All language subtitles for MythBusters.S11E05.Mini.Myth.Medley.1080p.WEB-DL.AAC2.0.h264-BTN_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,735 --> 00:00:01,800 IT MAY NOT LOOK LIKE IT, 2 00:00:01,802 --> 00:00:02,368 BUT WE'RE PROFESSIONALS. 3 00:00:02,369 --> 00:00:02,935 IT MAY NOT LOOK LIKE IT, 4 00:00:02,937 --> 00:00:03,452 DO US A FAVOR. 5 00:00:03,453 --> 00:00:03,968 IT MAY NOT LOOK LIKE IT, 6 00:00:03,971 --> 00:00:05,087 DON'T TRY THIS AT HOME! WHOA! [ GRUNTS ] 7 00:00:05,088 --> 00:00:06,204 IT MAY NOT LOOK LIKE IT, 8 00:00:06,207 --> 00:00:08,741 Narrator: ON THIS MAJOR-LEAGUE EPISODE OF "MYTHBUSTERS"... 9 00:00:08,742 --> 00:00:11,276 IT MAY NOT LOOK LIKE IT, 10 00:00:11,278 --> 00:00:12,394 THE GUYS RAID THE RANDOMIZER 11 00:00:12,395 --> 00:00:13,511 IT MAY NOT LOOK LIKE IT, 12 00:00:13,514 --> 00:00:15,948 FOR A MEDLEY OF MIND-BENDING MINI MYTHS SENT IN BY YOU. 13 00:00:15,949 --> 00:00:18,383 IT MAY NOT LOOK LIKE IT, 14 00:00:18,386 --> 00:00:18,801 OH! 15 00:00:18,802 --> 00:00:19,217 IT MAY NOT LOOK LIKE IT, 16 00:00:19,220 --> 00:00:19,719 WOW! 17 00:00:19,720 --> 00:00:20,219 IT MAY NOT LOOK LIKE IT, 18 00:00:20,221 --> 00:00:20,903 FIRST UP, THE FANS ASK... 19 00:00:20,904 --> 00:00:21,586 IT MAY NOT LOOK LIKE IT, 20 00:00:21,589 --> 00:00:22,004 WE'RE GATHERING DATA. 21 00:00:22,005 --> 00:00:22,420 IT MAY NOT LOOK LIKE IT, 22 00:00:22,423 --> 00:00:23,539 ...DO YOU REALLY KNOW THE BACK OF YOUR HAND 23 00:00:23,540 --> 00:00:24,656 IT MAY NOT LOOK LIKE IT, 24 00:00:24,658 --> 00:00:25,774 LIKE THE PROVERBIAL PROVERB? 25 00:00:25,775 --> 00:00:26,891 IT MAY NOT LOOK LIKE IT, 26 00:00:26,894 --> 00:00:27,710 OOH, OOH, OOH, PICK ME! 27 00:00:27,711 --> 00:00:28,527 IT MAY NOT LOOK LIKE IT, 28 00:00:28,529 --> 00:00:29,478 THEN... HAVE AT IT. 29 00:00:29,479 --> 00:00:30,428 IT MAY NOT LOOK LIKE IT, 30 00:00:30,431 --> 00:00:31,580 IS A SUBAQUATIC POOL PEDAL POSSIBLE, 31 00:00:31,581 --> 00:00:32,730 IT MAY NOT LOOK LIKE IT, 32 00:00:32,733 --> 00:00:34,199 PLAUSIBLE, OR PATENTLY PREPOSTEROUS? 33 00:00:34,200 --> 00:00:35,666 IT MAY NOT LOOK LIKE IT, 34 00:00:35,669 --> 00:00:36,952 MOST PECULIAR START TO ANY RACE EVER. 35 00:00:36,953 --> 00:00:38,236 IT MAY NOT LOOK LIKE IT, 36 00:00:38,239 --> 00:00:38,721 MEANWHILE... 37 00:00:38,722 --> 00:00:39,204 IT MAY NOT LOOK LIKE IT, 38 00:00:39,206 --> 00:00:39,922 HE IS NONE OTHER THAN MATT CAIN. 39 00:00:39,923 --> 00:00:40,639 IT MAY NOT LOOK LIKE IT, 40 00:00:40,641 --> 00:00:42,358 KARI, GRANT, AND TORY DRAFT A GIANT OF BASEBALL... 41 00:00:42,359 --> 00:00:44,076 IT MAY NOT LOOK LIKE IT, 42 00:00:44,078 --> 00:00:44,810 THE MAN'S GOT A CANNON FOR AN ARM. 43 00:00:44,811 --> 00:00:45,543 IT MAY NOT LOOK LIKE IT, 44 00:00:45,546 --> 00:00:47,379 ...TO PITCH IN WITH SOME MONK MAGIC. 45 00:00:47,380 --> 00:00:49,213 IT MAY NOT LOOK LIKE IT, 46 00:00:49,216 --> 00:00:51,100 CAN YOU REALLY PIERCE GLASS WITH A NEEDLE? 47 00:00:51,101 --> 00:00:52,985 IT MAY NOT LOOK LIKE IT, 48 00:00:52,987 --> 00:00:53,586 [ INDISTINCT SHOUTING ] 49 00:00:53,587 --> 00:00:54,186 IT MAY NOT LOOK LIKE IT, 50 00:00:54,188 --> 00:00:55,721 AND FINALLY, YOU ASK, DOES THE POTTY DANCE... 51 00:00:55,722 --> 00:00:57,255 IT MAY NOT LOOK LIKE IT, 52 00:00:57,258 --> 00:00:58,474 SEE, THE POTTY DANCE IS SIMPLE AND BASIC. 53 00:00:58,475 --> 00:00:59,691 IT MAY NOT LOOK LIKE IT, 54 00:00:59,693 --> 00:01:00,859 ...ACTUALLY HELP YOU HOLD IT IN FOR LONGER? 55 00:01:00,860 --> 00:01:02,026 IT MAY NOT LOOK LIKE IT, 56 00:01:02,029 --> 00:01:03,846 I HOPE I DON'T GO PEE NOW 'CAUSE IT WOULD BE AWKWARD. 57 00:01:03,847 --> 00:01:05,664 IT MAY NOT LOOK LIKE IT, 58 00:01:07,635 --> 00:01:09,935 WHO ARE THE MYTHBUSTERS? 59 00:01:11,172 --> 00:01:12,404 ADAM SAVAGE... 60 00:01:12,406 --> 00:01:12,938 IS EVERYBODY OKAY? 61 00:01:12,939 --> 00:01:13,471 ADAM SAVAGE... 62 00:01:13,474 --> 00:01:14,056 ...AND JAMIE HYNEMAN. 63 00:01:14,057 --> 00:01:14,639 ADAM SAVAGE... 64 00:01:14,642 --> 00:01:15,024 IT'S PARTY TIME. 65 00:01:15,025 --> 00:01:15,407 ADAM SAVAGE... 66 00:01:15,409 --> 00:01:18,077 BETWEEN THEM, MORE THAN 30 YEARS OF SPECIAL-EFFECTS EXPERIENCE. 67 00:01:18,078 --> 00:01:20,746 ADAM SAVAGE... 68 00:01:20,748 --> 00:01:21,680 TOGETHER WITH TORY BELLECI... 69 00:01:21,681 --> 00:01:22,613 ADAM SAVAGE... 70 00:01:22,616 --> 00:01:23,882 WE ONLY HAVE ONE SHOT AT THIS. 71 00:01:23,883 --> 00:01:25,149 ADAM SAVAGE... 72 00:01:25,152 --> 00:01:26,018 ...GRANT IMAHARA... 73 00:01:26,019 --> 00:01:26,885 ADAM SAVAGE... 74 00:01:26,887 --> 00:01:27,553 THAT IS CRAZY! WHOO! 75 00:01:27,554 --> 00:01:28,220 ADAM SAVAGE... 76 00:01:28,222 --> 00:01:29,155 ...AND KARI BYRON... 77 00:01:29,156 --> 00:01:30,089 ADAM SAVAGE... 78 00:01:30,091 --> 00:01:30,339 AH! 79 00:01:30,340 --> 00:01:30,588 ADAM SAVAGE... 80 00:01:30,591 --> 00:01:32,508 THEY DON'T JUST TELL THE MYTHS. 81 00:01:32,509 --> 00:01:34,426 ADAM SAVAGE... 82 00:01:34,428 --> 00:01:35,060 THEY PUT THEM TO THE TEST. 83 00:01:35,061 --> 00:01:35,693 ADAM SAVAGE... 84 00:01:35,696 --> 00:01:37,263 -- Captions by VITAC -- www.vitac.com 85 00:01:37,264 --> 00:01:38,831 ADAM SAVAGE... 86 00:01:38,833 --> 00:01:40,616 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 87 00:01:40,617 --> 00:01:42,400 ADAM SAVAGE... 88 00:01:42,403 --> 00:01:43,035 ROLL UP, ROLL UP. 89 00:01:43,036 --> 00:01:43,668 ADAM SAVAGE... 90 00:01:43,671 --> 00:01:46,155 THE RANDOMIZER RETURNS TO PUT YOUR IDEAS IN A LUCKY-DIP SPIN. 91 00:01:46,156 --> 00:01:48,640 ADAM SAVAGE... 92 00:01:48,642 --> 00:01:49,842 IT'S TIME TO TAKE SOME FANS' SUGGESTIONS. 93 00:01:49,843 --> 00:01:51,043 ADAM SAVAGE... 94 00:01:51,045 --> 00:01:52,178 IT'S TIME TO USE THE RANDOMIZER. 95 00:01:52,179 --> 00:01:53,312 ADAM SAVAGE... 96 00:01:53,314 --> 00:01:53,596 THAT WAS GOOD. 97 00:01:53,597 --> 00:01:53,879 ADAM SAVAGE... 98 00:01:53,881 --> 00:01:55,064 I ALMOST BELIEVED THAT YOU LIKE THIS CONVENTION. 99 00:01:55,065 --> 00:01:56,248 ADAM SAVAGE... 100 00:01:56,250 --> 00:01:57,399 JUST ROLL IT. ALL RIGHT, HERE WE GO. 101 00:01:57,400 --> 00:01:58,549 ADAM SAVAGE... 102 00:01:58,552 --> 00:02:00,152 AND LET'S SEE WHAT WE GOT. 103 00:02:00,153 --> 00:02:01,753 ADAM SAVAGE... 104 00:02:01,755 --> 00:02:03,122 "DEAR MYTHBUSTERS, YOU KNOW THE PHRASE 105 00:02:03,123 --> 00:02:04,490 ADAM SAVAGE... 106 00:02:04,492 --> 00:02:05,207 'I KNOW IT LIKE THE BACK OF MY HAND'? 107 00:02:05,208 --> 00:02:05,923 ADAM SAVAGE... 108 00:02:05,926 --> 00:02:07,192 "I THINK YOU GUYS SHOULD PUT THIS TO THE TEST -- 109 00:02:07,193 --> 00:02:08,459 ADAM SAVAGE... 110 00:02:08,462 --> 00:02:10,312 HOW WELL DO PEOPLE ACTUALLY KNOW THE BACKS OF THEIR HAND?" 111 00:02:10,313 --> 00:02:12,163 ADAM SAVAGE... 112 00:02:12,166 --> 00:02:12,481 HMM. I LIKE THAT. 113 00:02:12,482 --> 00:02:12,797 ADAM SAVAGE... 114 00:02:12,800 --> 00:02:14,150 CAN'T BELIEVE WE HAVEN'T DONE IT BEFORE. 115 00:02:14,151 --> 00:02:15,501 ADAM SAVAGE... 116 00:02:15,503 --> 00:02:15,918 ME NEITHER. 117 00:02:15,919 --> 00:02:16,334 ADAM SAVAGE... 118 00:02:16,337 --> 00:02:17,036 LET'S DO IT. OKAY. 119 00:02:17,037 --> 00:02:17,736 ADAM SAVAGE... 120 00:02:17,738 --> 00:02:18,854 IT'S A UBIQUITOUS, IDIOMATIC PHRASE 121 00:02:18,855 --> 00:02:19,971 ADAM SAVAGE... 122 00:02:19,974 --> 00:02:21,824 THAT HAS BEEN UNCHALLENGED FOR OVER 60 YEARS... 123 00:02:21,825 --> 00:02:23,675 ADAM SAVAGE... 124 00:02:23,677 --> 00:02:24,209 UNTIL NOW. 125 00:02:24,210 --> 00:02:24,742 ADAM SAVAGE... 126 00:02:24,745 --> 00:02:25,978 IS THE IMPLICIT PREMISE EVEN TRUE? 127 00:02:25,979 --> 00:02:27,212 ADAM SAVAGE... 128 00:02:27,214 --> 00:02:27,429 [ GASPS ] 129 00:02:27,430 --> 00:02:27,645 ADAM SAVAGE... 130 00:02:27,648 --> 00:02:29,098 DO WE REALLY KNOW THE BACK OF OUR HANDS THAT WELL? 131 00:02:29,099 --> 00:02:30,549 ADAM SAVAGE... 132 00:02:30,551 --> 00:02:32,685 TO FIND OUT, IT'S FACTS ON, GLOVES OFF. 133 00:02:32,686 --> 00:02:34,820 ADAM SAVAGE... 134 00:02:34,822 --> 00:02:35,120 SO, WHAT'S THE PLAN? 135 00:02:35,121 --> 00:02:35,419 ADAM SAVAGE... 136 00:02:35,422 --> 00:02:36,705 WELL, [SIGHS] I'M WORRIED THIS MIGHT BE TOO DIFFICULT, 137 00:02:36,706 --> 00:02:37,989 ADAM SAVAGE... 138 00:02:37,992 --> 00:02:40,543 BUT WHAT IF WE TOOK PICTURES OF THE BACKS OF 100 PEOPLE'S HANDS 139 00:02:40,544 --> 00:02:43,095 ADAM SAVAGE... 140 00:02:43,097 --> 00:02:43,913 AND WE USE THOSE AS A DATABASE? 141 00:02:43,914 --> 00:02:44,730 ADAM SAVAGE... 142 00:02:44,732 --> 00:02:45,781 THEN WE BRING IN, SAY, 12 VOLUNTEERS. 143 00:02:45,782 --> 00:02:46,831 ADAM SAVAGE... 144 00:02:46,834 --> 00:02:47,633 WE TAKE PICTURES OF THEIR HANDS, 145 00:02:47,634 --> 00:02:48,433 ADAM SAVAGE... 146 00:02:48,435 --> 00:02:50,452 AND THEN WE MAKE THEM PICK THEIR HAND OUT OF A LINEUP. 147 00:02:50,453 --> 00:02:52,470 ADAM SAVAGE... 148 00:02:52,473 --> 00:02:52,655 OKAY. 149 00:02:52,656 --> 00:02:52,838 ADAM SAVAGE... 150 00:02:52,840 --> 00:02:54,089 WELL, ONCE THEY GET HERE, WE SHOULD PUT MITTENS ON THEM 151 00:02:54,090 --> 00:02:55,339 ADAM SAVAGE... 152 00:02:55,342 --> 00:02:56,341 OR SOMETHING SO THEY CAN'T CHEAT. 153 00:02:56,342 --> 00:02:57,341 ADAM SAVAGE... 154 00:02:57,344 --> 00:02:57,626 TOTALLY RIGHT. 155 00:02:57,627 --> 00:02:57,909 ADAM SAVAGE... 156 00:02:57,912 --> 00:02:59,345 LET'S GO GET SOME VOLUNTEERS. LET'S DO IT. 157 00:02:59,346 --> 00:03:00,779 ADAM SAVAGE... 158 00:03:00,781 --> 00:03:02,831 SO, FIRST UP, IT'S A LINEUP AT A HANDY LOCATION -- 159 00:03:02,832 --> 00:03:04,882 ADAM SAVAGE... 160 00:03:04,885 --> 00:03:05,834 JAMIE'S MIND? 161 00:03:05,835 --> 00:03:06,784 ADAM SAVAGE... 162 00:03:06,787 --> 00:03:07,469 PLACE ALWAYS MAKES ME FEEL LIKE 163 00:03:07,470 --> 00:03:08,152 ADAM SAVAGE... 164 00:03:08,155 --> 00:03:09,505 I'M INSIDE THE NEUTRALITY OF THE HYNEMAN BRAIN. 165 00:03:09,506 --> 00:03:10,856 ADAM SAVAGE... 166 00:03:10,858 --> 00:03:12,141 NO, THAT HAS AN OCEAN BACKGROUND IN IT. 167 00:03:12,142 --> 00:03:13,425 ADAM SAVAGE... 168 00:03:13,427 --> 00:03:13,926 THIS IS A PHOTO STUDIO, 169 00:03:13,927 --> 00:03:14,426 ADAM SAVAGE... 170 00:03:14,428 --> 00:03:15,544 AND WE'VE GOT 100 PEOPLE WAITING OUTSIDE 171 00:03:15,545 --> 00:03:16,661 ADAM SAVAGE... 172 00:03:16,664 --> 00:03:17,863 FOR US TO PHOTOGRAPH THE BACKS OF THEIR HANDS. 173 00:03:17,864 --> 00:03:19,063 ADAM SAVAGE... 174 00:03:19,066 --> 00:03:19,465 [ CAMERA SHUTTER CLICKING ] 175 00:03:19,466 --> 00:03:19,865 ADAM SAVAGE... 176 00:03:19,867 --> 00:03:21,200 JUST HOW WELL DO YOU KNOW THE BACK OF YOUR HAND? 177 00:03:21,201 --> 00:03:22,534 ADAM SAVAGE... 178 00:03:22,536 --> 00:03:23,619 WITH THE HELP OF A LITTLE PHOTOGRAPHY, 179 00:03:23,620 --> 00:03:24,703 ADAM SAVAGE... 180 00:03:24,705 --> 00:03:25,804 SOME TEST SUBJECTS, AND SOME VOLUNTEERS, 181 00:03:25,805 --> 00:03:26,904 ADAM SAVAGE... 182 00:03:26,907 --> 00:03:27,823 THIS RIG IS GOING TO HELP US ANSWER THAT. 183 00:03:27,824 --> 00:03:28,740 ADAM SAVAGE... 184 00:03:28,742 --> 00:03:29,992 GO RIGHT ON OVER HERE, AND ADAM WILL SHOW YOU WHAT TO DO. 185 00:03:29,993 --> 00:03:31,243 ADAM SAVAGE... 186 00:03:31,245 --> 00:03:33,162 EACH OF OUR 100 VOLUNTEERS IS GOING TO WALK INTO THIS ROOM, 187 00:03:33,163 --> 00:03:35,080 ADAM SAVAGE... 188 00:03:35,082 --> 00:03:35,998 PLACE THEIR HAND ON THIS PLATFORM. 189 00:03:35,999 --> 00:03:36,915 ADAM SAVAGE... 190 00:03:36,917 --> 00:03:37,332 [ CAMERA SHUTTER CLICKS ] 191 00:03:37,333 --> 00:03:37,748 ADAM SAVAGE... 192 00:03:37,751 --> 00:03:38,350 THE LIGHTING WILL BE IDENTICAL, 193 00:03:38,351 --> 00:03:38,950 ADAM SAVAGE... 194 00:03:38,953 --> 00:03:39,468 THE FRAMING WILL BE IDENTICAL, 195 00:03:39,469 --> 00:03:39,984 ADAM SAVAGE... 196 00:03:39,987 --> 00:03:41,570 AND WHEN WE GOT ALL 100 OF THOSE PHOTOGRAPHS... 197 00:03:41,571 --> 00:03:43,154 ADAM SAVAGE... 198 00:03:43,157 --> 00:03:43,522 NEXT! 199 00:03:43,523 --> 00:03:43,888 ADAM SAVAGE... 200 00:03:43,891 --> 00:03:44,256 ...THAT'S THE DATABASE 201 00:03:44,257 --> 00:03:44,622 ADAM SAVAGE... 202 00:03:44,625 --> 00:03:46,375 WITH WHICH WE ARE GOING TO PUT THIS MYTH TO THE TEST. 203 00:03:46,376 --> 00:03:48,126 ADAM SAVAGE... 204 00:03:48,128 --> 00:03:48,961 WE'RE GATHERING DATA. 205 00:03:48,962 --> 00:03:49,795 ADAM SAVAGE... 206 00:03:49,797 --> 00:03:50,329 WITH 50 GUYS... 207 00:03:50,330 --> 00:03:50,862 ADAM SAVAGE... 208 00:03:50,864 --> 00:03:51,763 EXCELLENT. THANKS VERY MUCH. 209 00:03:51,764 --> 00:03:52,663 ADAM SAVAGE... 210 00:03:52,666 --> 00:03:53,682 ...AND 50 GALS SNAPPED FOR SCIENCE, 211 00:03:53,683 --> 00:03:54,699 ADAM SAVAGE... 212 00:03:54,702 --> 00:03:55,985 ADAM AND JAMIE HAVE THEIR LIBRARY LINEUP. 213 00:03:55,986 --> 00:03:57,269 ADAM SAVAGE... 214 00:03:57,271 --> 00:03:58,504 ALL RIGHT, LET'S GET TO TESTING. 215 00:03:58,505 --> 00:03:59,738 ADAM SAVAGE... 216 00:03:59,740 --> 00:04:02,124 AND BACK AT HAND H.Q., 12 BLINDFOLDED VOLUNTEERS 217 00:04:02,125 --> 00:04:04,509 ADAM SAVAGE... 218 00:04:04,511 --> 00:04:05,761 ARE WHEELED IN TO TAKE THE ACTUAL TEST. 219 00:04:05,762 --> 00:04:07,012 ADAM SAVAGE... 220 00:04:07,014 --> 00:04:07,880 DROP YOUR ELBOW A LITTLE BIT. 221 00:04:07,881 --> 00:04:08,747 ADAM SAVAGE... 222 00:04:08,749 --> 00:04:09,715 OUR TEST SUBJECTS ARE GOING TO HAVE TO 223 00:04:09,716 --> 00:04:10,682 ADAM SAVAGE... 224 00:04:10,684 --> 00:04:11,967 PICK THE BACK OF THEIR HAND OUT OF A LINEUP. 225 00:04:11,968 --> 00:04:13,251 ADAM SAVAGE... 226 00:04:13,254 --> 00:04:13,953 THAT LINEUP IS GOING TO INCLUDE 227 00:04:13,954 --> 00:04:14,653 ADAM SAVAGE... 228 00:04:14,655 --> 00:04:16,505 NINE OTHER HANDS PICKED FROM THE 50 THAT WE TOOK PHOTOS OF. 229 00:04:16,506 --> 00:04:18,356 ADAM SAVAGE... 230 00:04:18,359 --> 00:04:18,757 HERE'S THE FIRST ONE. 231 00:04:18,758 --> 00:04:19,156 ADAM SAVAGE... 232 00:04:19,159 --> 00:04:20,576 ALL RIGHT, LET'S PICK SOME HANDS THAT LOOK SIMILAR. 233 00:04:20,577 --> 00:04:21,994 ADAM SAVAGE... 234 00:04:21,996 --> 00:04:23,462 NOW, ALREADY, WE'RE CLEARLY CONTROLLING FOR GENDER. 235 00:04:23,463 --> 00:04:24,929 ADAM SAVAGE... 236 00:04:24,932 --> 00:04:26,966 WE ARE ALSO GOING TO CONTROL FOR RACE AND SHAPE. 237 00:04:26,967 --> 00:04:29,001 ADAM SAVAGE... 238 00:04:29,003 --> 00:04:29,819 THE MYTH ISN'T, "CAN YOU PICK YOUR HAND 239 00:04:29,820 --> 00:04:30,636 ADAM SAVAGE... 240 00:04:30,638 --> 00:04:32,621 OUT OF A RANDOM LINEUP OF PEOPLE'S HANDS?" 241 00:04:32,622 --> 00:04:34,605 ADAM SAVAGE... 242 00:04:34,608 --> 00:04:34,907 [ LAUGHS ] 243 00:04:34,908 --> 00:04:35,207 ADAM SAVAGE... 244 00:04:35,209 --> 00:04:36,709 I ALWAYS LOVE IT WHEN IT ALL STARTS TO COME TOGETHER. 245 00:04:36,710 --> 00:04:38,210 ADAM SAVAGE... 246 00:04:38,212 --> 00:04:38,544 LET'S BRING HER IN. 247 00:04:38,545 --> 00:04:38,877 ADAM SAVAGE... 248 00:04:38,879 --> 00:04:40,462 THE MYTH IS THAT IT'S ONE OF THE EASIEST POSSIBLE THINGS 249 00:04:40,463 --> 00:04:42,046 ADAM SAVAGE... 250 00:04:42,049 --> 00:04:43,298 'CAUSE YOU KNOW THIS BETTER THAN ANYTHING ELSE. 251 00:04:43,299 --> 00:04:44,548 ADAM SAVAGE... 252 00:04:44,551 --> 00:04:45,284 THAT'S WHAT WE'RE HERE TO FIND OUT. 253 00:04:45,285 --> 00:04:46,018 ADAM SAVAGE... 254 00:04:46,020 --> 00:04:48,187 NOW, JILL, ONE OF THESE PICTURES IS OF THE BACK OF YOUR HAND. 255 00:04:48,188 --> 00:04:50,355 ADAM SAVAGE... 256 00:04:50,357 --> 00:04:51,757 WE WOULD LIKE YOU WITHIN 60 SECONDS, 257 00:04:51,758 --> 00:04:53,158 ADAM SAVAGE... 258 00:04:53,160 --> 00:04:54,276 TELL US WHICH ONE YOU THINK IS YOURS. 259 00:04:54,277 --> 00:04:55,393 ADAM SAVAGE... 260 00:04:55,396 --> 00:04:55,828 OKAY. UM... 261 00:04:55,829 --> 00:04:56,261 ADAM SAVAGE... 262 00:04:56,263 --> 00:04:57,629 Narrator: INTERESTINGLY, VOLUNTEER NUMBER ONE HESITATES. 263 00:04:57,630 --> 00:04:58,996 ADAM SAVAGE... 264 00:04:58,999 --> 00:05:00,749 MAYBE IT ISN'T AS SIMPLE AS THE MYTH WOULD HAVE US BELIEVE. 265 00:05:00,750 --> 00:05:02,500 ADAM SAVAGE... 266 00:05:02,503 --> 00:05:03,035 I THINK IT'S EIGHT OR NINE. 267 00:05:03,036 --> 00:05:03,568 ADAM SAVAGE... 268 00:05:03,570 --> 00:05:04,052 YOU THINK IT'S EIGHT OR NINE. 269 00:05:04,053 --> 00:05:04,535 ADAM SAVAGE... 270 00:05:04,538 --> 00:05:05,687 WHICH ONE WOULD YOU CHOOSE? I'M GONNA GO WITH NINE. 271 00:05:05,688 --> 00:05:06,837 ADAM SAVAGE... 272 00:05:06,840 --> 00:05:07,573 LET'S SEE HOW YOU DID. 273 00:05:07,574 --> 00:05:08,307 ADAM SAVAGE... 274 00:05:08,309 --> 00:05:09,575 YOU WERE RIGHT. IT'S YOU. 275 00:05:09,576 --> 00:05:10,842 ADAM SAVAGE... 276 00:05:10,844 --> 00:05:11,460 [ DING ] YES! 277 00:05:11,461 --> 00:05:12,077 ADAM SAVAGE... 278 00:05:12,079 --> 00:05:12,845 WELL DONE! EXCELLENT. 279 00:05:12,846 --> 00:05:13,612 ADAM SAVAGE... 280 00:05:13,614 --> 00:05:15,914 SO, INDECISION OR NOT, THE MYTH IS OFF TO A GOOD START. 281 00:05:15,915 --> 00:05:18,215 ADAM SAVAGE... 282 00:05:18,218 --> 00:05:19,318 YOU NAILED IT RIGHT AWAY. 283 00:05:19,319 --> 00:05:20,419 ADAM SAVAGE... 284 00:05:20,421 --> 00:05:20,719 HOW DID YOU DO THAT? 285 00:05:20,720 --> 00:05:21,018 ADAM SAVAGE... 286 00:05:21,021 --> 00:05:22,671 AND THE NEXT COUPLE OF HAND-PICKED HAND PICKERS... 287 00:05:22,672 --> 00:05:24,322 ADAM SAVAGE... 288 00:05:24,325 --> 00:05:25,574 THAT IS A FAST AND DECISIVE DECISION, 289 00:05:25,575 --> 00:05:26,824 ADAM SAVAGE... 290 00:05:26,827 --> 00:05:27,342 AND YOU WOULD BE CORRECT. 291 00:05:27,343 --> 00:05:27,858 ADAM SAVAGE... 292 00:05:27,861 --> 00:05:29,428 ...ARE NOT ONLY SUCCESSFUL BUT MUCH FASTER. 293 00:05:29,429 --> 00:05:30,996 ADAM SAVAGE... 294 00:05:30,998 --> 00:05:32,214 I WOULD PROBABLY SAY TWO RIGHT OFF THE BAT. 295 00:05:32,215 --> 00:05:33,431 ADAM SAVAGE... 296 00:05:33,434 --> 00:05:34,316 TWO. YEAH. [ DING ] 297 00:05:34,317 --> 00:05:35,199 ADAM SAVAGE... 298 00:05:35,202 --> 00:05:35,951 UH, EIGHT. 299 00:05:35,952 --> 00:05:36,701 ADAM SAVAGE... 300 00:05:36,704 --> 00:05:37,553 Adam: DIMITRY'S AN INTERESTING CASE. 301 00:05:37,554 --> 00:05:38,403 ADAM SAVAGE... 302 00:05:38,405 --> 00:05:39,655 HE, LIKE A COUPLE OF OTHER OF OUR TEST SUBJECTS, 303 00:05:39,656 --> 00:05:40,906 ADAM SAVAGE... 304 00:05:40,908 --> 00:05:42,041 IDENTIFIED HIS HAND ALMOST INSTANTLY. 305 00:05:42,042 --> 00:05:43,175 ADAM SAVAGE... 306 00:05:43,177 --> 00:05:43,859 REALLY? THAT QUICKLY? 307 00:05:43,860 --> 00:05:44,542 ADAM SAVAGE... 308 00:05:44,545 --> 00:05:45,277 YEAH. ALL RIGHT. 309 00:05:45,278 --> 00:05:46,010 ADAM SAVAGE... 310 00:05:46,013 --> 00:05:46,929 [ DING ] AND IT'S YOU. 311 00:05:46,930 --> 00:05:47,846 ADAM SAVAGE... 312 00:05:47,848 --> 00:05:48,797 BUT HE TOLD US THAT AS HE WALKED UP 313 00:05:48,798 --> 00:05:49,747 ADAM SAVAGE... 314 00:05:49,750 --> 00:05:50,816 AND SAW THERE'S 10 HANDS AND HE'S GOT TO PICK HIS OUT, 315 00:05:50,817 --> 00:05:51,883 ADAM SAVAGE... 316 00:05:51,885 --> 00:05:52,901 HE THOUGHT, "OH, THIS IS GONNA BE REALLY DIFFICULT" 317 00:05:52,902 --> 00:05:53,918 ADAM SAVAGE... 318 00:05:53,921 --> 00:05:55,704 UNTIL HE SAW HIS HAND, AND THEN HE KNEW THAT WAS HIS. 319 00:05:55,705 --> 00:05:57,488 ADAM SAVAGE... 320 00:05:57,491 --> 00:05:58,023 NUMBER ONE. [ DING ] 321 00:05:58,024 --> 00:05:58,556 ADAM SAVAGE... 322 00:05:58,559 --> 00:05:59,391 YEP, YOU'RE CORRECT. COOL. 323 00:05:59,392 --> 00:06:00,224 ADAM SAVAGE... 324 00:06:00,227 --> 00:06:01,043 THAT'S SORT OF WHAT'S HAPPENING TO US. 325 00:06:01,044 --> 00:06:01,860 ADAM SAVAGE... 326 00:06:01,862 --> 00:06:03,912 IN THE ABSTRACT, WE THOUGHT THIS TEST WOULD BE REALLY DIFFICULT. 327 00:06:03,913 --> 00:06:05,963 ADAM SAVAGE... 328 00:06:05,966 --> 00:06:06,231 IN THE CONCRETE, 329 00:06:06,232 --> 00:06:06,497 ADAM SAVAGE... 330 00:06:06,500 --> 00:06:07,599 IT'S TURNING OUT TO BE A LOT EASIER THAN WE THOUGHT. 331 00:06:07,600 --> 00:06:08,699 ADAM SAVAGE... 332 00:06:08,702 --> 00:06:09,801 Narrator: WITH ONLY ONE FAILURE... 333 00:06:09,802 --> 00:06:10,901 ADAM SAVAGE... 334 00:06:10,904 --> 00:06:11,203 [ BEEP ] 335 00:06:11,204 --> 00:06:11,503 ADAM SAVAGE... 336 00:06:11,505 --> 00:06:12,070 I'M SORRY. IT'S NOT YOU. 337 00:06:12,071 --> 00:06:12,636 ADAM SAVAGE... 338 00:06:12,639 --> 00:06:14,356 ...OUT OF 12, THE NUMBERS ARE VERY PERSUASIVE. 