Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,987 --> 00:00:05,598
YOUR GRANDFATHER CALLED LAST
NIGHT AND TOLD ME TO LET YOU KNOW
2
00:00:05,622 --> 00:00:07,968
HE'S BRINGING YOU BACK SOMETHING
VERY SPECIAL FROM PRAGUE.
3
00:00:07,992 --> 00:00:10,926
WOW, PRAGUE. HOW AMAZING IS
IT THAT HE'S GOING TO PRAGUE.
4
00:00:10,995 --> 00:00:12,161
IT'S SUPPOSED TO BE LOVELY.
5
00:00:12,229 --> 00:00:13,906
VERY DRAMATIC
CASTLES EVERYWHERE.
6
00:00:13,930 --> 00:00:16,650
DO YOU KNOW THE CELL THAT VACLAV
HAVEL WAS HELD IN IS NOW A HOSTEL?
7
00:00:16,684 --> 00:00:18,695
YOU CAN STAY THERE
FOR LIKE $50 A NIGHT.
8
00:00:18,719 --> 00:00:20,246
HEY, MAYBE ON OUR
BIG TRIP TO EUROPE
9
00:00:20,270 --> 00:00:21,948
WE COULD GO THERE
AND STAY IN HIS CELL.
10
00:00:21,972 --> 00:00:23,700
ABSOLUTELY. THEN WE
SHOULD GO TO TURKEY
11
00:00:23,724 --> 00:00:26,005
AND STAY IN THAT PLACE
FROM MIDNIGHT EXPRESS.
12
00:00:26,060 --> 00:00:27,376
LORELAI, WHAT ARE YOU DOING?
13
00:00:27,445 --> 00:00:28,888
GETTING RID OF THE AVOCADO.
14
00:00:28,912 --> 00:00:30,595
SINCE WHEN DO YOU
NOT LIKE AVOCADO?
15
00:00:30,664 --> 00:00:32,692
SINCE THE DAY I SAID,
"GROSS. WHAT IS THIS?"
16
00:00:32,716 --> 00:00:34,149
AND YOU SAID, "AVOCADO."
17
00:00:35,085 --> 00:00:36,551
I'M FOCUSING ON YOU NOW.
18
00:00:36,619 --> 00:00:39,188
TELL ME ALL ABOUT THE
CHILTON FORMAL NEXT WEEK.
19
00:00:39,256 --> 00:00:40,305
THERE'S A FORMAL?
20
00:00:40,373 --> 00:00:41,785
HOW DO YOU KNOW
ABOUT THE FORMAL?
21
00:00:41,809 --> 00:00:43,119
YEAH, HOW DO YOU KNOW ABOUT IT?
22
00:00:43,143 --> 00:00:44,392
I READ MY CHILTON NEWSLETTER.
23
00:00:44,461 --> 00:00:46,422
SINCE WHEN DO YOU GET
A CHILTON NEWSLETTER?
24
00:00:46,446 --> 00:00:49,247
WELL, AS A MAJOR CONTRIBUTOR
TO RORY'S EDUCATION,
25
00:00:49,316 --> 00:00:50,760
I FIGURED I HAD THE RIGHT TO ASK
26
00:00:50,784 --> 00:00:52,562
FOR A NEWSLETTER TO
BE SENT TO MY HOUSE.
27
00:00:52,586 --> 00:00:53,902
ARE YOU SERIOUS?
28
00:00:53,971 --> 00:00:55,982
AND IT'S A GOOD THING, TOO,
SINCE YOU DON'T READ YOURS.
29
00:00:56,006 --> 00:00:57,405
ONE OF US SHOULD BE UP-TO-DATE
30
00:00:57,474 --> 00:00:58,874
ON THE GOINGS-ON
AT RORY'S SCHOOL.
31
00:00:58,943 --> 00:01:01,126
HEY, MOM, I READ MY NEWSLETTER.
32
00:01:01,195 --> 00:01:02,688
YOU DID? THAT'S RIGHT.
