All language subtitles for Ancient.Aliens.S06E13.Mysterious.Structures.1080p.AMZN.WEB-DL.DDP2.0.HEVC-Saon_track5_[eng]

NARRATOR: Mysterious
stone heads.

GEORGE NOORY: How in the
heck did they make these?

Where did they come from?

And how did they move them?

NARRATOR: Ancient monuments
containing 100-ton blocks--

Some of the stones
are of such magnitude,

modern machinery is incapable
of putting them there.

NARRATOR: --and solid granite
cut with incredible precision.

We ourselves today
could not replicate

what our ancestors allegedly
accomplished with stonemasonry.

NARRATOR: Throughout the world,
there are giant structures that

have baffled archaeologists.

Could they really
have been constructed

using primitive tools?

Or might they be the
product of alien technology?

ERICH VON DANIKEN:
Extraterrestrials would not

have left without any proof.

They wanted that in the far
future, we start to reflect.

Have you been visited
by outer space?

NARRATOR: Millions of
people around the world

believe we have been
visited in the past

by extraterrestrial beings.

What if it were true?

Did ancient aliens really
help to shape our history?

And if so, might they have
a connection to the world's

most mysterious structures?

On the Northwest coast of
France just south of Brittany

lies one of the most important
prehistoric sites in Europe.

At the seaside
village of Carnac,

over 3,000 megalithic
stones are placed

in rows over two miles along.

The Carnac Stones were hewn
from local rock formations

and erected between
4,500 to 2,500

BC at the end of the Stone Age.

They are the largest
collection of standing

stones in the world.

Archaeologists are baffled by the
many megaliths in Carnac here.

It's clearly a massive
construction project

with blocks of granite
weighing 50 to 100

to even up to 350 tons.

Legends here say that
giants built Carnac.

But you have to wonder,
what is the real purpose

of these giant megaliths?

And why would
prehistoric people have

moved all of these
massive stones

and placed them in their many
alignments here at Carnac?

Thousands of large
stones have been arranged

in very interesting patterns.

They're arranged in
intersecting lines

that form triangles
that could only be

visible from above the Earth.

These arrangements
of stones may have

been a way of communicating
with extraterrestrial beings.

NARRATOR: The ancient Greek poet
Pindar spoke of a mystical land

called Hyperborea
far to the north

where the sun shined
24 hours a day.

Legends claim that
Apollo visited

Hyperborea traveling in his
chariot of fire every 20 years.

Apollo would
tell to the Greeks,

OK, I'm gonna go see
some other people.

I've got to go and teach them.

And they're like, well,
where are you off to?

And he's like,
well, I'm actually

going to a place that's beyond
where the north wind comes.

It's the land of
the Hyperboreans.

NARRATOR: Although mainstream
archaeologists speculate

that the Carnac Stones are
most likely tomb markers,

ancient astronaut
theorists believe

these stones are
intentionally laid out

in a unique geometric formation.

Many speculations
existed since centuries.

And only a few years
ago in France, they

started to photograph this whole
French Brittany by helicopters.

And when they put the
pictures together,

all of a sudden
someone realized,

hey, this is not coincidence.

The distances of
the lines are always

the same, 2,860
meters, or exactly

the half of 2,860 meters.

The angles are always the same.

It's Pythagorean triangles.

It's all a gigantic
geometrical pattern from Stone

Age, which is impossible.

Our Stone Age people have no
idea of Pythagoras triangles.

Pythagoras was about 420 BC.

NARRATOR: Even though
the geometric arrangement

of the Carnac stones
predates the Pythagorean

theorem by more than 2,000
years,

one question remains--

why were the stones arranged
in such a precise pattern?

The Carnac Stones are
one of the few things

on the planet that can
actually be seen from space.

And they're a perfect marker
for any kind of aerial vehicle

looking down on the Earth.

Many of the tourists
who come here to Carnac

claim that they can actually
feel the energy emanating

from these granite megaliths.

How did these ancient people
know about this energy?

Is it possible that
they were able to use

this energy to even move and
erect these giant stones?

I am of the opinion that
they were made on purpose.

The extraterrestrials told our
ancestors, do this and this.

It's not the extraterrestrials
who made the stone lines,

it's the humans who made
it, but by the order

of the extraterrestrials.

NARRATOR: But were
the Carnac stones

a signpost for an
ancient astronaut

called Apollo as he flew his
spacecraft high above the land?