339 00:06:14,357 --> 00:06:16,074 ADAM SAVAGE... 340 00:06:16,076 --> 00:06:16,475 DEFINITELY NUMBER ONE. 341 00:06:16,476 --> 00:06:16,875 ADAM SAVAGE... 342 00:06:16,877 --> 00:06:17,860 THE OVERWHELMING MAJORITY OF OUR VOLUNTEERS 343 00:06:17,861 --> 00:06:18,844 ADAM SAVAGE... 344 00:06:18,846 --> 00:06:20,162 KNOW THE BACK OF THEIR HANDS LIKE... 345 00:06:20,163 --> 00:06:21,479 ADAM SAVAGE... 346 00:06:21,482 --> 00:06:21,797 BINGO! YES! 347 00:06:21,798 --> 00:06:22,113 ADAM SAVAGE... 348 00:06:22,116 --> 00:06:23,048 YOU KNOW THE ENDING TO THIS LINE, 349 00:06:23,049 --> 00:06:23,981 ADAM SAVAGE... 350 00:06:23,984 --> 00:06:24,550 BUT IT'S NOT OVER YET. 351 00:06:24,551 --> 00:06:25,117 ADAM SAVAGE... 352 00:06:25,119 --> 00:06:26,852 WHY ISN'T THE PROVERB BASED ON ANOTHER BODY PART? 353 00:06:26,853 --> 00:06:28,586 ADAM SAVAGE... 354 00:06:28,589 --> 00:06:30,205 IS IT POSSIBLE TO REPLACE "BACK OF THE HAND" 355 00:06:30,206 --> 00:06:31,822 ADAM SAVAGE... 356 00:06:31,825 --> 00:06:32,991 FOR ANOTHER ANATOMICAL ARTICLE? 357 00:06:32,992 --> 00:06:34,158 ADAM SAVAGE... 358 00:06:34,161 --> 00:06:34,943 SHE NAILED IT. 359 00:06:34,944 --> 00:06:35,726 ADAM SAVAGE... 360 00:06:35,729 --> 00:06:36,612 QUESTION IS, WHAT? 361 00:06:36,613 --> 00:06:37,496 ADAM SAVAGE... 362 00:06:37,498 --> 00:06:37,830 I FEEL LIKE I WOULD KNOW 363 00:06:37,831 --> 00:06:38,163 ADAM SAVAGE... 364 00:06:38,165 --> 00:06:39,448 THE PALMS OF MY HANDS BETTER THAN THE BACKS OF MY HANDS. 365 00:06:39,449 --> 00:06:40,732 ADAM SAVAGE... 366 00:06:40,734 --> 00:06:42,301 AND WE'D KNOW OUR FACES BETTER, BUT THAT'S TOO EASY. 367 00:06:42,302 --> 00:06:43,869 ADAM SAVAGE... 368 00:06:43,871 --> 00:06:45,254 WE DO BRUSH OUR TEETH EVERY SINGLE NIGHT. 369 00:06:45,255 --> 00:06:46,638 ADAM SAVAGE... 370 00:06:46,640 --> 00:06:47,155 YEAH, LET'S DO TEETH. 371 00:06:47,156 --> 00:06:47,671 ADAM SAVAGE... 372 00:06:47,674 --> 00:06:48,540 WHAT IF WE DID TEETH AND PALMS 373 00:06:48,541 --> 00:06:49,407 ADAM SAVAGE... 374 00:06:49,410 --> 00:06:51,193 AGAINST BACKS OF HANDS AND SEE HOW THEY COMPARE? 375 00:06:51,194 --> 00:06:52,977 ADAM SAVAGE... 376 00:06:52,980 --> 00:06:53,929 OKAY. ALL RIGHT. 377 00:06:53,930 --> 00:06:54,879 ADAM SAVAGE... 378 00:06:57,151 --> 00:07:02,587 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 379 00:07:02,589 --> 00:07:04,239 OKAY, I CAN'T WAIT. ALL RIGHT. 380 00:07:04,240 --> 00:07:05,890 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 381 00:07:05,893 --> 00:07:06,792 [ BOING! ] 382 00:07:06,793 --> 00:07:07,692 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 383 00:07:07,694 --> 00:07:08,744 ALL RIGHT, "DEAR MYTHBUSTERS, 384 00:07:08,745 --> 00:07:09,795 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 385 00:07:09,797 --> 00:07:11,063 I HAVE BEEN SEEING ONLINE A LOT OF PEOPLE, 386 00:07:11,064 --> 00:07:12,330 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 387 00:07:12,332 --> 00:07:12,814 MOSTLY SHAOLIN MONKS, 388 00:07:12,815 --> 00:07:13,297 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 389 00:07:13,300 --> 00:07:14,850 THROWING NEEDLES THROUGH PANES OF GLASS." 390 00:07:14,851 --> 00:07:16,401 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 391 00:07:16,403 --> 00:07:16,752 OH, YEAH, I'VE SEEN THIS. 392 00:07:16,753 --> 00:07:17,102 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 393 00:07:17,104 --> 00:07:18,153 THE MONKS ARE STANDING FAIRLY CLOSE TO THE GLASS, 394 00:07:18,154 --> 00:07:19,203 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 395 00:07:19,206 --> 00:07:19,771 MAYBE THREE OR FOUR FEET AWAY, 396 00:07:19,772 --> 00:07:20,337 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 397 00:07:20,340 --> 00:07:21,323 AND THEY HAVE THESE FAIRLY HEAVY NEEDLES. 398 00:07:21,324 --> 00:07:22,307 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 399 00:07:22,309 --> 00:07:23,475 THEY THROW THEM INTO THE GLASS [GRUNTS] 400 00:07:23,476 --> 00:07:24,642 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 401 00:07:24,645 --> 00:07:25,427 WITHOUT SHATTERING IT. 402 00:07:25,428 --> 00:07:26,210 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 403 00:07:26,213 --> 00:07:27,012 DO THEY REALLY SAY [GRUNTS] 404 00:07:27,013 --> 00:07:27,812 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 405 00:07:27,815 --> 00:07:28,180 NO, I JUST MADE THAT UP. 406 00:07:28,181 --> 00:07:28,546 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 407 00:07:28,549 --> 00:07:29,982 ALL RIGHT, WELL, THEY WANT TO KNOW, IS THIS AN ACTUAL OCCURRENCE, 408 00:07:29,983 --> 00:07:31,416 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 409 00:07:31,418 --> 00:07:33,068 OR IS THIS JUST SPECIAL EFFECTS? 410 00:07:33,069 --> 00:07:34,719 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 411 00:07:34,721 --> 00:07:35,904 Narrator: ACCORDING TO THE INTERNET, 412 00:07:35,905 --> 00:07:37,088 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 413 00:07:37,090 --> 00:07:37,706 THIS MYTH'S A MONK SLAM DUNK 414 00:07:37,707 --> 00:07:38,323 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 415 00:07:38,325 --> 00:07:40,192 AS THE NEEDLE SOMEHOW PENETRATES THE GLASS 416 00:07:40,193 --> 00:07:42,060 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 417 00:07:42,062 --> 00:07:43,128 WITHOUT CAUSING IT TO SHATTER. 418 00:07:43,129 --> 00:07:44,195 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 419 00:07:44,198 --> 00:07:45,898 BUT IS THIS JUST SHAOLIN SHENANIGANS? 420 00:07:45,899 --> 00:07:47,599 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 421 00:07:47,601 --> 00:07:48,217 OKAY, IN WATCHING THE VIDEO, 422 00:07:48,218 --> 00:07:48,834 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 423 00:07:48,836 --> 00:07:50,102 IT LOOKS LIKE THE NEEDLE IS PRETTY CHUNKY, 424 00:07:50,103 --> 00:07:51,369 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 425 00:07:51,371 --> 00:07:51,937 BUT WHAT ABOUT THE GLASS? 426 00:07:51,938 --> 00:07:52,504 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 427 00:07:52,506 --> 00:07:53,238 IT'S KIND OF HARD TO TELL. 428 00:07:53,239 --> 00:07:53,971 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 429 00:07:53,974 --> 00:07:54,323 WHY DON'T WE DO THIS? 430 00:07:54,324 --> 00:07:54,673 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 431 00:07:54,675 --> 00:07:55,457 LET'S JUST TAKE REGULAR WINDOW GLASS, 432 00:07:55,458 --> 00:07:56,240 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 433 00:07:56,243 --> 00:07:56,825 WHICH IS ABOUT 1/8 INCH THICK, 434 00:07:56,826 --> 00:07:57,408 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 435 00:07:57,411 --> 00:07:58,360 AND WE JUST START THROWING NEEDLES AT IT, 436 00:07:58,361 --> 00:07:59,310 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 437 00:07:59,313 --> 00:07:59,978 AND WE'LL SEE IF WE CAN PUNCH A HOLE THROUGH IT. 438 00:07:59,979 --> 00:08:00,644 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 439 00:08:00,647 --> 00:08:01,830 SOUNDS GREAT, AND DEPENDING ON WHAT WE GET, 440 00:08:01,831 --> 00:08:03,014 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 441 00:08:03,016 --> 00:08:04,382 WE CAN EITHER RAMP UP THE SPEED OF THE NEEDLE 442 00:08:04,383 --> 00:08:05,749 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 443 00:08:05,752 --> 00:08:06,334 OR USE THINNER GLASS. 444 00:08:06,335 --> 00:08:06,917 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 445 00:08:06,920 --> 00:08:07,402 [ SWISHING ] 446 00:08:07,403 --> 00:08:07,885 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 447 00:08:07,888 --> 00:08:09,171 NOW, IN THIS MYTH, WE SEE WHAT APPEARS TO BE 448 00:08:09,172 --> 00:08:10,455 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 449 00:08:10,457 --> 00:08:11,390 A SHAOLIN MONK THROWING A NEEDLE, 450 00:08:11,391 --> 00:08:12,324 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 451 00:08:12,326 --> 00:08:13,425 SUCH AS THIS ONE, THROUGH A PIECE OF GLASS. 452 00:08:13,426 --> 00:08:14,525 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 453 00:08:14,528 --> 00:08:15,944 WE'VE GOT SOME LEFTOVER 1/8-INCH WINDOW GLASS 454 00:08:15,945 --> 00:08:17,361 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 455 00:08:17,364 --> 00:08:18,664 FROM A PREVIOUS EXPERIMENT. AGH! 456 00:08:18,665 --> 00:08:19,965 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 457 00:08:19,967 --> 00:08:21,467 YOU GUYS OKAY? EVERYBODY OKAY? 458 00:08:21,468 --> 00:08:22,968 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 459 00:08:22,970 --> 00:08:23,919 WE'VE ALSO GOT OUR HIGH-SPEED SCALE 460 00:08:23,920 --> 00:08:24,869 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 461 00:08:24,872 --> 00:08:25,637 TO TELL US HOW FAST WE'RE THROWING. 462 00:08:25,638 --> 00:08:26,403 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 463 00:08:26,406 --> 00:08:27,706 BUT BEFORE WE ACTUALLY THROW NEEDLES AT GLASS, 464 00:08:27,707 --> 00:08:29,007 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 465 00:08:29,009 --> 00:08:31,209 WE'VE SET UP OUR DART BOARD JUST TO SEE WHAT WE'RE GONNA GET. 466 00:08:31,210 --> 00:08:33,410 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 467 00:08:33,413 --> 00:08:34,212 [ GRUNTS ] 468 00:08:34,213 --> 00:08:35,012 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 469 00:08:35,015 --> 00:08:35,447 [ SMACK! ] 470 00:08:35,448 --> 00:08:35,880 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 471 00:08:35,883 --> 00:08:36,315 Narrator: SO, FIRST UP, 472 00:08:36,316 --> 00:08:36,748 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 473 00:08:36,750 --> 00:08:37,883 THE GUYS ARE STEPPING UP TO THE PRACTICE PLATE. 474 00:08:37,884 --> 00:08:39,017 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 475 00:08:39,019 --> 00:08:40,836 GENERALLY, DEMONSTRATING SOME SORT OF PHYSICAL FEAT ON CAMERA 476 00:08:40,837 --> 00:08:42,654 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 477 00:08:42,656 --> 00:08:43,005 IS SOMETHING I DREAD, 478 00:08:43,006 --> 00:08:43,355 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 479 00:08:43,357 --> 00:08:45,207 MOSTLY BECAUSE I LACK ANY SORT OF ATHLETIC SKILL, 480 00:08:45,208 --> 00:08:47,058 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 481 00:08:47,060 --> 00:08:47,776 COORDINATION, OR GRACE. 482 00:08:47,777 --> 00:08:48,493 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 483 00:08:48,495 --> 00:08:49,511 BUT MAYBE THROWING NEEDLES WILL BE MY THING 484 00:08:49,512 --> 00:08:50,528 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 485 00:08:50,531 --> 00:08:51,747 'CAUSE I HAVE SPENT SOME TIME WITH THE DART BOARD. 486 00:08:51,748 --> 00:08:52,964 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 487 00:08:52,966 --> 00:08:54,332 Narrator: AND SURE ENOUGH, KARI'S GOT THIS ONE COVERED. 488 00:08:54,333 --> 00:08:55,699 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 489 00:08:55,702 --> 00:08:57,519 BECAUSE OTHER THAN THE ODD BOUNCE BACK... 490 00:08:57,520 --> 00:08:59,337 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 491 00:08:59,339 --> 00:08:59,571 OW! 492 00:08:59,572 --> 00:08:59,804 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 493 00:08:59,806 --> 00:09:01,673 ...SHE'S HITTING THE BOARD FIRST TIME EVERY TIME. 494 00:09:01,674 --> 00:09:03,541 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 495 00:09:03,544 --> 00:09:04,026 EH? 496 00:09:04,027 --> 00:09:04,509 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 497 00:09:04,511 --> 00:09:04,860 NOBODY SAW IT? OH. 498 00:09:04,861 --> 00:09:05,210 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 499 00:09:05,212 --> 00:09:06,712 AND WHEN GRANT AND TORY STEP UP TO THE PLATE... 500 00:09:06,713 --> 00:09:08,213 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 501 00:09:08,215 --> 00:09:09,932 THEY, TOO, FIND THAT EMBEDDING THE BOARD 502 00:09:09,933 --> 00:09:11,650 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 503 00:09:11,652 --> 00:09:12,401 IS SURPRISINGLY SIMPLE. 504 00:09:12,402 --> 00:09:13,151 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 505 00:09:13,153 --> 00:09:14,553 WILL THE PENETRATION WITHOUT SHATTERATION 506 00:09:14,554 --> 00:09:15,954 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 507 00:09:15,956 --> 00:09:16,538 BE AS STRAIGHTFORWARD? 508 00:09:16,539 --> 00:09:17,121 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 509 00:09:17,124 --> 00:09:18,607 SO, MY TOP SPEED WAS 28 MILES AN HOUR. 510 00:09:18,608 --> 00:09:20,091 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 511 00:09:20,093 --> 00:09:21,560 GRANT'S WAS 38, AND TORY'S WAS 47. 512 00:09:21,561 --> 00:09:23,028 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 513 00:09:23,030 --> 00:09:23,612 NOW, WE'RE MOVING ON TO GLASS, 514 00:09:23,613 --> 00:09:24,195 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 515 00:09:24,197 --> 00:09:25,413 AND THOUGH I THINK SPEED'S GONNA BE A MAJOR FACTOR, 516 00:09:25,414 --> 00:09:26,630 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 517 00:09:26,633 --> 00:09:28,617 WE ALL STILL WANT TO GIVE THIS A GO 'CAUSE THIS IS REALLY FUN. 518 00:09:28,618 --> 00:09:30,602 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 519 00:09:30,604 --> 00:09:31,203 Narrator: INDEED IT IS, 520 00:09:31,204 --> 00:09:31,803 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 521 00:09:31,805 --> 00:09:32,971 AND FIRST UP IS THE LADY HERSELF. 522 00:09:32,972 --> 00:09:34,138 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 523 00:09:34,141 --> 00:09:35,173 [ GONG SOUNDS ] 524 00:09:35,174 --> 00:09:36,206 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 525 00:09:36,209 --> 00:09:37,275 PUTTING A HOLE IN 1/8-INCH GLASS. 526 00:09:37,276 --> 00:09:38,342 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 527 00:09:38,345 --> 00:09:40,112 LET'S SEE IF YOU CAN PUNCH A HOLE THROUGH IT WITH THE NEEDLE. 528 00:09:40,113 --> 00:09:41,880 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 529 00:09:41,882 --> 00:09:42,764 [ GLASS PINGS ] OH! 530 00:09:42,765 --> 00:09:43,647 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 531 00:09:43,650 --> 00:09:45,383 LOOKS LIKE THE WINDOW GOT ITS REVENGE. 532 00:09:45,384 --> 00:09:47,117 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 533 00:09:47,120 --> 00:09:47,702 YEP, IN TAKE ONE, 534 00:09:47,703 --> 00:09:48,285 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 535 00:09:48,288 --> 00:09:49,838 THE NEEDLE JUST DIDN'T HAVE THE POWER TO PIERCE THE PANE. 536 00:09:49,839 --> 00:09:51,389 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 537 00:09:51,391 --> 00:09:53,859 TROUBLE IS, NEITHER DOES TAKE TWO, THREE, OR FOUR. 538 00:09:53,860 --> 00:09:56,328 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 539 00:09:56,330 --> 00:09:56,612 NEXT UP IS GRANT. 540 00:09:56,613 --> 00:09:56,895 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 541 00:09:56,897 --> 00:09:59,114 WILL HIS EXTRA THROWING SPEED GIVE HIM A HOLE IN ONE? 542 00:09:59,115 --> 00:10:01,332 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 543 00:10:01,335 --> 00:10:02,534 [ GLASS PINGING ] 544 00:10:02,535 --> 00:10:03,734 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 545 00:10:03,737 --> 00:10:04,386 [ LAUGHS ] 546 00:10:04,387 --> 00:10:05,036 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 547 00:10:05,038 --> 00:10:06,438 THIS SEEMS A LITTLE MORE DANGEROUS THAN I THOUGHT. 548 00:10:06,439 --> 00:10:07,839 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 549 00:10:07,841 --> 00:10:08,273 YEAH. WHY -- 550 00:10:08,274 --> 00:10:08,706 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 551 00:10:08,709 --> 00:10:09,224 BECAUSE HE'S BLEEDING? YEAH. 552 00:10:09,225 --> 00:10:09,740 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 553 00:10:09,743 --> 00:10:11,109 Narrator: DESPITE A 10-MILE-AN-HOUR INCREASE ON KARI, 554 00:10:11,110 --> 00:10:12,476 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 555 00:10:12,479 --> 00:10:14,513 GRANT'S NOT GETTING ANY PENETRATION SATISFACTION. 556 00:10:14,514 --> 00:10:16,548 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 557 00:10:16,550 --> 00:10:17,099 [ GONG SOUNDS ] ENTER TORY. 558 00:10:17,100 --> 00:10:17,649 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 559 00:10:17,651 --> 00:10:20,502 HE HAS A SIGNIFICANT AND SIZABLE 40% MORE KINETIC ENERGY 560 00:10:20,503 --> 00:10:23,354 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 561 00:10:23,357 --> 00:10:24,239 TO BRING TO THE PARTY. 562 00:10:24,240 --> 00:10:25,122 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 563 00:10:25,125 --> 00:10:25,941 [ GLASS PINGING ] 564 00:10:25,942 --> 00:10:26,758 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 565 00:10:26,760 --> 00:10:27,125 Kari: WHOA! 566 00:10:27,126 --> 00:10:27,491 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 567 00:10:27,494 --> 00:10:29,211 DUDE, YOU'RE MAKING GOOD CONTACT. 568 00:10:29,212 --> 00:10:30,929 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 569 00:10:30,931 --> 00:10:31,546 [ GLASS PINGING ] 570 00:10:31,547 --> 00:10:32,162 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 571 00:10:32,165 --> 00:10:33,381 IT'S THE HARDEST THROW YET... 572 00:10:33,382 --> 00:10:34,598 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 573 00:10:34,601 --> 00:10:34,833 OOH, STRIKE! 574 00:10:34,834 --> 00:10:35,066 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 575 00:10:35,068 --> 00:10:36,701 ...BUT IT STILL BARELY GLANCED THE GLASS. 576 00:10:36,702 --> 00:10:38,335 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 577 00:10:38,338 --> 00:10:38,904 [ GLASS PINGS ] 578 00:10:38,905 --> 00:10:39,471 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 579 00:10:39,473 --> 00:10:39,988 AGH! [ LAUGHS ] 580 00:10:39,989 --> 00:10:40,504 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 581 00:10:40,507 --> 00:10:40,972 DESPITE EVERY EFFORT, 582 00:10:40,973 --> 00:10:41,438 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 583 00:10:41,441 --> 00:10:43,441 THE ONLY THING BUSTED AROUND HERE IS THE MYTH. 584 00:10:43,442 --> 00:10:45,442 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 585 00:10:45,445 --> 00:10:46,378 BUT ALL IS NOT LOST. 586 00:10:46,379 --> 00:10:47,312 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 587 00:10:47,314 --> 00:10:48,030 SO FAR, WE HAVE NOT BEEN ABLE TO GET 588 00:10:48,031 --> 00:10:48,747 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 589 00:10:48,749 --> 00:10:49,798 A SINGLE NEEDLE TO FLY THROUGH THE GLASS. 590 00:10:49,799 --> 00:10:50,848 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 591 00:10:50,851 --> 00:10:51,149 [ GLASS PINGS ] 592 00:10:51,150 --> 00:10:51,448 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 593 00:10:51,451 --> 00:10:52,467 I JUST DON'T THINK WE'RE THROWING THESE NEEDLES FAST ENOUGH. 594 00:10:52,468 --> 00:10:53,484 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 595 00:10:53,487 --> 00:10:55,053 I MEAN, WE'RE HITTING THE GLASS, AND WE'RE HITTING IT CORRECTLY. 596 00:10:55,054 --> 00:10:56,620 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 597 00:10:56,623 --> 00:10:57,606 THE PROBLEM IS THE SPEED OF THE NEEDLE. 598 00:10:57,607 --> 00:10:58,590 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 599 00:10:58,592 --> 00:10:59,007 WE NEED TO BRING SOMEBODY IN 600 00:10:59,008 --> 00:10:59,423 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 601 00:10:59,426 --> 00:11:00,625 WHO CAN THROW OBJECTS MUCH FASTER THAN US. 602 00:11:00,626 --> 00:11:01,825 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 603 00:11:01,828 --> 00:11:03,678 I THINK WE NEED TO BRING IN A PROFESSIONAL BASEBALL PITCHER. 604 00:11:03,679 --> 00:11:05,529 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 605 00:11:05,532 --> 00:11:06,848 Narrator: AND NOT JUST ANY BASEBALL PITCHER 606 00:11:06,849 --> 00:11:08,165 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 607 00:11:08,168 --> 00:11:09,634 BUT ONE OF THE BEST IN THE BUSINESS. 