Original subtitles

[Jon] Previously on "American Classic"...

I'm producing and directing Thornton Wilder's Our Town.

We do not have the money for original productions.

What would it take to finance this whole endeavor myself?

Uh, a miracle?

You are an artist and you need your own restaurant.

You come to see me and I will make this happen.

Polly's going to oversee the whole design.

Mom wants me to go to Penn.

-What do you want? -I want to act.

-Holy shit, you got into Penn! -Do not tell my mom, okay?

[with Russian accent] It's been the dream of life

to see Paris in France.

How much would it cost to get her into the show?

Can we just keep this between the two of us?

[classical music]

-[Nadia] Hello. -Hi.

-Nadia. -I'm Pat.

-Pat. Nice to meet you. -You too.

-Hi. -Nadia.

-Pat. -Pat?

Pat and Pat.

-[Mr. Pat] Yes. -Hm.

-Do it. -Talk soon.

[actors chattering]

[woman] Oh, the little guy. Good for you.

What-what is this?

Oh, Jon!

This is Hugo, my right hand.

Yes, the, uh, the one who doesn't always know

what the left hand is doing.

Richard, the proper espresso machine arrives tomorrow.

Bigger one, and it'll need to be plumbed in.

Okay, not a problem.

Whatever that is, we can afford it.

We can afford artisans of every stripe,

painters, carpenters.

I told Kristen it was only a phone call away.

Who's paying for this?

This is a- this is the result

of a very delicate back-channel operation

with the Nederlanders.

I'm sorry. Which Nederlanders are we talking about?

Richard Bean, I'm meeting your dad!

He's like old you.

Hello!

-Huh. -Yes.

He went that way after all.

[whispering] She's got hidden resources.

[chattering continues]

Our Town.

What is it?

-Randall? -It's a play.

Exactly. It's a play...

-Good job. -Thanks.

...set in Grover's Corners, New Hampshire,

at the turn of the last century.

It is a moving portrait

of what it means to be human.

Now, traditionally, productions adhere

to the first stage direction in the text.

No curtains, no scenery.

No, the audience arrives

and sees an empty stage.

Well, that, my friends,

is the past.

Hugo?

I have a vision.

For another town.

I see it as full of sensuous detail.

[Nadia] Richard Bean.

Um, are these people in this photo naked?

[Richard] What?

No, they're not- they're not na-

What the-?

Hugo?

It's-it's sex workers

in a bordello in Boston, 1905.

So you will ask us maybe all to be naked.

[Richard] No, no, no, no, no, no.

These are called "mood boards."

Because you are great artist, Richard Bean.

I will be naked for this art!

Now who is with me?

-Uh... -[overlapping chatter]

No one is naked in my vision.

No.

But what I do see

are sunflowers and heliotropes

and mud, real mud in the cemetery.

I see a real working soda fountain.

I see a horse.

I see real rain.

I-Yes?

Is this rehearsal deal gonna be during the daytime?

But-Hugo?

-Uh, yes, ten till six. -Yeah.

I can't quit my job for play practice.

What?

I can't quit my job for play practice.

But I would remind you

that you're going to be paid for it.

Hugo, what is the current Broadway minimum?

Just now, it's $2,439 U.S. dollars per week.

-[man] Yeah! -[excited chatter]

Oh, that's what you'll be paid.

This is my new job.

This is the magic ball.

What makes it magic

is that you can only speak

when you hold it in your hand.

You will tell us your name,

the role that you play in the show,

your astrological sign, and, uh-

-Something about you. -And something about me.

No, no, no. Something about themselves.

-And something- -Something about them.

-Something about yourselves. -Yeah.

So, I have the ball, so I might as well begin.

Richard Bean.

-[cheering] -So cool.

I am the director.

I am a Scorpio.

I've been praised as an actor my whole life,

but I really just consider myself a humble...

storyteller.

I'm Pat Patterson. I play Mrs. Webb.

I'm an Aries.

People see me as kind of maybe buttoned up,

but inside I'm this massive romantic.

I'm also Pat Patterson.

I play her husband

and I'm her real husband

and I'm a Cancer.

