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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,801 --> 00:00:02,868 DO NOT TRY WHAT YOU'RE ABOUT TO SEE AT HOME. 2 00:00:02,870 --> 00:00:04,053 WE CONSULT WITH EXPERTS, WE TAKE EVERY PRECAUTION, 3 00:00:04,054 --> 00:00:05,237 DO NOT TRY WHAT YOU'RE ABOUT TO SEE AT HOME. 4 00:00:05,239 --> 00:00:07,072 AND WE HAVE YEARS OF EXPERIENCE IN DANGEROUS SITUATIONS. 5 00:00:07,073 --> 00:00:08,906 DO NOT TRY WHAT YOU'RE ABOUT TO SEE AT HOME. 6 00:00:08,909 --> 00:00:15,080 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 7 00:00:15,082 --> 00:00:16,115 AAH! HERE'S ADAM! 8 00:00:16,116 --> 00:00:17,149 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 9 00:00:17,151 --> 00:00:17,767 Narrator: ...THERE'S THRILLS... 10 00:00:17,768 --> 00:00:18,384 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 11 00:00:18,386 --> 00:00:19,435 OH, IT'S BURROWING! OHH! 12 00:00:19,436 --> 00:00:20,485 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 13 00:00:20,488 --> 00:00:21,070 Narrator: ...SPILLS... 14 00:00:21,071 --> 00:00:21,653 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 15 00:00:21,655 --> 00:00:22,287 Tory: WHO TALKED ME INTO THIS? 16 00:00:22,288 --> 00:00:22,920 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 17 00:00:22,923 --> 00:00:23,973 Narrator: ...AND SPINE-TINGLING CHILLS... 18 00:00:23,974 --> 00:00:25,024 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 19 00:00:25,026 --> 00:00:27,159 FOR THE HAIR-RAISING HALLOWEEN SPECIAL. 20 00:00:27,160 --> 00:00:29,293 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 21 00:00:29,296 --> 00:00:31,046 FIRST, ADAM AND JAMIE GO BUMP IN THE NIGHT. 22 00:00:31,047 --> 00:00:32,797 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 23 00:00:32,800 --> 00:00:34,717 YES, WE'RE STARING AT YOU. WE'RE ALL STARING AT YOU. 24 00:00:34,718 --> 00:00:36,635 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 25 00:00:36,637 --> 00:00:38,087 Narrator: ...FINDING OUT IF THE SCIENCE OF SOUND... 26 00:00:38,088 --> 00:00:39,538 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 27 00:00:39,540 --> 00:00:39,922 THESE AIN'T NO BOOM BOXES. 28 00:00:39,923 --> 00:00:40,305 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 29 00:00:40,307 --> 00:00:43,158 Narrator: ...COULD EXPLAIN REPORTS OF PARANORMAL ACTIVITY. 30 00:00:43,159 --> 00:00:46,010 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 31 00:00:46,013 --> 00:00:46,795 [ LAUGHS EVILLY ] 32 00:00:46,796 --> 00:00:47,578 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 33 00:00:47,581 --> 00:00:48,781 Narrator: THEN, IT'S A GRAVE CONCERN... 34 00:00:48,782 --> 00:00:49,982 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 35 00:00:49,984 --> 00:00:51,934 ARE YOU READY FOR THE HORROR? DUN DUN DUN! 36 00:00:51,935 --> 00:00:53,885 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 37 00:00:53,888 --> 00:00:55,054 Narrator: ...TESTING THE MOVIE MYTH 38 00:00:55,055 --> 00:00:56,221 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 39 00:00:56,223 --> 00:00:57,489 THAT MOVING A DEAD BODY IS DEAD EASY. 40 00:00:57,490 --> 00:00:58,756 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 41 00:00:58,759 --> 00:01:00,326 MEANWHILE, KARI, TORY, AND GRANT TAKE FRIGHT... 42 00:01:00,327 --> 00:01:01,894 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 43 00:01:01,896 --> 00:01:02,478 Kari: BREATHE. JUST BREATHE. 44 00:01:02,479 --> 00:01:03,061 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 45 00:01:03,064 --> 00:01:03,396 Tory: YEAH, BREATHE. 46 00:01:03,397 --> 00:01:03,729 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 47 00:01:03,731 --> 00:01:05,181 Narrator: ...AND WORK UP A COLD SWEAT... 48 00:01:05,182 --> 00:01:06,632 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 49 00:01:06,634 --> 00:01:07,099 Help me! 50 00:01:07,100 --> 00:01:07,565 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 51 00:01:07,568 --> 00:01:09,852 Narrator: ...FINDING OUT IF THERE REALLY IS A SMELL OF FEAR. 52 00:01:09,853 --> 00:01:12,137 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 53 00:01:12,139 --> 00:01:12,671 OH, YEAH. 54 00:01:12,672 --> 00:01:13,204 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 55 00:01:13,207 --> 00:01:14,140 WHEW! THANK GOD THAT'S OVER. 56 00:01:14,141 --> 00:01:15,074 Narrator: ON THIS HORRIFYING EPISODE OF "MYTHBUSTERS"... 57 00:01:17,344 --> 00:01:19,845 Narrator: WHO ARE THE MYTHBUSTERS? 58 00:01:19,847 --> 00:01:20,496 SCIENCE IS DANGEROUS! 59 00:01:20,497 --> 00:01:21,146 Narrator: WHO ARE THE MYTHBUSTERS? 60 00:01:21,148 --> 00:01:22,014 ADAM SAVAGE... 61 00:01:22,015 --> 00:01:22,881 Narrator: WHO ARE THE MYTHBUSTERS? 62 00:01:22,883 --> 00:01:23,432 HI, MOM. 63 00:01:23,433 --> 00:01:23,982 Narrator: WHO ARE THE MYTHBUSTERS? 64 00:01:23,984 --> 00:01:24,767 ...AND JAMIE HYNEMAN. 65 00:01:24,768 --> 00:01:25,551 Narrator: WHO ARE THE MYTHBUSTERS? 66 00:01:25,553 --> 00:01:25,785 BYE-BYE! 67 00:01:25,786 --> 00:01:26,018 Narrator: WHO ARE THE MYTHBUSTERS? 68 00:01:26,020 --> 00:01:28,954 BETWEEN THEM, MORE THAN 30 YEARS OF SPECIAL-EFFECTS EXPERIENCE. 69 00:01:28,955 --> 00:01:31,889 Narrator: WHO ARE THE MYTHBUSTERS? 70 00:01:31,892 --> 00:01:33,192 TOGETHER WITH KARI BYRON.. 71 00:01:33,193 --> 00:01:34,493 Narrator: WHO ARE THE MYTHBUSTERS? 72 00:01:34,495 --> 00:01:35,227 FACE THE ARACHNICHAIR. 73 00:01:35,228 --> 00:01:35,960 Narrator: WHO ARE THE MYTHBUSTERS? 74 00:01:35,963 --> 00:01:36,762 Narrator: ...GRANT IMAHARA... 75 00:01:36,763 --> 00:01:37,562 Narrator: WHO ARE THE MYTHBUSTERS? 76 00:01:37,565 --> 00:01:38,164 SOMETHING JUST TOUCHED ME! 77 00:01:38,165 --> 00:01:38,764 Narrator: WHO ARE THE MYTHBUSTERS? 78 00:01:38,766 --> 00:01:39,398 Narrator: ...AND TORY BELLECI. 79 00:01:39,399 --> 00:01:40,031 Narrator: WHO ARE THE MYTHBUSTERS? 80 00:01:40,034 --> 00:01:41,617 IT'S A CUTE LITTLE BUG... OF DEATH! 81 00:01:41,618 --> 00:01:43,201 Narrator: WHO ARE THE MYTHBUSTERS? 82 00:01:43,204 --> 00:01:44,470 Narrator: THEY DON'T JUST TELL THE MYTHS. 83 00:01:44,471 --> 00:01:45,737 Narrator: WHO ARE THE MYTHBUSTERS? 84 00:01:45,739 --> 00:01:46,205 WHAT MORE DO YOU NEED TO KNOW? 85 00:01:46,206 --> 00:01:46,672 Narrator: WHO ARE THE MYTHBUSTERS? 86 00:01:46,674 --> 00:01:47,740 Narrator: THEY PUT THEM TO THE TEST. 87 00:01:47,741 --> 00:01:48,807 Narrator: WHO ARE THE MYTHBUSTERS? 88 00:01:48,809 --> 00:01:50,376 -- Captions by VITAC -- www.vitac.com 89 00:01:50,377 --> 00:01:51,944 Narrator: WHO ARE THE MYTHBUSTERS? 90 00:01:51,946 --> 00:01:53,979 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 91 00:01:53,980 --> 00:01:56,013 Narrator: WHO ARE THE MYTHBUSTERS? 92 00:02:06,060 --> 00:02:06,892 [ Transylvanian accent ] AAH! 93 00:02:06,894 --> 00:02:09,011 CHILDREN OF THE NIGHT, PREPARE TO BE TERRIFIED, 94 00:02:09,012 --> 00:02:11,129 [ Transylvanian accent ] AAH! 95 00:02:11,132 --> 00:02:13,532 FOR IT IS TIME FOR THE "MYTHBUSTERS" HALLOWEEN SPECIAL! 96 00:02:13,533 --> 00:02:15,933 [ Transylvanian accent ] AAH! 97 00:02:15,936 --> 00:02:16,285 [ LAUGHS EVILLY ] 98 00:02:16,286 --> 00:02:16,635 [ Transylvanian accent ] AAH! 99 00:02:16,637 --> 00:02:17,670 DO YOU HAVE A COSTUME FOR ME? 100 00:02:17,671 --> 00:02:18,704 [ Transylvanian accent ] AAH! 101 00:02:18,706 --> 00:02:19,839 [ Normal voice ] WOULD YOU EVEN WEAR ONE? 102 00:02:19,840 --> 00:02:20,973 [ Transylvanian accent ] AAH! 103 00:02:20,975 --> 00:02:21,440 NO. 104 00:02:21,441 --> 00:02:21,906 [ Transylvanian accent ] AAH! 105 00:02:21,909 --> 00:02:22,625 THEN WE DON'T. 106 00:02:22,626 --> 00:02:23,342 [ Transylvanian accent ] AAH! 107 00:02:23,344 --> 00:02:25,077 SO, WHAT'S ON THE ROSTER FOR THE HALLOWEEN SPECIAL? 108 00:02:25,078 --> 00:02:26,811 [ Transylvanian accent ] AAH! 109 00:02:26,814 --> 00:02:27,146 I'M GLAD YOU ASKED. 110 00:02:27,147 --> 00:02:27,479 [ Transylvanian accent ] AAH! 111 00:02:27,481 --> 00:02:29,148 FIRST UP, WE HAVE THE MYTH CALLED THE FREQUENCY OF FEAR. 112 00:02:29,149 --> 00:02:30,816 [ Transylvanian accent ] AAH! 113 00:02:30,818 --> 00:02:32,318 THERE IS APPARENTLY A CERTAIN FREQUENCY OF SOUND 114 00:02:32,319 --> 00:02:33,819 [ Transylvanian accent ] AAH! 115 00:02:33,821 --> 00:02:35,321 THAT PEOPLE CAN'T HEAR BUT THEY CAN SENSE IT, 116 00:02:35,322 --> 00:02:36,822 [ Transylvanian accent ] AAH! 117 00:02:36,824 --> 00:02:37,706 AND IT MAKES PEOPLE FEEL SPOOKED, 118 00:02:37,707 --> 00:02:38,589 [ Transylvanian accent ] AAH! 119 00:02:38,592 --> 00:02:39,274 AND IT MIGHT BE AN EXPLANATION 120 00:02:39,275 --> 00:02:39,957 [ Transylvanian accent ] AAH! 121 00:02:39,960 --> 00:02:41,560 FOR WHY PEOPLE THINK CERTAIN PLACES ARE HAUNTED. 122 00:02:41,561 --> 00:02:43,161 [ Transylvanian accent ] AAH! 123 00:02:43,164 --> 00:02:43,396 I LIKE THAT. 124 00:02:43,397 --> 00:02:43,629 [ Transylvanian accent ] AAH! 125 00:02:43,631 --> 00:02:44,530 AND, YOU KNOW, I ALSO WANT TO TRY 126 00:02:44,531 --> 00:02:45,430 [ Transylvanian accent ] AAH! 127 00:02:45,432 --> 00:02:46,548 DEALING WITH DISPOSING OF BODIES. 128 00:02:46,549 --> 00:02:47,665 [ Transylvanian accent ] AAH! 129 00:02:47,668 --> 00:02:48,017 [ SCOFFS ] REALLY? 130 00:02:48,018 --> 00:02:48,367 [ Transylvanian accent ] AAH! 131 00:02:48,369 --> 00:02:49,118 YEAH, YOU KNOW, IN THE MOVIES, 132 00:02:49,119 --> 00:02:49,868 [ Transylvanian accent ] AAH! 133 00:02:49,870 --> 00:02:51,353 THEY'RE ALWAYS SLINGING THEM AROUND LIKE THEY'RE EASY, 134 00:02:51,354 --> 00:02:52,837 [ Transylvanian accent ] AAH! 135 00:02:52,840 --> 00:02:54,073 BUT THERE'S A REASON THEY CALL IT DEAD WEIGHT. 136 00:02:54,074 --> 00:02:55,307 [ Transylvanian accent ] AAH! 137 00:02:55,309 --> 00:02:57,176 THAT'S GREAT! IT SOUNDS POSITIVELY GHOULISH! 138 00:02:57,177 --> 00:02:59,044 [ Transylvanian accent ] AAH! 139 00:02:59,046 --> 00:03:00,529 [ LAUGHS EVILLY ] 140 00:03:00,530 --> 00:03:02,013 [ Transylvanian accent ] AAH! 141 00:03:06,487 --> 00:03:08,120 HERE WE GO. 142 00:03:08,122 --> 00:03:10,072 Narrator: YEP. BE AFRAID. BE VERY AFRAID. 143 00:03:10,073 --> 00:03:12,023 HERE WE GO. 144 00:03:12,026 --> 00:03:14,093 BECAUSE ADAM AND JAMIE HAVE DOUBLED THE DREAD 145 00:03:14,094 --> 00:03:16,161 HERE WE GO. 146 00:03:16,163 --> 00:03:17,279 FOR A DUO OF DISTURBING MYTHS, 147 00:03:17,280 --> 00:03:18,396 HERE WE GO. 148 00:03:18,399 --> 00:03:20,115 AND FIRST UP IS AN AUDIO ANOMALY. 149 00:03:20,116 --> 00:03:21,832 HERE WE GO. 150 00:03:21,835 --> 00:03:22,184 [ SCREAMING ] 151 00:03:22,185 --> 00:03:22,534 HERE WE GO. 152 00:03:22,536 --> 00:03:23,452 THERE'S NO SHORTAGE OF FOLKS 153 00:03:23,453 --> 00:03:24,369 HERE WE GO. 154 00:03:24,371 --> 00:03:26,305 REPORTING THAT THEY SEE DEAD PEOPLE. 155 00:03:26,306 --> 00:03:28,240 HERE WE GO. 156 00:03:28,676 --> 00:03:32,578 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 157 00:03:32,580 --> 00:03:33,963 COULD ALL BE DOWN TO INAUDIBLE SOUNDS. 158 00:03:33,964 --> 00:03:35,347 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 159 00:03:35,349 --> 00:03:37,032 COULD THE VIBRATION OF HOUSEHOLD APPLIANCES 160 00:03:37,033 --> 00:03:38,716 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 161 00:03:38,719 --> 00:03:40,169 AT THE SUPPOSED "FREAKY FREQUENCY" 162 00:03:40,170 --> 00:03:41,620 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 163 00:03:41,622 --> 00:03:42,805 REALLY MAKE YOU SEE A GHOST? 164 00:03:42,806 --> 00:03:43,989 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 165 00:03:43,991 --> 00:03:45,224 SO, WHAT'S THE PLAN FOR FREQUENCY OF FEAR? 166 00:03:45,225 --> 00:03:46,458 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 167 00:03:46,460 --> 00:03:48,193 WELL, THE SPECIFIC FREQUENCY TURNS OUT TO BE 19 HERTZ. 168 00:03:48,194 --> 00:03:49,927 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 169 00:03:49,930 --> 00:03:51,213 IT'S SUBAURAL, WHICH MEANS YOU CAN'T HEAR IT. 170 00:03:51,214 --> 00:03:52,497 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 171 00:03:52,499 --> 00:03:53,582 BUT TO GIVE OURSELVES THE BEST CHANCE 172 00:03:53,583 --> 00:03:54,666 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 173 00:03:54,668 --> 00:03:55,784 THAT SOMEONE MIGHT BE ABLE TO SENSE IT, 174 00:03:55,785 --> 00:03:56,901 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 175 00:03:56,904 --> 00:03:57,886 I THINK WE NEED A BIG, FAT SPEAKER STACK 176 00:03:57,887 --> 00:03:58,869 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 177 00:03:58,872 --> 00:04:00,806 THAT CAN GENERATE 19 HERTZ AT A FAIRLY HIGH INTENSITY. 178 00:04:00,807 --> 00:04:02,741 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 179 00:04:02,743 --> 00:04:03,008 SOUNDS GOOD. 180 00:04:03,009 --> 00:04:03,274 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 181 00:04:03,277 --> 00:04:04,176 SO WE CAN BE SCIENTIFIC AND ALL, 182 00:04:04,177 --> 00:04:05,076 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 183 00:04:05,079 --> 00:04:06,478 WHY DON'T WE GET, SAY, FOUR SEPARATE COTTAGES 184 00:04:06,479 --> 00:04:07,878 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 185 00:04:07,881 --> 00:04:08,830 THAT ARE ALREADY A LITTLE SPOOKY? 186 00:04:08,831 --> 00:04:09,780 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 187 00:04:09,783 --> 00:04:10,999 AH! AND WE'LL ONLY PLAY THE SOUND IN ONE OF THEM! 188 00:04:11,000 --> 00:04:12,216 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 189 00:04:12,219 --> 00:04:13,285 YEAH, AND IF THEY'RE ALREADY A LITTLE SPOOKY, 190 00:04:13,286 --> 00:04:14,352 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 191 00:04:14,355 --> 00:04:15,387 MAYBE THE TONE WILL SEND THEM OVER THE EDGE. 192 00:04:15,388 --> 00:04:16,420 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 193 00:04:16,423 --> 00:04:18,457 OH, THAT'S TERRIFIC. ALL RIGHT, LET'S DO IT. 194 00:04:18,458 --> 00:04:20,492 BUT SCIENCE SUGGESTS THAT THIS PARANORMAL ACTIVITY 195 00:04:25,232 --> 00:04:26,832 AND DEEP IN THE BACKWOODS, 196 00:04:26,834 --> 00:04:28,984 THE MYTHBUSTERS HAVE FOUND THE PERFECT LOCATION 197 00:04:28,985 --> 00:04:31,135 AND DEEP IN THE BACKWOODS, 198 00:04:31,138 --> 00:04:32,321 TO SET THE, UH, TONE. 199 00:04:32,322 --> 00:04:33,505 AND DEEP IN THE BACKWOODS, 200 00:04:43,450 --> 00:04:45,817 WHERE'S JAMIE? 201 00:04:49,356 --> 00:04:50,155 AAH! 202 00:04:50,157 --> 00:04:51,306 LITTLE SPOOKY HERE, ISN'T IT? 203 00:04:51,307 --> 00:04:52,456 AAH! 204 00:04:52,459 --> 00:04:53,642 I THINK IT'S PLENTY SPOOKY. 205 00:04:53,643 --> 00:04:54,826 AAH! 206 00:04:54,828 --> 00:04:55,377 [ CHUCKLES ] 207 00:04:55,378 --> 00:04:55,927 AAH! 208 00:04:55,929 --> 00:04:57,045 Adam: NOW, BECAUSE THIS IS A HALLOWEEN EPISODE, 209 00:04:57,046 --> 00:04:58,162 AAH! 210 00:04:58,165 --> 00:04:59,998 WE WANTED THE LOCATION WE CAME TO, TO BE GOOD AND SPOOKY. 211 00:04:59,999 --> 00:05:01,832 AAH! 212 00:05:01,835 --> 00:05:02,384 OO-OO-OOH! 213 00:05:02,385 --> 00:05:02,934 AAH! 214 00:05:02,936 --> 00:05:03,218 BUT NOT SO SPOOKY 215 00:05:03,219 --> 00:05:03,501 AAH! 216 00:05:03,504 --> 00:05:05,120 THAT IT WOULD ACTUALLY SKEW THE CONTROL OF OUR TEST -- 217 00:05:05,121 --> 00:05:06,737 AAH! 218 00:05:06,740 --> 00:05:07,072 TESTING SPOOKINESS. 219 00:05:07,073 --> 00:05:07,405 AAH! 220 00:05:07,408 --> 00:05:08,657 AND ABOUT 2 1/2 HOURS NORTH OF THE MYTHBUSTERS SHOP 221 00:05:08,658 --> 00:05:09,907 AAH! 222 00:05:09,910 --> 00:05:11,026 IN NORTHERN CALIFORNIA, IN THE REDWOODS, 223 00:05:11,027 --> 00:05:12,143 AAH! 224 00:05:12,146 --> 00:05:12,962 WE FOUND THIS FANTASTIC CLUB RESORT, 225 00:05:12,963 --> 00:05:13,779 AAH! 226 00:05:13,781 --> 00:05:15,664 AND NO ONE'S BEEN HERE IN ALMOST 15 YEARS. 227 00:05:15,665 --> 00:05:17,548 AAH! 228 00:05:17,551 --> 00:05:18,250 IT WAS ONCE BEAUTIFUL, 229 00:05:18,251 --> 00:05:18,950 AAH! 230 00:05:18,952 --> 00:05:20,435 BUT NOW IT'S SIMPLY PERFECT FOR US. 231 00:05:20,436 --> 00:05:21,919 AAH! 232 00:05:21,922 --> 00:05:22,938 THEY'RE PERFECT FOR OUR PURPOSES 233 00:05:22,939 --> 00:05:23,955 AAH! 234 00:05:23,957 --> 00:05:25,524 BECAUSE, DESPITE SMALL COSMETIC DIFFERENCES, 235 00:05:25,525 --> 00:05:27,092 AAH! 236 00:05:27,094 --> 00:05:29,344 EACH OF OUR FOUR CABINS HAS A NEARLY IDENTICAL LAYOUT. 237 00:05:29,345 --> 00:05:31,595 AAH! 238 00:05:31,598 --> 00:05:32,364 WE WILL, HOWEVER, ONLY BE APPLYING 239 00:05:32,365 --> 00:05:33,131 AAH! 240 00:05:33,133 --> 00:05:34,566 OUR INFRASOUND TREATMENT TO ONE OF THE FOUR CABINS, 241 00:05:34,567 --> 00:05:36,000 AAH! 242 00:05:36,003 --> 00:05:36,602 AND WE'LL BE TRYING TO FIND OUT 243 00:05:36,603 --> 00:05:37,202 AAH! 244 00:05:37,204 --> 00:05:38,203 IF THERE'S ANY MEAT TO THIS MYTH -- 245 00:05:38,204 --> 00:05:39,203 AAH! 246 00:05:39,206 --> 00:05:40,823 I.E. DOES A STATISTICALLY SIGNIFICANT MAJORITY 247 00:05:40,824 --> 00:05:42,441 AAH! 248 00:05:42,443 --> 00:05:42,725 OF OUR VOLUNTEERS 249 00:05:42,726 --> 00:05:43,008 AAH! 250 00:05:43,010 --> 00:05:44,727 FIND THAT CABIN TO BE THE HAUNTED ONE? 251 00:05:44,728 --> 00:05:46,445 AAH! 252 00:05:46,447 --> 00:05:46,812 PERFECT. 