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The suit itself weighed anywhere from 80-85 to 120 pounds...
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...depending on the armament that I had .
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The first time I put one on , I remember, it was definitely a challenge.
4
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Sold iers wore these exo-su its, these one man tanks.
5
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You're like a human bulldozer with rocket launchers...
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...and machine guns and everything .
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I'm not a soldier.
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Of course you're not. You're a weapon .
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This is an alien invasion in a global war.
10
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With the newjacket technology and limited training...
11
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...we've been able to create super-soldiers.
12
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They sounded cool in the script, but how do you actually do this?
13
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We started talking about well , maybe we could actually built these suits for real .
14
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SCHOLL: They are not the shiny, slick, beautiful designs.
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Ours is more taking keys from actual developments...
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...that the military is doing and going back into more traditional forms and shapes...
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...that just convey more mechanics and hydraulics...
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...rather than slick engineering .
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The first thing I did was to figure out the practical aspect of the suit...
20
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...the engineering of the suit.
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We built hinges and pivot points and figured out what the rules of the su it had to be.
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LI MAN : He had all these workers right there in England , right at our studio...
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...who were molding all these parts.
24
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By the end of August, we actually had a working exo-suit.
25
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Mid-September, we realized we could do every stunt in the suit.
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[SPEAKI NG I N DISTI NCTLY]
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The first time Tom put it on , it was pretty much what he ended up filming in .
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CRU ISE: I showed up a couple of months early to really R and D the suit.
29
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And what we did was I put the suit on and we were working with it...
30
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...and also getting into what the tone is.
31
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Because I know you have to see progression of my character...
32
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...from where he starts in the exo-suit to where he ends.
33
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But you also have to find out what's the composition of the suit, silhouette of the suit.
34
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Come up. There.
35
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- And then come into-- Exactly. - I'm firing , I know this guy's coming up. U nh !
36
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Tom wouldn't take the suit off for, like, six hours a day.
37
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So he's walking arou nd with the suit on his back all day every day.
38
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That's perseverance.
39
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MAN : Action .
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CRU ISE: I had to develop with Doug and the stunt team ...
41
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...the progression of the movement and what is physically possible with the su it.
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[SPEAKI NG ON-SCREEN TEXT]
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WOMAN : Take this off.
44
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I need three more clips of 5.56...
45
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...eight grenades and an extra battery.
46
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CRU ISE: The exo-suit itself is very detailed ...
47
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...the kind of weapons that it carries are just cool .
48
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Essentially the exo-suits are weapon carrying systems...
49
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...so on the grunts you have a machine gun on one arm ...
50
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...and then on the other arm you have three grenade launchers.
51
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Rita has a proper angel wing system . These articulated arms...
52
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...come out from her pack and two rail guns put on the target finding system .
53
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And then Tom eventually has one of those with a different rail gun system ...
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...and a large sniper rifle.
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I don't think anything quite prepares you for the sheer weight of the suit.
56
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It feels like you're being strapped into a coffin that you're carrying around on your back.
57
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And then you get used to it and then you start to really feel the power of the suit.
58
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This is the metal one. So we call her Barbara.
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I don't know why I named her Barbara. It's not an awesome name, maybe that's why.
60
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And then I have a rubber one, which is a bit lighter and she's called Babs.
61
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I just put one on just to try the thing on , I'm thinking , "Oh , my gosh .
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I should have been working out for six months before I did this."
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S I LVER: It took an enormous amount of training ...
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...and dedication on the part of the entire cast.
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And they worked with a physical trainer here in the exo-suit costume.
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And they had to make the costume look like the costume was powering them ...
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...where in fact they were the powering the costume.
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Tom and the actors really had to start working out in J uly...
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...for a shoot that started in October.
70
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To physically be strong enough to wear one of these suits all day.
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S I LVER: Really, Tom Cruise set the bar...
72
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...he had contests between the actors to see who could get dressed fastest in the exo-suit.
73
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I think he got down to 37 seconds.
74
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Literally, I started with stop watches the couple of months beforehand as we're doing it...
75
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...and I just started timing them .
76
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And then all the guys, they worked out a system ...
77
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...how to get us all in and out of these suits quickly.
78
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And I kind of worked with the stunt guys...
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...on what the training program would be for the actors.
80
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And kind of how to gradually get them in to the kind of pressure...
81
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...that they were going to be under.
82
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MAN : And action !
83
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- Griff. - Sarge?
84
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- Take care of Private Cage. - What, all day?
85
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Something tells me it won't be nearly that long .
86
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If you're doing something set in the future, it's a whole other level of imagination ...
87
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...and Oliver Scholl came up with this great idea of this drop ship.
88
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This futuristic aircraft where the soldiers in their exo-su its...
89
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...would be locked in like human ordnance. And they just drop you .
90
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And that seemed so terrifying ...
91
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...and it would be a really great thing for Tom Cruise's character to have to experience.
92
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Oh , my God !
93
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Being inside that drop ship, we're like canned tuna basically.
94
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And I have to say those days that we were all in there...
95
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...as the actors you're just hanging in an uncomfortable way for many, many hours.
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MAN 1 : Drop! MAN 2: Drop.
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MAN : Ready and action .
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BOHAN NA: When I had a look at the monitors that first day, it was just a fantastic way to start.
99
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It looked so good .
100
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Simon Crane and his incredible team of riggers...
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...figured out how to launch and move these characters in these heavy suits.
102
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The stunt team that we had was really at the top of their field .
103
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You're not gonna get the kind of quality without that group effort.
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BLU NT: I loved working with Simon Crane and Wade, you know...
105
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...because they are always trying to stray away from the generic...
106
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...or something that you've seen in another movie.
107
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And I had this fantastic guy called Liang teaching me martial arts with a sword .
108
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Her fight style is very aerial based and very martial-art based .
109
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And so my character fights with an enormous helicopter blade...
110
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...that she salvaged from a crash .
111
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She believes in order to kill them and actually cause some damage you got to get up close.
112
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You can't shoot from a d istance. You got to get inside the tentacles...
113
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...and it's a very brave, courageous way to fight.
114
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MAN : Action !
115
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CRU ISE: The stunt team was able to make it as safe as possible for everyone.
116
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You okay, Cage?
117
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Oh , yeah , yeah ! I'm good !
118
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But also to do the kind of extreme things that we were able to do with that suit.
119
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That was a lot of weight for these guys to move around when I'm in that suit...
120
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...because it's practical in-camera action . That was the demand of it.
121
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It's real , it's not fake, it's not generated in a computer.
122
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With Tom really wearing that suit or Emily Blu nt really wearing the suit.
123
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It was really amazing for me being able to witness that process.
124
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Hands off, they really put in 24/7.
125
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These suits are supposed to make us fight harder and faster...
126
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...and that's the whole illusion .
127
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And so there's something really empowering about it.
128
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- U nh ! - Ha, ha.
129
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CRU ISE: It's not just action when it's done well , it's character, it's story.
130
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We needed this for this movie.
12347
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