You're actually a Leo.

[Mr. Pat] July is Cancer. I was born in July.

[Mrs. Pat] You were born on the cusp. You're a Leo.

Fine, I'm a Leo, but if you ask me,

all this astrology it's just a bunch of bull crap.

Pardon my French.

You're really married.

And not fake married.

You know, intimately and thus

somewhat passive-aggressively,

and meshed.

I'm Dr. Derek Seale.

I play Doc Gibbs.

And I'm a Leo.

I'm recently divorced.

My daughter said I should do something,

so I'm doing this.

[chuckles]

Oh, I-I don't have the ball. Sorry.

Yes, and I also don't have the ball.

Hi. Uh, I'm Miranda Bean.

I play Emily.

I'm a Gemini.

I'm an actor and a singer

and newly vegetarian.

I'm a Gemini, too. We're twins.

-Oh. -Excuse me, dude.

You don't have the fucking ball either.

Randall, chill.

I'm chill. He doesn't have the ball.

Jesus.

Um, Heath.

Heath McCardle.

George,

Emily's love interest.

Gemini, as we already said before.

And I have my Equity card.

[whispering] What's an Equity card?

Um, I'm Randall Potts.

I play Wally Webb

who's, like, 11-years old and dead

for most of the play, so whatever.

But I am Miranda's real-life love interest

because I'm her boyfriend, and I am a Sagittarius,

so I'm also creative and a warrior.

Think fast!

[groans]

-Oh, my God! -[groaning]

-All right, all right! -He's bleeding!

What are you doing?

-Getting a towel! -I'm sorry.

-Oh, my God. -Are you okay?

I'm so sorry.

What are you doing?

-Aah! -Oh!

Pinch his nose. Pinch his nose.

[Richard] Now that the bleeding has stopped,

let's read the play.

Hugo will read the stage directions.

Our Town. Act One.

No curtain, no scene.

Oh, um-

Lots of scenery.

[upbeat gentle music]

I wash-ed and iron-eid

the blue ginga-ham for you special.

Gingham.

Ginga-ham.

Gingham.

[Nadia] Ginkam.

Gingham.

[quietly] Gingham.

Perfect.

[upbeat gentle music]

Great work.

-Whoo! -Yeah!

[applause]

Whoo!

Mother Gibbs, it's George.

Shh, dear, just rest yourself,

[Miranda] Mother Gibbs?

[Nadia] Yes, Emily?

They don't understand, do they?

[Nadia] No, dear, they don't understand.

Oh, uh, take a break.

Wonderful work.

-Give them a ten. -Yeah.

Take ten minutes, everyone, yeah? Just ten minutes. Thanks.

Dad is doing unbelievable work,

and Miranda is gonna be a better Emily than you.

Yeah.

You should come and join in.

Maybe come on Monday and join our Circle of Truth.

You know something I don't miss?

Theater games.

I honestly can't think of anything I'd rather do less.

[woman gasping]

[woman] So this is the Temple of Art.

Oh! Oh...

-Oh- -Oh...

[stammering]

Who do I give my cab receipt to?

Oh, uh-

Oh, there he is.

Hi, Polly. Good to see you go.

[Polly] Hugo!

-[chuckles] -Thank you for doing this.

This is-this is Polly.

-Kristen. -[gasps]

Oh-my-God.

This is the famous Kristen.

-Oh! -[nervous chuckle]

It's-it's very nice to-

to finally meet you.

I-I-of course, I'm-I'm a big fan.

And-and I can't wait to see what you-

what you do with Richard's vision.

Oh, let me to-

Thank you, no. Thank you, darling.

Oh, can I just-just-

A, you are gorgeous.

And B, you don't know what it means to me

to meet another person who has had to live with this man.

Did he ever steal your concealer?

It's not-Borrowed. Never stole.

-[laughing] -Oh, come on.

But you're not to- you're not to be trusted

around reflective surfaces.

[laughing]

-No. -No, are you, darling?

Papa says you spend hours in the bathroom.

-[laughing] -My son is an actor.

His face is important to him.

It's important to many.

