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1
00:00:00,434 --> 00:00:02,735
DO NOT TRY
ANY OF THE EXPERIMENTS
2
00:00:02,737 --> 00:00:03,719
YOU ARE ABOUT TO SEE
AT HOME.
3
00:00:03,720 --> 00:00:04,702
DO NOT TRY
ANY OF THE EXPERIMENTS
4
00:00:04,705 --> 00:00:05,871
YOU HEARD HIM.
DON'T DO IT.
5
00:00:05,872 --> 00:00:07,038
DO NOT TRY
ANY OF THE EXPERIMENTS
6
00:00:07,041 --> 00:00:09,408
Narrator: ON THIS SHOCKING
EPISODE OF "MYTHBUSTERS,"
7
00:00:09,409 --> 00:00:11,776
DO NOT TRY
ANY OF THE EXPERIMENTS
8
00:00:11,779 --> 00:00:13,879
THERE'S THE MOST EXPLOSIVELY
EPIC HIGH SPEEDS
9
00:00:13,880 --> 00:00:15,980
DO NOT TRY
ANY OF THE EXPERIMENTS
10
00:00:15,983 --> 00:00:16,882
IN "MYTHBUSTERS" HISTORY.
11
00:00:16,883 --> 00:00:17,782
DO NOT TRY
ANY OF THE EXPERIMENTS
12
00:00:17,785 --> 00:00:17,950
WOW!
13
00:00:17,951 --> 00:00:18,116
DO NOT TRY
ANY OF THE EXPERIMENTS
14
00:00:18,119 --> 00:00:20,720
AS ADAM AND JAMIE DIG THE DIRT
ON A MYTH FROM WORLD WAR I.
15
00:00:20,721 --> 00:00:23,322
DO NOT TRY
ANY OF THE EXPERIMENTS
16
00:00:23,324 --> 00:00:24,523
WHEN WE SAY WE'RE GONNA BE
DIGGING HOLES,
17
00:00:24,524 --> 00:00:25,723
DO NOT TRY
ANY OF THE EXPERIMENTS
18
00:00:25,726 --> 00:00:27,042
ACTUALLY THIS THING'S
GONNA BE DIGGING HOLES.
19
00:00:27,043 --> 00:00:28,359
DO NOT TRY
ANY OF THE EXPERIMENTS
20
00:00:28,362 --> 00:00:29,929
Narrator: CAN THE SHAPE
OF A BATTLEFIELD TRENCH...
21
00:00:29,930 --> 00:00:31,497
DO NOT TRY
ANY OF THE EXPERIMENTS
22
00:00:31,499 --> 00:00:32,114
WHAT DID YOU DO TODAY?
23
00:00:32,115 --> 00:00:32,730
DO NOT TRY
ANY OF THE EXPERIMENTS
24
00:00:32,733 --> 00:00:33,132
I SPRAY PAINTED SOME DIRT.
25
00:00:33,133 --> 00:00:33,532
DO NOT TRY
ANY OF THE EXPERIMENTS
26
00:00:33,534 --> 00:00:36,469
Narrator:
...REALLY STOP A SHOCKWAVE
AND SAVE A SOLDIER'S LIFE?
27
00:00:36,470 --> 00:00:39,405
DO NOT TRY
ANY OF THE EXPERIMENTS
28
00:00:39,407 --> 00:00:39,972
Adam: THIS IS FOR REAL.
29
00:00:39,973 --> 00:00:40,538
DO NOT TRY
ANY OF THE EXPERIMENTS
30
00:00:40,541 --> 00:00:41,457
THREE, TWO, ONE...
31
00:00:41,458 --> 00:00:42,374
DO NOT TRY
ANY OF THE EXPERIMENTS
32
00:00:42,376 --> 00:00:43,425
BYE-BYE!
33
00:00:43,426 --> 00:00:44,475
DO NOT TRY
ANY OF THE EXPERIMENTS
34
00:00:44,478 --> 00:00:45,294
I THINK THERE'S GONNA BE
A CRATER THERE.
35
00:00:45,295 --> 00:00:46,111
DO NOT TRY
ANY OF THE EXPERIMENTS
36
00:00:46,113 --> 00:00:48,664
MEANWHILE, KARI, GRANT, AND TORY
ARE CLOWNING AROUND.
37
00:00:48,665 --> 00:00:51,216
DO NOT TRY
ANY OF THE EXPERIMENTS
38
00:00:51,218 --> 00:00:51,967
[ HONKS ]
I JUST FEEL SILLY.
39
00:00:51,968 --> 00:00:52,717
DO NOT TRY
ANY OF THE EXPERIMENTS
40
00:00:52,720 --> 00:00:53,119
I DON'T KNOW WHY.
41
00:00:53,120 --> 00:00:53,519
DO NOT TRY
ANY OF THE EXPERIMENTS
42
00:00:53,521 --> 00:00:54,804
Narrator:
IN A COMEDY CAR CRASH,
43
00:00:54,805 --> 00:00:56,088
DO NOT TRY
ANY OF THE EXPERIMENTS
44
00:00:56,090 --> 00:00:57,373
CAN A BARRAGE OF BALLOONS...
45
00:00:57,374 --> 00:00:58,657
DO NOT TRY
ANY OF THE EXPERIMENTS
46
00:00:58,659 --> 00:00:59,525
TORY, IT'S FUN TIME!
47
00:00:59,526 --> 00:01:00,392
DO NOT TRY
ANY OF THE EXPERIMENTS
48
00:01:00,394 --> 00:01:02,444
...REALLY ASPIRE
TO BE AN ALTERNATIVE AIRBAG,
49
00:01:02,445 --> 00:01:04,495
DO NOT TRY
ANY OF THE EXPERIMENTS
50
00:01:04,498 --> 00:01:05,497
OR WILL THIS MYTH GO POP?
51
00:01:05,498 --> 00:01:06,497
DO NOT TRY
ANY OF THE EXPERIMENTS
52
00:01:06,500 --> 00:01:08,350
HERE WE GO,
IN THREE, TWO, ONE...
53
00:01:08,351 --> 00:01:10,201
DO NOT TRY
ANY OF THE EXPERIMENTS
54
00:01:14,008 --> 00:01:16,742
WHO ARE THE MYTHBUSTERS?
55
00:01:17,244 --> 00:01:18,110
ADAM SAVAGE...
56
00:01:18,112 --> 00:01:19,261
RIGHT, JAMIE,
I'M READY FOR TESTING!
57
00:01:19,262 --> 00:01:20,411
ADAM SAVAGE...
58
00:01:20,414 --> 00:01:21,380
...AND JAMIE HYNEMAN.
59
00:01:21,381 --> 00:01:22,347
ADAM SAVAGE...
60
00:01:22,349 --> 00:01:22,664
WHAT CAN GO WRONG?
61
00:01:22,665 --> 00:01:22,980
ADAM SAVAGE...
62
00:01:22,983 --> 00:01:25,651
BETWEEN THEM, MORE THAN 30 YEARS
OF SPECIAL-EFFECTS EXPERIENCE.
63
00:01:25,652 --> 00:01:28,320
ADAM SAVAGE...
64
00:01:28,322 --> 00:01:29,588
TOGETHER WITH KARI BYRON...
65
00:01:29,589 --> 00:01:30,855
ADAM SAVAGE...
66
00:01:30,858 --> 00:01:31,440
THAT IS A HEADACHE!
67
00:01:31,441 --> 00:01:32,023
ADAM SAVAGE...
68
00:01:32,026 --> 00:01:32,475
...GRANT IMAHARA...
69
00:01:32,476 --> 00:01:32,925
ADAM SAVAGE...
70
00:01:32,927 --> 00:01:33,759
SOMEBODY ORDER
AN EXPLOSION?
71
00:01:33,760 --> 00:01:34,592
ADAM SAVAGE...
72
00:01:34,595 --> 00:01:35,227
...AND TORY BELLECI.
73
00:01:35,228 --> 00:01:35,860
ADAM SAVAGE...
74
00:01:35,863 --> 00:01:36,645
LET'S CHOP THIS CAR UP!
75
00:01:36,646 --> 00:01:37,428
ADAM SAVAGE...
76
00:01:37,431 --> 00:01:39,198
THEY DON'T JUST TELL
THE MYTHS.
77
00:01:39,199 --> 00:01:40,966
ADAM SAVAGE...
78
00:01:40,968 --> 00:01:41,817
THEY PUT THEM TO THE TEST.
79
00:01:41,818 --> 00:01:42,667
ADAM SAVAGE...
80
00:01:42,670 --> 00:01:44,236
-- Captions by VITAC --
www.vitac.com
81
00:01:44,237 --> 00:01:45,803
ADAM SAVAGE...
82
00:01:45,806 --> 00:01:47,840
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
83
00:01:47,841 --> 00:01:49,875
ADAM SAVAGE...
84
00:01:58,586 --> 00:02:02,187
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
85
00:02:02,189 --> 00:02:02,721
NOPE.
[ SIGHS ]
86
00:02:02,722 --> 00:02:03,254
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
87
00:02:03,257 --> 00:02:03,939
I'M GONNA TELL YOU
THE STORY ANYWAY.
88
00:02:03,940 --> 00:02:04,622
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
89
00:02:04,625 --> 00:02:06,175
IT COMES FROM THE FANSITE AND
OBVIOUSLY IT'S FROM WORLD WAR I.
90
00:02:06,176 --> 00:02:07,726
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
91
00:02:07,728 --> 00:02:08,611
ARE YOU GONNA MAKE
SOME KIND OF JOKE
92
00:02:08,612 --> 00:02:09,495
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
93
00:02:09,497 --> 00:02:10,496
ABOUT ME BEING A BOY
IN WORLD WAR I?
94
00:02:10,497 --> 00:02:11,496
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
95
00:02:11,499 --> 00:02:12,715
NO. I PROMISE I WON'T.
96
00:02:12,716 --> 00:02:13,932
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
97
00:02:13,934 --> 00:02:14,883
THE MYTH IS
THAT IN WORLD WAR I,
98
00:02:14,884 --> 00:02:15,833
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
99
00:02:15,836 --> 00:02:16,702
GERMANS
WERE VERY PRECISE
100
00:02:16,703 --> 00:02:17,569
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
101
00:02:17,571 --> 00:02:19,038
ABOUT THE DIGGING
OF THEIR TRENCHES.
102
00:02:19,039 --> 00:02:20,506
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
103
00:02:20,508 --> 00:02:20,956
TOWARDS WHAT END?
104
00:02:20,957 --> 00:02:21,405
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
105
00:02:21,408 --> 00:02:22,991
THEY THOUGHT WHEN A MORTAR
LANDED IN THE TRENCH,
106
00:02:22,992 --> 00:02:24,575
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
107
00:02:24,578 --> 00:02:24,993
THE 90-DEGREE CORNERS
108
00:02:24,994 --> 00:02:25,409
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
109
00:02:25,412 --> 00:02:26,445
WOULD PREVENT
THE BLAST PRESSURE WAVE
110
00:02:26,446 --> 00:02:27,479
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
111
00:02:27,481 --> 00:02:28,364
FROM TRAVELING
TOO FAR IN THE TRENCH.
112
00:02:28,365 --> 00:02:29,248
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
113
00:02:29,250 --> 00:02:30,750
THEY REALLY WERE SPECIFIC
ABOUT IT BEING SHARP CORNERS.
114
00:02:30,751 --> 00:02:32,251
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
115
00:02:32,253 --> 00:02:33,002
THEY DIDN'T WANT
ROUNDED CORNERS
116
00:02:33,003 --> 00:02:33,752
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
117
00:02:33,754 --> 00:02:35,087
THAT WERE WORN AWAY
BY PEOPLE WALKING THROUGH.
118
00:02:35,088 --> 00:02:36,421
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
119
00:02:36,423 --> 00:02:36,989
SHARP, SHARP CORNERS.
120
00:02:36,990 --> 00:02:37,556
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
121
00:02:37,558 --> 00:02:38,123
THAT'S THE STORY.
122
00:02:38,124 --> 00:02:38,689
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
123
00:02:38,692 --> 00:02:38,941
ALL RIGHT.
124
00:02:38,942 --> 00:02:39,191
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
125
00:02:39,193 --> 00:02:40,209
EARTH-MOVING EQUIPMENT
AND EXPLOSIVES!
126
00:02:40,210 --> 00:02:41,226
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
127
00:02:41,228 --> 00:02:42,611
SOUNDS LIKE A PERFECT DAY.
128
00:02:42,612 --> 00:02:43,995
AREN'T YOU GONNA ASK ME
ABOUT MY COSTUME?
129
00:02:44,732 --> 00:02:48,066
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
130
00:02:48,068 --> 00:02:49,585
BUT COULD
A CAREFULLY CONSTRUCTED CORNER
131
00:02:49,586 --> 00:02:51,103
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
132
00:02:51,105 --> 00:02:53,989
REALLY HAVE AN IMPACT
ON SOLDIERS' SURVIVAL?
133
00:02:53,990 --> 00:02:56,874
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
134
00:02:56,877 --> 00:02:58,327
IT'S A MYTH THAT SHAKES DOWN
TO SHOCKWAVES.
135
00:02:58,328 --> 00:02:59,778
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
136
00:02:59,780 --> 00:03:02,114
A CLUMSY CORNER WILL SUPPOSEDLY
LET A SHOCKWAVE SAIL RIGHT PAST,
137
00:03:02,115 --> 00:03:04,449
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
138
00:03:04,451 --> 00:03:06,285
WHILE A PERFECT PITCH
WILL STOP IT DEAD.
139
00:03:06,286 --> 00:03:08,120
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
140
00:03:08,122 --> 00:03:10,256
BUT WILL THIS MYTH
HIT THE WALL?
141
00:03:10,257 --> 00:03:12,391
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
142
00:03:12,393 --> 00:03:12,691
WHAT'S THE PLAN?
143
00:03:12,692 --> 00:03:12,990
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
144
00:03:12,993 --> 00:03:13,976
WELL, I'M THINKING
ABSOLUTELY THIS IS A STORY
145
00:03:13,977 --> 00:03:14,960
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
146
00:03:14,962 --> 00:03:15,778
THAT WE WANT TO START
IN SMALL SCALE.
147
00:03:15,779 --> 00:03:16,595
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
148
00:03:16,597 --> 00:03:18,547
I'M THINKING SPECIFICALLY
USING WATER RIPPLES AS OUR WAVES
149
00:03:18,548 --> 00:03:20,498
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
150
00:03:20,501 --> 00:03:21,684
AND WATCHING THEM
MOVE THROUGH ENVIRONMENTS
151
00:03:21,685 --> 00:03:22,868
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
152
00:03:22,870 --> 00:03:23,852
THAT MATCH THE SHAPE
OF THE TRENCHES
153
00:03:23,853 --> 00:03:24,835
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
154
00:03:24,838 --> 00:03:25,487
THAT WE'RE
THINKING ABOUT.
155
00:03:25,488 --> 00:03:26,137
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
156
00:03:26,140 --> 00:03:27,106
THAT MAKES SENSE,
AND I TELL YOU WHAT --
157
00:03:27,107 --> 00:03:28,073
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
158
00:03:28,075 --> 00:03:29,792
WHY DON'T WE MAKE IT LIKE ONE OF
THOSE WAVE MACHINES, YOU KNOW?
159
00:03:29,793 --> 00:03:31,510
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
160
00:03:31,512 --> 00:03:33,412
THE DESKTOP TOY
THAT HAS OIL OVER TINTED WATER?
161
00:03:33,413 --> 00:03:35,313
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
162
00:03:35,316 --> 00:03:35,564
FANTASTIC.
163
00:03:35,565 --> 00:03:35,813
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
164
00:03:35,816 --> 00:03:36,398
THAT WILL
SLOW DOWN THE REACTION
165
00:03:36,399 --> 00:03:36,981
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
166
00:03:36,984 --> 00:03:37,983
AND HOPEFULLY
WE CAN SEE WHAT'S GOING ON.
167
00:03:37,984 --> 00:03:38,983
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
168
00:03:38,986 --> 00:03:39,218
EXACTLY.
169
00:03:39,219 --> 00:03:39,451
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
170
00:03:39,453 --> 00:03:41,754
SO, SUPERSONIC SHOCKWAVES
WE'LL LET RIP LATER.
171
00:03:41,755 --> 00:03:44,056
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
172
00:03:44,058 --> 00:03:46,025
AS THE GUYS FIRST DIVE
INTO THIS MYTH WITH WATER.
173
00:03:46,026 --> 00:03:47,993
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
174
00:03:47,995 --> 00:03:50,195
Adam: THIS WHOLE STORY IS ABOUT
HOW DIFFERENT-SHAPED TRENCHES
175
00:03:50,196 --> 00:03:52,396
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
176
00:03:52,399 --> 00:03:53,615
AFFECT THE PROPAGATION
OF BLAST PRESSURES
177
00:03:53,616 --> 00:03:54,832
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
178
00:03:54,835 --> 00:03:55,200
THROUGH THOSE TRENCHES,
179
00:03:55,201 --> 00:03:55,566
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
180
00:03:55,569 --> 00:03:57,119
AND WE WANT TO INVESTIGATE SOME
OF THESE SHAPES HERE IN THE SHOP
181
00:03:57,120 --> 00:03:58,670
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
182
00:03:58,672 --> 00:03:59,104
BEFORE GOING FULL SCALE.
183
00:03:59,105 --> 00:03:59,537
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
184
00:03:59,540 --> 00:04:01,323
WE'VE DECIDED TO BUILD OUR
TRENCHES OUT OF CLEAR ACRYLIC,
185
00:04:01,324 --> 00:04:03,107
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
186
00:04:03,110 --> 00:04:04,910
AND WE'RE GOING TO FILL THEM
FULL OF OIL AND WATER
187
00:04:04,911 --> 00:04:06,711
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
188
00:04:06,714 --> 00:04:07,780
TO WATCH THE WAVE PROPAGATION.
189
00:04:07,781 --> 00:04:08,847
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
190
00:04:08,849 --> 00:04:09,181
ISN'T THAT COOL?!
191
00:04:09,182 --> 00:04:09,514
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
192
00:04:09,516 --> 00:04:11,500
WE'RE GONNA BUILD
ONE LONG STRAIGHT ONE.
193
00:04:11,501 --> 00:04:13,485
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
194
00:04:13,487 --> 00:04:14,103
IT'S NOT PRETTY, BUT IT'LL DO.
195
00:04:14,104 --> 00:04:14,720
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
196
00:04:14,722 --> 00:04:16,505
WE'RE GONNA BUILD ONE
THAT'S, KIND OF, LIKE A STEP.
197
00:04:16,506 --> 00:04:18,289
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
198
00:04:18,292 --> 00:04:18,907
FREAKING SEXY, MAN.
199
00:04:18,908 --> 00:04:19,523
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
200
00:04:19,526 --> 00:04:21,109
AND THEN WE'RE GONNA BUILD
ONE LOOSEY GOOSEY ONE
201
00:04:21,110 --> 00:04:22,693
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
202
00:04:22,696 --> 00:04:23,812
TO SEE WHAT EFFECT
THE ROUND EDGES HAVE
203
00:04:23,813 --> 00:04:24,929
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
204
00:04:24,932 --> 00:04:26,332
THAT'S DIFFERENT
THAN THE SHARP EDGES.
205
00:04:26,333 --> 00:04:27,733
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
206
00:04:27,735 --> 00:04:28,584
THAT'S HOW YOU ARE MEANT TO BE.
207
00:04:28,585 --> 00:04:29,434
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
208
00:04:29,436 --> 00:04:30,118
YES.
209
00:04:30,119 --> 00:04:30,801
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
210
00:04:30,804 --> 00:04:31,470
IT'S ALL FALLING INTO PLACE.
211
00:04:31,471 --> 00:04:32,137
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
212
00:04:32,139 --> 00:04:33,789
Narrator: WITH THE THREE TINY
TRENCHES BONDED TOGETHER,
213
00:04:33,790 --> 00:04:35,440
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
214
00:04:35,442 --> 00:04:37,609
THE FILLING CAN COMMENCE --
FIRST WITH WATER,
215
00:04:37,610 --> 00:04:39,777
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
216
00:04:39,780 --> 00:04:40,846
AND THEN WITH BABY OIL.
217
00:04:40,847 --> 00:04:41,913
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
218
00:04:41,915 --> 00:04:43,949
THIS IS ALL THE BABY OIL
SAN FRANCISCO HAD TODAY.
219
00:04:43,950 --> 00:04:45,984
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
220
00:04:45,986 --> 00:04:47,069
SOMEWHERE IN THE WORLD,
THERE'S A LOT OF ROUGH BABIES.
221
00:04:47,070 --> 00:04:48,153
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
222
00:04:48,155 --> 00:04:50,339
NARRATOR: THE TRICKY TRIO
OF OIL, WATER, AND FOOD DYE...
223
00:04:50,340 --> 00:04:52,524
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
224
00:04:52,526 --> 00:04:53,242
Adam:
THAT LOOKS COOL, DOESN'T IT?
225
00:04:53,243 --> 00:04:53,959
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
226
00:04:53,961 --> 00:04:54,510
Narrator:
...SHOULD ENSURE
227
00:04:54,511 --> 00:04:55,060
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
228
00:04:55,062 --> 00:04:57,262
THAT ANY WAVE PROPAGATION
PATTERN IS CRYSTAL CLEAR.
229
00:04:57,263 --> 00:04:59,463
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
230
00:04:59,466 --> 00:05:00,299
[ LAUGHS ]
231
00:05:00,300 --> 00:05:01,133
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
232
00:05:01,135 --> 00:05:02,835
I LIKE IT WHEN MY WAVES
SMELL LIKE BABIES!
233
00:05:02,836 --> 00:05:04,536
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
234
00:05:04,538 --> 00:05:05,771
Narrator:
BUT WHAT'S ALSO CLEAR
235
00:05:05,772 --> 00:05:07,005
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
236
00:05:07,007 --> 00:05:08,207
IS AN EXPLOSION IN AIR
IT AIN'T.
237
00:05:08,208 --> 00:05:09,408
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
238
00:05:09,410 --> 00:05:09,975
Adam: NOW BEFORE YOU GET
ALL UP IN ARMS
239
00:05:09,976 --> 00:05:10,541
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
240
00:05:10,544 --> 00:05:11,777
ABOUT THE FACT THAT THIS MYTH
IS ABOUT BLAST-PRESSURE WAVES
241
00:05:11,778 --> 00:05:13,011
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
242
00:05:13,013 --> 00:05:13,962
AND WE'RE DOING
A BUNCH OF SCALE EXPERIMENTS
243
00:05:13,963 --> 00:05:14,912
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
244
00:05:14,915 --> 00:05:16,165
WITH PLEX BOXES
AND OIL AND WATER,
245
00:05:16,166 --> 00:05:17,416
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
246
00:05:17,418 --> 00:05:18,651
PLEASE REMEMBER
THAT AN OCEAN WAVE...
247
00:05:18,652 --> 00:05:19,885
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
248
00:05:19,887 --> 00:05:20,436
WHOA!
249
00:05:20,437 --> 00:05:20,986
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
250
00:05:20,988 --> 00:05:22,054
...A SOUND WAVE...
[ GLASS BREAKS ]
251
00:05:22,055 --> 00:05:23,121
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
252
00:05:23,123 --> 00:05:23,872
...AND A BLAST-PRESSURE WAVE
253
00:05:23,873 --> 00:05:24,622
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
254
00:05:24,625 --> 00:05:26,642
ARE ALL EFFECTIVELY,
MECHANICALLY THE SAME THING.
255
00:05:26,643 --> 00:05:28,660
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
256
00:05:28,662 --> 00:05:29,294
THEY ARE A MOVING WAVE.
257
00:05:29,295 --> 00:05:29,927
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
258
00:05:29,930 --> 00:05:31,413
AND SINCE THIS WHOLE STORY
IS ABOUT THE IDEA
259
00:05:31,414 --> 00:05:32,897
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
260
00:05:32,900 --> 00:05:34,400
THAT THE SHAPE OF A TRENCH
CAN AFFECT A WAVE,
261
00:05:34,401 --> 00:05:35,901
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
262
00:05:35,903 --> 00:05:37,102
WE CONSIDER THESE SCALE TESTS
TO BE TOTALLY VALID
263
00:05:37,103 --> 00:05:38,302
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
264
00:05:38,305 --> 00:05:40,272
AND ANALOGOUS TO WHAT WE EXPECT
TO SEE WHEN WE GO FULL SCALE.