33
00:01:02,712 --> 00:01:04,513
WHAT WAS THE
PICTURE ON THE COVER?
34
00:01:04,581 --> 00:01:08,149
IT, UH, IT WAS A PICTURE OF
A REALLY RICH KID IN PLAID.
35
00:01:09,920 --> 00:01:10,953
IT'S A SPOTTED OWL.
36
00:01:11,038 --> 00:01:12,153
IN PLAID.
37
00:01:12,222 --> 00:01:13,688
THE OWLS ARE ENDANGERED,
38
00:01:13,757 --> 00:01:15,890
AND CHILTON IS TAKING
DONATIONS TO HELP THEM.
39
00:01:15,959 --> 00:01:18,293
YOU GAVE A VERY NICE ONE,
IN CASE YOU'RE INTERESTED.
40
00:01:18,361 --> 00:01:20,862
MOM, DON'T BE GIVING
DONATIONS ON RORY'S BEHALF.
41
00:01:20,931 --> 00:01:22,364
I'LL DO THAT.
42
00:01:22,433 --> 00:01:24,260
HOW CAN YOU DO THAT WHEN
YOU DON'T READ THE NEWSLETTER?
43
00:01:24,284 --> 00:01:25,683
I READ THE NEWSLETTER.
44
00:01:25,752 --> 00:01:27,464
YOU DIDN'T KNOW THEY
WERE TAKING DONATIONS.
45
00:01:27,488 --> 00:01:29,599
IT'S A PRIVATE SCHOOL. THEY
ALWAYS TAKING DONATIONS.
46
00:01:29,623 --> 00:01:30,888
I'LL GET THEM NEXT TIME.
47
00:01:30,957 --> 00:01:31,997
WHAT ABOUT THE OWLS?
48
00:01:32,058 --> 00:01:33,275
THEY'LL LIVE.
49
00:01:33,344 --> 00:01:34,588
WELL, APPARENTLY
THEY WON'T, DEAR.
50
00:01:34,612 --> 00:01:36,272
THAT'S WHY THEY
NEED THE DONATIONS.
51
00:01:36,296 --> 00:01:37,607
SO YOU HAVE A FORMAL COMING UP?
52
00:01:37,631 --> 00:01:39,581
YEAH, BUT I DON'T
THINK I'M GONNA GO.
53
00:01:39,650 --> 00:01:41,144
NONSENSE. OF
COURSE YOU'RE GOING.
54
00:01:41,168 --> 00:01:43,919
MOM, IF RORY DOESN'T WANNA
GO, SHE DOESN'T HAVE TO GO.
55
00:01:43,987 --> 00:01:46,321
WELL, I DON'T UNDERSTAND
WHY SHE WOULDN'T WANNA GO.
56
00:01:46,390 --> 00:01:47,622
I KNOW YOU DON'T.
57
00:01:47,691 --> 00:01:49,891
I'M GONNA GO GET ANOTHER COKE.
58
00:01:51,361 --> 00:01:52,844
WHAT DID YOU SAY TO HER?
59
00:01:52,913 --> 00:01:54,124
WHAT ARE YOU TALKING ABOUT?
60
00:01:54,148 --> 00:01:55,296
IF SHE DOESN'T WANNA GO
61
00:01:55,365 --> 00:01:57,109
THEN IT MUST BE BECAUSE
OF SOMETHING YOU SAID.
62
00:01:57,133 --> 00:01:59,533
MOM, I PROMISE. ALL I EVER
SAID TO HER ABOUT DANCES
63
00:01:59,570 --> 00:02:02,615
IS THAT YOU GO, YOU DANCE, YOU HAVE
PUNCH, YOU EAT, YOU TAKE A PICTURE,
64
00:02:02,639 --> 00:02:05,640
AND THEN YOU GET AUCTIONED OFF
TO A BIKER GANG FROM SAUSALITO.
65
00:02:05,709 --> 00:02:07,743
LORELAI, THIS IS SERIOUS.