And why don't we change the subject from me to, well,

the play, for instance.

Yes. Let's move on from my big brother's eccentricities

and just take a moment- You're good?

No, I'm good.

Take a moment to marvel at the fact

that he's managed to secure a blank check

from the Nederlanders.

The Nederlanders?

Yes! And it's not just for the play.

He is spreading money all over this town

like-like fairy dust.

The Nederlanders?

Yes. They're backing Our Town.

You have to admit that's pretty incredible.

Incredible. Yes.

Because I was with James Nederlander

at the Jimmy Awards last week

and he told me that you called

and asked him to invest

and he told you that he was just dying to get into bed

with a raging psychopath, didn't he, darling?

Yes, that was the general thrust of what-

Listen, I didn't want to bring this subject.

I didn't want to make it all about me

but I've decided to pay for the production myself.

-What? You? -You?

But with what?

I mean-No, I-I don't mean to sound bleak, pet,

but you have no money.

At least that's what you claimed

when we got divorced.

-Don't forget, I-I- -It was the art collection.

-Wasn't it, Richard? -I have the art collection.

I believe he got that in the settlement.

You sold our art collection?

I didn't sell the whole art collection, darling.

-Oh! -No, don't be silly.

I only sold the-

-[Polly] What? -The, uh...

-Schicklgruber. -[Polly] The Schicklgruber.

Which one was that?

The Schicklgruber was the big-

the big, moody, dark-

-Moody. -Dark, dark, crazy, crazy...

Expressionistic-ish.

Um...

Yeah, it was-

I sold it to a very...

moody Japanese businessman from...

Yeah.

-Japan somewhere. -Mm-hm.

-Yeah. -For a very good price.

Schicklgruber is Adolf Hitler's family name.

No, no relation. No, no, no.

These-these Schicklgrubers were from Liechtenstein.

Yeah, the Liechtensteinian Schicklgrubers.

I don't remember the Schicklgruber.

Oh, darling, it was in storage most of the time.

Because it- it troubled people.

You would've hated it.

[Kristen laughing]

[distant chattering]

[sighs] I come seeking refuge.

Put me to work.

You-ah, here,

can juice these lemons and oranges.

Sure.

You know, it's funny.

Even with my whole family beating up on me all at once,

I'm happier now than I've been in years.

Here.

[pan sizzling]

[Jon] Try these.

They're very hot.

Glamorous peas.

The hell-

-Good? -Good?!

They're-Mm!

Magnificent.

[laughing]

You make perfect food, little brother.

Here's a question for you.

Would you consider coming back here?

-I am back here. -No, no, I-

I mean...

I mean staying in Millersburg,

and, uh, running the theater.

Yeah, you might want to run that idea by Kristen first.

She sees what you're pulling off.

You know, you've got the talent

and you clearly have some resources now...

-Well... -...and, you know,

you're gonna make a success out of this show.

I know that.

And if things go back to how they were,

I mean,

not a dinner theater,

a lot of things become possible for everybody.

Like what?

Boyle...

has offered to build a restaurant for me

in the casino, for me to chef.

Ho, ho, ho...

-Oh, I see. -You know, making real money.

Making the food I wanna make.

That would be incredible, right?

You know, Miranda, she goes to college in the fall and...

We got a little bit put away.

But, you know, four years,

that's a massive whack.

And I just-I want to give her every opportunity.

[sighs] I mean, I'm not saying I'd...

take Boyle up on the deal.

I just-I know you don't trust him.

And he's always saying how

he's buying up all these properties.

He's-he's feasting on people's broken dreams.

I mean, you talk about him like he's-

-Satan. -Yes, exactly. Satan.

You know, he offers you what you want,

but he always wants something in return.

-Usually, it's your soul. -That's not a good thing.

Maybe a time when you and the devil

want sort of the same thing.

And so in that case, it might be all right then.

But, see, you're saying.

The devil wants you in hell, but-

You don't mind being in hell

because there's this fabulous restaurant in hell,

and you were the head chef.

We're not getting any younger, uh-

I would say...

-Go for it. -That makes a lot of sense.

Carpe Diem.

