Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (SoranĆ®)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Translated by the community of WWW.MY-SUBS.COM
-Yes? -"Inspector.
Itās SuĆ”rez. Weāve found something in the CCTV footage of the museum.
-Itās important." -Iām on my way.
SUNDAY 8:35 AM
-Here you are. -Thanks, Ćngel.
Weāve reviewed the hard disk of the surveillance cameras...
Listen, listen, Raquel,
Iād like to apologize for last night.
I hadnāt slept for 48 hours, I had a few too many glasses of wine.
-I donāt want you to think... -Ćngel, donāt worry.
Itās fine, okay?
46 HOURS OF ROBBERY
Look, SuƔrez has found a break in the case.
Itās the surveillance footage of the day AnĆbal CortĆ©s y Silene Oliveira
"visited the museum."
-Look closely at the items they put on the tray at the entrance.
Zoom in as much as you can.
There, stop. Enlarge it.
Those are car keys.
"Of a Seat, an old one, in the original key holder.
Presumably between 1989 and 1996.
We have the date and the time they entered,"
and the car model which they drove.
Weāll canvass the area. Security cameras,
car parks, shops, banks,
"car park tickets from regulated parking areas, everything."
Rule out.
"The other file, scroll up.
We have to find that car at any cost.
Go through it. Good. Weāve got it."
Itās an Ibiza from 1992.
"Great."
Those keys and that car will take us where it all began.
-Shut up. -Here are the car keys.
Nairobi and Rio get changed to go to the museum.
Me? Really?
-You. -To the city?
But, donāt send me with that kid, send me with a real man,
with Helsinki. Why donāt you send me with Helsinki?
Yes, Helsinki prefers the hairy chest type.
Wasnāt you and I who were going?
Check the CCTV cameras against the sketch from my previous visit.
We need to confirm the location, the angles and the objectives.
Come on, change your clothes.
Helsinki, a queer.
My goodness! But you like men.
War, prison...
I see, I see. Women, no.
You donāt like them, do you?
-Wasnāt it me who was going with Rio? -Iāve changed my mind.
Have you? Whatās happened?
Nothing, Iāve changed my mind and period.
Whatās happened?
So, you donāt trust me or what?
Have I done anything? What the heck have I done?
I havenāt done anything, have I?
Itās not that.
No.
Did anything happened?
My mother?
A heart attack, Iām very sorry.
-When? -Yesterday.
Iāve decided that you wonāt go to the museum
to avoid you from being tempted to go and say your last goodbye.
Iāll stay with her. Someone else can go.
I donāt need to say goodbye.
I already did it.
The last time we talked she wanted to turn me over to the police,
so that woman was no longer my mother.
Professor.
tell me what I have to do with Berlin.
Shall I throw him to the dogs or shall I shoot him dead?
"Youāre the boss."
Iāll take care of that. Pass me on to Helsinki.
-It wonāt be the police? -Come on, here you are.
-"Helsinki." -Yes?
The photograph you gave me of the cube of scrap is of the Ibiza, isnāt it?
Iām saying this because Iām looking at it closely and...
it looks to me that the colour of the paint itās not exactly the same.
Me leave car in the wreck yard.
Helsinki, the photograph you gave me is it of the Ibiza?
No.
"Other car,"
but they said:
-"It would look like that." -I gave you 1000 euros,
1000 euros to pay them
and they would turn the car into scrap before your eyes.
What did you do, did you keep the stinking 1000 euros
when we were going to do a 2000 million heist?
2000 million, flying money...
and 1000 euros, money in my pocket.
"Me locked up, no work, five months in Toledo...."
and family...
Me send all the money to my family.
If for you 1000 euros, not important,
for me very important.
Important, Helsinki. That car is a loose end
and from that end they can start pulling, and find something.
We inside here leave many loose ends,
"you outside there only one".
All right.
Tell me, at least, if they didnāt turn the car into scrap in front of you,
you wiped the fingerprints off.
Yes. Yes.
-Helsinki, what are fingerprints? -Fingerprints. Yes, Professor, yes.
-What does āfingerprintsā mean? -No... I donāt know.
"Did you clean the steering wheel with ammonia, the gear shaft,"
the windows, the dashboard, the whole bloody car?
Yes.
No. This I didnāt do.
Pass me on to the kidnapper.
Sleeping does you a lot of good. Youāre starting really fast up this morning.
Thieves are caught by chasing them, and weāre too passive.
Where is my pencil?
Letās tighten the screws on them.
"Good morning, Professor."
How is Mr. Roman after his surgery?
Well.
Resting and, the best of all, no high temperature.
"I thought youād forgotten me, Inspector.