If the Greek god
Apollo was really

some kind of ancient
astronaut, it's

possible that the
stones here at Carnac

were a directional
finder pointing

the way to the far north, to the
Hyperborea of the ancient gods.

NARRATOR: Over 1,000 miles North
of Carnac lies Scandinavia,

home to an ancient
people called the Norse.

The Norse were tribal
Germanic people

who lived in what is
now known as Sweden,

Denmark, Iceland, and Norway.

Norse legends record the
triumphs of great warriors

with advanced weaponry,
sophisticated combat

techniques, and
navigational prowess.

Like the Greeks, Norse
mythology includes

supernatural beings,

other
worlds, and powerful gods.

But like the Romans,
could the Norse myths

refer not to different
gods, but the same gods

as those depicted by
the ancient Greeks?

There are a number
of similarities

between Greek mythology
and Norse mythology.

And many of the gods
are almost identical.

And they do much the same thing.

NARRATOR: Descriptions of
the Viking god Odin, the god

of war, death, and
knowledge, and the Greek gods

Zeus bear striking similarities.

Zeus and Odin are
both sky father gods.

They traveled through
the skies in chariots

because they are akin
to the solar divinities.

The precursor to many religious
beliefs is sun worship.

The ancients knew that
life came from the sun.

So that is a great mystery
and a source of great awe.

What you're getting there
is not just some minor deity,

but you really are
nailing it down

to one of the chief deities.

This is a very
important character.

And so whoever is
behind Odin or Zeus

is obviously a person
or a divine entity which

is shared by these cultures.

And it's clear that
whoever inspired

the myth of Zeus or Odin
is somehow somebody who

had an extremely
important contribution

to make to both civilizations.

So this entity was definitely
known throughout Europe.

NARRATOR: Could
the Norse and Greek

gods really have been the
same extraterrestrial beings?

Did they use the
megalithic stones at Carnac

as a directional
marker that can be

seen from high above the Earth?

And if so, is it
possible that this site

and other megalithic
structures around the world

really were built with the help
of otherworldly technology?

Ancient astronaut theorists say
yes and claim further proof can

be found by examining
megalithic rocks in Bolivia,

cut with incredible precision.

Palm Springs, California, master
stonemason and sculptor Roger

Hopkins uses a variety
of advanced tools

to cut and shape hard stones.

Powered implements
such as diamond

tipped wires and polishers
enable him to fashion works

of art out of huge
granite blocks

obtained from nearby quarries.

Yet even with these
high-tech tools,

Hopkins cannot
replicate what ancient

civilizations accomplished
thousands of years ago.

Could these advanced
engineering methods

be the smoking gun
that proves humans

had help from alien beings?

ROGER HOPKINS: The precision on
some of the work that I've seen

is just incredible.

It's possible to do it by hand.

But it would take an
incredible amount of time.

Plus you have to have
years of experience

to be able to pull it off.

In my opinion, the most
tangible pieces of evidence

that we have regarding
possible extraterrestrial

technology is when we
look at the ancient

stone-cutting techniques.

Because in some instances,
we ourselves today

could not replicate what
our ancestors allegedly

accomplished with stonemasonry.

NARRATOR: Puma Punku is a
large temple complex located

on a high plateau in Bolivia.

Mainstream archaeologists date
the site from approximately 200

BC.

The people who lived here
had neither a written

language nor the wheel.

Yet somehow they built
one of the world's

most complex structures.

Ancient alien theorists view
Puma Punku as clear proof

of extraterrestrial influence.

The ruins we find at Puma
Punku are simply extraordinary.

Puma Punku defies logic.

The interest of Puma
Punku is not so much

that the individual stones
slotted together perfectly

but the fact that
the stones, as such,

are of such tremendous design
that it requires concepts

of mathematics which are
far beyond anything we

are actually using right now.

Yet somehow in
the past, somebody

has made that for
a specific purpose

and in a way which even computer
programs today would kind

of go, how is this possible?

In the highlands of
Bolivia, Puma Punku,

some of these blocks are
over 40 to 50 tons each.

What can you tell us about this?

Boy, they-- they had their
stone cutting abilities,

you know, pretty well fine
tuned for 5,000 years old.

I mean, it's almost
unbelievable.

But these cutting planes
that they have on here

are very impressive.

And some of the inside cuts.

Say, like in here, all these
interior cuts, very hard to do.

I mean, it would
be difficult for us

with our equipment to get
that kind of precision.

Let's talk a little
bit about inside boxes.

Ooh.