265
00:05:40,273 --> 00:05:42,240
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
266
00:05:42,242 --> 00:05:43,892
Narrator: THE FINAL INGREDIENT
FOR THIS ACCURATE ANALOGY
267
00:05:43,893 --> 00:05:45,543
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
268
00:05:45,546 --> 00:05:46,629
IS TO CREATE A CONSISTENT CREST.
269
00:05:46,630 --> 00:05:47,713
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
270
00:05:47,715 --> 00:05:49,298
NOW I'VE GOT TO FIGURE OUT A WAY
TO DO THIS MECHANICALLY,
271
00:05:49,299 --> 00:05:50,882
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
272
00:05:50,884 --> 00:05:51,683
BUT I THINK I'VE GOT AN IDEA.
273
00:05:51,684 --> 00:05:52,483
WORLD WAR I's
TRENCH WARFARE WAS RETCHED,
274
00:05:52,486 --> 00:05:55,921
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
275
00:05:55,923 --> 00:05:57,122
AND THIS TIME GETS HAMMERED.
276
00:05:57,123 --> 00:05:58,322
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
277
00:05:58,325 --> 00:05:59,708
AND BEFORE YOU CAN SAY
"SURF'S UP,"
278
00:05:59,709 --> 00:06:01,092
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
279
00:06:01,095 --> 00:06:02,144
HE'S GOT WAVES
AS SMOOTH AS SILK,
280
00:06:02,145 --> 00:06:03,194
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
281
00:06:03,197 --> 00:06:04,680
MEANING THE EXPERIMENT
CAN BEGIN.
282
00:06:04,681 --> 00:06:06,164
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
283
00:06:06,166 --> 00:06:07,399
Adam:
SO, THIS IS OUR IMPULSE WAVE.
284
00:06:07,400 --> 00:06:08,633
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
285
00:06:08,635 --> 00:06:09,835
IT IS OUR STAND IN
FOR A SHOCKWAVE.
286
00:06:09,836 --> 00:06:11,036
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
287
00:06:11,038 --> 00:06:12,621
THE MOTOR IS GIVING
AN EXACTLY PERFECT PULSE
288
00:06:12,622 --> 00:06:14,205
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
289
00:06:14,208 --> 00:06:14,890
AND DELIVERING A WAVE
THAT CARRIES
290
00:06:14,891 --> 00:06:15,573
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
291
00:06:15,576 --> 00:06:16,158
ALL THE WAY
TO THE END OF OUR TANK
292
00:06:16,159 --> 00:06:16,741
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
293
00:06:16,744 --> 00:06:18,227
WITH A MEASURABLE AMPLITUDE --
THAT IS, A HEIGHT.
294
00:06:18,228 --> 00:06:19,711
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
295
00:06:19,713 --> 00:06:20,729
NOW WHAT WE'RE GONNA DO
IS PUT THIS RIG
296
00:06:20,730 --> 00:06:21,746
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
297
00:06:21,749 --> 00:06:24,466
AT THE SAME EXACT ORIENTATION
IN EACH OF OUR TANK TRENCHES
298
00:06:24,467 --> 00:06:27,184
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
299
00:06:27,187 --> 00:06:28,287
AND SEE
WHAT EFFECT THEIR SHAPE HAS
300
00:06:28,288 --> 00:06:29,388
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
301
00:06:29,390 --> 00:06:30,656
ON THE AMPLITUDE OF THE WAVE
AT THE END.
302
00:06:30,657 --> 00:06:31,923
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
303
00:06:31,925 --> 00:06:33,392
Jamie: SO ARE WE READY
TO MARK IT DOWN?
304
00:06:33,393 --> 00:06:34,860
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
305
00:06:34,862 --> 00:06:35,861
YEAH.
LET'S GET OUR CONTROL DONE.
306
00:06:35,862 --> 00:06:36,861
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
307
00:06:36,864 --> 00:06:37,913
LIGHTS!
308
00:06:37,914 --> 00:06:38,963
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
309
00:06:38,966 --> 00:06:39,581
ISN'T THAT COOL?
310
00:06:39,582 --> 00:06:40,197
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
311
00:06:40,200 --> 00:06:40,499
HERE WE GO.
312
00:06:40,500 --> 00:06:40,799
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
313
00:06:40,801 --> 00:06:42,468
Narrator: ON CUE,
THE MACHINE RIPPLES INTO ACTION
314
00:06:42,469 --> 00:06:44,136
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
315
00:06:44,138 --> 00:06:45,854
BEFORE ADAM MARKS THE WAVES'
HIGH AND LOW POINTS
316
00:06:45,855 --> 00:06:47,571
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
317
00:06:47,574 --> 00:06:49,074
AT THE FAR END
OF THE STRAIGHT TRENCH.
318
00:06:49,075 --> 00:06:50,575
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
319
00:06:50,577 --> 00:06:51,610
Adam: OUR CONTROL
WAS SUCCESSFUL.
320
00:06:51,611 --> 00:06:52,644
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
321
00:06:52,646 --> 00:06:54,129
OUR WAVE-IMPULSE MACHINE
GAVE US A WAVE HEIGHT
322
00:06:54,130 --> 00:06:55,613
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
323
00:06:55,616 --> 00:06:56,699
FROM TOP TO BOTTOM
AT THE END OF THE TANK
324
00:06:56,700 --> 00:06:57,783
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
325
00:06:57,785 --> 00:06:58,317
OF THREE QUARTERS
OF AN INCH.
326
00:06:58,318 --> 00:06:58,850
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
327
00:06:58,852 --> 00:07:00,102
NOW WE WANT TO FIND OUT
IF WE GET THE SAME RESULTS
328
00:07:00,103 --> 00:07:01,353
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
329
00:07:01,355 --> 00:07:02,871
WHEN WE RUN THIS SAME TEST
THROUGH A RIGHT-ANGLE BEND.
330
00:07:02,872 --> 00:07:04,388
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
331
00:07:04,391 --> 00:07:06,191
OIL AND WATER WAVE TEST
IN A RIGHT-ANGLE TANK.
332
00:07:06,192 --> 00:07:07,992
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
333
00:07:07,995 --> 00:07:08,944
THREE, TWO, ONE...
334
00:07:08,945 --> 00:07:09,894
Narrator: SO ADAM
HITS THE WORKSHOP ONCE MORE,
335
00:07:12,866 --> 00:07:15,333
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
336
00:07:15,335 --> 00:07:16,334
JUST RIGHT OFF
THE TOP OF MY HEAD.
337
00:07:16,335 --> 00:07:17,334
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
338
00:07:17,337 --> 00:07:19,054
IT'S A LOT LARGER ON THIS END
THAN IT IS ON THIS ONE.
339
00:07:19,055 --> 00:07:20,772
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
340
00:07:20,774 --> 00:07:21,623
YEAH. THAT IS COOL.
341
00:07:21,624 --> 00:07:22,473
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
342
00:07:22,476 --> 00:07:24,092
Jamie: OUR RIGHT-ANGLE TANK
SEEMS TO BE QUITE EFFECTIVE
343
00:07:24,093 --> 00:07:25,709
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
344
00:07:25,712 --> 00:07:26,394
AT REDUCING WAVE AMPLITUDE.
345
00:07:26,395 --> 00:07:27,077
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
346
00:07:27,080 --> 00:07:28,363
AFTER THE FIRST CORNER,
IT WAS REDUCED BY TWO-THIRDS,
347
00:07:28,364 --> 00:07:29,647
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
348
00:07:29,650 --> 00:07:31,617
AND AFTER THE SECOND CORNER, IT
WAS REDUCED BY THREE-QUARTERS.
349
00:07:31,618 --> 00:07:33,585
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
350
00:07:33,587 --> 00:07:34,036
THAT'S SIGNIFICANT.
351
00:07:34,037 --> 00:07:34,486
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
352
00:07:34,488 --> 00:07:36,138
Narrator:
YEP, BY THE TIME THE WAVE
REACHES THE END OF THIS TANK,
353
00:07:36,139 --> 00:07:37,789
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
354
00:07:37,791 --> 00:07:39,057
ITS SIZE HAS BEEN
SEVERELY SLASHED,
355
00:07:39,058 --> 00:07:40,324
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
356
00:07:40,327 --> 00:07:41,209
MEANING THAT THE SHARP CORNERS
357
00:07:41,210 --> 00:07:42,092
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
358
00:07:42,095 --> 00:07:43,829
DID SHIELD
THEIR SHOCKWAVE STAND IN.
359
00:07:43,830 --> 00:07:45,564
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
360
00:07:45,566 --> 00:07:46,348
SOFT CORNERS, HERE WE COME.
361
00:07:46,349 --> 00:07:47,131
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
362
00:07:47,134 --> 00:07:49,168
Narrator: SO, HOW WILL THEIR
CURVED CORNER COMPARE?
363
00:07:49,169 --> 00:07:51,203
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
364
00:07:51,205 --> 00:07:52,321
GO.
365
00:07:52,322 --> 00:07:53,438
HUH...LOOKS LIKE
A PRETTY CLEAR RESULT
366
00:07:54,975 --> 00:07:56,508
IT LOOKS
A LITTLE BIGGER DOWN HERE.
367
00:07:56,510 --> 00:07:57,976
IT DOES LOOK
A LITTE BIGGER DOWN THERE.
368
00:07:57,977 --> 00:07:59,443
IT LOOKS
A LITTLE BIGGER DOWN HERE.
369
00:07:59,446 --> 00:08:00,128
WE MIGHT HAVE SOMETHING.
370
00:08:00,129 --> 00:08:00,811
IT LOOKS
A LITTLE BIGGER DOWN HERE.
371
00:08:00,814 --> 00:08:01,697
AND ON CLOSER INSPECTION,
THEY DO.
372
00:08:01,698 --> 00:08:02,581
IT LOOKS
A LITTLE BIGGER DOWN HERE.
373
00:08:02,583 --> 00:08:03,999
THIS TEST'S WAVE HEIGHT
IS A QUARTER OF AN INCH --
374
00:08:04,000 --> 00:08:05,416
IT LOOKS
A LITTLE BIGGER DOWN HERE.
375
00:08:05,419 --> 00:08:07,302
LOWER THAN THE CONTROL, BUT
HIGHER THAN THE SHARP-TURN TANK.
376
00:08:07,303 --> 00:08:09,186
IT LOOKS
A LITTLE BIGGER DOWN HERE.
377
00:08:09,189 --> 00:08:10,889
SO, WHAT DOES THAT MEAN
FOR THE MYTH?
378
00:08:10,890 --> 00:08:12,590
IT LOOKS
A LITTLE BIGGER DOWN HERE.
379
00:08:12,593 --> 00:08:13,358
SO THE MYTH
IS THAT IN WORLD WAR I,
380
00:08:13,359 --> 00:08:14,124
IT LOOKS
A LITTLE BIGGER DOWN HERE.
381
00:08:14,127 --> 00:08:15,527
GERMANS BUILT THEIR TRENCHES
ON PRECISE 90-DEGREE ANGLES
382
00:08:15,528 --> 00:08:16,928
IT LOOKS
A LITTLE BIGGER DOWN HERE.
383
00:08:16,930 --> 00:08:18,780
ON THE ASSUMPTION THAT IT WOULD
LIMIT THE STRENGTH OF SHOCKWAVES
384
00:08:18,781 --> 00:08:20,631
IT LOOKS
A LITTLE BIGGER DOWN HERE.
385
00:08:20,634 --> 00:08:21,833
TRAVELING THOROUGH THE TRENCHES.
386
00:08:21,834 --> 00:08:23,033
IT LOOKS
A LITTLE BIGGER DOWN HERE.
387
00:08:24,538 --> 00:08:26,538
OUR SCALE TESTING
HERE IN THE SHOP
388
00:08:26,540 --> 00:08:27,256
WITH OUR SMALL-SCALE TRENCHES
389
00:08:27,257 --> 00:08:27,973
OUR SCALE TESTING
HERE IN THE SHOP
390
00:08:27,975 --> 00:08:28,824
IN ALL THE SHAPES
THAT WE'VE TRIED
391
00:08:28,825 --> 00:08:29,674
OUR SCALE TESTING
HERE IN THE SHOP
392
00:08:29,676 --> 00:08:30,976
SEEMS TO SUGGEST
THAT THEY MIGHT HAVE BEEN RIGHT.
393
00:08:30,977 --> 00:08:32,277
OUR SCALE TESTING
HERE IN THE SHOP
394
00:08:32,279 --> 00:08:33,695
THIS IS ONE OF MY FAVORITE
SCALE EXPERIMENTS
395
00:08:33,696 --> 00:08:35,112
OUR SCALE TESTING
HERE IN THE SHOP
396
00:08:35,115 --> 00:08:35,681
WE'VE EVER DONE.
397
00:08:35,682 --> 00:08:36,248
OUR SCALE TESTING
HERE IN THE SHOP
398
00:08:36,250 --> 00:08:36,665
WHAT DO YOU THINK?
399
00:08:36,666 --> 00:08:37,081
OUR SCALE TESTING
HERE IN THE SHOP
400
00:08:37,084 --> 00:08:38,534
WELL, THIS STORY
IS ABOUT BLAST PRESSURE.
401
00:08:38,535 --> 00:08:39,985
OUR SCALE TESTING
HERE IN THE SHOP
402
00:08:39,987 --> 00:08:41,120
WE NEED EXPLOSIVES.
ABSOLUTELY.
403
00:08:41,121 --> 00:08:42,254
OUR SCALE TESTING
HERE IN THE SHOP
404
00:08:42,256 --> 00:08:42,955
THAT IS
DEFINITELY THE NEXT STEP --
405
00:08:42,956 --> 00:08:43,655
OUR SCALE TESTING
HERE IN THE SHOP
406
00:08:43,657 --> 00:08:44,773
DIGGING SOME TRENCHES
AND BLOWING SOME STUFF UP.
407
00:08:44,774 --> 00:08:45,890
OUR SCALE TESTING
HERE IN THE SHOP
408
00:08:45,893 --> 00:08:47,109
YEP.
I'M GONNA GET A COSTUME ON.
409
00:08:47,110 --> 00:08:48,326
OUR SCALE TESTING
HERE IN THE SHOP
410
00:08:48,328 --> 00:08:49,377
OKAY.
[ LAUGHS ]
411
00:08:49,378 --> 00:08:50,427
OUR SCALE TESTING
HERE IN THE SHOP
412
00:08:52,165 --> 00:08:56,067
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
413
00:08:56,069 --> 00:08:56,668
[ OLD-TIME HORN HONKS ]
414
00:08:56,669 --> 00:08:57,268
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
415
00:08:57,271 --> 00:08:58,487
ALL RIGHT,
I'VE GOT A CRAZY MYTH FOR YOU.
416
00:08:58,488 --> 00:08:59,704
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
417
00:08:59,706 --> 00:09:00,772
IT INVOLVES
CLOWNS AND CAR CRASHES.
418
00:09:00,773 --> 00:09:01,839
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
419
00:09:01,842 --> 00:09:02,391
TWO CLOWNS
ARE DRIVING TO A PARTY.
420
00:09:02,392 --> 00:09:02,941
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
421
00:09:02,943 --> 00:09:04,676
THE CLOWN IN THE PASSENGER SIDE
HAS A BIG BUNCH OF BALLOONS.
422
00:09:04,677 --> 00:09:06,410
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
423
00:09:06,413 --> 00:09:06,662
WHAT HAPPENS?
424
00:09:06,663 --> 00:09:06,912
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
425
00:09:06,914 --> 00:09:07,913
THEY GO OUT OF CONTROL
AND CRASH THE CAR?
426
00:09:07,914 --> 00:09:08,913
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
427
00:09:08,916 --> 00:09:09,114
EXACTLY.
428
00:09:09,115 --> 00:09:09,313
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
429
00:09:09,316 --> 00:09:10,215
NOW, THE DRIVER CLOWN
IS WEARING A SEATBELT,
430
00:09:10,216 --> 00:09:11,115
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
431
00:09:11,118 --> 00:09:12,518
SO WHEN THEY
CAREEN INTO A WALL, HE'S FINE,
432
00:09:12,519 --> 00:09:13,919
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
433
00:09:13,921 --> 00:09:14,436
BUT THE PASSENGER IS NOT.
434
00:09:14,437 --> 00:09:14,952
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
435
00:09:14,955 --> 00:09:16,154
WHAT, AND THE BALLOONS
SAVE HIM?
436
00:09:16,155 --> 00:09:17,354
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
437
00:09:17,357 --> 00:09:17,739
EXACTLY.
438
00:09:17,740 --> 00:09:18,122
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
439
00:09:18,125 --> 00:09:20,058
Narrator: IT'S A MYTH THAT MAKES
FOR ONE HECK OF A HEADLINE.
440
00:09:20,059 --> 00:09:21,992
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
441
00:09:21,995 --> 00:09:22,310
[ HORN HONKS ]
442
00:09:22,311 --> 00:09:22,626
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
443
00:09:22,629 --> 00:09:23,645
BUT CAN A BUNCH
OF PARTY BALLOONS
444
00:09:23,646 --> 00:09:24,662
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
445
00:09:24,665 --> 00:09:25,647
REALLY ACT
AS AN IMPROVISED AIRBAG,
446
00:09:25,648 --> 00:09:26,630
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
447
00:09:26,633 --> 00:09:28,600
OR WILL THIS
ROAD-SPEED WIPEOUT GO POP?
448
00:09:28,601 --> 00:09:30,568
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
449
00:09:30,571 --> 00:09:31,420
ALL RIGHT, THIS
IS WHAT WE SHOULD DO.
450
00:09:31,421 --> 00:09:32,270
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
451
00:09:32,272 --> 00:09:32,621
WE SHOULD CRASH TWO CARS.
452
00:09:32,622 --> 00:09:32,971
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
453
00:09:32,973 --> 00:09:34,022
WE'LL HAVE THEM TRAVELING
AT ROAD SPEEDS
454
00:09:34,023 --> 00:09:35,072
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
455
00:09:35,075 --> 00:09:35,707
OF AROUND
35 MILES AN HOUR,
456
00:09:35,708 --> 00:09:36,340
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
457
00:09:36,343 --> 00:09:37,576
AND WITH THE FIRST CAR,
WE'LL SEE WHAT HAPPENS
458
00:09:37,577 --> 00:09:38,810
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
459
00:09:38,812 --> 00:09:39,561
TO AN
UN-SEAT BELTED PASSENGER.
460
00:09:39,562 --> 00:09:40,311
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
461
00:09:40,314 --> 00:09:40,863
GREAT, AND FOR
THE SECOND ONE,
462
00:09:40,864 --> 00:09:41,413
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
463
00:09:41,415 --> 00:09:42,297
WE CAN PUT AN AVERAGE
BUNCH OF BALLOONS
464
00:09:42,298 --> 00:09:43,180
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
465
00:09:43,183 --> 00:09:43,532
IN THE PASSENGER SEAT
466
00:09:43,533 --> 00:09:43,882
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
467
00:09:43,884 --> 00:09:44,483
AND SEE WHAT THAT DOES
TO THE G-LOADS.
468
00:09:44,484 --> 00:09:45,083
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
469
00:09:45,085 --> 00:09:46,401
OKAY. LET'S
START CLOWNING AROUND.
470
00:09:46,402 --> 00:09:47,718
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
471
00:09:47,721 --> 00:09:48,186
[ HONKS ]
472
00:09:48,187 --> 00:09:48,652
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
473
00:09:48,655 --> 00:09:49,771
Tory:
SO, WE ARE TESTING THE MYTH
THAT A BUNCH OF BALLOONS
474
00:09:49,772 --> 00:09:50,888
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
475
00:09:50,891 --> 00:09:51,957
WILL SAVE A CLOWN'S LIFE
IN A CAR CRASH.
476
00:09:51,958 --> 00:09:53,024
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
477
00:09:53,026 --> 00:09:54,376
NOW, WE ARE GONNA BE CRASHING
A BUNCH OF VEHICLES,
478
00:09:54,377 --> 00:09:55,727
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
479
00:09:55,729 --> 00:09:56,928
BUT BEFORE WE STICK
A CLOWN AND BALLOONS IN THERE,
480
00:09:56,929 --> 00:09:58,128
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
481
00:09:58,131 --> 00:10:00,131
WE NEED TO TRANSFORM THAT
INTO A CLOWN CAR.
482
00:10:00,132 --> 00:10:02,132
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
483
00:10:02,135 --> 00:10:03,068
LET'S GO TO WORK.
484
00:10:03,069 --> 00:10:04,002
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
485
00:10:04,004 --> 00:10:04,453
[ HONKS ]
486
00:10:04,454 --> 00:10:04,903
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
487
00:10:04,905 --> 00:10:05,754
Narrator:
ACCORDING TO POLICE REPORTS,
488
00:10:05,755 --> 00:10:06,604
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
489
00:10:06,607 --> 00:10:08,474
THE CLOWNS WERE DRIVING
A RUN-OF-THE-MILL RUNAROUND
490
00:10:08,475 --> 00:10:10,342
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
491
00:10:10,344 --> 00:10:10,826
LIKE THIS.
492
00:10:10,827 --> 00:10:11,309
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
493
00:10:11,311 --> 00:10:12,177
I JUST FEEL SILLY.
494
00:10:12,178 --> 00:10:13,044
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
495
00:10:13,046 --> 00:10:13,478
I DON'T KNOW WHY.
496
00:10:13,479 --> 00:10:13,911
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
497
00:10:13,914 --> 00:10:15,747
Narrator: ALBEIT ONE THAT HAD
BEEN PIMPED FOR A PARTY.
498
00:10:15,748 --> 00:10:17,581
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
499
00:10:17,584 --> 00:10:18,433
Tory:
YEAH. IT'S A BLUE CIRCLE.
500
00:10:18,434 --> 00:10:19,283
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
501
00:10:19,286 --> 00:10:21,286
Narrator: AND AFTER TORY
FINISHES HIS STRIPES AND STARS,
502
00:10:21,287 --> 00:10:23,287
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
503
00:10:23,290 --> 00:10:24,873
THIS CAR IS READY
TO TAKE THE PLUNGE.
504
00:10:24,874 --> 00:10:26,457
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
505
00:10:26,460 --> 00:10:27,276
Tory:
SO, THE CLOWN CAR IS DONE.
506
00:10:27,277 --> 00:10:28,093
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
507
00:10:28,095 --> 00:10:28,777
NOW IT'S TIME FOR THE FUN PART.
508
00:10:28,778 --> 00:10:29,460
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
509
00:10:29,463 --> 00:10:30,462
WE'RE GONNA TAKE IT UP
WITH THE CRANE
510
00:10:30,463 --> 00:10:31,462
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
511
00:10:31,465 --> 00:10:32,214
AND DROP IT
STRAIGHT ON ITS NOSE,
512
00:10:32,215 --> 00:10:32,964
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
513
00:10:32,966 --> 00:10:34,382
AS IF IT'S CRASHING INTO A WALL
AT 35 MILES AN HOUR,
514
00:10:34,383 --> 00:10:35,799
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
515
00:10:35,802 --> 00:10:37,168
AND FIND OUT WHAT KIND OF FORCES
WE'RE GONNA GET.
516
00:10:37,169 --> 00:10:38,535
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
517
00:10:38,538 --> 00:10:40,121
Narrator:
THE VERTICAL DROP...
518
00:10:40,122 --> 00:10:41,705
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
519
00:10:41,708 --> 00:10:42,324
WHOA! DIRECT HIT!
520
00:10:42,325 --> 00:10:42,941
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
521
00:10:42,943 --> 00:10:44,626
...IS A CURIOUS WAY
TO CRASH CARS,
522
00:10:44,627 --> 00:10:46,310
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
523
00:10:46,313 --> 00:10:48,330
BUT WITH NO CHANCE
OF A ROGUE RUNAWAY...
524
00:10:48,331 --> 00:10:50,348
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
525
00:10:50,350 --> 00:10:50,815
OH!
526
00:10:50,816 --> 00:10:51,281
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
527
00:10:51,284 --> 00:10:52,017
...OR A FLATTENED FENCE...
528
00:10:52,018 --> 00:10:52,751
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
529
00:10:52,753 --> 00:10:53,151
Adam:
NO, NO, NO, DON'T.
530
00:10:53,152 --> 00:10:53,550
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
531
00:10:53,553 --> 00:10:56,254
...IT'S THE MOST RELIABLE RIG
FOR A PARTY-BALLOON PILE UP.