608 00:11:09,635 --> 00:11:11,101 NEXT UP, THE RANDOMIZER THROWS UP SOME MONK MAYHEM? 609 00:11:12,339 --> 00:11:12,871 LATER... 610 00:11:12,873 --> 00:11:13,889 GO. ...ON "MYTHBUSTERS"... 611 00:11:13,890 --> 00:11:14,906 LATER... 612 00:11:14,908 --> 00:11:16,775 ADAM AND JAMIE RAMP IT DOWN TO SCIENCE IT UP. 613 00:11:16,776 --> 00:11:18,643 LATER... 614 00:11:18,645 --> 00:11:19,694 Jamie: BIG PROBLEM HERE IS TRACTION. 615 00:11:19,695 --> 00:11:20,744 LATER... 616 00:11:20,747 --> 00:11:22,330 AND DID WE MENTION MATT CAIN'S STOPPING BY? 617 00:11:22,331 --> 00:11:23,914 LATER... 618 00:11:23,917 --> 00:11:24,850 Tory: OH, MY GOD, I CAN'T BELIEVE THIS. 619 00:11:24,851 --> 00:11:25,784 LATER... 620 00:11:25,786 --> 00:11:26,735 [ INDISTINCT SHOUTING ] 621 00:11:26,736 --> 00:11:27,685 LATER... 622 00:11:35,328 --> 00:11:36,494 Narrator: THE NUMBERS ARE IN, 623 00:11:36,496 --> 00:11:37,912 AND WE DO IN FACT KNOW THE BACK OF OUR HANDS. 624 00:11:37,913 --> 00:11:39,329 Narrator: THE NUMBERS ARE IN, 625 00:11:39,332 --> 00:11:40,715 ANY VOLUNTEERS FOR THE NEXT TEST SUBJECT? 626 00:11:40,716 --> 00:11:42,099 Narrator: THE NUMBERS ARE IN, 627 00:11:42,102 --> 00:11:42,617 OOH, OOH, OOH, PICK ME! 628 00:11:42,618 --> 00:11:43,133 Narrator: THE NUMBERS ARE IN, 629 00:11:43,136 --> 00:11:44,502 BUT THE PROVERB ISN'T PROVEN YET. 630 00:11:44,503 --> 00:11:45,869 Narrator: THE NUMBERS ARE IN, 631 00:11:45,872 --> 00:11:46,871 IS IT ANATOMICALLY ACCURATE? 632 00:11:46,872 --> 00:11:47,871 Narrator: THE NUMBERS ARE IN, 633 00:11:47,874 --> 00:11:48,957 SO, TEETH AND PALMS. YEP. 634 00:11:48,958 --> 00:11:50,041 Narrator: THE NUMBERS ARE IN, 635 00:11:50,043 --> 00:11:51,293 SAME METHODOLOGY AS BACKS OF HANDS? 636 00:11:51,294 --> 00:11:52,544 Narrator: THE NUMBERS ARE IN, 637 00:11:52,546 --> 00:11:53,562 I THINK SO. LET'S KEEP ON GOING WITH IT. 638 00:11:53,563 --> 00:11:54,579 Narrator: THE NUMBERS ARE IN, 639 00:11:54,581 --> 00:11:56,148 SO, THE NUMBER TO BEAT IS 11 OUT OF 12. 640 00:11:56,149 --> 00:11:57,716 Narrator: THE NUMBERS ARE IN, 641 00:11:57,718 --> 00:11:58,867 AND FIRST UP, WILL OUR VOLUNTEERS 642 00:11:58,868 --> 00:12:00,017 Narrator: THE NUMBERS ARE IN, 643 00:12:00,020 --> 00:12:01,653 HAVE BETTER FORTUNE READING THEIR PALMS? 644 00:12:01,654 --> 00:12:03,287 Narrator: THE NUMBERS ARE IN, 645 00:12:03,290 --> 00:12:03,822 I THINK IT'S EIGHT. 646 00:12:03,823 --> 00:12:04,355 Narrator: THE NUMBERS ARE IN, 647 00:12:04,357 --> 00:12:05,523 TWO QUICK, CORRECT RESULTS... 648 00:12:05,524 --> 00:12:06,690 Narrator: THE NUMBERS ARE IN, 649 00:12:06,693 --> 00:12:07,475 AND YOU'VE GOT IT RIGHT. YES! 650 00:12:07,476 --> 00:12:08,258 Narrator: THE NUMBERS ARE IN, 651 00:12:08,261 --> 00:12:08,693 ...AND IT'S A GOOD START. 652 00:12:08,694 --> 00:12:09,126 Narrator: THE NUMBERS ARE IN, 653 00:12:09,129 --> 00:12:09,845 [ DING ] AND YOU'RE RIGHT. 654 00:12:09,846 --> 00:12:10,562 Narrator: THE NUMBERS ARE IN, 655 00:12:10,564 --> 00:12:11,797 BUT BY PALM PICKER NUMBER THREE, 656 00:12:11,798 --> 00:12:13,031 Narrator: THE NUMBERS ARE IN, 657 00:12:13,033 --> 00:12:14,166 IT'S CLEAR IT'S A TRICKIER TASK. 658 00:12:14,167 --> 00:12:15,300 Narrator: THE NUMBERS ARE IN, 659 00:12:15,302 --> 00:12:16,318 YEAH, NUMBER FOUR. 660 00:12:16,319 --> 00:12:17,335 Narrator: THE NUMBERS ARE IN, 661 00:12:17,337 --> 00:12:17,619 [ BEEP ] 662 00:12:17,620 --> 00:12:17,902 Narrator: THE NUMBERS ARE IN, 663 00:12:17,904 --> 00:12:19,070 THAT IS NOT YOU. DAMN! 664 00:12:19,071 --> 00:12:20,237 Narrator: THE NUMBERS ARE IN, 665 00:12:20,240 --> 00:12:20,972 LOOKS A LOT LIKE ME. 666 00:12:20,973 --> 00:12:21,705 Narrator: THE NUMBERS ARE IN, 667 00:12:21,708 --> 00:12:22,224 Adam: YOU KNOW, JAMIE, IT'S FUNNY. 668 00:12:22,225 --> 00:12:22,741 Narrator: THE NUMBERS ARE IN, 669 00:12:22,743 --> 00:12:24,710 I THOUGHT THAT THE PALMS WOULD BE EVEN MORE DISTINCTIVE THAN THE BACKS OF THE HANDS. 670 00:12:24,711 --> 00:12:26,678 Narrator: THE NUMBERS ARE IN, 671 00:12:26,680 --> 00:12:27,245 IT'S NINE. 672 00:12:27,246 --> 00:12:27,811 Narrator: THE NUMBERS ARE IN, 673 00:12:27,814 --> 00:12:28,380 REALLY? YEAH. 674 00:12:28,381 --> 00:12:28,947 Narrator: THE NUMBERS ARE IN, 675 00:12:28,949 --> 00:12:29,514 ALL RIGHT, LET'S SEE. 676 00:12:29,515 --> 00:12:30,080 Narrator: THE NUMBERS ARE IN, 677 00:12:30,083 --> 00:12:30,982 [ DING ] YOU ARE CORRECT. 678 00:12:30,983 --> 00:12:31,882 Narrator: THE NUMBERS ARE IN, 679 00:12:31,885 --> 00:12:32,133 [ SIGHS ] 680 00:12:32,134 --> 00:12:32,382 Narrator: THE NUMBERS ARE IN, 681 00:12:32,385 --> 00:12:34,169 BUT ALL AT ONCE, THEY END UP LOOKING KIND OF MORE UNIFORM. 682 00:12:34,170 --> 00:12:35,954 Narrator: THE NUMBERS ARE IN, 683 00:12:35,956 --> 00:12:37,005 WELL, LET'S SEE WHAT THE NUMBERS SAY. 684 00:12:37,006 --> 00:12:38,055 Narrator: THE NUMBERS ARE IN, 685 00:12:38,058 --> 00:12:38,790 Narrator: THE NUMBERS... 686 00:12:38,791 --> 00:12:39,523 Narrator: THE NUMBERS ARE IN, 687 00:12:39,526 --> 00:12:40,475 GONNA GO WITH FOUR. FOUR, ALL RIGHT. 688 00:12:40,476 --> 00:12:41,425 Narrator: THE NUMBERS ARE IN, 689 00:12:41,428 --> 00:12:43,061 THOUGH I'M NOT VERY CONFIDENT. NOT VERY CONFIDENT. 690 00:12:43,062 --> 00:12:44,695 Narrator: THE NUMBERS ARE IN, 691 00:12:44,698 --> 00:12:45,297 IT IS NOT YOU. YEAH. 692 00:12:45,298 --> 00:12:45,897 Narrator: THE NUMBERS ARE IN, 693 00:12:45,899 --> 00:12:47,232 ...SOON ADD UP TO A DECISIVE CONCLUSION -- 694 00:12:47,233 --> 00:12:48,566 Narrator: THE NUMBERS ARE IN, 695 00:12:48,568 --> 00:12:50,285 PICKING OUR PALMS OUT OF A LINEUP IS DOWN FOR THE COUNT. 696 00:12:50,286 --> 00:12:52,003 Narrator: THE NUMBERS ARE IN, 697 00:12:52,005 --> 00:12:52,704 IT'S NOT NUMBER TWO. 698 00:12:52,705 --> 00:12:53,404 Narrator: THE NUMBERS ARE IN, 699 00:12:53,406 --> 00:12:54,005 THAT ONE'S WAY TOUGHER. 700 00:12:54,006 --> 00:12:54,605 Narrator: THE NUMBERS ARE IN, 701 00:12:54,608 --> 00:12:55,974 Adam: THE RESULTS OF THE PALMS ARE IN. 702 00:12:55,975 --> 00:12:57,341 Narrator: THE NUMBERS ARE IN, 703 00:12:57,344 --> 00:12:58,026 7 OUT OF 12 OF OUR TEST SUBJECTS 704 00:12:58,027 --> 00:12:58,709 Narrator: THE NUMBERS ARE IN, 705 00:12:58,712 --> 00:13:00,512 WERE CORRECTLY ABLE TO IDENTIFY THEIR PALM IN THE LINEUP. 706 00:13:00,513 --> 00:13:02,313 Narrator: THE NUMBERS ARE IN, 707 00:13:02,315 --> 00:13:03,998 THAT'S STATISTICALLY BETTER THAN GUESSING BY A LITTLE BIT 708 00:13:03,999 --> 00:13:05,682 Narrator: THE NUMBERS ARE IN, 709 00:13:05,685 --> 00:13:06,951 BUT NOT NEARLY THE LEVEL OF FAMILIARITY 710 00:13:06,952 --> 00:13:08,218 Narrator: THE NUMBERS ARE IN, 711 00:13:08,221 --> 00:13:08,703 WE WOULD NEED TO CONFIRM 712 00:13:08,704 --> 00:13:09,186 Narrator: THE NUMBERS ARE IN, 713 00:13:09,189 --> 00:13:10,338 "I KNOW IT LIKE THE PALM OF MY HAND" 714 00:13:10,339 --> 00:13:11,488 Narrator: THE NUMBERS ARE IN, 715 00:13:11,491 --> 00:13:12,057 AS AN IDIOMATIC PHRASE. 716 00:13:12,058 --> 00:13:12,624 Narrator: THE NUMBERS ARE IN, 717 00:13:12,626 --> 00:13:13,558 PALMS ARE OUT. [ SWISH! ] 718 00:13:13,559 --> 00:13:14,491 Narrator: THE NUMBERS ARE IN, 719 00:13:14,494 --> 00:13:15,910 Narrator: WHICH ONLY STRENGTHENS THE CASE 720 00:13:15,911 --> 00:13:17,327 Narrator: THE NUMBERS ARE IN, 721 00:13:17,330 --> 00:13:17,829 FOR A MYTH CONFIRMATION. 722 00:13:17,830 --> 00:13:18,329 Narrator: THE NUMBERS ARE IN, 723 00:13:18,331 --> 00:13:19,447 I'LL LET YOU GUESS WHAT OUR NEXT TEST IS. 724 00:13:19,448 --> 00:13:20,564 Narrator: THE NUMBERS ARE IN, 725 00:13:20,567 --> 00:13:22,267 AFTER ALL, DENTAL RECORDS, LIKE A FINGERPRINT, 726 00:13:22,268 --> 00:13:23,968 Narrator: THE NUMBERS ARE IN, 727 00:13:23,970 --> 00:13:24,819 ARE USED FOR LEGAL IDENTIFICATION. 728 00:13:24,820 --> 00:13:25,669 Narrator: THE NUMBERS ARE IN, 729 00:13:25,672 --> 00:13:26,855 Adam: I THINK I HAD A NIGHTMARE LIKE THIS ONCE. 730 00:13:26,856 --> 00:13:28,039 Narrator: THE NUMBERS ARE IN, 731 00:13:28,041 --> 00:13:30,091 SURELY, THEY'RE MORE DISTINCTIVE THAN THE BACK OF YOUR HAND. 732 00:13:30,092 --> 00:13:32,142 Narrator: THE NUMBERS ARE IN, 733 00:13:32,145 --> 00:13:32,510 NOW WE'RE ABOUT TO TEST 734 00:13:32,511 --> 00:13:32,876 Narrator: THE NUMBERS ARE IN, 735 00:13:32,879 --> 00:13:33,828 HOW WELL PEOPLE RECOGNIZE THEIR OWN TEETH. 736 00:13:33,829 --> 00:13:34,778 Narrator: THE NUMBERS ARE IN, 737 00:13:34,781 --> 00:13:35,780 TAKE YOUR TIME. LOOK AT THEM ALL. 738 00:13:35,781 --> 00:13:36,780 Narrator: THE NUMBERS ARE IN, 739 00:13:36,783 --> 00:13:38,316 LET US KNOW WHICH ONES YOU THINK ARE YOURS. 740 00:13:38,317 --> 00:13:39,850 Narrator: THE NUMBERS ARE IN, 741 00:13:39,853 --> 00:13:40,268 Adam: AND FROM THE GET-GO, 742 00:13:40,269 --> 00:13:40,684 Narrator: THE NUMBERS ARE IN, 743 00:13:40,687 --> 00:13:41,920 I'VE ALWAYS THOUGHT THAT THIS WOULD BE THE TEST 744 00:13:41,921 --> 00:13:43,154 Narrator: THE NUMBERS ARE IN, 745 00:13:43,156 --> 00:13:45,140 THAT PEOPLE HAD THE EASIEST TIME OF RECOGNIZING. 746 00:13:45,141 --> 00:13:47,125 Narrator: THE NUMBERS ARE IN, 747 00:13:47,127 --> 00:13:48,493 WHICH SET WAS THEIR CHOPPERS? 748 00:13:48,494 --> 00:13:49,860 Narrator: THE NUMBERS ARE IN, 749 00:13:49,863 --> 00:13:50,679 THAT ONE'S MINE. 750 00:13:50,680 --> 00:13:51,496 Narrator: THE NUMBERS ARE IN, 751 00:13:51,498 --> 00:13:52,697 WOW, YOU KNOW YOUR TEETH VERY WELL. 752 00:13:52,698 --> 00:13:53,897 Narrator: THE NUMBERS ARE IN, 753 00:13:53,900 --> 00:13:55,150 I FEEL THEM EVERY DAY. [ LAUGHS ] 754 00:13:55,151 --> 00:13:56,401 Narrator: THE NUMBERS ARE IN, 755 00:13:56,403 --> 00:13:56,685 [ DING ] 756 00:13:56,686 --> 00:13:56,968 Narrator: THE NUMBERS ARE IN, 757 00:13:56,970 --> 00:13:57,636 Narrator: ADAM'S ASSUMPTION... 758 00:13:57,637 --> 00:13:58,303 Narrator: THE NUMBERS ARE IN, 759 00:13:58,305 --> 00:13:59,187 YES, YOU ARE IN FACT CORRECT. 760 00:13:59,188 --> 00:14:00,070 Narrator: THE NUMBERS ARE IN, 761 00:14:00,073 --> 00:14:01,489 ...WOULD MEAN 12 FROM 12 CORRECT RESULTS. 762 00:14:01,490 --> 00:14:02,906 Narrator: THE NUMBERS ARE IN, 763 00:14:02,909 --> 00:14:03,174 RIGHT. 764 00:14:03,175 --> 00:14:03,440 Narrator: THE NUMBERS ARE IN, 765 00:14:03,443 --> 00:14:04,526 WHICH ONE -- NUMBER EIGHT. 766 00:14:04,527 --> 00:14:05,610 Narrator: THE NUMBERS ARE IN, 767 00:14:05,612 --> 00:14:06,578 REALLY? THAT FAST? 768 00:14:06,579 --> 00:14:07,545 Narrator: THE NUMBERS ARE IN, 769 00:14:07,547 --> 00:14:07,779 [ DING ] 770 00:14:07,780 --> 00:14:08,012 Narrator: THE NUMBERS ARE IN, 771 00:14:08,014 --> 00:14:08,997 [ Laughing ] YEAH, THERE YOU GO. 772 00:14:08,998 --> 00:14:09,981 Narrator: THE NUMBERS ARE IN, 773 00:14:09,983 --> 00:14:10,815 DING! YOU WIN! 774 00:14:10,816 --> 00:14:11,648 Narrator: THE NUMBERS ARE IN, 775 00:14:11,651 --> 00:14:12,617 AND AS TIME IS CRUNCHED... 776 00:14:12,618 --> 00:14:13,584 Narrator: THE NUMBERS ARE IN, 777 00:14:13,587 --> 00:14:13,852 YOU GOT IT. 778 00:14:13,853 --> 00:14:14,118 Narrator: THE NUMBERS ARE IN, 779 00:14:14,120 --> 00:14:15,236 ...IT'S POSSIBLE HE'S RIGHT. 780 00:14:15,237 --> 00:14:16,353 Narrator: THE NUMBERS ARE IN, 781 00:14:16,356 --> 00:14:16,705 AND YOU DID IT. 782 00:14:16,706 --> 00:14:17,055 Narrator: THE NUMBERS ARE IN, 783 00:14:17,057 --> 00:14:18,156 YOU NAILED IT. YAY! 784 00:14:18,157 --> 00:14:19,256 Narrator: THE NUMBERS ARE IN, 785 00:14:19,259 --> 00:14:19,791 THAT ONE. [ DING ] 786 00:14:19,792 --> 00:14:20,324 Narrator: THE NUMBERS ARE IN, 787 00:14:20,327 --> 00:14:20,709 [ DING ] 788 00:14:20,710 --> 00:14:21,092 Narrator: THE NUMBERS ARE IN, 789 00:14:21,094 --> 00:14:21,760 REALLY? THAT QUICKLY? 790 00:14:21,761 --> 00:14:22,427 Narrator: THE NUMBERS ARE IN, 791 00:14:22,429 --> 00:14:22,894 YOU'RE CORRECT. 792 00:14:22,895 --> 00:14:23,360 Narrator: THE NUMBERS ARE IN, 793 00:14:23,363 --> 00:14:23,695 OKAY. [ LAUGHS ] 794 00:14:23,696 --> 00:14:24,028 Narrator: THE NUMBERS ARE IN, 795 00:14:24,030 --> 00:14:25,096 WAS THIS ONE HARDER THAN THE BACK OF THE HAND? 796 00:14:25,097 --> 00:14:26,163 Narrator: THE NUMBERS ARE IN, 797 00:14:26,166 --> 00:14:26,498 IT WAS MUCH HARDER. 798 00:14:26,499 --> 00:14:26,831 Narrator: THE NUMBERS ARE IN, 799 00:14:26,833 --> 00:14:28,233 JUST TWO LEFT, AND IT'S DOWN TO THE WIRE. 800 00:14:28,234 --> 00:14:29,634 Narrator: THE NUMBERS ARE IN, 801 00:14:29,636 --> 00:14:30,418 I THINK IT'S NUMBER ONE. 802 00:14:30,419 --> 00:14:31,201 Narrator: THE NUMBERS ARE IN, 803 00:14:31,204 --> 00:14:31,903 LET'S SEE HOW YOU DID. 804 00:14:31,904 --> 00:14:32,603 Narrator: THE NUMBERS ARE IN, 805 00:14:32,606 --> 00:14:33,538 [ BEEP ] NOPE. 806 00:14:33,539 --> 00:14:34,471 Narrator: THE NUMBERS ARE IN, 807 00:14:34,474 --> 00:14:34,673 NO! 808 00:14:34,674 --> 00:14:34,873 Narrator: THE NUMBERS ARE IN, 809 00:14:34,875 --> 00:14:36,391 YOU IN FACT... WERE NUMBER SEVEN. 810 00:14:36,392 --> 00:14:37,908 Narrator: THE NUMBERS ARE IN, 811 00:14:37,911 --> 00:14:38,243 OH. 812 00:14:38,244 --> 00:14:38,576 Narrator: THE NUMBERS ARE IN, 813 00:14:38,578 --> 00:14:39,494 [ BEEP ] OH, MY GOD! 814 00:14:39,495 --> 00:14:40,411 Narrator: THE NUMBERS ARE IN, 815 00:14:40,413 --> 00:14:40,695 YOU ARE WRONG. 816 00:14:40,696 --> 00:14:40,978 Narrator: THE NUMBERS ARE IN, 817 00:14:40,981 --> 00:14:41,897 Narrator: AND IT'S THOSE TWO FINAL FAILURES 818 00:14:41,898 --> 00:14:42,814 Narrator: THE NUMBERS ARE IN, 819 00:14:42,816 --> 00:14:44,933 THAT MEAN THIS VIEWER-REQUESTED MINI MYTH IS ALL WRAPPED UP. 820 00:14:44,934 --> 00:14:47,051 Narrator: THE NUMBERS ARE IN, 821 00:14:47,053 --> 00:14:47,752 SO, HOW DO YOU WANT TO CALL THIS? 822 00:14:47,753 --> 00:14:48,452 Narrator: THE NUMBERS ARE IN, 823 00:14:48,455 --> 00:14:49,604 WELL, I THINK "I KNOW IT LIKE THE BACK OF MY HAND" 824 00:14:49,605 --> 00:14:50,754 Narrator: THE NUMBERS ARE IN, 825 00:14:50,757 --> 00:14:51,956 IS AN IDIOMATIC PHRASE WE HAVE TO LEAVE ALONE 826 00:14:51,957 --> 00:14:53,156 Narrator: THE NUMBERS ARE IN, 827 00:14:53,159 --> 00:14:53,508 AS ESSENTIALLY CONFIRMED. 828 00:14:53,509 --> 00:14:53,858 Narrator: THE NUMBERS ARE IN, 829 00:14:53,860 --> 00:14:54,843 ALL OF OUR TEST SUBJECTS WERE TOTALLY INTIMATE 830 00:14:54,844 --> 00:14:55,827 Narrator: THE NUMBERS ARE IN, 831 00:14:55,829 --> 00:14:57,012 WITH WHAT THE BACKS OF THEIR HANDS LOOKED LIKE. 832 00:14:57,013 --> 00:14:58,196 Narrator: THE NUMBERS ARE IN, 833 00:14:58,198 --> 00:14:59,381 I AGREE, BUT ONE MORE THING. 834 00:14:59,382 --> 00:15:00,565 Narrator: THE NUMBERS ARE IN, 835 00:15:00,567 --> 00:15:00,815 WHAT'S THAT? 836 00:15:00,816 --> 00:15:01,064 Narrator: THE NUMBERS ARE IN, 837 00:15:01,067 --> 00:15:02,183 I DON'T EVER WANT TO BE A DENTIST. 838 00:15:02,184 --> 00:15:03,300 Narrator: THE NUMBERS ARE IN, 839 00:15:03,303 --> 00:15:04,636 NO, ME NEITHER. [ LAUGHS ] 840 00:15:04,637 --> 00:15:05,970 Narrator: THE NUMBERS ARE IN, 841 00:15:12,512 --> 00:15:14,946 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 842 00:15:14,948 --> 00:15:15,413 THROUGH A SHEET OF GLASS. 843 00:15:15,414 --> 00:15:15,879 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 844 00:15:15,882 --> 00:15:17,031 NOW, WE STARTED WITH 1/8-INCH GLASS 845 00:15:17,032 --> 00:15:18,181 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 846 00:15:18,184 --> 00:15:19,734 AND PERFECTED OUR TECHNIQUE, SLOWLY INCREASED OUR SPEEDS, 847 00:15:19,735 --> 00:15:21,285 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 848 00:15:21,288 --> 00:15:22,320 AND SO FAR HAVEN'T HAD ANY SUCCESS. 849 00:15:22,321 --> 00:15:23,353 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 850 00:15:23,356 --> 00:15:23,655 [ GONG SOUNDS ] 851 00:15:23,656 --> 00:15:23,955 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 852 00:15:23,957 --> 00:15:25,540 SO, WE NEED TO RAMP UP THE VELOCITY OF OUR NEEDLE, 853 00:15:25,541 --> 00:15:27,124 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 854 00:15:27,127 --> 00:15:27,475 SO WE HAVE BROUGHT IN 855 00:15:27,476 --> 00:15:27,824 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 856 00:15:27,827 --> 00:15:29,360 ONE OF THE FASTEST PITCHERS IN THE WORLD OF BASEBALL. 857 00:15:29,361 --> 00:15:30,894 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 858 00:15:30,897 --> 00:15:31,796 HE IS A GIANT IN THE FIELD. 859 00:15:31,797 --> 00:15:32,696 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 860 00:15:32,699 --> 00:15:33,498 IN FACT, HE IS ONE OF 23 HUMANS 861 00:15:33,499 --> 00:15:34,298 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 862 00:15:34,301 --> 00:15:36,134 TO EVER PITCH A PERFECT GAME IN THE HISTORY OF BASEBALL. 863 00:15:36,135 --> 00:15:37,968 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 864 00:15:37,971 --> 00:15:38,720 HE IS NONE OTHER THAN MATT CAIN. 865 00:15:38,721 --> 00:15:39,470 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 866 00:15:39,472 --> 00:15:40,238 OH, MY GOD, I CANNOT BELIEVE THIS. 867 00:15:40,239 --> 00:15:41,005 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 868 00:15:41,007 --> 00:15:42,073 Narrator: IF ANYONE CAN TAKE AIM AT THIS MYTH, 869 00:15:42,074 --> 00:15:43,140 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 870 00:15:43,143 --> 00:15:45,193 IT'S SAN FRANCISCO GIANTS' SUPERSTAR PITCHER MATT CAIN. 871 00:15:45,194 --> 00:15:47,244 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 872 00:15:47,247 --> 00:15:49,197 NOT ONLY DOES HE HAVE A FRIGHTENINGLY FAST FAST BALL 873 00:15:49,198 --> 00:15:51,148 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 874 00:15:51,151 --> 00:15:51,533 BUT HIS PERFECT GAME, 875 00:15:51,534 --> 00:15:51,916 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 876 00:15:51,918 --> 00:15:54,052 STRIKING OUT 14 BATTERS ON THE WAY TO A 10-ZIP WIN, 877 00:15:54,053 --> 00:15:56,187 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 878 00:15:56,189 --> 00:15:57,839 PLACED HIM ALONGSIDE THE GREATEST EVER. 879 00:15:57,840 --> 00:15:59,490 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 880 00:15:59,492 --> 00:15:59,941 HE'S A LIVING LEGEND. 881 00:15:59,942 --> 00:16:00,391 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 882 00:16:00,393 --> 00:16:01,743 BUT FIRST, WE'RE GONNA FIND OUT HOW FAST HE CAN THROW, 883 00:16:01,744 --> 00:16:03,094 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 884 00:16:03,096 --> 00:16:04,045 SO WE'RE GONNA HAVE A LITTLE MATCHUP. 885 00:16:04,046 --> 00:16:04,995 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 886 00:16:04,998 --> 00:16:05,797 TORY'S GONNA THROW A BASEBALL, 887 00:16:05,798 --> 00:16:06,597 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 888 00:16:06,599 --> 00:16:07,448 THEN MATT CAIN'S GONNA THROW A BASEBALL. 889 00:16:07,449 --> 00:16:08,298 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 890 00:16:08,301 --> 00:16:09,267 I'M GOING TO MEASURE IT WITH THE SPEED GUN, 891 00:16:09,268 --> 00:16:10,234 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 892 00:16:10,236 --> 00:16:10,935 AND THEN WE'RE ALL GONNA LAUGH AT TORY. 893 00:16:10,936 --> 00:16:11,635 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 894 00:16:11,638 --> 00:16:13,104 YEP, TO PROVE THEY'VE GOT THE BEST IN THE BUSINESS... 895 00:16:13,105 --> 00:16:14,571 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 896 00:16:14,574 --> 00:16:15,023 WARM UP A LITTLE BIT HERE. 897 00:16:15,024 --> 00:16:15,473 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 898 00:16:15,475 --> 00:16:17,025 ...TORY AND MATT ARE GOING TO HAVE A LITTLE HEAD-TO-HEAD. 899 00:16:17,026 --> 00:16:18,576 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 900 00:16:18,578 --> 00:16:19,627 [ SIGHS ] HEY, MATT. 901 00:16:19,628 --> 00:16:20,677 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 902 00:16:20,680 --> 00:16:21,262 ALL RIGHT, NOW, JUST TO WARN YOU, 903 00:16:21,263 --> 00:16:21,845 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 904 00:16:21,848 --> 00:16:22,764 I PLAYED A LITTLE LITTLE LEAGUE GROWING UP, 905 00:16:22,765 --> 00:16:23,681 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 906 00:16:23,683 --> 00:16:25,433 SO LET ME JUST SHOW YOU HOW I DO IT. 907 00:16:25,434 --> 00:16:27,184 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 908 00:16:27,187 --> 00:16:28,320 Grant: GO, TORY! 909 00:16:28,321 --> 00:16:29,454 SO, WE'VE BEEN TRYING TO THROW A NEEDLE 910 00:16:31,491 --> 00:16:33,157 Kari: WOW, THAT WAS SCORCHING HOT. 911 00:16:33,159 --> 00:16:34,559 Narrator: A SCORCHING HOT 48 MILES AN HOUR. 912 00:16:34,560 --> 00:16:35,960 Kari: WOW, THAT WAS SCORCHING HOT. 913 00:16:35,962 --> 00:16:37,162 Tory: ALL RIGHT, SO, WHAT DO YOU THINK? 