66
00:02:07,811 --> 00:02:09,878
MOM, I SAID NOTHING, OK?
67
00:02:09,946 --> 00:02:12,981
RORY'S DISDAIN OF
FORMALS IS TOTALLY HER OWN.
68
00:02:13,049 --> 00:02:15,383
LET'S JUST DROP IT, PLEASE.
69
00:02:15,452 --> 00:02:17,092
FINE. FINE.
70
00:02:20,441 --> 00:02:22,307
WHAT'S WRONG WITH THE TOMATO?
71
00:02:22,376 --> 00:02:24,456
IT WAS FRATERNIZING
WITH THE ENEMY.
72
00:02:26,713 --> 00:02:28,424
WHY DIDN'T YOU
MENTION THE DANCE?
73
00:02:28,448 --> 00:02:31,099
BECAUSE I'M NOT GOING. OH.
74
00:02:31,168 --> 00:02:33,335
BUT WHY AREN'T YOU GOING?
75
00:02:33,404 --> 00:02:34,686
BECAUSE I HATE DANCES.
76
00:02:34,755 --> 00:02:37,356
GOOD ANSWER.
77
00:02:37,424 --> 00:02:40,392
EXCEPT YOU'VE NEVER
ACTUALLY BEEN TO A DANCE.
78
00:02:40,461 --> 00:02:42,806
SO? SO YOU HAVE
NOTHING TO COMPARE IT TO.
79
00:02:42,830 --> 00:02:44,095
NO, BUT I CAN IMAGINE IT.
80
00:02:44,164 --> 00:02:45,164
THAT'S TRUE.
81
00:02:45,199 --> 00:02:46,399
HOWEVER, NOT REALLY,
82
00:02:46,466 --> 00:02:48,178
SINCE YOU'VE NEVER
ACTUALLY BEEN TO ONE.
83
00:02:48,202 --> 00:02:49,779
YOU'RE BASING ALL
YOUR DANCE OPINIONS
84
00:02:49,803 --> 00:02:51,147
ON ONE VIEWING OF 16 CANDLES.
85
00:02:51,171 --> 00:02:53,004
SO?
86
00:02:53,073 --> 00:02:54,384
SO YOU SHOULD HAVE A DECENT
REASON FOR HATING SOMETHING
87
00:02:54,408 --> 00:02:56,018
BEFORE YOU REALLY
DECIDE YOU HATE IT.
88
00:02:56,042 --> 00:02:57,475
TRUST ME, I'LL HATE IT.
89
00:02:57,544 --> 00:03:00,178
IT'LL BE STUFFY AND BORING,
AND THE MUSIC WILL SUCK.
90
00:03:00,247 --> 00:03:02,013
SINCE NONE OF THE
KIDS AT SCHOOL LIKE ME,
91
00:03:02,082 --> 00:03:04,483
I'LL BE STANDING IN THE BACK
LISTENING TO 98 DEGREES,
92
00:03:04,551 --> 00:03:06,134
WATCHING TRISTIN
AND PARIS ARGUE OVER
93
00:03:06,202 --> 00:03:08,353
WHICH ONE OF THEM GETS
TO MAKE ME MISERABLE FIRST.
94
00:03:08,422 --> 00:03:10,633
OK. OR IT'LL BE ALL
SPARKLY AND EXCITING.
95
00:03:10,657 --> 00:03:13,302
AND YOU'LL BE STANDING ON THE
DANCE FLOOR LISTENING TO TOM WAITS
96
00:03:13,326 --> 00:03:15,761
WITH SOME GREAT-LOOKING
GUY STARING AT YOU SO HARD
97
00:03:15,829 --> 00:03:18,808
THAT YOU DON'T REALIZE THAT PARIS
AND TRISTIN WERE JUST EATEN BY BEARS.
98
00:03:18,832 --> 00:03:19,898
WHAT GUY?