532
00:10:56,255 --> 00:10:58,956
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
533
00:10:58,959 --> 00:10:59,241
[ HORN HONKS ]
534
00:10:59,242 --> 00:10:59,524
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
535
00:10:59,526 --> 00:11:00,242
Tory: SO, FIRST UP,
WE ARE GONNA DO A CONTROL TEST
536
00:11:00,243 --> 00:11:00,959
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
537
00:11:00,961 --> 00:11:02,611
WITH THE DRIVER BELTED IN
AND THE PASSENGER NOT BELTED IN
538
00:11:02,612 --> 00:11:04,262
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
539
00:11:04,264 --> 00:11:05,130
AND SEE
WHAT KIND OF G-LOADS WE GET.
540
00:11:05,131 --> 00:11:05,997
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
541
00:11:05,999 --> 00:11:07,299
NOW, REMEMBER, THERE WON'T BE
ANY BALLOONS IN THAT TEST.
542
00:11:07,300 --> 00:11:08,600
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
543
00:11:08,602 --> 00:11:10,002
IN THE SECOND TEST, WE'RE GONNA
DO THE EXACT SAME THING,
544
00:11:10,003 --> 00:11:11,403
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
545
00:11:11,405 --> 00:11:12,104
BUT THIS TIME
PUT A BUNCH OF BALLOONS
546
00:11:12,105 --> 00:11:12,804
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
547
00:11:12,806 --> 00:11:14,473
IN FRONT OF THE PASSENGER AND
SEE WHAT DIFFERENCE THAT MAKES.
548
00:11:14,474 --> 00:11:16,141
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
549
00:11:16,143 --> 00:11:16,842
Narrator:
AND DO TO JUST THAT,
550
00:11:16,843 --> 00:11:17,542
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
551
00:11:17,544 --> 00:11:19,027
THE GUYS FIRST NEED
A COUPLE OF CLOWNS.
552
00:11:19,028 --> 00:11:20,511
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
553
00:11:20,514 --> 00:11:21,964
WHO, ONCE DRESSED TO KILL...
554
00:11:21,965 --> 00:11:23,415
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
555
00:11:23,417 --> 00:11:24,199
I'M MAKING HIM SMILE.
556
00:11:24,200 --> 00:11:24,982
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
557
00:11:24,985 --> 00:11:25,283
[ LAUGHING ]
558
00:11:25,284 --> 00:11:25,582
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
559
00:11:25,585 --> 00:11:26,718
Narrator: ...ARE PUT INTO THEIR
RESPECTIVE HOT SEATS
560
00:11:26,719 --> 00:11:27,852
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
561
00:11:27,854 --> 00:11:30,055
WHERE JUST LIKE THE MYTH,
THE DRIVER IS BUCKLED UP,
562
00:11:30,056 --> 00:11:32,257
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
563
00:11:32,259 --> 00:11:33,141
BUT HIS PASSENGER IS NOT.
564
00:11:33,142 --> 00:11:34,024
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
565
00:11:34,027 --> 00:11:34,793
HOW COME THE CLOWN
WOULDN'T WEAR A SEATBELT?
566
00:11:34,794 --> 00:11:35,560
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
567
00:11:35,562 --> 00:11:37,479
THE FINAL PIECE OF THE PUZZLE
IS TO ADD THE DATA SENSORS,
568
00:11:37,480 --> 00:11:39,397
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
569
00:11:39,399 --> 00:11:41,182
AND THAT MEANS IT'S TIME
TO GET SCIENTIFIC.
570
00:11:41,183 --> 00:11:42,966
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
571
00:11:42,969 --> 00:11:44,002
WHAT I HAVE HERE
IS AN ACCELEROMETER.
572
00:11:44,003 --> 00:11:45,036
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
573
00:11:45,038 --> 00:11:45,437
NOW, WE'LL HAVE TWO OF THEM.
574
00:11:45,438 --> 00:11:45,837
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
575
00:11:45,839 --> 00:11:47,222
ONE WILL BE ATTACHED TO THE
CLOWNS HEAD AND TO THE CHEST.
576
00:11:47,223 --> 00:11:48,606
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
577
00:11:48,608 --> 00:11:49,024
NOW, WHEN THE CRASH HAPPENS,
578
00:11:49,025 --> 00:11:49,441
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
579
00:11:49,443 --> 00:11:50,259
VOLTAGE WILL BE SENT
TO THE DATA LOGGER,
580
00:11:50,260 --> 00:11:51,076
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
581
00:11:51,078 --> 00:11:52,210
AND THAT WAY, WE'LL BE ABLE
TO RECORD THE EVENT.
582
00:11:52,211 --> 00:11:53,343
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
583
00:11:53,346 --> 00:11:54,029
THEN WE'LL
LOOK AT THE DATA LATER
584
00:11:54,030 --> 00:11:54,713
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
585
00:11:54,715 --> 00:11:56,048
AND FIND OUT HOW MANY G's
THE CLOWN ENDURED.
586
00:11:56,049 --> 00:11:57,382
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
587
00:11:57,384 --> 00:11:59,034
A SURVIVABLE G-LOAD
IS ANYTHING UNDER 100 G's.
588
00:11:59,035 --> 00:12:00,685
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
589
00:12:00,687 --> 00:12:01,036
THAT'S OUR BENCHMARK.
590
00:12:01,037 --> 00:12:01,386
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
591
00:12:01,388 --> 00:12:02,888
NOW, TO MEASURE THAT,
WE HAVE OUR PCB ACCELEROMETERS
592
00:12:02,889 --> 00:12:04,389
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
593
00:12:04,391 --> 00:12:06,158
AND THE HELP OF OUR FRIEND DAVID
FROM NATIONAL INSTRUMENTS.
594
00:12:06,159 --> 00:12:07,926
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
595
00:12:07,928 --> 00:12:08,176
[ HONKS ]
596
00:12:08,177 --> 00:12:08,425
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
597
00:12:08,428 --> 00:12:10,028
Narrator: AND WITH THAT,
EVERYTHING'S SET FOR LIFTOFF.
598
00:12:10,029 --> 00:12:11,629
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
599
00:12:11,631 --> 00:12:12,814
Kari:
SEND IN THE CLOWNS.
600
00:12:12,815 --> 00:12:13,998
Narrator: NEXT UP,
IT'S TIME TO CALL IN THE CLOWNS.
601
00:12:14,701 --> 00:12:17,035
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
602
00:12:17,037 --> 00:12:18,036
NOW IT'S TIME TO RAISE THE CAR.
603
00:12:18,037 --> 00:12:19,036
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
604
00:12:19,039 --> 00:12:19,654
THERE WE GO.
605
00:12:19,655 --> 00:12:20,270
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
606
00:12:20,273 --> 00:12:20,905
WE CAUGHT A BIG ONE.
607
00:12:20,906 --> 00:12:21,538
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
608
00:12:21,541 --> 00:12:23,375
Kari: WE'VE CALCULATED
THAT IF WE RAISE THE CAR 41 FEET
609
00:12:23,376 --> 00:12:25,210
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
610
00:12:25,212 --> 00:12:25,694
FROM THE BUMPER TO THE GROUND,
611
00:12:25,695 --> 00:12:26,177
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
612
00:12:26,179 --> 00:12:27,629
WE CAN ACHIEVE
A 35-MILE-PER-HOUR CRASH.
613
00:12:27,630 --> 00:12:29,080
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
614
00:12:29,082 --> 00:12:31,116
ALL RIGHT,
THIS IS CLOWN CAR CONTROL TEST.
615
00:12:31,117 --> 00:12:33,151
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
616
00:12:33,153 --> 00:12:39,791
IN THREE, TWO, ONE...
617
00:12:39,792 --> 00:12:46,430
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
618
00:12:46,433 --> 00:12:47,632
Narrator:
IN "TRENCH TORPEDO,"
619
00:12:47,633 --> 00:12:48,832
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
620
00:12:48,835 --> 00:12:49,884
ADAM AND JAMIE'S
SMALL-SCALE TEST...
621
00:12:49,885 --> 00:12:50,934
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
622
00:12:50,937 --> 00:12:51,803
IT LOOKS
A LITTLE BIGGER DOWN HERE.
623
00:12:51,804 --> 00:12:52,670
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
624
00:12:52,672 --> 00:12:55,023
...HAS SHOWN THAT A SHARP CORNER
CAN STOP A WATERY WAVE.
625
00:12:55,024 --> 00:12:57,375
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
626
00:12:57,377 --> 00:12:58,193
THIS IS REALLY, REALLY COOL.
627
00:12:58,194 --> 00:12:59,010
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
628
00:12:59,012 --> 00:13:00,545
Narrator:
BUT HOW ABOUT AN EXPLOSIVE ONE?
629
00:13:00,546 --> 00:13:02,079
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
630
00:13:02,082 --> 00:13:02,731
WELL, THAT SEEMED
TO WORK PRETTY WELL.
631
00:13:02,732 --> 00:13:03,381
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
632
00:13:03,383 --> 00:13:04,366
MAYBE THERE IS SOMETHING
TO THE TECHNIQUE.
633
00:13:04,367 --> 00:13:05,350
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
634
00:13:05,352 --> 00:13:06,551
YEP, I THINK IT'S TIME
TO BUILD SOME REAL TRENCHES
635
00:13:06,552 --> 00:13:07,751
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
636
00:13:07,754 --> 00:13:08,503
AND USE
SOME REAL EXPLOSIVES.
637
00:13:08,504 --> 00:13:09,253
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
638
00:13:09,256 --> 00:13:09,921
LET'S GET DIGGING.
OKAY.
639
00:13:09,922 --> 00:13:10,587
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
640
00:13:10,590 --> 00:13:12,474
SO, TO DIG THE DIRT ON THIS MYTH
FULL SCALE,
641
00:13:12,475 --> 00:13:14,359
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
642
00:13:14,361 --> 00:13:15,994
THE GUYS MARCH
TO A MEMORABLE LOCATION.
643
00:13:15,995 --> 00:13:17,628
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
644
00:13:17,631 --> 00:13:18,830
Adam: WE'RE IN IONE,
CALIFORNIA, TODAY,
645
00:13:18,831 --> 00:13:20,030
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
646
00:13:20,033 --> 00:13:20,515
AND I'M STANDING
ON THE EXACT SPOT
647
00:13:20,516 --> 00:13:20,998
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
648
00:13:21,001 --> 00:13:22,267
WHERE WE ACTUALLY TESTED
THE "DRAIN DISASTER" MYTH
649
00:13:22,268 --> 00:13:23,534
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
650
00:13:23,537 --> 00:13:24,569
OF ALL THINGS.
651
00:13:24,570 --> 00:13:25,602
WE'VE GOT ALL OF OUR SENSORS
IN PLACE.
652
00:13:27,240 --> 00:13:27,872
WHOA!
653
00:13:27,874 --> 00:13:29,174
TODAY, HOWEVER,
WE'RE GONNA GO BACK IN TIME
654
00:13:29,175 --> 00:13:30,475
WHOA!
655
00:13:30,477 --> 00:13:31,726
AND DIG A BUNCH
OF WORLD WAR I TRENCHES
656
00:13:31,727 --> 00:13:32,976
WHOA!
657
00:13:32,979 --> 00:13:33,928
AND SUBJECT THEM
TO SOME ENEMY FIRE.
658
00:13:33,929 --> 00:13:34,878
WHOA!
659
00:13:34,881 --> 00:13:36,498
IT'S GONNA BRING BACK
A LOT OF MEMORIES FOR JAMIE.
660
00:13:36,499 --> 00:13:38,116
WHOA!
661
00:13:38,118 --> 00:13:38,700
Narrator:
LIKE IN THEIR SHOP TESTS,
662
00:13:38,701 --> 00:13:39,283
WHOA!
663
00:13:39,286 --> 00:13:40,902
THE GUYS ARE GONNA
THROW TOGETHER THREE TRENCHES.
664
00:13:40,903 --> 00:13:42,519
WHOA!
665
00:13:42,522 --> 00:13:43,154
Adam:
TRENCH NUMBER ONE.
666
00:13:43,155 --> 00:13:43,787
WHOA!
667
00:13:43,790 --> 00:13:45,724
Narrator: THE STRAIGHTAWAY,
THE RIGID RIGHT ANGLE,
668
00:13:45,725 --> 00:13:47,659
WHOA!
669
00:13:47,661 --> 00:13:48,527
AND THE SHODDY SERPENTINE.
670
00:13:48,528 --> 00:13:49,394
WHOA!
671
00:13:49,396 --> 00:13:49,878
Adam:
THAT LOOKS COOL.
672
00:13:49,879 --> 00:13:50,361
WHOA!
673
00:13:50,363 --> 00:13:53,014
Narrator:
AND ONCE THEY'RE ALL MARKED UP,
THE DIGGING CAN GO DOWN.
674
00:13:53,015 --> 00:13:55,666
WHOA!
675
00:13:57,537 --> 00:14:00,805
WHERE, THANKS TO
SOME HEAVY MACHINERY...
676
00:14:02,275 --> 00:14:05,710
...AND A TIME-LAPSED MONTAGE,
677
00:14:05,712 --> 00:14:07,495
THEIR THREE 50-FOOTERS
GET SUNK FAST.
678
00:14:07,496 --> 00:14:09,279
...AND A TIME-LAPSED MONTAGE,
679
00:14:10,183 --> 00:14:12,750
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
680
00:14:12,752 --> 00:14:13,334
Adam:
NOT MANY PEOPLE KNOW THIS,
681
00:14:13,335 --> 00:14:13,917
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
682
00:14:13,920 --> 00:14:14,619
BUT JAMIE'S FAMILY
ARE COLOR FARMERS.
683
00:14:14,620 --> 00:14:15,319
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
684
00:14:15,322 --> 00:14:16,188
THEY'VE BEEN FARMING
COLOR LIKE THIS
685
00:14:16,189 --> 00:14:17,055
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
686
00:14:17,057 --> 00:14:18,073
ON SPECIALLY TREATED
PIECES OF PLYWOOD
687
00:14:18,074 --> 00:14:19,090
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
688
00:14:19,092 --> 00:14:20,258
OUT IN THE FIELDS FOR YEARS.
689
00:14:20,259 --> 00:14:21,425
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
690
00:14:21,428 --> 00:14:22,160
THIS IS TOTALLY NOT TRUE.
691
00:14:22,161 --> 00:14:22,893
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
692
00:14:22,896 --> 00:14:23,361
NOT EVEN A LITTLE BIT.
693
00:14:23,362 --> 00:14:23,827
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
694
00:14:23,830 --> 00:14:25,013
IN FACT, WE ARE
COLOR-CODING OUR TRENCHES
695
00:14:25,014 --> 00:14:26,197
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
696
00:14:26,199 --> 00:14:27,499
SO THAT BOTH FROM A SEQUENCE
AND NARRATIVE STANDPOINT,
697
00:14:27,500 --> 00:14:28,800
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
698
00:14:28,802 --> 00:14:30,519
YOU CAN CLEARLY SEE WHICH TRENCH
WE'RE DOING AT A GIVEN TIME,
699
00:14:30,520 --> 00:14:32,237
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
700
00:14:32,239 --> 00:14:32,587
BUT ALSO EXPERIMENTALLY,
701
00:14:32,588 --> 00:14:32,936
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
702
00:14:32,939 --> 00:14:34,472
THEY'LL HELP YOU SEPARATE THEM
IN YOUR MIND.
703
00:14:34,473 --> 00:14:36,006
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
704
00:14:36,009 --> 00:14:38,159
Narrator: THE COLOR CODING DOES
HELP TAILOR-MAKE EACH TUNNEL...
705
00:14:38,160 --> 00:14:40,310
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
706
00:14:40,313 --> 00:14:40,745
IT'S COMING ALONG NICELY.
707
00:14:40,746 --> 00:14:41,178
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
708
00:14:41,181 --> 00:14:43,748
...BUT THE BOARDS ARE ALSO THERE
TO SHORE UP THE SIDES.
709
00:14:43,749 --> 00:14:46,316
BUT THAT DOESN'T MEAN
IT'S JOB DONE.
710
00:14:46,586 --> 00:14:48,386
Adam:
WHY ARE WE SHORING UP THE SIDES?
711
00:14:48,388 --> 00:14:48,920
WELL, REALLY SPECIFICALLY,
712
00:14:48,921 --> 00:14:49,453
Adam:
WHY ARE WE SHORING UP THE SIDES?
713
00:14:49,456 --> 00:14:50,539
IT'S SO THAT WE GET
PERFECTLY STRAIGHT EDGES
714
00:14:50,540 --> 00:14:51,623
Adam:
WHY ARE WE SHORING UP THE SIDES?
715
00:14:51,625 --> 00:14:53,642
AND PRECISE CORNERS FOR OUR
BLAST WAVE TO MOVE THROUGH.
716
00:14:53,643 --> 00:14:55,660
Adam:
WHY ARE WE SHORING UP THE SIDES?
717
00:14:55,662 --> 00:14:56,895
THAT'S HOW WE'RE GOING TO ASSESS
THE SOUL OF THIS STORY.
718
00:14:56,896 --> 00:14:58,129
Adam:
WHY ARE WE SHORING UP THE SIDES?
719
00:14:58,131 --> 00:14:59,514
Narrator: OF COURSE,
THERE'S ONE PART OF ONE TRENCH
720
00:14:59,515 --> 00:15:00,898
Adam:
WHY ARE WE SHORING UP THE SIDES?
721
00:15:00,901 --> 00:15:03,185
WHERE STRICTLY STRAIGHT SIDES
ARE NOT THE ORDER OF THE DAY.
722
00:15:03,186 --> 00:15:05,470
Adam:
WHY ARE WE SHORING UP THE SIDES?
723
00:15:05,472 --> 00:15:06,538
Adam: THIS ONE --
THE IMPRECISE CORNER TRENCH --
724
00:15:06,539 --> 00:15:07,605
Adam:
WHY ARE WE SHORING UP THE SIDES?
725
00:15:07,607 --> 00:15:08,857
WE ARE LEAVING UNCOVERED
WITH THE WOOD ON THE CURVY PARTS
726
00:15:08,858 --> 00:15:10,108
Adam:
WHY ARE WE SHORING UP THE SIDES?
727
00:15:10,110 --> 00:15:11,710
TO GET THE BIGGEST DIFFERENCE
THAT WE POSSIBLY CAN.
728
00:15:11,711 --> 00:15:13,311
Adam:
WHY ARE WE SHORING UP THE SIDES?
729
00:15:13,313 --> 00:15:13,795
ALSO, FOR VISUAL SYMMETRY,
730
00:15:13,796 --> 00:15:14,278
Adam:
WHY ARE WE SHORING UP THE SIDES?
731
00:15:14,281 --> 00:15:15,797
WE'RE GONNA PAINT IT BLUE
TO MATCH THE WALLS.
732
00:15:15,798 --> 00:15:17,314
Adam:
WHY ARE WE SHORING UP THE SIDES?
733
00:15:17,317 --> 00:15:18,316
HERE WE GO.
734
00:15:18,317 --> 00:15:19,316
Adam:
WHY ARE WE SHORING UP THE SIDES?
735
00:15:19,319 --> 00:15:20,302
WOW! WHOO-HOO!
736
00:15:20,303 --> 00:15:21,286
Adam:
WHY ARE WE SHORING UP THE SIDES?
737
00:15:21,288 --> 00:15:22,053
YEAH!
738
00:15:22,054 --> 00:15:22,819
Adam:
WHY ARE WE SHORING UP THE SIDES?
739
00:15:22,822 --> 00:15:24,138
Narrator:
ADAM'S TICKLED PINK BY THE BLUE,
740
00:15:24,139 --> 00:15:25,455
Adam:
WHY ARE WE SHORING UP THE SIDES?
741
00:15:25,458 --> 00:15:25,823
BUT WHAT'S MORE IMPORTANT
742
00:15:25,824 --> 00:15:26,189
Adam:
WHY ARE WE SHORING UP THE SIDES?
743
00:15:26,192 --> 00:15:28,243
IS THAT WITH THAT,
IT'S TIME TO BRING ON THE BOOM.
744
00:15:28,244 --> 00:15:30,295
Adam:
WHY ARE WE SHORING UP THE SIDES?
745
00:15:31,631 --> 00:15:33,164
OUR TRENCHES ARE DUG.
746
00:15:33,166 --> 00:15:33,565
THEY'RE SHORED UP.
747
00:15:33,566 --> 00:15:33,965
OUR TRENCHES ARE DUG.
748
00:15:33,967 --> 00:15:34,749
HECK, THEY'RE EVEN COLOR CODED.
749
00:15:34,750 --> 00:15:35,532
OUR TRENCHES ARE DUG.
750
00:15:35,535 --> 00:15:36,434
NOW, IT'S TIME
FOR THE EXPLOSIVES.
751
00:15:36,435 --> 00:15:37,334
OUR TRENCHES ARE DUG.
752
00:15:37,337 --> 00:15:38,953
OUR BENCHMARK CONTROL TEST
WILL BE THIS TRENCH --
753
00:15:38,954 --> 00:15:40,570
OUR TRENCHES ARE DUG.
754
00:15:40,573 --> 00:15:41,756
THE 50-FOOT-LONG STRAIGHT.
755
00:15:41,757 --> 00:15:42,940
OUR TRENCHES ARE DUG.
756
00:15:42,943 --> 00:15:43,775
IT SHOULD GIVE US
A FANTASTIC IDEA
757
00:15:43,776 --> 00:15:44,608
OUR TRENCHES ARE DUG.
758
00:15:44,611 --> 00:15:45,193
OF WHAT HAPPENS TO A BLAST WAVE
759
00:15:45,194 --> 00:15:45,776
OUR TRENCHES ARE DUG.
760
00:15:45,779 --> 00:15:47,946
AS IT TRAVELS THROUGH
EXACTLY THIS CONFIGURATION.
761
00:15:47,947 --> 00:15:50,114
OUR TRENCHES ARE DUG.
762
00:15:51,618 --> 00:15:52,784
AND WHEN WE'VE GOT THAT DATA,
763
00:15:52,786 --> 00:15:53,852
WE'RE GONNA DO
THE EXACT SAME TEST IN THIS ONE,
764
00:15:53,853 --> 00:15:54,919
AND WHEN WE'VE GOT THAT DATA,
765
00:15:54,921 --> 00:15:57,355
WHICH IS THE CLASSIC GERMAN
SHARP-EDGED RIGHT-ANGLE TRENCH.
766
00:15:57,356 --> 00:15:59,790
AND WHEN WE'VE GOT THAT DATA,
767
00:15:59,793 --> 00:16:00,942
AND WE'LL COMPARE THE TWO.
768
00:16:00,943 --> 00:16:02,092
AND WHEN WE'VE GOT THAT DATA,
769
00:16:02,896 --> 00:16:06,097
AND FINALLY, WE'LL BE
SENDING AN EXPLOSIVE BLAST WAVE
770
00:16:06,099 --> 00:16:07,332
THROUGH OUR SOFT-CORNERED
SERPENTINE TRENCH,
771
00:16:07,333 --> 00:16:08,566
AND FINALLY, WE'LL BE
SENDING AN EXPLOSIVE BLAST WAVE
772
00:16:08,568 --> 00:16:10,151
AND IF THERE'S ANYTHING
TO THIS STORY WHATSOEVER,
773
00:16:10,152 --> 00:16:11,735
AND FINALLY, WE'LL BE
SENDING AN EXPLOSIVE BLAST WAVE
774
00:16:11,738 --> 00:16:13,304
WHAT WE EXPECT TO SEE
IS A HIGHER BLAST PRESSURE
775
00:16:13,305 --> 00:16:14,871
AND FINALLY, WE'LL BE
SENDING AN EXPLOSIVE BLAST WAVE
776
00:16:14,874 --> 00:16:16,708
WHERE I'M STANDING
THAN IN THE CORRESPONDING SPOT
777
00:16:16,709 --> 00:16:18,543
AND FINALLY, WE'LL BE
SENDING AN EXPLOSIVE BLAST WAVE
778
00:16:18,545 --> 00:16:19,294
IN OUR HARD-CORNERED TRENCH.
779
00:16:19,295 --> 00:16:20,044
AND FINALLY, WE'LL BE
SENDING AN EXPLOSIVE BLAST WAVE
780
00:16:20,046 --> 00:16:22,597
ALL RIGHT,
LET'S BRING ON THE EXPLOSIONS!