I was afraid you were gonna
pull something like this on me.

That is a hell of
a piece of work.

I mean, if we were to do
something like that today,

we'd use what they have, these
computer-driven CNC machines,

which have diamond tips.

And you have a template that,
you know, the computer follows.

And even then, it may
not come out as perfect.

Because even though you
can tell that obviously

this piece broke off,
nowhere in here can

you see any imperfection.

It's like-- and by the
way, when you're there,

if you go with your
finger over these edges

and you put a little
pressure on your fingertip,

you can cut yourself.

This is how sharp the edges are.

NARRATOR: But where
could the ancient peoples

have developed such technology?

Is it really possible that
extraterrestrial visitors

provided different
construction methods and tools?

When I saw these
blocks, I didn't really

think that they were cut.

The first thing really
that I thought of

was this appears very similar
to Frank Lloyd Wright's

textile block system
of construction,

which he used in his California
houses in the early 1920s.

Now what he did was he took
concrete, poured it into molds.

There actually are
ancient Incan legends

that suggest that they
have the capability

of softening the stone.

At Sacsayhuaman, for example,
we find these gigantic stone

blocks of gigantic
stone walls where

it looks as if those stones
were molten, put into place,

and then the stone
hardened again.

NARRATOR: Is it possible
that the precision-cut stones

at Puma Punku are
really the product

of extraterrestrial technology?

Perhaps further clues can be
found halfway around the world

with an ancient
civilization that was

found buried beneath the Earth.

Located more than 500 miles
away from the crowded streets

of Istanbul, Sanliurfa
in southeastern Turkey.

There in 1994 on
a dusty hilltop,

a local shepherd noticed
the tip of a stone

sticking out of his field.

He began to dig, eventually
unearthing a 19-foot pillar.

Its edges were precise
and rising from its center

was a relief carving
of a strange animal.

Upon closer
examination, it appeared

that the finely-chiseled
stone had

been fashioned by
talented stonemasons

working with advanced tools.

When word of the
discovery reached

the scientific community,
one fact became obvious--

a Kurdish shepherd had
stumbled upon what is perhaps

the most astonishing
archaeological discovery

in modern times, a site
known as Gobekli Tepe.

For 13 years, a German
archaeology team has been

meticulously going into a hill.

And they have been doing carbon
dating as deep as they go.

And it has taken them 13
years to uncover only 5%

of a gigantic civilization.

They know what's
under the ground,

circles upon circles
upon circles,

perfect circles in stone.

And rising up out of those
stone circles are huge,

sculpted columns 19 feet
high,

15 tons per column.

NARRATOR: Test results
have supported the idea

that Gobekli Tepe is nearly
12,000 years old, almost 7,000

years older than Mesopotamia's
Fertile Crescent,

long heralded as the
cradle of civilization.

In Gobekli Tepe, the
oldest advanced site

now on our planet, we
know of no other site

that is this advanced.

And they just now doubled
the history of humanity.

GRAHAM HANCOCK:
And right there is

this gigantic site with huge
megalithic circular structures.

It just stands there
a mystery, asking

us to go figure
how was this done,

what's the background to this.

We don't know who made them.

They just come out of the
darkness of the last Ice Age,

where we know nothing, and
enter the stage of history,

already fully formed.

And to my mind, this is
indicative of a major forgotten

episode in human history.

NARRATOR: Curiously,
after 13 years of digging,

archaeologists investigating
the ancient site have failed

to recover a single
stone cutting tool

nor have they found any
agricultural implements.

How in the world can you
contemplate 19-foot-tall,

perfectly sculpted columns
that are 11,000 to 12,000

years old and no tools?

NARRATOR: The mystery
of Gobekli Tepe

is further compounded by
the ancient stone carvings

found throughout the site.

They depict creatures
like wild boars and geese.

We see various types of
creatures, different animals,

birds, insects, and even
abstract human forms

that seem to come together
to create this very

weird menagerie,
which has totally

baffled the archaeologists
who have uncovered this site.

Now what they represent is
a matter of speculation.

But it's my intuition
that they may

even represent a arc in stone.

NARRATOR: Located less than
350 miles from Mount Ararat,

the site many biblical scholars
believe to be the resting place

of Noah's Ark, the animal
carvings of Gobekli Tepe

suggest a time in
the region's history

when the indigenous animal
population may have been

of a totally different origin.

But do these carvings
actually provide

historical proof
of the Great Flood

that was described in the Bible?