914 00:16:37,163 --> 00:16:38,363 Kari: WOW, THAT WAS SCORCHING HOT. 915 00:16:38,365 --> 00:16:39,047 THINK I GOT A SHOT? 916 00:16:39,048 --> 00:16:39,730 Kari: WOW, THAT WAS SCORCHING HOT. 917 00:16:39,733 --> 00:16:40,482 UM, NO. 918 00:16:40,483 --> 00:16:41,232 Kari: WOW, THAT WAS SCORCHING HOT. 919 00:16:41,234 --> 00:16:42,033 [ LAUGHTER ] 920 00:16:42,034 --> 00:16:42,833 Kari: WOW, THAT WAS SCORCHING HOT. 921 00:16:42,836 --> 00:16:44,052 YEAH, MY MONEY'S ON MATT. 922 00:16:44,053 --> 00:16:45,269 Kari: WOW, THAT WAS SCORCHING HOT. 923 00:16:46,106 --> 00:16:48,639 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 924 00:16:48,641 --> 00:16:49,707 UH, DO YOU WANT ME TO SAY THIS OUT LOUD, 925 00:16:49,708 --> 00:16:50,774 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 926 00:16:50,777 --> 00:16:51,826 OR IS THIS GONNA DIMINISH YOU AS A MAN? 927 00:16:51,827 --> 00:16:52,876 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 928 00:16:52,879 --> 00:16:53,978 HOW DO YOU FEEL ABOUT 92? [ LAUGHS ] 929 00:16:53,979 --> 00:16:55,078 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 930 00:16:55,081 --> 00:16:55,430 WOW! ALL RIGHT, 92. 931 00:16:55,431 --> 00:16:55,780 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 932 00:16:55,782 --> 00:16:57,282 WELL, I THINK YOU'RE READY TO START THROWING NEEDLES. 933 00:16:57,283 --> 00:16:58,783 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 934 00:16:58,785 --> 00:17:00,168 THINK WE CAN MOVE ON. YOU'VE LEARNED WELL. 935 00:17:00,169 --> 00:17:01,552 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 936 00:17:01,554 --> 00:17:01,836 [ LAUGHTER ] 937 00:17:01,837 --> 00:17:02,119 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 938 00:17:02,122 --> 00:17:03,221 Kari: I THINK MATT CAIN IS THE MAN FOR THE JOB. 939 00:17:03,222 --> 00:17:04,321 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 940 00:17:04,324 --> 00:17:05,957 I MEAN, HE DOUBLED THE SPEED AT WHICH TORY COULD THROW. 941 00:17:05,958 --> 00:17:07,591 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 942 00:17:07,594 --> 00:17:09,711 SO, FOR THE MYTH, WE'RE GONNA MOVE ON TO 1/8-INCH GLASS, 943 00:17:09,712 --> 00:17:11,829 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 944 00:17:11,831 --> 00:17:13,331 THEN AFTER THAT, IF IT DOESN'T WORK, 1/16-INCH. 945 00:17:13,332 --> 00:17:14,832 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 946 00:17:14,834 --> 00:17:15,183 IF THAT DOESN'T WORK, 947 00:17:15,184 --> 00:17:15,533 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 948 00:17:15,535 --> 00:17:17,118 WE'RE GONNA GO ON TO ANTIQUE GLASS, WHICH IS ONLY 1/32-INCH. 949 00:17:17,119 --> 00:17:18,702 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 950 00:17:18,705 --> 00:17:20,221 THIS MIGHT GIVE SOME VALIDITY TO THE MYTH. 951 00:17:20,222 --> 00:17:21,738 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 952 00:17:21,741 --> 00:17:23,041 I MEAN, THE MAN'S GOT A CANNON FOR AN ARM. 953 00:17:23,042 --> 00:17:24,342 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 954 00:17:24,344 --> 00:17:25,910 Narrator: AND ONCE THE CANNON'S GOT HIS AMMUNITION, 955 00:17:25,911 --> 00:17:27,477 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 956 00:17:27,480 --> 00:17:28,863 IT'S ALL SYSTEMS THROW. 957 00:17:28,864 --> 00:17:30,247 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 958 00:17:30,250 --> 00:17:31,650 [ GLASS PINGING ] 959 00:17:31,651 --> 00:17:33,051 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 960 00:17:33,053 --> 00:17:34,135 IT LOOKS LIKE IT'S CHIPPING. 961 00:17:34,136 --> 00:17:35,218 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 962 00:17:35,221 --> 00:17:36,304 [ GLASS PINGING ] 963 00:17:36,305 --> 00:17:37,388 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 964 00:17:37,390 --> 00:17:38,056 YEAH, I THINK THAT WAS MY BEST SHOT RIGHT THERE. 965 00:17:38,057 --> 00:17:38,723 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 966 00:17:38,725 --> 00:17:40,208 WHY DON'T WE CHECK THE HIGH SPEED AND SEE HOW FAST YOU'RE THROWING? 967 00:17:40,209 --> 00:17:41,692 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 968 00:17:41,694 --> 00:17:42,827 BUT IT LOOKS LIKE IT'S HITTING REALLY WELL. 969 00:17:42,828 --> 00:17:43,961 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 970 00:17:43,963 --> 00:17:44,195 Grant: YEAH. 971 00:17:44,196 --> 00:17:44,428 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 972 00:17:44,431 --> 00:17:44,930 IT'S STILL NOT PUNCHING A HOLE. 973 00:17:44,931 --> 00:17:45,430 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 974 00:17:45,432 --> 00:17:46,781 Narrator: INCREDIBLY, THE HIGH-SPEED REVEALS 975 00:17:46,782 --> 00:17:48,131 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 976 00:17:48,134 --> 00:17:49,734 THAT MATT'S BEST THROW PEAKED AT 105 MILES AN HOUR, 977 00:17:49,735 --> 00:17:51,335 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 978 00:17:51,337 --> 00:17:53,321 EQUALING THE FASTEST BASEBALL PITCH EVER RECORDED. 979 00:17:53,322 --> 00:17:55,306 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 980 00:17:55,308 --> 00:17:56,274 OKAY, MATT IS THROWING THESE NEEDLES 981 00:17:56,275 --> 00:17:57,241 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 982 00:17:57,243 --> 00:17:57,742 SO MUCH HARDER THAN WE WERE. 983 00:17:57,743 --> 00:17:58,242 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 984 00:17:58,244 --> 00:17:59,310 I MEAN, JUST TO ILLUSTRATE THE POINT, 985 00:17:59,311 --> 00:18:00,377 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 986 00:18:00,380 --> 00:18:01,996 AS I WAS PICKING THEM UP, I NOTICED THEY'RE BENT. 987 00:18:01,997 --> 00:18:03,613 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 988 00:18:03,616 --> 00:18:04,365 THAT JUST SHOWS HOW MUCH ENERGY 989 00:18:04,366 --> 00:18:05,115 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 990 00:18:05,118 --> 00:18:06,151 IS ACTUALLY GOING INTO THAT NEEDLE 991 00:18:06,152 --> 00:18:07,185 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 992 00:18:07,187 --> 00:18:08,403 AND TRYING TO PENETRATE THAT GLASS. 993 00:18:08,404 --> 00:18:09,620 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 994 00:18:09,622 --> 00:18:09,987 [ GLASS PINGS ] 995 00:18:09,988 --> 00:18:10,353 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 996 00:18:10,356 --> 00:18:11,255 Narrator: BUT DESPITE THE SPEED AND POWER, 997 00:18:11,256 --> 00:18:12,155 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 998 00:18:12,158 --> 00:18:14,025 THE 1/8-INCH GLASS HOLDS FIRM UNTIL... 999 00:18:14,026 --> 00:18:15,893 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1000 00:18:15,895 --> 00:18:17,695 [ INDISTINCT SHOUTING ] 1001 00:18:17,696 --> 00:18:19,496 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1002 00:18:19,499 --> 00:18:20,365 I WISH THAT'D HAVE BEEN THE ONE. 1003 00:18:20,366 --> 00:18:21,232 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1004 00:18:21,234 --> 00:18:22,016 [ LAUGHS ] OH, MY GOD! 1005 00:18:22,017 --> 00:18:22,799 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1006 00:18:22,802 --> 00:18:23,301 WOW! 1007 00:18:23,302 --> 00:18:23,801 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1008 00:18:23,803 --> 00:18:24,152 Narrator: "WOW" IS RIGHT. 1009 00:18:24,153 --> 00:18:24,502 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1010 00:18:24,504 --> 00:18:26,137 WITH THE REDUCED MASS OF THE NEEDLE COMPARED TO A BASEBALL, 1011 00:18:26,138 --> 00:18:27,771 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1012 00:18:27,774 --> 00:18:30,391 MATT MANAGES TO UNLEASH A 113-MILES-AN-HOUR MISSILE 1013 00:18:30,392 --> 00:18:33,009 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1014 00:18:33,012 --> 00:18:34,429 THAT TAKES A CHIP OFF THE OLD BLOCK 1015 00:18:34,430 --> 00:18:35,847 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1016 00:18:35,849 --> 00:18:37,065 BUT STILL FAILS TO FLY THROUGH, 1017 00:18:37,066 --> 00:18:38,282 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1018 00:18:38,284 --> 00:18:39,801 WHICH MEANS IT'S TIME TO TRIM THE FAT. 1019 00:18:39,802 --> 00:18:41,319 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1020 00:18:41,321 --> 00:18:42,404 OKAY, SO, THIS IS 1/16-INCH GLASS. 1021 00:18:42,405 --> 00:18:43,488 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1022 00:18:43,490 --> 00:18:43,872 NOW, BECAUSE IT'S THINNER, 1023 00:18:43,873 --> 00:18:44,255 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1024 00:18:44,257 --> 00:18:46,207 IT REDUCES THE AMOUNT OF ENERGY REQUIRED TO PUNCH THROUGH. 1025 00:18:46,208 --> 00:18:48,158 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1026 00:18:48,161 --> 00:18:48,676 BUT THE TRADE-OFF IS THAT 1027 00:18:48,677 --> 00:18:49,192 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1028 00:18:49,195 --> 00:18:50,495 INSTEAD OF PUNCHING A HOLE THROUGH IT, 1029 00:18:50,496 --> 00:18:51,796 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1030 00:18:51,798 --> 00:18:52,197 IT MAY SHATTER COMPLETELY. 1031 00:18:52,198 --> 00:18:52,597 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1032 00:18:52,599 --> 00:18:53,865 Tory: ALL RIGHT, MATT, REMEMBER ALL YOUR SHAOLIN TRAINING. 1033 00:18:53,866 --> 00:18:55,132 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1034 00:18:55,135 --> 00:18:56,351 I WANT YOU TO JUST PUNCH A HOLE RIGHT THROUGH THAT GLASS. 1035 00:18:56,352 --> 00:18:57,568 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1036 00:18:57,570 --> 00:18:59,037 Narrator: ONCE AGAIN, MATT LAUNCHES NEEDLE AFTER NEEDLE 1037 00:18:59,038 --> 00:19:00,505 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1038 00:19:00,507 --> 00:19:01,940 WITH ONLY A DIVOT FOR HIS EFFORTS. 1039 00:19:01,941 --> 00:19:03,374 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1040 00:19:03,376 --> 00:19:04,242 THAT WAS A GOOD ONE. THAT SOUNDED GOOD. 1041 00:19:04,243 --> 00:19:05,109 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1042 00:19:05,111 --> 00:19:06,227 DID IT LEAVE A LITTLE NICK? YEAH, IT DID. 1043 00:19:06,228 --> 00:19:07,344 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1044 00:19:07,347 --> 00:19:07,746 YEAH. [ LAUGHS ] 1045 00:19:07,747 --> 00:19:08,146 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1046 00:19:08,148 --> 00:19:08,763 Narrator: BUT ON THROW EIGHT, 1047 00:19:08,764 --> 00:19:09,379 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1048 00:19:09,382 --> 00:19:10,865 THERE'S FINALLY A SHATTER TO CELEBRATE. 1049 00:19:10,866 --> 00:19:12,349 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1050 00:19:12,352 --> 00:19:13,384 WHAT THE HECK HAPPENED THERE? 1051 00:19:13,385 --> 00:19:14,417 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1052 00:19:14,420 --> 00:19:15,636 THE NEEDLE SHATTERED. Grant: THE NEEDLE SHATTERED. 1053 00:19:15,637 --> 00:19:16,853 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1054 00:19:16,856 --> 00:19:17,522 YOU SHATTERED THE NEEDLE! 1055 00:19:17,523 --> 00:19:18,189 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1056 00:19:18,191 --> 00:19:19,040 YOU ARE A SHAOLIN MONK. 1057 00:19:19,041 --> 00:19:19,890 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1058 00:19:19,893 --> 00:19:20,158 [ LAUGHTER ] 1059 00:19:20,159 --> 00:19:20,424 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1060 00:19:20,426 --> 00:19:22,026 Narrator: AMAZINGLY, MATT HAS BUSTED THE STEEL NEEDLE 1061 00:19:22,027 --> 00:19:23,627 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1062 00:19:23,630 --> 00:19:24,863 AND LEFT THE GLASS UTTERLY UNTOUCHED, 1063 00:19:24,864 --> 00:19:26,097 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1064 00:19:26,099 --> 00:19:27,115 WHICH DOESN'T BODE WELL FOR THE MYTH. 1065 00:19:27,116 --> 00:19:28,132 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1066 00:19:28,134 --> 00:19:29,734 OKAY, SO, MATT COULDN'T BREAK THE 1/16-INCH GLASS. 1067 00:19:29,735 --> 00:19:31,335 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1068 00:19:31,337 --> 00:19:31,769 WE'RE MOVING ON TO 1/32. 1069 00:19:31,770 --> 00:19:32,202 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1070 00:19:32,205 --> 00:19:33,104 NOW, THIS IS ACTUALLY HARD TO FIND. 1071 00:19:33,105 --> 00:19:34,004 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1072 00:19:34,007 --> 00:19:35,340 YOU HAVE TO FIND THIS IN AN ANTIQUE STORE. 1073 00:19:35,341 --> 00:19:36,674 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1074 00:19:36,676 --> 00:19:37,025 IT'S VERY THIN GLASS. 1075 00:19:37,026 --> 00:19:37,375 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1076 00:19:37,377 --> 00:19:38,643 IF HE CAN MAKE IT THROUGH HERE, I THINK IT'S STILL PLAUSIBLE. 1077 00:19:38,644 --> 00:19:39,910 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1078 00:19:39,913 --> 00:19:41,179 Narrator: INDEED, BUT THE PROBLEM HERE 1079 00:19:41,180 --> 00:19:42,446 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1080 00:19:42,448 --> 00:19:43,548 IS THAT THIS GLASS IS SO FRAGILE, 1081 00:19:43,549 --> 00:19:44,649 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1082 00:19:44,651 --> 00:19:46,101 IT MAY SOONER GET SMASHED THAN SPEARED. 1083 00:19:46,102 --> 00:19:47,552 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1084 00:19:47,554 --> 00:19:49,120 [ INDISTINCT SHOUTING ] 1085 00:19:49,121 --> 00:19:50,687 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1086 00:19:50,690 --> 00:19:52,190 Tory: YOU BROKE THE GLASS WITH A NEEDLE. 1087 00:19:52,191 --> 00:19:53,691 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1088 00:19:53,693 --> 00:19:54,292 THAT'S INSANE. 1089 00:19:54,293 --> 00:19:54,892 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1090 00:19:54,894 --> 00:19:55,526 [ GLASS SHATTERS ] 1091 00:19:55,527 --> 00:19:56,159 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1092 00:19:56,162 --> 00:19:57,061 YES, BUT IT DIDN'T EXACTLY HAPPEN 1093 00:19:57,062 --> 00:19:57,961 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1094 00:19:57,964 --> 00:19:58,813 LIKE THE MONK DID IT IN THE VIDEO. 1095 00:19:58,814 --> 00:19:59,663 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1096 00:19:59,666 --> 00:20:00,682 IT'S JUST THE GLASS IS SO FRAGILE. 1097 00:20:00,683 --> 00:20:01,699 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1098 00:20:01,701 --> 00:20:02,784 Kari: SO AT THIS POINT, IT DOESN'T GO THROUGH. 1099 00:20:02,785 --> 00:20:03,868 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1100 00:20:03,870 --> 00:20:04,369 IT JUST SMASHES THE GLASS. YEAH. 1101 00:20:04,370 --> 00:20:04,869 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1102 00:20:04,871 --> 00:20:06,004 Tory: IN ORDER FOR US TO GET THE NEEDLE TO PUNCH A CLEAN HOLE, 1103 00:20:06,005 --> 00:20:07,138 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1104 00:20:07,140 --> 00:20:08,590 WE'RE GONNA HAVE TO GET THESE NEEDLES TRAVELING A LOT FASTER. 1105 00:20:08,591 --> 00:20:10,041 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1106 00:20:10,043 --> 00:20:11,359 ALL RIGHT, WELL, THIS IS BUSTED FOR A HUMAN, 1107 00:20:11,360 --> 00:20:12,676 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1108 00:20:12,679 --> 00:20:13,511 BUT AMAZING ACHIEVEMENT, MAN. 1109 00:20:13,512 --> 00:20:14,344 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1110 00:20:14,347 --> 00:20:15,113 NICE WORK. PRETTY FUN. 1111 00:20:15,114 --> 00:20:15,880 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1112 00:20:15,882 --> 00:20:16,331 [ LAUGHTER ] 1113 00:20:16,332 --> 00:20:16,781 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1114 00:20:16,783 --> 00:20:17,348 Narrator: "FUN" IS RIGHT. 1115 00:20:17,349 --> 00:20:17,914 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1116 00:20:17,917 --> 00:20:18,783 MATT THREW A MEDLEY OF MINI MISSILES 1117 00:20:18,784 --> 00:20:19,650 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1118 00:20:19,652 --> 00:20:21,002 BUT COULD NEVER MATCH THE VIRAL VIDEO. 1119 00:20:21,003 --> 00:20:22,353 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1120 00:20:22,355 --> 00:20:23,805 HAVING THE NEEDLE PASS THROUGH THE GLASS, 1121 00:20:23,806 --> 00:20:25,256 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1122 00:20:25,258 --> 00:20:25,974 WHICH IS LEFT OTHERWISE INTACT, 1123 00:20:25,975 --> 00:20:26,691 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1124 00:20:26,693 --> 00:20:28,910 HAS PROVED IMPOSSIBLE EVEN FOR THIS PERFECT PITCHER. 1125 00:20:28,911 --> 00:20:31,128 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1126 00:20:31,130 --> 00:20:32,630 LOOK, WE HAVE NO IDEA WHAT THEY USED IN THE VIDEO. 1127 00:20:32,631 --> 00:20:34,131 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1128 00:20:34,133 --> 00:20:35,683 WE DON'T KNOW IF THEY USED REAL GLASS, 1129 00:20:35,684 --> 00:20:37,234 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1130 00:20:37,237 --> 00:20:38,186 IF THAT WAS A REAL NEEDLE. 1131 00:20:38,187 --> 00:20:39,136 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1132 00:20:39,138 --> 00:20:39,937 HERE'S WHAT WE DO KNOW. 1133 00:20:39,938 --> 00:20:40,737 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1134 00:20:40,740 --> 00:20:41,639 WE'RE GONNA FIND OUT WHAT IT TAKES 1135 00:20:41,640 --> 00:20:42,539 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1136 00:20:42,542 --> 00:20:43,658 TO PUNCH A HOLE IN A SHEET OF GLASS 1137 00:20:43,659 --> 00:20:44,775 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1138 00:20:44,777 --> 00:20:45,743 WITHOUT SHATTERING IT. 1139 00:20:45,744 --> 00:20:46,710 Grant: OH, MY GOD. ALL RIGHT, WHAT DID HE GET? 1140 00:20:56,189 --> 00:20:57,021 Narrator: NEXT UP, 1141 00:20:57,023 --> 00:20:59,057 ADAM AND JAMIE TACKLE AN AQUATIC, TWO-WHEEL TALL TALE. 1142 00:20:59,058 --> 00:21:01,092 Narrator: NEXT UP, 1143 00:21:01,094 --> 00:21:02,293 SO, ONE MORE RANDOMIZER THING? 1144 00:21:02,294 --> 00:21:03,493 Narrator: NEXT UP, 1145 00:21:03,496 --> 00:21:04,078 YES, INDEED. 1146 00:21:04,079 --> 00:21:04,661 Narrator: NEXT UP, 1147 00:21:04,664 --> 00:21:05,079 SPIN IT. 1148 00:21:05,080 --> 00:21:05,495 Narrator: NEXT UP, 1149 00:21:05,498 --> 00:21:06,314 ALL RIGHT, HERE WE GO. 1150 00:21:06,315 --> 00:21:07,131 Narrator: NEXT UP, 1151 00:21:09,936 --> 00:21:13,404 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1152 00:21:13,406 --> 00:21:14,789 TO RIDE A BICYCLE UNDERWATER." 1153 00:21:14,790 --> 00:21:16,173 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1154 00:21:16,175 --> 00:21:17,525 WHY WOULD YOU NEED TO RIDE A BICYCLE UNDERWATER? 1155 00:21:17,526 --> 00:21:18,876 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1156 00:21:18,878 --> 00:21:19,444 THAT TOTALLY DOESN'T MATTER. 1157 00:21:19,445 --> 00:21:20,011 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1158 00:21:20,013 --> 00:21:21,212 WHAT MATTERS IS THAT IT'S SUPPOSED TO BE IMPOSSIBLE, 1159 00:21:21,213 --> 00:21:22,412 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1160 00:21:22,415 --> 00:21:23,631 WHICH MEANS IT'S ABSOLUTELY SOMETHING WE SHOULD TEST. 1161 00:21:23,632 --> 00:21:24,848 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1162 00:21:24,851 --> 00:21:26,034 YEAH, BUT WHY WOULD YOU NEED TO DO THAT? 1163 00:21:26,035 --> 00:21:27,218 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1164 00:21:27,220 --> 00:21:27,468 [ SIGHS ] 1165 00:21:27,469 --> 00:21:27,717 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1166 00:21:27,720 --> 00:21:29,053 LET'S CUT TO A SWIMMING POOL, LIKE, RIGHT AWAY. 1167 00:21:29,054 --> 00:21:30,387 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1168 00:21:30,390 --> 00:21:31,472 IT'S A CLASSIC CLASSROOM CONUNDRUM -- 1169 00:21:31,473 --> 00:21:32,555 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1170 00:21:32,558 --> 00:21:34,675 A PHYSICS PROBLEM ADAM, AT LEAST, CAN'T RESIST CRACKING. 