Carpe...

Diem.

How many of these are there?

Here, let me do this.

-Uh- -Just, you know, like this.

You make it look so easy.

[chuckles]

Good of you to have the ex over.

Oh, you know, I must say, this is...

kind of my weird confession.

Mm!

I always wondered if I'd like you.

[laughing]

Well, the- the reviews are mixed,

No, but I-I do,

you know, I-I really do.

And you were always-you were always so good to Miranda

when she was in the city.

She'd come back just, you know,

full of all the wonderful times you had.

You know, I must say, I-

I hope it's okay I say this, but-

You know, I was- I was surprised

when I heard that you and Richard were getting divorced.

Well, I-I guess I just don't like playing second fiddle.

Hm. [laughing] Yeah. Yeah.

I know.

The career.

And the mirror.

[laughing]

No, no.

Darling, I was-I was fine with all of that.

Second fiddle to you.

You were the great love of his life.

I was just someone to drink with.

[soft music]

Speaking of which- [chuckles]

I forgot my bottle.

[soft music]

[Boyle] Yeah.

-[door closes] -No, I don't want him.

Ah, he's a total gobshite.

Yeah. Never liked him.

Catch you there. Bye. Bye.

Thank you for seeing me, Mr. Boyle.

Connor. And it is a treat to have you here.

So, how's our resident genius this fine day?

Oh, he's well. He's well.

You know, the show looks terrific.

Oh, I'm not talking about your brother, mate.

I'm talking about you.

-Oh. -[laughing]

Oh, thanks. I'm-I'm good. Thank you. Thank you.

Um-

So I, um-

I've been thinking about your, uh,

restaurant proposal and I would love...

I guess to, uh...

move forward.

You guess?

You guess?

No, geniuses don't guess.

I mean your- your brother is gifted,

but what you do with food is of far greater value

than what he does playing make-believe all day long.

You know, people are going to spend a lot of money

eating the food that you make.

Listen, can I offer you a wee nip?

Well, it's a little early to tip it.

So, I mean, all I'm saying is...

I'm all in.

So I've got investors who want to meet you.

-Wait, investors? -Yeah.

So we're gonna drive down to Atlantic City

tomorrow after lunch.

You know, you fix them a meal,

they fall in love, write big checks.

We're at the crap tables by ten,

shitfaced by midnight. What do you think?

[laughing] Ooh-I, um-I should-

I should call Richard because, you know,

I'm doing company management.

You know what? Your brother's grand.

But it's all about Richard, which is all right.

And do you know how I know that, Jon?

It's because I'm all about me.

[chuckles]

Now, what we need to do is to make you

a little bit more about yourself.

[intriguing piano music]

Well...

I guess I could do that.

I mean, I-I can do that.

I'm in.

Good lad.

-[laughing] -Slainte!

I do love craps.

[laughing]

This is the Circle of Truth.

As the Stage Manager says,

"People in our town

want to know the facts about everyone."

It's-it's our play. It's about people

living together on this earth.

Given the brief amount of time that we have here,

I thought it would be good to learn some truths

about each other.

I would stress that anything that is said

in the Circle of Truth

stays in the Circle of Truth.

Okay, so who wants to start?

I'll go.

This probably won't come as a surprise for some of you here.

I want to move to New York.

I want to be an actor.

[all exclaiming]

You can-you can stay in my alcove studio in Brooklyn.

Yeah, dude, I'm pretty sure it's not your turn right now.

The thing is, my mom doesn't want me to be an actor.

She wants me to go to college.

And...

-I just got in. -[gasps]

[Mr. Pat] Wow.

-[Miranda] I got accepted. -Congratulations.

[Miranda] But my mom doesn't know about it.

And she also doesn't know that I'm going to turn it down.

Interesting, yes.

So...

now that we're playing husband and wife..

I really feel that we're complete opposites

on almost every level.

-We're fine. -I never said we weren't fine.

-I said we're different people. -Can I fire myself?

I mean, can I play another character in the play?

[Mrs. Pat] Here it comes.

I mean, one where I'm not married to her.

The-the choir director that kills himself.