253 00:05:46,813 --> 00:05:47,178 AAH! 254 00:05:47,181 --> 00:05:49,014 Narrator: INDEED. AND TO GENERATE THAT HUM... 255 00:05:49,015 --> 00:05:50,848 AAH! 256 00:05:50,851 --> 00:05:51,650 THESE AIN'T NO BOOM BOXES. [ CHUCKLES ] 257 00:05:51,651 --> 00:05:52,450 AAH! 258 00:05:52,453 --> 00:05:54,954 ...JAMIE'S TRACKED DOWN A SUPERSIZED STACK OF SPEAKERS. 259 00:05:54,955 --> 00:05:57,456 AAH! 260 00:05:57,458 --> 00:05:58,307 Jamie: IT'S EQUIVALENT TO THE SOUND 261 00:05:58,308 --> 00:05:59,157 AAH! 262 00:05:59,159 --> 00:06:00,892 THAT YOU MIGHT HAVE COMING OUT OF A LARGE ROCK CONCERT. 263 00:06:00,893 --> 00:06:02,626 AAH! 264 00:06:02,629 --> 00:06:03,195 IT'S ABOUT 40,000 WATTS, 265 00:06:03,196 --> 00:06:03,762 AAH! 266 00:06:03,764 --> 00:06:05,497 OR, YOU KNOW THAT HOME-THEATER SYSTEM YOU HAVE? 267 00:06:05,498 --> 00:06:07,231 AAH! 268 00:06:07,234 --> 00:06:08,550 WELL, IT'S ABOUT 400 OF THOSE. 269 00:06:08,551 --> 00:06:09,867 AAH! 270 00:06:10,237 --> 00:06:14,606 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 271 00:06:14,608 --> 00:06:16,658 BUT FOR THIS TEST, THEY'RE PUMPING THE VOLUME...DOWN? 272 00:06:16,659 --> 00:06:18,709 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 273 00:06:18,712 --> 00:06:19,528 THESE SPEAKERS ARE CLEARLY CAPABLE 274 00:06:19,529 --> 00:06:20,345 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 275 00:06:20,347 --> 00:06:22,180 OF MAKING THE WHOLE BUILDING VIBRATE AND THE WINDOWS SHAKE, 276 00:06:22,181 --> 00:06:24,014 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 277 00:06:24,017 --> 00:06:24,933 WHICH IS WHAT THEY'RE DOING NOW. 278 00:06:24,934 --> 00:06:25,850 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 279 00:06:25,853 --> 00:06:26,935 AND WE CAN'T ACTUALLY HAVE ANY SOUNDS 280 00:06:26,936 --> 00:06:28,018 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 281 00:06:28,021 --> 00:06:28,804 THAT THE TEST SUBJECTS CAN HEAR 282 00:06:28,805 --> 00:06:29,588 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 283 00:06:29,590 --> 00:06:30,673 BECAUSE THAT WOULD SKEW THE RESULTS. 284 00:06:30,674 --> 00:06:31,757 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 285 00:06:31,759 --> 00:06:33,175 WE'VE GOT AN UPPER LIMIT ON THE AMOUNT OF VOLUME 286 00:06:33,176 --> 00:06:34,592 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 287 00:06:34,595 --> 00:06:35,928 THAT WE CAN PUMP OUT OF THOSE SPEAKERS. 288 00:06:35,929 --> 00:06:37,262 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 289 00:06:37,264 --> 00:06:39,281 SO WE'RE GONNA HAVE TO TUNE THIS BACK JUST TO THE POINT 290 00:06:39,282 --> 00:06:41,299 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 291 00:06:41,301 --> 00:06:43,418 WHERE THERE'S NOTHING AUDIBLE, INCLUDING RATTLING, 292 00:06:43,419 --> 00:06:45,536 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 293 00:06:45,539 --> 00:06:46,221 AND WE'LL WORK WITH THAT. 294 00:06:46,222 --> 00:06:46,904 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 295 00:06:46,907 --> 00:06:48,540 Narrator: WITH THE VOLUME DIALED DOWN FROM 11, 296 00:06:48,541 --> 00:06:50,174 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 297 00:06:50,177 --> 00:06:51,093 JAMIE GOES FOR A TEST RUN. 298 00:06:51,094 --> 00:06:52,010 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 299 00:06:52,012 --> 00:06:53,095 [ DOOR CREAKING ] 300 00:06:53,096 --> 00:06:54,179 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 301 00:06:54,181 --> 00:06:55,047 HMM. 302 00:06:55,048 --> 00:06:55,914 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 303 00:06:55,916 --> 00:06:56,315 THIS IS INTERESTING. 304 00:06:56,316 --> 00:06:56,715 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 305 00:06:56,717 --> 00:06:58,000 I CAN'T HEAR ANYTHING OUT OF THE ORDINARY. 306 00:06:58,001 --> 00:06:59,284 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 307 00:06:59,286 --> 00:07:00,836 I DO FEEL LIKE THERE'S SOMETHING GOING ON IN ME. 308 00:07:00,837 --> 00:07:02,387 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 309 00:07:02,389 --> 00:07:03,906 IT FEELS LIKE I HAVE BUTTERFLIES IN MY STOMACH 310 00:07:03,907 --> 00:07:05,424 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 311 00:07:05,426 --> 00:07:07,176 OR I'M REALLY TIRED BUT I'VE HAD TOO MUCH COFFEE. 312 00:07:07,177 --> 00:07:08,927 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 313 00:07:08,929 --> 00:07:10,262 IT'S -- IT' SORT OF ANXIETY-PRODUCING. 314 00:07:10,263 --> 00:07:11,596 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 315 00:07:11,598 --> 00:07:14,433 I DON'T KNOW ABOUT FEAR, BUT IT'S UNNERVING. 316 00:07:14,434 --> 00:07:17,269 Narrator: YEP, CABIN NUMBER 3 HAS A SOUND SYSTEM TO DIE FOR. 317 00:07:18,972 --> 00:07:23,275 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 318 00:07:23,277 --> 00:07:23,559 [ SNIFFING ] 319 00:07:23,560 --> 00:07:23,842 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 320 00:07:23,844 --> 00:07:25,577 ALL RIGHT, SO THIS IS A CLASSIC FOR THE HALLOWEEN SPECIAL. 321 00:07:25,578 --> 00:07:27,311 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 322 00:07:27,314 --> 00:07:27,763 WHAT IS IT? 323 00:07:27,764 --> 00:07:28,213 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 324 00:07:28,215 --> 00:07:29,031 THE SMELL OF FEAR. WHAT ABOUT IT? 325 00:07:29,032 --> 00:07:29,848 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 326 00:07:29,850 --> 00:07:31,633 WELL, THE FANS WANT TO KNOW, IS IT JUST A HOLLYWOOD TAGLINE -- 327 00:07:31,634 --> 00:07:33,417 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 328 00:07:33,420 --> 00:07:34,102 THE SMELL OF FEAR! -- 329 00:07:34,103 --> 00:07:34,785 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 330 00:07:34,788 --> 00:07:36,004 OR IS THERE A DETECTABLE SCENT THAT HUMANS GIVE OFF 331 00:07:36,005 --> 00:07:37,221 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 332 00:07:37,224 --> 00:07:37,523 WHEN THEY'RE SCARED? 333 00:07:37,524 --> 00:07:37,823 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 334 00:07:37,825 --> 00:07:39,308 THAT MEANS WE'RE GONNA HAVE TO GET SCARED FOR THIS, DOESN'T IT? 335 00:07:39,309 --> 00:07:40,792 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 336 00:07:40,794 --> 00:07:41,510 YOU BETCHA. 337 00:07:41,511 --> 00:07:42,227 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 338 00:07:42,229 --> 00:07:42,628 UGH. 339 00:07:42,629 --> 00:07:43,028 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 340 00:07:43,030 --> 00:07:44,513 SO NOT LOOKING FORWARD TO THIS. 341 00:07:44,514 --> 00:07:45,997 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 342 00:07:45,999 --> 00:07:48,316 Narrator: THIS IS A MYTH STRAIGHT OUT OF SCHLOCK HORROR. 343 00:07:48,317 --> 00:07:50,634 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 344 00:07:50,637 --> 00:07:51,870 [ SCREAMS ] 345 00:07:51,871 --> 00:07:53,104 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 346 00:07:53,106 --> 00:07:55,073 Narrator: BUT DOES THE STICKY SWEAT OF FEAR 347 00:07:55,074 --> 00:07:57,041 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 348 00:07:57,044 --> 00:07:58,243 REALLY HAVE AN AROMA OF ANXIETY? 349 00:07:58,244 --> 00:07:59,443 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 350 00:07:59,446 --> 00:08:01,029 AND WOULD THAT STINK BE WHIFFY ENOUGH 351 00:08:01,030 --> 00:08:02,613 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 352 00:08:02,616 --> 00:08:03,932 FOR A HUMAN NOSE TO SNIFF IT OUT? 353 00:08:03,933 --> 00:08:05,249 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 354 00:08:05,252 --> 00:08:06,285 SO, IF THERE IS A SMELL OF FEAR, 355 00:08:06,286 --> 00:08:07,319 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 356 00:08:07,321 --> 00:08:08,637 IT MUST BE SOMETHING SECRETED IN SWEAT. 357 00:08:08,638 --> 00:08:09,954 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 358 00:08:09,957 --> 00:08:11,073 EXACTLY. SO WHY DON'T WE SET UP AN EXPERIMENT 359 00:08:11,074 --> 00:08:12,190 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 360 00:08:12,192 --> 00:08:12,991 WHERE WE'RE COLLECTING NORMAL SWEAT 361 00:08:12,992 --> 00:08:13,791 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 362 00:08:13,794 --> 00:08:14,393 AS WE'RE EXERCISING AS A CONTROL. 363 00:08:14,394 --> 00:08:14,993 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 364 00:08:14,995 --> 00:08:16,295 AND THEN WE'LL COLLECT MORE SWEAT WHILE WE'RE BEING SCARED. 365 00:08:16,296 --> 00:08:17,596 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 366 00:08:17,598 --> 00:08:18,781 THEN WE TAKE THOSE SAMPLES, BRING IN SOME VOLUNTEERS, 367 00:08:18,782 --> 00:08:19,965 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 368 00:08:19,967 --> 00:08:20,849 AND SEE IF THEY CAN SMELL THE DIFFERENCE 369 00:08:20,850 --> 00:08:21,732 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 370 00:08:21,735 --> 00:08:22,417 BETWEEN FEAR AND NON-FEAR SWEAT. 371 00:08:22,418 --> 00:08:23,100 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 372 00:08:23,103 --> 00:08:24,152 COOL. BUT YOU KNOW WHAT THAT MEANS. 373 00:08:24,153 --> 00:08:25,202 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 374 00:08:25,205 --> 00:08:26,722 IT MEANS WE'RE GONNA HAVE TO DEVISE SOME KIND OF TORTURE 375 00:08:26,723 --> 00:08:28,240 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 376 00:08:28,242 --> 00:08:28,841 FOR OUR FEAR-SWEAT SAMPLES. 377 00:08:28,842 --> 00:08:29,441 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 378 00:08:29,443 --> 00:08:30,275 WELL, YOU REMEMBER COLD FEET? 379 00:08:30,276 --> 00:08:31,108 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 380 00:08:31,111 --> 00:08:32,160 HOW COULD I FORGET? 381 00:08:32,161 --> 00:08:33,210 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 382 00:08:33,213 --> 00:08:34,229 WELL, APPARENTLY, OUR FANS ARE DEMENTED, 383 00:08:34,230 --> 00:08:35,246 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 384 00:08:35,249 --> 00:08:36,765 AND THEY WANT TO TORTURE US WITH MORE CREEPY CRAWLIES, 385 00:08:36,766 --> 00:08:38,282 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 386 00:08:38,285 --> 00:08:39,601 SO THEY'VE COME UP WITH A LIST OF THINGS, 387 00:08:39,602 --> 00:08:40,918 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 388 00:08:40,921 --> 00:08:41,286 WE'RE GONNA PICK THREE, 389 00:08:41,287 --> 00:08:41,652 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 390 00:08:41,655 --> 00:08:42,955 AND THEN EACH OF US WILL PICK ONE OUT OF A HAT. 391 00:08:42,956 --> 00:08:44,256 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 392 00:08:44,258 --> 00:08:45,641 SORT OF LIKE A SICK AND TWISTED LOTTERY 393 00:08:45,642 --> 00:08:47,025 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 394 00:08:47,027 --> 00:08:48,010 WHERE NONE OF US REALLY WINS? 395 00:08:48,011 --> 00:08:48,994 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 396 00:08:48,996 --> 00:08:49,745 GREAT. I CAN HARDLY WAIT. 397 00:08:49,746 --> 00:08:50,495 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 398 00:08:50,497 --> 00:08:50,996 BUT BEFORE WE GET TO THAT, 399 00:08:50,997 --> 00:08:51,496 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 400 00:08:51,498 --> 00:08:52,314 WE SHOULD GET OUT THE TREADMILLS 401 00:08:52,315 --> 00:08:53,131 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 402 00:08:53,133 --> 00:08:54,132 SO THAT WE CAN GET OUR CONTROL SAMPLES. 403 00:08:54,133 --> 00:08:55,132 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 404 00:08:55,135 --> 00:08:56,418 GOOD IDEA -- STALL AS LONG AS WE CAN. 405 00:08:56,419 --> 00:08:57,702 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 406 00:08:57,704 --> 00:08:58,286 YEAH. 407 00:08:58,287 --> 00:08:58,869 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 408 00:08:58,872 --> 00:08:59,504 Narrator: YEP, IT'S TIME 409 00:08:59,505 --> 00:09:00,137 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 410 00:09:00,140 --> 00:09:01,907 TO GET A LITTLE STEAMY AND SWEATY FOR SCIENCE. 411 00:09:01,908 --> 00:09:03,675 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 412 00:09:03,677 --> 00:09:04,726 OKAY, TIME TO COLLECT YOUR SWEAT SAMPLE. 413 00:09:04,727 --> 00:09:05,776 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 414 00:09:05,779 --> 00:09:06,128 YEAH, GET IN THERE, GUYS. 415 00:09:06,129 --> 00:09:06,478 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 416 00:09:06,480 --> 00:09:07,963 NO, YOU PUT YOUR SWEAT-CAPTURING PADS ON YOURSELF. 417 00:09:07,964 --> 00:09:09,447 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 418 00:09:09,449 --> 00:09:10,031 BE MY GUEST. NO. 419 00:09:10,032 --> 00:09:10,614 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 420 00:09:10,617 --> 00:09:12,617 Narrator: ULTIMATELY, THEY'LL PIT THIS EXERCISE SWEAT 421 00:09:12,618 --> 00:09:14,618 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 422 00:09:14,621 --> 00:09:15,637 AGAINST THEIR SCARED SECRETIONS. 423 00:09:15,638 --> 00:09:16,654 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 424 00:09:16,657 --> 00:09:18,090 [ "ROCKY"-LIKE MUSIC PLAYS ] 425 00:09:18,091 --> 00:09:19,524 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 426 00:09:19,526 --> 00:09:21,043 EYE OF THE TIGER, BABY. 427 00:09:21,044 --> 00:09:22,561 Narrator: NEXT UP, THE MYTHBUSTERS ARE ON THE SCENT. 428 00:09:22,963 --> 00:09:25,530 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 429 00:09:25,532 --> 00:09:25,814 THIS IS ADVANCED. 430 00:09:25,815 --> 00:09:26,097 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 431 00:09:26,099 --> 00:09:27,983 AND THE BEST PART IS, I'M NOT AFRAID AT ALL. 432 00:09:27,984 --> 00:09:29,868 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 433 00:09:29,870 --> 00:09:30,886 SO THIS IS JUST PURE SWEAT. 434 00:09:30,887 --> 00:09:31,903 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 435 00:09:31,905 --> 00:09:33,839 Narrator: IT'S A PURE AND, UH, RELAXED EXPERIMENT... 436 00:09:33,840 --> 00:09:35,774 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 437 00:09:35,776 --> 00:09:37,025 GRANT, THINK ABOUT ROBOTS AND PUPPIES. 438 00:09:37,026 --> 00:09:38,275 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 439 00:09:38,278 --> 00:09:40,011 Narrator: ...TO SWEAT OUT A CONTROL BASELINE. 440 00:09:40,012 --> 00:09:41,745 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 441 00:09:41,748 --> 00:09:43,048 YOU'RE ALMOST HALFWAY THERE! KEEP IT GOING! 442 00:09:43,049 --> 00:09:44,349 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 443 00:09:44,351 --> 00:09:45,701 YOU GOT IT, COACH! I WON'T LET YOU DOWN! 444 00:09:45,702 --> 00:09:47,052 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 445 00:09:47,054 --> 00:09:48,203 AND AFTER EACH MYTHBUSTER 446 00:09:48,204 --> 00:09:49,353 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 447 00:09:49,356 --> 00:09:50,939 HAS POUNDED THE TREADMILL FOR 20 MINUTES, 448 00:09:50,940 --> 00:09:52,523 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 449 00:09:52,526 --> 00:09:54,476 THEY'VE GOT A BEAD ON EXERCISE PERSPIRATION. 450 00:09:54,477 --> 00:09:56,427 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 451 00:09:56,430 --> 00:09:58,447 LOOKS LIKE SCIENCE CONFIRMS IT -- KARI'S HOT. 452 00:09:58,448 --> 00:10:00,465 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 453 00:10:00,467 --> 00:10:01,633 RED-HOT. 454 00:10:01,634 --> 00:10:02,800 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 455 00:10:02,803 --> 00:10:03,302 NICE. 456 00:10:03,303 --> 00:10:03,802 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 457 00:10:03,804 --> 00:10:04,403 NICE WORK, KARI. 458 00:10:04,404 --> 00:10:05,003 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 459 00:10:05,005 --> 00:10:06,054 OFF TO THE FREEZER. 460 00:10:06,055 --> 00:10:07,104 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 461 00:10:07,107 --> 00:10:08,006 SO, WE'VE BEEN TOLD BY OUR EXPERTS 462 00:10:08,007 --> 00:10:08,906 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 463 00:10:08,909 --> 00:10:10,275 THAT IT'S CRITICAL THAT OUR SAMPLES DON'T DEGRADE, 464 00:10:10,276 --> 00:10:11,642 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 465 00:10:11,645 --> 00:10:13,495 AND THE BEST WAY TO DO THAT IS TO PUT IT IN THE FREEZER. 466 00:10:13,496 --> 00:10:15,346 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 467 00:10:15,349 --> 00:10:15,747 THIS IS TO KEEP THEM FRESH. 