All language subtitles for Shooter (2016) - 02x06 - Across the Rio Grande.SVA.English.HI.C.orig.Addic7ed.com

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian Download
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
en English Download
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese Download
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

Previously, on Shooter...

Never should've burned that heroin.

You wanted to talk?

I know you're working

on a story about a heroin ring

in Afghanistan. But it would help

if I knew who your source was.

You're Kurt Zehnder, former member of the 8113.

8113 is for life.

Nice grouping, sweetheart.

You mind if I see how she handles?

Yeah, actually.

Don't have to be a bitch about it.

Hey.

- Thanks for the backup. - Of course.

Any chance you could recommend

a good church to go to around here?

We go to St. Francis. It's just right up the road.

What's gotten into you?

You know, I was having a hard time

after Frankfurt, and...

you know, you being gone doesn't really

make it any easier, but...

today was a good day.

People think that the Deep State

is running things? Please.

It's Atlas. They're so black ops,

they're... they're "no ops."

[gunfire]

They're Los Fantasmas.

- Why send these guys? - Zehnder said the cartels

were in bed with a shadowy organization

called Atlas.

Said they even shared a banker.

Some fancy Wharton guy down in Mexico.

Zehnder better never stop running.

Swagger, it's me.

[gunshot]

Too bad. You were the best of them.

[gunshot]

[echoing panting and thudding]

[soft, tense music]

♪ ♪

Someone is hunting 8113.

[gunshot]

[grunting]

- [gunshot] - No!

[gunshot]

[grunting]

I love you infinity times infinity...

That means forever.

Every shit situation I've ever been in,

the only thing that kept me going

was what I had to be grateful for.

♪ ♪

[grunting]

[panting]

[grunting]

[phone vibrating]

[panting] What can I do for you, Sheriff?

Yeah, give me 30 minutes.

[background chatter]

[suspenseful music]

Have a seat.

Yes, ma'am.

So, every time somebody gets shot around here,

you knock on his door?

Relax, Sheriff.

And sit down. You might learn a thing or two.

Earl Swagger was my partner.

I watched Bob Lee grow up.

I saw him go off to war to serve his country...

Saw the shit his country put him through

when he came back.

And you flash a badge.

Thanks for coming in. We just have a few questions.

We got four dead cartel guys at the refinery.

Two of them, clean shot to the head.

Looks like they were shot at a distance.

You know anything about that?

I know most cartel guys

usually end up on the wrong side of a gun.

You know what? Maybe I could help.

On-site analysis... Might give you a lead.

Were these guys Los Fantasmas?

So what are you thinking... a rival cartel?

- Turf war? - How 'bout I ask the questions.

Where were you yesterday, Swagger?

Do you own a long gun?

[sighs, chuckles]

This was fun.

[sighs]

[tense music]

If they know who the bad guys are,

- why not take them out? - You dig up your lawn

to get rid of all the crabgrass, pretty soon,

- you got nothing but dirt. - Yeah, but better to win

a few battles than hand them the war.

Hey, look.

Whoever took those guys down... Now, it don't matter to me.

But it might matter to Los Fantasmas, though.

[footsteps]

What do you know about them?

Usual bullshit... Drugs, guns, and girls.

But no matter what we do,

those trucks are still gonna come rolling across

the border with the drugs, and this afternoon,

those same trucks are going back

loaded full of money.

Trucks full of money?

[horse neighs distantly]

[footsteps]

This is for you.

Thank you, Mary.

Thank you.

Mommy says you're a bad man.

[car door opens, closes]

Hey.

So the dead guys at the refinery

- are Fantasmas. - So?

So, remember Nadine said they're connected

to Solotov and Atlas.

So now you wanna take on a cartel?

Naw, just... poke 'em a little.

How does that get us Solotov?

They share the same banker. We find him,

we cut off the blood and kill the tumor.

[sighs]

All right, so eat up [claps] and let's roll.

Hey, Mousey. Whatcha making?

A bunny.

Are you leaving?

[gentle music]

Yeah, I gotta take care of something.

♪ ♪

Look.

- There's his tail. - [chuckles]

It's a girl bunny.

- Her tail. - [laughs]

Where are you going?

I'll tell you, if you can promise

- you'll keep it a secret. - I will.

- You sure? - Yeah.

[whispering] I'm going to El Paso.

- Kiss Binkie good-bye, too. - Okay.

Bye, Binkie.