Quite the opposite, actually I think of you all the time.
I see, that sounds like a fantasy.
We should keep exploring that path.
If youāre going to ask me, what I had for breakfast,
if I had a morning orgasm
"or I like foreplay, Iāll tell you it isnāt about that,"
but yes, itās a fantasy, a fantasy with handcuffs in it.
I put them on you and I take you to the police van.
Well, itās a fantasy after all.
Surely, later on if you want, you tell me yours during a conjugal visit.
"Listen to me carefully: Iām going to break the news to you."
Firstly, the ship you were asking for, the Malaika,
is at the port awaiting trial,
so it still belongs to the ship owner.
Thatās no excuse, Inspector. The police can request authorization
from the judge to use that ship in the pursuit of an act of crime
"as long as, the sentence hasnāt been passed,"
so you can a ask for permission to use it,
especially in this matter of such relevance.
Donāt tell me you havenāt done it.
I can see you also know about laws.
Well, just an amateur.
I enjoy reading judicial sentences.
"Youād be surprised how fascinating it can be."
All right, Iāll bare it in mind now that Iāll have time for it.
I will be released from the case.
"Weāre at a dead end."
Too many hours have passed and, as youāll understand,
my superiors canāt wait any longer.
If you really want to negotiate with me, release eight hostages.
Eight hostages, and they have to be underage people.
Why should I do that?
Because itās your turn to show me a gesture of goodwill.
If you want to have some credit, free those hostages.
If not, theyāll assign another inspector to the case,
"someone with a different approach and different objectives."
Iāll give you an hour to think it over, not a minute longer.
That man doesnāt want the Malaika.
Why do you say that?
Why ask for a ship that itāll take him five days to get
-if he can have any other? -To see who has a longer dick?
Inspector, I donāt know why, but get them that ship and get them out of there.
Heās idea is to exit from somewhere else.
-Ćngel. -Tell me.
Tell the Underground Unit to canvass the sewerage system
within 500 metres.
Old tunnels, drains, any whole.
-Okay. -Come on, start working!
Hey! You!
-Listen! -I finally find you!
I was trying to go to the main entrance.
Let me down!
Please, let me down! Please!
No! No! Please!
Let me down! Please!
Iām in the boot!
"Salva.
-Salva?" -Yes, hello.
Salva, itās Raquel. No nothing, Iām here at the Hanoi...
"having a drink and, well, as... I canāt see you around"
and itās become quite usual bumping into each other here,
I thought that you may fancy a coffee
-or have a break... -"Well, Iād..."
love to, but the thing is Iām not in Madrid right now.
-Salva, are you okay? -No, sorry, the thing is
as Iām not focusing on my driving, a lorry almost crashed into me!
Anyway, sorry, I wonāt interrupt you any longer.
"No problem, Iāll see you around.
And If you get back early and fancy having something to eat today...
Sorry, Salva, what...."
The thing is, yesterday I told my mother about you and...
the woman is a bit hippy and eccentric, and...
you see, she goes and says, out of nowhere,
that perhaps I should brighten up my life a little
and we should get to know each other more, nibble. Donāt misunderstand me, will you?
Nibble... She meant have a bit more social life,
-thatās why I told you about having lunch. -Okay.
What...? What, yes? Ah, it sounds great!
-"Dinner, better?" -Perfect!
-It sounds great. -Okay, fantastic then.
-See you later, then. -Bye, ciao!
Ciao, see you later!
Please!
Let me down!
Let me down!
You donāt smoke?
Fine, fine.
It wonāt be me the one to harm your health.
You are okay here, arenāt you?
All together.
Not sensing the horror,
the shooting,
the blood, the surgery...
I must come more often.
Itās difficult out there.
Last night...
I phoned a friend.
I told him how difficult it is to maintain order and harmony in here.
I told him... that I had to kill,
that I gave the order to kill...
a woman.
If you donāt put the dead bodies on the table, youāre not respected out there.
And, you see, I...
could feel... the emotion in my friend,
his distress,
his breathing,
his panting
and his grief.
He...
He wasnāt here, he hadnāt met that woman either,
Mónica Gaztambide,
and for a moment...
For a moment, I though it would be great to feel
what my friend feels.
Feel that... kind of emotion, that grief,
that remorse, but not...
I couldnāt be moved.
How dreadful, isnāt it?
Iām bothering you with my nonsense, youāll have to excuse me.
Silvia.
Silvia.
Youāre having an anxiety attack, arenāt you?
Sheās only a bit nervous,
but itāll go away soon.
Sure.
Iām sure it will.
Come with me.
Silvia, give me your hand.
Thatās good.
No... No...