468 00:10:15,748 --> 00:10:16,146 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 469 00:10:16,149 --> 00:10:18,199 Narrator: WITH THE CONTROL EXERCISE SWEAT CHILLING OUT, 470 00:10:18,200 --> 00:10:20,250 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 471 00:10:20,253 --> 00:10:22,654 IT'S NOW TIME TO ENTER THE LITTLE WORKSHOP OF HORRORS 472 00:10:22,655 --> 00:10:25,056 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 473 00:10:25,058 --> 00:10:26,241 FOR THEIR TRIAL BY FEAR. 474 00:10:26,242 --> 00:10:27,425 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 475 00:10:27,427 --> 00:10:29,427 NEXT UP, WE TEST THE MYTH OF THE SMELL OF FEAR. 476 00:10:29,428 --> 00:10:31,428 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 477 00:10:31,431 --> 00:10:32,264 WE'RE EACH GOING TO LAY IN A COFFIN 478 00:10:32,265 --> 00:10:33,098 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 479 00:10:33,100 --> 00:10:34,917 AND SUBJECT OURSELVES TO DIFFERENT CREEPY CRAWLIES. 480 00:10:34,918 --> 00:10:36,735 IT'S DEFINITELY "DON'T TRY THIS AT HOME." 481 00:10:37,971 --> 00:10:42,774 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 482 00:10:42,776 --> 00:10:43,975 [ EXHALES SHARPLY ] ALL RIGHT. 483 00:10:43,976 --> 00:10:45,175 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 484 00:10:45,178 --> 00:10:45,994 SO SCARED OF WHAT'S IN HERE. 485 00:10:45,995 --> 00:10:46,811 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 486 00:10:46,813 --> 00:10:49,314 Narrator: WELL, YOU CAN BET IT'S NOT RAINBOWS AND BUNNIES. 487 00:10:49,315 --> 00:10:51,816 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 488 00:10:51,818 --> 00:10:53,752 IT'S WORSE THAN I EVER EXPECTED. 489 00:10:53,753 --> 00:10:55,687 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 490 00:10:55,689 --> 00:10:57,622 VENOMOUS SCORPIONS. THEY STING. 491 00:10:57,623 --> 00:10:59,556 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 492 00:10:59,559 --> 00:11:00,175 YOU ARE HORRIBLE, SICK PEOPLE. 493 00:11:00,176 --> 00:11:00,792 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 494 00:11:00,794 --> 00:11:02,444 Narrator: YEP, SEVEN MINUTES IN A COFFIN FULL OF SCORPIONS 495 00:11:02,445 --> 00:11:04,095 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 496 00:11:04,097 --> 00:11:06,381 SHOULD ENSURE SOME PETRIFIED PERSPIRATION. 497 00:11:06,382 --> 00:11:08,666 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 498 00:11:08,669 --> 00:11:09,101 TIME TO GET IN THE COFFIN. 499 00:11:09,102 --> 00:11:09,534 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 500 00:11:09,536 --> 00:11:10,952 OHH, GOD. HALLOWEEN USED TO BE MY FAVORITE HOLIDAY. 501 00:11:10,953 --> 00:11:12,369 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 502 00:11:12,372 --> 00:11:13,622 Narrator: IT'S THE MOMENT OF TRUTH, 503 00:11:13,623 --> 00:11:14,873 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 504 00:11:14,875 --> 00:11:15,924 AS PEST WRANGLER OWEN MERTZ... 505 00:11:15,925 --> 00:11:16,974 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 506 00:11:16,977 --> 00:11:17,509 GOOD EVENING, GENTLEMEN. 507 00:11:17,510 --> 00:11:18,042 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 508 00:11:18,045 --> 00:11:19,945 ...BRINGS IN THE SCORPIONS FOR KARI'S ORDEAL. 509 00:11:19,946 --> 00:11:21,846 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 510 00:11:21,848 --> 00:11:22,464 OH, GOD! 511 00:11:22,465 --> 00:11:23,081 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 512 00:11:23,083 --> 00:11:24,716 [ SCREAMING ] 513 00:11:24,717 --> 00:11:26,350 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 514 00:11:26,353 --> 00:11:27,519 Tory: OH, MY GOD. 515 00:11:27,520 --> 00:11:28,686 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 516 00:11:28,689 --> 00:11:30,022 Narrator: FROM THE GET-GO, KARI IS TERRIFIED. 517 00:11:30,023 --> 00:11:31,356 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 518 00:11:31,358 --> 00:11:33,759 AND WITH 30 SCORPIONS SCATTERED ON TOP OF HER, 519 00:11:33,760 --> 00:11:36,161 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 520 00:11:36,163 --> 00:11:37,095 IT JUST GETS WORSE. 521 00:11:37,096 --> 00:11:38,028 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 522 00:11:38,031 --> 00:11:39,514 [ KARI WHIMPERING ] 523 00:11:39,515 --> 00:11:40,998 I AM NOT LOOKING FORWARD TO THIS EXPERIMENT AT ALL. 524 00:11:42,135 --> 00:11:44,969 THREE MINUTES IN AND HER ARACHNID FRIENDS 525 00:11:44,971 --> 00:11:46,521 ARE GETTING A LITTLE TOO FRIENDLY. 526 00:11:46,522 --> 00:11:48,072 THREE MINUTES IN AND HER ARACHNID FRIENDS 527 00:11:48,075 --> 00:11:49,057 MY FINGER, MY FINGER. 528 00:11:49,058 --> 00:11:50,040 THREE MINUTES IN AND HER ARACHNID FRIENDS 529 00:11:50,043 --> 00:11:50,609 OH! 530 00:11:50,610 --> 00:11:51,176 THREE MINUTES IN AND HER ARACHNID FRIENDS 531 00:11:51,178 --> 00:11:51,827 THAT ONE'S BITING HER FINGERNAIL! 532 00:11:51,828 --> 00:11:52,477 THREE MINUTES IN AND HER ARACHNID FRIENDS 533 00:11:52,479 --> 00:11:53,095 Grant: IS THAT A STING? 534 00:11:53,096 --> 00:11:53,712 THREE MINUTES IN AND HER ARACHNID FRIENDS 535 00:11:53,714 --> 00:11:54,680 IT'S CLAWING, IT'S CLAWING ME! 536 00:11:54,681 --> 00:11:55,647 THREE MINUTES IN AND HER ARACHNID FRIENDS 537 00:11:55,649 --> 00:11:56,748 Mertz: OH, ACTUALLY, YOU KNOW WHAT? 538 00:11:56,749 --> 00:11:57,848 THREE MINUTES IN AND HER ARACHNID FRIENDS 539 00:11:57,851 --> 00:11:58,733 HE THINKS HER NAIL IS A BUG. 540 00:11:58,734 --> 00:11:59,616 THREE MINUTES IN AND HER ARACHNID FRIENDS 541 00:11:59,619 --> 00:12:01,686 Narrator: KARI TRIES HER BEST TO STAY AS STILL AS POSSIBLE 542 00:12:01,687 --> 00:12:03,754 THREE MINUTES IN AND HER ARACHNID FRIENDS 543 00:12:03,757 --> 00:12:05,006 SO AS NOT TO DISTURB THE SCORPIONS. 544 00:12:05,007 --> 00:12:06,256 THREE MINUTES IN AND HER ARACHNID FRIENDS 545 00:12:06,259 --> 00:12:07,108 Kari: I CAN'T STOP SHAKING MY FOOT. 546 00:12:07,109 --> 00:12:07,958 THREE MINUTES IN AND HER ARACHNID FRIENDS 547 00:12:07,961 --> 00:12:09,594 I CAN'T STOP SHAKING MY FOOT. STOP IT. I CAN'T STOP IT. 548 00:12:09,595 --> 00:12:11,228 THREE MINUTES IN AND HER ARACHNID FRIENDS 549 00:12:11,231 --> 00:12:12,047 Tory: WAIT. ARE YOU SHAKING IT, OR...? 550 00:12:12,048 --> 00:12:12,864 THREE MINUTES IN AND HER ARACHNID FRIENDS 551 00:12:12,866 --> 00:12:13,265 NO! 552 00:12:13,266 --> 00:12:13,665 THREE MINUTES IN AND HER ARACHNID FRIENDS 553 00:12:13,667 --> 00:12:14,750 YOU KNOW WHAT, KARI? 554 00:12:14,751 --> 00:12:15,834 THREE MINUTES IN AND HER ARACHNID FRIENDS 555 00:12:15,836 --> 00:12:16,652 I'VE SEEN YOU IN A LOT OF HORRIBLE SITUATIONS, 556 00:12:16,653 --> 00:12:17,469 THREE MINUTES IN AND HER ARACHNID FRIENDS 557 00:12:17,471 --> 00:12:18,837 BUT I THINK THIS IS THE MOST SCARED I'VE EVER SEEN YOU. 558 00:12:18,838 --> 00:12:20,204 THREE MINUTES IN AND HER ARACHNID FRIENDS 559 00:12:20,207 --> 00:12:20,589 Mertz: 9, 8... 560 00:12:20,590 --> 00:12:20,972 THREE MINUTES IN AND HER ARACHNID FRIENDS 561 00:12:20,974 --> 00:12:22,807 Narrator: WELL, TIME FLIES WHEN YOU'RE NOT HAVING FUN, 562 00:12:22,808 --> 00:12:24,641 THREE MINUTES IN AND HER ARACHNID FRIENDS 563 00:12:24,644 --> 00:12:25,944 AND SOON, KARI'S SEVEN MINUTES ARE UP. 564 00:12:25,945 --> 00:12:27,245 THREE MINUTES IN AND HER ARACHNID FRIENDS 565 00:12:27,247 --> 00:12:28,063 [ SHUDDERED BREATHING ] OKAY. 566 00:12:28,064 --> 00:12:28,880 THREE MINUTES IN AND HER ARACHNID FRIENDS 567 00:12:28,882 --> 00:12:30,749 I GOT TO SAY, BEING COVERED IN SCORPIONS 568 00:12:30,750 --> 00:12:32,617 THREE MINUTES IN AND HER ARACHNID FRIENDS 569 00:12:32,619 --> 00:12:33,051 WHEN THEY'RE ON YOUR FACE 570 00:12:33,052 --> 00:12:33,484 THREE MINUTES IN AND HER ARACHNID FRIENDS 571 00:12:33,487 --> 00:12:34,403 AND THE UNCONTROLLABLE SHAKING 572 00:12:34,404 --> 00:12:35,320 THREE MINUTES IN AND HER ARACHNID FRIENDS 573 00:12:35,322 --> 00:12:37,289 AND KNOWING THAT THEY STING IF YOU MOVE...WORKED. 574 00:12:37,290 --> 00:12:39,257 THREE MINUTES IN AND HER ARACHNID FRIENDS 575 00:12:39,259 --> 00:12:41,193 I THINK I -- OH, MY GOSH. I WAS DEFINITELY SCARED. 576 00:12:41,194 --> 00:12:43,128 THREE MINUTES IN AND HER ARACHNID FRIENDS 577 00:12:43,130 --> 00:12:43,528 I'M DEFINITELY SCARED. 578 00:12:43,529 --> 00:12:43,927 THREE MINUTES IN AND HER ARACHNID FRIENDS 579 00:12:43,930 --> 00:12:45,096 I'VE GOT A GOOD SAMPLE FOR YOU RIGHT NOW. 580 00:12:45,097 --> 00:12:46,263 THREE MINUTES IN AND HER ARACHNID FRIENDS 581 00:12:46,266 --> 00:12:47,482 THERE IS FEAR DRENCHING THESE RIGHT NOW. 582 00:12:47,483 --> 00:12:48,699 THREE MINUTES IN AND HER ARACHNID FRIENDS 583 00:12:48,702 --> 00:12:50,035 THESE ARE FEAR-DRENCHED PADS. 584 00:12:50,036 --> 00:12:51,369 THREE MINUTES IN AND HER ARACHNID FRIENDS 585 00:12:51,371 --> 00:12:51,886 GOOD JOB. 586 00:12:51,887 --> 00:12:52,402 THREE MINUTES IN AND HER ARACHNID FRIENDS 587 00:12:52,405 --> 00:12:53,521 OH, THERE IS A SMELL TO FEAR. 588 00:12:53,522 --> 00:12:54,638 THREE MINUTES IN AND HER ARACHNID FRIENDS 589 00:12:54,641 --> 00:12:55,173 NICE WORK, KARI. 590 00:12:55,174 --> 00:12:55,706 THREE MINUTES IN AND HER ARACHNID FRIENDS 591 00:12:55,709 --> 00:12:56,975 OOF! OH, MY GOD. 592 00:12:56,976 --> 00:12:58,242 THREE MINUTES IN AND HER ARACHNID FRIENDS 593 00:12:58,245 --> 00:12:58,860 THANK GOD THAT'S OVER. 594 00:12:58,861 --> 00:12:59,476 THREE MINUTES IN AND HER ARACHNID FRIENDS 595 00:12:59,479 --> 00:13:00,779 Narrator: IT MAY BE OVER FOR KARI, 596 00:13:00,780 --> 00:13:02,080 THREE MINUTES IN AND HER ARACHNID FRIENDS 597 00:13:02,082 --> 00:13:03,064 BUT FOR TORY AND GRANT... 598 00:13:03,065 --> 00:13:04,047 THREE MINUTES IN AND HER ARACHNID FRIENDS 599 00:13:04,050 --> 00:13:04,365 Help me! 600 00:13:04,366 --> 00:13:04,681 THREE MINUTES IN AND HER ARACHNID FRIENDS 601 00:13:04,684 --> 00:13:06,234 Narrator: ...THE TERROR HASN'T EVEN BEGUN. 602 00:13:06,235 --> 00:13:07,785 THREE MINUTES IN AND HER ARACHNID FRIENDS 603 00:13:07,788 --> 00:13:08,887 OH, IT'S BURROWING! OHH! 604 00:13:08,888 --> 00:13:09,987 THREE MINUTES IN AND HER ARACHNID FRIENDS 605 00:13:09,990 --> 00:13:11,406 Narrator: LATER, THE BODY COUNT GOES UP... 606 00:13:11,407 --> 00:13:12,823 THREE MINUTES IN AND HER ARACHNID FRIENDS 607 00:13:12,826 --> 00:13:13,542 ARE YOU READY FOR THE HORROR? 608 00:13:13,543 --> 00:13:14,259 THREE MINUTES IN AND HER ARACHNID FRIENDS 609 00:13:14,261 --> 00:13:15,894 Narrator: ...AND ADAM GETS INTO GEAR FOR THE HAUNTED HUM. 610 00:13:15,895 --> 00:13:17,528 THREE MINUTES IN AND HER ARACHNID FRIENDS 611 00:13:17,531 --> 00:13:19,348 GET YOUR COSTUMES READY! IT'S THAT TIME OF YEAR! 612 00:13:19,349 --> 00:13:21,166 THREE MINUTES IN AND HER ARACHNID FRIENDS 613 00:13:21,168 --> 00:13:21,383 AAH! 614 00:13:21,384 --> 00:13:21,599 THREE MINUTES IN AND HER ARACHNID FRIENDS 615 00:13:21,601 --> 00:13:28,056 IT'S TIME FOR THE "MYTHBUSTERS" HALLOWEEN SPECIAL. 616 00:13:28,057 --> 00:13:34,512 THREE MINUTES IN AND HER ARACHNID FRIENDS 617 00:13:34,514 --> 00:13:35,563 HELLO, OR SHOULD I SAY... 618 00:13:35,564 --> 00:13:36,613 THREE MINUTES IN AND HER ARACHNID FRIENDS 619 00:13:36,616 --> 00:13:37,015 [ Deep voice ] HELLOOO? 620 00:13:37,016 --> 00:13:37,415 THREE MINUTES IN AND HER ARACHNID FRIENDS 621 00:13:37,417 --> 00:13:38,900 [ Normal voice ] IT'S THE "MYTHBUSTERS" HALLOWEEN SPECIAL, 622 00:13:38,901 --> 00:13:40,384 THREE MINUTES IN AND HER ARACHNID FRIENDS 623 00:13:40,387 --> 00:13:41,319 AND WE ARE TESTING THE STORY CURRENTLY 624 00:13:41,320 --> 00:13:42,252 THREE MINUTES IN AND HER ARACHNID FRIENDS 625 00:13:42,255 --> 00:13:43,405 THAT THERE IS A CERTAIN FREQUENCY OF SOUND 626 00:13:43,406 --> 00:13:44,556 THREE MINUTES IN AND HER ARACHNID FRIENDS 627 00:13:44,558 --> 00:13:45,340 TOO LOW FOR THE HUMAN EAR TO HEAR 628 00:13:45,341 --> 00:13:46,123 THREE MINUTES IN AND HER ARACHNID FRIENDS 629 00:13:46,126 --> 00:13:47,075 THAT CAN STILL MAKE PEOPLE FEEL UNEASY 630 00:13:47,076 --> 00:13:48,025 THREE MINUTES IN AND HER ARACHNID FRIENDS 631 00:13:48,028 --> 00:13:49,277 AND LEAD THEM TO BELIEVE THAT A PLACE IS HAUNTED. 632 00:13:49,278 --> 00:13:50,527 THREE MINUTES IN AND HER ARACHNID FRIENDS 633 00:13:50,530 --> 00:13:52,030 WE'VE SET UP FOUR IDENTICAL HOUSES, 634 00:13:52,031 --> 00:13:53,531 THREE MINUTES IN AND HER ARACHNID FRIENDS 635 00:13:53,533 --> 00:13:54,049 BUT ONLY ONE OF THEM 636 00:13:54,050 --> 00:13:54,566 THREE MINUTES IN AND HER ARACHNID FRIENDS 637 00:13:54,568 --> 00:13:56,318 WILL BE GETTING THE SUBAURAL SOUND TREATMENT. 638 00:13:56,319 --> 00:13:58,069 THREE MINUTES IN AND HER ARACHNID FRIENDS 639 00:13:58,071 --> 00:13:58,987 I AM SITTING ON THAT TREATMENT. 640 00:13:58,988 --> 00:13:59,904 THREE MINUTES IN AND HER ARACHNID FRIENDS 641 00:13:59,906 --> 00:14:01,506 THIS IS A STACK OF 40,000 WATTS OF SPEAKERS 642 00:14:01,507 --> 00:14:03,107 THREE MINUTES IN AND HER ARACHNID FRIENDS 643 00:14:03,109 --> 00:14:05,109 THAT WILL PRODUCE A SOUND THAT MOST PEOPLE CAN'T HEAR. 644 00:14:05,110 --> 00:14:07,110 THREE MINUTES IN AND HER ARACHNID FRIENDS 645 00:14:07,113 --> 00:14:09,380 WILL IT MAKE THEM FEEL LIKE THIS HOUSE IS HAUNTED? 646 00:14:09,381 --> 00:14:11,648 THREE MINUTES IN AND HER ARACHNID FRIENDS 647 00:14:11,651 --> 00:14:13,084 [ LAUGHS EVILLY ] 648 00:14:13,085 --> 00:14:14,518 THREE MINUTES IN AND HER ARACHNID FRIENDS 649 00:14:14,521 --> 00:14:15,036 I REALLY DON'T KNOW. 650 00:14:15,037 --> 00:14:15,552 THREE MINUTES IN AND HER ARACHNID FRIENDS 651 00:14:15,555 --> 00:14:16,755 Narrator: WELL, YOU'RE ABOUT TO FIND OUT, 652 00:14:16,756 --> 00:14:17,956 THREE MINUTES IN AND HER ARACHNID FRIENDS 653 00:14:17,958 --> 00:14:19,574 AS THE FIRST SET OF OUR 10 VOLUNTEERS HAS ARRIVED 654 00:14:19,575 --> 00:14:21,191 THREE MINUTES IN AND HER ARACHNID FRIENDS 655 00:14:21,194 --> 00:14:22,594 FOR A VERY STRANGE MEET AND GREET. 656 00:14:22,595 --> 00:14:23,995 THREE MINUTES IN AND HER ARACHNID FRIENDS 657 00:14:23,997 --> 00:14:24,429 HOWDY. 658 00:14:24,430 --> 00:14:24,862 THREE MINUTES IN AND HER ARACHNID FRIENDS 659 00:14:24,865 --> 00:14:25,647 IN ORDER TO PUT OUR TEST SUBJECTS 660 00:14:25,648 --> 00:14:26,430 THREE MINUTES IN AND HER ARACHNID FRIENDS 661 00:14:26,433 --> 00:14:27,766 IN THE PROPER FRAME OF MIND FOR THIS EXPERIMENT, 662 00:14:27,767 --> 00:14:29,100 THREE MINUTES IN AND HER ARACHNID FRIENDS 663 00:14:29,102 --> 00:14:30,051 WE WANT THEM JUST A LITTLE BIT SPOOKED, 664 00:14:30,052 --> 00:14:31,001 THREE MINUTES IN AND HER ARACHNID FRIENDS 665 00:14:31,004 --> 00:14:32,387 AND IN THAT VEIN, WE'RE HAVING A LOCAL GROUNDSKEEPER 666 00:14:32,388 --> 00:14:33,771 THREE MINUTES IN AND HER ARACHNID FRIENDS 667 00:14:33,773 --> 00:14:34,973 GIVE THEM THE LOWDOWN ON WHAT THEY CAN EXPECT 668 00:14:34,974 --> 00:14:36,174 THREE MINUTES IN AND HER ARACHNID FRIENDS 669 00:14:36,176 --> 00:14:37,309 WHEN THEY'RE PARTICIPATING IN THIS EXPERIMENT. 670 00:14:37,310 --> 00:14:38,443 THREE MINUTES IN AND HER ARACHNID FRIENDS 671 00:14:38,445 --> 00:14:38,994 HE'S GONNA TELL THEM THAT, 672 00:14:38,995 --> 00:14:39,544 THREE MINUTES IN AND HER ARACHNID FRIENDS 673 00:14:39,546 --> 00:14:40,595 OF THE FOUR CABINS THEY'RE LOOKING AT, 674 00:14:40,596 --> 00:14:41,645 THREE MINUTES IN AND HER ARACHNID FRIENDS 675 00:14:41,648 --> 00:14:43,031 ONE OF THEM HAD SOMETHING BAD HAPPEN IN IT, 676 00:14:43,032 --> 00:14:44,415 THREE MINUTES IN AND HER ARACHNID FRIENDS 677 00:14:44,417 --> 00:14:45,099 BUT IT'S ALL TOTALLY MADE UP. 678 00:14:45,100 --> 00:14:45,782 THREE MINUTES IN AND HER ARACHNID FRIENDS 679 00:14:45,785 --> 00:14:46,885 EVEN THE GROUNDSKEEPER IS MADE UP. 680 00:14:46,886 --> 00:14:47,986 THREE MINUTES IN AND HER ARACHNID FRIENDS 681 00:14:47,988 --> 00:14:49,554 WE'VE GOT 130 CABINS UP HERE. 682 00:14:49,555 --> 00:14:51,121 THREE MINUTES IN AND HER ARACHNID FRIENDS 683 00:14:51,124 --> 00:14:51,439 Narrator: HE IS, 684 00:14:51,440 --> 00:14:51,755 THREE MINUTES IN AND HER ARACHNID FRIENDS 685 00:14:51,758 --> 00:14:53,975 ALTHOUGH SOMETHING ABOUT HIM SEEMS STRANGELY FAMILIAR. 686 00:14:53,976 --> 00:14:56,193 THREE MINUTES IN AND HER ARACHNID FRIENDS 687 00:14:56,196 --> 00:14:56,945 YOU'RE GONNA LOOK AT FOUR OF THEM. 688 00:14:56,946 --> 00:14:57,695 THREE MINUTES IN AND HER ARACHNID FRIENDS 689 00:14:57,697 --> 00:14:58,813 IN ONE OF THOSE FOUR, SOMETHING BAD HAPPENED. 690 00:14:58,814 --> 00:14:59,930 THREE MINUTES IN AND HER ARACHNID FRIENDS 691 00:14:59,933 --> 00:15:01,533 NOW, WE'D LIKE TO KNOW IF YOU'RE SENSITIVE ENOUGH 692 00:15:01,534 --> 00:15:03,134 THREE MINUTES IN AND HER ARACHNID FRIENDS 693 00:15:03,136 --> 00:15:03,818 TO TELL US WHICH ONE. 694 00:15:03,819 --> 00:15:04,501 THREE MINUTES IN AND HER ARACHNID FRIENDS 695 00:15:04,504 --> 00:15:05,120 THANK YOU. 696 00:15:05,121 --> 00:15:05,737 THREE MINUTES IN AND HER ARACHNID FRIENDS 697 00:15:05,739 --> 00:15:06,972 Narrator: NOW, REMEMBER, 698 00:15:06,973 --> 00:15:08,206 THREE MINUTES IN AND HER ARACHNID FRIENDS 699 00:15:08,208 --> 00:15:09,691 THE 19-HERTZ FREQUENCY IS TOO LOW 700 00:15:09,692 --> 00:15:11,175 THREE MINUTES IN AND HER ARACHNID FRIENDS 701 00:15:11,177 --> 00:15:12,243 TO BE DETECTED BY THE HUMAN EAR. 702 00:15:12,244 --> 00:15:13,310 THREE MINUTES IN AND HER ARACHNID FRIENDS 703 00:15:13,313 --> 00:15:14,929 BUT WILL THE WAVE PRODUCED BE SO UNSETTLING 704 00:15:14,930 --> 00:15:16,546 THREE MINUTES IN AND HER ARACHNID FRIENDS 705 00:15:16,549 --> 00:15:18,750 THAT IT CONVINCES OUR VOLUNTEERS THAT CABIN 3 IS HAUNTED? 