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These are the user uploaded subtitles that are being translated: 1 00:00:03,620 --> 00:00:07,290 This movie, from its inception , was going to be the biggest visual effects movie... 2 00:00:07,500 --> 00:00:08,540 ...I'd ever attempted . 3 00:00:08,750 --> 00:00:10,590 CAGE : Finish it! 4 00:00:10,840 --> 00:00:12,260 [SQU EALS] 5 00:00:12,420 --> 00:00:15,630 It's always d ifficult to try and do something very unique and original with aliens. 6 00:00:15,800 --> 00:00:18,090 It's funny to say, but it's hard to design a good alien . 7 00:00:27,060 --> 00:00:30,900 LI MAN : I never waste an opportunity to bring an interesting character to life. 8 00:00:31,070 --> 00:00:34,490 And why would I waste the opportunity on the villains of the movie. 9 00:00:34,780 --> 00:00:38,280 We really worked on the story behind the mimics. 10 00:00:38,450 --> 00:00:43,500 And when design gets driven by story, you're on much surer grou nd . 11 00:00:43,660 --> 00:00:47,370 There is a huge history of aliens in science-fiction movies... 12 00:00:47,540 --> 00:00:50,380 ...and there's just iconic things that you don't wanna step on . 13 00:00:50,590 --> 00:00:55,170 It's incred ibly difficult to be unique, there is so much derivative material out there. 14 00:00:55,340 --> 00:00:59,550 You want it to have mystery, to have a violence, you want it to be scary. 15 00:00:59,760 --> 00:01:01,720 [SOLDI ERS SCREAM I NG] 16 00:01:03,350 --> 00:01:05,310 And I think it accomplishes all of that. 17 00:01:15,320 --> 00:01:18,950 DAVIS : We wanted to think about what the book had said , that these were creatures... 18 00:01:19,160 --> 00:01:21,530 ...that have been sent as microbes on comets... 19 00:01:21,700 --> 00:01:25,790 ...that had landed and then had spread and tried to treat them like a virus. 20 00:01:25,950 --> 00:01:30,130 LI MAN : We ultimately settled on three different types of aliens for the film . 21 00:01:30,290 --> 00:01:32,250 There's the gru nt-soldier alien . 22 00:01:32,420 --> 00:01:33,460 Here they come. 23 00:01:33,630 --> 00:01:35,170 Mean as hell and thick as grass. 24 00:01:35,380 --> 00:01:36,920 [SCREECH I NG] 25 00:01:37,090 --> 00:01:39,220 [SOLDI ERS SCREAM I NG] 26 00:01:41,470 --> 00:01:43,010 LI MAN : Then there are the generals. 27 00:01:43,180 --> 00:01:46,890 DAVIS : The Alphas, they have a very clear head , face and eyes. 28 00:01:47,060 --> 00:01:50,810 They, obviously, being much bigger, much heavier and more sentient. 29 00:01:51,770 --> 00:01:53,940 [G ROWLI NG] 30 00:01:54,730 --> 00:01:57,110 And then the Omega is more the power source. 31 00:01:57,280 --> 00:02:00,410 It's just something that, at the moment, just exists underneath the Louvre. 32 00:02:00,570 --> 00:02:01,820 It's a brain . Heh , heh . 33 00:02:02,030 --> 00:02:06,040 SCHOLL: We had a 4700 concept illustrations. 34 00:02:06,240 --> 00:02:11,330 Two hundred and seventy six sketches. Six hundred issued draftings, 36 models. 35 00:02:11,540 --> 00:02:15,050 But N ick Davis pushed it another level forward ... 36 00:02:15,250 --> 00:02:18,170 ...saying , "Let's go into animation movements studies... 37 00:02:18,340 --> 00:02:20,800 ...and then come from the movement side... 38 00:02:21,010 --> 00:02:24,390 ...to those designs that we have and see what that brings." 39 00:02:24,600 --> 00:02:26,390 And that opened a whole slew of things. 40 00:02:26,600 --> 00:02:30,690 Did animation studies, and we came up with something we called "deus ex machina." 41 00:02:30,850 --> 00:02:33,150 - Deus ex machina. MAN : It's deus ex machina moment. 42 00:02:33,360 --> 00:02:34,860 It's just an interesting movement. 43 00:02:35,020 --> 00:02:38,690 It's just a metaphor for the way that this creature moves. 44 00:02:38,860 --> 00:02:41,950 It's a slow, then fast motion . 45 00:02:42,660 --> 00:02:44,990 They can move, obviously, in any direction and they... 46 00:02:45,160 --> 00:02:47,410 ...you know, they have that incredible ability. 