♪ ♪

[suspenseful music]

♪ ♪

[background chatter]

[door clicks open]

♪ ♪

- Hey. - What the hell's so important

- we have to meet? - Zehnder faked his death.

What? He's still alive?

He was. He's dead for real now.

The evidence... everything Zehnder had, it's gone.

But... I think there's a bigger story

than just heroin smuggling.

Zehnder was ranting about some shadowy global conspiracy.

What, Atlas?

If they exist, I can't find anything on 'em.

The heroin story, it... It's dead.

I can't publish without evidence.

[ominous music]

- What? - That's the third time

I've seen that car.

♪ ♪

Did you do what I said?

Yeah...

Gallery Place to Metro Center five times,

and then I did another two times

just for the heck of it, you know?

♪ ♪

Look, Atlas exists.

And they're coming.

[dramatic music]

Synced & corrected by -robtor- www.addic7ed.com

[dogs barking distantly]

[dark music]

♪ ♪

[car door bell dinging]

Anybody wanna get high?

[Tejano rock music]

♪ ♪

[singing in native language]

♪ ♪

[drill buzzing]

♪ ♪

[Tejano rock continues]

♪ ♪

- [beep] - Okay, Nailer,

this is definitely the place. It's all you now.

[suspenseful music]

♪ ♪

[intense music]

♪ ♪

[phone vibrating]

- I'm in the truck. - You look inside the building?

Yeah. There's pallets of money everywhere.

What?

Are you serious?

I mean, I don't see any cartel muscle.

We should take these fools.

Turks and Caicos, here we come, baby.

No, these guys aren't cartel. They're money launderers.

It's how they do security... High-tech and low-key.

Cameras let the bad guys know "We know what you look like."

And the cartel never forgets.

Aw, you guys are no fun.

[ominous music]

Oh, heads up. You got company.

All right. I'll see you on the other side.

♪ ♪

[tense music]

Where are we going?

We're going to church, remember?

It's Sunday again?

No. [laughs] It's not Sunday again.

Estella and I are helping out at the food drive,

and you have to meet with Father Dominguez

about your First Communion.

He's got permanent tattoos, Mom.

Yeah, so does your dad.

Get your booty in the car.

All right. Thank you.

- Don't forget your seatbelt. - All right.

[suspenseful music]

- Let's go. - All right...

Seatbelts on.

- Buckle up, buttercup. - All righty.

- Ready? - Yup.

[car engine turns]

Who wants Sonic?

- Mmm! Tater tots? - Yeah.

Make sure to get some for Daddy for when he gets home.

♪ ♪

Put... put the cans over there.

Go, go. But be careful!

- [laughing] Hola, Mary. - Hi, Father.

Hi, Father. Thanks.

Oh, thank you for helping out.

- Of course. - I'm happy too.

- Hola, Father! - Como estás?

- Bien, bien. - Bien?

[mellow rock on radio]

- Hey... - How are you doing?

I'm better, thanks.

[background chatter]

If it starts going the other way again...

I'm always here.

- Thanks. - I'm managing.

I'm gonna set this over there for the cans.

[truck rumbling]

All right, stop here.

- Tranquilo, man. - Tranquilo.

- [brakes squeal] - Get out

with your hands above your head.

Get out! Hands above your heads.

- Tranquilo! - Hands up!

- Hands up! - Tranquilo!

[suspenseful music]

♪ ♪

Keep walking! Go.

♪ ♪

- You got 'em? - Got 'em.

- There you go. - Holy shit.

Here.

- Thanks, bro. - No, it's for them.

Right.

No puedo.

- Bounce. - It's narco money.

They won't take it.

All right.

[intense music]

Here.

_

♪ ♪

- Yo, Ali. - What?

You gotta put that back.

Ah, come on, bro.

Hey, nobody's taking care of us.

I will give 10% to charity.

All right. Just get my bag.

You the man.

♪ ♪

Yup, found the tracker!

How much time you think we got?

Minutes! Get outta here.

[suspenseful music]

♪ ♪

[engine turns]

♪ ♪

[phone vibrating]

Yeah.

It's game time.

- They're coming. - All right.

♪ ♪

[tense music]

♪ ♪

- Let's go, let's go. - Come on.

Oh, shit.

What is it?

What the hell is it?

- Una bomba. - Drop your weapon.

Turn around slowly.

Turn around! You guys, get out!

Did I miss the party?

- Call your boss. - Right now, you've done nothing

but inconvenience me. You take the next step...

Stop with the clichéd shit and call your boss.

[phone vibrating]

What is it?