706 00:15:18,751 --> 00:15:20,952 THREE MINUTES IN AND HER ARACHNID FRIENDS 707 00:15:20,954 --> 00:15:23,321 SHALL WE UNLEASH THE CONTESTANTS ON OUR FEAR PARADE? 708 00:15:23,322 --> 00:15:25,689 THREE MINUTES IN AND HER ARACHNID FRIENDS 709 00:15:25,692 --> 00:15:26,808 ONE AT A TIME. 710 00:15:26,809 --> 00:15:27,925 THREE MINUTES IN AND HER ARACHNID FRIENDS 711 00:15:27,928 --> 00:15:28,160 OKAY. 712 00:15:28,161 --> 00:15:28,393 THREE MINUTES IN AND HER ARACHNID FRIENDS 713 00:15:28,395 --> 00:15:29,728 LET'S BRING OUT THE FIRST CONTESTANT. 714 00:15:29,729 --> 00:15:31,062 THREE MINUTES IN AND HER ARACHNID FRIENDS 715 00:15:31,064 --> 00:15:32,597 AND THAT FIRST CONTESTANT IS TIFFANY, 716 00:15:32,598 --> 00:15:34,131 THREE MINUTES IN AND HER ARACHNID FRIENDS 717 00:15:34,134 --> 00:15:35,350 WHO HEADS TO CABIN NUMBER 1... 718 00:15:35,351 --> 00:15:36,567 THREE MINUTES IN AND HER ARACHNID FRIENDS 719 00:15:36,569 --> 00:15:37,085 [ DOOR CREAKS ] 720 00:15:37,086 --> 00:15:37,602 THREE MINUTES IN AND HER ARACHNID FRIENDS 721 00:15:37,604 --> 00:15:38,270 YES, WE'RE STARING AT YOU. 722 00:15:38,271 --> 00:15:38,937 THREE MINUTES IN AND HER ARACHNID FRIENDS 723 00:15:38,939 --> 00:15:39,821 WE'RE ALL STARING AT YOU. 724 00:15:39,822 --> 00:15:40,704 THREE MINUTES IN AND HER ARACHNID FRIENDS 725 00:15:40,707 --> 00:15:41,323 [ LAUGHING ] 726 00:15:41,324 --> 00:15:41,940 THREE MINUTES IN AND HER ARACHNID FRIENDS 727 00:15:41,942 --> 00:15:42,424 HOW DO YOU LIKE THAT? 728 00:15:42,425 --> 00:15:42,907 THREE MINUTES IN AND HER ARACHNID FRIENDS 729 00:15:42,909 --> 00:15:44,459 ...WHERE SHE SITS SILENTLY FOR THREE MINUTES, 730 00:15:44,460 --> 00:15:46,010 THREE MINUTES IN AND HER ARACHNID FRIENDS 731 00:15:46,012 --> 00:15:48,079 UNTIL ADAM GIVES THE COMMAND TO MOVE TO CABIN 2. 732 00:15:48,080 --> 00:15:50,147 THREE MINUTES IN AND HER ARACHNID FRIENDS 733 00:15:50,150 --> 00:15:51,399 3, 2... 734 00:15:51,400 --> 00:15:52,649 THREE MINUTES IN AND HER ARACHNID FRIENDS 735 00:15:52,652 --> 00:15:53,434 [ AIR HORN BLOWS ] 736 00:15:53,435 --> 00:15:54,217 THREE MINUTES IN AND HER ARACHNID FRIENDS 737 00:15:55,755 --> 00:15:57,622 [ LAUGHING ] 738 00:15:57,624 --> 00:15:58,723 IT'S LIKE A REMOTE-CONTROL TOY. 739 00:15:58,724 --> 00:15:59,823 [ LAUGHING ] 740 00:15:59,826 --> 00:16:00,942 SWITCHING TO FEED NUMBER 2. 741 00:16:00,943 --> 00:16:02,059 [ LAUGHING ] 742 00:16:02,062 --> 00:16:03,762 AND THEN, AFTER ANOTHER THREE-MINUTE SIT, 743 00:16:03,763 --> 00:16:05,463 [ LAUGHING ] 744 00:16:05,465 --> 00:16:06,798 SHE MOVES ON TO CABIN NUMBER 3. 745 00:16:06,799 --> 00:16:08,132 [ LAUGHING ] 746 00:16:08,134 --> 00:16:09,517 SWITCHING TO FEED NUMBER 3. 747 00:16:09,518 --> 00:16:10,901 [ LAUGHING ] 748 00:16:10,904 --> 00:16:12,537 CONFIRM FOR ME THAT THE SOUND'S ON. 749 00:16:12,538 --> 00:16:14,171 [ LAUGHING ] 750 00:16:14,174 --> 00:16:14,706 Man: SOUND IS ON. 751 00:16:14,707 --> 00:16:15,239 [ LAUGHING ] 752 00:16:15,241 --> 00:16:15,840 GOOD WORK. THANK YOU. 753 00:16:15,841 --> 00:16:16,440 [ LAUGHING ] 754 00:16:16,443 --> 00:16:17,475 AS FAR AS TIFFANY IS CONCERNED, 755 00:16:17,476 --> 00:16:18,508 [ LAUGHING ] 756 00:16:18,511 --> 00:16:19,727 IT'S THE SOUND OF SILENCE. 757 00:16:19,728 --> 00:16:20,944 [ LAUGHING ] 758 00:16:20,947 --> 00:16:23,181 BUT DOES THE SUBAURAL SOUND WAVE INDUCE FEAR? 759 00:16:23,182 --> 00:16:25,416 [ LAUGHING ] 760 00:16:25,418 --> 00:16:26,417 15 SECONDS. 761 00:16:26,418 --> 00:16:27,417 [ LAUGHING ] 762 00:16:28,355 --> 00:16:32,256 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 763 00:16:32,258 --> 00:16:34,342 AND AFTER A FINAL THREE MINUTES BEHIND DOOR NUMBER 4, 764 00:16:34,343 --> 00:16:36,427 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 765 00:16:36,429 --> 00:16:37,929 THE QUESTION IS, WHICH CABIN WILL SHE PICK? 766 00:16:37,930 --> 00:16:39,430 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 767 00:16:39,432 --> 00:16:41,432 IF YOU HAD TO PICK ONE OF THESE FOUR CABINS AS THE SPOOKIEST, 768 00:16:41,433 --> 00:16:43,433 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 769 00:16:43,436 --> 00:16:44,352 WHICH ONE WOULD YOU PICK? 2. 770 00:16:44,353 --> 00:16:45,269 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 771 00:16:45,271 --> 00:16:46,054 CAN YOU SAY WHY? DO YOU KNOW WHY? 772 00:16:46,055 --> 00:16:46,838 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 773 00:16:46,840 --> 00:16:47,372 IT JUST -- IT JUST FELT WEIRD. 774 00:16:47,373 --> 00:16:47,905 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 775 00:16:47,907 --> 00:16:49,924 FELT A LITTLE LIGHTHEADED WHEN I WALKED IN, BUT... 776 00:16:49,925 --> 00:16:51,942 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 777 00:16:51,945 --> 00:16:52,677 IT JUST FELT REALLY WEIRD. 778 00:16:52,678 --> 00:16:53,410 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 779 00:16:53,413 --> 00:16:54,746 TIFFANY WASN'T WEIRDED OUT BY THE SOUND, 780 00:16:54,747 --> 00:16:56,080 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 781 00:16:56,082 --> 00:16:56,731 BUT SHE'S JUST THE START, 782 00:16:56,732 --> 00:16:57,381 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 783 00:16:57,384 --> 00:16:59,834 AS EACH VOLUNTEER IS KLAXONED THROUGH THE CABINS. 784 00:16:59,835 --> 00:17:02,285 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 785 00:17:02,288 --> 00:17:02,770 [ AIR HORN BLOWS ] 786 00:17:02,771 --> 00:17:03,253 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 787 00:17:03,256 --> 00:17:04,055 SO, WHICH HOUSE? 788 00:17:04,056 --> 00:17:04,855 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 789 00:17:04,858 --> 00:17:05,290 2. 790 00:17:05,291 --> 00:17:05,723 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 791 00:17:05,725 --> 00:17:06,474 I'D HAVE TO SAY IT'D BE 1. 792 00:17:06,475 --> 00:17:07,224 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 793 00:17:07,227 --> 00:17:07,642 Adam: NUMBER 1. 794 00:17:07,643 --> 00:17:08,058 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 795 00:17:08,061 --> 00:17:08,760 ALL RIGHT. EXCELLENT. 796 00:17:08,761 --> 00:17:09,460 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 797 00:17:09,462 --> 00:17:10,094 BUT SO FAR, THEIR INTUITION 798 00:17:10,095 --> 00:17:10,727 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 799 00:17:10,730 --> 00:17:12,447 ISN'T PICKING THE FREAKY FREQUENCY IN CABIN NUMBER 3. 800 00:17:12,448 --> 00:17:14,165 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 801 00:17:14,167 --> 00:17:15,383 Jamie: WELL, WE'RE HALFWAY THROUGH OUR TESTING, 802 00:17:15,384 --> 00:17:16,600 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 803 00:17:16,603 --> 00:17:18,903 AND SO FAR, HOUSE NUMBER 3, THE ONE WITH THE SOUND, 804 00:17:18,904 --> 00:17:21,204 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 805 00:17:21,207 --> 00:17:22,240 IS NOT OUTSTANDING IN ANY WAY. 806 00:17:22,241 --> 00:17:23,274 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 807 00:17:23,276 --> 00:17:25,476 IT'S NOT LOOKING GOOD FOR SPOOKY SOUNDS. 808 00:17:25,477 --> 00:17:27,677 WELL, IT CERTAINLY SEEMS LIKE SHE'S NOTICED SOMETHING. 809 00:17:34,120 --> 00:17:38,189 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 810 00:17:38,191 --> 00:17:39,958 IF THERE IS A NOT-SO-SWEET SMELL OF FEAR, 811 00:17:39,959 --> 00:17:41,726 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 812 00:17:41,728 --> 00:17:43,778 AND, IF IT EXISTS, CAN ANYBODY NOSE IT OUT? 813 00:17:43,779 --> 00:17:45,829 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 814 00:17:45,832 --> 00:17:46,297 WELL, TO FIND OUT, 815 00:17:46,298 --> 00:17:46,763 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 816 00:17:46,766 --> 00:17:49,450 KARI'S BEEN TRAPPED IN A SARCOPHAGUS FULL OF SCORPIONS. 817 00:17:49,451 --> 00:17:52,135 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 818 00:17:52,138 --> 00:17:52,854 AAH! 819 00:17:52,855 --> 00:17:53,571 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 820 00:17:53,573 --> 00:17:54,439 Narrator: BECAUSE FOR THIS TEST, 821 00:17:54,440 --> 00:17:55,306 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 822 00:17:55,308 --> 00:17:56,357 IT'S VITAL THAT THE TEAM FEELS THE FEAR. 823 00:17:56,358 --> 00:17:57,407 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 824 00:17:57,410 --> 00:17:59,077 ONCE WE ARE DONE TORTURING EACH OTHER IN THE COFFIN 825 00:17:59,078 --> 00:18:00,745 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 826 00:18:00,747 --> 00:18:01,479 AND COLLECTING THE FEAR SWEAT, 827 00:18:01,480 --> 00:18:02,212 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 828 00:18:02,215 --> 00:18:03,231 THEN WE ARE GONNA TAKE OUR CONTROL SWEAT 829 00:18:03,232 --> 00:18:04,248 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 830 00:18:04,250 --> 00:18:06,000 AND OUR FEAR SWEAT AND LET VOLUNTEERS SMELL BOTH OF THEM 831 00:18:06,001 --> 00:18:07,751 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 832 00:18:07,754 --> 00:18:09,070 AND SEE IF THEY CAN SMELL THE FEAR. 833 00:18:09,071 --> 00:18:10,387 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 834 00:18:10,390 --> 00:18:11,439 [ LAUGHS EVILLY ] 835 00:18:11,440 --> 00:18:12,489 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 836 00:18:12,492 --> 00:18:13,441 Narrator: AND TORY IS NEXT. 837 00:18:13,442 --> 00:18:14,391 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 838 00:18:14,394 --> 00:18:17,045 SO, WHAT FAN-REQUESTED NIGHTMARE LURKS IN HIS FEAR FUTURE? 839 00:18:17,046 --> 00:18:19,697 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 840 00:18:19,699 --> 00:18:21,382 Grant: OKAY, OWEN. BRING ON THE SNAKES! 841 00:18:21,383 --> 00:18:23,066 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 842 00:18:23,069 --> 00:18:26,004 ONE BY ONE, 20 SNAKES ARE SLITHERED OUT ONTO TORY. 843 00:18:26,005 --> 00:18:28,940 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 844 00:18:28,942 --> 00:18:29,607 AAH! 845 00:18:29,608 --> 00:18:30,273 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 846 00:18:30,276 --> 00:18:31,542 OH, CRAP. 847 00:18:31,543 --> 00:18:32,809 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 848 00:18:32,812 --> 00:18:33,778 Kari: OH, MY GOSH. 849 00:18:33,779 --> 00:18:34,745 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 850 00:18:34,747 --> 00:18:35,947 I'M JUST GONNA LAY THIS DOWN RIGHT HERE. 851 00:18:35,948 --> 00:18:37,148 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 852 00:18:37,150 --> 00:18:38,199 Kari: AAH! 853 00:18:38,200 --> 00:18:39,249 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 854 00:18:39,252 --> 00:18:39,984 [ GRANT LAUGHING ] 855 00:18:39,985 --> 00:18:40,717 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 856 00:18:40,720 --> 00:18:41,352 THESE ARE THE SMALL ONES? 857 00:18:41,353 --> 00:18:41,985 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 858 00:18:41,988 --> 00:18:43,121 Mertz: THESE ARE THE LITTLE ONES. 859 00:18:43,122 --> 00:18:44,255 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 860 00:18:44,257 --> 00:18:45,139 OH, MY GOD. 861 00:18:45,140 --> 00:18:46,022 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 862 00:18:46,025 --> 00:18:48,209 OH, GOD! IT'S SO BIG. IT'S SO BIG! 863 00:18:48,210 --> 00:18:50,394 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 864 00:18:50,396 --> 00:18:50,812 NOW WE'RE DONE. 865 00:18:50,813 --> 00:18:51,229 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 866 00:18:51,231 --> 00:18:52,414 Narrator: AND AS THE TIMER STARTS, 867 00:18:52,415 --> 00:18:53,598 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 868 00:18:53,600 --> 00:18:54,366 TORY'S ANXIETY IS CLEAR. 869 00:18:54,367 --> 00:18:55,133 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 870 00:18:55,135 --> 00:18:56,851 I'M TIRED OF MY MONKEY-FIGHTING SNAKES IN THIS MONKEY-- 871 00:18:56,852 --> 00:18:58,568 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 872 00:18:58,571 --> 00:19:00,054 IT'S GOING IN MY SHIRT! OH, MAN! 873 00:19:00,055 --> 00:19:01,538 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 874 00:19:01,541 --> 00:19:03,324 Narrator: BUT AS MORE SNAKES SEEK OUT HIS BODY HEAT, 875 00:19:03,325 --> 00:19:05,108 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 876 00:19:05,111 --> 00:19:06,894 TORY STARTS TO REALLY LOSE HIS COOL... 877 00:19:06,895 --> 00:19:08,678 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 878 00:19:08,681 --> 00:19:09,997 [ SNAKES HISSING ] 879 00:19:09,998 --> 00:19:11,314 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 880 00:19:11,317 --> 00:19:12,767 Grant: DON'T MOVE YOUR CHIN. 881 00:19:12,768 --> 00:19:14,218 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 882 00:19:14,220 --> 00:19:15,219 HE JUST WANTS TO SAY HI. 883 00:19:15,220 --> 00:19:16,219 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 884 00:19:16,222 --> 00:19:16,704 OH, MY GOSH. 885 00:19:16,705 --> 00:19:17,187 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 886 00:19:17,190 --> 00:19:17,639 Mertz: HE'S GONNA KISS. 887 00:19:17,640 --> 00:19:18,089 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 888 00:19:18,091 --> 00:19:18,940 Grant: HE'S GONNA GIVE YOU LITTLE KISSES. 889 00:19:18,941 --> 00:19:19,790 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 890 00:19:19,792 --> 00:19:20,858 HE WANTS KISSES. 891 00:19:20,859 --> 00:19:21,925 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 892 00:19:21,928 --> 00:19:23,261 Narrator: ...UNTIL, FINALLY, SEVEN MINUTES ARE UP, 893 00:19:23,262 --> 00:19:24,595 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 894 00:19:24,597 --> 00:19:26,180 AND TORY CAN'T WAIT TO GET EVERY LAST SNAKE 895 00:19:26,181 --> 00:19:27,764 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 896 00:19:27,767 --> 00:19:28,449 BACK WHERE IT BELONGS. 897 00:19:28,450 --> 00:19:29,132 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 898 00:19:29,135 --> 00:19:30,234 HE IS MY FRIEND, ALL RIGHT. 899 00:19:30,235 --> 00:19:31,334 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 900 00:19:31,337 --> 00:19:33,221 HE'S DOWN MY SH-- YEAH, HE'S IN THERE. 901 00:19:33,222 --> 00:19:35,106 Narrator: KARI, TORY, AND GRANT ARE SNIFFING OUT 902 00:19:36,142 --> 00:19:40,111 OHH. [ GROANS ] 903 00:19:40,113 --> 00:19:42,613 Narrator: SO, WITH TORY'S SWEAT ON ICE, 904 00:19:42,615 --> 00:19:44,766 THE LUCKY LAST TO FACE HIS TRIAL BY TERROR IS GRANT. 905 00:19:44,767 --> 00:19:46,918 Narrator: SO, WITH TORY'S SWEAT ON ICE, 906 00:19:46,920 --> 00:19:48,787 AND THE BAD NEWS IS...RATS! 907 00:19:48,788 --> 00:19:50,655 Narrator: SO, WITH TORY'S SWEAT ON ICE, 908 00:19:50,657 --> 00:19:51,456 OKAY, I'M READY TO DO THIS. 909 00:19:51,457 --> 00:19:52,256 Narrator: SO, WITH TORY'S SWEAT ON ICE, 910 00:19:52,258 --> 00:19:53,791 Narrator: 50 RODENTS ARE PILED UP ON GRANT, 911 00:19:53,792 --> 00:19:55,325 Narrator: SO, WITH TORY'S SWEAT ON ICE, 912 00:19:55,328 --> 00:19:56,227 AND THEN KARI ASKS THE QUESTION 913 00:19:56,228 --> 00:19:57,127 Narrator: SO, WITH TORY'S SWEAT ON ICE, 914 00:19:57,130 --> 00:19:58,196 GRANT DIDN'T WANT TO THINK ABOUT. 915 00:19:58,197 --> 00:19:59,263 Narrator: SO, WITH TORY'S SWEAT ON ICE, 916 00:19:59,265 --> 00:20:00,681 CAN THEY BURROW IN THROUGH CLOTHING? 917 00:20:00,682 --> 00:20:02,098 Narrator: SO, WITH TORY'S SWEAT ON ICE, 918 00:20:02,101 --> 00:20:02,683 Mertz: THEY CAN BURROW THROUGH CLOTHING. 919 00:20:02,684 --> 00:20:03,266 Narrator: SO, WITH TORY'S SWEAT ON ICE, 920 00:20:03,269 --> 00:20:04,469 THEY CAN BURROW THROUGH WALLS. THEY CAN BURROW THROUGH FLOORS. 921 00:20:04,470 --> 00:20:05,670 Narrator: SO, WITH TORY'S SWEAT ON ICE, 922 00:20:05,672 --> 00:20:06,938 THERE'S VERY LITTLE IN THIS WORLD THAT'LL STOP A RAT. 923 00:20:06,939 --> 00:20:08,205 Narrator: SO, WITH TORY'S SWEAT ON ICE, 924 00:20:08,208 --> 00:20:10,158 INITIALLY, IT SEEMS THAT GRANT IS BEING PESTERED 925 00:20:10,159 --> 00:20:12,109 Narrator: SO, WITH TORY'S SWEAT ON ICE, 926 00:20:12,111 --> 00:20:13,110 BUT HE'S NOT PERTURBED. 927 00:20:13,111 --> 00:20:14,110 Narrator: SO, WITH TORY'S SWEAT ON ICE, 928 00:20:14,113 --> 00:20:16,347 OH, IT'S BURROWING! OHH! [ LAUGHS ] 929 00:20:16,348 --> 00:20:18,582 Narrator: SO, WITH TORY'S SWEAT ON ICE, 930 00:20:18,585 --> 00:20:19,150 Tory: WHERE IS IT BURROWING? 931 00:20:19,151 --> 00:20:19,716 Narrator: SO, WITH TORY'S SWEAT ON ICE, 932 00:20:19,719 --> 00:20:21,452 OHH. AAH! [ LAUGHING ] 933 00:20:21,453 --> 00:20:23,186 Narrator: SO, WITH TORY'S SWEAT ON ICE, 934 00:20:24,657 --> 00:20:28,125 [ Laughing ] I THINK HE LIKES IT. 935 00:20:28,127 --> 00:20:29,243 MAYBE WE SHOULD LEAVE HIM ALONE. 936 00:20:29,244 --> 00:20:30,360 [ Laughing ] I THINK HE LIKES IT. 937 00:20:30,363 --> 00:20:31,095 OH, GOD! GET IT OUT! 938 00:20:31,096 --> 00:20:31,828 [ Laughing ] I THINK HE LIKES IT. 939 00:20:31,831 --> 00:20:32,430 SHOULD WE LEAVE YOU ALONE? 