781
00:16:22,598 --> 00:16:25,149
AND FINALLY, WE'LL BE
SENDING AN EXPLOSIVE BLAST WAVE
782
00:16:27,220 --> 00:16:30,188
Narrator: IT'S ENOUGH
TO MAKE A CLOWN FROWN,
783
00:16:30,190 --> 00:16:31,756
BUT CAN PARTY BALLOONS
REALLY SAVE YOUR LIFE
784
00:16:31,757 --> 00:16:33,323
Narrator: IT'S ENOUGH
TO MAKE A CLOWN FROWN,
785
00:16:33,326 --> 00:16:35,043
IN A 35-MILE-AN-HOUR
FENDER BENDER?
786
00:16:35,044 --> 00:16:36,761
Narrator: IT'S ENOUGH
TO MAKE A CLOWN FROWN,
787
00:16:37,664 --> 00:16:40,965
TO FIND OUT,
THE MYTHBUSTERS CONTROL CAR
788
00:16:40,967 --> 00:16:41,766
IS ABOUT TO CRASH LAND.
789
00:16:41,767 --> 00:16:42,566
TO FIND OUT,
THE MYTHBUSTERS CONTROL CAR
790
00:16:42,569 --> 00:16:44,119
ALL RIGHT, ARE YOU READY
TO DROP THE CLOWN CAR?
791
00:16:44,120 --> 00:16:45,670
TO FIND OUT,
THE MYTHBUSTERS CONTROL CAR
792
00:16:45,672 --> 00:16:47,605
Kari:
IN THREE, TWO, ONE...
793
00:16:47,606 --> 00:16:49,539
TO FIND OUT,
THE MYTHBUSTERS CONTROL CAR
794
00:16:52,879 --> 00:16:54,078
WHOO!
795
00:16:54,080 --> 00:16:55,580
I DON'T THINK
THOSE CLOWNS SURVIVED.
796
00:16:55,581 --> 00:16:57,081
WHOO!
797
00:16:57,083 --> 00:16:57,799
Narrator:
TO THE NAKED EYE,
798
00:16:57,800 --> 00:16:58,516
WHOO!
799
00:16:58,518 --> 00:17:00,635
THE 35-MILE-AN-HOUR HEAD-ON
LOOKS HORRIFIC.
800
00:17:00,636 --> 00:17:02,753
WHOO!
801
00:17:02,756 --> 00:17:04,472
BUT SURVIVAL
IS ALL ABOUT THE G-LOAD,
802
00:17:04,473 --> 00:17:06,189
WHOO!
803
00:17:06,192 --> 00:17:06,975
WHERE ANYTHING OVER 100
804
00:17:06,976 --> 00:17:07,759
WHOO!
805
00:17:07,761 --> 00:17:09,928
MEANS THERE'S BEEN
A CLOWN CATASTROPHE.
806
00:17:09,929 --> 00:17:12,096
WHOO!
807
00:17:12,298 --> 00:17:17,502
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
808
00:17:17,504 --> 00:17:18,837
THAT'S WELL OVER
OUR BENCHMARK FOR FATALITY.
809
00:17:18,838 --> 00:17:20,171
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
810
00:17:20,173 --> 00:17:20,688
BUT EVEN MORE INTERESTING,
811
00:17:20,689 --> 00:17:21,204
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
812
00:17:21,207 --> 00:17:23,057
THE PASSENGER THAT DIDN'T HAVE
A SEATBELT ON OR AN AIRBAG
813
00:17:23,058 --> 00:17:24,908
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
814
00:17:24,911 --> 00:17:26,778
EXPERIENCED 630 ON THE CHEST
AND 340 ON THE HEAD.
815
00:17:26,779 --> 00:17:28,646
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
816
00:17:28,648 --> 00:17:29,397
THAT IS DEVASTATING.
817
00:17:29,398 --> 00:17:30,147
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
818
00:17:30,150 --> 00:17:30,632
IT'S GONNA BE REALLY INTERESTING
819
00:17:30,633 --> 00:17:31,115
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
820
00:17:31,117 --> 00:17:32,884
TO SEE IF THE BALLOONS WILL
HAVE ANY IMPACT ON THE NUMBERS.
821
00:17:32,885 --> 00:17:34,652
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
822
00:17:34,654 --> 00:17:35,653
Narrator:
SO, CUE CLOWN CAR 2.
823
00:17:35,654 --> 00:17:36,653
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
824
00:17:36,656 --> 00:17:37,789
Tory: ANOTHER DAY,
ANOTHER CLOWN CAR.
825
00:17:37,790 --> 00:17:38,923
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
826
00:17:38,925 --> 00:17:41,059
LIKE THE CONTROL TEST,
THE DRIVER CLOWN IS BUCKLED UP
827
00:17:41,060 --> 00:17:43,194
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
828
00:17:43,196 --> 00:17:44,028
WHILE THE PASSENGER ISN'T.
829
00:17:44,029 --> 00:17:44,861
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
830
00:17:44,864 --> 00:17:45,913
YOU THINK THIS WIG ABSORBED
ANY OF THE ENERGY?
831
00:17:45,914 --> 00:17:46,963
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
832
00:17:46,966 --> 00:17:48,299
Narrator:
BUT UNLIKE THE CONTROL TEST...
833
00:17:48,300 --> 00:17:49,633
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
834
00:17:49,636 --> 00:17:51,252
TORY, IT'S FUN TIME!
835
00:17:51,253 --> 00:17:52,869
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
836
00:17:52,872 --> 00:17:55,023
DROP 2 WILL HAVE
THE MYTHICAL BALLOON BARRIER.
837
00:17:55,024 --> 00:17:57,175
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
838
00:17:57,177 --> 00:17:59,144
Kari: ALL RIGHT, NOW IT'S TIME
TO PUT THE BALLOONS IN THE CAR.
839
00:17:59,145 --> 00:18:01,112
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
840
00:18:01,114 --> 00:18:01,529
NOW, THE THEORY HERE
841
00:18:01,530 --> 00:18:01,945
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
842
00:18:01,948 --> 00:18:03,581
IS THESE BALLOONS
ARE GONNA ACT AS AN AIRBAG.
843
00:18:03,582 --> 00:18:05,215
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
844
00:18:05,218 --> 00:18:05,900
NOW, THE GOAL OF ANY AIRBAG
845
00:18:05,901 --> 00:18:06,583
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
846
00:18:06,586 --> 00:18:07,802
IS TO SLOW THE PASSENGER'S
FORWARD MOTION
847
00:18:07,803 --> 00:18:09,019
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
848
00:18:09,022 --> 00:18:10,739
AS EVENLY AS POSSIBLE
IN JUST A FRACTION OF A SECOND.
849
00:18:10,740 --> 00:18:12,457
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
850
00:18:12,459 --> 00:18:13,925
I'M NOT SURE THESE BALLOONS
ARE GOING TO FUNCTION THAT WAY,
851
00:18:13,926 --> 00:18:15,392
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
852
00:18:15,395 --> 00:18:17,328
BUT IT'S SURE GONNA BE FUN
TO FIND OUT.
853
00:18:17,329 --> 00:18:19,262
Kari: NOW, THE DRIVER WITH
SEATBELT EXPERIENCED 150 G's.
854
00:18:19,899 --> 00:18:22,567
ALL RIGHT, THIS IS
CLOWN CAR DROP WITH BALLOONS.
855
00:18:22,569 --> 00:18:23,001
ARE YOU READY?
856
00:18:23,002 --> 00:18:23,434
ALL RIGHT, THIS IS
CLOWN CAR DROP WITH BALLOONS.
857
00:18:23,436 --> 00:18:24,702
OKAY,
IN THREE, TWO, ONE...
858
00:18:24,703 --> 00:18:25,969
ALL RIGHT, THIS IS
CLOWN CAR DROP WITH BALLOONS.
859
00:18:25,972 --> 00:18:26,638
NEGATIVE ONE!
860
00:18:26,639 --> 00:18:27,305
ALL RIGHT, THIS IS
CLOWN CAR DROP WITH BALLOONS.
861
00:18:27,307 --> 00:18:28,073
[ GRUNTS ]
862
00:18:28,074 --> 00:18:28,840
ALL RIGHT, THIS IS
CLOWN CAR DROP WITH BALLOONS.
863
00:18:36,282 --> 00:18:38,182
NOW THAT
IS WHAT I CALL A PARTY.
864
00:18:38,184 --> 00:18:39,067
I DON'T THINK
THEY SURVIVED IT THOUGH.
865
00:18:39,068 --> 00:18:39,951
NOW THAT
IS WHAT I CALL A PARTY.
866
00:18:39,953 --> 00:18:41,720
Narrator: ONCE AGAIN,
THE CRASH WAS A SMASH
867
00:18:41,721 --> 00:18:43,488
NOW THAT
IS WHAT I CALL A PARTY.
868
00:18:43,490 --> 00:18:45,407
AS THE PASSENGER PUSHED PAST
THE BALLOON BARRIER
869
00:18:45,408 --> 00:18:47,325
NOW THAT
IS WHAT I CALL A PARTY.
870
00:18:47,327 --> 00:18:48,910
AND WIPED OUT
ON THE WINDSHIELD.
871
00:18:48,911 --> 00:18:50,494
NOW THAT
IS WHAT I CALL A PARTY.
872
00:18:50,497 --> 00:18:51,980
ALL RIGHT, DAVE, THE BIG
QUESTION ON EVERYONE'S MIND --
873
00:18:51,981 --> 00:18:53,464
NOW THAT
IS WHAT I CALL A PARTY.
874
00:18:53,466 --> 00:18:54,449
DID THE BALLOON
SAVE THE CLOWN'S LIFE?
875
00:18:54,450 --> 00:18:55,433
NOW THAT
IS WHAT I CALL A PARTY.
876
00:18:55,435 --> 00:18:56,201
WELL, IN THE FIRST DROP
WITH NO BALLOONS,
877
00:18:56,202 --> 00:18:56,968
NOW THAT
IS WHAT I CALL A PARTY.
878
00:18:56,970 --> 00:19:00,055
THE PASSENGER SAW 340 G's AT
THE HEAD, 630 G's AT THE CHEST.
879
00:19:00,056 --> 00:19:03,141
NOW THAT
IS WHAT I CALL A PARTY.
880
00:19:03,143 --> 00:19:03,808
AND THE DROP WITH THE BALLOONS,
881
00:19:03,809 --> 00:19:04,474
NOW THAT
IS WHAT I CALL A PARTY.
882
00:19:04,477 --> 00:19:06,711
THE PASSENGER SAW 350 G's TO
THE HEAD, AND 620 AT THE CHEST.
883
00:19:06,712 --> 00:19:08,946
NOW THAT
IS WHAT I CALL A PARTY.
884
00:19:08,948 --> 00:19:09,747
SO, THE RESULTS
ARE PRETTY MUCH THE SAME.
885
00:19:09,748 --> 00:19:10,547
NOW THAT
IS WHAT I CALL A PARTY.
886
00:19:10,550 --> 00:19:11,583
THE BALLOONS DIDN'T
DO ANYTHING FOR HIM.
887
00:19:11,584 --> 00:19:12,617
NOW THAT
IS WHAT I CALL A PARTY.
888
00:19:12,619 --> 00:19:13,468
ALMOST
NO DIFFERENCE AT ALL.
889
00:19:13,469 --> 00:19:14,318
NOW THAT
IS WHAT I CALL A PARTY.
890
00:19:14,320 --> 00:19:14,635
THANKS FOR YOUR HELP.
891
00:19:14,636 --> 00:19:14,951
NOW THAT
IS WHAT I CALL A PARTY.
892
00:19:14,954 --> 00:19:16,187
COME ON, I'LL SHOW YOU
MY BALLOON ANIMALS.
893
00:19:16,188 --> 00:19:17,421
NOW THAT
IS WHAT I CALL A PARTY.
894
00:19:17,423 --> 00:19:18,089
WHOO-HOO!
895
00:19:18,090 --> 00:19:18,756
NOW THAT
IS WHAT I CALL A PARTY.
896
00:19:18,758 --> 00:19:21,692
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
897
00:19:21,694 --> 00:19:23,010
IS NOT ENOUGH TO SAVE YOUR LIFE
IN A CAR CRASH,
898
00:19:23,011 --> 00:19:24,327
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
899
00:19:24,330 --> 00:19:25,463
BUT IT'S NOT
SUCH AN OUTLANDISH IDEA.
900
00:19:25,464 --> 00:19:26,597
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
901
00:19:26,599 --> 00:19:27,949
AN AIRBAG IS AN INFLATABLE,
AND SO IS A BALLOON.
902
00:19:27,950 --> 00:19:29,300
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
903
00:19:29,302 --> 00:19:30,118
MAYBE THERE IS
A BALLOON OUT THERE
904
00:19:30,119 --> 00:19:30,935
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
905
00:19:30,937 --> 00:19:32,270
OR A CONFIGURATION OF BALLOONS
THAT WE COULD MAKE
906
00:19:32,271 --> 00:19:33,604
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
907
00:19:33,606 --> 00:19:34,639
THAT WOULD SAVE YOUR LIFE
IN A CAR WRECK.
908
00:19:34,640 --> 00:19:35,673
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
909
00:19:35,675 --> 00:19:37,642
Narrator: IN OTHER WORDS,
THE MYTH MAY BE DOWN,
910
00:19:37,643 --> 00:19:39,610
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
911
00:19:39,612 --> 00:19:40,828
BUT BURST IT AIN'T.
912
00:19:40,829 --> 00:19:42,045
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
913
00:19:42,048 --> 00:19:43,197
COMING RIGHT UP
IN "TRENCH TORPEDO,"
914
00:19:43,198 --> 00:19:44,347
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
915
00:19:44,350 --> 00:19:47,468
THE HIGH-SPEED SHOTS
THAT PUT THE AWE IN AWESOME.
916
00:19:47,469 --> 00:19:50,587
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
917
00:19:50,590 --> 00:19:54,792
WOW.
918
00:19:54,793 --> 00:19:58,995
Tory: SO, IT TURNS OUT AN
AVERAGE BUNCH OF PARTY BALLOONS
919
00:20:00,667 --> 00:20:01,232
WELCOME BACK.
920
00:20:01,234 --> 00:20:02,367
ALL EPISODE LONG, WE'VE BEEN
TESTING A MYTH FROM WORLD WAR I
921
00:20:02,368 --> 00:20:03,501
WELCOME BACK.
922
00:20:03,503 --> 00:20:05,153
THAT A SHARP-CORNERED TRENCH
IS BETTER IN WARFARE
923
00:20:05,154 --> 00:20:06,804
WELCOME BACK.
924
00:20:06,806 --> 00:20:08,022
THAN A SOFT,
ROUNDED-CORNER TRENCH
925
00:20:08,023 --> 00:20:09,239
WELCOME BACK.
926
00:20:09,242 --> 00:20:09,974
BECAUSE IT INHIBITS BLAST WAVES
927
00:20:09,975 --> 00:20:10,707
WELCOME BACK.
928
00:20:10,710 --> 00:20:11,826
FROM TRAVELING
THROUGH THE TRENCHES
929
00:20:11,827 --> 00:20:12,943
WELCOME BACK.
930
00:20:12,946 --> 00:20:13,545
SENT BY EXPLODING MORTAR SHELLS.
931
00:20:13,546 --> 00:20:14,145
WELCOME BACK.
932
00:20:14,147 --> 00:20:16,080
WE ARE NOW AT THE FULL-SCALE
PHASE OF THIS TEST,
933
00:20:16,081 --> 00:20:18,014
WELCOME BACK.
934
00:20:18,017 --> 00:20:19,217
AND WE HAVE A BUNCH
OF BEAUTIFUL TRENCHES OUT HERE
935
00:20:19,218 --> 00:20:20,418
WELCOME BACK.
936
00:20:20,420 --> 00:20:21,236
IN GOLD COUNTRY
IN NORTHERN CALIFORNIA.
937
00:20:21,237 --> 00:20:22,053
WELCOME BACK.
938
00:20:22,055 --> 00:20:23,454
WE HAVE SOME EXPLOSIVES
IN OUR ARSENAL...
939
00:20:23,455 --> 00:20:24,854
WELCOME BACK.
940
00:20:24,857 --> 00:20:25,056
NICE.
941
00:20:25,057 --> 00:20:25,256
WELCOME BACK.
942
00:20:25,258 --> 00:20:26,324
YET ANOTHER USE
FOR DUCT TAPE.
943
00:20:26,325 --> 00:20:27,391
WELCOME BACK.
944
00:20:27,393 --> 00:20:27,809
...AND ANY MINUTE NOW,
945
00:20:27,810 --> 00:20:28,226
WELCOME BACK.
946
00:20:28,228 --> 00:20:30,061
WE'RE GONNA START BLOWING SOME
STUFF UP FOR SCIENCE.
947
00:20:30,062 --> 00:20:31,895
WELCOME BACK.
948
00:20:31,898 --> 00:20:32,697
Narrator:
INDEED, BUT FOR TEST ONE,
949
00:20:32,698 --> 00:20:33,497
WELCOME BACK.
950
00:20:33,499 --> 00:20:36,033
THERE WILL BE A TORPEDO,
BUT THERE WON'T BE A TRENCH.
951
00:20:36,034 --> 00:20:38,568
WELCOME BACK.
952
00:20:38,571 --> 00:20:39,287
RIGHT HERE IN THIS VERY SPOT,
953
00:20:39,288 --> 00:20:40,004
WELCOME BACK.
954
00:20:40,006 --> 00:20:41,389
SHORTLY WE'LL BE SETTING OFF
25 POUNDS OF TNT
955
00:20:41,390 --> 00:20:42,773
WELCOME BACK.
956
00:20:42,775 --> 00:20:44,425
AS OUR OPEN AIR,
UNOBSTRUCTED CONTROL TEST.
957
00:20:44,426 --> 00:20:46,076
WELCOME BACK.
958
00:20:46,079 --> 00:20:47,745
WE'VE GOT SENSORS
PLACED AT 10-FOOT INCREMENTS
959
00:20:47,746 --> 00:20:49,412
WELCOME BACK.
960
00:20:49,415 --> 00:20:49,981
BECAUSE SHORTLY AFTER THAT,
961
00:20:49,982 --> 00:20:50,548
WELCOME BACK.
962
00:20:50,550 --> 00:20:51,983
WE'LL BE SETTING OFF EXPLOSIONS
IN THE TRENCHES
963
00:20:51,984 --> 00:20:53,417
WELCOME BACK.
964
00:20:53,419 --> 00:20:54,969
AND COLLECTING AND COMPARING
SIMILAR DATA.
965
00:20:54,970 --> 00:20:56,520
WELCOME BACK.
966
00:20:56,522 --> 00:20:57,705
Narrator: IN OTHER WORDS,
THE OPEN AIR BLAST
967
00:20:57,706 --> 00:20:58,889
WELCOME BACK.
968
00:20:58,891 --> 00:21:01,092
SHOULD GIVE THE GUYS
A BONUS BENCHMARK.
969
00:21:01,093 --> 00:21:03,294
WELCOME BACK.
970
00:21:05,665 --> 00:21:07,231
[ CHUCKLES ]
971
00:21:09,435 --> 00:21:10,334
ARE YOU READY?
972
00:21:10,336 --> 00:21:11,102
ARE YOU THE KEYMASTER?
973
00:21:11,103 --> 00:21:11,869
ARE YOU READY?
974
00:21:11,871 --> 00:21:12,587
I AM THE KEYMASTER!
975
00:21:12,588 --> 00:21:13,304
ARE YOU READY?
976
00:21:13,306 --> 00:21:13,805
ARE YOU GOZER?
977
00:21:13,806 --> 00:21:14,305
ARE YOU READY?
978
00:21:14,307 --> 00:21:14,872
I'M GOZER, BABY.
979
00:21:14,873 --> 00:21:15,438
ARE YOU READY?
980
00:21:15,441 --> 00:21:15,973
ALL RIGHT. HERE WE GO.
981
00:21:15,974 --> 00:21:16,506
ARE YOU READY?
982
00:21:16,509 --> 00:21:19,394
ABOVE GROUND BLAST
IN THREE, TWO, ONE...
983
00:21:19,395 --> 00:21:22,280
ARE YOU READY?
984
00:21:23,383 --> 00:21:25,316
WHOA!
985
00:21:28,721 --> 00:21:29,453
I COULD FEEL THAT.
986
00:21:29,455 --> 00:21:30,388
THAT WAS LIKE
A REFRESHING BREEZE
987
00:21:30,389 --> 00:21:31,322
I COULD FEEL THAT.
988
00:21:31,324 --> 00:21:32,490
THAT LASTED
A VERY SHORT PERIOD OF TIME.
989
00:21:32,491 --> 00:21:33,657
I COULD FEEL THAT.
990
00:21:33,660 --> 00:21:33,908
[ LAUGHS ]
991
00:21:33,909 --> 00:21:34,157
I COULD FEEL THAT.
992
00:21:34,160 --> 00:21:35,510
Narrator: IT SURE WAS
A REFRESHING FLARE UP,
993
00:21:35,511 --> 00:21:36,861
I COULD FEEL THAT.
994
00:21:36,863 --> 00:21:39,080
AND THE GOOD NEWS IS THAT
THE HIGH SPEED'S THE BOMB.
995
00:21:39,081 --> 00:21:41,298
I COULD FEEL THAT.
996
00:21:41,301 --> 00:21:41,900
LOOK AT THAT.
997
00:21:41,901 --> 00:21:42,500
I COULD FEEL THAT.
998
00:21:42,502 --> 00:21:43,701
WOW, THAT MIGHT BE
ONE OF THE PRETTIEST ONES
999
00:21:43,702 --> 00:21:44,901
I COULD FEEL THAT.
1000
00:21:44,904 --> 00:21:45,553
WE'VE EVER GOTTEN
ON CAMERA.
1001
00:21:45,554 --> 00:21:46,203
I COULD FEEL THAT.
1002
00:21:46,205 --> 00:21:48,039
BUT THE BETTER NEWS
IS THEY GOT THE DATA.
1003
00:21:48,040 --> 00:21:49,874
I COULD FEEL THAT.
1004
00:21:49,876 --> 00:21:50,525
20 FEET FROM THE BLAST
1005
00:21:50,526 --> 00:21:51,175
I COULD FEEL THAT.
1006
00:21:51,177 --> 00:21:53,060
AND PRESSURE WAS 39 POUNDS
PER SQUARE INCH.
1007
00:21:53,061 --> 00:21:54,944
I COULD FEEL THAT.
1008
00:21:54,947 --> 00:21:55,479
30 FEET, IT WAS 12,
1009
00:21:55,480 --> 00:21:56,012
I COULD FEEL THAT.
1010
00:21:56,015 --> 00:21:57,832
AND BY 50 FEET,
IT HAD DROPPED TO JUST 5.
1011
00:21:57,833 --> 00:21:59,650
I COULD FEEL THAT.
1012
00:21:59,652 --> 00:22:00,001
STRAIGHT TRENCH.
YEP.
1013
00:22:00,002 --> 00:22:00,351
I COULD FEEL THAT.
1014
00:22:00,353 --> 00:22:01,569
BUT HOW WILL
THOSE NUMBERS DIFFER
1015
00:22:01,570 --> 00:22:02,786
I COULD FEEL THAT.
1016
00:22:02,789 --> 00:22:04,505
ONCE THE GUYS
GET DOWN AND DIRTY?
1017
00:22:04,506 --> 00:22:06,222
I COULD FEEL THAT.
1018
00:22:10,196 --> 00:22:13,497
THE MYTH
OF THE CLOWN CAR CRASH...
1019
00:22:13,499 --> 00:22:14,398
NOW THAT
IS WHAT I CALL A PARTY.
1020
00:22:14,399 --> 00:22:15,298
THE MYTH
OF THE CLOWN CAR CRASH...
1021
00:22:15,301 --> 00:22:17,018
...IS SO FAR LOOKING LIKE
BALLOON BALONEY.
1022
00:22:17,019 --> 00:22:18,736
THE MYTH
OF THE CLOWN CAR CRASH...
1023
00:22:18,738 --> 00:22:19,620
BUT ALL IS NOT LOST.
1024
00:22:19,621 --> 00:22:20,503
THE MYTH
OF THE CLOWN CAR CRASH...
1025
00:22:20,506 --> 00:22:21,072
ALL RIGHT,
SO THAT DIDN'T WORK.
1026
00:22:21,073 --> 00:22:21,639
THE MYTH
OF THE CLOWN CAR CRASH...