99
00:03:19,966 --> 00:03:21,962
MAYBE THE GUY WHO HANGS
OUT IN OUR TREES ALL DAY
100
00:03:21,986 --> 00:03:23,226
WAITING FOR YOU TO COME HOME.
101
00:03:23,270 --> 00:03:24,619
DEAN DOES NOT HANG OUT IN TREES.
102
00:03:24,688 --> 00:03:26,566
HE BASHED HIS HEAD
IN A BRANCH LAST WEEK
103
00:03:26,590 --> 00:03:27,800
WHEN I CAME OUT TOO QUICKLY.
104
00:03:27,824 --> 00:03:29,491
WHY DO YOU CARE ALL
OF A SUDDEN IF I GO?
105
00:03:29,559 --> 00:03:31,070
I... I DON'T CARE IF YOU GO.
106
00:03:31,094 --> 00:03:32,639
I... I JUST DON'T
WANT YOU TO MISS
107
00:03:32,663 --> 00:03:34,929
ANY EXPERIENCE BECAUSE
YOU'RE TOO AFRAID.
108
00:03:34,998 --> 00:03:37,465
I'M AFRAID? OF WHAT?
109
00:03:37,534 --> 00:03:40,502
OF ASKING DEAN,
OF... OF HIM SAYING NO,
110
00:03:40,570 --> 00:03:42,582
OF... OF GOING TO A DANCE
WITH A BUNCH OF KIDS
111
00:03:42,606 --> 00:03:44,116
WHO HAVEN'T ACCEPTED YOU YET,
112
00:03:44,140 --> 00:03:45,540
OF DANCING IN PUBLIC,
113
00:03:45,609 --> 00:03:48,321
OF FINDING OUT YOU SHOULD
NEVER BE DANCING IN PUBLIC.
114
00:03:48,345 --> 00:03:50,178
OK, OK, I GET IT.
115
00:03:50,246 --> 00:03:52,392
LISTEN, I KNOW YOU
ARE NOT MISS PARTY GIRL,
116
00:03:52,416 --> 00:03:53,893
AND... AND I LOVE YOU FOR THAT,
117
00:03:53,917 --> 00:03:56,602
BUT SOMETIMES I WONDER.
118
00:03:56,670 --> 00:03:58,770
DO YOU NOT JOIN IN
119
00:03:58,839 --> 00:04:00,817
BECAUSE YOU
REALLY DON'T WANT TO,
120
00:04:00,841 --> 00:04:02,835
OR BECAUSE YOU'RE TOO SHY?
121
00:04:02,859 --> 00:04:05,805
IF THE REASON YOU DON'T WANNA GO IS
BECAUSE YOU REALLY DON'T WANNA GO
122
00:04:05,829 --> 00:04:07,923
AND NOT BECAUSE YOU
ARE IN ANY WAY AFRAID,
123
00:04:07,947 --> 00:04:09,976
THEN THIS IS THE LAST
TIME I'LL MENTION IT.
124
00:04:10,000 --> 00:04:11,332
I PROMISE.
125
00:04:12,419 --> 00:04:14,218
I DON'T HAVE A DRESS.
126
00:04:15,705 --> 00:04:17,623
I COULD MAKE YOU ONE.
127
00:04:17,675 --> 00:04:19,135
REALLY? OH, YEAH.
128
00:04:19,159 --> 00:04:21,638
WE COULD GET SOME GREAT
SHOES, AND SOME NEW EARRINGS.
129
00:04:21,662 --> 00:04:22,972
WE COULD GET YOUR HAIR DONE.
130
00:04:22,996 --> 00:04:24,362
YOU WON'T THINK I'M AN IDIOT?
131
00:04:24,431 --> 00:04:26,459
IT DEPENDS ON WHAT
HAIRSTYLE YOU CHOOSE.
132
00:04:26,483 --> 00:04:28,884
THIS DANCE COULD
BE GREAT FOR YOU.