940 00:20:32,431 --> 00:20:33,030 [ Laughing ] I THINK HE LIKES IT. 941 00:20:33,032 --> 00:20:33,815 Narrator: BUT AS THE TIME TICKS ON, 942 00:20:33,816 --> 00:20:34,599 [ Laughing ] I THINK HE LIKES IT. 943 00:20:34,601 --> 00:20:36,718 WITH THE SHEER QUANTITY OF RATS, THE TERROR TAKES HOLD. 944 00:20:36,719 --> 00:20:38,836 [ Laughing ] I THINK HE LIKES IT. 945 00:20:38,838 --> 00:20:40,038 YOU'RE ALL RIGHT. BREATHE. JUST BREATHE. 946 00:20:40,039 --> 00:20:41,239 [ Laughing ] I THINK HE LIKES IT. 947 00:20:41,241 --> 00:20:42,157 YEAH, BREATHE. BREATHE. 948 00:20:42,158 --> 00:20:43,074 [ Laughing ] I THINK HE LIKES IT. 949 00:20:43,076 --> 00:20:43,374 THERE YOU GO. 950 00:20:43,375 --> 00:20:43,673 [ Laughing ] I THINK HE LIKES IT. 951 00:20:43,676 --> 00:20:45,793 AND, FINALLY, AFTER SEVEN MINUTES OF RAT ATTACK, 952 00:20:45,794 --> 00:20:47,911 [ Laughing ] I THINK HE LIKES IT. 953 00:20:47,914 --> 00:20:48,963 THE RODENTS ARE ROUNDED UP... 954 00:20:48,964 --> 00:20:50,013 [ Laughing ] I THINK HE LIKES IT. 955 00:20:50,016 --> 00:20:51,799 AND GRANT'S TORTURE IS TERMINATED. 956 00:20:51,800 --> 00:20:53,583 [ Laughing ] I THINK HE LIKES IT. 957 00:20:53,586 --> 00:20:53,985 Grant: UGH, IT WAS... 958 00:20:53,986 --> 00:20:54,385 [ Laughing ] I THINK HE LIKES IT. 959 00:20:54,387 --> 00:20:57,071 IT WAS SCARY BECAUSE IT FELT LIKE THEY WERE BITING MY HANDS, 960 00:20:57,072 --> 00:20:59,756 [ Laughing ] I THINK HE LIKES IT. 961 00:20:59,759 --> 00:21:00,491 LIKE GNAWING ON MY HANDS. 962 00:21:00,492 --> 00:21:01,224 [ Laughing ] I THINK HE LIKES IT. 963 00:21:01,227 --> 00:21:04,295 AND THEN THEY WERE TRYING TO BURROW INTO DIFFERENT PLACES. 964 00:21:04,296 --> 00:21:07,364 [ Laughing ] I THINK HE LIKES IT. 965 00:21:07,367 --> 00:21:09,350 IT WAS NOT GOOD. NOT GOOD. 966 00:21:09,351 --> 00:21:11,334 [ Laughing ] I THINK HE LIKES IT. 967 00:21:11,337 --> 00:21:12,820 SOMEBODY HOSE GRANT OFF, PLEASE. 968 00:21:12,821 --> 00:21:14,304 [ Laughing ] I THINK HE LIKES IT. 969 00:21:15,742 --> 00:21:16,340 [ GROANS ] 970 00:21:16,342 --> 00:21:18,342 NOW, THERE'S NO DOUBT IN MY MIND THAT ALL OF US WERE SCARED. 971 00:21:18,343 --> 00:21:20,343 [ GROANS ] 972 00:21:20,346 --> 00:21:20,862 [ GROANING ] 973 00:21:20,863 --> 00:21:21,379 [ GROANS ] 974 00:21:21,381 --> 00:21:21,796 BUT THE REAL QUESTION IS, 975 00:21:21,797 --> 00:21:22,212 [ GROANS ] 976 00:21:22,215 --> 00:21:23,298 THE SWEAT THAT WE INDUCED IN THIS EXPERIMENT, 977 00:21:23,299 --> 00:21:24,382 [ GROANS ] 978 00:21:24,384 --> 00:21:25,600 WILL OUR VOLUNTEERS BE ABLE TO TELL THE DIFFERENCE 979 00:21:25,601 --> 00:21:26,817 [ GROANS ] 980 00:21:26,819 --> 00:21:28,853 BETWEEN THIS SWEAT AND THE SWEAT WE CREATED IN THE CONTROL TEST? 981 00:21:28,854 --> 00:21:30,888 [ GROANS ] 982 00:21:30,890 --> 00:21:32,723 YOU EVER SEEN THEM DRAG DEAD BODIES AROUND IN THE MOVIES? 983 00:21:32,724 --> 00:21:34,557 [ GROANS ] 984 00:21:34,560 --> 00:21:35,593 WELL, COMING UP ON A VERY SPECIAL 985 00:21:35,594 --> 00:21:36,627 [ GROANS ] 986 00:21:36,629 --> 00:21:37,428 HALLOWEEN EPISODE OF "MYTHBUSTERS," 987 00:21:37,429 --> 00:21:38,228 [ GROANS ] 988 00:21:38,231 --> 00:21:44,068 JAMIE AND I DO EXACTLY THAT -- FIND OUT HOW HARD IT REALLY IS. 989 00:21:44,069 --> 00:21:49,906 [ GROANS ] 990 00:21:49,909 --> 00:21:51,609 Narrator: IT'S DIAL "M" FOR "MYTHBUSTERS" 991 00:21:51,610 --> 00:21:53,310 [ GROANS ] 992 00:21:53,313 --> 00:21:54,445 IN THE SPOOKTASTIC HALLOWEEN SPECIAL. 993 00:21:54,446 --> 00:21:55,578 [ GROANS ] 994 00:21:55,581 --> 00:21:57,298 WHAT SCARES ADAM? I DO. 995 00:21:57,299 --> 00:21:59,016 [ GROANS ] 996 00:21:59,018 --> 00:22:01,018 AND THERE'S STILL MORE TRICKS AND TREATS TO COME. 997 00:22:01,019 --> 00:22:03,019 [ GROANS ] 998 00:22:03,022 --> 00:22:03,554 THAT'S THE ONE! 999 00:22:03,555 --> 00:22:04,087 [ GROANS ] 1000 00:22:04,090 --> 00:22:05,323 I'LL TAKE THIS ONE, PLEASE. WRAP IT UP. 1001 00:22:05,324 --> 00:22:06,557 [ GROANS ] 1002 00:22:06,559 --> 00:22:08,576 MEANWHILE, BACK AT THE CABINS IN THE WOODS, 1003 00:22:08,577 --> 00:22:10,594 [ GROANS ] 1004 00:22:10,596 --> 00:22:12,863 IT FEELS LIKE SOMETHING BAD HAPPENED. 1005 00:22:12,864 --> 00:22:15,131 [ GROANS ] 1006 00:22:17,103 --> 00:22:21,038 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1007 00:22:21,040 --> 00:22:21,739 IF A FREAKY FREQUENCY 1008 00:22:21,740 --> 00:22:22,439 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1009 00:22:22,442 --> 00:22:24,025 CAN PERSUADE THEIR VOLUNTEERS IT DID. 1010 00:22:24,026 --> 00:22:25,609 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1011 00:22:25,611 --> 00:22:26,677 Adam: WHICH ONE FELT THE SPOOKIEST? 1012 00:22:26,678 --> 00:22:27,744 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1013 00:22:27,747 --> 00:22:28,046 2. 1014 00:22:28,047 --> 00:22:28,346 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1015 00:22:28,348 --> 00:22:30,381 SO FAR, NONE OF THE VOLUNTEERS HAVE PICKED CABIN 3 1016 00:22:30,382 --> 00:22:32,415 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1017 00:22:32,418 --> 00:22:33,234 AND ITS HAUNTED 19-HERTZ HUM. 1018 00:22:33,235 --> 00:22:34,051 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1019 00:22:34,053 --> 00:22:36,971 BUT IT SEEMS AS THOUGH CANDIDATE SIX IS SLIGHTLY SPOOKED. 1020 00:22:36,972 --> 00:22:39,890 IT DIDN'T, BUT THE MYTHBUSTERS ARE TESTING 1021 00:22:42,729 --> 00:22:45,262 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1022 00:22:45,264 --> 00:22:45,613 IT'S KIND OF FREAKY." 1023 00:22:45,614 --> 00:22:45,963 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1024 00:22:45,965 --> 00:22:47,648 Jamie: WHICH HOUSE DO YOU THINK WAS HAUNTED? 1025 00:22:47,649 --> 00:22:49,332 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1026 00:22:49,335 --> 00:22:50,801 IF I HAD TO PICK ONE, IT'D PROBABLY BE CABIN 3, I THINK. 1027 00:22:50,802 --> 00:22:52,268 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1028 00:22:52,271 --> 00:22:53,788 WHAT WAS IT ABOUT IT THAT CAUGHT YOUR ATTENTION? 1029 00:22:53,789 --> 00:22:55,306 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1030 00:22:55,308 --> 00:22:55,590 I DON'T KNOW. 1031 00:22:55,591 --> 00:22:55,873 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1032 00:22:55,875 --> 00:22:56,741 JUST THE WAY THAT THE FLOORING LOOKED 1033 00:22:56,742 --> 00:22:57,608 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1034 00:22:57,610 --> 00:22:58,209 AND EVERYTHING INSIDE THERE. 1035 00:22:58,210 --> 00:22:58,809 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1036 00:22:58,811 --> 00:22:59,910 MAYBE WALKING AROUND INSIDE THERE, FEELING IT, 1037 00:22:59,911 --> 00:23:01,010 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1038 00:23:01,013 --> 00:23:01,946 FELT A LITTLE DIFFERENT, THOUGH, YEAH. 1039 00:23:01,947 --> 00:23:02,880 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1040 00:23:02,882 --> 00:23:03,915 ONE VOLUNTEER SENSED THE SOUND. 1041 00:23:03,916 --> 00:23:04,949 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1042 00:23:04,951 --> 00:23:07,118 BUT WILL THAT TREND CONTINUE INTO THE FINAL FOUR? 1043 00:23:07,119 --> 00:23:09,286 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1044 00:23:09,288 --> 00:23:10,204 SO, YOUR FINAL CHOICE IS...? 1045 00:23:10,205 --> 00:23:11,121 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1046 00:23:11,124 --> 00:23:11,623 3. NUMBER 3. 1047 00:23:11,624 --> 00:23:12,123 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1048 00:23:12,125 --> 00:23:13,791 SO THAT'S TWO STRIKES FOR CABIN 3. 1049 00:23:13,792 --> 00:23:15,458 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1050 00:23:15,461 --> 00:23:16,243 BUT AS THE TEST CONTINUES... 1051 00:23:16,244 --> 00:23:17,026 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1052 00:23:17,029 --> 00:23:18,529 UM, I GUESS MAYBE IT WOULD HAVE TO BE 1. 1053 00:23:18,530 --> 00:23:20,030 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1054 00:23:20,032 --> 00:23:22,466 ...NUMBER 1 IS STILL NUMBER 1 ON THE SPOOKY CHART. 1055 00:23:22,467 --> 00:23:24,901 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1056 00:23:24,904 --> 00:23:25,653 I WOULD SAY NUMBER 1. FANTASTIC. 1057 00:23:25,654 --> 00:23:26,403 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1058 00:23:26,406 --> 00:23:28,756 AND THAT, IT SEEMS, IS THE FINAL NAIL IN THE COFFIN 1059 00:23:28,757 --> 00:23:31,107 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1060 00:23:31,110 --> 00:23:32,226 FOR THIS FREQUENCY OF FEAR. 1061 00:23:32,227 --> 00:23:33,343 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1062 00:23:33,346 --> 00:23:33,945 10 TESTS, 10 TEST SUBJECTS, 1063 00:23:33,946 --> 00:23:34,545 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1064 00:23:34,547 --> 00:23:36,447 AND I THINK WE CAN DEFINITIVELY STATE THAT CABIN 3, 1065 00:23:36,448 --> 00:23:38,348 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1066 00:23:38,351 --> 00:23:39,100 THE SOUND WE PUT THROUGH IT, 1067 00:23:39,101 --> 00:23:39,850 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1068 00:23:39,852 --> 00:23:41,035 DID NOT MAKE IT THE SPOOKIEST CABIN. 1069 00:23:41,036 --> 00:23:42,219 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1070 00:23:42,221 --> 00:23:43,871 IF ANYTHING, CABIN 1 WAS THE SPOOKIEST CABIN, 1071 00:23:43,872 --> 00:23:45,522 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1072 00:23:45,525 --> 00:23:46,057 CABIN 4, THE LEAST SPOOKY. 1073 00:23:46,058 --> 00:23:46,590 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1074 00:23:46,592 --> 00:23:48,275 NOW, THIS COULD BE BECAUSE OF ONE OF TWO REASONS -- 1075 00:23:48,276 --> 00:23:49,959 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1076 00:23:49,962 --> 00:23:50,594 EITHER BECAUSE WE HAD EVERYONE 1077 00:23:50,595 --> 00:23:51,227 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1078 00:23:51,230 --> 00:23:52,229 ENTER THE CABINS IN NUMERICAL ORDER, 1079 00:23:52,230 --> 00:23:53,229 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1080 00:23:53,232 --> 00:23:53,647 THE NEWNESS OF THE EXPERIMENT 1081 00:23:53,648 --> 00:23:54,063 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1082 00:23:54,066 --> 00:23:55,566 AND THE WEIRDNESS OF SITTING ALONE IN A ROOM FOR TWO MINUTES 1083 00:23:55,567 --> 00:23:57,067 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1084 00:23:57,069 --> 00:23:58,269 MADE THEM THE MOST FRIGHTENED AT THE BEGINNING 1085 00:23:58,270 --> 00:23:59,470 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1086 00:23:59,472 --> 00:24:00,204 AND THE LEAST FRIGHTENED AT THE END. 1087 00:24:00,205 --> 00:24:00,937 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1088 00:24:00,940 --> 00:24:02,974 THE OTHER REASON IS THAT CABIN 1 COULD ACTUALLY BE HAUNTED, 1089 00:24:02,975 --> 00:24:05,009 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1090 00:24:05,011 --> 00:24:05,676 BUT I DON'T THINK SO. 1091 00:24:05,677 --> 00:24:06,342 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1092 00:24:06,345 --> 00:24:07,828 [ WOMAN SCREAMING ] 1093 00:24:07,829 --> 00:24:09,312 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1094 00:24:09,315 --> 00:24:10,164 HOW DO YOU WANT TO CALL THIS ONE? 1095 00:24:10,165 --> 00:24:11,014 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1096 00:24:11,017 --> 00:24:11,999 WELL, NUMBER 3 DIDN'T GET A HIGHER SCORE 1097 00:24:12,000 --> 00:24:12,982 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1098 00:24:12,985 --> 00:24:13,384 THAN ANY OF THE OTHERS, 1099 00:24:13,385 --> 00:24:13,784 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1100 00:24:13,786 --> 00:24:15,303 SO I GUESS THE TONE DIDN'T SPOOK ANYBODY. 1101 00:24:15,304 --> 00:24:16,821 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1102 00:24:16,823 --> 00:24:18,873 19 HERTZ WAS DEFINITELY NOT THE SOUND OF FEAR. 1103 00:24:18,874 --> 00:24:20,924 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1104 00:24:20,927 --> 00:24:22,110 WHAT IS THAT OVER THERE? 1105 00:24:22,111 --> 00:24:23,294 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1106 00:24:23,296 --> 00:24:24,345 OH! THIS WAY! 1107 00:24:24,346 --> 00:24:25,395 HE JUST SAID, "I'VE GOT THE WEIRDEST FEELING. 1108 00:24:35,975 --> 00:24:40,778 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1109 00:24:40,780 --> 00:24:42,213 BUT DOES THAT TROUBLE HAVE A NOSE? 1110 00:24:42,214 --> 00:24:43,647 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1111 00:24:43,649 --> 00:24:45,399 IS THERE REALLY A DETECTABLE SCENT OF FEAR? 1112 00:24:45,400 --> 00:24:47,150 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1113 00:24:47,153 --> 00:24:49,053 AFTER THEIR CLOSE ENCOUNTERS OF THE CREEPY KIND, 1114 00:24:49,054 --> 00:24:50,954 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1115 00:24:50,957 --> 00:24:53,391 THE MYTHBUSTERS HAVE SOME SERIOUSLY SCARED SWEAT SAMPLES. 1116 00:24:53,392 --> 00:24:55,826 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1117 00:24:55,828 --> 00:24:57,094 SO, FOR OUR SMELL OF FEAR EXPERIMENT, 1118 00:24:57,095 --> 00:24:58,361 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1119 00:24:58,364 --> 00:24:58,829 IT'LL BE DOUBLE BLIND, 1120 00:24:58,830 --> 00:24:59,295 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1121 00:24:59,298 --> 00:25:00,281 MEANING NEITHER THE VOLUNTEERS NOR TORY, 1122 00:25:00,282 --> 00:25:01,265 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1123 00:25:01,267 --> 00:25:02,967 WHO'S ADMINISTERING THE TEST, WILL KNOW WHAT SAMPLE IS WHAT. 1124 00:25:02,968 --> 00:25:04,668 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1125 00:25:04,670 --> 00:25:07,171 NOW, EACH VOLUNTEER WILL BE GIVEN TWO JARS -- "A" AND A "B." 1126 00:25:07,172 --> 00:25:09,673 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1127 00:25:09,675 --> 00:25:10,791 THERE ARE FOUR POSSIBILITIES -- 1128 00:25:10,792 --> 00:25:11,908 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1129 00:25:11,911 --> 00:25:13,511 EITHER "A" HAS THE FEAR, "B" HAS THE FEAR, 1130 00:25:13,512 --> 00:25:15,112 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1131 00:25:15,114 --> 00:25:17,048 THEY BOTH HAVE THE FEAR, OR NEITHER HAS FEAR IN IT. 1132 00:25:17,049 --> 00:25:18,983 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1133 00:25:18,985 --> 00:25:20,118 WHAT'LL HAPPEN IS THEY'LL MARK DOWN THEIR RESULT, 1134 00:25:20,119 --> 00:25:21,252 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1135 00:25:21,254 --> 00:25:22,737 AND, AT THE END, WE'LL TALLY EVERYTHING AND SEE HOW THEY DID. 1136 00:25:22,738 --> 00:25:24,221 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1137 00:25:24,223 --> 00:25:26,707 Narrator: ONE BY ONE, THE SECRETION SNIFFERS ARE BROUGHT IN. 1138 00:25:26,708 --> 00:25:29,192 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1139 00:25:29,195 --> 00:25:30,094 TAKE A NICE, DEEP BREATH. 1140 00:25:30,095 --> 00:25:30,994 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1141 00:25:30,997 --> 00:25:33,214 AND LIKE AN OLFACTORY FACTORY LINE, THE TEST RUNS SMOOTHLY, 1142 00:25:33,215 --> 00:25:35,432 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1143 00:25:35,434 --> 00:25:37,334 AND THE VOLUNTEERS NOSE OUT THAT AROMA OF ANXIETY. 1144 00:25:37,335 --> 00:25:39,235 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1145 00:25:39,238 --> 00:25:40,771 SO WE'RE HALFWAY DONE, AND THE GOOD NEWS IS, 1146 00:25:40,772 --> 00:25:42,305 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1147 00:25:42,308 --> 00:25:42,823 WE'VE GOT THREE RIGHT. 1148 00:25:42,824 --> 00:25:43,339 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1149 00:25:43,342 --> 00:25:44,275 THE BAD NEWS IS THAT'S OUT OF 36, 1150 00:25:44,276 --> 00:25:45,209 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1151 00:25:45,211 --> 00:25:46,611 SO IT'S NOT LOOKING GOOD FOR THE MYTH SO FAR. 1152 00:25:46,612 --> 00:25:48,012 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1153 00:25:48,014 --> 00:25:49,063 Narrator: IT'S NOT LOOKING GOOD, 1154 00:25:49,064 --> 00:25:50,113 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1155 00:25:50,116 --> 00:25:51,749 AND AFTER ANOTHER 6 VOLUNTEERS AND 36 TESTS... 1156 00:25:51,750 --> 00:25:53,383 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1157 00:25:53,386 --> 00:25:54,735 I THINK MY NOSTRIL HAIRS ARE STARTING TO BURN. 1158 00:25:54,736 --> 00:25:56,085 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1159 00:25:56,088 --> 00:25:56,487 [ CHUCKLES ] 1160 00:25:56,488 --> 00:25:56,887 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1161 00:25:56,889 --> 00:25:58,172 ...IT SEEMS THAT WHEN IT COMES TO SMELLING FEAR, 1162 00:25:58,173 --> 00:25:59,456 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1163 00:25:59,458 --> 00:26:00,958 IT'S NOT AS EASY AS THE MYTH WOULD HAVE YOU BELIEVE. 1164 00:26:00,959 --> 00:26:02,459 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1165 00:26:02,461 --> 00:26:03,777 Grant: NOW, REMEMBER, WE HAD 12 VOLUNTEERS. 