1171 00:21:34,676 --> 00:21:36,793 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1172 00:21:36,796 --> 00:21:38,279 SO AT YOUR REQUEST, THEY HIT THE POOL 1173 00:21:38,280 --> 00:21:39,763 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1174 00:21:39,766 --> 00:21:41,132 AND DIVE IN AT THE DEEP END OF THE SCIENCE. 1175 00:21:41,133 --> 00:21:42,499 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1176 00:21:42,502 --> 00:21:43,785 NOW, THE MYTH HERE IS THAT YOU CAN'T RIDE A BIKE UNDERWATER, 1177 00:21:43,786 --> 00:21:45,069 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1178 00:21:45,071 --> 00:21:46,688 AND ON THE FACE OF IT, I CAN SEE THERE MIGHT BE SOME PROBLEMS, 1179 00:21:46,689 --> 00:21:48,306 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1180 00:21:48,308 --> 00:21:48,923 MAINLY SURROUNDING THE FACT 1181 00:21:48,924 --> 00:21:49,539 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1182 00:21:49,542 --> 00:21:50,875 THAT WATER IS SO MUCH MORE DENSE THAN AIR IS. 1183 00:21:50,876 --> 00:21:52,209 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1184 00:21:52,211 --> 00:21:53,044 Jamie: THAT WAS A SATISFYING THUD. 1185 00:21:53,045 --> 00:21:53,878 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1186 00:21:53,880 --> 00:21:54,262 NOW, THIS IS GONNA MEAN 1187 00:21:54,263 --> 00:21:54,645 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1188 00:21:54,647 --> 00:21:55,730 THAT IT'S A LOT HARDER TO MOVE THROUGH IT, 1189 00:21:55,731 --> 00:21:56,814 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1190 00:21:56,816 --> 00:21:58,549 AND RELATIVELY SPEAKING, YOUR WEIGHT UNDERWATER 1191 00:21:58,550 --> 00:22:00,283 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1192 00:22:00,286 --> 00:22:01,502 IS A LOT LESS THAN IT IS ABOVE WATER. 1193 00:22:01,503 --> 00:22:02,719 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1194 00:22:02,722 --> 00:22:04,672 AND SO YOU MAY HAVE STABILITY OR TRACTION PROBLEMS. 1195 00:22:04,673 --> 00:22:06,623 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1196 00:22:06,626 --> 00:22:07,458 THAT'S WHAT WE'RE HERE TO FIND OUT. 1197 00:22:07,459 --> 00:22:08,291 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1198 00:22:08,294 --> 00:22:09,660 NOW, ONE OF THE THINGS THAT MAKES RIDING A BICYCLE 1199 00:22:09,661 --> 00:22:11,027 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1200 00:22:11,030 --> 00:22:11,445 ABOVE THE WATER POSSIBLE 1201 00:22:11,446 --> 00:22:11,861 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1202 00:22:11,864 --> 00:22:12,947 IS THAT THE FORWARD MOMENTUM OF THE BICYCLE 1203 00:22:12,948 --> 00:22:14,031 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1204 00:22:14,033 --> 00:22:14,765 HELPS KEEP YOU UPRIGHT. 1205 00:22:14,766 --> 00:22:15,498 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1206 00:22:15,501 --> 00:22:16,317 NOW, FORWARD MOMENTUM'S GONNA COME 1207 00:22:16,318 --> 00:22:17,134 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1208 00:22:17,136 --> 00:22:17,551 AT QUITE A PREMIUM UNDERWATER. 1209 00:22:17,552 --> 00:22:17,967 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1210 00:22:17,970 --> 00:22:20,221 I DON'T EXPECT TO EVER BE ABLE TO EVEN GO THIS FAST. 1211 00:22:20,222 --> 00:22:22,473 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1212 00:22:22,475 --> 00:22:23,491 WHAT IS THAT GONNA DO TO MY BALANCE? 1213 00:22:23,492 --> 00:22:24,508 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1214 00:22:24,510 --> 00:22:24,859 I'M NOT EXACTLY SURE, 1215 00:22:24,860 --> 00:22:25,209 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1216 00:22:25,211 --> 00:22:26,511 BUT I EXPECT IT'S GONNA MAKE THINGS A LOT MORE DIFFICULT. 1217 00:22:26,512 --> 00:22:27,812 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1218 00:22:27,814 --> 00:22:29,631 Narrator: SO, THERE ARE A NUMBER OF THEORIES AND PHYSICAL FACTORS 1219 00:22:29,632 --> 00:22:31,449 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1220 00:22:31,451 --> 00:22:32,267 THAT MEAN THIS MYTH MIGHT BE SUNK, 1221 00:22:32,268 --> 00:22:33,084 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1222 00:22:33,086 --> 00:22:33,918 BUT THERE'S ONLY ONE WAY TO FIND OUT. 1223 00:22:33,919 --> 00:22:34,751 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1224 00:22:34,754 --> 00:22:36,220 Jamie: ADAM'S GONNA HAVE THE FIRST GO AT RIDING A BIKE UNDERWATER, 1225 00:22:36,221 --> 00:22:37,687 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1226 00:22:37,690 --> 00:22:39,457 AND HE'S PRETTY MUCH JUST GONNA GET IN THE WATER AND GO FOR IT. 1227 00:22:39,458 --> 00:22:41,225 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1228 00:22:41,227 --> 00:22:41,993 YOU READY? Jamie: GO FOR IT. 1229 00:22:41,994 --> 00:22:42,760 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1230 00:22:42,762 --> 00:22:43,444 NOW, TO RIDE A BIKE UNDERWATER, 1231 00:22:43,445 --> 00:22:44,127 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1232 00:22:44,130 --> 00:22:45,379 THE WHEELS ARE GONNA HAVE TO CONTACT THE GROUND. 1233 00:22:45,380 --> 00:22:46,629 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1234 00:22:46,632 --> 00:22:48,766 SO IF HE'S FLOATING, THAT'S NOT RIDING A BIKE. 1235 00:22:48,767 --> 00:22:50,901 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1236 00:22:50,903 --> 00:22:51,202 SO FAR, SO GOOD. 1237 00:22:51,203 --> 00:22:51,502 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1238 00:22:51,504 --> 00:22:52,553 YEAH, YOU'RE PROPELLING YOURSELF, AREN'T YOU? 1239 00:22:52,554 --> 00:22:53,603 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1240 00:22:53,606 --> 00:22:54,906 I AM PROPELLING MYSELF, AND THE WHEELS ARE SPINNING. 1241 00:22:54,907 --> 00:22:56,207 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1242 00:22:56,209 --> 00:22:57,342 Narrator: IT'S SO FAR, SO GOOD, 1243 00:22:57,343 --> 00:22:58,476 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1244 00:22:58,478 --> 00:22:59,627 BUT RIDING A BIKE HALF UNDERWATER 1245 00:22:59,628 --> 00:23:00,777 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1246 00:23:00,780 --> 00:23:02,346 IS ONLY HALF RIDING A BIKE UNDERWATER. 1247 00:23:02,347 --> 00:23:03,913 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1248 00:23:03,916 --> 00:23:04,448 TO REALLY TEST THIS, 1249 00:23:04,449 --> 00:23:04,981 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1250 00:23:04,984 --> 00:23:06,450 ADAM'S GOT TO SUBMERGE TO FIND OUT. 1251 00:23:06,451 --> 00:23:07,917 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1252 00:23:07,920 --> 00:23:08,886 AND THERE HE GOES. 1253 00:23:08,887 --> 00:23:09,853 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1254 00:23:09,856 --> 00:23:10,488 AND THERE HE DOESN'T. 1255 00:23:10,489 --> 00:23:11,121 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1256 00:23:11,124 --> 00:23:12,056 HIS FRONT WHEEL'S NO LONGER ROLLING. 1257 00:23:12,057 --> 00:23:12,989 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1258 00:23:12,992 --> 00:23:14,208 HE'S WHEELIE-ING, ACTUALLY. 1259 00:23:14,209 --> 00:23:15,425 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1260 00:23:15,428 --> 00:23:15,843 [ LAUGHS ] 1261 00:23:15,844 --> 00:23:16,259 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1262 00:23:16,262 --> 00:23:16,594 Adam: FOR THAT TEST, 1263 00:23:16,595 --> 00:23:16,927 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1264 00:23:16,929 --> 00:23:18,095 RIDING A BIKE HALFWAY SUBMERGED IN THE WATER -- 1265 00:23:18,096 --> 00:23:19,262 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1266 00:23:19,265 --> 00:23:20,314 A LOT EASIER THAN I THOUGHT IT WOULD BE. 1267 00:23:20,315 --> 00:23:21,364 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1268 00:23:21,367 --> 00:23:22,316 BUT ONCE I GOT FULLY UNDERWATER, 1269 00:23:22,317 --> 00:23:23,266 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1270 00:23:23,269 --> 00:23:25,019 IT WAS, WELL, JUST AS IMPOSSIBLE AS THE MYTH WILL SUGGEST, 1271 00:23:25,020 --> 00:23:26,770 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1272 00:23:26,773 --> 00:23:27,905 BUT WE'VE GOT A COUPLE OF OTHER THINGS TO TRY 1273 00:23:27,906 --> 00:23:29,038 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1274 00:23:29,041 --> 00:23:30,124 BEFORE WE CALL IT JUST YET. 1275 00:23:30,125 --> 00:23:31,208 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1276 00:23:31,210 --> 00:23:31,792 WHAT DO YOU NEED? 1277 00:23:31,793 --> 00:23:32,375 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1278 00:23:32,378 --> 00:23:32,960 I THINK I NEED MORE WEIGHT. 1279 00:23:32,961 --> 00:23:33,543 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1280 00:23:33,546 --> 00:23:35,229 Narrator: ADAM'S THEORY ON HIS FAILURE IS HIS BUOYANCY. 1281 00:23:35,230 --> 00:23:36,913 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1282 00:23:36,916 --> 00:23:38,032 TO COUNTERACT THAT, HE NEEDS MORE MASS -- 1283 00:23:38,033 --> 00:23:39,149 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1284 00:23:39,152 --> 00:23:40,868 ENOUGH SO THAT HE CAN KEEP IN CONTACT WITH THE GROUND. 1285 00:23:40,869 --> 00:23:42,585 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1286 00:23:42,588 --> 00:23:43,237 THAT'S ABOUT 50 EXTRA POUNDS. 1287 00:23:43,238 --> 00:23:43,887 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1288 00:23:43,890 --> 00:23:45,790 AND THIS TIME, HE'S BUYING MORE TIME BELOW THE SURFACE 1289 00:23:45,791 --> 00:23:47,691 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1290 00:23:47,693 --> 00:23:48,159 WITH A SCUBA TANK. 1291 00:23:48,160 --> 00:23:48,626 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1292 00:23:48,628 --> 00:23:49,060 RIDING A BIKE UNDERWATER. 1293 00:23:49,061 --> 00:23:49,493 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1294 00:23:49,495 --> 00:23:51,846 SO, CAN ADAM DO A LAP OF THE POOL ON A BICYCLE UNDERWATER? 1295 00:23:51,847 --> 00:23:54,198 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1296 00:23:54,200 --> 00:23:55,800 THAT'S THE BENCHMARK THE GUYS HAVE SET THEMSELVES 1297 00:23:55,801 --> 00:23:57,401 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1298 00:23:57,403 --> 00:23:58,002 FOR A MYTHBUSTING RESULT. 1299 00:23:58,003 --> 00:23:58,602 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1300 00:23:58,604 --> 00:23:59,820 LIKE THE LAST TEST, HE'S STARTED WELL. 1301 00:23:59,821 --> 00:24:01,037 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1302 00:24:01,040 --> 00:24:02,523 GOING DOWNHILL, IT ALL SEEMS TO BE WORKING. 1303 00:24:02,524 --> 00:24:04,007 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1304 00:24:04,010 --> 00:24:05,026 Jamie: MOVING ALONG LIKE A CHARM. 1305 00:24:05,027 --> 00:24:06,043 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1306 00:24:06,045 --> 00:24:06,711 BUT IT'S DECEPTIVE. 1307 00:24:06,712 --> 00:24:07,378 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1308 00:24:07,380 --> 00:24:07,779 DOWN INTO THE DEEP HE GOES, 1309 00:24:07,780 --> 00:24:08,179 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1310 00:24:08,181 --> 00:24:09,864 BUT AFTER HE TURNS TO COME BACK, HIS PROBLEMS BECOME APPARENT. 1311 00:24:09,865 --> 00:24:11,548 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1312 00:24:11,551 --> 00:24:13,351 A LACK OF TRACTION MEANS THE BACK WHEEL FREEWHEELS, 1313 00:24:13,352 --> 00:24:15,152 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1314 00:24:15,154 --> 00:24:16,570 AND THAT MEANS ADAM'S GOING DOWN. 1315 00:24:16,571 --> 00:24:17,987 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1316 00:24:17,990 --> 00:24:18,255 HOW'D YOU DO? 1317 00:24:18,256 --> 00:24:18,521 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1318 00:24:18,524 --> 00:24:20,341 Adam: SO, WHILE I WAS SORT OF MOVING MYSELF FORWARD, 1319 00:24:20,342 --> 00:24:22,159 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1320 00:24:22,161 --> 00:24:23,227 IT REALLY COULDN'T BE CALLED RIDING A BIKE. 1321 00:24:23,228 --> 00:24:24,294 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1322 00:24:24,297 --> 00:24:25,813 IT WAS MORE LIKE SEMI-CONTROLLED FLOATING. 1323 00:24:25,814 --> 00:24:27,330 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1324 00:24:27,333 --> 00:24:29,367 SECOND OF ALL, WHILE I WAS ABLE TO GO DOWNHILL, 1325 00:24:29,368 --> 00:24:31,402 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1326 00:24:31,404 --> 00:24:32,737 THERE WAS NO WAY I WAS ABLE TO GET BACK UP. 1327 00:24:32,738 --> 00:24:34,071 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1328 00:24:34,073 --> 00:24:34,605 Adam: WELL, WE HAVE YET TO ACHIEVE 1329 00:24:34,606 --> 00:24:35,138 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1330 00:24:35,141 --> 00:24:37,425 ANYTHING THAT I WOULD CALL RIDING A BIKE UNDERWATER, 1331 00:24:37,426 --> 00:24:39,710 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1332 00:24:39,712 --> 00:24:40,845 BUT JAMIE IS GONNA GIVE IT A SHOT. 1333 00:24:40,846 --> 00:24:41,979 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1334 00:24:41,981 --> 00:24:42,296 THE WATER'S GREAT. 1335 00:24:42,297 --> 00:24:42,612 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1336 00:24:42,615 --> 00:24:43,464 HE'S GONNA PUT SOME WEIGHT ON THIS BIKE 1337 00:24:43,465 --> 00:24:44,314 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1338 00:24:44,317 --> 00:24:45,933 AND TRY IT HIS OWN SELF AND SEE WHAT HE CAN FIGURE OUT. 1339 00:24:45,934 --> 00:24:47,550 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1340 00:24:47,553 --> 00:24:48,536 I'M GONNA FOLLOW ALONG IN SCUBA. 1341 00:24:48,537 --> 00:24:49,520 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1342 00:24:49,522 --> 00:24:50,938 Narrator: SO, WITH AN ADDITIONAL 25 POUNDS 1343 00:24:50,939 --> 00:24:52,355 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1344 00:24:52,358 --> 00:24:53,741 PROVIDING EXTRA DOWN FORCE, JAMIE SETS OFF. 1345 00:24:53,742 --> 00:24:55,125 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1346 00:24:55,127 --> 00:24:57,344 BUT DESPITE HIS BEST EFFORTS, THE RESULT IS THE SAME AS ADAM. 1347 00:24:57,345 --> 00:24:59,562 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1348 00:24:59,565 --> 00:25:00,898 THE UPWARD FORCE OF BUOYANCY 1349 00:25:00,899 --> 00:25:02,232 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1350 00:25:02,235 --> 00:25:03,368 MEANS JAMIE'S WHEELS ARE SPINNING OUT. 1351 00:25:03,369 --> 00:25:04,502 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1352 00:25:04,504 --> 00:25:06,504 HE CAN'T TRANSFER PEDAL POWER INTO FORWARD MOTION 1353 00:25:06,505 --> 00:25:08,505 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1354 00:25:08,508 --> 00:25:09,424 THROUGH CONTACT WITH THE GROUND, 1355 00:25:09,425 --> 00:25:10,341 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1356 00:25:10,343 --> 00:25:11,409 WHICH LEAVES THE MYTH FINELY BALANCED, 1357 00:25:11,410 --> 00:25:12,476 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1358 00:25:12,478 --> 00:25:14,378 UNLIKE AN UNDERWATER, BIKE-RIDING HYNEMAN. 1359 00:25:14,379 --> 00:25:16,279 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1360 00:25:16,282 --> 00:25:17,915 Adam: WELL, THE MYTH IS THAT RIDING A BICYCLE UNDERWATER 1361 00:25:17,916 --> 00:25:19,549 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1362 00:25:19,552 --> 00:25:19,834 IS IMPOSSIBLE, 1363 00:25:19,835 --> 00:25:20,117 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1364 00:25:20,119 --> 00:25:21,485 AND WHILE I THINK WE'VE PRETTY CLEANLY SHOWN 1365 00:25:21,486 --> 00:25:22,852 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1366 00:25:22,855 --> 00:25:23,204 THAT IT'S NOT IMPOSSIBLE, 1367 00:25:23,205 --> 00:25:23,554 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1368 00:25:23,556 --> 00:25:25,606 I DON'T THINK WE'VE YET SHOWN THAT IT'S TOTALLY POSSIBLE. 1369 00:25:25,607 --> 00:25:27,657 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1370 00:25:27,660 --> 00:25:28,409 SEE, I THINK OF A BIKE RIDING 1371 00:25:28,410 --> 00:25:29,159 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1372 00:25:29,161 --> 00:25:30,327 AS SOMETHING THAT CONVEYS YOU ACROSS A SURFACE, 1373 00:25:30,328 --> 00:25:31,494 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1374 00:25:31,497 --> 00:25:32,530 AND YOU CAN RIDE IT UPHILL AND DOWNHILL, 1375 00:25:32,531 --> 00:25:33,564 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1376 00:25:33,566 --> 00:25:34,765 AND IT GIVES YOU A MECHANICAL ADVANTAGE. 1377 00:25:34,766 --> 00:25:35,965 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1378 00:25:35,968 --> 00:25:36,350 SO FAR, UNDERWATER, 1379 00:25:36,351 --> 00:25:36,733 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1380 00:25:36,736 --> 00:25:38,503 WE'VE JUST BEEN ABLE TO SORT OF CONTROL OUR FLOATING. 1381 00:25:38,504 --> 00:25:40,271 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1382 00:25:40,273 --> 00:25:42,790 THIS IS NOT A VEHICLE OF CONVEYANCE UNDERWATER -- YET. 1383 00:25:42,791 --> 00:25:45,308 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1384 00:25:45,311 --> 00:25:47,778 I'VE GOT A COUPLE OF IDEAS UP MY SLEEVE THAT MAY MAKE IT ONE. 1385 00:25:47,779 --> 00:25:50,246 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1386 00:25:50,249 --> 00:25:51,098 THE BIG PROBLEM HERE IS TRACTION, 1387 00:25:51,099 --> 00:25:51,948 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1388 00:25:51,951 --> 00:25:53,668 AND TO ME, THAT MEANS THAT WE NEED MORE WEIGHT -- 1389 00:25:53,669 --> 00:25:55,386 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1390 00:25:55,388 --> 00:25:55,703 A LOT MORE WEIGHT. 1391 00:25:55,704 --> 00:25:56,019 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1392 00:25:56,022 --> 00:25:57,004 IT MIGHT EVEN BE A COUPLE HUNDRED POUNDS. 1393 00:25:57,005 --> 00:25:57,987 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1394 00:25:57,990 --> 00:25:59,256 LET'S SAY WE EACH PUT OUR IDEAS TO THE TEST, 1395 00:25:59,257 --> 00:26:00,523 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1396 00:26:00,526 --> 00:26:00,891 COME BACK TO THIS POOL, 1397 00:26:00,892 --> 00:26:01,257 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1398 00:26:01,260 --> 00:26:02,093 AND HAVE A LITTLE UNDERWATER CHALLENGE 1399 00:26:02,094 --> 00:26:02,927 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1400 00:26:02,929 --> 00:26:04,779 TO SEE WHO CAN OFFICIALLY RIDE A BIKE UNDERWATER. 1401 00:26:04,780 --> 00:26:06,630 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1402 00:26:06,632 --> 00:26:07,131 A LITTLE RACE? 1403 00:26:07,132 --> 00:26:07,631 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1404 00:26:07,633 --> 00:26:08,299 A LITTLE RACE. 1405 00:26:08,300 --> 00:26:08,966 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1406 00:26:08,968 --> 00:26:09,583 WORKS FOR ME. 1407 00:26:09,584 --> 00:26:10,199 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1408 00:26:10,202 --> 00:26:10,868 LET'S DO IT. 1409 00:26:10,869 --> 00:26:11,535 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1410 00:26:11,537 --> 00:26:12,403 Narrator: NEXT ON "MYTHBUSTERS"... 1411 00:26:12,404 --> 00:26:13,270 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1412 00:26:13,272 --> 00:26:13,671 YOUR REQUEST... 