Well, if we're picking parts...

I want that guy to play my husband.

-Oh, my God. -[woman] Oh, my God.

I just feel totally, completely alone.

-Wow. -Thank you. This is great.

This is marriage.

Kenny has something to say.

-Kenny! -This is crazy.

I think I'm...

kind of afraid of dying.

But aren't you like the undertaker?

I know. It makes no sense,

but being around so much death

and now working on this play...

[chuckles]

...just makes me extra aware

that time is running out.

This is fucking depressing.

[Richard] Yes!

Isn't it? [chuckles]

I want to speak from the heart.

Go ahead.

I am a gay man.

[mischievous music]

I was always a gay man.

Oh, boy,

This is harder than I thought.

It doesn't have to be a track.

Casters are fine.

Most of the actors loved pushing things on.

If I do improve and make a big change...

would you be- I-I mean, could you be?

I am now. I always have been.

Well, I love her, but she's not a horse.

Oh, no, no, she's a pony.

We couldn't fit a real horse in the wings.

Oh.

Hey, has anyone seen my backpack?

No?

[Richard clears throat] Miranda.

-Oh, thank you. -I was sitting on it.

-Nice. -Listen, did you, uh...

say no to Penn?

Not yet. I'm not crazy, am I?

No, you want to be an actress, so...

I made a couple of calls

and there's an internship,

if you're interested, at MCC in the fall.

It's not a lead in a Broadway play,

but it's working in the theater in New York.

So, it's a start, you know?

Thank you so much.

-I love it. -My pleasure.

-Thank you. -You're very welcome.

-Okay. -Okay.

[calm music]

Get on, you Jonny!

You got away in time.

[chuckles] I'm excited!

[laughing]

Let's now let's do an exercise.

Forget about the lines.

You are just Mrs. Gibbs.

Uh...

turn of the century,

wife of the town doctor.

Um...

And, um, we're just going to chat.

-[quietly] Okay. -All right.

So, good morning. How are you, Mrs. Gibbs?

How are you? Hello.

Hi, you guy.

Yeah. What did- what did you do this morning?

I-I waked up.

Now, remember. You're a real person.

-Yeah. -You do real things.

Chores. Any chores? Be specific.

Details are important.

I wash-ed and iron-ed the flag.

You what?

I'm washing the flag

and I'm ironing the stars and the stripes.

So they lying perfectly straight.

Oh, I see.

Okay, uh...

One last question.

Would you say you're a happy person?

Oh, yeah.

Yeah. I'm a happy American woman,

lady, girl, woman.

And I'm wearing "ginam."

Gingham.

Yes. I've been working on that one.

[big band music]

[knocking on door]

[door knob rattles]

[knocking on door]

[man] Mr. Bean!

Hello. Where am I?

[man] Atlantic City.

Who-? Who is it?

[man] Mel, your driver.

Wait, just-just a second.

[sighs]

I'm so sorry. I overslept.

Is Mr. Boyle ready to go?

No bother. He left hours ago.

-What? -Yeah.

He wasn't as wasted as you were.

What time is it?

-2:35. -In the afternoon?

-[laughing] -Je-Jesus Christ.

You had yourself quite a night.

I did? I don't remember.

Yeah. It's probably not a bad thing.

You hit a hot streak and you won and you won.

Why wouldn't I want to remember that?

Because then you lost and you lost.

Lost? What-

-Like what? -I couldn't keep track.

You kept running to the ATM,

and then you started talking routing numbers

and wire instructions and-

Finally I just-I just got depressed. I went to bed.

Uh...

I'll wait for you downstairs,

-Okay. -Take your time.

[mischievous music]

[gasps]

[dramatic music]

Who told you?

Does it matter?

Does it matter who betrays me?

Yes, it does. It was Randall, wasn't it?

Do you ever stop to think that just maybe

people are trying to do what's best for you?

Do you ever just think that maybe

I know what's best for me?

You know what?

Fuck Mirandall and fuck Penn.

Because I'm going to New York.

-No. No, you are not. -Why not?

You know how much acting means to me.

Because it meant the same thing to you.

New York will eat you alive.