1166 00:26:03,778 --> 00:26:05,094 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1167 00:26:05,097 --> 00:26:06,063 WE PUT THEM THROUGH SIX TESTS EACH. 1168 00:26:06,064 --> 00:26:07,030 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1169 00:26:07,033 --> 00:26:08,599 NOW, LET'S JUST SAY, HYPOTHETICALLY SPEAKING... 1170 00:26:08,600 --> 00:26:10,166 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1171 00:26:10,169 --> 00:26:10,801 IF THEY WERE RANDOMLY GUESSING -- 1172 00:26:10,802 --> 00:26:11,434 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1173 00:26:11,437 --> 00:26:12,753 JUST WRITING DOWN ANY NUMBER THAT THEY THOUGHT, 1174 00:26:12,754 --> 00:26:14,070 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1175 00:26:14,073 --> 00:26:15,973 THEY'D HAVE A ONE-IN-FOUR CHANCE OF GETTING THE RIGHT ANSWER. 1176 00:26:15,974 --> 00:26:17,874 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1177 00:26:17,877 --> 00:26:19,260 AVERAGED OVER SIX TESTS, THAT GIVES YOU 1.5, 1178 00:26:19,261 --> 00:26:20,644 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1179 00:26:20,646 --> 00:26:21,996 OR SOMEWHERE BETWEEN ONE AND TWO RIGHT ANSWERS. 1180 00:26:21,997 --> 00:26:23,347 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1181 00:26:23,349 --> 00:26:25,549 OUR VOLUNTEERS GOT SOMEWHERE BETWEEN 1 AND 2 RIGHT ANSWERS. 1182 00:26:25,550 --> 00:26:27,750 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1183 00:26:27,753 --> 00:26:29,203 SO, BASICALLY, THEY DIDN'T DO ANY BETTER 1184 00:26:29,204 --> 00:26:30,654 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1185 00:26:30,656 --> 00:26:32,189 THAN IF THEY WERE RANDOMLY GUESSING. 1186 00:26:32,190 --> 00:26:33,723 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1187 00:26:33,726 --> 00:26:34,308 WHAT DOES THIS MEAN? 1188 00:26:34,309 --> 00:26:34,891 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1189 00:26:34,894 --> 00:26:36,043 WELL, IF THERE IS A SMELL TO FEAR, 1190 00:26:36,044 --> 00:26:37,193 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1191 00:26:37,196 --> 00:26:38,446 THE AVERAGE PERSON CAN'T SMELL IT. 1192 00:26:38,447 --> 00:26:39,697 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1193 00:26:39,699 --> 00:26:40,965 Narrator: CLEARLY, THE AVERAGE NOSE 1194 00:26:40,966 --> 00:26:42,232 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1195 00:26:42,234 --> 00:26:44,001 IS ALTOGETHER TOO AVERAGE TO SMELL THE FEAR. 1196 00:26:44,002 --> 00:26:45,769 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1197 00:26:45,771 --> 00:26:47,221 BUT WHAT ABOUT AN EXPERT NOSE? 1198 00:26:47,222 --> 00:26:48,672 CHARACTERS IN HORROR MOVIES HAVE A NOSE FOR TROUBLE. 1199 00:26:49,942 --> 00:26:51,542 ENTER PAMELA DALTON, 1200 00:26:51,544 --> 00:26:53,261 ODOR SCIENTIST AND AROMA AUTHORITY. 1201 00:26:53,262 --> 00:26:54,979 ENTER PAMELA DALTON, 1202 00:26:54,981 --> 00:26:55,780 PAMELA, SO YOU ARE OUR EXPERT NOSE. 1203 00:26:55,781 --> 00:26:56,580 ENTER PAMELA DALTON, 1204 00:26:56,582 --> 00:26:57,631 CAN YOU TELL US A LITTLE BIT ABOUT YOUR BACKGROUND? 1205 00:26:57,632 --> 00:26:58,681 ENTER PAMELA DALTON, 1206 00:26:58,684 --> 00:27:00,701 WELL, I'M A SCIENTIST WHO STUDIES HOW PEOPLE SMELL ODORS 1207 00:27:00,702 --> 00:27:02,719 ENTER PAMELA DALTON, 1208 00:27:02,722 --> 00:27:04,155 AND HOW THAT MAKES THEM BEHAVE OR FEEL, 1209 00:27:04,156 --> 00:27:05,589 ENTER PAMELA DALTON, 1210 00:27:05,591 --> 00:27:06,457 AND SO, IN THE CONTEXT OF THAT, 1211 00:27:06,458 --> 00:27:07,324 ENTER PAMELA DALTON, 1212 00:27:07,326 --> 00:27:09,026 I'VE SMELLED A LOT OF DIFFERENT ODORS OVER MY CAREER. 1213 00:27:09,027 --> 00:27:10,727 ENTER PAMELA DALTON, 1214 00:27:10,730 --> 00:27:12,563 ALL RIGHT, WELL, IT'S TIME FOR US TO PUT YOU TO THE TEST. 1215 00:27:12,564 --> 00:27:14,397 ENTER PAMELA DALTON, 1216 00:27:14,400 --> 00:27:14,882 ARE YOU READY? I AM. 1217 00:27:14,883 --> 00:27:15,365 ENTER PAMELA DALTON, 1218 00:27:15,368 --> 00:27:16,234 JUST LIKE THE VOLUNTEERS, 1219 00:27:16,235 --> 00:27:17,101 ENTER PAMELA DALTON, 1220 00:27:17,103 --> 00:27:18,970 PAMELA TAKES A SAMPLE SNIFF AND WRITES DOWN HER ANSWERS. 1221 00:27:18,971 --> 00:27:20,838 ENTER PAMELA DALTON, 1222 00:27:20,840 --> 00:27:22,106 HAVE THEY TOLD YOU WHERE WE'VE COLLECTED OUR SAMPLES FROM? 1223 00:27:22,107 --> 00:27:23,373 ENTER PAMELA DALTON, 1224 00:27:23,376 --> 00:27:24,208 BUT UNLIKE THE VOLUNTEERS, 1225 00:27:24,209 --> 00:27:25,041 ENTER PAMELA DALTON, 1226 00:27:25,044 --> 00:27:27,194 PAMELA SEEMS TO KNOW EXACTLY WHAT SHE'S SMELLING. 1227 00:27:27,195 --> 00:27:29,345 ENTER PAMELA DALTON, 1228 00:27:29,348 --> 00:27:30,097 THAT'S A TRUE PROFESSIONAL AT WORK. 1229 00:27:30,098 --> 00:27:30,847 ENTER PAMELA DALTON, 1230 00:27:30,850 --> 00:27:33,534 IN FACT, AFTER SIX TESTS, THE RESULTS ARE STARTLING. 1231 00:27:33,535 --> 00:27:36,219 ENTER PAMELA DALTON, 1232 00:27:36,222 --> 00:27:36,854 THAT'S FIVE OUT OF SIX! 1233 00:27:36,855 --> 00:27:37,487 ENTER PAMELA DALTON, 1234 00:27:37,490 --> 00:27:38,055 DUDE, THAT'S 83%. 1235 00:27:38,056 --> 00:27:38,621 ENTER PAMELA DALTON, 1236 00:27:38,624 --> 00:27:39,657 THERE'S NO GUESSING INVOLVED HERE -- SHE KNOWS. 1237 00:27:39,658 --> 00:27:40,691 ENTER PAMELA DALTON, 1238 00:27:40,693 --> 00:27:42,626 YEP, BECAUSE THE CHANCES OF PAMELA GUESSING RIGHT 1239 00:27:42,627 --> 00:27:44,560 ENTER PAMELA DALTON, 1240 00:27:44,563 --> 00:27:46,046 FIVE OUT OF SIX TIMES ARE 3 IN 1,000, 1241 00:27:46,047 --> 00:27:47,530 ENTER PAMELA DALTON, 1242 00:27:47,533 --> 00:27:49,266 WHICH MEANS THIS MYTH JUST WON A REPRIEVE. 1243 00:27:49,267 --> 00:27:51,000 ENTER PAMELA DALTON, 1244 00:27:51,003 --> 00:27:51,936 Tory: CLEARLY, PAMELA ACED THAT TEST, 1245 00:27:51,937 --> 00:27:52,870 ENTER PAMELA DALTON, 1246 00:27:52,872 --> 00:27:54,622 BUT NOW WE WANT TO PUT HER NOSE TO THE ULTIMATE CHALLENGE. 1247 00:27:54,623 --> 00:27:56,373 ENTER PAMELA DALTON, 1248 00:27:56,375 --> 00:27:58,292 WE WANT TO SEE IF SHE CAN PICK OUT ONE FEAR SAMPLE AMONGST 20. 1249 00:27:58,293 --> 00:28:00,210 ENTER PAMELA DALTON, 1250 00:28:00,212 --> 00:28:02,396 NOW, UNFORTUNATELY, THAT FEAR SAMPLE HAS TO COME FROM SOMEONE, 1251 00:28:02,397 --> 00:28:04,581 ENTER PAMELA DALTON, 1252 00:28:04,583 --> 00:28:05,716 AND THAT SOMEONE TURNS OUT TO BE ME. 1253 00:28:05,717 --> 00:28:06,850 ENTER PAMELA DALTON, 1254 00:28:06,852 --> 00:28:08,202 LOOKS LIKE KARI AND GRANT ARE GONNA GET A CHANCE 1255 00:28:08,203 --> 00:28:09,553 ENTER PAMELA DALTON, 1256 00:28:09,555 --> 00:28:12,389 TO SCARE THE CRAP OUT OF ME. 1257 00:28:12,390 --> 00:28:15,224 ENTER PAMELA DALTON, 1258 00:28:15,227 --> 00:28:16,377 BUSTING MYTHS CAN BE VERY DANGEROUS WORK, 1259 00:28:16,378 --> 00:28:17,528 ENTER PAMELA DALTON, 1260 00:28:17,530 --> 00:28:18,262 AND WE ARE TRAINED PROFESSIONALS, 1261 00:28:18,263 --> 00:28:18,995 ENTER PAMELA DALTON, 1262 00:28:18,998 --> 00:28:20,631 SO PLEASE DO NOT TRY ANYTHING YOU SEE ON THIS SHOW AT HOME, 1263 00:28:20,632 --> 00:28:22,265 ENTER PAMELA DALTON, 1264 00:28:22,268 --> 00:28:22,984 OR ANYWHERE, FOR THAT MATTER. 1265 00:28:22,985 --> 00:28:23,701 ENTER PAMELA DALTON, 1266 00:28:23,703 --> 00:28:26,153 Narrator: NEXT, ADAM AND JAMIE HAVE A MYTH OF GRAVE CONCERN. 1267 00:28:26,154 --> 00:28:28,604 ENTER PAMELA DALTON, 1268 00:28:28,607 --> 00:28:29,840 SO, HOW DO YOU WANT TO TEST DEAD-BODY DISPOSAL? 1269 00:28:29,841 --> 00:28:31,074 ENTER PAMELA DALTON, 1270 00:28:31,077 --> 00:28:31,859 WELL, YOU KNOW, IN THE MOVIES, 1271 00:28:31,860 --> 00:28:32,642 ENTER PAMELA DALTON, 1272 00:28:32,645 --> 00:28:33,661 THEY'RE ALWAYS MAKING LIKE IT'S SO EASY 1273 00:28:33,662 --> 00:28:34,678 ENTER PAMELA DALTON, 1274 00:28:34,680 --> 00:28:35,196 TO DRAG THESE BODIES AROUND. 1275 00:28:35,197 --> 00:28:35,713 ENTER PAMELA DALTON, 1276 00:28:35,715 --> 00:28:37,215 THEY'RE PULLING THEM UP STAIRS, PUTTING THEM IN CLOSETS... 1277 00:28:37,216 --> 00:28:38,716 ENTER PAMELA DALTON, 1278 00:28:38,718 --> 00:28:39,784 RIGHT. THEY ROLL THEM UP IN A CARPET 1279 00:28:39,785 --> 00:28:40,851 ENTER PAMELA DALTON, 1280 00:28:40,853 --> 00:28:41,919 AND SHOVE THEM IN THE TRUNK OF A CAR. 1281 00:28:41,920 --> 00:28:42,986 ENTER PAMELA DALTON, 1282 00:28:42,988 --> 00:28:44,621 SO WHY DON'T WE SET UP SOME SORT OF AN OBSTACLE COURSE 1283 00:28:44,622 --> 00:28:46,255 ENTER PAMELA DALTON, 1284 00:28:46,258 --> 00:28:47,274 WHERE WE DO THAT WITH THESE BODIES? 1285 00:28:47,275 --> 00:28:48,291 ENTER PAMELA DALTON, 1286 00:28:48,294 --> 00:28:49,276 DEAD-BODY-DISPOSAL OLYMPICS -- I LOVE IT. 1287 00:28:49,277 --> 00:28:50,259 ENTER PAMELA DALTON, 1288 00:28:50,262 --> 00:28:51,261 YOU KNOW WHAT WE SHOULD FINISH WITH? 1289 00:28:51,262 --> 00:28:52,261 ENTER PAMELA DALTON, 1290 00:28:52,264 --> 00:28:52,596 DIGGING A SHALLOW GRAVE. 1291 00:28:52,597 --> 00:28:52,929 ENTER PAMELA DALTON, 1292 00:28:52,932 --> 00:28:53,864 THEY ALWAYS MAKE THAT LOOK LIKE IT HAPPENS 1293 00:28:53,865 --> 00:28:54,797 ENTER PAMELA DALTON, 1294 00:28:54,800 --> 00:28:55,766 IN JUST A FEW MINUTES IN THE MOVIES, 1295 00:28:55,767 --> 00:28:56,733 ENTER PAMELA DALTON, 1296 00:28:56,736 --> 00:28:57,201 AND I'LL BET IT'S HARDER. 1297 00:28:57,202 --> 00:28:57,667 ENTER PAMELA DALTON, 1298 00:28:57,670 --> 00:28:58,335 BUT THE THING IS THAT, YOU KNOW, 1299 00:28:58,336 --> 00:28:59,001 ENTER PAMELA DALTON, 1300 00:28:59,004 --> 00:28:59,620 THIS ISN'T JUST ABOUT THE WEIGHT. 1301 00:28:59,621 --> 00:29:00,237 ENTER PAMELA DALTON, 1302 00:29:00,239 --> 00:29:01,572 IT'S ALSO ABOUT THE SHAPE OF THESE BODIES, 1303 00:29:01,573 --> 00:29:02,906 ENTER PAMELA DALTON, 1304 00:29:02,908 --> 00:29:04,975 SO WE REALLY NEED TO HAVE A PRETTY GOOD HUMAN ANALOGUE. 1305 00:29:04,976 --> 00:29:07,043 ENTER PAMELA DALTON, 1306 00:29:07,046 --> 00:29:08,079 YOU'RE TOTALLY RIGHT. 1307 00:29:08,080 --> 00:29:09,113 ENTER PAMELA DALTON, 1308 00:29:09,115 --> 00:29:10,748 THE HOLLYWOOD BODY OF EVIDENCE IS CLEAR -- 1309 00:29:10,749 --> 00:29:12,382 ENTER PAMELA DALTON, 1310 00:29:12,384 --> 00:29:14,401 MOVING, HIDING, AND DISPOSING -- IT'S ALL DEAD EASY. 1311 00:29:14,402 --> 00:29:16,419 ENTER PAMELA DALTON, 1312 00:29:16,422 --> 00:29:18,989 BUT COULD YOU ACTUALLY CARRY IT OFF IN REALITY? 1313 00:29:18,990 --> 00:29:21,557 ENTER PAMELA DALTON, 1314 00:29:21,560 --> 00:29:22,643 WELL, TO FIND THAT OUT... 1315 00:29:22,644 --> 00:29:23,727 ENTER PAMELA DALTON, 1316 00:29:23,729 --> 00:29:25,930 ARE YOU READY FOR THE HORROR? DUN DUN DUN! 1317 00:29:25,931 --> 00:29:28,132 ENTER PAMELA DALTON, 1318 00:29:28,134 --> 00:29:29,233 Narrator: ...THEY'VE GOT THIS -- 1319 00:29:29,234 --> 00:29:30,333 ENTER PAMELA DALTON, 1320 00:29:30,336 --> 00:29:32,586 A SUPER-REALISTIC SIMULATED CADAVER, OR SynDaver. 1321 00:29:32,587 --> 00:29:34,837 ENTER PAMELA DALTON, 1322 00:29:34,840 --> 00:29:36,190 OUR SynDaver IS A FANTASTIC HUMAN ANALOGUE, 1323 00:29:36,191 --> 00:29:37,541 ENTER PAMELA DALTON, 1324 00:29:37,543 --> 00:29:38,876 BUT I'M GONNA WRAP HIM IN SOME CLING WRAP 1325 00:29:38,877 --> 00:29:40,210 ENTER PAMELA DALTON, 1326 00:29:40,212 --> 00:29:41,178 JUST TO KEEP ALL HIS BITS TOGETHER. 1327 00:29:41,179 --> 00:29:42,145 ENTER PAMELA DALTON, 1328 00:29:42,148 --> 00:29:43,948 Narrator: WITH THE 150-POUND SynDaver ALL WRAPPED UP, 1329 00:29:43,949 --> 00:29:45,749 ENTER PAMELA DALTON, 1330 00:29:45,751 --> 00:29:46,684 THE DRESS CODE IS JOHN DOE. 1331 00:29:46,685 --> 00:29:47,618 ENTER PAMELA DALTON, 1332 00:29:47,620 --> 00:29:48,119 Adam: EXCELLENT. 1333 00:29:48,120 --> 00:29:48,619 ENTER PAMELA DALTON, 1334 00:29:48,621 --> 00:29:49,603 THERE WE GO. 1335 00:29:49,604 --> 00:29:50,586 ENTER PAMELA DALTON, 1336 00:29:50,589 --> 00:29:51,488 [ GRUNTING ] 1337 00:29:51,489 --> 00:29:52,388 ENTER PAMELA DALTON, 1338 00:29:54,960 --> 00:29:58,061 Narrator: THEN IT'S OFF TO AN ABANDONED WAREHOUSE, 1339 00:29:58,063 --> 00:30:00,464 WHERE THEIR CLASSIC CRIME-SCENE OBSTACLE COURSE AWAITS. 1340 00:30:00,465 --> 00:30:02,866 Narrator: THEN IT'S OFF TO AN ABANDONED WAREHOUSE, 1341 00:30:04,003 --> 00:30:06,537 LET ME WALK YOU THROUGH THE STATIONS 1342 00:30:06,539 --> 00:30:07,338 OF OUR DEAD-BODY-DISPOSAL TEST. 1343 00:30:07,339 --> 00:30:08,138 LET ME WALK YOU THROUGH THE STATIONS 1344 00:30:08,140 --> 00:30:09,256 IT ALL BEGINS HERE AT "THE LAST SUPPER," 1345 00:30:09,257 --> 00:30:10,373 LET ME WALK YOU THROUGH THE STATIONS 1346 00:30:10,376 --> 00:30:12,126 WHERE OUR BODY LIES DEAD AT A TABLE, HAVING BEEN POISONED. 1347 00:30:12,127 --> 00:30:13,877 LET ME WALK YOU THROUGH THE STATIONS 1348 00:30:13,879 --> 00:30:15,796 WE WILL THEN DRAG AND TRANSFER OUR BODY FROM THE TABLE -- 1349 00:30:15,797 --> 00:30:17,714 LET ME WALK YOU THROUGH THE STATIONS 1350 00:30:17,716 --> 00:30:19,116 I SAID "WE WILL TRANSFER THE BODY"... 1351 00:30:19,117 --> 00:30:20,517 LET ME WALK YOU THROUGH THE STATIONS 1352 00:30:20,519 --> 00:30:20,801 ...FROM THE TABLE 1353 00:30:20,802 --> 00:30:21,084 LET ME WALK YOU THROUGH THE STATIONS 1354 00:30:21,086 --> 00:30:22,219 OVER TO THE "SKELETONS IN THE CLOSET" STATION. 1355 00:30:22,220 --> 00:30:23,353 LET ME WALK YOU THROUGH THE STATIONS 1356 00:30:23,355 --> 00:30:24,955 IN THIS, WE SHOVE THE BODY IN A CLOSET -- GO ON -- 1357 00:30:24,956 --> 00:30:26,556 LET ME WALK YOU THROUGH THE STATIONS 1358 00:30:26,559 --> 00:30:27,074 UNTIL WE CAN CLOSE THE DOOR. 1359 00:30:27,075 --> 00:30:27,590 LET ME WALK YOU THROUGH THE STATIONS 1360 00:30:27,593 --> 00:30:28,976 ONCE WE CAN CLOSE THE DOOR, WE'RE DONE WITH THAT. 1361 00:30:28,977 --> 00:30:30,360 LET ME WALK YOU THROUGH THE STATIONS 1362 00:30:30,362 --> 00:30:31,562 WE OPEN IT BACK UP, DRAG THE BODY BACK OUT, 1363 00:30:31,563 --> 00:30:32,763 LET ME WALK YOU THROUGH THE STATIONS 1364 00:30:32,765 --> 00:30:33,781 AND IT'S TIME FOR "DEFENESTRATION." 1365 00:30:33,782 --> 00:30:34,798 LET ME WALK YOU THROUGH THE STATIONS 1366 00:30:34,800 --> 00:30:35,182 NOW, DEFENESTRATION MEANS 1367 00:30:35,183 --> 00:30:35,565 LET ME WALK YOU THROUGH THE STATIONS 1368 00:30:35,568 --> 00:30:36,684 TO THROW SOMETHING THROUGH A WINDOW -- GO ON. 1369 00:30:36,685 --> 00:30:37,801 LET ME WALK YOU THROUGH THE STATIONS 1370 00:30:37,803 --> 00:30:38,819 THAT'S EXACTLY WHAT WE'RE GONNA DO HERE -- 1371 00:30:38,820 --> 00:30:39,836 LET ME WALK YOU THROUGH THE STATIONS 1372 00:30:39,839 --> 00:30:41,339 WE'RE GONNA THROW THE BODY THROUGH THE WINDOW. 1373 00:30:41,340 --> 00:30:42,840 LET ME WALK YOU THROUGH THE STATIONS 1374 00:30:42,842 --> 00:30:43,391 NICE WORK! 1375 00:30:43,392 --> 00:30:43,941 LET ME WALK YOU THROUGH THE STATIONS 1376 00:30:43,943 --> 00:30:44,575 ONCE IT'S THROUGH THE WINDOW, 1377 00:30:44,576 --> 00:30:45,208 LET ME WALK YOU THROUGH THE STATIONS 1378 00:30:45,211 --> 00:30:46,394 IT'S TIME FOR THE "STAIRWAY TO HEAVEN." 1379 00:30:46,395 --> 00:30:47,578 LET ME WALK YOU THROUGH THE STATIONS 1380 00:30:47,580 --> 00:30:48,195 IN THE "STAIRWAY TO HEAVEN," 1381 00:30:48,196 --> 00:30:48,811 LET ME WALK YOU THROUGH THE STATIONS 1382 00:30:48,814 --> 00:30:49,830 WE DRAG THE BODY UP THE STAIRS -- 1383 00:30:49,831 --> 00:30:50,847 LET ME WALK YOU THROUGH THE STATIONS 1384 00:30:50,850 --> 00:30:51,866 YOU'VE SEEN THAT IN THE MOVIES -- 1385 00:30:51,867 --> 00:30:52,883 LET ME WALK YOU THROUGH THE STATIONS 1386 00:30:52,885 --> 00:30:53,217 ACROSS THE PLATFORM, 1387 00:30:53,218 --> 00:30:53,550 LET ME WALK YOU THROUGH THE STATIONS 1388 00:30:53,552 --> 00:30:54,868 THEN WE DRAG THE BODY BACK DOWN THE STAIRS. 1389 00:30:54,869 --> 00:30:56,185 LET ME WALK YOU THROUGH THE STATIONS 1390 00:30:56,188 --> 00:30:56,603 ONCE WE'VE GOTTEN THE BODY 1391 00:30:56,604 --> 00:30:57,019 LET ME WALK YOU THROUGH THE STATIONS 1392 00:30:57,022 --> 00:30:57,871 THROUGH THE "STAIRWAY TO HEAVEN" STATION, 1393 00:30:57,872 --> 00:30:58,721 LET ME WALK YOU THROUGH THE STATIONS 1394 00:30:58,724 --> 00:30:59,757 IT'S TIME FOR "SNUG AS A BUG IN A RUG." 1395 00:30:59,758 --> 00:31:00,791 LET ME WALK YOU THROUGH THE STATIONS 1396 00:31:00,793 --> 00:31:01,008 GO ON. 1397 00:31:01,009 --> 00:31:01,224 LET ME WALK YOU THROUGH THE STATIONS 1398 00:31:01,227 --> 00:31:02,710 IN "SNUG AS A BUG IN A RUG," WE ROLL THE BODY IN A CARPET. 1399 00:31:02,711 --> 00:31:04,194 LET ME WALK YOU THROUGH THE STATIONS 1400 00:31:04,196 --> 00:31:05,779 THAT IS DEFINITELY SOMETHING I'VE SEEN IN COUNTLESS FILMS. 1401 00:31:05,780 --> 00:31:07,363 LET ME WALK YOU THROUGH THE STATIONS 1402 00:31:07,366 --> 00:31:08,616 ONCE THE BODY IS FULLY ROLLED IN THE CARPET, 1403 00:31:08,617 --> 00:31:09,867 LET ME WALK YOU THROUGH THE STATIONS 1404 00:31:09,869 --> 00:31:10,735 WE DRAG IT OVER TO THE TRUNK OF A CAR, 1405 00:31:10,736 --> 00:31:11,602 LET ME WALK YOU THROUGH THE STATIONS 1406 00:31:11,604 --> 00:31:13,788 WHERE WE WILL DRIVE IT SO WE CAN BURY IT IN A SHALLOW GRAVE. 1407 00:31:13,789 --> 00:31:15,973 LET ME WALK YOU THROUGH THE STATIONS 1408 00:31:17,977 --> 00:31:19,676 THAT'S THE THIRD ONE. 1409 00:31:19,678 --> 00:31:21,094 I'D ASSUME THAT CARRYING AROUND A 150-POUND DUMMY 1410 00:31:21,095 --> 00:31:22,511 THAT'S THE THIRD ONE. 1411 00:31:22,514 --> 00:31:24,715 IS GONNA BE DIFFICULT BECAUSE IT'S GONNA BE REALLY AWKWARD. 