1413 00:26:13,672 --> 00:26:14,071 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1414 00:26:14,073 --> 00:26:14,972 ALL RIGHT, SO, THE POTTY DANCE -- 1415 00:26:14,973 --> 00:26:15,872 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1416 00:26:15,875 --> 00:26:16,374 HERE'S WHY IT MIGHT WORK. 1417 00:26:16,375 --> 00:26:16,874 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1418 00:26:16,876 --> 00:26:18,242 Narrator: ...LEADS TO A BLADDER-BUSTING TEST. 1419 00:26:18,243 --> 00:26:19,609 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1420 00:26:19,612 --> 00:26:20,344 WHY IS IT FOAMY? 1421 00:26:20,345 --> 00:26:21,077 "DEAR MYTHBUSTERS, I HEARD THAT IT IS IMPOSSIBLE 1422 00:26:24,784 --> 00:26:26,817 DO NOT TRY WHAT YOU ARE ABOUT TO SEE AT HOME. 1423 00:26:26,819 --> 00:26:28,552 WE'RE WHAT YOU CALL EXPERTS. 1424 00:26:28,553 --> 00:26:30,286 DO NOT TRY WHAT YOU ARE ABOUT TO SEE AT HOME. 1425 00:26:31,691 --> 00:26:34,258 Narrator: IT'S THE RISE OF THE RANDOMIZER. 1426 00:26:34,260 --> 00:26:34,725 [ INDISTINCT SHOUTING ] 1427 00:26:34,726 --> 00:26:35,191 Narrator: IT'S THE RISE OF THE RANDOMIZER. 1428 00:26:35,194 --> 00:26:36,811 THE MYTHBUSTERS ARE TAKING A RANDOM SELECTION 1429 00:26:36,812 --> 00:26:38,429 Narrator: IT'S THE RISE OF THE RANDOMIZER. 1430 00:26:38,431 --> 00:26:40,248 OF YOUR MADCAP MINI MYTH REQUESTS 1431 00:26:40,249 --> 00:26:42,066 Narrator: IT'S THE RISE OF THE RANDOMIZER. 1432 00:26:42,068 --> 00:26:43,084 AND PUTTING THEM TO THE TEST. 1433 00:26:43,085 --> 00:26:44,101 Narrator: IT'S THE RISE OF THE RANDOMIZER. 1434 00:26:44,103 --> 00:26:45,202 ALL RIGHT. HERE WE GO. 1435 00:26:45,203 --> 00:26:46,302 Narrator: IT'S THE RISE OF THE RANDOMIZER. 1436 00:26:49,775 --> 00:26:51,442 THIS ONE COMES FROM THE FAN SITE 1437 00:26:51,444 --> 00:26:52,360 FROM SOMEONE CALLED KING OF MARY. 1438 00:26:52,361 --> 00:26:53,277 THIS ONE COMES FROM THE FAN SITE 1439 00:26:53,279 --> 00:26:54,061 [ LAUGHS ] THIS IS A GOOD ONE. 1440 00:26:54,062 --> 00:26:54,844 THIS ONE COMES FROM THE FAN SITE 1441 00:26:54,847 --> 00:26:56,664 "WHY IS IT THAT WHEN SOMEONE HAS TO PEE, THEY SHAKE AROUND? 1442 00:26:56,665 --> 00:26:58,482 THIS ONE COMES FROM THE FAN SITE 1443 00:26:58,484 --> 00:26:59,867 DOESN'T THAT MAKE THE FEELING WORSE?" 1444 00:26:59,868 --> 00:27:01,251 THIS ONE COMES FROM THE FAN SITE 1445 00:27:01,253 --> 00:27:01,518 THE POTTY DANCE. 1446 00:27:01,519 --> 00:27:01,784 THIS ONE COMES FROM THE FAN SITE 1447 00:27:01,787 --> 00:27:02,336 NOW, FOR THOSE OF YOU THAT DON'T KNOW 1448 00:27:02,337 --> 00:27:02,886 THIS ONE COMES FROM THE FAN SITE 1449 00:27:02,888 --> 00:27:04,255 WHAT THE POTTY DANCE LOOKS LIKE, KARI'S ABOUT TO DEMONSTRATE. 1450 00:27:04,256 --> 00:27:05,623 THIS ONE COMES FROM THE FAN SITE 1451 00:27:05,625 --> 00:27:06,357 I AM? YEP, GO FOR IT. 1452 00:27:06,358 --> 00:27:07,090 THIS ONE COMES FROM THE FAN SITE 1453 00:27:07,093 --> 00:27:07,625 [ WHIRRING ] 1454 00:27:07,626 --> 00:27:08,158 THIS ONE COMES FROM THE FAN SITE 1455 00:27:08,160 --> 00:27:09,009 THERE YOU HAVE IT. 1456 00:27:09,010 --> 00:27:09,859 THIS ONE COMES FROM THE FAN SITE 1457 00:27:09,862 --> 00:27:10,177 NICE WORK. 1458 00:27:10,178 --> 00:27:10,493 THIS ONE COMES FROM THE FAN SITE 1459 00:27:10,496 --> 00:27:11,278 WELL, THAT IS AN INTERESTING IDEA. 1460 00:27:11,279 --> 00:27:12,061 THIS ONE COMES FROM THE FAN SITE 1461 00:27:12,064 --> 00:27:13,013 I MEAN, YOU WOULD THINK THAT JUMPING AROUND 1462 00:27:13,014 --> 00:27:13,963 THIS ONE COMES FROM THE FAN SITE 1463 00:27:13,966 --> 00:27:14,682 WOULD ACTUALLY SLOSH AROUND THAT PEE 1464 00:27:14,683 --> 00:27:15,399 THIS ONE COMES FROM THE FAN SITE 1465 00:27:15,401 --> 00:27:16,333 AND CREATE MORE PRESSURE ON YOUR BLADDER. 1466 00:27:16,334 --> 00:27:17,266 THIS ONE COMES FROM THE FAN SITE 1467 00:27:17,269 --> 00:27:17,718 YEAH, YOU KNOW, I WOULD THINK 1468 00:27:17,719 --> 00:27:18,168 THIS ONE COMES FROM THE FAN SITE 1469 00:27:18,170 --> 00:27:19,486 THAT IT'D BE BETTER JUST TO SIT QUIETLY AND RELAX. 1470 00:27:19,487 --> 00:27:20,803 THIS ONE COMES FROM THE FAN SITE 1471 00:27:20,806 --> 00:27:21,605 NAH, I THINK THE POTTY DANCE WORKS. 1472 00:27:21,606 --> 00:27:22,405 THIS ONE COMES FROM THE FAN SITE 1473 00:27:22,408 --> 00:27:22,807 WE SHOULD TEST THIS. 1474 00:27:22,808 --> 00:27:23,207 THIS ONE COMES FROM THE FAN SITE 1475 00:27:23,209 --> 00:27:24,058 LET'S GET OUR ADULT DIAPERS ON. 1476 00:27:24,059 --> 00:27:24,908 THIS ONE COMES FROM THE FAN SITE 1477 00:27:24,910 --> 00:27:25,676 ALREADY GOT MINE. 1478 00:27:25,677 --> 00:27:26,443 THIS ONE COMES FROM THE FAN SITE 1479 00:27:26,445 --> 00:27:26,727 [ BOING! ] 1480 00:27:26,728 --> 00:27:27,010 THIS ONE COMES FROM THE FAN SITE 1481 00:27:27,013 --> 00:27:28,913 Narrator: SO, DOES THE POTTY DANCE REALLY HELP YOU HOLD OUT? 1482 00:27:28,914 --> 00:27:30,814 THIS ONE COMES FROM THE FAN SITE 1483 00:27:30,816 --> 00:27:32,633 CAN YOU AVOID THE CAN BY DOING THE CAN-CAN? 1484 00:27:32,634 --> 00:27:34,451 THIS ONE COMES FROM THE FAN SITE 1485 00:27:34,453 --> 00:27:36,787 WILL A PEE JIG, WEE WALTZ, OR TINKLE TANGO 1486 00:27:36,788 --> 00:27:39,122 THIS ONE COMES FROM THE FAN SITE 1487 00:27:39,125 --> 00:27:40,074 REALLY HELP OR ACTUALLY HINDER? 1488 00:27:40,075 --> 00:27:41,024 THIS ONE COMES FROM THE FAN SITE 1489 00:27:41,027 --> 00:27:42,777 TO FIND OUT, THE TEAM IS READY TO CROSS THEIR LEGS, 1490 00:27:42,778 --> 00:27:44,528 THIS ONE COMES FROM THE FAN SITE 1491 00:27:44,530 --> 00:27:46,931 SHAKE THEIR BOOTY, AND FLUSH THEIR DIGNITY. 1492 00:27:46,932 --> 00:27:49,333 THIS ONE COMES FROM THE FAN SITE 1493 00:27:49,635 --> 00:27:52,102 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1494 00:27:52,104 --> 00:27:53,637 WE'VE ALL COME TO WORK WITH COMPLETELY EMPTY BLADDERS. 1495 00:27:53,638 --> 00:27:55,171 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1496 00:27:55,174 --> 00:27:56,657 WE'RE GOING TO CONSUME 2 LITERS OF WATER... 1497 00:27:56,658 --> 00:27:58,141 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1498 00:27:58,144 --> 00:27:58,893 CHEERS. TO SCIENCE. 1499 00:27:58,894 --> 00:27:59,643 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1500 00:27:59,645 --> 00:27:59,877 CHEERS. 1501 00:27:59,878 --> 00:28:00,110 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1502 00:28:00,112 --> 00:28:01,996 Kari: ...AND TIME HOW LONG IT TAKES BEFORE WE JUST HAVE TO PEE. 1503 00:28:01,997 --> 00:28:03,881 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1504 00:28:03,883 --> 00:28:04,415 OKAY. 1505 00:28:04,416 --> 00:28:04,948 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1506 00:28:04,950 --> 00:28:05,582 [ GULPING ] 1507 00:28:05,583 --> 00:28:06,215 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1508 00:28:06,218 --> 00:28:06,467 2 LITERS. 1509 00:28:06,468 --> 00:28:06,717 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1510 00:28:06,719 --> 00:28:07,918 GET READY, BLADDER, 'CAUSE HERE IT COMES. 1511 00:28:07,919 --> 00:28:09,118 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1512 00:28:09,121 --> 00:28:09,853 Grant: SO, WE'VE SET UP THREE CLOCKS 1513 00:28:09,854 --> 00:28:10,586 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1514 00:28:10,589 --> 00:28:11,639 TO TIME HOW LONG IT TAKES EACH OF US 1515 00:28:11,640 --> 00:28:12,690 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1516 00:28:12,692 --> 00:28:13,824 BEFORE WE JUST CAN'T HOLD IT ANY LONGER. 1517 00:28:13,825 --> 00:28:14,957 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1518 00:28:14,960 --> 00:28:16,460 NOT THINKING ABOUT PEEING. 1519 00:28:16,461 --> 00:28:17,961 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1520 00:28:17,963 --> 00:28:18,395 NOW, FOR THIS CONTROL, 1521 00:28:18,396 --> 00:28:18,828 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1522 00:28:18,831 --> 00:28:19,563 WE WON'T BE EMPLOYING ANY SPECIAL TECHNIQUES, 1523 00:28:19,564 --> 00:28:20,296 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1524 00:28:20,299 --> 00:28:21,699 THERE'LL BE NO DANCING, NO MEDITATING -- 1525 00:28:21,700 --> 00:28:23,100 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1526 00:28:23,102 --> 00:28:23,734 JUST REGULAR BEHAVIOR 1527 00:28:23,735 --> 00:28:24,367 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1528 00:28:24,370 --> 00:28:26,070 OR...AT LEAST AS REGULAR AS IT GETS FOR US. 1529 00:28:26,071 --> 00:28:27,771 FIRST UP FOR THE POTTY-DANCE EXPERIMENT IS THE CONTROL. 1530 00:28:29,241 --> 00:28:32,376 AND ONCE WE'RE READY TO OPEN THE VALVES AND LET IT FLOW, 1531 00:28:32,378 --> 00:28:32,827 WE'RE GONNA COME TO THIS -- 1532 00:28:32,828 --> 00:28:33,277 AND ONCE WE'RE READY TO OPEN THE VALVES AND LET IT FLOW, 1533 00:28:33,279 --> 00:28:35,162 THE OFFICIAL MYTHBUSTERS DATA DISPOSAL UNIT. 1534 00:28:35,163 --> 00:28:37,046 AND ONCE WE'RE READY TO OPEN THE VALVES AND LET IT FLOW, 1535 00:28:37,049 --> 00:28:37,715 ONCE WE'RE DONE WITH THE CONTROL TEST, 1536 00:28:37,716 --> 00:28:38,382 AND ONCE WE'RE READY TO OPEN THE VALVES AND LET IT FLOW, 1537 00:28:38,384 --> 00:28:40,768 THEN WE'RE GONNA MOVE ON TO THE POTTY DANCE. 1538 00:28:40,769 --> 00:28:43,153 AND ONCE WE'RE READY TO OPEN THE VALVES AND LET IT FLOW, 1539 00:28:43,422 --> 00:28:44,888 Narrator: SO, FOR THE BASE LINE, 1540 00:28:44,890 --> 00:28:45,789 THE GUYS SIMPLY WENT ABOUT THEIR DAY 1541 00:28:45,790 --> 00:28:46,689 Narrator: SO, FOR THE BASE LINE, 1542 00:28:46,692 --> 00:28:48,759 AND TRIED TO HANG ON FOR AS LONG AS THEY COULD. 1543 00:28:48,760 --> 00:28:50,827 Narrator: SO, FOR THE BASE LINE, 1544 00:28:50,830 --> 00:28:51,078 [ LAUGHS ] 1545 00:28:51,079 --> 00:28:51,327 Narrator: SO, FOR THE BASE LINE, 1546 00:28:51,330 --> 00:28:52,596 I THINK I MIGHT NEED A 5-GALLON BUCKET. 1547 00:28:52,597 --> 00:28:53,863 Narrator: SO, FOR THE BASE LINE, 1548 00:28:53,866 --> 00:28:54,148 HA! 1549 00:28:54,149 --> 00:28:54,431 Narrator: SO, FOR THE BASE LINE, 1550 00:28:54,433 --> 00:28:55,165 Narrator: AND FOR TORY... 1551 00:28:55,166 --> 00:28:55,898 Narrator: SO, FOR THE BASE LINE, 1552 00:28:55,901 --> 00:28:56,383 [ TORY SIGHS ] 1553 00:28:56,384 --> 00:28:56,866 Narrator: SO, FOR THE BASE LINE, 1554 00:28:56,869 --> 00:28:59,236 Narrator: ...THAT WAS CLOSE TO TWO HOURS AFTER DRINKING 2 LITERS. 1555 00:28:59,237 --> 00:29:01,604 Narrator: SO, FOR THE BASE LINE, 1556 00:29:01,607 --> 00:29:02,907 [ TORY WAILING ] 1557 00:29:02,908 --> 00:29:04,208 Narrator: SO, FOR THE BASE LINE, 1558 00:29:05,411 --> 00:29:05,843 [ SIGHS ] 1559 00:29:05,845 --> 00:29:08,329 Narrator: TORY'S RELIEF SENDS GRANT OVER THE EDGE. 1560 00:29:08,330 --> 00:29:10,814 [ SIGHS ] 1561 00:29:10,816 --> 00:29:11,498 ALL RIGHT, GET OUT OF THE WAY. 1562 00:29:11,499 --> 00:29:12,181 [ SIGHS ] 1563 00:29:12,184 --> 00:29:13,067 THAT'S SO GROSS. 1564 00:29:13,068 --> 00:29:13,951 [ SIGHS ] 1565 00:29:13,953 --> 00:29:14,385 AND 40 MINUTES LATER, 1566 00:29:14,386 --> 00:29:14,818 [ SIGHS ] 1567 00:29:14,820 --> 00:29:17,237 AFTER KARI NOT SO MUCH SPENDS A PENNY AS A DOLLAR... 1568 00:29:17,238 --> 00:29:19,655 [ SIGHS ] 1569 00:29:20,960 --> 00:29:22,292 YOU DONE? 1570 00:29:22,294 --> 00:29:22,976 SHAKING, REALLY? 1571 00:29:22,977 --> 00:29:23,659 YOU DONE? 1572 00:29:23,662 --> 00:29:23,927 OH, MY GOD! 1573 00:29:23,928 --> 00:29:24,193 YOU DONE? 1574 00:29:24,196 --> 00:29:25,746 LOOK AT THE AMOUNT OF PEE YOU GOT THERE! 1575 00:29:25,747 --> 00:29:27,297 YOU DONE? 1576 00:29:27,299 --> 00:29:27,581 THAT IS A LOT! 1577 00:29:27,582 --> 00:29:27,864 YOU DONE? 1578 00:29:27,867 --> 00:29:28,616 Narrator: ...THE CONTROL IS COMPLETE. 1579 00:29:28,617 --> 00:29:29,366 YOU DONE? 1580 00:29:29,368 --> 00:29:30,985 Kari: SO, AFTER ABOUT TWO HOURS AND 40 MINUTES, I HAD TO GO, 1581 00:29:30,986 --> 00:29:32,603 YOU DONE? 1582 00:29:32,605 --> 00:29:33,771 WHICH IS 40 MINUTES MORE THAN THE BOYS, 1583 00:29:33,772 --> 00:29:34,938 YOU DONE? 1584 00:29:34,940 --> 00:29:36,306 BUT I PEED AT LEAST 30% MORE. 1585 00:29:36,307 --> 00:29:37,673 YOU DONE? 1586 00:29:37,676 --> 00:29:39,276 I'M IMPRESSED ON HOW YOU ACTUALLY PEED IN THE BUCKET. 1587 00:29:39,277 --> 00:29:40,877 YOU DONE? 1588 00:29:40,880 --> 00:29:41,295 YOGA. 1589 00:29:41,296 --> 00:29:41,711 YOU DONE? 1590 00:29:41,714 --> 00:29:42,763 SO, TOMORROW, WE'RE GONNA DO THIS AGAIN, 1591 00:29:42,764 --> 00:29:43,813 YOU DONE? 1592 00:29:43,816 --> 00:29:44,181 TRY WITH THE POTTY DANCE, 1593 00:29:44,182 --> 00:29:44,547 YOU DONE? 1594 00:29:44,550 --> 00:29:45,733 SEE HOW LONG WE CAN HOLD IT THEN. 1595 00:29:45,734 --> 00:29:46,917 YOU DONE? 1596 00:29:47,853 --> 00:29:48,886 [ ROOSTER CROWS ] 1597 00:29:48,888 --> 00:29:49,286 Narrator: AND THE NEXT DAY, 1598 00:29:49,287 --> 00:29:49,685 [ ROOSTER CROWS ] 1599 00:29:49,688 --> 00:29:51,455 AFTER FOLLOWING EXACTLY THE SAME PROCEDURE AS THE CONTROL... 1600 00:29:51,456 --> 00:29:53,223 [ ROOSTER CROWS ] 1601 00:29:53,225 --> 00:29:53,624 ALL RIGHT, ONE DOWN. 1602 00:29:53,625 --> 00:29:54,024 [ ROOSTER CROWS ] 1603 00:29:54,026 --> 00:29:55,542 ...2 LITERS OF WATER INTO AN EMPTY SYSTEM, 1604 00:29:55,543 --> 00:29:57,059 [ ROOSTER CROWS ] 1605 00:29:57,062 --> 00:29:58,962 THE GUYS WILL ATTEMPT TO STAVE OFF THE DESIRE TO PEE 1606 00:29:58,963 --> 00:30:00,863 [ ROOSTER CROWS ] 1607 00:30:00,866 --> 00:30:01,832 WITH A LITTLE POTTY DANCING. 1608 00:30:01,833 --> 00:30:02,799 [ ROOSTER CROWS ] 1609 00:30:02,802 --> 00:30:03,651 HOWEVER, KARI IS DUBIOUS. 1610 00:30:03,652 --> 00:30:04,501 [ ROOSTER CROWS ] 1611 00:30:04,503 --> 00:30:05,319 ALL RIGHT, SO, THE POTTY DANCE -- 1612 00:30:05,320 --> 00:30:06,136 [ ROOSTER CROWS ] 1613 00:30:06,138 --> 00:30:06,487 HERE'S WHY IT MIGHT WORK. 1614 00:30:06,488 --> 00:30:06,837 [ ROOSTER CROWS ] 1615 00:30:06,839 --> 00:30:08,239 THE POTTY DANCE IS SIMPLE AND BASIC. 1616 00:30:08,240 --> 00:30:09,640 [ ROOSTER CROWS ] 1617 00:30:09,642 --> 00:30:10,641 IT'S JUST THIS. IT'S THIS ONE. 1618 00:30:10,642 --> 00:30:11,641 [ ROOSTER CROWS ] 1619 00:30:11,644 --> 00:30:12,042 IS THAT IT? YEAH. 1620 00:30:12,043 --> 00:30:12,441 [ ROOSTER CROWS ] 1621 00:30:12,444 --> 00:30:13,377 WHEN YOU'RE DANCING, YOU KIND OF -- 1622 00:30:13,378 --> 00:30:14,311 [ ROOSTER CROWS ] 1623 00:30:14,313 --> 00:30:15,079 IT'S ALMOST LIKE A MEDITATION. 1624 00:30:15,080 --> 00:30:15,846 [ ROOSTER CROWS ] 1625 00:30:15,848 --> 00:30:16,530 [ MOANS ] OH, BOY. 1626 00:30:16,531 --> 00:30:17,213 [ ROOSTER CROWS ] 1627 00:30:17,216 --> 00:30:17,698 [ EXHALES SHARPLY ] 1628 00:30:17,699 --> 00:30:18,181 [ ROOSTER CROWS ] 1629 00:30:18,184 --> 00:30:19,567 YOU KNOW WHAT HELPS IS TO, LIKE, KIND OF BEND OVER. 1630 00:30:19,568 --> 00:30:20,951 [ ROOSTER CROWS ] 1631 00:30:20,953 --> 00:30:22,336 IT DISTRACTS YOU. IT'S A MIND-OVER-MATTER THING. 1632 00:30:22,337 --> 00:30:23,720 [ ROOSTER CROWS ] 1633 00:30:23,722 --> 00:30:24,505 AGH, GOT IT! 1634 00:30:24,506 --> 00:30:25,289 [ ROOSTER CROWS ] 1635 00:30:25,291 --> 00:30:25,956 MAYBE THE MOONWALK. 1636 00:30:25,957 --> 00:30:26,622 [ ROOSTER CROWS ] 1637 00:30:26,625 --> 00:30:27,107 [ BREATHING HEAVILY ] 1638 00:30:27,108 --> 00:30:27,590 [ ROOSTER CROWS ] 1639 00:30:27,593 --> 00:30:29,109 MIGHT MAKE IT SO YOU DON'T HAVE TO PEE. 1640 00:30:29,110 --> 00:30:30,626 [ ROOSTER CROWS ] 1641 00:30:30,629 --> 00:30:31,562 THIS HELPING YOU? 1642 00:30:31,563 --> 00:30:32,496 [ ROOSTER CROWS ] 1643 00:30:32,498 --> 00:30:33,230 A LITTLE. 1644 00:30:33,231 --> 00:30:33,963 [ ROOSTER CROWS ] 1645 00:30:33,966 --> 00:30:34,832 I HOPE I DON'T GO PEE NOW. 1646 00:30:34,833 --> 00:30:35,699 [ ROOSTER CROWS ] 1647 00:30:35,701 --> 00:30:36,333 THIS WOULD BE AWKWARD. 1648 00:30:36,334 --> 00:30:36,966 [ ROOSTER CROWS ] 1649 00:30:36,969 --> 00:30:37,217 STEPPING OFF. 1650 00:30:37,218 --> 00:30:37,466 [ ROOSTER CROWS ] 1651 00:30:37,469 --> 00:30:39,636 BUT AT THE SAME TIME, ALL THAT JIGGLING AND BOUNCING, 1652 00:30:39,637 --> 00:30:41,804 [ ROOSTER CROWS ] 1653 00:30:41,807 --> 00:30:42,756 IT'S GONNA PUT PRESSURE ON YOUR BLADDER. 1654 00:30:42,757 --> 00:30:43,706 [ ROOSTER CROWS ] 1655 00:30:43,709 --> 00:30:45,776 IT MIGHT ACTUALLY FORCE THE PEE TO HAPPEN BEFORE YOU'RE READY. 1656 00:30:45,777 --> 00:30:47,844 [ ROOSTER CROWS ] 1657 00:30:47,847 --> 00:30:49,747 Narrator: AND FOR TORY, THAT APPEARS TO BE THE CASE. 1658 00:30:49,748 --> 00:30:51,648 [ ROOSTER CROWS ] 1659 00:30:51,650 --> 00:30:52,232 THIS IS NOT HELPING. 1660 00:30:52,233 --> 00:30:52,815 [ ROOSTER CROWS ] 1661 00:30:52,818 --> 00:30:53,550 IT'S ACTUALLY HURTING. 1662 00:30:53,551 --> 00:30:54,283 [ ROOSTER CROWS ] 1663 00:30:54,286 --> 00:30:54,918 [ ALL SHOUT ] 1664 00:30:54,919 --> 00:30:55,551 [ ROOSTER CROWS ] 1665 00:30:55,554 --> 00:30:56,503 ALL RIGHT. THAT'S IT. I'M OUT. 1666 00:30:56,504 --> 00:30:57,453 [ ROOSTER CROWS ] 1667 00:30:57,456 --> 00:30:57,788 I CAN'T TAKE IT ANYMORE. 1668 00:30:57,789 --> 00:30:58,121 [ ROOSTER CROWS ] 1669 00:30:58,123 --> 00:30:59,990 Tory: APPARENTLY, THE PEE-PEE DANCE DIDN'T WORK FOR ME AT ALL. 1670 00:30:59,991 --> 00:31:01,858 [ ROOSTER CROWS ] 1671 00:31:01,861 --> 00:31:02,426 I CAN'T LISTEN TO IT. 1672 00:31:02,427 --> 00:31:02,992 [ ROOSTER CROWS ] 1673 00:31:02,995 --> 00:31:03,594 [ MOANING ] 1674 00:31:03,595 --> 00:31:04,194 [ ROOSTER CROWS ] 1675 00:31:04,196 --> 00:31:04,978 IT CAUSED ME TO GO TO THE BATHROOM 1676 00:31:04,979 --> 00:31:05,761 [ ROOSTER CROWS ] 1677 00:31:05,764 --> 00:31:07,047 A HALF-HOUR SOONER THAN I DID IN THE CONTROL TEST, 1678 00:31:07,048 --> 00:31:08,331 [ ROOSTER CROWS ] 1679 00:31:08,334 --> 00:31:09,967 SO RIGHT NOW, IT'S NOT LOOKING GOOD FOR THE MYTH. 1680 00:31:09,968 --> 00:31:11,601 [ ROOSTER CROWS ] 1681 00:31:11,604 --> 00:31:12,153 [ SIGHS ] 1682 00:31:12,154 --> 00:31:12,703 [ ROOSTER CROWS ] 1683 00:31:12,705 --> 00:31:14,288 I FEEL SO MUCH BETTER. WHEW! 1684 00:31:14,289 --> 00:31:15,872 [ ROOSTER CROWS ] 1685 00:31:15,875 --> 00:31:16,173 Narrator: NOPE. 1686 00:31:16,174 --> 00:31:16,472 [ ROOSTER CROWS ] 1687 00:31:16,475 --> 00:31:18,008 AND ALTHOUGH GRANT GRITS HIS TEETH, GRIPS HIS PANTS, 1688 00:31:18,009 --> 00:31:19,542 [ ROOSTER CROWS ] 1689 00:31:19,545 --> 00:31:21,545 AND PAINFULLY SHUFFLES AROUND FOR ANOTHER 20 MINUTES, 1690 00:31:21,546 --> 00:31:23,546 [ ROOSTER CROWS ] 1691 00:31:23,549 --> 00:31:25,065 HE'S ALSO SHORT OF HIS CONTROL TIME. 1692 00:31:25,066 --> 00:31:26,582 [ ROOSTER CROWS ] 1693 00:31:26,585 --> 00:31:27,418 [ SIGHS ] OH, MY GOSH! 1694 00:31:27,419 --> 00:31:28,252 [ ROOSTER CROWS ] 1695 00:31:28,254 --> 00:31:28,536 WHY IS IT FOAMY? 1696 00:31:28,537 --> 00:31:28,819 [ ROOSTER CROWS ] 1697 00:31:28,821 --> 00:31:29,620 IT CAME OUT AT HIGH VELOCITY. 1698 00:31:29,621 --> 00:31:30,420 [ ROOSTER CROWS ] 1699 00:31:30,422 --> 00:31:30,771 IT WANTED TO GET OUT. 1700 00:31:30,772 --> 00:31:31,121 [ ROOSTER CROWS ] 1701 00:31:31,123 --> 00:31:32,589 Narrator: BUT KARI -- KARI HAS HER GROOVE ON, 1702 00:31:32,590 --> 00:31:34,056 [ ROOSTER CROWS ] 1703 00:31:34,059 --> 00:31:35,442 A GROOVE THAT ENABLES HER TO SHIMMY AND SWING 1704 00:31:35,443 --> 00:31:36,826 [ ROOSTER CROWS ] 1705 00:31:36,829 --> 00:31:38,412 A FULL SEVEN MINUTES PAST HER BASE LINE. 1706 00:31:38,413 --> 00:31:39,996 [ ROOSTER CROWS ] 1707 00:31:39,999 --> 00:31:40,548 Kari: THIS IS WORKING FOR ME 1708 00:31:40,549 --> 00:31:41,098 [ ROOSTER CROWS ] 1709 00:31:41,100 --> 00:31:41,849 'CAUSE IF I STOP, I WILL WET MY PANTS. 1710 00:31:41,850 --> 00:31:42,599 [ ROOSTER CROWS ] 1711 00:31:42,601 --> 00:31:43,834 I MIGHT HAVE TO DANCE ALL THE WAY INTO THE POTTY. 1712 00:31:43,835 --> 00:31:45,068 [ ROOSTER CROWS ] 1713 00:31:45,070 --> 00:31:45,886 I'M GONNA HAVE TO DANCE MY PANTS DOWN, 1714 00:31:45,887 --> 00:31:46,703 [ ROOSTER CROWS ] 1715 00:31:46,705 --> 00:31:47,671 AND I'M GONNA HAVE TO DANCE INTO THE POTTY, 1716 00:31:47,672 --> 00:31:48,638 [ ROOSTER CROWS ] 1717 00:31:48,641 --> 00:31:49,690 AND I'M GONNA HAVE TO DANCE THE PEE OUT BECAUSE -- 1718 00:31:49,691 --> 00:31:50,740 [ ROOSTER CROWS ] 1719 00:31:50,743 --> 00:31:51,809 ALL RIGHT, THAT'S IT FOR ME. 1720 00:31:51,810 --> 00:31:52,876 [ ROOSTER CROWS ] 1721 00:31:52,878 --> 00:31:53,127 WHOA! 1722 00:31:53,128 --> 00:31:53,377 [ ROOSTER CROWS ] 1723 00:31:53,379 --> 00:31:54,261 [ EXHALES SHARPLY ] OH, GOD! 1724 00:31:54,262 --> 00:31:55,144 [ ROOSTER CROWS ] 1725 00:31:55,147 --> 00:31:56,046 [ LAUGHS ] KEEP DANCING. 