"Spasiba." I came in because in the car, here
and forgot something very important in the boot, very important.
Very important. Very important.
You jump the fence. Now, you tell police.
We can come to an agreement with money.
How much money?
A lot. Look.
I have a lot of money.
Thatās not a lot of money.
For Godās sake I donāt have any more. Look in my wallet.
Me count to five and let dog loose.
Do you understand?
-What are you doing? -Iām mounting the cells
to put the explosives in the entry ways.
Did Berlin ask you to do it?
The Professor, a deterrent, so they can see it from the tent.
And whatās that?
That bastard, had some sherry here and Iām finishing it off.
Fuck!
Boss,
the CEO position suits you very well.
Sit down, please, Ms Tokyo.
I can see you were late this morning. Iāll have to report you.
Iām terribly sorry, sir.
If I...
If I show you a breast, you wonāt fire me?
A tempting offer, thatās for sure,
but youāll have to offer me something else.
I know how you feel.
-Rio... -Iām here,
inside this hole,
and I start to think how I got here,
and I canāt remember.
I remember one day
I was asked to hack a security system,
and it turned out to be of a mansion in Geneva,
where nothing was left behind, not even the carpets.
I wasnāt even there.
But, fuck, hacking a security system
is far more fun than being the IT in a company.
So, I didnāt give it a second thought. For me it was a game,
and now my parents are not there anymore.
My mother is gone, too.
But itās a little different, isnāt it?
My parents are still alive.
I could have been a legal guy.
I was good at what I was doing, I could earn my living.
I could have had an ordinary life,
meet an ordinary girl,
have ordinary friends...
I wasnāt like you.
I donāt know what to tell you.
I think I need your door.
-Which door? -The door you told me about
the day we went to see the museum,
the day we heard your mother had died.
Cameras 12 y 13 have changed their lens.
Now they have a wider range of vision.
Camera 14 remains the same.
It points into the hall.
We can leave now.
And why should we go?
One day we can do a bit of sightseeing,
kiss in bars,
-on the street... -On the street?
Donāt kid me. Someone may catch you.
No, not on the street.
Follow me.
I feel as if I killed her.
She was so pretty...
Sheās died of grief, of absence, of all the trouble I was in
of my fucking crappy life....
She only wanted to protect me.
She loved me.
She loved me to bits.
And if she wanted to turn me over to the police,
it was not to see me dead on the news.
When I was a little girl,
I knew that, at her side, nothing wrong would happen to me.
The problem was when she wasnāt there.
And your father?
Thereās no father.
My mother worked in a suitcase factory.
And when we couldn't make ends meet,
she would work the night shift.
And as she had no one she could leave me with,
she left me alone.
I was really scared.
How old were you?
Eight, nine.
A bit younger than you now.
The thing is that my mother came up with a trick.
She draw a door
on the wall of my room.
It was a magic door.
And, if I was scared,
I could open it and she would be behind it.
And when she left, did you open it?
She told me that I could open it only once.
Only once in my life,
whenever I need it,
but only once.
So when I was scared,
I used to think:
"You can still hold on a little longer.
A little longer."
I used to think that the next day I could feel more scared
and feel more alone,
and need the door.
I would have opened it the first day.
I never opened it.
You are the strongest person I know,
the most incredible one...
and...
And what?
-And what? -And...
Damn!
The car park.
A parking ticket? Whatās this?
Yes, the regulated car park ticket from, an Ibiza of 1992.
"Two streets from here. Check the date and the time.
Itās the same day the robbers went to the museum."
Good job, Ćngel.
Run the registration number through the database.
Iāll be the most expensive fine in history.
"Itāll cost them loads of millions of euros.
Put me through the robber."
-"Inspector." -Professor,
I need an answer. I want those eight hostage, the underage people.
Write down the names the ones that are coming out.
Pablo Holgado, Silvia Moreno,
Abraham Salmerón,
Ignasi Castell, Magdalena Ribot,
RocĆo Huertas, Jessica SĆ”nchez
-y Alicia Villanueva. -What about Alison Parker?
Sheās one of the girls of Brighton.
"I want her on the list."
I can see youāre aware, Inspector.
"You know as well as I do that Alison is a queen of hearts
-in this house of cards. I canāt do it." -Itās a prerequisite that she comes out.
Iāll make you a proposal:
Alison in exchange for the life of those eight people.
Sorry, what did you say?
"Iāll give you Alison Parker..."
and no one else.
We both know how important she is both for you and for me,
"so if you want her to come out, she will come out alone."
-I have to consult it. -"You have one minute."
Phone him and tell him, that Parker is coming out.
-Iām not willing to make that decision.