1412 00:31:24,716 --> 00:31:26,917 THAT'S THE THIRD ONE. 1413 00:31:26,919 --> 00:31:27,234 WITH THAT IN MIND, 1414 00:31:27,235 --> 00:31:27,550 THAT'S THE THIRD ONE. 1415 00:31:27,553 --> 00:31:29,520 I'VE SET THIS 150-POUND WAD OF CHAIN UP WITH HANDLES ON IT, 1416 00:31:29,521 --> 00:31:31,488 THAT'S THE THIRD ONE. 1417 00:31:31,490 --> 00:31:32,222 AND WE'LL USE THIS AS A CONTROL 1418 00:31:32,223 --> 00:31:32,955 THAT'S THE THIRD ONE. 1419 00:31:32,958 --> 00:31:34,875 AND CARRY IT THROUGH OUR OBSTACLE COURSE AS A BASELINE 1420 00:31:34,876 --> 00:31:36,793 THAT'S THE THIRD ONE. 1421 00:31:36,795 --> 00:31:37,394 AND SEE HOW LONG IT TAKES. 1422 00:31:37,395 --> 00:31:37,994 THAT'S THE THIRD ONE. 1423 00:31:37,997 --> 00:31:39,797 Narrator: SO, BEFORE THE "STIFF" CHALLENGE, 1424 00:31:39,798 --> 00:31:41,598 THAT'S THE THIRD ONE. 1425 00:31:41,600 --> 00:31:43,150 THEY'LL GET A CONTROL WITH AN IDENTICAL MASS. 1426 00:31:43,151 --> 00:31:44,701 THAT'S THE THIRD ONE. 1427 00:31:44,703 --> 00:31:46,270 [ GRUNTS ] OH, THAT'S HEAVY. 1428 00:31:46,271 --> 00:31:47,838 THAT'S THE THIRD ONE. 1429 00:31:47,840 --> 00:31:48,355 OH, MY GOSH. 1430 00:31:48,356 --> 00:31:48,871 THAT'S THE THIRD ONE. 1431 00:31:48,874 --> 00:31:50,524 ADAM MAKES IT THROUGH THE DEFENESTRATION EASILY. 1432 00:31:50,525 --> 00:31:52,175 THAT'S THE THIRD ONE. 1433 00:31:52,177 --> 00:31:55,662 BUT IT PROVES TO BE A WINDOW OF VULNERABILITY FOR THE HYNEMAN. 1434 00:31:55,663 --> 00:31:59,148 THAT'S THE THIRD ONE. 1435 00:31:59,852 --> 00:32:02,586 [ GRUNTING ] 1436 00:32:04,089 --> 00:32:05,555 [ LAUGHING ] 1437 00:32:06,725 --> 00:32:09,192 Narrator: AND WHILE JAMIE'S STRUGGLING... 1438 00:32:09,194 --> 00:32:11,411 ADAM HAS LURCHED OVER THE STAIRS. 1439 00:32:11,412 --> 00:32:13,629 Narrator: AND WHILE JAMIE'S STRUGGLING... 1440 00:32:13,999 --> 00:32:16,466 I'M THE GHOST OF CHRISTMAS PAST. 1441 00:32:16,468 --> 00:32:17,167 Narrator: AS YOU'D EXPECT, 1442 00:32:17,168 --> 00:32:17,867 I'M THE GHOST OF CHRISTMAS PAST. 1443 00:32:17,870 --> 00:32:19,169 MANEUVERING A SOLID 150-POUND WEIGHT 1444 00:32:19,170 --> 00:32:20,469 I'M THE GHOST OF CHRISTMAS PAST. 1445 00:32:20,472 --> 00:32:21,521 TAKES ITS TOLL ON THEM BOTH. 1446 00:32:21,522 --> 00:32:22,571 I'M THE GHOST OF CHRISTMAS PAST. 1447 00:32:22,574 --> 00:32:23,073 [ GRUNTING ] 1448 00:32:23,074 --> 00:32:23,573 I'M THE GHOST OF CHRISTMAS PAST. 1449 00:32:23,575 --> 00:32:25,542 AND THEIR MAFIA STAMINA STARTS TO FADE. 1450 00:32:25,543 --> 00:32:27,510 I'M THE GHOST OF CHRISTMAS PAST. 1451 00:32:27,513 --> 00:32:28,846 I DON'T EVEN KNOW HOW TO... LIFT THIS. 1452 00:32:28,847 --> 00:32:30,180 I'M THE GHOST OF CHRISTMAS PAST. 1453 00:32:30,182 --> 00:32:31,031 ACTUALLY, HERE WE GO. 1454 00:32:31,032 --> 00:32:31,881 I'M THE GHOST OF CHRISTMAS PAST. 1455 00:32:31,884 --> 00:32:33,467 DRAGGING, DRAGGING... 1456 00:32:33,468 --> 00:32:35,051 I'M THE GHOST OF CHRISTMAS PAST. 1457 00:32:35,054 --> 00:32:35,553 IT TO THE CAR. 1458 00:32:35,554 --> 00:32:36,053 I'M THE GHOST OF CHRISTMAS PAST. 1459 00:32:36,055 --> 00:32:37,771 BUT EVENTUALLY... 1460 00:32:37,772 --> 00:32:39,488 I'M THE GHOST OF CHRISTMAS PAST. 1461 00:32:39,491 --> 00:32:40,157 [ GRUNTS ] 1462 00:32:40,158 --> 00:32:40,824 I'M THE GHOST OF CHRISTMAS PAST. 1463 00:32:40,826 --> 00:32:41,625 TIME! 1464 00:32:41,626 --> 00:32:42,425 I'M THE GHOST OF CHRISTMAS PAST. 1465 00:32:42,428 --> 00:32:44,028 Narrator: ...ADAM MADE IT THROUGH IN JUST OVER THREE MINUTES, 1466 00:32:44,029 --> 00:32:45,629 I'M THE GHOST OF CHRISTMAS PAST. 1467 00:32:45,631 --> 00:32:47,281 AND JAMIE FOLLOWS SHORTLY AFTER. 1468 00:32:47,282 --> 00:32:48,932 I'M THE GHOST OF CHRISTMAS PAST. 1469 00:32:50,502 --> 00:32:52,169 DONE. [ DING! ] 1470 00:32:52,171 --> 00:32:52,753 4:33. 1471 00:32:52,754 --> 00:32:53,336 DONE. [ DING! ] 1472 00:32:53,339 --> 00:32:55,756 THAT'S HARDER THAN IT LOOKS. I LOST IT ON THE WINDOW. 1473 00:32:55,757 --> 00:32:58,174 DONE. [ DING! ] 1474 00:32:58,177 --> 00:32:59,443 I THINK I SPENT A FULL EXTRA MINUTE THERE. 1475 00:32:59,444 --> 00:33:00,710 DONE. [ DING! ] 1476 00:33:00,713 --> 00:33:02,563 OTHERWISE, ADAM AND I WOULD HAVE DONE ABOUT THE SAME 1477 00:33:02,564 --> 00:33:04,414 DONE. [ DING! ] 1478 00:33:04,416 --> 00:33:04,731 AT THREE MINUTES. 1479 00:33:04,732 --> 00:33:05,047 DONE. [ DING! ] 1480 00:33:05,050 --> 00:33:06,633 I THINK THAT'S A FAIR FIGURE TO APPLY TOWARDS THIS. 1481 00:33:06,634 --> 00:33:08,217 DONE. [ DING! ] 1482 00:33:08,220 --> 00:33:09,253 Narrator: THOSE ARE THE CONTROL FIGURES, 1483 00:33:09,254 --> 00:33:10,287 DONE. [ DING! ] 1484 00:33:10,289 --> 00:33:12,523 BUT HOW WILL THEY COMPARE WHEN THEY BRING OUT THEIR DEAD? 1485 00:33:12,524 --> 00:33:14,758 DONE. [ DING! ] 1486 00:33:16,996 --> 00:33:17,527 SAMPLE "A." 1487 00:33:17,529 --> 00:33:18,545 ALTHOUGH THE AVERAGE JOE CAN'T SMELL IT, 1488 00:33:18,546 --> 00:33:19,562 SAMPLE "A." 1489 00:33:19,565 --> 00:33:21,649 IT SEEMS OUR ODOR AUTHORITY CAN DETECT THE SMELL OF FEAR. 1490 00:33:21,650 --> 00:33:23,734 SAMPLE "A." 1491 00:33:23,736 --> 00:33:24,051 THAT'S 83%. 1492 00:33:24,052 --> 00:33:24,367 SAMPLE "A." 1493 00:33:24,370 --> 00:33:26,520 BUT NOW TO PUT THAT EXPERT SCHNOZ TO THE ULTIMATE TEST. 1494 00:33:26,521 --> 00:33:28,671 SAMPLE "A." 1495 00:33:28,674 --> 00:33:30,090 OH, MY GOD. THESE STAIRS DO NOT STOP. 1496 00:33:30,091 --> 00:33:31,507 SAMPLE "A." 1497 00:33:31,510 --> 00:33:32,993 Grant: SO, IN ORDER TO COMPLETE OUR EXPERIMENT, 1498 00:33:32,994 --> 00:33:34,477 SAMPLE "A." 1499 00:33:34,480 --> 00:33:35,229 WE NEED NEW FEAR-SWEAT SAMPLES. 1500 00:33:35,230 --> 00:33:35,979 SAMPLE "A." 1501 00:33:35,981 --> 00:33:37,064 OUR SAMPLES ARE NO LONGER VIABLE, 1502 00:33:37,065 --> 00:33:38,148 SAMPLE "A." 1503 00:33:38,150 --> 00:33:38,799 AND THAT'S WHY WE'RE HERE -- 1504 00:33:38,800 --> 00:33:39,449 SAMPLE "A." 1505 00:33:39,451 --> 00:33:41,301 [ Echoing ] AT THE MOANING CAVERN! -- 1506 00:33:41,302 --> 00:33:43,152 SAMPLE "A." 1507 00:33:43,155 --> 00:33:44,254 [ Normal voice ] IN CALAVERAS COUNTY, CALIFORNIA. 1508 00:33:44,255 --> 00:33:45,354 SAMPLE "A." 1509 00:33:45,357 --> 00:33:46,373 SEE, WE NEED TO TAKE THIS TO THE NEXT LEVEL -- 1510 00:33:46,374 --> 00:33:47,390 SAMPLE "A." 1511 00:33:47,393 --> 00:33:49,026 MORE SCARY THAN SNAKES OR SCORPIONS OR EVEN RATS. 1512 00:33:49,027 --> 00:33:50,660 SAMPLE "A." 1513 00:33:50,662 --> 00:33:51,661 THIS CAVERN IS 17 STORIES DEEP -- 1514 00:33:51,662 --> 00:33:52,661 SAMPLE "A." 1515 00:33:52,664 --> 00:33:54,264 BASICALLY THE HEIGHT OF THE STATUE OF LIBERTY. 1516 00:33:54,265 --> 00:33:55,865 SAMPLE "A." 1517 00:33:55,868 --> 00:33:56,600 TORY IS GOING TO RAPPEL DOWN 1518 00:33:56,601 --> 00:33:57,333 SAMPLE "A." 1519 00:33:57,336 --> 00:33:58,469 THROUGH A TIGHT, DARK SPACE AT THE TOP, 1520 00:33:58,470 --> 00:33:59,603 SAMPLE "A." 1521 00:33:59,605 --> 00:34:01,138 ALL THE WAY DOWN TO THE BOTTOM OF THIS CAVERN. 1522 00:34:01,139 --> 00:34:02,672 SAMPLE "A." 1523 00:34:02,674 --> 00:34:04,007 IS IT TOO LATE TO CHANGE MY MIND? 1524 00:34:04,008 --> 00:34:05,341 SAMPLE "A." 1525 00:34:05,344 --> 00:34:07,961 Narrator: INDEED, TORY'S ACROPHOBIA IS "MYTHBUSTERS" LEGEND. 1526 00:34:07,962 --> 00:34:10,579 SAMPLE "A." 1527 00:34:10,582 --> 00:34:11,164 OH, MAN. 1528 00:34:11,165 --> 00:34:11,747 SAMPLE "A." 1529 00:34:11,750 --> 00:34:13,367 THERE'S BEEN BLOOD... 1530 00:34:13,368 --> 00:34:14,985 SAMPLE "A." 1531 00:34:14,987 --> 00:34:16,086 AND A FEW TEARS... 1532 00:34:16,087 --> 00:34:17,186 SAMPLE "A." 1533 00:34:17,389 --> 00:34:20,190 ...WHICH MAKES HIM THE PERFECT CANDIDATE 1534 00:34:20,192 --> 00:34:21,492 FOR THIS ULTIMATE COLD-SWEAT CHALLENGE. 1535 00:34:21,493 --> 00:34:22,793 ...WHICH MAKES HIM THE PERFECT CANDIDATE 1536 00:34:22,795 --> 00:34:24,178 I DON'T KNOW IF I'M GONNA BE ABLE TO DO THIS. 1537 00:34:24,179 --> 00:34:25,562 ...WHICH MAKES HIM THE PERFECT CANDIDATE 1538 00:34:25,931 --> 00:34:28,832 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1539 00:34:28,834 --> 00:34:29,450 Kari: MAYBE. 1540 00:34:29,451 --> 00:34:30,067 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1541 00:34:30,069 --> 00:34:31,101 Narrator: IT'S ONE SMALL STEP FOR TORY 1542 00:34:31,102 --> 00:34:32,134 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1543 00:34:32,137 --> 00:34:34,538 AND ONE MASSIVE FEAR-INDUCING DESCENT FOR THIS MYTHBUSTER. 1544 00:34:34,539 --> 00:34:36,940 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1545 00:34:36,942 --> 00:34:37,691 YOU CAN DO IT. 1546 00:34:37,692 --> 00:34:38,441 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1547 00:34:38,444 --> 00:34:38,859 SHUT UP. 1548 00:34:38,860 --> 00:34:39,275 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1549 00:34:39,278 --> 00:34:40,277 HE'S ALREADY FREAKING OUT. 1550 00:34:40,278 --> 00:34:41,277 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1551 00:34:41,280 --> 00:34:42,062 WHAAH. 1552 00:34:42,063 --> 00:34:42,845 Grant: ALL RIGHT, BUDDY, WE'LL SEE YOU AT THE BOTTOM. 1553 00:34:44,683 --> 00:34:48,251 IT'S, LIKE, ALL...TANGLED. 1554 00:34:56,061 --> 00:34:56,660 [BLEEP] 1555 00:34:56,662 --> 00:34:58,345 I KNOW SOME PEOPLE ENJOY THIS, BUT I'M NOT ONE OF THOSE PEOPLE. 1556 00:34:58,346 --> 00:35:00,029 [BLEEP] 1557 00:35:00,032 --> 00:35:02,533 Narrator: IT'S ALL WORK AND NO PLAY FOR TORY. 1558 00:35:02,534 --> 00:35:05,035 [BLEEP] 1559 00:35:05,037 --> 00:35:06,270 I'VE NEVER SEEN TORY PANIC LIKE THIS BEFORE. 1560 00:35:06,271 --> 00:35:07,504 [BLEEP] 1561 00:35:07,506 --> 00:35:09,473 HE'S COOL IN EVERY SITUATION. HE IS FREAKING OUT. 1562 00:35:09,474 --> 00:35:11,441 [BLEEP] 1563 00:35:11,443 --> 00:35:12,976 Everybody has to have a weakness. 1564 00:35:12,977 --> 00:35:14,510 [BLEEP] 1565 00:35:14,513 --> 00:35:16,580 WHO TALKED ME INTO THIS? 1566 00:35:16,581 --> 00:35:18,648 [BLEEP] 1567 00:35:18,650 --> 00:35:20,000 [BLEEP] 1568 00:35:20,001 --> 00:35:21,351 [BLEEP] 1569 00:35:21,353 --> 00:35:23,337 Narrator: AND, EVENTUALLY, AFTER 170 FEET OF PURE TERROR... 1570 00:35:23,338 --> 00:35:25,322 [BLEEP] 1571 00:35:25,324 --> 00:35:27,708 Man: BRING IT OVER. AND YOU'RE ON SOLID GROUND. 1572 00:35:27,709 --> 00:35:30,093 [BLEEP] 1573 00:35:30,095 --> 00:35:31,628 ...HE GETS BACK TO TERRA FIRMA. 1574 00:35:31,629 --> 00:35:33,162 [BLEEP] 1575 00:35:33,165 --> 00:35:34,348 THAT SCARED THE CRAP OUT OF ME. 1576 00:35:34,349 --> 00:35:35,532 [BLEEP] 1577 00:35:35,534 --> 00:35:37,234 THERE WAS A POINT WHERE MY ROPES WERE TANGLED UP THERE, 1578 00:35:37,235 --> 00:35:38,935 [BLEEP] 1579 00:35:38,937 --> 00:35:40,437 AND MY ARM WAS GETTING CAUGHT IN THE ROPES, 1580 00:35:40,438 --> 00:35:41,938 [BLEEP] 1581 00:35:41,940 --> 00:35:42,539 AND I STARTED SLIPPING. 1582 00:35:42,540 --> 00:35:43,139 [BLEEP] 1583 00:35:43,142 --> 00:35:44,491 I HAVE NEVER BEEN MORE TERRIFIED ON THIS SHOW 1584 00:35:44,492 --> 00:35:45,841 [BLEEP] 1585 00:35:45,844 --> 00:35:46,476 THAN THIS MOMENT RIGHT NOW. 1586 00:35:46,477 --> 00:35:47,109 [BLEEP] 1587 00:35:47,112 --> 00:35:47,694 SO YOU'D TAKE THE SNAKES ANY DAY. 1588 00:35:47,695 --> 00:35:48,277 [BLEEP] 1589 00:35:48,280 --> 00:35:48,712 I'LL TAKE THE SNAKES ANY DAY. 1590 00:35:48,713 --> 00:35:49,145 [BLEEP] 1591 00:35:49,148 --> 00:35:51,515 Narrator: WITH TORY'S SAMPLE BAGGED AND TAGGED... 1592 00:35:51,516 --> 00:35:53,883 [BLEEP] 1593 00:35:53,886 --> 00:35:54,518 INTO THE FREEZER. 1594 00:35:54,519 --> 00:35:55,151 [BLEEP] 1595 00:35:55,154 --> 00:35:56,086 ...IT'S BACK TO THE SHOP. 1596 00:35:56,087 --> 00:35:57,019 [BLEEP] 1597 00:35:57,022 --> 00:35:57,521 THE JARS ARE LINED UP, 1598 00:35:57,522 --> 00:35:58,021 [BLEEP] 1599 00:35:58,023 --> 00:36:00,274 AND IT'S TIME TO PUT PAMELA'S NOSE TO THE ULTIMATE TEST. 1600 00:36:00,275 --> 00:36:02,526 [BLEEP] 1601 00:36:02,528 --> 00:36:03,410 WHERE'S THE FEAR? WHERE'S THE FEAR? 1602 00:36:03,411 --> 00:36:04,293 [BLEEP] 1603 00:36:04,296 --> 00:36:05,162 WHERE'S THE FEAR? I DON'T KNOW, EITHER. 1604 00:36:05,163 --> 00:36:06,029 [BLEEP] 1605 00:36:06,031 --> 00:36:08,448 Kari: OKAY, WE HAVE 20 SAMPLES, BUT ONLY ONE IS OUR FEAR SAMPLE. 1606 00:36:08,449 --> 00:36:10,866 [BLEEP] 1607 00:36:10,869 --> 00:36:11,468 GOOD LUCK. 1608 00:36:11,469 --> 00:36:12,068 [BLEEP] 1609 00:36:12,070 --> 00:36:12,886 THANK YOU. 1610 00:36:12,887 --> 00:36:13,703 [BLEEP] 1611 00:36:14,673 --> 00:36:18,775 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1612 00:36:18,777 --> 00:36:19,559 PAMELA TAKES HER TIME... 1613 00:36:19,560 --> 00:36:20,342 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1614 00:36:20,345 --> 00:36:22,379 DOUBLE-SNIFFING SOME AND SHORT-LISTING A FEW. 1615 00:36:22,380 --> 00:36:24,414 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1616 00:36:24,416 --> 00:36:25,582 Grant: SHE'S MADE A FEW SELECTS SO FAR. 1617 00:36:25,583 --> 00:36:26,749 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1618 00:36:26,752 --> 00:36:28,619 FINALLY, WE FOUND SOMEONE WITH A GROSSER JOB THAN US. 1619 00:36:28,620 --> 00:36:30,487 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1620 00:36:30,489 --> 00:36:31,872 AND AFTER 10 MINUTES ON THE SCENT, 1621 00:36:31,873 --> 00:36:33,256 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1622 00:36:33,258 --> 00:36:34,508 HAS PAMELA SNIFFED OUT TORY'S FEAR? 1623 00:36:34,509 --> 00:36:35,759 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1624 00:36:35,761 --> 00:36:38,095 Tory: SO IT LOOKS LIKE YOU'VE NARROWED IT DOWN TO THREE. 1625 00:36:38,096 --> 00:36:40,430 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1626 00:36:40,432 --> 00:36:41,181 DO YOU THINK YOU CAN SMELL FEAR? 1627 00:36:41,182 --> 00:36:41,931 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1628 00:36:41,934 --> 00:36:42,933 WELL, OF THE THREE THAT I PICKED OUT FIRST, 1629 00:36:42,934 --> 00:36:43,933 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1630 00:36:43,936 --> 00:36:45,569 I THINK THIS ONE SMELLS THE MOST LIKE FEAR TO ME. 1631 00:36:45,570 --> 00:36:47,203 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1632 00:36:47,206 --> 00:36:48,355 NUMBER 17. NUMBER 17. 1633 00:36:48,356 --> 00:36:49,505 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1634 00:36:49,508 --> 00:36:50,624 OKAY, THE FEAR SAMPLE WAS...5. 1635 00:36:50,625 --> 00:36:51,741 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1636 00:36:51,743 --> 00:36:52,125 OH! 1637 00:36:52,126 --> 00:36:52,508 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1638 00:36:52,511 --> 00:36:53,644 BUT I HAVE TO SAY, BASED ON THE LAST TEST, 1639 00:36:53,645 --> 00:36:54,778 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1640 00:36:54,780 --> 00:36:55,546 WHERE YOU GOT 5 OUT OF 6 RIGHT, 1641 00:36:55,547 --> 00:36:56,313 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1642 00:36:56,315 --> 00:36:57,731 I THINK WE CAN STILL CALL THIS ONE PLAUSIBLE -- 1643 00:36:57,732 --> 00:36:59,148 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1644 00:36:59,151 --> 00:37:00,384 DIFFICULT BUT PLAUSIBLE. 1645 00:37:00,385 --> 00:37:01,618 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1646 00:37:01,620 --> 00:37:02,069 IT'S DEFINITELY POSSIBLE. 1647 00:37:02,070 --> 00:37:02,519 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1648 00:37:02,521 --> 00:37:03,153 IT JUST TAKES YEARS OF TRAINING, 1649 00:37:03,154 --> 00:37:03,786 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1650 00:37:03,789 --> 00:37:04,972 AND YOU HAVE TO GET YOUR NOSE RIGHT UP IN THAT SAMPLE. 1651 00:37:04,973 --> 00:37:06,156 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1652 00:37:06,158 --> 00:37:07,274 RIGHT UP IN THERE, UNFORTUNATELY. 1653 00:37:07,275 --> 00:37:08,391 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1654 00:37:08,393 --> 00:37:09,059 THE SMELL OF FEAR. 1655 00:37:09,060 --> 00:37:09,726 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1656 00:37:09,728 --> 00:37:10,677 THE SMELL OF FEAR. 1657 00:37:10,678 --> 00:37:11,627 Narrator: WITH THE SHEER VOLUME OF SWEAT SAMPLES, 1658 00:37:13,165 --> 00:37:16,132 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1659 00:37:16,134 --> 00:37:20,387 LOG ON TO discovery.com/ mythbustersaftershow. 1660 00:37:20,388 --> 00:37:24,641 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1661 00:37:24,643 --> 00:37:25,842 WE ARE HERE AT THE WINCHESTER MYSTERY HOUSE 1662 00:37:25,843 --> 00:37:27,042 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1663 00:37:27,045 --> 00:37:27,727 IN SAN JOSE, CALIFORNIA. 1664 00:37:27,728 --> 00:37:28,410 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1665 00:37:28,413 --> 00:37:28,995 HA! AAH! 1666 00:37:28,996 --> 00:37:29,578 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1667 00:37:29,581 --> 00:37:31,882 THIS 160-ROOM MANSION WAS HOME TO SARAH WINCHESTER, 1668 00:37:31,883 --> 00:37:34,184 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1669 00:37:34,186 --> 00:37:35,919 THE WIDOW OF THE MAN WHO MADE HIS FORTUNE 1670 00:37:35,920 --> 00:37:37,653 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1671 00:37:37,656 --> 00:37:38,655 OFF THE WINCHESTER RIFLE. 