1726 00:31:56,047 --> 00:31:56,946 [ ROOSTER CROWS ] 1727 00:31:56,949 --> 00:31:57,181 WHOA! 1728 00:31:57,182 --> 00:31:57,414 [ ROOSTER CROWS ] 1729 00:31:57,416 --> 00:31:58,549 Narrator: SO, THE TEST CLIMAXES... 1730 00:31:58,550 --> 00:31:59,683 [ ROOSTER CROWS ] 1731 00:31:59,685 --> 00:32:00,084 [ KARI SIGHS ] 1732 00:32:00,085 --> 00:32:00,484 [ ROOSTER CROWS ] 1733 00:32:00,486 --> 00:32:01,869 Narrator: ...IN A STRANGE, CONTRADICTORY RESULT. 1734 00:32:01,870 --> 00:32:03,253 [ ROOSTER CROWS ] 1735 00:32:03,255 --> 00:32:04,955 THE BOYS FELT THAT THE MOVING AROUND MADE THINGS WORSE, 1736 00:32:04,956 --> 00:32:06,656 [ ROOSTER CROWS ] 1737 00:32:06,659 --> 00:32:07,591 WHICH WAS REFLECTED IN THEIR TIMES, 1738 00:32:07,592 --> 00:32:08,524 [ ROOSTER CROWS ] 1739 00:32:08,527 --> 00:32:10,728 BUT THE MOVEMENT INCREASED KARI'S ABILITY TO HOLD ON. 1740 00:32:10,729 --> 00:32:12,930 [ ROOSTER CROWS ] 1741 00:32:12,932 --> 00:32:13,848 SO, WITH INCONCLUSIVE RESULTS, 1742 00:32:13,849 --> 00:32:14,765 [ ROOSTER CROWS ] 1743 00:32:14,767 --> 00:32:15,866 WHAT'S REQUIRED IS A THIRD TEST -- 1744 00:32:15,867 --> 00:32:16,966 [ ROOSTER CROWS ] 1745 00:32:16,969 --> 00:32:18,736 A CONTRASTING TECHNIQUE TO THE MYTHICAL POTTY DANCE. 1746 00:32:18,737 --> 00:32:20,504 [ ROOSTER CROWS ] 1747 00:32:20,506 --> 00:32:22,306 THIS TIME, THE TEAM IS GOING THE FULL ZEN. 1748 00:32:22,307 --> 00:32:24,107 [ ROOSTER CROWS ] 1749 00:32:24,109 --> 00:32:25,926 THIS TIME, IT'S MIND OVER BLADDER. 1750 00:32:25,927 --> 00:32:27,744 [ ROOSTER CROWS ] 1751 00:32:27,746 --> 00:32:28,529 IT'S MENTAL... 1752 00:32:28,530 --> 00:32:29,313 [ ROOSTER CROWS ] 1753 00:32:29,315 --> 00:32:29,780 OM... 1754 00:32:29,781 --> 00:32:30,246 [ ROOSTER CROWS ] 1755 00:32:30,249 --> 00:32:31,482 ...AND PHYSICAL RELAXATION. 1756 00:32:31,483 --> 00:32:32,716 [ ROOSTER CROWS ] 1757 00:32:32,718 --> 00:32:33,600 PIZZA... 1758 00:32:33,601 --> 00:32:34,483 [ ROOSTER CROWS ] 1759 00:32:34,486 --> 00:32:35,118 AS THE TIME TICKS ALONG, 1760 00:32:35,119 --> 00:32:35,751 [ ROOSTER CROWS ] 1761 00:32:35,754 --> 00:32:36,904 THE TEAM IS TAKING THIS SERIOUSLY. 1762 00:32:36,905 --> 00:32:38,055 [ ROOSTER CROWS ] 1763 00:32:38,057 --> 00:32:39,373 THEY ZONE, BLISS, AND CHILL OUT, 1764 00:32:39,374 --> 00:32:40,690 [ ROOSTER CROWS ] 1765 00:32:40,693 --> 00:32:42,359 ATTEMPTING TO BANISH BLADDER-BURSTING THOUGHTS 1766 00:32:42,360 --> 00:32:44,026 [ ROOSTER CROWS ] 1767 00:32:44,029 --> 00:32:45,312 UNTIL THEY CAN'T STAND IT ANY LONGER. 1768 00:32:45,313 --> 00:32:46,596 [ ROOSTER CROWS ] 1769 00:32:46,598 --> 00:32:47,864 ALL RIGHT, SO, IT'S TWO HOURS AND FIVE MINUTES. 1770 00:32:47,865 --> 00:32:49,131 [ ROOSTER CROWS ] 1771 00:32:49,134 --> 00:32:50,834 I HAVE "TECHNICALLY" BEATEN MY CONTROL TEST, 1772 00:32:50,835 --> 00:32:52,535 [ ROOSTER CROWS ] 1773 00:32:52,538 --> 00:32:54,521 SO "TECHNICALLY" THE ZEN TECHNIQUE IS BETTER 1774 00:32:54,522 --> 00:32:56,505 [ ROOSTER CROWS ] 1775 00:32:56,508 --> 00:32:57,157 BUT NOT BY MUCH. 1776 00:32:57,158 --> 00:32:57,807 [ ROOSTER CROWS ] 1777 00:32:57,810 --> 00:32:58,175 Narrator: SO, FOR TORY, 1778 00:32:58,176 --> 00:32:58,541 [ ROOSTER CROWS ] 1779 00:32:58,544 --> 00:32:59,610 IT WAS A MARGINAL IMPROVEMENT ON HIS CONTROL 1780 00:32:59,611 --> 00:33:00,677 [ ROOSTER CROWS ] 1781 00:33:00,679 --> 00:33:02,162 AND SIGNIFICANTLY BETTER THAN THE POTTY DANCE. 1782 00:33:02,163 --> 00:33:03,646 [ ROOSTER CROWS ] 1783 00:33:03,649 --> 00:33:04,581 Tory: OH, GOD, THAT FEELS GOOD. 1784 00:33:04,582 --> 00:33:05,514 [ ROOSTER CROWS ] 1785 00:33:05,517 --> 00:33:06,216 Narrator: AND 40 MINUTES LATER, 1786 00:33:06,217 --> 00:33:06,916 [ ROOSTER CROWS ] 1787 00:33:06,919 --> 00:33:09,169 KARI MAINTAINS HER CONSISTENCY WITH ANOTHER SIMILAR TIME. 1788 00:33:09,170 --> 00:33:11,420 [ ROOSTER CROWS ] 1789 00:33:11,423 --> 00:33:11,889 [ KARI SIGHS ] 1790 00:33:11,890 --> 00:33:12,356 [ ROOSTER CROWS ] 1791 00:33:12,358 --> 00:33:14,258 Narrator: BUT GRANT SERENELY SAILS PAST HIS CONTROL 1792 00:33:14,259 --> 00:33:16,159 [ ROOSTER CROWS ] 1793 00:33:16,161 --> 00:33:17,261 BY A MASSIVE 47 MINUTES, 1794 00:33:17,262 --> 00:33:18,362 [ ROOSTER CROWS ] 1795 00:33:18,364 --> 00:33:19,947 WHICH LEAVES A MIXED BLADDER OF RESULTS. 1796 00:33:19,948 --> 00:33:21,531 [ ROOSTER CROWS ] 1797 00:33:21,533 --> 00:33:22,182 Kari: ALL RIGHT, WITH THE RESULTS IN, 1798 00:33:22,183 --> 00:33:22,832 [ ROOSTER CROWS ] 1799 00:33:22,835 --> 00:33:23,734 IT LOOKS LIKE IT'S GOING TO BE VERY HARD 1800 00:33:23,735 --> 00:33:24,634 [ ROOSTER CROWS ] 1801 00:33:24,636 --> 00:33:25,902 TO COME UP WITH SOME SORT OF SWEEPING CONCLUSION. 1802 00:33:25,903 --> 00:33:27,169 [ ROOSTER CROWS ] 1803 00:33:27,172 --> 00:33:27,971 EVERYBODY'S ANATOMY IS SO DIFFERENT. 1804 00:33:27,972 --> 00:33:28,771 [ ROOSTER CROWS ] 1805 00:33:28,774 --> 00:33:29,907 FOR ME, THE POTTY DANCE AND THE ZEN METHOD 1806 00:33:29,908 --> 00:33:31,041 [ ROOSTER CROWS ] 1807 00:33:31,043 --> 00:33:32,810 BOTH HELPED ME PROLONG HAVING TO GO TO THE BATHROOM. 1808 00:33:32,811 --> 00:33:34,578 [ ROOSTER CROWS ] 1809 00:33:34,580 --> 00:33:35,079 TORY -- NOTHING HELPED. 1810 00:33:35,080 --> 00:33:35,579 [ ROOSTER CROWS ] 1811 00:33:35,581 --> 00:33:36,613 HE HAD TO GO, AND HE HAD TO GO QUICK. 1812 00:33:36,614 --> 00:33:37,646 [ ROOSTER CROWS ] 1813 00:33:37,649 --> 00:33:39,166 GRANT -- THE ZEN METHOD REALLY HELPED HIM OUT. 1814 00:33:39,167 --> 00:33:40,684 [ ROOSTER CROWS ] 1815 00:33:40,686 --> 00:33:42,486 SO GUESS IT COMES DOWN TO EVERYBODY'S DIFFERENT. 1816 00:33:42,487 --> 00:33:44,287 [ ROOSTER CROWS ] 1817 00:33:44,289 --> 00:33:45,422 Narrator: AND THAT IS THE MORAL OF THE STORY -- 1818 00:33:45,423 --> 00:33:46,556 [ ROOSTER CROWS ] 1819 00:33:46,558 --> 00:33:48,508 WHATEVER WORKS WORKS UNTIL IT DOESN'T, 1820 00:33:48,509 --> 00:33:50,459 [ ROOSTER CROWS ] 1821 00:33:50,462 --> 00:33:51,745 THEN YOU JUST GOT TO GO. 1822 00:33:51,746 --> 00:33:53,029 [ ROOSTER CROWS ] 1823 00:34:04,443 --> 00:34:08,578 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1824 00:34:08,580 --> 00:34:09,229 BECAUSE IN AMERICAN CULTURE, 1825 00:34:09,230 --> 00:34:09,879 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1826 00:34:09,882 --> 00:34:11,465 THERE ARE MANY IDIOMATIC PHRASES ABOUT THE HANDS, 1827 00:34:11,466 --> 00:34:13,049 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1828 00:34:13,052 --> 00:34:13,484 AND I WANTED TO APPROACH THAT 1829 00:34:13,485 --> 00:34:13,917 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1830 00:34:13,919 --> 00:34:14,701 FROM A PHOTOGRAPHIC AND ARTISTIC STANDPOINT. 1831 00:34:14,702 --> 00:34:15,484 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1832 00:34:15,487 --> 00:34:17,287 AND THESE PHRASES ARE THINGS LIKE "HAND OVER YOUR HEART" 1833 00:34:17,288 --> 00:34:19,088 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1834 00:34:19,091 --> 00:34:21,008 AND "HAND-ME-DOWNS," "HELPING HAND," "'HAND' SOLO," 1835 00:34:21,009 --> 00:34:22,926 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1836 00:34:22,928 --> 00:34:23,594 THINGS OF THAT NATURE. 1837 00:34:23,595 --> 00:34:24,261 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1838 00:34:24,263 --> 00:34:25,446 YOU CAN MAKE OF IT WHAT YOU LIKE. 1839 00:34:25,447 --> 00:34:26,630 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1840 00:34:26,632 --> 00:34:27,281 [ Normal voice ] SO, JAMIE, HOW DO YOU THINK 1841 00:34:27,282 --> 00:34:27,931 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1842 00:34:27,933 --> 00:34:28,665 THIS ONE'S GONNA TURN OUT? 1843 00:34:28,666 --> 00:34:29,398 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1844 00:34:29,401 --> 00:34:30,400 I DON'T KNOW. I'M SPEECHLESS. 1845 00:34:30,401 --> 00:34:31,400 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1846 00:34:31,403 --> 00:34:32,119 [ LAUGHS ] 1847 00:34:32,120 --> 00:34:32,836 [ German accent ] I WANTED TO TAKE PICTURES OF PEOPLE'S HANDS 1848 00:34:38,944 --> 00:34:41,578 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1849 00:34:41,580 --> 00:34:42,746 DO THE LAWS OF PHYSICS REALLY MAKE 1850 00:34:42,747 --> 00:34:43,913 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1851 00:34:43,916 --> 00:34:45,315 A SUBAQUATIC SPIN ON A BICYCLE 1852 00:34:45,316 --> 00:34:46,715 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1853 00:34:46,718 --> 00:34:48,185 UNATTAINABLE, UNACHIEVABLE, AND UNFEASIBLE? 1854 00:34:48,186 --> 00:34:49,653 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1855 00:34:49,655 --> 00:34:51,538 ADAM AND JAMIE ARE BLOWING SOME BUBBLES TO FIND OUT. 1856 00:34:51,539 --> 00:34:53,422 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1857 00:34:53,425 --> 00:34:54,625 Jamie: HE'S MOVING ALONG LIKE A CHARM. 1858 00:34:54,626 --> 00:34:55,826 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1859 00:34:55,828 --> 00:34:56,510 Adam: IT SEEMED TO BE GOING PRETTY WELL 1860 00:34:56,511 --> 00:34:57,193 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1861 00:34:57,196 --> 00:34:58,395 UNTIL WE ATTEMPTED TO RIDE BACK OUT OF THE DEEP END HERE, 1862 00:34:58,396 --> 00:34:59,595 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1863 00:34:59,598 --> 00:35:00,981 AT WHICH POINT THE BICYCLE STOPPED BEHAVING LIKE A BICYCLE 1864 00:35:00,982 --> 00:35:02,365 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1865 00:35:02,367 --> 00:35:03,517 AND STARTED BEHAVING LIKE A HEAVY WEIGHT. 1866 00:35:03,518 --> 00:35:04,668 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1867 00:35:04,670 --> 00:35:06,220 THERE HE GOES, AND HE'S FALLING OFF IT THIS TIME. 1868 00:35:06,221 --> 00:35:07,771 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1869 00:35:07,773 --> 00:35:08,922 SO, UNDAUNTED, WE HAVE EACH MADE ASSUMPTIONS 1870 00:35:08,923 --> 00:35:10,072 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1871 00:35:10,075 --> 00:35:10,874 ABOUT EXACTLY WHAT IT WOULD TAKE 1872 00:35:10,875 --> 00:35:11,674 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1873 00:35:11,677 --> 00:35:12,376 TO MAKE A BICYCLE DRIVE UNDERWATER 1874 00:35:12,377 --> 00:35:13,076 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1875 00:35:13,078 --> 00:35:14,077 AND ATTEMPT TO MAKE THE IMPOSSIBLE POSSIBLE. 1876 00:35:14,078 --> 00:35:15,077 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1877 00:35:15,080 --> 00:35:16,830 Narrator: YEP, BACK AT THE SHOP, ADAM AND JAMIE WENT HEAD-TO-HEAD 1878 00:35:16,831 --> 00:35:18,581 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1879 00:35:18,584 --> 00:35:20,367 AND EMBARKED ON A TOP-SECRET BIKE BUILD-OFF. 1880 00:35:20,368 --> 00:35:22,151 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1881 00:35:22,154 --> 00:35:22,719 DON'T TELL JAMIE. 1882 00:35:22,720 --> 00:35:23,285 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1883 00:35:23,288 --> 00:35:24,154 IN ORDER TO GET MORE TRACTION, 1884 00:35:24,155 --> 00:35:25,021 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1885 00:35:25,023 --> 00:35:25,689 I'M GONNA MAKE MY BIKE REALLY HEAVY, 1886 00:35:25,690 --> 00:35:26,356 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1887 00:35:26,358 --> 00:35:27,624 BUT I'VE ALSO FILLED THE TIRES WITH CORN SYRUP. 1888 00:35:27,625 --> 00:35:28,891 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1889 00:35:28,894 --> 00:35:30,127 I HAVE NO IDEA IF THIS IS GONNA WORK. 1890 00:35:30,128 --> 00:35:31,361 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1891 00:35:31,363 --> 00:35:31,662 BUT IT'S FUNNY. 1892 00:35:31,663 --> 00:35:31,962 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1893 00:35:31,964 --> 00:35:33,414 Narrator: FUNNY AND A SOLID SCIENTIFIC THEORY. 1894 00:35:33,415 --> 00:35:34,865 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1895 00:35:34,867 --> 00:35:36,183 THE SYRUPY FILLING WILL SPREAD THE TIRES, 1896 00:35:36,184 --> 00:35:37,500 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1897 00:35:37,503 --> 00:35:39,219 PROVIDING MORE SURFACE CONTACT AND MORE TRACTION. 1898 00:35:39,220 --> 00:35:40,936 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1899 00:35:40,939 --> 00:35:42,456 HE ALSO ADDED 50 EXTRA POUNDS OF WEIGHT. 1900 00:35:42,457 --> 00:35:43,974 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1901 00:35:43,976 --> 00:35:44,675 I THINK IT'S PERFECT. 1902 00:35:44,676 --> 00:35:45,375 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1903 00:35:45,377 --> 00:35:45,859 Narrator: BUT JAMIE... 1904 00:35:45,860 --> 00:35:46,342 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1905 00:35:46,345 --> 00:35:46,894 COUPLE OF LEAD TRAINING WHEELS. 1906 00:35:46,895 --> 00:35:47,444 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1907 00:35:47,446 --> 00:35:48,679 Narrator: ...TOOK A MORE HEAVY-HANDED APPROACH. 1908 00:35:48,680 --> 00:35:49,913 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1909 00:35:49,915 --> 00:35:51,198 Jamie: I'VE ADDED 120 POUNDS OF TRAINING WHEELS 1910 00:35:51,199 --> 00:35:52,482 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1911 00:35:52,484 --> 00:35:53,066 TO THE BACK OF THIS BIKE 1912 00:35:53,067 --> 00:35:53,649 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1913 00:35:53,652 --> 00:35:54,635 AND ANOTHER 20 OR SO ON THE FRONT. 1914 00:35:54,636 --> 00:35:55,619 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1915 00:35:55,621 --> 00:35:57,037 I THINK IT'S GONNA GIVE ME ALL THE TRACTION I NEED. 1916 00:35:57,038 --> 00:35:58,454 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1917 00:35:58,457 --> 00:35:58,705 I'M READY. 1918 00:35:58,706 --> 00:35:58,954 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1919 00:35:58,957 --> 00:36:00,157 Narrator: SO THEY EACH HAVE A MECHANICAL SOLUTION 1920 00:36:00,158 --> 00:36:01,358 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1921 00:36:01,360 --> 00:36:02,993 THEY BELIEVE WILL GIVE THIS MYTH ITS BEST SHOT. 1922 00:36:02,994 --> 00:36:04,627 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1923 00:36:04,630 --> 00:36:05,996 JAMIE FOCUSED ON WEIGHT AND STABILITY. 1924 00:36:05,997 --> 00:36:07,363 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1925 00:36:07,366 --> 00:36:08,415 ADAM WENT FOR TRACTION. 1926 00:36:08,416 --> 00:36:09,465 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1927 00:36:09,468 --> 00:36:10,017 TO SEE IF EITHER WORKED, 1928 00:36:10,018 --> 00:36:10,567 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1929 00:36:10,569 --> 00:36:12,052 THEY INTRODUCE A LITTLE COMPETITIVE ADRENALINE. 1930 00:36:12,053 --> 00:36:13,536 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1931 00:36:13,539 --> 00:36:14,905 Adam: THE RACE STARTS HERE AT THE TOP OF THE RAMP. 1932 00:36:14,906 --> 00:36:16,272 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1933 00:36:16,275 --> 00:36:16,974 AS SOON AS I START THE TIMER GOING, 1934 00:36:16,975 --> 00:36:17,674 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1935 00:36:17,676 --> 00:36:19,059 JAMIE DIVES STRAIGHT INTO THE WATER. 1936 00:36:19,060 --> 00:36:20,443 Narrator: IT'S A RANDOMIZER REQUEST FEST. 1937 00:36:28,120 --> 00:36:29,886 THE MOMENT HE CROSSES THE FINISH LINE, 1938 00:36:29,888 --> 00:36:31,905 I WAVE THE CHECKERED FLAG AND TELL HIM HIS TIME. 1939 00:36:31,906 --> 00:36:33,923 THE MOMENT HE CROSSES THE FINISH LINE, 1940 00:36:33,926 --> 00:36:34,458 ARE YOU READY? 1941 00:36:34,459 --> 00:36:34,991 THE MOMENT HE CROSSES THE FINISH LINE, 1942 00:36:34,993 --> 00:36:35,709 READY AS I'LL EVER BE. 1943 00:36:35,710 --> 00:36:36,426 THE MOMENT HE CROSSES THE FINISH LINE, 1944 00:36:36,428 --> 00:36:37,444 THEN IT'LL BE MY TURN. 1945 00:36:37,445 --> 00:36:38,461 THE MOMENT HE CROSSES THE FINISH LINE, 1946 00:36:38,463 --> 00:36:40,213 Narrator: SO, THEY'RE ALL SET FOR THE TOUR DE POOL. 1947 00:36:40,214 --> 00:36:41,964 THE MOMENT HE CROSSES THE FINISH LINE, 1948 00:36:41,967 --> 00:36:42,215 Adam: GO. 1949 00:36:42,216 --> 00:36:42,464 THE MOMENT HE CROSSES THE FINISH LINE, 1950 00:36:42,467 --> 00:36:43,984 ...A UNIQUELY MYTHBUSTER-ISH EVENT. 1951 00:36:43,985 --> 00:36:45,502 THE MOMENT HE CROSSES THE FINISH LINE, 1952 00:36:46,271 --> 00:36:47,070 [ LAUGHS ] 1953 00:36:47,072 --> 00:36:48,355 Adam: MOST PECULIAR START TO ANY RACE EVER. 1954 00:36:48,356 --> 00:36:49,639 [ LAUGHS ] 1955 00:36:49,641 --> 00:36:50,974 I LIKE WATCHING THE TOP OF HIS BALD HEAD 1956 00:36:50,975 --> 00:36:52,308 [ LAUGHS ] 1957 00:36:52,311 --> 00:36:52,926 DISAPPEAR INTO THE WATER. 1958 00:36:52,927 --> 00:36:53,542 [ LAUGHS ] 1959 00:36:53,545 --> 00:36:54,311 ALL RIGHT, LET'S GO FOLLOW HIM. 1960 00:36:54,312 --> 00:36:55,078 [ LAUGHS ] 1961 00:36:55,080 --> 00:36:56,380 EVERYTHING SEEMS TO BE GOING SMOOTHLY. 1962 00:36:56,381 --> 00:36:57,681 [ LAUGHS ] 1963 00:36:57,683 --> 00:36:58,382 NOW HE'S COASTING DOWNHILL -- 1964 00:36:58,383 --> 00:36:59,082 [ LAUGHS ] 1965 00:36:59,084 --> 00:37:01,051 165 POUNDS OF BIKE, 180 POUNDS OF HYNEMAN. 1966 00:37:01,052 --> 00:37:03,019 [ LAUGHS ] 1967 00:37:03,021 --> 00:37:03,854 HE'S ROUNDING THE CONE. 1968 00:37:03,855 --> 00:37:04,688 [ LAUGHS ] 1969 00:37:04,690 --> 00:37:05,539 THIS IS WHERE WE RAN INTO TROUBLE 1970 00:37:05,540 --> 00:37:06,389 [ LAUGHS ] 1971 00:37:06,391 --> 00:37:07,808 LAST TIME WE WERE IN THIS POOL -- GOING BACK UP. 1972 00:37:07,809 --> 00:37:09,226 [ LAUGHS ] 1973 00:37:09,228 --> 00:37:10,077 THE WHOLE DESIGN OF HIS BIKE IS ABOUT 1974 00:37:10,078 --> 00:37:10,927 [ LAUGHS ] 1975 00:37:10,929 --> 00:37:12,229 GETTING HIM BACK UP THE HILL, GIVING HIM ENOUGH TRACTION. 1976 00:37:12,230 --> 00:37:13,530 [ LAUGHS ] 1977 00:37:13,532 --> 00:37:14,498 Narrator: BUT ALL OF THE EXTRA MASS... 1978 00:37:14,499 --> 00:37:15,465 [ LAUGHS ] 1979 00:37:15,467 --> 00:37:15,799 Adam: OOH! OOH! OOH! 1980 00:37:15,800 --> 00:37:16,132 [ LAUGHS ] 1981 00:37:16,134 --> 00:37:17,200 Narrator: ...DOESN'T SEEM TO BE AIDING JAMIE'S CAUSE. 1982 00:37:17,201 --> 00:37:18,267 [ LAUGHS ] 1983 00:37:18,270 --> 00:37:20,454 IN FACT, IT SEEMS TO BE MORE OF A 160-POUND HINDRANCE 1984 00:37:20,455 --> 00:37:22,639 [ LAUGHS ] 1985 00:37:22,641 --> 00:37:23,040 THAN HELP. 1986 00:37:23,041 --> 00:37:23,440 [ LAUGHS ] 1987 00:37:23,442 --> 00:37:25,642 Adam: IT MAY JUST BE TOO MUCH WEIGHT FOR HIM TO GET UP THAT SLOPE. 1988 00:37:25,643 --> 00:37:27,843 [ LAUGHS ] 1989 00:37:27,846 --> 00:37:29,596 Narrator: JAMIE WAS HOPING THE DOWN FORCE FROM THE ADDITIONAL WEIGHT 1990 00:37:29,597 --> 00:37:31,347 [ LAUGHS ] 1991 00:37:31,350 --> 00:37:32,850 WOULD HELP MAINTAIN CONTACT WITH THE GROUND. 1992 00:37:32,851 --> 00:37:34,351 [ LAUGHS ] 1993 00:37:34,353 --> 00:37:35,018 IT'S A MARGINAL IMPROVEMENT 1994 00:37:35,019 --> 00:37:35,684 [ LAUGHS ] 1995 00:37:35,687 --> 00:37:36,636 BUT NOT ENOUGH TO ESCAPE THE DEEP END, 1996 00:37:36,637 --> 00:37:37,586 [ LAUGHS ] 1997 00:37:37,589 --> 00:37:39,506 AND IN THE END, HE HAS TO USE HIS FEET TO GET TO THE TOP. 1998 00:37:39,507 --> 00:37:41,424 [ LAUGHS ] 1999 00:37:41,426 --> 00:37:42,025 Adam: IT'S LITTLE HYNEMAN THAT COULD... 2000 00:37:42,026 --> 00:37:42,625 [ LAUGHS ] 2001 00:37:42,628 --> 00:37:45,629 INCH BY INCH, MAKING IT OUT OF THE DEEP END ALL ON HIS OWN. 2002 00:37:45,630 --> 00:37:48,631 [ LAUGHS ] 2003 00:37:48,634 --> 00:37:49,633 Narrator: AND IN A BURST OF SLOW, 2004 00:37:49,634 --> 00:37:50,633 [ LAUGHS ] 2005 00:37:50,636 --> 00:37:52,186 JAMIE FINISHES AND DELIVERS HIS VERDICT. 2006 00:37:52,187 --> 00:37:53,737 [ LAUGHS ] 2007 00:37:53,739 --> 00:37:54,288 THAT WAS ABSURD. [ CHUCKLES ] 2008 00:37:54,289 --> 00:37:54,838 [ LAUGHS ] 2009 00:37:54,840 --> 00:37:56,206 THIS WAS FAR WORSE THAN THE UNMODIFIED BIKE. 2010 00:37:56,207 --> 00:37:57,573 [ LAUGHS ] 2011 00:37:57,576 --> 00:37:59,176 YOU KNOW, MORE WEIGHT IS HARDER TO PULL UPHILL. 2012 00:37:59,177 --> 00:38:00,777 [ LAUGHS ] 2013 00:38:00,779 --> 00:38:02,012 IT STILL DIDN'T HAVE PERFECT TRACTION. 