Archaeologists
are aware that there

are more than 2,000 myths of
a great flood which destroyed

an earlier civilization.

NARRATOR: Some
researchers theorize

that the events of a
cataclysmic flood and a story

similar to that
told of Noah's Ark

was recorded on the stone
pillars of Gobekli Tepe.

If true, that would push the
date of the Great Flood back

to the end of the last
Ice Age, far earlier

than the biblical period.

There is evidence
that this may have

ended quite catastrophically.

There was a lot of things
happening, a lot of migrations,

possibly waters rising
up very quickly,

a lot of rapid
changes in lifestyles.

NARRATOR: But
another perhaps even

more profound question remains.

Who built Gobekli
Tepe, for what purpose,

and how did such an
ancient site remain

in nearly pristine condition
for more than 10,000 years?

In the case of
Gobekli Tepe we find

that the site was carefully
placed underneath sand.

This site was buried.

It appears as if somehow
the usage of Gobekli Tepe

was no longer there and that
people moved on but had such

a reference to
this important site

that rather than
destroy it, they

put it to peace by burying it.

NARRATOR: Is it possible that
the people of Gobekli Tepe

had such reverence for
this site because it

really was built with the
help of alien technology?

Ancient astronaut theorists say
yes and claim further evidence

that extraterrestrials were
behind the construction

of the world's most
mysterious structures

can be found in Lebanon
by examining a site that

dates back nearly 9,000 years.

Eastern Lebanon,
the Beqaa Valley,

here at this archaeological site
stand the ruins of Heliopolis,

built in the 4th century
BC by Alexander the Great

to honor Zeus.

But beneath the Corinthian
columns and remnants

of both Greek and
Roman architecture

lie the ruins of a site
that is much, much older.

According to archaeologists, it
dates back nearly 9,000 years.

The ancient city of Baalbek,
named after the early Canaanite

deity Baal.

Baal is the god of
life, the god of the sky,

the god of the sun.

He was the god
that was venerated

on the site of Baalbek
during the Canaanite

and the finishing times.

And so because it was
already sacred to the god Baal,

then later, the
Greeks and the Romans

then would build temples
on this very same spot.

NARRATOR: Archaeological
surveys have revealed

that the enormous
stone foundation that

lies at the base of the site
dates back tens of thousands

of years.

Baalbek, as we know from
the archaeological evidence,

must have existed during
the neolithic period

between 6,000 to 8,000 years
or even 9,000 years BC.

NARRATOR: But even
more significant

to ancient astronaut
theorists is their belief

that the colossal
stone platform may

once have served as a landing
pad for space travelers.

We don't know why Baalbek was
chosen as this specific site.

It may well be some kind
of special power place.

But what was originally there
before the Roman temple was

this spaceport platform
that was apparently

used for
extraterrestrials coming

and going on planet Earth.

NARRATOR: As
evidence, researchers

point to the gigantic
megalithic stones incorporated

into the foundation,
each weighing

between 800 to 1,200 tons

and perfectly fitted together.

PHILIP COPPENS: This is the
real mystery of Baalbek--

how these stones
came to be there,

why they were placed there,
and specifically how they

were transported into place.

Because some of the stones
are of such magnitude

that modern machinery is
incapable of putting them there.

But somehow our ancestors
were able to do this.

Some have suggested
that this stone alone

weighs in excess of 1,200 tons.

How was it moved there?

Because obviously it's situated
on top of these stone rows

that we can find
down here, which

means that this stone had to
be lifted

and then set on top

of these stones down here.

And because these
storms were gigantic,

ancient people assumed
that extraterrestrial

or unknown forces brought
them to the site itself.

BILL BIRNES: It is one
of the oldest, oldest

megalithic sites on the planet.

And it has these
huge stones laid out

in a precise geometrical
shape at a time when

the prehistoric people who
would have lived there,

who would have gone to the
Beqaa Valley in Lebanon,

would have no concept of how
to move stones of that nature.

NARRATOR: But if the moving,
hoisting, and setting

of such massive stones was so
incredibly difficult, then who

or what placed them there?

And perhaps more
importantly, why?

We know that the ancients
always went to power places

and Baalbek clearly
is one of them.

It is a place where the gods
were worshipped, where the gods

were said to be present.

And so when it comes to
Baalbek, this platform

was built there for a reason.

For what purpose it was
used is a question we can't

answer at this moment in time.

But what we do know is
that whatever was happening

there had a great religious
significance to them

and was linked with worshipping
deities, deities which clearly

are of an otherworldly origin.