1672 00:37:38,656 --> 00:37:39,655 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1673 00:37:39,658 --> 00:37:39,973 WHAT WAS THAT? 1674 00:37:39,974 --> 00:37:40,289 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1675 00:37:40,292 --> 00:37:41,558 SHE BUILT THIS HOUSE TO WARD OFF THE SPIRITS 1676 00:37:41,559 --> 00:37:42,825 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1677 00:37:42,828 --> 00:37:44,545 OF ALL THE PEOPLE THAT WERE KILLED BY THE RIFLE. 1678 00:37:44,546 --> 00:37:46,263 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1679 00:37:46,265 --> 00:37:47,881 THIS IS CREEPY. 1680 00:37:47,882 --> 00:37:49,498 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1681 00:37:49,501 --> 00:37:51,752 AND IT IS SAID THIS HOUSE IS STILL HAUNTED BY THOSE SPIRITS 1682 00:37:51,753 --> 00:37:54,004 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1683 00:37:54,006 --> 00:37:55,589 EVEN A HUNDRED YEARS AFTER HER DEATH. 1684 00:37:55,590 --> 00:37:57,173 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1685 00:37:57,175 --> 00:38:02,913 FRUH-EEE-AAH! 1686 00:38:02,914 --> 00:38:08,652 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1687 00:38:08,654 --> 00:38:10,404 Narrator: ACCORDING TO THIS MOVIE MYTH, 1688 00:38:10,405 --> 00:38:12,155 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1689 00:38:12,157 --> 00:38:13,140 MOVING A DEAD BODY IS DEAD EASY. 1690 00:38:13,141 --> 00:38:14,124 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1691 00:38:14,126 --> 00:38:16,310 HOWEVER, IT'S FAR FROM SIMPLE TO MOVE A DEAD WEIGHT. 1692 00:38:16,311 --> 00:38:18,495 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1693 00:38:18,497 --> 00:38:19,997 SO, WILL IT BE A STIFFER COMPETITION 1694 00:38:19,998 --> 00:38:21,498 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1695 00:38:21,500 --> 00:38:22,599 WITH THE EERILY REALISTIC BODY? 1696 00:38:22,600 --> 00:38:23,699 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1697 00:38:23,702 --> 00:38:25,218 I HAVE TO SAY, I WAS SPENT BY MOVING AROUND 150 POUNDS, 1698 00:38:25,219 --> 00:38:26,735 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1699 00:38:26,738 --> 00:38:28,655 AND I THOUGHT THAT WAS GONNA BE THE EASY PART OF THE TEST. 1700 00:38:28,656 --> 00:38:30,573 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1701 00:38:30,575 --> 00:38:32,309 NOW I AM TOTALLY NOT SO SURE. 1702 00:38:32,310 --> 00:38:34,044 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1703 00:38:34,046 --> 00:38:35,362 BUT THERE'S ONLY ONE WAY TO FIND OUT. 1704 00:38:35,363 --> 00:38:36,679 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1705 00:38:36,682 --> 00:38:37,364 HERE WE GO. 1706 00:38:37,365 --> 00:38:38,047 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1707 00:38:38,050 --> 00:38:38,949 ALL RIGHT, JAMIE, I'M READY. 1708 00:38:38,950 --> 00:38:39,849 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1709 00:38:39,851 --> 00:38:41,685 3, 2, 1, GO. 1710 00:38:41,686 --> 00:38:43,520 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1711 00:38:43,522 --> 00:38:44,521 HERE WE GO. COME ON, BUDDY. 1712 00:38:44,522 --> 00:38:45,521 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1713 00:38:45,524 --> 00:38:47,391 INTO THE CLOSET WITH YOU. [ GRUNTS ] 1714 00:38:47,392 --> 00:38:49,259 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1715 00:38:49,261 --> 00:38:49,626 Narrator: FROM THE START, 1716 00:38:49,627 --> 00:38:49,992 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1717 00:38:49,995 --> 00:38:51,628 ADAM HAS LITTLE DIFFICULTY MANEUVERING JOHN DOE... 1718 00:38:51,629 --> 00:38:53,262 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1719 00:38:53,265 --> 00:38:54,314 OKAY, THERE WE GO. 1720 00:38:54,315 --> 00:38:55,364 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1721 00:38:55,367 --> 00:38:55,766 TO THE WINDOW! 1722 00:38:55,767 --> 00:38:56,166 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1723 00:38:56,168 --> 00:38:58,352 Narrator: ...BECAUSE ALTHOUGH IT WEIGHS THE SAME 150 POUNDS 1724 00:38:58,353 --> 00:39:00,537 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1725 00:39:00,539 --> 00:39:00,921 OF THE CONTROL... 1726 00:39:00,922 --> 00:39:01,304 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1727 00:39:01,306 --> 00:39:02,489 HERE WE GO -- TO THE STAIRS! 1728 00:39:02,490 --> 00:39:03,673 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1729 00:39:03,675 --> 00:39:05,358 ...THE DISTRIBUTION OF THAT WEIGHT... 1730 00:39:05,359 --> 00:39:07,042 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1731 00:39:07,045 --> 00:39:07,761 HE'S GOING MUCH FASTER. 1732 00:39:07,762 --> 00:39:08,478 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1733 00:39:08,480 --> 00:39:10,046 ...MEANS ADAM IS GETTING THE BODY 1734 00:39:10,047 --> 00:39:11,613 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1735 00:39:11,616 --> 00:39:13,016 THROUGH THE COURSE DEAD FAST. 1736 00:39:13,017 --> 00:39:14,417 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1737 00:39:14,419 --> 00:39:15,185 TIME! 1738 00:39:15,186 --> 00:39:15,952 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1739 00:39:15,954 --> 00:39:16,937 [ DING! ] 1740 00:39:16,938 --> 00:39:17,921 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1741 00:39:17,923 --> 00:39:18,805 WELL, SHUT MY MOUTH. 1742 00:39:18,806 --> 00:39:19,688 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1743 00:39:19,691 --> 00:39:20,473 I SWEAR, THAT WAS FAR EASIER 1744 00:39:20,474 --> 00:39:21,256 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1745 00:39:21,259 --> 00:39:23,009 THAN MOVING AROUND A SOLID 150-POUND WEIGHT. 1746 00:39:23,010 --> 00:39:24,760 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1747 00:39:24,763 --> 00:39:25,178 Narrator: FAR EASIER. 1748 00:39:25,179 --> 00:39:25,594 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1749 00:39:25,597 --> 00:39:27,247 IN FACT, ADAM GOT HIS STIFF THROUGH THE OBSTACLES 1750 00:39:27,248 --> 00:39:28,898 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1751 00:39:28,900 --> 00:39:30,283 IN LESS THAN HALF THE TIME OF HIS CONTROL. 1752 00:39:30,284 --> 00:39:31,667 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1753 00:39:31,670 --> 00:39:33,053 Adam: WE'VE NEVER HAD A PHYSICAL ANALOGUE 1754 00:39:33,054 --> 00:39:34,437 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1755 00:39:34,439 --> 00:39:34,905 AS GOOD AS THE SynDaver. 1756 00:39:34,906 --> 00:39:35,372 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1757 00:39:35,374 --> 00:39:36,273 AND THE THING ABOUT IT BEING SO GOOD 1758 00:39:36,274 --> 00:39:37,173 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1759 00:39:37,175 --> 00:39:38,758 IS IT FEELS JUST LIKE MOVING AROUND A REAL BODY -- 1760 00:39:38,759 --> 00:39:40,342 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1761 00:39:40,345 --> 00:39:41,194 NOT THAT I'VE EVER DONE THAT. 1762 00:39:41,195 --> 00:39:42,044 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1763 00:39:42,047 --> 00:39:43,063 IT WAS JUST CREEPY. 1764 00:39:43,064 --> 00:39:44,080 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1765 00:39:44,082 --> 00:39:44,798 [ GRUNTS ] 1766 00:39:44,799 --> 00:39:45,515 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1767 00:39:45,517 --> 00:39:46,566 I'M GLAD TO BE DONE WITH THIS TEST. 1768 00:39:46,567 --> 00:39:47,616 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1769 00:39:47,619 --> 00:39:48,235 ARE YOU GLAD TO BE DONE? 1770 00:39:48,236 --> 00:39:48,852 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1771 00:39:48,854 --> 00:39:49,386 "YES, I'M DONE." 1772 00:39:49,387 --> 00:39:49,919 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1773 00:39:49,921 --> 00:39:50,787 ALL RIGHT, LET'S GO. 1774 00:39:50,788 --> 00:39:51,654 AFTER THE SHOW, CHECK OUT THE AFTER-SHOW. 1775 00:39:52,324 --> 00:39:57,260 Narrator: SO NOW IT'S THE HYNEMAN'S TURN AT BODY DISPOSAL. 1776 00:39:57,262 --> 00:39:58,695 IN 3, 2, 1. 1777 00:39:58,696 --> 00:40:00,129 Narrator: SO NOW IT'S THE HYNEMAN'S TURN AT BODY DISPOSAL. 1778 00:40:00,132 --> 00:40:01,298 [ DING! ] 1779 00:40:01,299 --> 00:40:02,465 Narrator: SO NOW IT'S THE HYNEMAN'S TURN AT BODY DISPOSAL. 1780 00:40:03,101 --> 00:40:03,566 BOINK. 1781 00:40:03,568 --> 00:40:05,568 BEFORE YOU KNOW IT, JOHN DOE IS OUT OF THE CLOSET... 1782 00:40:05,569 --> 00:40:07,569 BOINK. 1783 00:40:07,572 --> 00:40:08,071 NOW ON TO THE WINDOW. 1784 00:40:08,072 --> 00:40:08,571 BOINK. 1785 00:40:08,573 --> 00:40:09,572 ...AND THROUGH THE WINDOW. 1786 00:40:09,573 --> 00:40:10,572 BOINK. 1787 00:40:10,575 --> 00:40:11,992 [ LAUGHS ] NICE FORM. 1788 00:40:11,993 --> 00:40:13,410 BOINK. 1789 00:40:13,412 --> 00:40:15,395 ...BECAUSE HIS HUMAN FORM... 1790 00:40:15,396 --> 00:40:17,379 BOINK. 1791 00:40:17,382 --> 00:40:19,916 OH, HE'S DOING AN INTERESTING CARPET TECHNIQUE. 1792 00:40:19,918 --> 00:40:21,151 ...MAKES HAULING HIM INTO THE TRUNK... 1793 00:40:21,152 --> 00:40:22,385 OH, HE'S DOING AN INTERESTING CARPET TECHNIQUE. 1794 00:40:22,387 --> 00:40:23,753 [ Laughing ] THE FEET ARE STICKING OUT OF THE CARPET. 1795 00:40:23,754 --> 00:40:25,120 OH, HE'S DOING AN INTERESTING CARPET TECHNIQUE. 1796 00:40:25,123 --> 00:40:25,739 THAT LOOKS GREAT. 1797 00:40:25,740 --> 00:40:26,356 OH, HE'S DOING AN INTERESTING CARPET TECHNIQUE. 1798 00:40:26,358 --> 00:40:27,958 ...FAR EASIER THAN THE CONTROL. 1799 00:40:27,959 --> 00:40:29,559 OH, HE'S DOING AN INTERESTING CARPET TECHNIQUE. 1800 00:40:30,929 --> 00:40:32,061 DONE! 1801 00:40:32,063 --> 00:40:32,629 [ DING! ] TIME! 1802 00:40:32,630 --> 00:40:33,196 DONE! 1803 00:40:33,198 --> 00:40:34,447 [ BREATHING HEAVILY ] 1804 00:40:34,448 --> 00:40:35,697 DONE! 1805 00:40:35,700 --> 00:40:36,850 THAT HAD TO BE A LOT QUICKER. 1806 00:40:36,851 --> 00:40:38,001 DONE! 1807 00:40:38,003 --> 00:40:40,337 Narrator: AT 1:55, JAMIE ALSO HALVED HIS BASELINE, 1808 00:40:40,338 --> 00:40:42,672 DONE! 1809 00:40:42,674 --> 00:40:44,708 A RESULT THAT'S TURNED THE HYNEMAN'S EXPECTATION 1810 00:40:44,709 --> 00:40:46,743 DONE! 1811 00:40:46,745 --> 00:40:47,194 ON ITS HEAD. 1812 00:40:47,195 --> 00:40:47,644 DONE! 1813 00:40:47,646 --> 00:40:47,978 HERE'S THE THING -- 1814 00:40:47,979 --> 00:40:48,311 DONE! 1815 00:40:48,313 --> 00:40:49,796 I CAN PICK UP A 150-POUND BARBELL OFF THE GROUND, 1816 00:40:49,797 --> 00:40:51,280 DONE! 1817 00:40:51,283 --> 00:40:51,631 NO PROBLEM. 1818 00:40:51,632 --> 00:40:51,980 DONE! 1819 00:40:51,983 --> 00:40:52,732 IT'S GOT A GOOD HANDLE ON IT. 1820 00:40:52,733 --> 00:40:53,482 DONE! 1821 00:40:53,485 --> 00:40:54,351 I'M STRONG ENOUGH TO DO THAT. 1822 00:40:54,352 --> 00:40:55,218 DONE! 1823 00:40:55,220 --> 00:40:56,002 ON THE OTHER HAND, 1824 00:40:56,003 --> 00:40:56,785 DONE! 1825 00:40:56,788 --> 00:40:58,805 IF I WANT TO PUT THAT 150-POUND BARBELL ON MY SHOULDER, 1826 00:40:58,806 --> 00:41:00,823 DONE! 1827 00:41:00,826 --> 00:41:01,325 IT'S A LOT MORE DIFFICULT 1828 00:41:01,326 --> 00:41:01,825 DONE! 1829 00:41:01,827 --> 00:41:03,527 BECAUSE IT'S SORT OF AN ALL-OR-NOTHING ATTEMPT, 1830 00:41:03,528 --> 00:41:05,228 DONE! 1831 00:41:05,230 --> 00:41:05,629 AS OPPOSED TO THE BODY, 1832 00:41:05,630 --> 00:41:06,029 DONE! 1833 00:41:06,031 --> 00:41:07,998 WHICH I CAN PULL UP AN ARM OR A LEG OR A TORSO AT A TIME 1834 00:41:07,999 --> 00:41:09,966 DONE! 1835 00:41:09,968 --> 00:41:11,801 AND WORK THEM THROUGH A WINDOW OR INTO A TRUNK. 1836 00:41:11,802 --> 00:41:13,635 DONE! 1837 00:41:13,638 --> 00:41:14,170 SO FOR THIS TYPE OF TASK, 1838 00:41:14,171 --> 00:41:14,703 DONE! 1839 00:41:14,706 --> 00:41:16,373 IT'S ACTUALLY A LOT EASIER TO MANEUVER A BODY, 1840 00:41:16,374 --> 00:41:18,041 DONE! 1841 00:41:18,043 --> 00:41:18,775 AND THAT REALLY SURPRISES US. 1842 00:41:18,776 --> 00:41:19,508 DONE! 1843 00:41:19,511 --> 00:41:21,995 SO, THE MOVIES' DEPICTION OF MOVING BODIES AROUND? 1844 00:41:21,996 --> 00:41:24,480 DONE! 1845 00:41:24,483 --> 00:41:25,132 SURPRISINGLY PLAUSIBLE. 1846 00:41:25,133 --> 00:41:25,782 DONE! 1847 00:41:25,784 --> 00:41:26,616 FOR ONCE, THEY GOT IT RIGHT. 1848 00:41:26,617 --> 00:41:27,449 DONE! 1849 00:41:27,452 --> 00:41:29,069 INDEED, THEY DID. LET'S GO BURY THE EVIDENCE. 1850 00:41:29,070 --> 00:41:30,687 DONE! 1851 00:41:30,689 --> 00:41:31,872 Narrator: IT MAY BE PLAUSIBLE, 1852 00:41:31,873 --> 00:41:33,056 DONE! 1853 00:41:33,058 --> 00:41:33,824 BUT BEING ABLE TO MOVE A BODY 1854 00:41:33,825 --> 00:41:34,591 DONE! 1855 00:41:34,593 --> 00:41:36,993 DOESN'T MEAN YOU CAN ACTUALLY GET AWAY WITH MURDER. 1856 00:41:36,994 --> 00:41:39,394 DONE! 1857 00:41:40,832 --> 00:41:43,132 THIS PLACE LOOKS GREAT. 1858 00:41:43,134 --> 00:41:44,100 NICE PLACE TO BE BURIED AT. 1859 00:41:44,101 --> 00:41:45,067 THIS PLACE LOOKS GREAT. 1860 00:41:45,070 --> 00:41:46,736 I THINK IT'S A FINE PLACE TO BE BURIED. 1861 00:41:46,737 --> 00:41:48,403 THIS PLACE LOOKS GREAT. 1862 00:41:53,478 --> 00:41:55,445 ALL RIGHT. 1863 00:41:55,447 --> 00:41:56,830 AND NOW, THE FINAL MACABRE MYTH 1864 00:41:56,831 --> 00:41:58,214 ALL RIGHT. 1865 00:41:58,216 --> 00:41:59,649 OF THIS "MYTHBUSTERS" HALLOWEEN SPECIAL. 1866 00:41:59,650 --> 00:42:01,083 ALL RIGHT. 1867 00:42:01,086 --> 00:42:02,803 THIS LOOKS ABOUT RIGHT. [ GRUNTS ] 1868 00:42:02,804 --> 00:42:04,521 ALL RIGHT. 1869 00:42:04,523 --> 00:42:05,222 ACCORDING TO THE MOVIES, 1870 00:42:05,223 --> 00:42:05,922 ALL RIGHT. 1871 00:42:05,924 --> 00:42:08,108 YOU CAN DIG A SHALLOW GRAVE IN 20 MINUTES FLAT. 1872 00:42:08,109 --> 00:42:10,293 ALL RIGHT. 1873 00:42:10,295 --> 00:42:11,311 BUT JUST HOW SHALLOW IS SHALLOW? 1874 00:42:11,312 --> 00:42:12,328 ALL RIGHT. 1875 00:42:12,330 --> 00:42:14,047 NOW, FOR US, THAT PUTS IT DOWN AT ABOUT 2 FEET DEEP, 1876 00:42:14,048 --> 00:42:15,765 ALL RIGHT. 1877 00:42:15,767 --> 00:42:17,267 SO THAT'S HOW DEEP WE'RE GONNA DIG OUR GRAVES. 1878 00:42:17,268 --> 00:42:18,768 ALL RIGHT. 1879 00:42:18,770 --> 00:42:20,470 Narrator: THAT 2-FOOT TARGET SEEMS SIMPLE ENOUGH 1880 00:42:20,471 --> 00:42:22,171 ALL RIGHT. 1881 00:42:22,173 --> 00:42:24,090 UNTIL YOU RUN UP AGAINST THE REALITY OF SOLID EARTH. 1882 00:42:24,091 --> 00:42:26,008 ALL RIGHT. 1883 00:42:26,011 --> 00:42:27,811 I'M HAVING TO TAKE LITTLE CHUNKS AT A TIME. 1884 00:42:27,812 --> 00:42:29,612 ALL RIGHT. 1885 00:42:29,614 --> 00:42:30,680 THIS IS GONNA TAKE ME HOURS. 1886 00:42:30,681 --> 00:42:31,747 ALL RIGHT. 1887 00:42:31,750 --> 00:42:33,250 Narrator: YEP, EVEN A SHIRTLESS HYNEMAN 1888 00:42:33,251 --> 00:42:34,751 ALL RIGHT. 1889 00:42:34,753 --> 00:42:36,503 ISN'T ABLE TO MATCH THE MYTHICAL 20 MINUTES. 1890 00:42:36,504 --> 00:42:38,254 ALL RIGHT. 1891 00:42:38,256 --> 00:42:39,939 Jamie: THE ANNOYING THING ABOUT DOING THIS 1892 00:42:39,940 --> 00:42:41,623 ALL RIGHT. 1893 00:42:41,626 --> 00:42:42,125 IS THAT I KNOW FOR A FACT 1894 00:42:42,126 --> 00:42:42,625 ALL RIGHT. 1895 00:42:42,627 --> 00:42:45,678 IT WOULD TAKE ME ONE SCOOP OF A BACKHOE TO DO THE SAME JOB -- 1896 00:42:45,679 --> 00:42:48,730 ALL RIGHT. 1897 00:42:48,733 --> 00:42:50,083 TAKE ALL OF 30 SECONDS. 1898 00:42:50,084 --> 00:42:51,434 ALL RIGHT. 1899 00:42:51,436 --> 00:42:52,102 THAT'S A LITTLE OVER 2 FEET. 1900 00:42:52,103 --> 00:42:52,769 ALL RIGHT. 1901 00:42:52,771 --> 00:42:53,737 I THINK THAT OUGHT TO BE DEEP ENOUGH 1902 00:42:53,738 --> 00:42:54,704 ALL RIGHT. 1903 00:42:54,706 --> 00:42:56,006 TO KEEP THE ANIMALS FROM GETTING AT HIM. 1904 00:42:56,007 --> 00:42:57,307 ALL RIGHT. 1905 00:42:57,309 --> 00:42:57,657 TIME TO CHUCK HIM IN. 1906 00:42:57,658 --> 00:42:58,006 ALL RIGHT. 1907 00:42:58,009 --> 00:43:00,210 Narrator: AND AFTER OVER TWO HOURS OF DIGGING THE DIRT, 1908 00:43:00,211 --> 00:43:02,412 ALL RIGHT. 1909 00:43:02,414 --> 00:43:03,213 THE MYTH IS CLEARLY BUSTED. 1910 00:43:03,214 --> 00:43:04,013 ALL RIGHT. 1911 00:43:04,015 --> 00:43:06,332 I WISH WE HAD PICKED A PLACE WITH NICE, SOFT, LOAMY DIRT. 1912 00:43:06,333 --> 00:43:08,650 ALL RIGHT. 1913 00:43:08,653 --> 00:43:11,271 Narrator: SO ALL THAT REMAINS IS TO CLOSE OUT THE SHOW. 1914 00:43:11,272 --> 00:43:13,890 ALL RIGHT. 1915 00:43:13,892 --> 00:43:14,474 WELL, WE HOPE YOU'VE ENJOYED 1916 00:43:14,475 --> 00:43:15,057 ALL RIGHT. 1917 00:43:15,060 --> 00:43:15,942 THE "MYTHBUSTERS" HALLOWEEN SPECIAL. 1918 00:43:15,943 --> 00:43:16,825 ALL RIGHT. 1919 00:43:16,828 --> 00:43:17,627 JAMIE, GIVE THEM YOUR HALLOWEEN WISHES. 1920 00:43:17,628 --> 00:43:18,427 ALL RIGHT. 1921 00:43:18,430 --> 00:43:19,729 MAY YOUR CORPSES BE LIGHT AND YOUR DIRT BE SOFT. 1922 00:43:19,730 --> 00:43:21,029 ALL RIGHT. 1923 00:43:21,032 --> 00:43:27,720 INDEED! HAPPY HALLOWEEN! 1924 00:43:27,721 --> 00:43:34,409 ALL RIGHT. 166138