133
00:04:32,206 --> 00:04:35,774
♪ IF YOU'RE OUT ON THE ROAD ♪
134
00:04:35,842 --> 00:04:40,812
♪ FEELING LONELY, AND SO COLD ♪
135
00:04:40,880 --> 00:04:44,849
♪ ALL YOU HAVE TO
DO IS CALL MY NAME ♪
136
00:04:44,918 --> 00:04:49,287
♪ AND I'LL BE THERE
ON THE NEXT TRAIN ♪
137
00:04:49,356 --> 00:04:53,792
♪ WHERE YOU LEAD,
I WILL FOLLOW ♪
138
00:04:53,860 --> 00:04:58,263
♪ ANYWHERE THAT YOU TELL ME TO ♪
139
00:04:58,332 --> 00:04:59,997
♪ IF YOU NEED ♪
140
00:05:00,066 --> 00:05:02,834
♪ YOU NEED ME TO BE WITH YOU ♪
141
00:05:02,903 --> 00:05:05,103
♪ I WILL FOLLOW ♪
142
00:05:05,171 --> 00:05:07,039
♪ OH ♪
143
00:05:07,107 --> 00:05:09,574
♪ WHERE YOU LEAD ♪
144
00:05:09,643 --> 00:05:11,743
♪ I WILL FOLLOW ♪
145
00:05:11,812 --> 00:05:16,280
♪ ANYWHERE THAT YOU TELL ME TO ♪
146
00:05:16,349 --> 00:05:17,983
♪ IF YOU NEED ♪
147
00:05:18,052 --> 00:05:20,918
♪ YOU NEED ME TO BE WITH YOU ♪
148
00:05:20,987 --> 00:05:24,256
♪ I WILL FOLLOW WHERE YOU LEAD ♪
149
00:05:27,227 --> 00:05:28,626
HE'S GONNA SAY NO.
150
00:05:28,695 --> 00:05:30,073
WHY WOULD HE SAY NO?
151
00:05:30,097 --> 00:05:31,141
WHY WOULD HE SAY YES?
152
00:05:31,165 --> 00:05:32,397
RORY, LISTEN,
153
00:05:32,466 --> 00:05:34,310
THERE'S ABSOLUTELY NO
POINT IN HAVING A BOYFRIEND
154
00:05:34,334 --> 00:05:35,900
IF HE WON'T GO TO
THE DANCE WITH YOU.
155
00:05:35,969 --> 00:05:37,302
HE'S NOT MY BOYFRIEND.
156
00:05:37,371 --> 00:05:38,515
REALLY? NO.
157
00:05:38,539 --> 00:05:39,604
WHAT IS HE THEN?
158
00:05:39,673 --> 00:05:41,906
HE'S MY GENTLEMAN CALLER.
159
00:05:41,975 --> 00:05:43,341
OK, BLANCHE.
160
00:05:43,410 --> 00:05:47,179
I DON'T KNOW WHAT HE IS,
BUT HE'S NOT A BOYFRIEND.
161
00:05:47,247 --> 00:05:49,059
DO YOU THINK HE'S MY BOYFRIEND?
162
00:05:49,083 --> 00:05:51,127
I THINK YOU GUYS SPEND A LOT
OF TIME NOT KISSING OTHER PEOPLE,
163
00:05:51,151 --> 00:05:52,595
IF IT ISN'T THAT SORT OF THING.
164
00:05:52,619 --> 00:05:54,130
GIRLFRIEND. YOU.
165
00:05:54,154 --> 00:05:56,154
BOYFRIEND. HIM.
166
00:05:56,490 --> 00:05:57,989
NO, IT SOUNDS WEIRD.
167
00:05:58,058 --> 00:05:59,724
LOOK, HAVE YOU HAD THE TALK YET?
168
00:05:59,793 --> 00:06:00,870
YES, LANE.
169
00:06:00,894 --> 00:06:02,272
BABIES COME FROM THE STORK.
170
00:06:02,296 --> 00:06:03,296
THE OTHER TALK.
171
00:06:03,363 --> 00:06:04,996
WHAT OTHER TALK?