NARRATOR: Is it possible, as
ancient astronaut theorists

believe, that Baalbek had
been considered a sacred place

for tens of thousands
of years because it

was where extraterrestrial
beings first arrived on Earth?

Perhaps the answer can
be found by examining

other megalithic stones
on Easter Island.

The South Pacific Ocean.

2,300 miles West of South
America in one of the most

remote places on Earth,
giant stone figures stand

with their backs to the sea.

Called moai by the
native inhabitants,

they are the silent
sentinels of Easter Island.

CHRIS STEVENSON: The moais are
scattered throughout the island

and they're positioned on top
of platforms, for the most part.

A moai is a stone sculpture
of a deceased ancestor.

They were once living
individuals who ruled

the society or led the society.

They were chiefs.

And then upon their death,
we believe that they

become represented in stone.

NARRATOR: Nearly 900
moai were carved between

the 12th and 18th centuries.

Hewn with stone tools
from volcanic rock,

the tallest stands a
towering 33 feet high

and weighs a staggering 75 tons.

CHRIS STEVENSON: They
were probably even more

unique looking in the past.

They may have been painted.

And they also had
large white coral

eyes with obsidian pupils.

So it's a very effective
way of telling people,

not verbally, but symbolically
that someone's watching you

and you should toe the line.

You should do what
you're supposed to do.

NARRATOR: The people
who created the moai

called themselves the Rapa Nui.

And mainstream
historians believe

their Polynesian ancestors
came to the island in canoes

from across the vast Pacific
Ocean between 700 and 1,100 AD.

But over several centuries, for
reasons that are still unclear,

what was once an island paradise
withered into a treeless desert

stalked by famine, violence,
and some say cannibalism.

When the first Europeans
arrived in 1722,

the Rapa Nui culture had
already been nearly wiped out.

And few could imagine
how such primitive people

could have created the moai.

GEORGE NOORY: How in the
heck did they make these?

Where did they come from?

And how did they move them?

Nobody has the answer.

NARRATOR: Modern
scientists have tried,

and so far have failed,
to duplicate the feats

of the ancient Rapa Nui.

In 1987, anthropologist
Charles Love

used rollers to move a nine-ton
moai replica at Western

Wyoming community college.

Ready, on three,
one, two, three.

On three.
Come on, get it.

Good.

Thank you.
Whoa.

It only ever budges
about half an inch.

NARRATOR: Other researchers have
tried pulling moai with sleds.

But there is a unique problem
with the idea of moving

moai with sleds or rollers.

CHARLES LOVE: When you
go to Easter Island,

you don't get the
impression they had

enough wood to have rollers.

And in fact, in the
1700s, the first four

expeditions to Easter Island
never really saw a tree.

And so that's the real
mystery of Easter Island--

how can you move a
multi-ton statue if you

have no trees for rollers?

NARRATOR: According to the
oral history of the Rapa Nui,

the moai were moved
in a very unusual way.

They all reply, basically,
the same thing, the moai

walked to the ahu.

And that's the only
explanation that they give.

NARRATOR: But who or
what had the power

to make multi-ton moai
appear to walk to their ahu

or stone platforms?

In 1919, British archaeologist
Katherine Routledge

who lived on Easter
Island for a year

recorded the legends and
testimony of an old woman

who said the moai were moved with
a mystical energy called mana.

And according to the oral
histories of the Rapa Nui,

mana came from the gods.

Mana was a direct
gift of the gods

given to the Easter Islanders.

Was this mana really a
type of magical force?

Of course not.

It was some type of
misunderstood technology,

some type of a device,
an extraterrestrial tool

with which you could
move those massive Easter

Island heads rather easily.

NARRATOR: Did early
inhabitants of Easter Island

really know how to unlock the
secrets of gravity using mana?

And if so, where might such
power over the physical world

have come from?

Might these astounding
abilities forever lost to time

have been made possible by
extraterrestrial visitors?

Perhaps further
evidence can be found

with a mysterious structure
in southern Florida

built from 30-ton coral blocks?

Homestead, Florida, 30
miles south of Miami,

this former agricultural
town is home

to one of the most mysterious
structures in North America--

a stone garden made of sculpted
blocks of ancient coral,

some weighing 30 tons.

It's called the Coral Castle.

Spread over several acres,
the complex formations

and intricate
designs of the stone

walls and sculptures
marvel tourists.

But unlike other great
structures around the world,

this site is not ancient.