1027
00:22:21,641 --> 00:22:22,473
THE CLOWN PUSHED
RIGHT THROUGH THE BALLOONS.
1028
00:22:22,474 --> 00:22:23,306
THE MYTH
OF THE CLOWN CAR CRASH...
1029
00:22:23,309 --> 00:22:24,225
TRUE, BUT THERE ARE
OTHER TYPES OF BALLOONS
1030
00:22:24,226 --> 00:22:25,142
THE MYTH
OF THE CLOWN CAR CRASH...
1031
00:22:25,144 --> 00:22:25,593
THAN THE ONES
THAT WE TESTED.
1032
00:22:25,594 --> 00:22:26,043
THE MYTH
OF THE CLOWN CAR CRASH...
1033
00:22:26,045 --> 00:22:27,261
WELL, IT SOUNDS LIKE WE SHOULD
DO SOME SMALL-SCALE TESTS.
1034
00:22:27,262 --> 00:22:28,478
THE MYTH
OF THE CLOWN CAR CRASH...
1035
00:22:28,481 --> 00:22:29,080
MAYBE WE SHOULD
TAKE A WEIGHT,
1036
00:22:29,081 --> 00:22:29,680
THE MYTH
OF THE CLOWN CAR CRASH...
1037
00:22:29,682 --> 00:22:30,331
DROP IT ON DIFFERENT TYPES
OF BALLOONS
1038
00:22:30,332 --> 00:22:30,981
THE MYTH
OF THE CLOWN CAR CRASH...
1039
00:22:30,983 --> 00:22:32,366
AND SEE WHICH BALLOON
DECELERATES THE WEIGHT THE BEST.
1040
00:22:32,367 --> 00:22:33,750
THE MYTH
OF THE CLOWN CAR CRASH...
1041
00:22:33,753 --> 00:22:34,001
I LIKE IT.
1042
00:22:34,002 --> 00:22:34,250
THE MYTH
OF THE CLOWN CAR CRASH...
1043
00:22:34,253 --> 00:22:35,903
Grant: SO FAR, WE HAVEN'T HAD
ANY SUCCESS AT ALL
1044
00:22:35,904 --> 00:22:37,554
THE MYTH
OF THE CLOWN CAR CRASH...
1045
00:22:37,557 --> 00:22:38,389
WITH USING BALLOONS AS AIRBAGS.
1046
00:22:38,390 --> 00:22:39,222
THE MYTH
OF THE CLOWN CAR CRASH...
1047
00:22:39,225 --> 00:22:39,607
THEY JUST DON'T CUT IT.
1048
00:22:39,608 --> 00:22:39,990
THE MYTH
OF THE CLOWN CAR CRASH...
1049
00:22:39,992 --> 00:22:41,659
SO WHAT WE NEED TO DO NOW
IS LOOK AT BALLOONS
1050
00:22:41,660 --> 00:22:43,327
THE MYTH
OF THE CLOWN CAR CRASH...
1051
00:22:43,329 --> 00:22:44,612
AND FIND OUT WHICH ONE
ABSORBS THE MOST ENERGY,
1052
00:22:44,613 --> 00:22:45,896
THE MYTH
OF THE CLOWN CAR CRASH...
1053
00:22:45,898 --> 00:22:47,832
AND TO DO THAT, I'M GOING TO
BUILD A BALLOON-CRUSHING RIG.
1054
00:22:47,833 --> 00:22:49,767
THE MYTH
OF THE CLOWN CAR CRASH...
1055
00:22:49,769 --> 00:22:50,585
Narrator:
AND TO RUSTLE UP SAID RIG,
1056
00:22:50,586 --> 00:22:51,402
THE MYTH
OF THE CLOWN CAR CRASH...
1057
00:22:51,404 --> 00:22:53,504
GRANT FIRST WRESTLES UP
SOME GIANT METAL RINGS.
1058
00:22:53,505 --> 00:22:55,605
THE MYTH
OF THE CLOWN CAR CRASH...
1059
00:22:55,608 --> 00:22:56,541
HULA HOOP ANYONE?
1060
00:22:56,542 --> 00:22:57,475
THE MYTH
OF THE CLOWN CAR CRASH...
1061
00:22:58,211 --> 00:22:58,609
OW.
1062
00:22:58,611 --> 00:23:00,228
Narrator: WHICH ARE THEN
WELDED TOGETHER INTO A TUBE.
1063
00:23:00,229 --> 00:23:01,846
OW.
1064
00:23:01,848 --> 00:23:02,780
IT'S SCIENCE!
1065
00:23:02,781 --> 00:23:03,713
OW.
1066
00:23:03,716 --> 00:23:05,316
BEFORE BEING PLASTERED
WITH PLASTIC.
1067
00:23:05,317 --> 00:23:06,917
OW.
1068
00:23:08,454 --> 00:23:08,886
DONE.
1069
00:23:08,888 --> 00:23:10,371
Narrator:
THEN JUST TWO THINGS REMAIN.
1070
00:23:10,372 --> 00:23:11,855
DONE.
1071
00:23:11,858 --> 00:23:13,925
A WOODEN DROP DISC
WITH A DEAD-ON DIAMETER.
1072
00:23:13,926 --> 00:23:15,993
DONE.
1073
00:23:16,929 --> 00:23:17,628
GOOD.
1074
00:23:17,630 --> 00:23:19,113
AND AN EXPLANATION
OF HOW ON EARTH IT WORKS.
1075
00:23:19,114 --> 00:23:20,597
GOOD.
1076
00:23:20,600 --> 00:23:22,050
SO THE BALLOON BASHER
IS FINALLY FINISHED.
1077
00:23:22,051 --> 00:23:23,501
GOOD.
1078
00:23:23,503 --> 00:23:24,752
I'VE GOT MY
POLYCARBONATE CYLINDER
1079
00:23:24,753 --> 00:23:26,002
GOOD.
1080
00:23:26,005 --> 00:23:26,854
WITH THE
STEEL-REINFORCING FRAME.
1081
00:23:26,855 --> 00:23:27,704
GOOD.
1082
00:23:27,707 --> 00:23:29,574
I'VE ADDED THIS PLUNGER RIGHT
HERE WITH THE 50-POUND WEIGHT.
1083
00:23:29,575 --> 00:23:31,442
GOOD.
1084
00:23:31,444 --> 00:23:33,744
NOW, THE IDEA IS THAT WE DROP
THIS ONTO EACH TYPE OF BALLOON.
1085
00:23:33,745 --> 00:23:36,045
GOOD.
1086
00:23:36,048 --> 00:23:36,414
USING THE SAME WEIGHT
1087
00:23:36,415 --> 00:23:36,781
GOOD.
1088
00:23:36,783 --> 00:23:37,882
AND THE SAME
VOLUME OF BALLOONS EACH TIME,
1089
00:23:37,883 --> 00:23:38,982
GOOD.
1090
00:23:38,985 --> 00:23:40,635
WE CAN COMPARE AND FIND OUT
WHICH TYPE OF BALLOON
1091
00:23:40,636 --> 00:23:42,286
GOOD.
1092
00:23:42,288 --> 00:23:42,787
ABSORBS THE MOST ENERGY.
1093
00:23:42,788 --> 00:23:43,287
GOOD.
1094
00:23:43,289 --> 00:23:43,921
Narrator:
WITH THE RIG AT THE READY,
1095
00:23:43,922 --> 00:23:44,554
GOOD.
1096
00:23:44,557 --> 00:23:46,891
THE TESTING CAN TUMBLE
STARTING WITH THE CONTROL.
1097
00:23:46,892 --> 00:23:49,226
GOOD.
1098
00:23:49,228 --> 00:23:49,493
HERE WE GO.
1099
00:23:49,494 --> 00:23:49,759
GOOD.
1100
00:23:49,762 --> 00:23:50,728
THIS IS CONTROL TEST
WITH NO BALLOONS
1101
00:23:50,729 --> 00:23:51,695
GOOD.
1102
00:23:51,697 --> 00:23:52,763
IN THREE, TWO, ONE...
1103
00:23:52,764 --> 00:23:53,830
GOOD.
1104
00:23:55,401 --> 00:23:56,734
OKAY.
1105
00:23:58,304 --> 00:24:01,939
OKAY, CONTROL IS 100 G's.
1106
00:24:04,477 --> 00:24:07,711
Narrator: NEXT, IT'S TIME
TO BRING ON THE BALLOONS.
1107
00:24:07,713 --> 00:24:07,878
8...
1108
00:24:07,879 --> 00:24:08,044
Narrator: NEXT, IT'S TIME
TO BRING ON THE BALLOONS.
1109
00:24:08,047 --> 00:24:09,463
BEGINNING WITH THE TYPE
FROM THEIR EARLIER TEST.
1110
00:24:09,464 --> 00:24:10,880
Narrator: NEXT, IT'S TIME
TO BRING ON THE BALLOONS.
1111
00:24:10,883 --> 00:24:12,483
15 AIR-FILLED
LATEX BALLOONS.
1112
00:24:12,484 --> 00:24:14,084
Narrator: NEXT, IT'S TIME
TO BRING ON THE BALLOONS.
1113
00:24:14,086 --> 00:24:15,603
IN THREE, TWO, ONE.
1114
00:24:15,604 --> 00:24:17,121
Narrator: NEXT, IT'S TIME
TO BRING ON THE BALLOONS.
1115
00:24:17,123 --> 00:24:21,392
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1116
00:24:21,394 --> 00:24:22,527
BARELY CURTAILED
THE CRUSHER AT ALL
1117
00:24:22,528 --> 00:24:23,661
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1118
00:24:23,663 --> 00:24:25,513
AS THE ACCELEROMETER DATA
ALMOST MATCHES THE CONTROL.
1119
00:24:25,514 --> 00:24:27,364
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1120
00:24:27,366 --> 00:24:28,666
NOW, WE'RE GONNA MOVE ON
AND SEE WHICH IS BETTER --
1121
00:24:28,667 --> 00:24:29,967
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1122
00:24:29,969 --> 00:24:31,452
DIFFERENT MATERIALS
AND DIFFERENT SHAPES LIKE THIS.
1123
00:24:31,453 --> 00:24:32,936
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1124
00:24:32,939 --> 00:24:33,154
[ BARKS ]
1125
00:24:33,155 --> 00:24:33,370
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1126
00:24:33,372 --> 00:24:35,756
Narrator: WITH NO BALLOON
LEFT BEHIND, NEXT UP IT'S...
1127
00:24:35,757 --> 00:24:38,141
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1128
00:24:38,144 --> 00:24:38,442
BALLOON ANIMAL!
1129
00:24:38,443 --> 00:24:38,741
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1130
00:24:38,744 --> 00:24:40,478
Narrator: TO ENSURE
A CORRECT COMPARISON...
1131
00:24:40,479 --> 00:24:42,213
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1132
00:24:42,215 --> 00:24:42,530
LOOK AT THAT ONE.
1133
00:24:42,531 --> 00:24:42,846
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1134
00:24:42,849 --> 00:24:43,665
THAT'S NOT
A FREAK OF NATURE AT ALL.
1135
00:24:43,666 --> 00:24:44,482
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1136
00:24:44,484 --> 00:24:46,567
...THE GUYS FILL THE CYLINDER
TO PRECISELY THE SAME DEPTH.
1137
00:24:46,568 --> 00:24:48,651
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1138
00:24:48,654 --> 00:24:50,354
I'M MAKING A PTERODACTYL.
[ SQUAWKS ]
1139
00:24:50,355 --> 00:24:52,055
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1140
00:24:52,058 --> 00:24:53,224
BUT WILL THEIR
CURIOUS CREATIONS...
1141
00:24:53,225 --> 00:24:54,391
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1142
00:24:54,393 --> 00:24:55,192
OH,
THAT'S A GOOD ONE.
1143
00:24:55,193 --> 00:24:55,992
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1144
00:24:55,995 --> 00:24:56,594
YEAH. IT'S AN OCTOPUS.
1145
00:24:56,595 --> 00:24:57,194
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1146
00:24:57,196 --> 00:24:58,512
...LOWER THE G-LOAD AT ALL?
1147
00:24:58,513 --> 00:24:59,829
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1148
00:24:59,832 --> 00:25:02,366
BALLOON ANIMAL
IN THREE, TWO, ONE...
1149
00:25:02,367 --> 00:25:04,901
IMMEDIATELY, IT'S CLEAR
THAT THE REGULAR LATEX BALLOONS
1150
00:25:06,339 --> 00:25:08,072
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1151
00:25:08,074 --> 00:25:09,891
THAT WORKED BETTER
THAN I THOUGHT IT WOULD.
1152
00:25:09,892 --> 00:25:11,709
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1153
00:25:11,711 --> 00:25:12,126
THIS IS REALLY COOL.
1154
00:25:12,127 --> 00:25:12,542
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1155
00:25:12,545 --> 00:25:13,377
LOOK, IT GOES
FROM 100 TO 6.
1156
00:25:13,378 --> 00:25:14,210
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1157
00:25:14,213 --> 00:25:15,446
WE GOT 6 G's
FROM THE BALLOON ANIMALS?
1158
00:25:15,447 --> 00:25:16,680
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1159
00:25:16,682 --> 00:25:16,864
YEAH.
1160
00:25:16,865 --> 00:25:17,047
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1161
00:25:17,049 --> 00:25:18,949
WITH THE G-LOAD
SLASHED SO SIGNIFICANTLY,
1162
00:25:18,950 --> 00:25:20,850
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1163
00:25:20,853 --> 00:25:22,787
BALLOON ANIMALS
MAY YET BE TOP DOG.
1164
00:25:22,788 --> 00:25:24,722
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1165
00:25:24,724 --> 00:25:25,506
BUT NEXT IT'S...
1166
00:25:25,507 --> 00:25:26,289
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1167
00:25:26,292 --> 00:25:27,541
LITTLE BALLOONS.
1168
00:25:27,542 --> 00:25:28,791
[ CHUCKLES ]
THAT WORKED PRETTY GOOD.
1169
00:25:29,262 --> 00:25:32,062
ALL RIGHT,
SMALL LATEX PARTY BALLOONS.
1170
00:25:32,064 --> 00:25:32,997
THEY'RE SO ADORABLE.
1171
00:25:32,998 --> 00:25:33,931
ALL RIGHT,
SMALL LATEX PARTY BALLOONS.
1172
00:25:33,933 --> 00:25:35,082
THREE, TWO, ONE.
1173
00:25:35,083 --> 00:25:36,232
ALL RIGHT,
SMALL LATEX PARTY BALLOONS.
1174
00:25:36,536 --> 00:25:40,237
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1175
00:25:40,239 --> 00:25:40,821
Narrator: TORY'S RIGHT.
1176
00:25:40,822 --> 00:25:41,404
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1177
00:25:41,407 --> 00:25:42,823
THESE MINIATURE MARVELS
DID SUCH A GOOD JOB
1178
00:25:42,824 --> 00:25:44,240
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1179
00:25:44,243 --> 00:25:45,810
THAT THEY CUT THE G's
TO JUST 2.8.
1180
00:25:45,811 --> 00:25:47,378
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1181
00:25:47,380 --> 00:25:50,064
BUT CAN THAT BE BETTERED
WITH THE NEXT PARTY PITCH?
1182
00:25:50,065 --> 00:25:52,749
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1183
00:25:52,752 --> 00:25:53,100
BIG BALLOON.
1184
00:25:53,101 --> 00:25:53,449
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1185
00:25:53,452 --> 00:25:54,401
Narrator: THE ADVANTAGE
OF THESE BAD BOYS
1186
00:25:54,402 --> 00:25:55,351
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1187
00:25:55,354 --> 00:25:56,921
IS THAT THEY'RE MADE
OF A THICKER LATEX,
1188
00:25:56,922 --> 00:25:58,489
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1189
00:25:58,491 --> 00:25:59,891
WHICH COULD LOWER THE LOAD.
1190
00:25:59,892 --> 00:26:01,292
THEY MIGHT BE LITTLE, BUT MAN,
THEY DO A GOOD JOB!
1191
00:26:02,762 --> 00:26:04,962
WAAHH!
1192
00:26:04,964 --> 00:26:05,413
OW!
1193
00:26:05,414 --> 00:26:05,863
WAAHH!
1194
00:26:05,865 --> 00:26:07,181
Tory: ALL RIGHT,
GIANT PARTY BALLOONS.
1195
00:26:07,182 --> 00:26:08,498
WAAHH!
1196
00:26:08,501 --> 00:26:10,568
HERE WE GO,
IN THREE, TWO, ONE...
1197
00:26:10,569 --> 00:26:12,636
WAAHH!
1198
00:26:13,472 --> 00:26:14,905
OH, MY GOD.
COME LOOK AT THIS ONE.
1199
00:26:14,907 --> 00:26:15,523
LOOK AT THE OVERSIZE ONE.
1200
00:26:15,524 --> 00:26:16,140
OH, MY GOD.
COME LOOK AT THIS ONE.
1201
00:26:16,142 --> 00:26:17,141
WE'VE GOT 2.
1202
00:26:17,142 --> 00:26:18,141
OH, MY GOD.
COME LOOK AT THIS ONE.
1203
00:26:18,144 --> 00:26:18,943
I THINK WE HAVE A WINNER!
1204
00:26:18,944 --> 00:26:19,743
OH, MY GOD.
COME LOOK AT THIS ONE.
1205
00:26:19,745 --> 00:26:20,411
I KNOW, ISN'T THAT CRAZY?
1206
00:26:20,412 --> 00:26:21,078
OH, MY GOD.
COME LOOK AT THIS ONE.
1207
00:26:21,080 --> 00:26:21,379
THAT'S AWESOME!
1208
00:26:21,380 --> 00:26:21,679
OH, MY GOD.
COME LOOK AT THIS ONE.
1209
00:26:21,681 --> 00:26:23,047
SO, NOW WHAT WE NEED TO DO
IS TAKE THIS TO FULL SCALE,
1210
00:26:23,048 --> 00:26:24,414
OH, MY GOD.
COME LOOK AT THIS ONE.
1211
00:26:24,417 --> 00:26:27,385
FILL UP A CAR, DROP IT, AND SEE
IF IT SAVES A CLOWN'S LIFE.
1212
00:26:27,386 --> 00:26:30,354
OH, MY GOD.
COME LOOK AT THIS ONE.
1213
00:26:30,489 --> 00:26:33,490
YEAH, NOW IT'S A PARTY.
1214
00:26:33,492 --> 00:26:34,458
WHOO-HOO!
1215
00:26:34,459 --> 00:26:35,425
YEAH, NOW IT'S A PARTY.
1216
00:26:35,428 --> 00:26:38,412
OW.
1217
00:26:38,413 --> 00:26:41,397
YEAH, NOW IT'S A PARTY.
1218
00:26:41,400 --> 00:26:42,950
PLEASE DON'T TRY ANYTHING
YOU'RE ABOUT TO SEE AT HOME.
1219
00:26:42,951 --> 00:26:44,501
YEAH, NOW IT'S A PARTY.
1220
00:26:44,503 --> 00:26:45,803
WE'RE
WHAT YOU CALL EXPERTS.
1221
00:26:45,804 --> 00:26:47,104
YEAH, NOW IT'S A PARTY.
1222
00:26:50,810 --> 00:26:54,044
IN THREE, TWO, ONE...
1223
00:26:54,046 --> 00:26:54,261
WHOA!
1224
00:26:54,262 --> 00:26:54,477
IN THREE, TWO, ONE...
1225
00:26:54,480 --> 00:26:55,780
Narrator:
ADAM AND JAMIE'S OPEN-AIR BLAST
1226
00:26:55,781 --> 00:26:57,081
IN THREE, TWO, ONE...
1227
00:26:57,083 --> 00:26:58,282
IS BEAUTIFULLY DONE AND DUSTED,
1228
00:26:58,283 --> 00:26:59,482
IN THREE, TWO, ONE...
1229
00:26:59,485 --> 00:27:01,102
WHICH MEANS NOW,
IT'S TIME TO DIG DEEPER.
1230
00:27:01,103 --> 00:27:02,720
IN THREE, TWO, ONE...
1231
00:27:02,722 --> 00:27:03,571
WE ARE TIED IN HERE.
1232
00:27:03,572 --> 00:27:04,421
IN THREE, TWO, ONE...
1233
00:27:04,423 --> 00:27:05,773
FIRST UP IS THE CONTROL TRENCH.
1234
00:27:05,774 --> 00:27:07,124
IN THREE, TWO, ONE...
1235
00:27:07,126 --> 00:27:07,525
HERE WE ARE.
1236
00:27:07,526 --> 00:27:07,925
IN THREE, TWO, ONE...
1237
00:27:07,927 --> 00:27:10,077
50 FEET OF GREEN STRAIGHTAWAY
THAT'S ABOUT TO GET ROCKED.
1238
00:27:10,078 --> 00:27:12,228
IN THREE, TWO, ONE...
1239
00:27:12,231 --> 00:27:12,780
Jamie: ALL RIGHT.
1240
00:27:12,781 --> 00:27:13,330
IN THREE, TWO, ONE...
1241
00:27:13,332 --> 00:27:15,933
STRAIGHT TRENCH
IN THREE, TWO, ONE...
1242
00:27:15,934 --> 00:27:18,535
IN THREE, TWO, ONE...
1243
00:27:20,573 --> 00:27:21,872
WOW!
1244
00:27:26,112 --> 00:27:27,678
THINGS ARE FALLING.
YEAH.
1245
00:27:27,680 --> 00:27:29,146
[ Laughing ] MANY THINGS
ARE FALLING FROM THE SKY.
1246
00:27:29,147 --> 00:27:30,613
THINGS ARE FALLING.
YEAH.
1247
00:27:30,616 --> 00:27:32,333
THAT WAS SPECTACULAR.
1248
00:27:32,334 --> 00:27:34,051
THINGS ARE FALLING.
YEAH.
1249
00:27:36,722 --> 00:27:40,791
Narrator:
SPECTACULAR AND SPINE-CHILLING.
1250
00:27:40,793 --> 00:27:41,392
[ CHUCKLES ]
OH, MAN.
1251
00:27:41,393 --> 00:27:41,992
Narrator:
SPECTACULAR AND SPINE-CHILLING.
1252
00:27:41,994 --> 00:27:44,044
THEIR STRAIGHT AND TRUE TRENCH
HAS BEEN WELL AND TRULY TRASHED.
1253
00:27:44,045 --> 00:27:46,095
Narrator:
SPECTACULAR AND SPINE-CHILLING.
1254
00:27:46,098 --> 00:27:47,197
Adam: WELL,
OUR FIRST TRENCH TEST WAS --
1255
00:27:47,198 --> 00:27:48,297
Narrator:
SPECTACULAR AND SPINE-CHILLING.
1256
00:27:48,300 --> 00:27:50,100
I THINK THE WORD
I'M GOING TO USE IS GANGBUSTERS!
1257
00:27:50,101 --> 00:27:51,901
Narrator:
SPECTACULAR AND SPINE-CHILLING.
1258
00:27:53,139 --> 00:27:54,471
THE LEVEL OF DESTRUCTION IS
1259
00:27:54,473 --> 00:27:56,473
REALLY SHOCKINGLY HIGHER
THAN I WOULD HAVE EXPECTED.
1260
00:27:56,474 --> 00:27:58,474
THE LEVEL OF DESTRUCTION IS
1261
00:27:58,477 --> 00:27:59,610
THE FIREBALL ITSELF
1262
00:27:59,611 --> 00:28:00,744
THE LEVEL OF DESTRUCTION IS
1263
00:28:00,746 --> 00:28:03,063
REACHED ALMOST 35 FEET
DOWN THIS TRENCH.
1264
00:28:03,064 --> 00:28:05,381
THE LEVEL OF DESTRUCTION IS
1265
00:28:05,384 --> 00:28:07,017
IT IS -- IT'S HORRIFYING.
1266
00:28:07,018 --> 00:28:08,651
THE LEVEL OF DESTRUCTION IS
1267
00:28:08,654 --> 00:28:09,537
IT'S JUST HORRIFYING.
1268
00:28:09,538 --> 00:28:10,421
THE LEVEL OF DESTRUCTION IS
1269
00:28:12,291 --> 00:28:15,125
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1270
00:28:15,127 --> 00:28:16,243
SUGGEST THAT
THE BLAST WAS HARSH,
1271
00:28:16,244 --> 00:28:17,360
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1272
00:28:17,363 --> 00:28:18,446
BUT WHAT DO THE PCB SENSORS SAY?