[Richard] Oh, uh, sorry.

Did I interrupt something?

Uncle Richard found me a job. Tell her.

What do you mean he found you a job?

I, uh-I made a couple calls about an internship

and I offered her a place to stay, with me.

-That's not a job. -It is.

All I have done is listen to your daughter.

You ought to try that yourself.

She wants to be an actress.

Please stay out of this.

She has the talent. She has the passion.

So, why shouldn't she?

Because it will make her miserable.

Because it made you miserable?

Acting didn't make me miserable. You did.

You gave up. You gave up on yourself

and your talent and you left.

That's on you.

[calm music]

-[Miranda] Hey. -Hey.

I just came up with the sickest baseline for "Best of Me."

-What? -You're a total betrayer.

I'm-I'm a what?

You told my mom about school in New York,

and now she's losing it.

And-and you betrayed the Circle of Truth.

You're the betrayer.

You're betraying me with Mr. Actor Man.

-Heath? -Yeah, what-

"Come to my tiny alcove in Brooklyn."

Oh, my God, Randall. Nothing is going on with Heath.

You guys are always hanging out. It's like you're a couple.

We're playing a couple. We're playing Emily and George.

-I don't like it! -Well, I don't care!

Go be a crazy jealous person somewhere else.

Don't go telling my mother my personal shit.

Where are you going? Are you going to see him?

Jesus Christ.

What about Mirandall?

[suspicious music]

-Hello, Richard Bean. -Oh, Jesus.

How did you get in here?

I'm climbing, like monkey.

You are wanting to kiss me now?

No. No, nyet.

Don't want to kiss you. I'm your mentor.

I'm your director.

And your boyfriend, he seems like the very violent type.

If you're worried about Connor,

you must know that he's not understanding

how it is you touch me.

I am dreaming all my life to be actress and now...

I want everything that you can give me.

There is genius in your fluids.

Wow, that's- that's-that's-

Very high praise, I'm sure,

but it's probably a weird translation of a Russian idiom

that sounds just like a bad idea.

You're always talking about how you want these

special alone times together

and I'm thinking,

"Oh, my gosh, this guy,

he has feelings for me."

You are always telling me I am great.

-No, I don't think I- -You said I am big actress.

You said I am huge.

Well, yes, when I said that I meant

that some of the choices you make

are grow-growing a little too large.

They're outsized. They're not natural.

So if I am not great, then what am I?

You must tell me the truth.

You cannot just-you cannot beat my bush around.

-Oh, you want the truth? -Yes. You're my mentor.

I'm your prot�g�.

What we have if we don't have truth, you know?

-Well- -So mentor me. Now.

-Go, tell me. -All right. Well, you-

Shape me, coach me. Change my life. Go.

[quietly] Yeah, well, I got-

Okay, don't get shy on me, little guy.

There's a-

[quietly] What's that? I can't hear you?

-[mumbling] You can't act. -[quietly] You're mumbling.

You're always telling me "articulate,"

but you're not doing that.

-[mumbling] You can't act. -What you say?

[mumbling] You can't act, you can't-

Don't be shy. Don't be shy.

You can say, but what you're saying?

You can't act.

-You can't act? -What?

You are not an actress,

that you're-you're in the wrong line of work.

You can't act.

How do you mean?

You can't act! You can't act.

It's not your thing.

-I can't act? -No.

You wanted the truth. That's the truth.

You're not an actress.

So fire me, then.

I can't fire you.

I mean, I wouldn't think of firing you.

I can't.

Right.

Because then you lose rain

and the little horse and the fountain of soda.

I understand why I am in show now, Richard Bean.

There's another possibility.

You could, of your own volition, simply quit.

Just walk away.

You insult me, Richard Bean.

You insult my spirit.

No one talking to Russian women in this way.

-Nadia. -I'm knowing

when it is I'm not wanted, Richard Bean.

-Na-Nadia? -Good evening.

Nadia. Nadia!

Na- [quietly] Nadia.

Nadia.

[quietly] Nadia.

[thud]

I'm fucked!

Fuck!

[upbeat music]

[intriguing music]

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