172
00:06:05,065 --> 00:06:06,505
"WE'VE BEEN DATING
A FEW WEEKS NOW.
173
00:06:06,567 --> 00:06:08,567
"WHERE DO WE STAND?
WHAT ARE WE TO EACH OTHER?
174
00:06:08,635 --> 00:06:10,746
IF ANOTHER GIRL ASKS YOU
OUT, DO YOU FEEL FREE TO GO?"
175
00:06:10,770 --> 00:06:12,615
HOW DO YOU KNOW
SO MUCH ABOUT THIS?
176
00:06:12,639 --> 00:06:15,090
THOSE WHO CAN, DO.
THOSE WHO CAN'T, TEACH.
177
00:06:17,360 --> 00:06:18,760
THERE HE IS.
178
00:06:19,646 --> 00:06:20,874
I SHOULD DO THIS LATER.
179
00:06:20,898 --> 00:06:22,464
NO. NO, YOU HAVE TO DO THIS NOW.
180
00:06:22,532 --> 00:06:24,611
WHY? BECAUSE I HAVE
TO GO HOME SOON
181
00:06:24,635 --> 00:06:25,967
AND MY MOM THREW OUT OUR T.V.
182
00:06:26,036 --> 00:06:27,502
WHEN SHE CAUGHT
ME WATCHING V.I.P.
183
00:06:27,570 --> 00:06:30,204
SO I'M BORED, AND I NEED
SOME ENTERTAINMENT.
184
00:06:30,273 --> 00:06:32,607
OK, HERE I GO.
185
00:06:32,676 --> 00:06:33,692
GOOD LUCK.
186
00:06:33,760 --> 00:06:35,793
OH, AND RORY,
REMEMBER TO ENUNCIATE.
187
00:06:35,862 --> 00:06:37,495
I'M READING LIPS OUT HERE.
188
00:06:41,401 --> 00:06:42,401
HEY.
189
00:06:42,469 --> 00:06:44,068
OH, UH, HEY.
190
00:06:44,137 --> 00:06:45,337
YOU'RE BUSY.
191
00:06:45,405 --> 00:06:47,417
YEAH, I... I JUST HAVE TO PUT
THE NEW GREEN BEAN SHIPMENT
192
00:06:47,441 --> 00:06:48,518
ON THE SHELVES.
193
00:06:48,542 --> 00:06:50,575
YOU WANNA HELP? YEAH, SURE.
194
00:06:50,644 --> 00:06:53,177
I, UH, I LOVE STACKING BEANS.
195
00:06:53,246 --> 00:06:55,413
OK, UH, FOLLOW ME.
196
00:06:55,482 --> 00:06:57,615
SO DO YOU WORK ON
SATURDAYS? I FORGET.
197
00:06:57,684 --> 00:06:58,850
WELL, IT DEPENDS.
198
00:06:58,918 --> 00:07:01,096
SOMETIMES I COME IN IF
I DON'T HAVE ANY PLANS.
199
00:07:01,120 --> 00:07:02,120
WHY?
200
00:07:02,188 --> 00:07:04,222
NO REASON.
201
00:07:04,290 --> 00:07:06,691
SEE, THERE'S THIS THING
AT MY SCHOOL ON SATURDAY.
202
00:07:06,760 --> 00:07:08,771
WELL, IT'S NOT
REALLY AT MY SCHOOL,
203
00:07:08,795 --> 00:07:10,740
BUT IT'S... IT'S KIND OF
GIVEN BY MY SCHOOL.
204
00:07:10,764 --> 00:07:12,063
WHAT IS IT?
205
00:07:12,132 --> 00:07:15,283
WELL, IT'S THIS KIND OF
THING WHERE YOU GO,
206
00:07:15,352 --> 00:07:17,519
AND THEY PLAY MUSIC
207
00:07:17,588 --> 00:07:19,649
AND YOU'RE SUPPOSED TO GET DRESSED
UP AND DANCE, AND THEN THERE'S CHICKEN.