We got a small...

Are you Solotov's banker?

- With whom am I speaking? - You're talking to a guy

who has two pallets of your cash.

[snorts] Walk away, right now.

Or how about I hit all of your warehouses?

On 86th, Simms, Higuera...

And then I'll hijack every single one of your trucks.

You might be able to cover the loss of a couple pallets

with Los Fantasmas, but how about 100 million?

Last time: are you Solotov's banker?

[dark music]

♪ ♪

Suspense is killing me. What'd he say?

Nothing... which means yes.

[knife slicing rope]

Here. Take the truck

and get outta here.

Uh-uh. You're going for a ride.

[engine turning over]

[phone vibrating]

- Hello? - Hey, Harris.

Hey, uh... Now's not a great time.

I'll be quick. I promise.

[sighs] For a split second, I thought maybe

you weren't calling me for a favor.

Silly me.

You ever hear of a group called Atlas?

Dark, off-book shit?

Are you insane calling me about this

at work right now?

Can you meet me in an hour?

The restaurant where we had our first date.

Please.

Come on, let's find a table.

Mmm, that lemonade is good.

Yeah?

Come sit down, baby.

- Okay. - Here. I'll do your straw.

Thank you, Mommy.

- Hey, Travis, What's up? - Hey...

Shoot, did I miss all the fun?

Yeah, but... you know,

we can grab you some pizza

if you wanna have a seat.

- Are you sure? - Yeah, of course.

Thank you.

Estella, this is Travis.

Travis, this is our ranch manager, Estella.

It's nice to meet you.

What happened to your arm?

Ah, well, I had a little accident.

- Was there blood? - Mary.

- [phone vibrates] - Nah. Well...

maybe just a little.

- [laughs] - Perdóname.

- Mm-hmm. - Hi, Julie.

Oh, hi! How are you?

It's so good to see you again.

So, where's your daddy?

It's a secret.

Aw...

he told me that he went to Dallas.

Then why don't you go there and find him?

[laughs]

Hey!

- Mommy, Eddy took my... - Mom's talking, okay?

- Don't be rude. - Hey, Mary.

Come here.

Why don't you go over there

and tell Eddy that Binkie is yours?

Go ahead. Go stand up for yourself.

It's okay. I'll be right here.

It's all right. Go.

It's all right.

That bear's mine. Give it back.

Oh, boy, that innate sense of justice, huh?

Worst mistake we make in life's to ignore it, right?

- That wasn't so bad, was it? - No.

[phone vibrating]

Will you excuse me for a second?

Yeah, of course.

[low conversation]

Is there a problem?

Y'all have no idea the holy hell that's about

- to rain down on you. - We like holy hell.

We're marines.

Sure beats slinging Samsonites at the airport.

Hey, buenas dias!

What? Man, I never been in Mexico before.

How much further?

A few miles.

[traditional Mexican music on radio]

Don't try anything stupid.

♪ ♪

[police radio chatter]

♪ ♪

[smooth pop music]

♪ ♪

Hey. Um... do you want...

- Do you want something? - I'm not staying.

- This is Jeffery Denning... - Yeah, I don't give a shit.

[chuckles]

He's a reporter.

Does Gregson know that you're into this?

Yeah, I didn't think so. There's no story here, Nadine.

You're in a very dark place.

- You're scared. - I work for the head

of the Senate Intelligence Committee.

Can you begin to realize

the things that come across my desk?

Atlas is a boogeyman...

A ghost story designed to shake dollars

into various budgets.

It's the magic bullet. You're wasting your time.

You came all the way over here to tell me that?

I came because I still care about you,

and I was hoping maybe you felt the same way,

but I can see that I was wrong about that...

Wrong about a lot of things, actually.

You can't go back to your apartment.

I haven't been there.

I've been crashing at my ex-girlfriend's place.

I remember why we broke up.

- Who are you calling? - The Marshals.

I'll have them meet us at my place.

Harris was spooked.

It's time to call in the big guns.

[tense music]

♪ ♪

Two guards by the gate...

a long drive...

Two more by the house, and cameras.

There's probably more inside.

What's the play?

Al-Maslahat.

[building percussive music]

Al-Maslahat.

Oh, hell yeah.

What about him?

♪ ♪

[knife cutting rope]

You're driving.

[tense string music]

♪ ♪

[speaking Spanish]

_

_

_

[gunshots]

[dramatic music]

♪ ♪

[gunshot]

Buenas dias, motherfu... er.