2014 00:38:02,013 --> 00:38:03,246 [ LAUGHS ] 2015 00:38:03,248 --> 00:38:04,164 WELL, SINCE I TRIED THAT APPROACH, 2016 00:38:04,165 --> 00:38:05,081 [ LAUGHS ] 2017 00:38:05,083 --> 00:38:05,582 I TRIED ADDING LESS WEIGHT 2018 00:38:05,583 --> 00:38:06,082 [ LAUGHS ] 2019 00:38:06,084 --> 00:38:06,933 AND CHANGING THE TIRE CONSISTENCY 2020 00:38:06,934 --> 00:38:07,783 [ LAUGHS ] 2021 00:38:07,786 --> 00:38:08,118 TO TRY AND EXPLOIT THAT, 2022 00:38:08,119 --> 00:38:08,451 [ LAUGHS ] 2023 00:38:08,453 --> 00:38:09,286 LET'S SAY I HAVE A RUN, AND WE'LL SEE WHERE WE GET. 2024 00:38:09,287 --> 00:38:10,120 [ LAUGHS ] 2025 00:38:10,122 --> 00:38:12,606 Narrator: SO, IN CONCLUSION, MORE MASS COUNTERACTS THE BUOYANCY, 2026 00:38:12,607 --> 00:38:15,091 [ LAUGHS ] 2027 00:38:15,093 --> 00:38:16,443 BUT THE DRAG IS A DRAG. 2028 00:38:16,444 --> 00:38:17,794 [ LAUGHS ] 2029 00:38:17,796 --> 00:38:18,228 ...ONE...GO. 2030 00:38:18,229 --> 00:38:18,661 [ LAUGHS ] 2031 00:38:18,664 --> 00:38:20,297 QUESTION IS, CAN ADAM COMPLETE HIS LAP? 2032 00:38:20,298 --> 00:38:21,931 [ LAUGHS ] 2033 00:38:21,933 --> 00:38:23,066 THERE HE GOES. SO FAR, SO GOOD. 2034 00:38:23,067 --> 00:38:24,200 [ LAUGHS ] 2035 00:38:24,202 --> 00:38:25,085 OH, I CAN TELL ALREADY 2036 00:38:25,086 --> 00:38:25,969 [ LAUGHS ] 2037 00:38:25,971 --> 00:38:27,487 HE LOOKS LIKE HE'S DOING A LOT BETTER THAN I WAS. 2038 00:38:27,488 --> 00:38:29,004 [ LAUGHS ] 2039 00:38:29,007 --> 00:38:29,856 AND HERE COMES THE HARD PART. 2040 00:38:29,857 --> 00:38:30,706 [ LAUGHS ] 2041 00:38:30,709 --> 00:38:31,942 Narrator: KING OF THE MOUNTAIN, HE'S NOT. 2042 00:38:31,943 --> 00:38:33,176 [ LAUGHS ] 2043 00:38:33,178 --> 00:38:34,344 Jamie: AND HE'S HAVING THE SAME PROBLEMS. 2044 00:38:34,345 --> 00:38:35,511 [ LAUGHS ] 2045 00:38:35,514 --> 00:38:37,247 Narrator: MAYBE IF HE COULD HEAR JAMIE'S ENCOURAGEMENT, 2046 00:38:37,248 --> 00:38:38,981 [ LAUGHS ] 2047 00:38:38,984 --> 00:38:39,399 HE MIGHT DO BETTER. 2048 00:38:39,400 --> 00:38:39,815 [ LAUGHS ] 2049 00:38:39,818 --> 00:38:41,384 OH, DOWN HE GOES. [ CHUCKLES ] 2050 00:38:41,385 --> 00:38:42,951 [ LAUGHS ] 2051 00:38:42,954 --> 00:38:44,254 BOY, THAT MAKES ME FEEL A LOT BETTER. 2052 00:38:44,255 --> 00:38:45,555 [ LAUGHS ] 2053 00:38:45,557 --> 00:38:45,906 Narrator: MAYBE NOT. 2054 00:38:45,907 --> 00:38:46,256 [ LAUGHS ] 2055 00:38:46,258 --> 00:38:47,924 Adam: THE GOOD NEWS IS THE MODS I MADE ON THIS BIKE 2056 00:38:47,925 --> 00:38:49,591 [ LAUGHS ] 2057 00:38:49,594 --> 00:38:51,394 ARE A RADICAL IMPROVEMENT OVER THE UNMODIFIED BIKE. 2058 00:38:51,395 --> 00:38:53,195 [ LAUGHS ] 2059 00:38:53,198 --> 00:38:53,997 THE SOFT TIRES AND MORE WEIGHT 2060 00:38:53,998 --> 00:38:54,797 [ LAUGHS ] 2061 00:38:54,800 --> 00:38:56,066 MADE THIS BIKE HAVE MUCH BETTER TRACTION. 2062 00:38:56,067 --> 00:38:57,333 [ LAUGHS ] 2063 00:38:57,336 --> 00:38:59,369 HOWEVER, I WAS NOT ABLE, EVEN WITH THOSE IMPROVEMENTS, 2064 00:38:59,370 --> 00:39:01,403 [ LAUGHS ] 2065 00:39:01,406 --> 00:39:03,907 TO GET OUT OF THE DEEP END UNDER ANY CIRCUMSTANCES. 2066 00:39:03,908 --> 00:39:06,409 [ LAUGHS ] 2067 00:39:06,411 --> 00:39:08,094 AT THIS POINT, IT'S PRETTY MUCH AN EVEN RACE. 2068 00:39:08,095 --> 00:39:09,778 [ LAUGHS ] 2069 00:39:09,781 --> 00:39:10,714 IN OTHER WORDS, WE BOTH FAILED. 2070 00:39:10,715 --> 00:39:11,648 [ LAUGHS ] 2071 00:39:11,650 --> 00:39:12,632 Adam: AND I THINK YOU'LL HAVE TO AGREE 2072 00:39:12,633 --> 00:39:13,615 [ LAUGHS ] 2073 00:39:13,618 --> 00:39:15,268 I GAVE IT EVERY SHOT I HAD. 2074 00:39:15,269 --> 00:39:16,919 [ LAUGHS ] 2075 00:39:16,922 --> 00:39:18,588 SO, HOW DID WE DO ON OUR OBSTACLE COURSE? 2076 00:39:18,589 --> 00:39:20,255 [ LAUGHS ] 2077 00:39:20,258 --> 00:39:20,707 WE SUCKED. 2078 00:39:20,708 --> 00:39:21,157 [ LAUGHS ] 2079 00:39:21,159 --> 00:39:21,975 WE DIDN'T SUCK. 2080 00:39:21,976 --> 00:39:22,792 [ LAUGHS ] 2081 00:39:22,794 --> 00:39:23,226 WE GAVE IT A GOOD TRY. 2082 00:39:23,227 --> 00:39:23,659 [ LAUGHS ] 2083 00:39:23,662 --> 00:39:25,128 THE IDEA OF RIDING A BICYCLE UPHILL UNDERWATER -- 2084 00:39:25,129 --> 00:39:26,595 [ LAUGHS ] 2085 00:39:26,598 --> 00:39:27,113 THAT'S WHAT I THINK SUCKS. 2086 00:39:27,114 --> 00:39:27,629 [ LAUGHS ] 2087 00:39:27,632 --> 00:39:29,065 YEAH, I THOUGHT WE COULD HAVE DONE A LOT BETTER, 2088 00:39:29,066 --> 00:39:30,499 [ LAUGHS ] 2089 00:39:30,502 --> 00:39:31,234 BUT WE JUST COULDN'T DO IT. 2090 00:39:31,235 --> 00:39:31,967 [ LAUGHS ] 2091 00:39:31,970 --> 00:39:32,602 WE COULDN'T GO UPHILL. 2092 00:39:32,603 --> 00:39:33,235 [ LAUGHS ] 2093 00:39:33,238 --> 00:39:33,620 NO, BUT THE GOOD NEWS IS 2094 00:39:33,621 --> 00:39:34,003 [ LAUGHS ] 2095 00:39:34,005 --> 00:39:35,188 WE HAVE THIS IDIOMATIC PHRASE THAT WE CAN NOW ANSWER, 2096 00:39:35,189 --> 00:39:36,372 [ LAUGHS ] 2097 00:39:36,375 --> 00:39:38,158 "IS RIDING A BICYCLE UNDERWATER IMPOSSIBLE?" 2098 00:39:38,159 --> 00:39:39,942 [ LAUGHS ] 2099 00:39:39,945 --> 00:39:40,193 NO, IT'S NOT. 2100 00:39:40,194 --> 00:39:40,442 [ LAUGHS ] 2101 00:39:40,445 --> 00:39:42,279 NO, I THINK ON THE FLAT, WITH A VERY SHALLOW GRADE, 2102 00:39:42,280 --> 00:39:44,114 [ LAUGHS ] 2103 00:39:44,116 --> 00:39:44,648 IT'S TOTALLY FEASIBLE, 2104 00:39:44,649 --> 00:39:45,181 [ LAUGHS ] 2105 00:39:45,183 --> 00:39:45,999 AND BOTH OF US WERE ABLE TO DO IT. 2106 00:39:46,000 --> 00:39:46,816 [ LAUGHS ] 2107 00:39:46,818 --> 00:39:47,851 AND THAT MEANS THE MYTH IS BUSTED. 2108 00:39:47,852 --> 00:39:48,885 [ LAUGHS ] 2109 00:39:48,887 --> 00:39:49,186 TOTALLY BUSTED. 2110 00:39:49,187 --> 00:39:49,486 [ LAUGHS ] 2111 00:39:49,488 --> 00:39:50,871 BUT SO IS OUR ABILITY TO RIDE UPHILL UNDERWATER. 2112 00:39:50,872 --> 00:39:52,255 [ LAUGHS ] 2113 00:39:52,257 --> 00:39:53,340 AND WE RUINED A COUPLE OF PERFECTLY GOOD BIKES. 2114 00:39:53,341 --> 00:39:54,424 [ LAUGHS ] 2115 00:39:54,426 --> 00:39:55,258 IT'S ALL IN THE NAME OF SCIENCE. 2116 00:39:55,259 --> 00:39:56,091 [ LAUGHS ] 2117 00:39:56,094 --> 00:39:56,676 LET'S GET OUT OF HERE. 2118 00:39:56,677 --> 00:39:57,259 [ LAUGHS ] 2119 00:39:57,262 --> 00:39:58,161 [ CHUCKLES ] 2120 00:39:58,162 --> 00:39:59,061 [ LAUGHS ] 2121 00:40:01,500 --> 00:40:03,566 WANT TO KNOW WHY WE DID WHAT WE DID 2122 00:40:03,568 --> 00:40:04,401 AND DIDN'T DO WHAT WE DIDN'T DO? 2123 00:40:04,402 --> 00:40:05,235 WANT TO KNOW WHY WE DID WHAT WE DID 2124 00:40:05,237 --> 00:40:05,736 CHECK OUT THE AFTER SHOW. 2125 00:40:05,737 --> 00:40:06,236 WANT TO KNOW WHY WE DID WHAT WE DID 2126 00:40:06,238 --> 00:40:08,822 LOG ON TO discovery.com/ mythbustersaftershow. 2127 00:40:08,823 --> 00:40:11,407 WANT TO KNOW WHY WE DID WHAT WE DID 2128 00:40:13,211 --> 00:40:14,511 Narrator: KARI, TORY, AND GRANT 2129 00:40:14,513 --> 00:40:16,146 HAVE THROWN AND DANCED THEIR WAY THROUGH THE REQUEST FEST. 2130 00:40:16,147 --> 00:40:17,780 Narrator: KARI, TORY, AND GRANT 2131 00:40:17,783 --> 00:40:20,500 BUT ONE BUSTED MYTH'S ABOUT TO GET A TWIST IN THE TALE. 2132 00:40:20,501 --> 00:40:23,218 Narrator: KARI, TORY, AND GRANT 2133 00:40:23,422 --> 00:40:25,221 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2134 00:40:25,223 --> 00:40:26,106 WITH THIS WHOLE NEEDLE-THROWING MYTH. 2135 00:40:26,107 --> 00:40:26,990 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2136 00:40:26,992 --> 00:40:27,307 WHAT DO YOU MEAN? 2137 00:40:27,308 --> 00:40:27,623 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2138 00:40:27,626 --> 00:40:28,642 I SAY WE TAKE A PELLET GUN, MODIFY IT, 2139 00:40:28,643 --> 00:40:29,659 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2140 00:40:29,661 --> 00:40:30,944 AND SEE HOW FAST WE CAN GET THAT NEEDLE GOING 2141 00:40:30,945 --> 00:40:32,228 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2142 00:40:32,230 --> 00:40:33,096 AND THEN SEE WHAT HAPPENS. 2143 00:40:33,097 --> 00:40:33,963 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2144 00:40:33,965 --> 00:40:34,381 I LOVE IT. LET'S DO IT. 2145 00:40:34,382 --> 00:40:34,798 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2146 00:40:34,800 --> 00:40:36,383 WE'RE TRYING TO REPLICATE WHAT WE SAW ON THE INTERNET -- 2147 00:40:36,384 --> 00:40:37,967 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2148 00:40:37,969 --> 00:40:39,803 A SHAOLIN MONK THROWING A NEEDLE THROUGH A PANE OF GLASS 2149 00:40:39,804 --> 00:40:41,638 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2150 00:40:41,640 --> 00:40:42,105 WITH A CLEAN HOLE. 2151 00:40:42,106 --> 00:40:42,571 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2152 00:40:42,574 --> 00:40:43,557 WE STARTED OUT WITH JUST MAN POWER. 2153 00:40:43,558 --> 00:40:44,541 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2154 00:40:44,543 --> 00:40:44,941 DIDN'T WORK. 2155 00:40:44,942 --> 00:40:45,340 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2156 00:40:45,343 --> 00:40:46,926 THEN WE MOVED UP TO SUPERMAN POWER AND USED MATT CAIN, 2157 00:40:46,927 --> 00:40:48,510 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2158 00:40:48,513 --> 00:40:49,479 WHO HAS THE FASTEST ARM IN THE WEST. 2159 00:40:49,480 --> 00:40:50,446 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2160 00:40:50,449 --> 00:40:52,716 SO NOW WE'RE GONNA TRY SOMETHING WITH EVEN MORE POWER -- 2161 00:40:52,717 --> 00:40:54,984 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2162 00:40:54,986 --> 00:40:55,568 AN AIR RIFLE. 2163 00:40:55,569 --> 00:40:56,151 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2164 00:40:56,154 --> 00:40:56,836 Narrator: YEP. AN AIR RIFLE. 2165 00:40:56,837 --> 00:40:57,519 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2166 00:40:57,522 --> 00:40:58,471 AS HIS CHAOS-MAKER OF CHOICE, 2167 00:40:58,472 --> 00:40:59,421 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2168 00:40:59,424 --> 00:41:00,523 IT'S GOT "TORY" WRITTEN ALL OVER IT. 2169 00:41:00,524 --> 00:41:01,623 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2170 00:41:01,626 --> 00:41:03,109 NOW, I'VE SHOT OUT A LOT OF WINDOWS WITH THESE, 2171 00:41:03,110 --> 00:41:04,593 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2172 00:41:04,596 --> 00:41:05,595 BUT I'VE NEVER SHOT ONE OUT WITH A NEEDLE. 2173 00:41:05,596 --> 00:41:06,595 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2174 00:41:06,598 --> 00:41:07,514 I'VE NEVER THOUGHT OF THIS BEFORE. 2175 00:41:07,515 --> 00:41:08,431 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2176 00:41:08,433 --> 00:41:08,965 BUT THERE IS A PROBLEM. 2177 00:41:08,966 --> 00:41:09,498 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2178 00:41:09,501 --> 00:41:10,050 THE NEEDLE IS VERY THIN. 2179 00:41:10,051 --> 00:41:10,600 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2180 00:41:10,602 --> 00:41:11,868 IT'S NOT THE SAME DIAMETER AS THE BARREL OF THE GUN. 2181 00:41:11,869 --> 00:41:13,135 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2182 00:41:13,138 --> 00:41:14,254 SO I'M GONNA HAVE TO USE THIS SABOT 2183 00:41:14,255 --> 00:41:15,371 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2184 00:41:15,373 --> 00:41:15,805 TO CAPTURE THE AIR PRESSURE 2185 00:41:15,806 --> 00:41:16,238 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2186 00:41:16,241 --> 00:41:17,157 TO SHOOT THE NEEDLE DOWN TOWARDS THE GLASS. 2187 00:41:17,158 --> 00:41:18,074 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2188 00:41:18,076 --> 00:41:20,443 Narrator: WITH THE RIFLE CAPABLE OF SHOOTING AT 180 MILES AN HOUR, 2189 00:41:20,444 --> 00:41:22,811 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2190 00:41:22,814 --> 00:41:24,180 THE 1/8-INCH GLASS, AND THE MYTH, 2191 00:41:24,181 --> 00:41:25,547 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2192 00:41:25,550 --> 00:41:26,800 IS FACING ITS FINAL FIRING SQUAD. 2193 00:41:26,801 --> 00:41:28,051 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2194 00:41:28,053 --> 00:41:29,719 THIS IS 1/8-INCH GLASS WITH A NEEDLE AND AIR RIFLE. 2195 00:41:29,720 --> 00:41:31,386 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2196 00:41:31,389 --> 00:41:32,489 HERE WE GO IN THREE, TWO, ONE. 2197 00:41:32,490 --> 00:41:33,590 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2198 00:41:33,592 --> 00:41:34,307 [ AIR RIFLE FIRES ] 2199 00:41:34,308 --> 00:41:35,023 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2200 00:41:35,026 --> 00:41:35,258 OOH. 2201 00:41:35,259 --> 00:41:35,491 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2202 00:41:35,494 --> 00:41:36,126 LET'S SEE WHAT THAT DID. 2203 00:41:36,127 --> 00:41:36,759 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2204 00:41:36,761 --> 00:41:37,794 THAT LOOKED LIKE A NICE HIT. 2205 00:41:37,795 --> 00:41:38,828 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2206 00:41:38,830 --> 00:41:39,212 WOW. 2207 00:41:39,213 --> 00:41:39,595 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2208 00:41:39,598 --> 00:41:40,063 Narrator: BUT NO CIGAR. 2209 00:41:40,064 --> 00:41:40,529 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2210 00:41:40,532 --> 00:41:43,216 A GOOD POINT-FIRST CONTACT, AND NO PENETRATION. 2211 00:41:43,217 --> 00:41:45,901 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2212 00:41:45,904 --> 00:41:47,003 BUT WITH A SPEED OF 140 MILES AN HOUR, 2213 00:41:47,004 --> 00:41:48,103 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2214 00:41:48,106 --> 00:41:50,190 THE TEAM STILL HAS A CHANCE TO FURTHER PUMP UP THEIR CHANCES, 2215 00:41:50,191 --> 00:41:52,275 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2216 00:41:52,277 --> 00:41:54,411 BECAUSE WITH AN EXTRA PUMP OR TWO COMES MORE POWER. 2217 00:41:54,412 --> 00:41:56,546 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2218 00:41:56,548 --> 00:41:57,330 [ AIR RIFLE FIRES ] 2219 00:41:57,331 --> 00:41:58,113 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2220 00:41:58,116 --> 00:41:58,748 IS THAT A DIVOT? IT IS. 2221 00:41:58,749 --> 00:41:59,381 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2222 00:41:59,384 --> 00:42:01,384 Narrator: THIS TIME, THE NEEDLE ROCKETS OUT AT 160 MILES AN HOUR, 2223 00:42:01,385 --> 00:42:03,385 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2224 00:42:03,388 --> 00:42:04,321 BUT AGAIN, NO PENETRATION. 2225 00:42:04,322 --> 00:42:05,255 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2226 00:42:05,257 --> 00:42:07,057 HOWEVER, THE DIVOT DAMAGE IS PROMISING. 2227 00:42:07,058 --> 00:42:08,858 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2228 00:42:08,860 --> 00:42:09,509 SO FOR THE FINAL TIME, 2229 00:42:09,510 --> 00:42:10,159 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2230 00:42:10,161 --> 00:42:13,263 TORY CRANKS THE GUN TO THE MAX, 180 MILES AN HOUR. 2231 00:42:13,264 --> 00:42:16,366 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2232 00:42:16,368 --> 00:42:16,766 ...ONE. 2233 00:42:16,767 --> 00:42:17,165 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2234 00:42:17,168 --> 00:42:17,934 [ AIR RIFLE FIRES ] 2235 00:42:17,935 --> 00:42:18,701 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2236 00:42:18,703 --> 00:42:19,185 OH! 2237 00:42:19,186 --> 00:42:19,668 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2238 00:42:19,671 --> 00:42:20,186 [ GRANT LAUGHS ] 2239 00:42:20,187 --> 00:42:20,702 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2240 00:42:20,705 --> 00:42:21,037 THAT LOOKED GOOD! 2241 00:42:21,038 --> 00:42:21,370 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2242 00:42:21,373 --> 00:42:23,273 IT PUNCHED A PERFECT HOLE JUST LIKE THE SHAOLIN MONK DID! 2243 00:42:23,274 --> 00:42:25,174 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2244 00:42:25,176 --> 00:42:26,643 DUDE, SO THAT'S WHAT IT TAKES -- INCREDIBLE SPEED. 2245 00:42:26,644 --> 00:42:28,111 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2246 00:42:28,113 --> 00:42:29,329 Narrator: INCREDIBLE SPEED INDEED. 2247 00:42:29,330 --> 00:42:30,546 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2248 00:42:30,549 --> 00:42:31,364 A FULL 70 MILES AN HOUR FASTER 2249 00:42:31,365 --> 00:42:32,180 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2250 00:42:32,183 --> 00:42:33,700 THAN MATT "THE CANON" CAIN'S BEST THROW 2251 00:42:33,701 --> 00:42:35,218 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2252 00:42:35,220 --> 00:42:35,852 WAS THE MAGIC NUMBER. 2253 00:42:35,853 --> 00:42:36,485 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2254 00:42:36,488 --> 00:42:37,070 AND WITH THE PHYSICS LAID BARE, 2255 00:42:37,071 --> 00:42:37,653 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2256 00:42:37,656 --> 00:42:39,756 THE TEAM SUSPECTS AN ALTERNATIVE TECHNIQUE WAS USED. 2257 00:42:39,757 --> 00:42:41,857 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2258 00:42:41,860 --> 00:42:42,309 IT'S NOT A HOAX, 2259 00:42:42,310 --> 00:42:42,759 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2260 00:42:42,761 --> 00:42:43,877 BUT IT SEEMS THERE'S MORE THAN MEETS THE EYE 2261 00:42:43,878 --> 00:42:44,994 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2262 00:42:44,996 --> 00:42:46,346 TO THIS MYTHICAL MONK MAGIC. 2263 00:42:46,347 --> 00:42:47,697 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2264 00:42:47,699 --> 00:42:48,732 I'M GONNA SAY THIS IS BUSTED, STILL, 2265 00:42:48,733 --> 00:42:49,766 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2266 00:42:49,768 --> 00:42:50,433 BECAUSE I JUST DON'T THINK 2267 00:42:50,434 --> 00:42:51,099 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2268 00:42:51,102 --> 00:42:52,485 THAT ANY HUMAN IS GONNA BE ABLE TO DO THAT. 2269 00:42:52,486 --> 00:42:53,869 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2270 00:42:53,872 --> 00:42:54,721 TOTALLY BUSTED. 2271 00:42:54,722 --> 00:42:55,571 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2272 00:42:55,574 --> 00:42:55,906 ABSOLUTELY BUSTED. 2273 00:42:55,907 --> 00:42:56,239 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2274 00:42:56,241 --> 00:42:57,223 NOW, THE MYTH THAT YOU COULD THROW A NEEDLE 2275 00:42:57,224 --> 00:42:58,206 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2276 00:42:58,209 --> 00:42:59,092 THROUGH A PANE OF GLASS IS TOTALLY BUSTED. 2277 00:42:59,093 --> 00:42:59,976 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2278 00:42:59,978 --> 00:43:01,378 WE TRIED EVERYTHING WE COULD TO GET THIS TO HAPPEN. 2279 00:43:01,379 --> 00:43:02,779 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2280 00:43:02,781 --> 00:43:03,129 WE THREW IT OURSELVES. 2281 00:43:03,130 --> 00:43:03,478 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2282 00:43:03,481 --> 00:43:04,664 WE EVEN BROUGHT IN A PROFESSIONAL PITCHER. 2283 00:43:04,665 --> 00:43:05,848 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2284 00:43:05,850 --> 00:43:06,916 AND WE CHANGED THE THICKNESS OF THE GLASS, 2285 00:43:06,917 --> 00:43:07,983 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2286 00:43:07,986 --> 00:43:09,636 AND WE COULD STILL NOT GET A PERFECT-PUNCHED HOLE. 2287 00:43:09,637 --> 00:43:11,287 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2288 00:43:11,289 --> 00:43:12,305 FINALLY, AFTER USING THE AIR RIFLE 2289 00:43:12,306 --> 00:43:13,322 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2290 00:43:13,325 --> 00:43:14,124 WERE WE ABLE TO PUNCH A PERFECT HOLE. 2291 00:43:14,125 --> 00:43:14,924 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2292 00:43:14,926 --> 00:43:15,792 BUT REMEMBER, THAT'S GETTING THE NEEDLE 2293 00:43:15,793 --> 00:43:16,659 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2294 00:43:16,661 --> 00:43:18,111 TO TRAVEL AT ALMOST 200 MILES AN HOUR. 2295 00:43:18,112 --> 00:43:19,562 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2296 00:43:19,564 --> 00:43:20,647 NO MATTER HOW YOU LOOK AT THIS ONE, 2297 00:43:20,648 --> 00:43:21,731 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2298 00:43:21,733 --> 00:43:22,232 IT IS BUSTED. 2299 00:43:22,233 --> 00:43:22,732 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 2300 00:43:22,734 --> 00:43:24,784 LET'S JUST HOPE THE SHAOLIN MONKS DON'T HAVE CABLE. 2301 00:43:24,785 --> 00:43:26,835 I THINK WE'VE GOT SOME UNFINISHED BUSINESS 194085

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.