208
00:07:19,673 --> 00:07:20,839
CHICKEN?
209
00:07:20,907 --> 00:07:22,535
WELL, I DON'T KNOW
IF THERE'S CHICKEN.
210
00:07:22,559 --> 00:07:25,193
BUT AT THESE KINDS OF THINGS
THEY OFTEN SERVE CHICKEN
211
00:07:25,262 --> 00:07:27,496
BECAUSE IT'S PROBABLY
CHEAPER AND PEOPLE EAT IT.
212
00:07:27,564 --> 00:07:30,710
SO THE LOGIC BEHIND THE CHICKEN
CHOICE REALLY ISN'T THAT BAD.
213
00:07:30,734 --> 00:07:31,783
I'M LOST.
214
00:07:31,851 --> 00:07:32,962
IT'S A DANCE.
215
00:07:32,986 --> 00:07:34,619
AH!
216
00:07:34,688 --> 00:07:37,621
AND IT'S NOT LIKE I'M
DYING TO GO OR ANYTHING,
217
00:07:37,690 --> 00:07:38,957
BUT IT IS A NEW SCHOOL
218
00:07:39,025 --> 00:07:40,791
AND BEING A PART OF
THE SOCIAL ACTIVITIES
219
00:07:40,860 --> 00:07:42,588
IS REALLY IMPORTANT AT CHILTON.
220
00:07:42,612 --> 00:07:45,447
SO ARE YOU ASKING ME TO
GO TO A DANCE WITH YOU?
221
00:07:45,532 --> 00:07:46,581
NO.
222
00:07:48,051 --> 00:07:50,618
YES. I MEAN, IF
YOU WANTED TO GO,
223
00:07:50,687 --> 00:07:52,153
I WOULD GO, TOO.
224
00:07:52,222 --> 00:07:54,517
WELL, THAT WOULD PROBABLY
BE GOOD SINCE IT'S YOUR SCHOOL.
225
00:07:54,541 --> 00:07:55,690
RIGHT.
226
00:07:56,927 --> 00:07:58,409
SO DO YOU WANNA GO?
227
00:07:58,462 --> 00:07:59,462
HONESTLY?
228
00:07:59,513 --> 00:08:00,513
YEAH.
229
00:08:00,547 --> 00:08:02,113
I, UH...
230
00:08:02,182 --> 00:08:04,682
I'VE ACTUALLY NEVER
GONE TO A DANCE BEFORE.
231
00:08:04,751 --> 00:08:06,384
BECAUSE THEY'RE LAME?
232
00:08:06,453 --> 00:08:07,769
YEAH, AND IT'S NOT THE WAY
233
00:08:07,838 --> 00:08:09,181
I EVER WANTED TO SPEND MY TIME.
234
00:08:09,205 --> 00:08:11,205
I MEAN, I'M NOT A BIG JOINER.
235
00:08:11,274 --> 00:08:13,808
OK, FAIR ENOUGH.
MORE BEANS, PLEASE.
236
00:08:20,466 --> 00:08:21,933
YOU WANNA GO, DON'T YOU?
237
00:08:22,002 --> 00:08:23,401
NO, I DON'T.
238
00:08:23,469 --> 00:08:24,947
I HAVE NO DESIRE TO GO AT ALL.
239
00:08:24,971 --> 00:08:27,371
I WAS JUST THINKING
OUT LOUD, THAT'S ALL.
240
00:08:28,358 --> 00:08:30,759
SO, UH, WHAT WOULD
I HAVE TO WEAR?
241
00:08:30,827 --> 00:08:31,910
WHAT?
242
00:08:31,978 --> 00:08:34,512
TO THIS DANCE. WHAT
WOULD I HAVE TO WEAR?
243
00:08:34,581 --> 00:08:36,347
ANYTHING YOU WANT. COME ON.
244
00:08:36,416 --> 00:08:38,460
NO, REALLY, WHATEVER
YOU'RE COMFORTABLE IN IS FINE.