Coral Castle in
Florida is often

said to be the only modern
megalithic structure ever built.

NARRATOR: In 1923,
Ed Leedskalnin,

a Latvian immigrant, began
building what he originally

called Rock Gate Park.

But believe it or
not, Leedskalnin

insisted that he was not using
modern machinery to build

the impressive structure.

He also claimed that
he was working alone.

Well, Ed was a hermit.

And Ed was a loner.

And he was a foreigner.

And he was a recluse
and a scientist.

GEORGE NOORY: He was
in love with a woman

and he wanted to build this
facility in memory of her.

And he waited for her
to come from Europe.

And he waited and he waited.

And she never did.

But the big question is, how
did this frail little man

move these thousands of
pounds of block by himself?

NARRATOR: Barely
over 5 feet tall

and weighing just 100
pounds, Leedskalnin

is said to have carved moved and
hoisted huge, multi-ton stones

using only a makeshift tripod.

He has a tripod, three
pieces of Florida pine.

And he's got some chains.

And he's now gonna lift
30 tons, 10 tons of rock.

It can't be done.

No one could do that.

He would work at night.

He wouldn't let
anybody watch him.

And he said that he knew
the secrets of the pyramids.

NARRATOR: But what exactly
was Leedskalnin referring to?

Had he rediscovered the
same advanced technology

used to build
megalithic structures

like Carnac and Gobekli Tepe.

Ed over and over
again would tell people

that he knew the secrets that helped
the Egyptians build the pyramids.

What was he talking about?

Why was he constantly harking
back to the Egyptians?

We don't know.

NARRATOR: Leedskalnin continued
work on The Coral Castle

until his death in 1951.

In the journals he left
behind, the builder

explained that he had
discovered the ancient secret

of transforming stones
into weightless objects.

Ed says this in his
pamphlet "Magnetic Current"

that real gravity is
actually real magnet.

So if you reverse the magnet
force with a force of some kind

of electromagnetic radio,
perhaps, frequency,

you can then make
these rocks not

as heavy as they seem
otherwise, and therefore you

can lift them.

NARRATOR: But if
Leedskalnin had developed

a device that could modify
gravity, what was his secret?

Some suggest the answer lies
in a mysterious black box that

can be seen in
various photographs,

a box that has
since disappeared.

The black box sitting
on top is the element

that no one has ever seen,
except in those pictures,

and no one has today.

We believe that black box has
something to do with how we got

these massive, heavy,
brittle pieces of rock

up in the air in a way
that no one can duplicate.

GEORGE NOORY: He had some
kind of magnetic machine down

in one of his other house areas
that has since been dismantled.

But it had a revolving ability.

He may have been
having that thing spin.

The whole place could
have been anti-gravity.

Probably just pushed
these into place.

SARA SEAGER: Levitation is
the only way that I know of

to hold up very heavy objects.

Very, very high-speed trains
are magnetically levitated.

These high-speed
trains don't have

wheels that touch any tracks.

They're literally
suspended above the track

using magnetic forces.

We can speculate at
this time that there

are techniques for
using electromagnetism

to nullify gravity.

This was the great
quest of Einstein.

The motivation for
such technology

is, of course, to lift
a large spaceship out

into space and across space.

NARRATOR: Could it be that
Ed Leedskalnin utilized

anti-gravity to levitate and
distribute the enormous rocks

used to build Coral Castle.

If so, where did this
incredible knowledge come from?

And he died taking
this secret to his grave.

The question is, did he invent
it or did he himself somehow

inherit it or learn
it from a tradition

or maybe from some visitor
from another realm.

The only thing
that is explainable

is that someone who with
a higher form of physics

and understanding of gravity
has created the ability of one

person to lift stones
that modern technology

could not do the way he did it.

It had to come from a
different place in this galaxy.

GIORGIO TSOUKALOS:
The fact that one

guy created these
massive structures

is absolutely fascinating.

Am I suggesting that
he did this with

extraterrestrial technology?

No, because I don't know.

Am I excluding that possibility?

No.

NARRATOR: If aliens visited
Earth in ancient times,

perhaps the world's
mysterious stone structures

can provide clues not
only to mankind's past,

but to its future.

I think that
extraterrestrials would not

have left our solar
system some thousands

of years ago without any proof.

They wanted that in the far
future we start to reflect,

have we been visited
by outer space?

NARRATOR: Could additional
evidence still lie hidden right

before our eyes,

evidence that,
when found, will prove once

and for all that
we are not alone?