1273
00:28:18,447 --> 00:28:19,530
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1274
00:28:19,532 --> 00:28:21,198
Adam: WELL, OUR PRESSURE SENSOR
DATA FROM THE TRENCH TEST
1275
00:28:21,199 --> 00:28:22,865
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1276
00:28:22,868 --> 00:28:23,500
IS VERY, VERY INTERESTING.
1277
00:28:23,501 --> 00:28:24,133
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1278
00:28:24,136 --> 00:28:25,019
EDITORS, WILL YOU HELP ME OUT?
1279
00:28:25,020 --> 00:28:25,903
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1280
00:28:25,905 --> 00:28:26,570
DRAW TWO LINES.
1281
00:28:26,571 --> 00:28:27,236
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1282
00:28:27,239 --> 00:28:27,488
FANTASTIC.
1283
00:28:27,489 --> 00:28:27,738
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1284
00:28:27,740 --> 00:28:29,156
LABEL ONE "TRENCH"
AND ONE "ABOVE GROUND."
1285
00:28:29,157 --> 00:28:30,573
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1286
00:28:30,576 --> 00:28:32,109
NOW PUT DOWN
THE SENSOR DATA THAT WE GOT.
1287
00:28:32,110 --> 00:28:33,643
Narrator: BOTH THE HIJINKS
AND THE HIGH SPEED
1288
00:28:34,580 --> 00:28:35,379
SEE THAT?
1289
00:28:35,381 --> 00:28:35,679
SEE THAT?
1290
00:28:35,680 --> 00:28:35,978
SEE THAT?
1291
00:28:35,981 --> 00:28:36,430
THE TRENCH SEEMS TO
1292
00:28:36,431 --> 00:28:36,880
SEE THAT?
1293
00:28:36,882 --> 00:28:38,032
HAVE AN AMPLIFYING EFFECT
ON THE SHOCKWAVE.
1294
00:28:38,033 --> 00:28:39,183
SEE THAT?
1295
00:28:39,185 --> 00:28:40,968
IT'S SIGNIFICANTLY HIGHER
IN THE TRENCH THAN ABOVE GROUND.
1296
00:28:40,969 --> 00:28:42,752
SEE THAT?
1297
00:28:42,755 --> 00:28:43,804
NOW, DOES
THE SHAPE OF THE TRENCH
1298
00:28:43,805 --> 00:28:44,854
SEE THAT?
1299
00:28:44,857 --> 00:28:45,439
AFFECT THAT AMPLIFICATION?
1300
00:28:45,440 --> 00:28:46,022
SEE THAT?
1301
00:28:46,025 --> 00:28:47,508
WELL, THAT'S THE QUESTION,
ISN'T IT?
1302
00:28:47,509 --> 00:28:48,992
SEE THAT?
1303
00:28:52,131 --> 00:28:54,898
Narrator:
IN "PARTY BALLOON PILEUP,"
1304
00:28:54,900 --> 00:28:56,283
THE GUYS NOW KNOW
THE BEST-CASE BALLOON.
1305
00:28:56,284 --> 00:28:57,667
Narrator:
IN "PARTY BALLOON PILEUP,"
1306
00:28:57,670 --> 00:28:58,619
I THINK
WE HAVE WINNER!
1307
00:28:58,620 --> 00:28:59,569
Narrator:
IN "PARTY BALLOON PILEUP,"
1308
00:28:59,572 --> 00:29:01,105
SO CUE MORE CAR-CRASH CARNAGE.
1309
00:29:01,106 --> 00:29:02,639
Narrator:
IN "PARTY BALLOON PILEUP,"
1310
00:29:02,641 --> 00:29:03,907
Tory: WE'RE GONNA RUN THE TEST
THE EXACT SAME WAY.
1311
00:29:03,908 --> 00:29:05,174
Narrator:
IN "PARTY BALLOON PILEUP,"
1312
00:29:05,177 --> 00:29:05,559
WE HAVE OUR TWO CLOWNS --
1313
00:29:05,560 --> 00:29:05,942
Narrator:
IN "PARTY BALLOON PILEUP,"
1314
00:29:05,945 --> 00:29:06,560
ONE IN THE PASSENGER SEAT
WITHOUT A SEATBELT,
1315
00:29:06,561 --> 00:29:07,176
Narrator:
IN "PARTY BALLOON PILEUP,"
1316
00:29:07,179 --> 00:29:08,562
ONE IN THE DRIVER SEAT
WITH THE SEATBELT.
1317
00:29:08,563 --> 00:29:09,946
Narrator:
IN "PARTY BALLOON PILEUP,"
1318
00:29:09,949 --> 00:29:11,032
BOTH OF THEM WILL HAVE
ACCELEROMETERS ATTACHED TO THEM.
1319
00:29:11,033 --> 00:29:12,116
Narrator:
IN "PARTY BALLOON PILEUP,"
1320
00:29:12,118 --> 00:29:12,800
WE'RE GONNA TAKE THE CAR UP
WITH THE CRANE,
1321
00:29:12,801 --> 00:29:13,483
Narrator:
IN "PARTY BALLOON PILEUP,"
1322
00:29:13,486 --> 00:29:15,503
DROP IT FROM 41 FEET SO IT'S
TRAVELING AT 35 MILES AN HOUR,
1323
00:29:15,504 --> 00:29:17,521
Narrator:
IN "PARTY BALLOON PILEUP,"
1324
00:29:17,523 --> 00:29:17,988
LET IT CRASH INTO THE GROUND,
1325
00:29:17,989 --> 00:29:18,454
Narrator:
IN "PARTY BALLOON PILEUP,"
1326
00:29:18,457 --> 00:29:20,291
AND SEE IF THE BALLOONS
MAKE A DIFFERENCE.
1327
00:29:20,292 --> 00:29:22,126
Narrator:
IN "PARTY BALLOON PILEUP,"
1328
00:29:22,695 --> 00:29:23,360
Narrator: REMEMBER,
1329
00:29:23,362 --> 00:29:24,378
WITH REGULAR LATEX BALLOONS,
1330
00:29:24,379 --> 00:29:25,395
Narrator: REMEMBER,
1331
00:29:25,397 --> 00:29:27,047
THE CLOWNS PEAKED AT 620 G's --
1332
00:29:27,048 --> 00:29:28,698
Narrator: REMEMBER,
1333
00:29:28,701 --> 00:29:30,184
SIX TIMES OVER THE LETHAL LIMIT.
1334
00:29:30,185 --> 00:29:31,668
Narrator: REMEMBER,
1335
00:29:31,670 --> 00:29:32,453
BUT FOR THIS TEST,
1336
00:29:32,454 --> 00:29:33,237
Narrator: REMEMBER,
1337
00:29:33,239 --> 00:29:34,989
THE GUYS AREN'T JUST OPTING FOR
THEIR OPTIMAL THICK BALLOONS.
1338
00:29:34,990 --> 00:29:36,740
Narrator: REMEMBER,
1339
00:29:36,742 --> 00:29:38,175
I LIKE TO PUMP SOME HELIUM
EVERY NOW AND AGAIN. YEAH.
1340
00:29:38,176 --> 00:29:39,609
Narrator: REMEMBER,
1341
00:29:39,612 --> 00:29:41,429
THEY'RE ALSO PACKING THEM IN
AS TIGHTLY AS POSSIBLE.
1342
00:29:41,430 --> 00:29:43,247
Narrator: REMEMBER,
1343
00:29:43,249 --> 00:29:45,149
THIS IS LIKE HOW WE USED TO
PACK FOR FAMILY TRIPS.
1344
00:29:45,150 --> 00:29:47,050
Narrator: REMEMBER,
1345
00:29:47,052 --> 00:29:47,885
Kari: TAKE HER UP.
1346
00:29:47,886 --> 00:29:48,719
Narrator: REMEMBER,
1347
00:29:48,721 --> 00:29:51,188
Tory: SO, WE'RE ABOUT TO DROP
THE CLOWN WITH THE BALLOONS.
1348
00:29:51,190 --> 00:29:52,523
NOW REMEMBER,
OUR BENCHMARK IS 100 G's.
1349
00:29:52,524 --> 00:29:53,857
Tory: SO, WE'RE ABOUT TO DROP
THE CLOWN WITH THE BALLOONS.
1350
00:29:53,859 --> 00:29:55,709
WE NEED TO SEE THE BALLOONS
DECREASE THE G-LOAD BELOW THAT.
1351
00:29:55,710 --> 00:29:57,560
Tory: SO, WE'RE ABOUT TO DROP
THE CLOWN WITH THE BALLOONS.
1352
00:29:57,563 --> 00:29:58,529
IF HE GOES OVER 100 G's,
1353
00:29:58,530 --> 00:29:59,496
Tory: SO, WE'RE ABOUT TO DROP
THE CLOWN WITH THE BALLOONS.
1354
00:29:59,498 --> 00:30:01,332
THE CLOWN IS DEAD
AND SO IS THIS MYTH.
1355
00:30:01,333 --> 00:30:03,167
Tory: SO, WE'RE ABOUT TO DROP
THE CLOWN WITH THE BALLOONS.
1356
00:30:04,236 --> 00:30:06,403
ALL RIGHT,
THIS IS CLOWN CAR DROP
1357
00:30:06,405 --> 00:30:07,187
WITH OUR BEST LATEX BALLOON.
1358
00:30:07,188 --> 00:30:07,970
ALL RIGHT,
THIS IS CLOWN CAR DROP
1359
00:30:07,973 --> 00:30:09,623
HERE WE GO IN THREE, TWO, ONE...
1360
00:30:09,624 --> 00:30:11,274
ALL RIGHT,
THIS IS CLOWN CAR DROP
1361
00:30:12,178 --> 00:30:12,876
YEAH.
1362
00:30:12,878 --> 00:30:13,844
OH!
1363
00:30:13,845 --> 00:30:14,811
YEAH.
1364
00:30:18,784 --> 00:30:19,483
[ LAUGHS ]
1365
00:30:19,485 --> 00:30:19,783
OH, MY GOSH!
1366
00:30:19,784 --> 00:30:20,082
[ LAUGHS ]
1367
00:30:20,085 --> 00:30:20,801
I THINK
IT MIGHT HAVE WORKED, MAN!
1368
00:30:20,802 --> 00:30:21,518
[ LAUGHS ]
1369
00:30:21,520 --> 00:30:22,886
I THINK THAT CLOWN
MAY HAVE SURVIVED.
1370
00:30:22,887 --> 00:30:24,253
[ LAUGHS ]
1371
00:30:25,691 --> 00:30:28,058
Kari: WHAT A BEAUTIFUL SIGHT.
1372
00:30:28,060 --> 00:30:30,394
I SAW THAT CLOWN CAR
DESCENDING TOWARDS THE EARTH,
1373
00:30:30,395 --> 00:30:32,729
Kari: WHAT A BEAUTIFUL SIGHT.
1374
00:30:32,731 --> 00:30:34,014
AND THEN I SAW THE HIGH SPEED.
1375
00:30:34,015 --> 00:30:35,298
Kari: WHAT A BEAUTIFUL SIGHT.
1376
00:30:36,302 --> 00:30:38,535
NOW, IN THE HIGH SPEED,
1377
00:30:38,537 --> 00:30:40,187
YOU ACTUALLY SEE THE CAR
START TO COMPACT.
1378
00:30:40,188 --> 00:30:41,838
NOW, IN THE HIGH SPEED,
1379
00:30:41,841 --> 00:30:42,189
THE BALLOONS SEPARATE
1380
00:30:42,190 --> 00:30:42,538
NOW, IN THE HIGH SPEED,
1381
00:30:42,541 --> 00:30:44,358
JUST ENOUGH FOR
A CLOWN FACE TO PEEK THROUGH
1382
00:30:44,359 --> 00:30:46,176
NOW, IN THE HIGH SPEED,
1383
00:30:46,178 --> 00:30:47,478
AND A CLOWN NOSE
TO DUST THE WINDSHIELD
1384
00:30:47,479 --> 00:30:48,779
NOW, IN THE HIGH SPEED,
1385
00:30:48,781 --> 00:30:50,331
AND THEN
START TO GO BACK INTO THE CAR,
1386
00:30:50,332 --> 00:30:51,882
NOW, IN THE HIGH SPEED,
1387
00:30:51,884 --> 00:30:53,701
AS IF THE BALLOONS ARE
BOUNCING HIM BACK.
1388
00:30:53,702 --> 00:30:55,519
NOW, IN THE HIGH SPEED,
1389
00:30:55,521 --> 00:30:57,020
ALL RIGHT, BYRON,
HOW'D WE DO?
1390
00:30:57,022 --> 00:30:58,071
DID EITHER GUY
GET UNDER 100 G's?
1391
00:30:58,072 --> 00:30:59,121
ALL RIGHT, BYRON,
HOW'D WE DO?
1392
00:30:59,124 --> 00:30:59,406
NOW, YOU REMEMBER
1393
00:30:59,407 --> 00:30:59,689
ALL RIGHT, BYRON,
HOW'D WE DO?
1394
00:30:59,692 --> 00:31:01,709
HE SUSTAINED OVER 600 G's
WITH JUST THE PARTY BALLOONS,
1395
00:31:01,710 --> 00:31:03,727
ALL RIGHT, BYRON,
HOW'D WE DO?
1396
00:31:03,729 --> 00:31:05,195
BUT THIS TIME ONLY 130.
1397
00:31:05,196 --> 00:31:06,662
ALL RIGHT, BYRON,
HOW'D WE DO?
1398
00:31:06,665 --> 00:31:06,830
WOW!
1399
00:31:06,831 --> 00:31:06,996
ALL RIGHT, BYRON,
HOW'D WE DO?
1400
00:31:06,999 --> 00:31:07,932
THAT IS A HUGE REDUCTION
IN THE G-LOAD,
1401
00:31:07,933 --> 00:31:08,866
ALL RIGHT, BYRON,
HOW'D WE DO?
1402
00:31:08,868 --> 00:31:09,617
BUT STILL,
130 G's TO YOUR BODY --
1403
00:31:09,618 --> 00:31:10,367
ALL RIGHT, BYRON,
HOW'D WE DO?
1404
00:31:10,369 --> 00:31:11,669
THERE IS NO WAY
YOU'RE GONNA SURVIVE THAT.
1405
00:31:11,670 --> 00:31:12,970
ALL RIGHT, BYRON,
HOW'D WE DO?
1406
00:31:12,972 --> 00:31:13,270
YEAH, UNFORTUNATELY,
1407
00:31:13,271 --> 00:31:13,569
ALL RIGHT, BYRON,
HOW'D WE DO?
1408
00:31:13,572 --> 00:31:14,204
WE'RE GONNA HAVE TO
CALL THIS ONE BUSTED.
1409
00:31:14,205 --> 00:31:14,837
ALL RIGHT, BYRON,
HOW'D WE DO?
1410
00:31:14,840 --> 00:31:15,272
[ GRUMBLES ]
TOTALLY BUSTED.
1411
00:31:15,273 --> 00:31:15,705
ALL RIGHT, BYRON,
HOW'D WE DO?
1412
00:31:15,708 --> 00:31:16,390
I THOUGHT FOR A SECOND THERE
1413
00:31:16,391 --> 00:31:17,073
ALL RIGHT, BYRON,
HOW'D WE DO?
1414
00:31:17,076 --> 00:31:17,741
IT HAD A GLIMMER OF HOPE.
1415
00:31:17,742 --> 00:31:18,407
ALL RIGHT, BYRON,
HOW'D WE DO?
1416
00:31:18,410 --> 00:31:19,359
NOPE. STILL DEAD.
1417
00:31:19,360 --> 00:31:20,309
ALL RIGHT, BYRON,
HOW'D WE DO?
1418
00:31:20,312 --> 00:31:23,080
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1419
00:31:23,082 --> 00:31:23,514
THE OVERSIZED LATEX BALLOON,
1420
00:31:23,515 --> 00:31:23,947
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1421
00:31:23,949 --> 00:31:25,065
WE WERE NOT ABLE TO
SAVE THE CLOWN'S LIFE,
1422
00:31:25,066 --> 00:31:26,182
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1423
00:31:26,185 --> 00:31:27,952
SO THIS MYTH IS BUSTED,
BUT WE'RE NOT GONNA STOP THERE.
1424
00:31:27,953 --> 00:31:29,720
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1425
00:31:29,722 --> 00:31:30,154
THIS IS "MYTHBUSTERS."
1426
00:31:30,155 --> 00:31:30,587
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1427
00:31:30,589 --> 00:31:30,971
IT'S TIME TO RAMP IT UP,
1428
00:31:30,972 --> 00:31:31,354
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1429
00:31:31,357 --> 00:31:32,189
SO WE'RE GONNA
GO BACK TO THE SHOP
1430
00:31:32,190 --> 00:31:33,022
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1431
00:31:33,025 --> 00:31:33,724
AND SEE IF WE CAN COME UP WITH
1432
00:31:33,725 --> 00:31:34,424
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1433
00:31:34,426 --> 00:31:35,509
SOME KIND OF
CONFIGURATION OF BALLOONS
1434
00:31:35,510 --> 00:31:36,593
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1435
00:31:36,595 --> 00:31:37,528
THAT COULD
SAVE THE CLOWN'S LIFE.
1436
00:31:37,529 --> 00:31:38,462
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1437
00:31:38,464 --> 00:31:40,064
Narrator:
IN THEIR EARLIER SHOP TESTS...
1438
00:31:40,065 --> 00:31:41,665
Tory: SO IT TURNS OUT
EVEN WITH OUR BEST BALLOON,
1439
00:31:41,667 --> 00:31:44,368
THEY MIGHT BE LITTLE,
BUT MAN, THEY DO A GOOD JOB!
1440
00:31:44,370 --> 00:31:46,137
...THE GUYS TESTED
ONE BALLOON TYPE AT A TIME.
1441
00:31:46,138 --> 00:31:47,905
THEY MIGHT BE LITTLE,
BUT MAN, THEY DO A GOOD JOB!
1442
00:31:47,907 --> 00:31:49,540
BUT NOW, IT'S ANYTHING GOES.
1443
00:31:49,541 --> 00:31:51,174
THEY MIGHT BE LITTLE,
BUT MAN, THEY DO A GOOD JOB!
1444
00:31:51,176 --> 00:31:51,408
GET TO WORK.
1445
00:31:51,409 --> 00:31:51,641
THEY MIGHT BE LITTLE,
BUT MAN, THEY DO A GOOD JOB!
1446
00:31:51,644 --> 00:31:52,593
AS THE MYTHBUSTERS
GO HEAD-TO-HEAD
1447
00:31:52,594 --> 00:31:53,543
THEY MIGHT BE LITTLE,
BUT MAN, THEY DO A GOOD JOB!
1448
00:31:53,545 --> 00:31:56,079
IN A QUEST TO FIND THE ULTIMATE
LIFE-SAVING BALLOON BARRIER.
1449
00:31:56,080 --> 00:31:58,614
THEY MIGHT BE LITTLE,
BUT MAN, THEY DO A GOOD JOB!
1450
00:31:58,617 --> 00:31:59,933
FIRST UP IS KARI...
1451
00:31:59,934 --> 00:32:01,250
THEY MIGHT BE LITTLE,
BUT MAN, THEY DO A GOOD JOB!
1452
00:32:02,821 --> 00:32:03,620
TOO MUCH.
1453
00:32:03,622 --> 00:32:03,871
TOO MUCH.
1454
00:32:03,872 --> 00:32:04,121
TOO MUCH.
1455
00:32:04,123 --> 00:32:04,572
Narrator: ...WHO'S MAKING
1456
00:32:04,573 --> 00:32:05,022
TOO MUCH.
1457
00:32:05,024 --> 00:32:07,308
WHAT CAN ONLY BE DESCRIBED AS
A WIENER WHOOPEE CUSHION.
1458
00:32:07,309 --> 00:32:09,593
TOO MUCH.
1459
00:32:12,298 --> 00:32:13,430
THAT MIGHT WORK.
1460
00:32:13,432 --> 00:32:14,515
THIS GIANT, MASSIVE
WEENIE BALLOON
1461
00:32:14,516 --> 00:32:15,599
THAT MIGHT WORK.
1462
00:32:15,601 --> 00:32:17,968
SHOULD TAKE CARE OF A COUPLE
ISSUES WITH THE BALLOON AIRBAG.
1463
00:32:17,969 --> 00:32:20,336
THAT MIGHT WORK.
1464
00:32:20,339 --> 00:32:21,055
ONE, THEY WON'T SEPARATE,
1465
00:32:21,056 --> 00:32:21,772
THAT MIGHT WORK.
1466
00:32:21,774 --> 00:32:22,773
SO THE CLOWN
CAN'T PUSH RIGHT THROUGH THEM
1467
00:32:22,774 --> 00:32:23,773
THAT MIGHT WORK.
1468
00:32:23,776 --> 00:32:24,458
WHEN HE ACTUALLY
GETS IN THE CRASH,
1469
00:32:24,459 --> 00:32:25,141
THAT MIGHT WORK.
1470
00:32:25,144 --> 00:32:26,360
AND TWO, THEY'RE ALL
A LITTLE UNDER-INFLATED,
1471
00:32:26,361 --> 00:32:27,577
THAT MIGHT WORK.
1472
00:32:27,579 --> 00:32:28,845
SO THAT YOU CAN'T POP THEM
WHEN HE HITS THEM.
1473
00:32:28,846 --> 00:32:30,112
THAT MIGHT WORK.
1474
00:32:30,115 --> 00:32:31,381
BESIDES,
MY CLOWN SENSEI ONCE SAID,
1475
00:32:31,382 --> 00:32:32,648
THAT MIGHT WORK.
1476
00:32:32,651 --> 00:32:34,802
"ONE BALLOON WEAK.
MANY BALLOONS STRONG."
1477
00:32:34,803 --> 00:32:36,954
THAT MIGHT WORK.
1478
00:32:36,956 --> 00:32:38,456
Narrator: MEANWHILE,
GRANT IS ALSO GOING FOR
1479
00:32:38,457 --> 00:32:39,957
THAT MIGHT WORK.
1480
00:32:39,959 --> 00:32:41,759
THE "MORE MEANS LESS" APPROACH.
1481
00:32:41,760 --> 00:32:43,560
THAT MIGHT WORK.
1482
00:32:43,562 --> 00:32:44,628
YOU KNOW WHAT THIS IS?
1483
00:32:44,629 --> 00:32:45,695
THAT MIGHT WORK.
1484
00:32:45,698 --> 00:32:46,964
THAT'S RIGHT.
1485
00:32:46,965 --> 00:32:48,231
THAT MIGHT WORK.
1486
00:32:48,233 --> 00:32:49,850
IT'S GIANT BUBBLE WRAP.
1487
00:32:49,851 --> 00:32:51,468
THAT MIGHT WORK.
1488
00:32:51,570 --> 00:32:53,003
Narrator: FINALLY, THERE'S TORY,
1489
00:32:53,005 --> 00:32:55,139
WHO'S COMBINING BALLOONS
FOR A REAL KNOCKOUT.
1490
00:32:55,140 --> 00:32:57,274
Narrator: FINALLY, THERE'S TORY,
1491
00:32:58,344 --> 00:33:01,044
I THINK WE'VE GOT A WINNER HERE.
1492
00:33:01,046 --> 00:33:01,411
YES SIR.
1493
00:33:01,412 --> 00:33:01,777
I THINK WE'VE GOT A WINNER HERE.
1494
00:33:01,780 --> 00:33:02,062
ALL RIGHT,
1495
00:33:02,063 --> 00:33:02,345
I THINK WE'VE GOT A WINNER HERE.
1496
00:33:02,348 --> 00:33:03,364
NOW WHAT I'M GOING TO DO
FOR MY BALLOON AIRBAG
1497
00:33:03,365 --> 00:33:04,381
I THINK WE'VE GOT A WINNER HERE.
1498
00:33:04,383 --> 00:33:06,050
IS TAKE THE GIANT LATEX BALLOONS
AND THE MYLAR BALLOON.
1499
00:33:06,051 --> 00:33:07,718
I THINK WE'VE GOT A WINNER HERE.
1500
00:33:07,720 --> 00:33:08,369
WHAT I'M GONNA DO
IS INCORPORATE THE TWO.
1501
00:33:08,370 --> 00:33:09,019
I THINK WE'VE GOT A WINNER HERE.