♪ ♪

The rest of the guards are bugging out.

The front is clear.

Ali, get your ass down here and cover our six.

♪ ♪

[suspenseful music]

♪ ♪

[grunts, shouts]

[grunts]

Did you talk to Solotov?

- I did. - Is he coming?

[breathing heavily]

I don't know.

Zero out his accounts.

All of it. Bankrupt him.

Now!

[ominous music]

♪ ♪

He'll come now.

You done?

No, not yet.

You handle that gun well.

You know, there are plenty other lanes open.

Yeah... I like the view from this one.

[gun clicks]

Run along, sweetheart.

[ominous music]

Where's your little boyfriend now?

♪ ♪

Ow!

[groaning]

Ooh... [groaning]

Who are you guys?

Hmm?

How many you got in those hills?

However many it is, it is not enough.

He will kill you all.

And you too.

You gave him up.

Solotov's probably on his way. I'll get on overwatch.

Try anything funny, he kills you.

All clear out front.

All clear in the back.

[beatboxing]

Ali.

♪ Bob Lee, Bob Lee ♪

[singing]

Dude, I know where you are and I will shoot you.

Look, man... I know this shit sucks

for you, bro.

But me?

I miss it.

[chuckles]

Why'd you join the FBI?

It'll sound cliché, but, honestly,

I never considered anything else.

It's not a cliché. That's a calling.

Yeah.

And my dad was part of the civil rights movement.

He always said when the FBI showed up

in the South, that's when he felt the tide turn.

He called them J-Men, not G-Men.

J-Men?

Yeah. For justice.

[floorboard creaks]

[ominous music]

♪ ♪

[indistinct voice over walkie-talkie]

The Marshals are pulling up.

Let's move.

[panting] Time to go.

[stammers] Aren't we gonna wait for the Marshals?

No. We're on our own now.

Okay, I got an SUV.

It's Federales.

Ali, you got anything?

Ali?

Ali, come in!

- Ali. - He's in the truck with me.

[intense music]

[gunshot]

♪ ♪

Ali! Ali!

[suspenseful music]

♪ ♪

[canister hissing]

[dramatic music]

♪ ♪

[coughing] Move!

[both coughing]

♪ ♪

He's in here!

You got no play here, Solotov.

I'll kill him, right here.

♪ ♪

It's time to go.

♪ ♪

Open it.

It's time to go.

What are these? Accounts, passwords?

We don't have time for this shit.

What the hell?!

He was dead anyway.

And now Solotov can't get his money.

We still could've used him.

[music building]

♪ ♪

[suspenseful music]

♪ ♪

Solotov didn't shoot me

because he needed the banker alive.

- We don't. - Man, we don't even know

- what these numbers are. - I don't care.

I do!

- This isn't about revenge. - What about Ali?

The more people you kill, the less safe my family is.

So he can kill one of our guys,

- but we can't kill his? - It's not strategic.

I don't give a damn about your strategy anymore.

- They killed Lin. - Everybody dies.

When we get back, we're through.

You go your way, I'll go mine.

[engine turns over]

[ominous music]

Did you burn me?

- What? - Did I... burn you?

No, I didn't even tell anybody we met.

Why can't you just put your head down

- and do what you're told? - I am not wired that way.

You're not gonna find out the truth.

Shit, there basically is no truth.

I don't believe that.

And I don't think you do, either.

Be careful.

Yeah. You too.

They're watching me now.

They're probably watching you too.

♪ ♪

[traffic humming]

If we move every night, we'll be safe.

[sighs]

Oh, so apparently a two-bedroom listing

on Airbnb doesn't actually mean

that you get to use the second bedroom.

I'll take the couch.

Not gonna fight you.

[bell tolling]

Hi, Father.

You okay?

Is it wrong to stand up for yourself?

[chuckles] It depends.

What did you do?

I was at the range, and, uh...

there was this asshole there,

and he...

Sorry.

I may have... overreacted.

- You lost control? - No.

[sighs]

That's the funny thing...

I was furious inside.

I was completely calm.

[laughs]

So, this is a... coping mechanism

you've found? Shooting range?

Yeah. It works for me.

I think I understand Bob Lee better because of it.

Just wish it brought us closer.

[engine rumbling]

Both: Shit.

[suspenseful music]

[tires screeching]

♪ ♪

If we fight, we die.

Give me your phone and your wallet.

[tense, percussive music]

♪ ♪

- [click] - [beeping]

[music building]

♪ ♪

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.