248 --> 0:35:47,619
SO THAT WHEN YOU GO
INTO LABOR
582
0:35:47,685 --> 0:35:50,221
AND YOU PUT
THIS BRACELET ON,
583
0:35:50,288 --> 0:35:51,589
YOU'LL HAVE ALL OF US
584
0:35:51,655 --> 0:35:53,457
RIGHT THERE WITH YOU.
585
0:35:53,524 --> 0:35:55,393
AND YOU HAVE TO REMEMBER,
586
0:35:55,460 --> 0:35:58,129
WITH THIS CHILD,
IT'S YOURS...
587
0:35:58,195 --> 0:36:1,465
AND IT'S NOT YOURS.
588
0:36:1,531 --> 0:36:4,669
AS SOON AS IT'S BORN, YOU
HAVE TO START SETTING IT FREE.
589
0:36:9,307 --> 0:36:12,76
I HOPE THAT YOUR CHILD
590
0:36:12,142 --> 0:36:15,613
IS COURAGEOUS
AND STRONG AND LUCKY.
591
0:36:15,680 --> 0:36:18,149
AND I HOPE
THAT THEY WILL FACE LIFE,
592
0:36:18,215 --> 0:36:20,785
THE GOOD AND THE BAD...
593
0:36:20,851 --> 0:36:23,756
ALL OF IT.
594
0:36:37,302 --> 0:36:40,671
SOMEBODY'S UP TONIGHT.
595
0:36:40,738 --> 0:36:43,141
TAKE A LISTEN.
596
0:36:46,376 --> 0:36:49,782
THE HEARTBEAT'S REALLY FAST.
IS THAT NORMAL?
597
0:36:55,653 --> 0:36:57,21
[ CHUCKLES ]
598
0:36:57,88 --> 0:36:59,356
IT'S SUPPOSED TO
BE THAT FAST.
599
0:36:59,423 --> 0:37:2,861
YOUR BABY
SOUNDS JUST FINE.
600
0:37:21,846 --> 0:37:24,582
COME HERE.
601
0:38:13,564 --> 0:38:16,634
[ JIMMY CLIFF'S
"MANY RIVERS TO CROSS" PLAYS ]
602
0:38:37,622 --> 0:38:42,860
♪ MANY RIVERS TO CROSS ♪
603
0:38:42,927 --> 0:38:47,565
♪ BUT I CAN'T SEEM TO FIND ♪
604
0:38:47,632 --> 0:38:50,736
♪ MY WAY OVER ♪
Weaver: JIMMY?
605
0:38:52,937 --> 0:38:57,875
♪ WANDERING, I AM LOST ♪
606
0:38:57,942 --> 0:39:2,313
♪ AS I TRAVEL ALONG ♪
607
0:39:2,379 --> 0:39:7,318
♪ THE WHITE CLIFFS OF DOVER ♪
608
0:39:7,384 --> 0:39:11,955
♪ MANY RIVERS TO CROSS ♪
609
0:39:12,22 --> 0:39:14,993
♪ AND IT'S ONLY MY WILL... ♪
610
0:39:28,706 --> 0:39:30,943
[ SIGHS ]
611
0:39:43,254 --> 0:39:46,624
DON'T YOU HIGH-PRICED
SURGEONS EVER SLEEP?
612
0:39:46,690 --> 0:39:49,828
I'M ASLEEP RIGHT NOW.
613
0:39:53,598 --> 0:39:55,567
HEY.
614
0:39:56,934 --> 0:39:59,703
YOU DID IT.
615
0:39:59,770 --> 0:40:2,574
YOU SAVED HIM.
616
0:40:5,943 --> 0:40:8,46
Hal: DAD!
617
0:40:17,788 --> 0:40:20,725
[ Sleepily ] DAD?
618
0:40:20,791 --> 0:40:23,929
IT'S ME. IT'S ME.
39194
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