1502
00:33:09,021 --> 00:33:10,371
I'M GONNA STUFF THE MYLAR
WITH THE LATEX BALLOONS
1503
00:33:10,372 --> 00:33:11,722
I THINK WE'VE GOT A WINNER HERE.
1504
00:33:11,724 --> 00:33:13,574
BECAUSE ONE THING I WANT TO DO
IS KEEP THE BALLOONS TOGETHER
1505
00:33:13,575 --> 00:33:15,425
I THINK WE'VE GOT A WINNER HERE.
1506
00:33:15,427 --> 00:33:15,792
INSIDE THE MYLAR
1507
00:33:15,793 --> 00:33:16,158
I THINK WE'VE GOT A WINNER HERE.
1508
00:33:16,161 --> 00:33:17,377
AND HOPEFULLY
THAT'LL SAVE HIS LIFE.
1509
00:33:17,378 --> 00:33:18,594
I THINK WE'VE GOT A WINNER HERE.
1510
00:33:19,598 --> 00:33:21,565
OKAY, WHO'S FIRST?
1511
00:33:21,567 --> 00:33:21,899
I SAY LADIES FIRST.
1512
00:33:21,900 --> 00:33:22,232
OKAY, WHO'S FIRST?
1513
00:33:22,234 --> 00:33:23,433
YOU WANT THE WEENIE WHOPPER
WHOOPEE TO GO FIRST?
1514
00:33:23,434 --> 00:33:24,633
OKAY, WHO'S FIRST?
1515
00:33:24,636 --> 00:33:25,235
[ BOTH LAUGH ]
1516
00:33:25,236 --> 00:33:25,835
OKAY, WHO'S FIRST?
1517
00:33:25,838 --> 00:33:26,537
YEAH, LET'S DO IT.
1518
00:33:26,538 --> 00:33:27,237
OKAY, WHO'S FIRST?
1519
00:33:27,239 --> 00:33:27,421
OKAY.
1520
00:33:27,422 --> 00:33:27,604
OKAY, WHO'S FIRST?
1521
00:33:27,606 --> 00:33:28,105
Narrator: JUST LIKE LAST TIME,
1522
00:33:28,106 --> 00:33:28,605
OKAY, WHO'S FIRST?
1523
00:33:28,607 --> 00:33:30,224
KARI LOADS HER DESIGN
TO THE FOUR-FOOT MARKER
1524
00:33:30,225 --> 00:33:31,842
OKAY, WHO'S FIRST?
1525
00:33:31,844 --> 00:33:32,326
AND THEN TAKES THE PLUNGE.
1526
00:33:32,327 --> 00:33:32,809
OKAY, WHO'S FIRST?
1527
00:33:32,811 --> 00:33:35,495
OKAY, HERE WE GO
IN THREE, TWO, ONE...
1528
00:33:35,496 --> 00:33:38,180
OKAY, WHO'S FIRST?
1529
00:33:39,018 --> 00:33:41,952
OH, COME ON.
THAT WAS SO DELICATE.
1530
00:33:41,954 --> 00:33:42,803
LOOKED PRETTY GOOD.
1531
00:33:42,804 --> 00:33:43,653
OH, COME ON.
THAT WAS SO DELICATE.
1532
00:33:43,655 --> 00:33:44,021
BUT UNLIKE LAST TIME,
1533
00:33:44,022 --> 00:33:44,388
OH, COME ON.
THAT WAS SO DELICATE.
1534
00:33:44,390 --> 00:33:45,573
THEY'RE NOT GOING TO
DISCLOSE THE LOADS
1535
00:33:45,574 --> 00:33:46,757
OH, COME ON.
THAT WAS SO DELICATE.
1536
00:33:46,759 --> 00:33:48,058
UNTIL EACH DESIGN
HAS BEEN DROPPED.
1537
00:33:48,059 --> 00:33:49,358
OH, COME ON.
THAT WAS SO DELICATE.
1538
00:33:49,361 --> 00:33:52,629
NEXT UP, TORY'S
FOUR-HEART CORONARY DESIGN.
1539
00:33:52,630 --> 00:33:55,898
OH, COME ON.
THAT WAS SO DELICATE.
1540
00:33:55,901 --> 00:33:56,266
YOU KNOW WHAT I THINK?
1541
00:33:56,267 --> 00:33:56,632
OH, COME ON.
THAT WAS SO DELICATE.
1542
00:33:56,635 --> 00:33:57,651
I THINK IT'S GONNA GO...
[ RASPBERRIES ]
1543
00:33:57,652 --> 00:33:58,668
OH, COME ON.
THAT WAS SO DELICATE.
1544
00:33:58,670 --> 00:33:59,970
Tory: ALL RIGHT,
THIS IS STUFFED BALLOONS.
1545
00:33:59,971 --> 00:34:01,271
OH, COME ON.
THAT WAS SO DELICATE.
1546
00:34:01,273 --> 00:34:03,340
HERE WE GO
IN THREE, TWO, ONE...
1547
00:34:03,341 --> 00:34:05,408
OH, COME ON.
THAT WAS SO DELICATE.
1548
00:34:06,845 --> 00:34:08,178
THAT LOOKED REALLY GOOD.
1549
00:34:08,180 --> 00:34:08,495
YEAH.
1550
00:34:08,496 --> 00:34:08,811
THAT LOOKED REALLY GOOD.
1551
00:34:08,814 --> 00:34:10,714
Narrator: LAST, BUT NOT LEAST,
1552
00:34:10,716 --> 00:34:11,515
IT'S GRANT'S TURN TO GO DOWN.
1553
00:34:11,516 --> 00:34:12,315
Narrator: LAST, BUT NOT LEAST,
1554
00:34:12,317 --> 00:34:13,533
Grant: YOU GUYS
READY FOR THE MAGIC?
1555
00:34:13,534 --> 00:34:14,750
Narrator: LAST, BUT NOT LEAST,
1556
00:34:14,753 --> 00:34:15,402
Kari: YEAH, SHOWTIME.
1557
00:34:15,403 --> 00:34:16,052
Narrator: LAST, BUT NOT LEAST,
1558
00:34:16,055 --> 00:34:17,438
IN THREE, TWO, ONE...
1559
00:34:17,439 --> 00:34:18,822
Narrator: LAST, BUT NOT LEAST,
1560
00:34:20,659 --> 00:34:21,391
[ BALLOON POPS ]
1561
00:34:21,393 --> 00:34:21,959
OH, WE GOT
A COUPLE OF POPS,
1562
00:34:21,960 --> 00:34:22,526
[ BALLOON POPS ]
1563
00:34:22,528 --> 00:34:22,977
[ BALLOON POPS ]
BUT HEY --
1564
00:34:22,978 --> 00:34:23,427
[ BALLOON POPS ]
1565
00:34:23,429 --> 00:34:24,211
[ LAUGHS ]
MAYBE MORE THAN A COUPLE.
1566
00:34:24,212 --> 00:34:24,994
[ BALLOON POPS ]
1567
00:34:24,997 --> 00:34:25,929
ALL RIGHT.
LET'S SEE WHAT WE GOT.
1568
00:34:25,930 --> 00:34:26,862
[ BALLOON POPS ]
1569
00:34:26,865 --> 00:34:28,015
Narrator:
LIKE THE TWO BEFORE IT,
1570
00:34:28,016 --> 00:34:29,166
[ BALLOON POPS ]
1571
00:34:29,168 --> 00:34:30,000
GRANT'S RIG LOOKED RIGOROUS,
1572
00:34:30,001 --> 00:34:30,833
[ BALLOON POPS ]
1573
00:34:30,836 --> 00:34:32,052
BUT WHO WILL COME OUT ON TOP?
1574
00:34:32,053 --> 00:34:33,269
[ BALLOON POPS ]
1575
00:34:33,272 --> 00:34:34,638
OKAY, REMEMBER WE'RE LOOKING FOR
A NUMBER UNDER TWO G's,
1576
00:34:34,639 --> 00:34:36,005
[ BALLOON POPS ]
1577
00:34:36,008 --> 00:34:37,107
WHICH IS
WHAT OUR BIG BALLOONS GOT.
1578
00:34:37,108 --> 00:34:38,207
[ BALLOON POPS ]
1579
00:34:38,210 --> 00:34:39,476
MY CONTRAPTION WAS 3.8.
1580
00:34:39,477 --> 00:34:40,743
[ BALLOON POPS ]
1581
00:34:40,746 --> 00:34:41,278
CLOSE,
BUT NO CIGAR.
1582
00:34:41,279 --> 00:34:41,811
[ BALLOON POPS ]
1583
00:34:41,814 --> 00:34:42,496
THAT'S
A PRETTY GOOD SCORE THOUGH.
1584
00:34:42,497 --> 00:34:43,179
[ BALLOON POPS ]
1585
00:34:43,182 --> 00:34:43,714
NOT REALLY.
1586
00:34:43,715 --> 00:34:44,247
[ BALLOON POPS ]
1587
00:34:44,249 --> 00:34:44,948
YOU GOT 2.8.
1588
00:34:44,949 --> 00:34:45,648
[ BALLOON POPS ]
1589
00:34:45,651 --> 00:34:45,983
OH, CLOSER.
1590
00:34:45,984 --> 00:34:46,316
[ BALLOON POPS ]
1591
00:34:46,318 --> 00:34:48,168
AND GRANT,
YOU GOT 1.7!
1592
00:34:48,169 --> 00:34:50,019
[ BALLOON POPS ]
1593
00:34:50,022 --> 00:34:50,404
HEY, THAT'S GREAT!
1594
00:34:50,405 --> 00:34:50,787
[ BALLOON POPS ]
1595
00:34:50,789 --> 00:34:51,488
NOW TO GO FULL SCALE.
1596
00:34:51,489 --> 00:34:52,188
[ BALLOON POPS ]
1597
00:34:52,191 --> 00:34:53,240
OH, WE GOT
SOME WORK TO DO.
1598
00:34:53,241 --> 00:34:54,290
[ BALLOON POPS ]
1599
00:34:54,293 --> 00:34:55,559
SO, THIS IS
OUR WINNING SCENARIO.
1600
00:34:55,560 --> 00:34:56,826
[ BALLOON POPS ]
1601
00:34:56,829 --> 00:34:58,412
IT REDUCED THE IMPACT ENERGY
TO 1.7 G's.
1602
00:34:58,413 --> 00:34:59,996
[ BALLOON POPS ]
1603
00:34:59,998 --> 00:35:01,264
NOW WHAT WE NEED TO DO
IS MAKE 15 OR 20 OF THEM
1604
00:35:01,265 --> 00:35:02,531
[ BALLOON POPS ]
1605
00:35:02,534 --> 00:35:03,633
AND STUFF THEM INTO
EVERY PART OF THE CAR
1606
00:35:03,634 --> 00:35:04,733
[ BALLOON POPS ]
1607
00:35:04,736 --> 00:35:05,502
AND SEE IF IT SAVES THE CLOWN.
1608
00:35:05,503 --> 00:35:06,269
[ BALLOON POPS ]
1609
00:35:06,271 --> 00:35:07,571
Narrator: ON THE OTHER SIDE OF
THE BREAK,
1610
00:35:07,572 --> 00:35:08,872
[ BALLOON POPS ]
1611
00:35:08,874 --> 00:35:09,773
PROBABLY BETTER
IF YOU DON'T WATCH.
1612
00:35:09,774 --> 00:35:10,673
[ BALLOON POPS ]
1613
00:35:10,676 --> 00:35:11,425
THERE'S CLOWN CHAOS
1614
00:35:11,426 --> 00:35:12,175
[ BALLOON POPS ]
1615
00:35:12,177 --> 00:35:14,211
AND "TRENCH TORPEDO"
HITS PAYDIRT.
1616
00:35:14,212 --> 00:35:16,246
[ BALLOON POPS ]
1617
00:35:16,248 --> 00:35:19,082
BYE-BYE!
1618
00:35:19,083 --> 00:35:21,917
[ BALLOON POPS ]
1619
00:35:21,920 --> 00:35:22,386
WHAT'S ALL THIS?
1620
00:35:22,387 --> 00:35:22,853
[ BALLOON POPS ]
1621
00:35:22,855 --> 00:35:23,654
I PROPOSE A DUEL.
1622
00:35:23,655 --> 00:35:24,454
[ BALLOON POPS ]
1623
00:35:24,456 --> 00:35:24,705
YOU, ME,
1624
00:35:24,706 --> 00:35:24,955
[ BALLOON POPS ]
1625
00:35:24,957 --> 00:35:25,539
PAINTBALL GUN EACH,
1626
00:35:25,540 --> 00:35:26,122
[ BALLOON POPS ]
1627
00:35:26,125 --> 00:35:26,423
ONE TRENCH EACH.
1628
00:35:26,424 --> 00:35:26,722
[ BALLOON POPS ]
1629
00:35:26,725 --> 00:35:27,574
LET'S SEE
WHO CAN LAND THE FIRST SHOT.
1630
00:35:27,575 --> 00:35:28,424
[ BALLOON POPS ]
1631
00:35:28,427 --> 00:35:29,109
I'M THERE.
1632
00:35:29,110 --> 00:35:29,792
[ BALLOON POPS ]
1633
00:35:30,129 --> 00:35:30,961
[ CHUCKLES ]
1634
00:35:30,963 --> 00:35:31,528
JAMIE, ARE YOU READY?
1635
00:35:31,529 --> 00:35:32,094
[ CHUCKLES ]
1636
00:35:32,097 --> 00:35:32,796
I'M READY IF YOU ARE.
1637
00:35:32,797 --> 00:35:33,496
[ CHUCKLES ]
1638
00:35:33,499 --> 00:35:34,114
LET'S DO IT.
1639
00:35:34,115 --> 00:35:34,730
[ CHUCKLES ]
1640
00:35:35,100 --> 00:35:36,600
[ CHUCKLES ]
1641
00:35:38,103 --> 00:35:40,837
OH!
MY HEART IS POUNDING.
1642
00:35:42,975 --> 00:35:44,307
OW.
1643
00:35:44,309 --> 00:35:44,524
TRUCE!
1644
00:35:44,525 --> 00:35:44,740
OW.
1645
00:35:44,743 --> 00:35:45,309
I HAVE A HIT ON MY HEAD.
1646
00:35:45,310 --> 00:35:45,876
OW.
1647
00:35:45,878 --> 00:35:46,977
I DID IT!
THE WAR IS OVER.
1648
00:35:46,978 --> 00:35:48,077
OW.
1649
00:35:48,080 --> 00:35:51,098
WHOO!
1650
00:35:51,099 --> 00:35:54,117
OW.
1651
00:35:54,119 --> 00:35:55,469
Grant: SO FAR IN OUR
"PARTY BALLOON PILEUP" MYTH,
1652
00:35:55,470 --> 00:35:56,820
OW.
1653
00:35:56,822 --> 00:35:58,405
NOTHING HAS BEEN ABLE TO
SAVE THE CLOWN PASSENGER'S LIFE,
1654
00:35:58,406 --> 00:35:59,989
OW.
1655
00:35:59,992 --> 00:36:01,358
BUT WE ARE IN
THE BUSINESS OF EXTREME.
1656
00:36:01,359 --> 00:36:02,725
OW.
1657
00:36:02,728 --> 00:36:03,060
THAT'S WHY WE HAVE THIS.
1658
00:36:03,061 --> 00:36:03,393
OW.
1659
00:36:03,395 --> 00:36:05,262
THIS IS SOMETHING I LIKE TO CALL
BALLOON BUBBLE WRAP.
1660
00:36:05,263 --> 00:36:07,130
OW.
1661
00:36:07,733 --> 00:36:09,232
IT GOT THE LOWEST G-LOAD
1662
00:36:09,234 --> 00:36:10,901
OF ANYTHING WE TRIED
IN OUR DROP TESTS.
1663
00:36:10,902 --> 00:36:12,569
IT GOT THE LOWEST G-LOAD
1664
00:36:12,571 --> 00:36:13,287
IT'S FESTIVE AND PROTECTIVE.
1665
00:36:13,288 --> 00:36:14,004
IT GOT THE LOWEST G-LOAD
1666
00:36:14,006 --> 00:36:16,673
Narrator:
BUT WILL IT BE PROTECTIVE ENOUGH
IN A 35-MILE-AN-HOUR HEAD ON?
1667
00:36:16,674 --> 00:36:19,341
IT GOT THE LOWEST G-LOAD
1668
00:36:19,344 --> 00:36:20,427
PROBABLY BETTER
IF YOU DON'T WATCH.
1669
00:36:20,428 --> 00:36:21,511
IT GOT THE LOWEST G-LOAD
1670
00:36:21,513 --> 00:36:22,529
TO FIND OUT,
THE GUYS STUFFED THE CAR
1671
00:36:22,530 --> 00:36:23,546
IT GOT THE LOWEST G-LOAD
1672
00:36:23,549 --> 00:36:24,815
SO IT'S LITERALLY FIT TO BURST.
1673
00:36:24,816 --> 00:36:26,082
IT GOT THE LOWEST G-LOAD
1674
00:36:26,084 --> 00:36:28,001
Tory: YOU GUYS ARE
PACKED IN THERE LIKE SARDINES.
1675
00:36:28,002 --> 00:36:29,919
IT GOT THE LOWEST G-LOAD
1676
00:36:31,690 --> 00:36:33,023
THAT OUGHT TO DO IT.
1677
00:36:33,025 --> 00:36:34,024
Kari: NOW, WITH THIS
LAST AND FINAL TEST,
1678
00:36:34,025 --> 00:36:35,024
THAT OUGHT TO DO IT.
1679
00:36:35,027 --> 00:36:37,010
WE'RE TRYING TO
GET BELOW 100 G's ON OUR CLOWN.
1680
00:36:37,011 --> 00:36:38,994
THAT OUGHT TO DO IT.
1681
00:36:38,997 --> 00:36:39,846
THAT IS OUR BENCHMARK
FOR SURVIVABILITY.
1682
00:36:39,847 --> 00:36:40,696
THAT OUGHT TO DO IT.
1683
00:36:40,699 --> 00:36:42,282
WE'VE ADDRESSED ALL THE PROBLEMS
THAT WE'VE EXPERIENCED
1684
00:36:42,283 --> 00:36:43,866
THAT OUGHT TO DO IT.
1685
00:36:43,869 --> 00:36:44,318
WITH ALL THE OTHER BALLOONS.
1686
00:36:44,319 --> 00:36:44,768
THAT OUGHT TO DO IT.
1687
00:36:44,770 --> 00:36:46,453
WE HAVE SMALL BALLOONS
ON SHEETS OF PLASTIC.
1688
00:36:46,454 --> 00:36:48,137
THAT OUGHT TO DO IT.
1689
00:36:48,140 --> 00:36:48,522
THAT WAY, THE CLOWN CAN'T
1690
00:36:48,523 --> 00:36:48,905
THAT OUGHT TO DO IT.
1691
00:36:48,907 --> 00:36:49,589
PUSH THROUGH
THE MIDDLE OF BALLOONS
1692
00:36:49,590 --> 00:36:50,272
THAT OUGHT TO DO IT.
1693
00:36:50,275 --> 00:36:51,224
AND IF
ONE LITTLE BALLOON BREAKS,
1694
00:36:51,225 --> 00:36:52,174
THAT OUGHT TO DO IT.
1695
00:36:52,177 --> 00:36:52,943
IT'S NOT GONNA
CREATE A BIG CAVITY
1696
00:36:52,944 --> 00:36:53,710
THAT OUGHT TO DO IT.
1697
00:36:53,712 --> 00:36:54,878
WHERE THE CLOWN CAN ACTUALLY
FALL INTO THE WINDSHIELD.
1698
00:36:54,879 --> 00:36:56,045
THAT OUGHT TO DO IT.
1699
00:36:56,048 --> 00:36:58,282
Narrator:
IT'S A SOUPED-UP SOLUTION
THAT'S DO OR DIE FOR THE MYTH.
1700
00:36:58,283 --> 00:37:00,517
THAT OUGHT TO DO IT.
1701
00:37:00,519 --> 00:37:02,152
IF THIS DOESN'T WORK,
NOTHING WILL.
1702
00:37:02,153 --> 00:37:03,786
THAT OUGHT TO DO IT.
1703
00:37:04,489 --> 00:37:06,056
ALL RIGHT.
HERE WE GO.
1704
00:37:06,058 --> 00:37:07,174
THIS IS BUBBLE WRAP,
1705
00:37:07,175 --> 00:37:08,291
ALL RIGHT.
HERE WE GO.
1706
00:37:08,293 --> 00:37:10,393
IN THREE, TWO, ONE...
1707
00:37:10,394 --> 00:37:12,494
ALL RIGHT.
HERE WE GO.
1708
00:37:18,270 --> 00:37:19,202
[ LAUGHS ]
1709
00:37:19,204 --> 00:37:20,554
IT DID NOT LOOK GOOD.
1710
00:37:20,555 --> 00:37:21,905
[ LAUGHS ]
1711
00:37:22,474 --> 00:37:26,776
LET'S GO CHECK THE DATA
FOR THE "PARTY BALLOON PILEUP."
1712
00:37:28,013 --> 00:37:29,412
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1713
00:37:29,414 --> 00:37:30,013
WITH
THE BALLOON BUBBLE WRAP?
1714
00:37:30,014 --> 00:37:30,613
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1715
00:37:30,616 --> 00:37:33,050
OKAY, SO THE PASSENGER'S HEAD
PEAKED AT 220 G's
1716
00:37:33,051 --> 00:37:35,485
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1717
00:37:35,487 --> 00:37:36,720
AND HIS BODY AT 230 G's.
1718
00:37:36,721 --> 00:37:37,954
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1719
00:37:37,956 --> 00:37:38,455
WOW, SO THE CLOWNS ACTUALLY
1720
00:37:38,456 --> 00:37:38,955
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1721
00:37:38,957 --> 00:37:40,624
EXPERIENCED A BIGGER G-LOAD
THAN THE PREVIOUS TEST.
1722
00:37:40,625 --> 00:37:42,292
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1723
00:37:42,294 --> 00:37:42,609
SO, PARTY BALLOONS
1724
00:37:42,610 --> 00:37:42,925
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1725
00:37:42,928 --> 00:37:44,695
ARE NOT A SUBSTITUTE
FOR AIRBAGS OR SEAT BELTS.
1726
00:37:44,696 --> 00:37:46,463
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1727
00:37:46,465 --> 00:37:47,931
STOP CLOWNING AROUND.
1728
00:37:47,932 --> 00:37:49,398
ALL RIGHT,
SO HOW DID THE CLOWNS DO
1729
00:37:51,637 --> 00:37:53,703
WANT TO KNOW
WHY WE DID WHAT WE DID
1730
00:37:53,705 --> 00:37:54,354
AND DIDN'T DO WHAT WE DIDN'T?
1731
00:37:54,355 --> 00:37:55,004
WANT TO KNOW
WHY WE DID WHAT WE DID
1732
00:37:55,007 --> 00:37:56,924
LOG ON TO discovery.com/
mythbustersaftershow
1733
00:37:56,925 --> 00:37:58,842
WANT TO KNOW
WHY WE DID WHAT WE DID
1734
00:37:58,844 --> 00:37:59,526
AND FIND OUT.
1735
00:37:59,527 --> 00:38:00,209
WANT TO KNOW
WHY WE DID WHAT WE DID
1736
00:38:05,250 --> 00:38:05,915
IN THREE...
1737
00:38:05,917 --> 00:38:07,734
Narrator: ADAM AND JAMIE'S
STRAIGHT TRENCH TORPEDO...
1738
00:38:07,735 --> 00:38:09,552
IN THREE...
1739
00:38:11,156 --> 00:38:14,024
...HAS JUST
GONE OFF WITH A BANG,
1740
00:38:14,026 --> 00:38:15,342
AND AS WELL AS
A SENSATIONAL HIGH SPEED,
1741
00:38:15,343 --> 00:38:16,659
...HAS JUST
GONE OFF WITH A BANG,
1742
00:38:16,662 --> 00:38:18,061
IT'S BLOWN UP
SOME SURPRISING RESULTS.
1743
00:38:18,062 --> 00:38:19,461
...HAS JUST
GONE OFF WITH A BANG,
1744
00:38:19,464 --> 00:38:21,498
SURPRISING BECAUSE WHEN COMPARED
TO THE OPEN-AIR CONTROL,
1745
00:38:21,499 --> 00:38:23,533
...HAS JUST
GONE OFF WITH A BANG,
1746
00:38:23,535 --> 00:38:24,935
IT'S CLEAR THAT
THE STRAIGHT TRENCH
1747
00:38:24,936 --> 00:38:26,336
...HAS JUST
GONE OFF WITH A BANG,
1748
00:38:26,338 --> 00:38:27,254
AMPLIFIES THE BLAST PRESSURE.