Itās unethical to make a choice on a hostageās life
"when you can save eight peoplesā lives.
As much as you, and your ethical codes, believe the opposite,"
this is a matter of state.
And the first thing will be getting the ambassadorās daughter out of there.
Iāll take all responsibility.
Put me through the robber again.
So what?
Alison Parker.
Are you sure?
"You prefer saving Alison Parkerās life to saving eight studentsā lives?."
-Yes, Iām sure. -I see.
Now, I have to think it over, I wasnāt expecting that answer from you.
"Give me an hour to think it over."
All right. Iāll expect your phone call.
If I donāt phone you,
youāll know anyway which decision I made.
-What did he mean by that? -I donāt know, but look,
the Ibizaās been deregistered for ten years.
No insurance, no owners no taxes.
-Itās off the grid. -"Attention everyone. Come, please."
Come closer.
What would you do if you had to make a car disappear with no trace?
-Set it on fire. -"Well.
Search for reports of burnt cars, both municipal and from the Guardia Civil."
Sink it.
Look for any news of a car found inside any swamps, rivers or wherever.
-What else? -Dismantle it, sell it in parts.
-Burry it. -Sorry?
You dig a whole and you burry the car.
I saw it in a film and it works.
Anything else?
Whatās the legal way
to make a car disappear and erase any trace of it?
To make a cube of scrap from it in a wreck yard.
"Priority: search in wrecking yards, scrap yards, and similar places."
Raquel, itās Sunday, theyāll be closed.
I donāt care. Get the owner out of his house if necessary.
Hurry up!
Relax.
Nothing is going to happen to you.
Youāll be safer here, more isolated,
you wonāt find out about things that will make you sad.
Iām feeling better now. Can I go back with the others?
Arenāt you listening to me? Itās better for you to stay here.
Iāll have to bind you,
because youāll be alone, But youāll be better here.
I wonāt hurt you. Thatās it.
Letās sit down. You donāt want to stand?
Look, how dirty you got... Where have you been?
-Let me go back with the others, please. -Calm down!
You donāt understand?
Itās them who are scared now...
"itās them."
Girls, sheās coming back. Sheās coming back.
Iām sure theyāll take her back now.
Itās a little girl, they wonāt do anything to her.
Rest now.
-What will we do with so much money? -I know exactly what:
Iām going to get hold of a clear sky blue colour Maserati.
-Itās this red car. -How long has it been here?
I donāt know.
I donāt know well, boss is not here today.
Ah, really?
Your boss told me you know all the cars that are brought in.
How long?
Around 20 days.
-Who brought it? -Foreigner.
From east Europe, not Russian.
Go and bring the gloves and call CSI. Tell them weāve got the car.
I understand that the man who left the car showed you his ID.
You issued an invoice for the purchase of the vehicle, didnāt you?
-Ticket. -"Da, da." Maybe.
-What do you mean maybe? -Ćngel,
go to the office and see if you find something, will you?
Yes. Move.
"...no comments about the leak,
a conversation in which Inspector Raquel Murillo
negotiates with one of the kidnappers, supposedly the ringleader...."
"Inspector."
You!
You!
See who that man is and whatās he doing here.
"The Inspector had checkmated most probably.
But even at that moment of desperation, the Professor had kept an extra ball
that was starting to be on all the radios."
"The spokesman in the shadow has described
as deplorable and shameful that diplomatic relations
take precedence over the life of eight Spanish adolescents.
We remind you of the content in the recording."
-Hello. -Tokyo, listen to me.
"The Professor had ordered me to leak the conversation with the Inspector.
A conversation that placed the Spanish Government in a very awkward position
and the Inspector herself."
-"All right? -Alison Parker.
Are you sure?
You prefer saving Alison Parkerās life to eight studentsā lives?
Yes, Iām sure."
"Perhaps because Berlin had called him 'softie'
and had decided to bang his fist on the table
and punish all those who were against him."
"The decision to release Alison Parker,
the daughter of the British ambassador, instead of eight Spanish youngsters,
has been with no doubt a controversial decision...."
"Or simply that leak started to make us into heroes
in the eyes of the general public,
but Raquel was like a hound dog."
"...the British ambassadorās daughter, Alison Parker...."
"And she had picked up a scent,
and one she wouldnāt lose, because that scent was
-of the head of the operation." -Stop, Police!
"The Professor himself."
Nothing.
-What are you doing here? -I wasnāt stealing.
I...
-What the heck is that smell? -Ammonia.
I wasnāt stealing.
"The Professor had become a wretch of a human being to escape,
but his performance wasnāt ended and more was yet to come
to avoid checkmate, and then he did it."
You can go.
It was him.
It was him!
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.