47 00:02:47,620 --> 00:02:49,750 DAVIS : It really is a mindless wrecking machine. 48 00:02:49,960 --> 00:02:53,790 CRU ISE: You see their speed , they're able to dig in and surprise you . 49 00:02:54,000 --> 00:02:57,090 They're able to kill many at the same time. 50 00:02:57,750 --> 00:02:59,710 And yet the villain has to have an intelligence. 51 00:03:01,590 --> 00:03:05,430 Their real power was in being able to predict where you're going to be. 52 00:03:05,640 --> 00:03:07,220 CAGE : Let's go! 53 00:03:08,100 --> 00:03:12,600 S I LVER: And we came up with the notion that the mimic would have multiple tendrils. 54 00:03:12,810 --> 00:03:17,440 And the idea in the book was that it had a javelin-like weapon . 55 00:03:17,650 --> 00:03:21,860 DAVIS : The internal light source of the creatures, this sort of molten lava... 56 00:03:22,070 --> 00:03:24,780 ...sort of, travels down the tentacle that's being whipped out... 57 00:03:24,950 --> 00:03:30,040 ...and then is released out the end and becomes a six-foot, red-hot javelin . 58 00:03:31,710 --> 00:03:32,750 Ah ! 59 00:03:35,330 --> 00:03:39,590 LI MAN : N ick and I spent hundreds of hours figuring out how aliens would fight... 60 00:03:39,800 --> 00:03:42,760 ...so we could then show that to Simon Crane... 61 00:03:42,920 --> 00:03:44,720 ...so he could figure out how humans would fight. 62 00:03:44,880 --> 00:03:46,800 And from that we then have a large previs team ... 63 00:03:46,970 --> 00:03:50,310 ...then we basically then start designing the sequences in the computer... 64 00:03:50,470 --> 00:03:51,890 ...say, the backing lot on the beach . 65 00:03:52,520 --> 00:03:54,520 [SOLDI ERS YELLI NG] 66 00:04:00,900 --> 00:04:03,700 CRAN E : It isn't just luck that we managed to film aliens. 67 00:04:03,860 --> 00:04:06,160 They're very specific camera moves. 68 00:04:06,320 --> 00:04:09,870 And as the camera guys don't have something to frame u p on ... 69 00:04:10,040 --> 00:04:11,580 ...it's extremely difficult. 70 00:04:12,580 --> 00:04:13,750 [SHOUTI NG] 71 00:04:16,000 --> 00:04:17,540 LI MAN : By the time we got to the set... 72 00:04:18,040 --> 00:04:21,210 ...we can be really specific about these characters that weren't there... 73 00:04:21,420 --> 00:04:22,460 ...where they would be. 74 00:04:22,670 --> 00:04:24,470 BLU NT: We had eye lines to look at... 75 00:04:24,670 --> 00:04:28,680 ...but they were always moving and so there would be a lot of... 76 00:04:28,850 --> 00:04:30,100 [LAUGHS] 77 00:04:30,260 --> 00:04:33,730 These guys wearing these special effects green-screen suits. 78 00:04:33,890 --> 00:04:35,480 And they look like little green lizards. 79 00:04:35,690 --> 00:04:38,940 And they'd be holding sticks with lights and sort of moving around ... 80 00:04:39,150 --> 00:04:43,320 ...and we'd be able to follow them , and it was like organized chaos a lot of the time... 81 00:04:43,490 --> 00:04:47,570 ...and Doug would ru n around and pretend to be an alien for us to kind of react to, you know. 82 00:04:47,780 --> 00:04:49,450 Mimic everywhere, people shooting . 83 00:04:49,660 --> 00:04:51,240 MAN : Action ! 84 00:04:54,540 --> 00:04:57,370 But it's exciting to work like that. 85 00:04:57,580 --> 00:04:59,710 CRU ISE: The visual effects team that we had on this... 86 00:05:00,880 --> 00:05:05,470 ...and also, I think, Doug's instincts and his guidance throughout were exceptional . 87 00:05:08,800 --> 00:05:12,600 DAVIS : It's gotta look interesting , be original , it's gotta be unique and it's gotta be fast... 88 00:05:12,810 --> 00:05:16,940 ...and ultimately, their role in the movie is the foil that Cage has to defeat... 89 00:05:17,100 --> 00:05:21,610 ...which is this never-ending wave of creatures that they just are u nstoppable. 90 00:05:21,770 --> 00:05:24,030 They don't eat, they don't sleep, they just kill . 91 00:05:29,860 --> 00:05:31,200 [G RU NTI NG] 8265

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