1749
00:38:27,255 --> 00:38:28,171
...HAS JUST
GONE OFF WITH A BANG,
1750
00:38:28,173 --> 00:38:29,456
THE QUESTION NOW
IS WHETHER A CORNER
1751
00:38:29,457 --> 00:38:30,740
...HAS JUST
GONE OFF WITH A BANG,
1752
00:38:30,742 --> 00:38:31,975
CAN CAUSE THOSE NUMBERS
TO DROP DOWN.
1753
00:38:31,976 --> 00:38:33,209
...HAS JUST
GONE OFF WITH A BANG,
1754
00:38:33,211 --> 00:38:35,679
AND FIRST UP, IT'S THE PINNACLE
OF GERMAN ENGINEERING --
1755
00:38:35,680 --> 00:38:38,148
...HAS JUST
GONE OFF WITH A BANG,
1756
00:38:38,150 --> 00:38:38,982
THE SHARP-SIDED TRENCH.
1757
00:38:38,983 --> 00:38:39,815
...HAS JUST
GONE OFF WITH A BANG,
1758
00:38:39,818 --> 00:38:40,784
Jamie: THIS IS THE TRENCH THAT
THIS STORY IS ALL ABOUT --
1759
00:38:40,785 --> 00:38:41,751
...HAS JUST
GONE OFF WITH A BANG,
1760
00:38:41,753 --> 00:38:43,003
THE ONE WITH THE SHARP CORNERS
AND RIGHT ANGLES.
1761
00:38:43,004 --> 00:38:44,254
...HAS JUST
GONE OFF WITH A BANG,
1762
00:38:44,256 --> 00:38:45,238
AND BASED ON
EVERYTHING WE'VE SEEN SO FAR,
1763
00:38:45,239 --> 00:38:46,221
...HAS JUST
GONE OFF WITH A BANG,
1764
00:38:46,224 --> 00:38:48,024
BY THE TIME THE BLAST WAVE
GETS TO THE END OF THIS TRENCH,
1765
00:38:48,025 --> 00:38:49,825
...HAS JUST
GONE OFF WITH A BANG,
1766
00:38:49,828 --> 00:38:50,627
PAST ALL THESE CORNERS,
1767
00:38:50,628 --> 00:38:51,427
...HAS JUST
GONE OFF WITH A BANG,
1768
00:38:51,430 --> 00:38:52,529
IT OUGHT TO BE FAIRLY SMALL.
1769
00:38:52,530 --> 00:38:53,629
...HAS JUST
GONE OFF WITH A BANG,
1770
00:38:53,632 --> 00:38:53,897
GOING DOWN.
1771
00:38:53,898 --> 00:38:54,163
...HAS JUST
GONE OFF WITH A BANG,
1772
00:38:54,166 --> 00:38:55,933
Narrator:
TO PUT JAMIE'S PREDICTION
AND THIS MYTH TO THE TEST,
1773
00:38:55,934 --> 00:38:57,701
...HAS JUST
GONE OFF WITH A BANG,
1774
00:38:57,703 --> 00:38:59,119
THE GUYS POSITION
THE EXPLOSIVE PACKAGE...
1775
00:38:59,120 --> 00:39:00,536
...HAS JUST
GONE OFF WITH A BANG,
1776
00:39:00,539 --> 00:39:01,188
ABSOLUTELY BEAUTEOUS.
1777
00:39:01,189 --> 00:39:01,838
...HAS JUST
GONE OFF WITH A BANG,
1778
00:39:01,840 --> 00:39:03,507
...AND THEN
DEPLOY FOR DETONATION.
1779
00:39:03,508 --> 00:39:05,175
...HAS JUST
GONE OFF WITH A BANG,
1780
00:39:05,177 --> 00:39:05,826
Adam:
ARE YOU READY FOR THIS?
1781
00:39:05,827 --> 00:39:06,476
...HAS JUST
GONE OFF WITH A BANG,
1782
00:39:06,478 --> 00:39:07,244
ARE YOU GOZER THIS TIME?
1783
00:39:07,245 --> 00:39:08,011
...HAS JUST
GONE OFF WITH A BANG,
1784
00:39:08,013 --> 00:39:08,428
I AM, KEYMASTER.
1785
00:39:08,429 --> 00:39:08,844
...HAS JUST
GONE OFF WITH A BANG,
1786
00:39:08,847 --> 00:39:09,563
ALL RIGHT.
CALL IT OUT.
1787
00:39:09,564 --> 00:39:10,280
...HAS JUST
GONE OFF WITH A BANG,
1788
00:39:10,282 --> 00:39:11,915
RIGHT ANGLE
SHARP-CORNERED TRENCH.
1789
00:39:11,916 --> 00:39:13,549
...HAS JUST
GONE OFF WITH A BANG,
1790
00:39:13,552 --> 00:39:13,817
YEP.
1791
00:39:13,818 --> 00:39:14,083
...HAS JUST
GONE OFF WITH A BANG,
1792
00:39:14,086 --> 00:39:16,436
IN THREE, TWO, ONE...
1793
00:39:16,437 --> 00:39:18,787
...HAS JUST
GONE OFF WITH A BANG,
1794
00:39:19,791 --> 00:39:21,157
WOW!
1795
00:39:23,161 --> 00:39:24,794
[ CHUCKLES ]
1796
00:39:24,796 --> 00:39:25,045
I DON'T KNOW.
1797
00:39:25,046 --> 00:39:25,295
[ CHUCKLES ]
1798
00:39:25,297 --> 00:39:26,013
I THINK THERE'S GONNA BE
A CRATER THERE.
1799
00:39:26,014 --> 00:39:26,730
[ CHUCKLES ]
1800
00:39:26,732 --> 00:39:27,231
I THINK THERE MIGHT BE.
1801
00:39:27,232 --> 00:39:27,731
[ CHUCKLES ]
1802
00:39:27,733 --> 00:39:28,031
LET'S GO LOOK AT IT.
1803
00:39:28,032 --> 00:39:28,330
[ CHUCKLES ]
1804
00:39:28,333 --> 00:39:29,783
Narrator:
IT'S GOODBYE YELLOW-BRICK ROAD
1805
00:39:29,784 --> 00:39:31,234
[ CHUCKLES ]
1806
00:39:31,236 --> 00:39:33,403
AS THE BLAST
TEARS THROUGH THEIR TRENCH.
1807
00:39:33,404 --> 00:39:35,571
[ CHUCKLES ]
1808
00:39:36,541 --> 00:39:37,207
BUT AT GROUND ZERO,
1809
00:39:37,209 --> 00:39:39,493
TO SAY THE GUYS ARE HAPPY
IS AN UNDERSTATEMENT.
1810
00:39:39,494 --> 00:39:41,778
BUT AT GROUND ZERO,
1811
00:39:41,780 --> 00:39:42,813
[ LAUGHING ]
1812
00:39:42,814 --> 00:39:43,847
BUT AT GROUND ZERO,
1813
00:39:43,849 --> 00:39:44,815
WOW.
DUDE, CHECK THAT OUT.
1814
00:39:44,816 --> 00:39:45,782
BUT AT GROUND ZERO,
1815
00:39:45,784 --> 00:39:47,651
I THINK THIS TELLS
PRETTY MUCH THE WHOLE STORY
1816
00:39:47,652 --> 00:39:49,519
BUT AT GROUND ZERO,
1817
00:39:49,521 --> 00:39:50,203
'CAUSE THAT'S INTACT.
1818
00:39:50,204 --> 00:39:50,886
BUT AT GROUND ZERO,
1819
00:39:50,889 --> 00:39:52,189
EVERYTHING UP TO THAT POINT
IS NOT.
1820
00:39:52,190 --> 00:39:53,490
BUT AT GROUND ZERO,
1821
00:39:53,492 --> 00:39:54,875
AS YOU CAN SEE, THIS IS
THE SAFE END OF THE TRENCH.
1822
00:39:54,876 --> 00:39:56,259
BUT AT GROUND ZERO,
1823
00:39:56,261 --> 00:39:57,460
THE FURTHER YOU GO THAT WAY,
THE WORSE IT GETS.
1824
00:39:57,461 --> 00:39:58,660
BUT AT GROUND ZERO,
1825
00:39:58,663 --> 00:40:00,246
NOW, MOST OF THE ENERGY
SEEMED TO TRAVEL DOWN THE TRENCH
1826
00:40:00,247 --> 00:40:01,830
BUT AT GROUND ZERO,
1827
00:40:01,833 --> 00:40:03,450
AND APPEARS TO HAVE
GOTTEN ABSORBED BY THESE CORNERS
1828
00:40:03,451 --> 00:40:05,068
BUT AT GROUND ZERO,
1829
00:40:05,070 --> 00:40:06,002
BASED ON
HOW BADLY DAMAGED THEY ARE.
1830
00:40:06,003 --> 00:40:06,935
BUT AT GROUND ZERO,
1831
00:40:06,938 --> 00:40:09,222
BY THE TIME YOU GOT HERE,
THERE'S NOT SO MUCH ENERGY LEFT.
1832
00:40:09,223 --> 00:40:11,507
BUT AT GROUND ZERO,
1833
00:40:11,510 --> 00:40:13,010
Narrator:
AT 20 FEET, THE PSI WAS 60.
1834
00:40:13,011 --> 00:40:14,511
BUT AT GROUND ZERO,
1835
00:40:14,513 --> 00:40:15,679
AT 30 FEET, IT WAS 19,
1836
00:40:15,680 --> 00:40:16,846
BUT AT GROUND ZERO,
1837
00:40:16,848 --> 00:40:18,164
AND AT 50 FEET, IT WAS JUST 7.
1838
00:40:18,165 --> 00:40:19,481
BUT AT GROUND ZERO,
1839
00:40:19,484 --> 00:40:21,368
A COLOSSAL CONTRACTION
FROM THEIR TUNNEL TRENCH.
1840
00:40:21,369 --> 00:40:23,253
BUT AT GROUND ZERO,
1841
00:40:23,255 --> 00:40:23,637
BUT THE MYTH SAYS THAT
1842
00:40:23,638 --> 00:40:24,020
BUT AT GROUND ZERO,
1843
00:40:24,022 --> 00:40:25,805
ONLY PRECISE CORNERS
CAN SHELTER A SHOCKWAVE,
1844
00:40:25,806 --> 00:40:27,589
BUT AT GROUND ZERO,
1845
00:40:27,592 --> 00:40:28,258
AND TO FIND OUT JUST THAT,
1846
00:40:28,259 --> 00:40:28,925
BUT AT GROUND ZERO,
1847
00:40:28,927 --> 00:40:30,510
IT'S TIME TO END WITH
ANOTHER BREATHTAKING BANG.
1848
00:40:30,511 --> 00:40:32,094
BUT AT GROUND ZERO,
1849
00:40:32,097 --> 00:40:33,764
WE'RE ABOUT TO SEND ANOTHER
BLAST THROUGH ANOTHER TRENCH,
1850
00:40:33,765 --> 00:40:35,432
BUT AT GROUND ZERO,
1851
00:40:35,434 --> 00:40:37,017
AND I'M STANDING RIGHT WHERE
THE RUBBER MEETS THE ROAD
1852
00:40:37,018 --> 00:40:38,601
BUT AT GROUND ZERO,
1853
00:40:38,603 --> 00:40:39,302
FOR THIS ENTIRE STORY.
1854
00:40:39,303 --> 00:40:40,002
BUT AT GROUND ZERO,
1855
00:40:40,005 --> 00:40:40,987
THIS IS WHERE WE WILL COMPARE
1856
00:40:40,988 --> 00:40:41,970
BUT AT GROUND ZERO,
1857
00:40:41,973 --> 00:40:42,655
PRECISION ENGINEERING VERSUS
1858
00:40:42,656 --> 00:40:43,338
BUT AT GROUND ZERO,
1859
00:40:43,341 --> 00:40:44,991
YOUR NORMAL WEAR AND TEAR
OF A SOFT-CORNERED TRENCH.
1860
00:40:44,992 --> 00:40:46,642
BUT AT GROUND ZERO,
1861
00:40:46,645 --> 00:40:46,893
I THINK --
1862
00:40:46,894 --> 00:40:47,142
BUT AT GROUND ZERO,
1863
00:40:47,145 --> 00:40:49,045
MY INTUITION TELLS ME THAT
THE SHARP CORNERS ARE BETTER
1864
00:40:49,046 --> 00:40:50,946
BUT AT GROUND ZERO,
1865
00:40:50,949 --> 00:40:51,932
AND THAT WE'LL SEE
A HIGHER BLAST PRESSURE
1866
00:40:51,933 --> 00:40:52,916
BUT AT GROUND ZERO,
1867
00:40:52,918 --> 00:40:53,884
AT THE END OF THIS VERY TRENCH.
1868
00:40:53,885 --> 00:40:54,851
BUT AT GROUND ZERO,
1869
00:40:54,853 --> 00:40:55,785
BUT ONLY ONE WAY TO FIND OUT.
1870
00:40:55,786 --> 00:40:56,718
BUT AT GROUND ZERO,
1871
00:40:56,721 --> 00:40:57,470
Narrator: FOR THE FINAL TIME,
1872
00:40:57,471 --> 00:40:58,220
BUT AT GROUND ZERO,
1873
00:40:58,223 --> 00:40:59,372
THE GUYS
SET UP THE PCB SENSORS...
1874
00:40:59,373 --> 00:41:00,522
BUT AT GROUND ZERO,
1875
00:41:00,525 --> 00:41:01,157
IT'S LOOKING A LITTLE TOASTY.
1876
00:41:01,158 --> 00:41:01,790
BUT AT GROUND ZERO,
1877
00:41:01,793 --> 00:41:02,976
...POSITION THE PROJECTILE....
1878
00:41:02,977 --> 00:41:04,160
BUT AT GROUND ZERO,
1879
00:41:04,162 --> 00:41:05,145
THERE YOU GO.
[ GRUNTS ]
1880
00:41:05,146 --> 00:41:06,129
BUT AT GROUND ZERO,
1881
00:41:06,264 --> 00:41:09,132
...AND RETREAT TO SAFETY.
1882
00:41:10,502 --> 00:41:11,100
HERE WE GO!
1883
00:41:11,102 --> 00:41:12,769
THIS IS
25 POUNDS OF EXPLOSIVES
1884
00:41:12,770 --> 00:41:14,437
HERE WE GO!
1885
00:41:14,439 --> 00:41:16,206
IN A SERPENTINE,
SOFT-CORNERED TRENCH.
1886
00:41:16,207 --> 00:41:17,974
HERE WE GO!
1887
00:41:17,976 --> 00:41:19,125
THIS IS FOR REAL.
THIS IS FOR THE MONEY.
1888
00:41:19,126 --> 00:41:20,275
HERE WE GO!
1889
00:41:20,278 --> 00:41:21,678
THREE, TWO, ONE...
1890
00:41:21,679 --> 00:41:23,079
HERE WE GO!
1891
00:41:23,081 --> 00:41:23,930
BYE-BYE!
1892
00:41:23,931 --> 00:41:24,780
HERE WE GO!
1893
00:41:26,885 --> 00:41:28,351
NEVER GET USED TO THAT.
1894
00:41:28,353 --> 00:41:28,535
GOSH.
1895
00:41:28,536 --> 00:41:28,718
NEVER GET USED TO THAT.
1896
00:41:28,720 --> 00:41:31,071
Narrator: THE SERPENTINE SALVO
WAS A BLAST.
1897
00:41:31,072 --> 00:41:33,423
NEVER GET USED TO THAT.
1898
00:41:33,992 --> 00:41:35,658
AND FOR JAMIE,
1899
00:41:35,660 --> 00:41:37,026
IT'S THE HIGH-CLASS HIGH-SPEED
1900
00:41:37,027 --> 00:41:38,393
AND FOR JAMIE,
1901
00:41:38,396 --> 00:41:40,029
THAT SEEMS TO TELL THE STORY.
1902
00:41:40,030 --> 00:41:41,663
AND FOR JAMIE,
1903
00:41:43,869 --> 00:41:46,336
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1904
00:41:46,338 --> 00:41:47,788
OF THE SQUARE-CORNERED
AND ROUND-CORNERED TRENCH
1905
00:41:47,789 --> 00:41:49,239
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1906
00:41:49,241 --> 00:41:49,890
ON SPLIT SCREEN.
1907
00:41:49,891 --> 00:41:50,540
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1908
00:41:50,542 --> 00:41:50,840
OKAY,
1909
00:41:50,841 --> 00:41:51,139
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1910
00:41:51,142 --> 00:41:52,792
NOW IF WE LOOK AT THE FIREBALLS
IN THESE TWO DIFFERENT TRENCHES,
1911
00:41:52,793 --> 00:41:54,443
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1912
00:41:54,446 --> 00:41:55,695
WE CAN SEE THAT
IN THE SQUARE-CORNERED TRENCH,
1913
00:41:55,696 --> 00:41:56,945
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1914
00:41:56,948 --> 00:41:58,982
THE FIREBALL STOPS MOVING
JUST AFTER THE FIRST CORNER.
1915
00:41:58,983 --> 00:42:01,017
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1916
00:42:01,019 --> 00:42:01,685
HOWEVER,
IN THE ROUND-CORNERED TRENCH,
1917
00:42:01,686 --> 00:42:02,352
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1918
00:42:02,354 --> 00:42:04,521
THE FIREBALL PASSES THE FIRST
CORNER AND THE SECOND CORNER
1919
00:42:04,522 --> 00:42:06,689
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1920
00:42:06,691 --> 00:42:07,724
BEFORE IT STOPS MOVING.
1921
00:42:07,725 --> 00:42:08,758
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1922
00:42:08,760 --> 00:42:09,309
NOW, VISUALLY,
1923
00:42:09,310 --> 00:42:09,859
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1924
00:42:09,861 --> 00:42:11,161
THAT TELLS ME THAT
YOU'RE GONNA BE IN MORE TROUBLE
1925
00:42:11,162 --> 00:42:12,462
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1926
00:42:12,464 --> 00:42:13,830
AT THE END OF
THE ROUND-CORNERED TRENCH.
1927
00:42:13,831 --> 00:42:15,197
EDITORS, LET'S PULL UP
THE HIGH-SPEED FOOTAGE
1928
00:42:17,602 --> 00:42:18,735
Narrator:
AND THAT'S SOMETHING THAT
1929
00:42:18,737 --> 00:42:20,637
THE DAMAGE AT ROCK BOTTOM
SEEMS TO AGREE WITH.
1930
00:42:20,638 --> 00:42:22,538
Narrator:
AND THAT'S SOMETHING THAT
1931
00:42:22,541 --> 00:42:23,356
Adam: MORE DESTRUCTION.
1932
00:42:23,357 --> 00:42:24,172
Narrator:
AND THAT'S SOMETHING THAT
1933
00:42:29,281 --> 00:42:30,113
HELLO!
1934
00:42:30,115 --> 00:42:31,198
Narrator:
BUT WHAT DOES THE DATA DICTATE?
1935
00:42:31,199 --> 00:42:32,282
HELLO!
1936
00:42:32,284 --> 00:42:33,717
WELL, I THINK
WE GOT SOME GOOD DATA.
1937
00:42:33,718 --> 00:42:35,151
HELLO!
1938
00:42:35,153 --> 00:42:35,452
I THINK WE DID.
1939
00:42:35,453 --> 00:42:35,752
HELLO!
1940
00:42:35,754 --> 00:42:36,937
LET'S GET BACK TO THE SHOP
AND CRUNCH IT.
1941
00:42:36,938 --> 00:42:38,121
HELLO!
1942
00:42:38,123 --> 00:42:38,788
OKAY.
1943
00:42:38,789 --> 00:42:39,454
HELLO!
1944
00:42:43,261 --> 00:42:44,627
WHAT DO THE NUMBERS SAY?
1945
00:42:44,629 --> 00:42:45,145
I'M GLAD YOU ASKED.
1946
00:42:45,146 --> 00:42:45,662
WHAT DO THE NUMBERS SAY?
1947
00:42:45,664 --> 00:42:47,114
I HAVE PREPARED THIS
TO EXPLAIN THEM.
1948
00:42:47,115 --> 00:42:48,565
WHAT DO THE NUMBERS SAY?
1949
00:42:48,567 --> 00:42:49,483
WHAT,
DID YOU MAKE A CAKE?
1950
00:42:49,484 --> 00:42:50,400
WHAT DO THE NUMBERS SAY?
1951
00:42:50,402 --> 00:42:50,600
NO!
1952
00:42:50,601 --> 00:42:50,799
WHAT DO THE NUMBERS SAY?
1953
00:42:50,802 --> 00:42:51,584
THESE ARE
OUR FOUR EXPLOSIONS,
1954
00:42:51,585 --> 00:42:52,367
WHAT DO THE NUMBERS SAY?
1955
00:42:52,370 --> 00:42:52,936
AND THESE NUMBERS REPRESENT
1956
00:42:52,937 --> 00:42:53,503
WHAT DO THE NUMBERS SAY?
1957
00:42:53,505 --> 00:42:54,888
THE BLAST PRESSURES
WE GOT IN THOSE EXPLOSIONS.
1958
00:42:54,889 --> 00:42:56,272
WHAT DO THE NUMBERS SAY?
1959
00:42:56,274 --> 00:42:56,506
OKAY.
1960
00:42:56,507 --> 00:42:56,739
WHAT DO THE NUMBERS SAY?
1961
00:42:56,741 --> 00:42:57,190
THIS IS INTERESTING.
1962
00:42:57,191 --> 00:42:57,640
WHAT DO THE NUMBERS SAY?
1963
00:42:57,642 --> 00:42:58,858
YEAH, I CAN SEE THAT
THE STRAIGHT TRENCH
1964
00:42:58,859 --> 00:43:00,075
WHAT DO THE NUMBERS SAY?
1965
00:43:00,078 --> 00:43:01,478
ALMOST LOOKS LIKE IT IS
AMPLIFYING THE PRESSURES
1966
00:43:01,479 --> 00:43:02,879
WHAT DO THE NUMBERS SAY?
1967
00:43:02,881 --> 00:43:04,014
BECAUSE THEY'RE ALMOST
10 TIMES AS HIGH
1968
00:43:04,015 --> 00:43:05,148
WHAT DO THE NUMBERS SAY?
1969
00:43:05,150 --> 00:43:05,999
AS THE ABOVE-GROUND
CONTROL TEST.
1970
00:43:06,000 --> 00:43:06,849
WHAT DO THE NUMBERS SAY?
1971
00:43:06,851 --> 00:43:07,116
ABSOLUTELY.
1972
00:43:07,117 --> 00:43:07,382
WHAT DO THE NUMBERS SAY?
1973
00:43:07,385 --> 00:43:08,201
AND CHECK OUT
THE DIFFERENCE BETWEEN
1974
00:43:08,202 --> 00:43:09,018
WHAT DO THE NUMBERS SAY?
1975
00:43:09,020 --> 00:43:10,220
THE RIGHT-ANGLE TRENCH
AND THE SERPENTINE TRENCH.
1976
00:43:10,221 --> 00:43:11,421
WHAT DO THE NUMBERS SAY?
1977
00:43:11,423 --> 00:43:12,689
IT'S CLEAR THAT THE NUMBERS
IN THE SERPENTINE TRENCH
1978
00:43:12,690 --> 00:43:13,956
WHAT DO THE NUMBERS SAY?
1979
00:43:13,959 --> 00:43:14,941
ARE HIGHER THAN THE ONES
IN THE RIGHT-ANGLE TRENCH.
1980
00:43:14,942 --> 00:43:15,924
WHAT DO THE NUMBERS SAY?
1981
00:43:15,927 --> 00:43:17,994
I THINK THESE NUMBERS TELL US
THAT THIS MYTH IS PLAUSIBLE.
1982
00:43:17,995 --> 00:43:20,062
WHAT DO THE NUMBERS SAY?
1983
00:43:20,065 --> 00:43:20,497
SO IT IS.
1984
00:43:20,498 --> 00:43:20,930
WHAT DO THE NUMBERS SAY?
1985
00:43:20,932 --> 00:43:27,203
PLAUSIBLE!
1986
00:43:27,204 --> 00:43:33,475
WHAT DO THE NUMBERS SAY?
168067
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