245
00:08:38,484 --> 00:08:40,596
SOME SORT OF PANTS
WOULD BE GOOD. RORY.
246
00:08:40,620 --> 00:08:42,404
IT'S COAT AND TIE. OH, MAN.
247
00:08:42,472 --> 00:08:45,907
BUT YOU COULD PROBABLY GET
AWAY WITH A COAT AND NO TIE.
248
00:08:46,743 --> 00:08:47,775
OK.
249
00:08:47,844 --> 00:08:49,244
REALLY? YEAH.
250
00:08:52,999 --> 00:08:55,079
THANK YOU. YOU'RE WELCOME.
251
00:09:17,758 --> 00:09:18,823
OW.
252
00:09:22,379 --> 00:09:24,056
EXTRA THREAD. OH, GOD BLESS!
253
00:09:24,080 --> 00:09:26,480
I'VE BEEN WORKING SO
HARD TO FINISH RORY'S DRESS,
254
00:09:26,516 --> 00:09:27,843
I HAVEN'T BEEN ABLE TO GET OUT.
255
00:09:27,867 --> 00:09:28,994
JEEZ, YOU ARE WALKING FUNNY.
256
00:09:29,018 --> 00:09:30,018
I KNOW.
257
00:09:30,086 --> 00:09:31,564
RORY'S DRESS MADE A PASS AT ME,
258
00:09:31,588 --> 00:09:33,421
AND I THINK I PULLED
SOMETHING GETTING UP.
259
00:09:33,490 --> 00:09:34,822
HERE, SIT, SIT, SIT.
260
00:09:34,891 --> 00:09:37,258
HEY, YOU KNOW WHAT? I GOT
AN ACE BANDAGE IN MY BAG.
261
00:09:37,327 --> 00:09:38,760
I'M NOT SURE HOW WE CAN WRAP IT,
262
00:09:38,828 --> 00:09:40,995
BUT MAYBE WE CAN DO
SOMETHING CREATIVE AND...
263
00:09:41,063 --> 00:09:42,264
SOOKIE.
264
00:09:42,332 --> 00:09:43,465
LET'S SEE.
265
00:09:44,501 --> 00:09:46,067
WOW!
266
00:09:46,136 --> 00:09:50,355
OK, I GOT PERCODAN,
VICODIN, DARVOCET, AND, UH...
267
00:09:50,423 --> 00:09:52,340
WELL, TAKE THIS ONE.
IT'S A MUSCLE-RELAXER.
268
00:09:52,408 --> 00:09:54,142
VERY MILD, I PROMISE.
269
00:09:54,227 --> 00:09:56,393
THANKS. MAYBE LATER.
270
00:09:56,462 --> 00:09:57,895
OK, I'VE GOTTA GO.
271
00:09:57,964 --> 00:09:59,263
YOU SURE YOU'RE GONNA BE OK?
272
00:09:59,332 --> 00:10:01,282
I'M SURE. OK.
273
00:10:01,351 --> 00:10:02,791
BYE. BYE.
274
00:10:08,491 --> 00:10:09,757
OW.
275
00:10:11,060 --> 00:10:12,594
OW, OW, OW, OW.
276
00:10:17,284 --> 00:10:18,427
YEAH.
277
00:10:18,451 --> 00:10:19,484
YOU SOUND TERRIBLE.
278
00:10:19,553 --> 00:10:22,020
I'M FINE, MOM. I JUST
STUBBED MY TOE.
279
00:10:22,088 --> 00:10:24,183
YOU SHOULD GET RID OF THE
CLUTTER IN YOUR LIVING ROOM.
280
00:10:24,207 --> 00:10:25,217
MAYBE.
281
00:10:25,241 --> 00:10:26,574
THAT ROOM IS A HAZARD.
282
00:10:26,642 --> 00:10:28,387
AH! I'VE SEEN THE
LIGHT. EVERYTHING GOES.
283
00:10:28,411 --> 00:10:29,555
WHAT ELSE YOU GOT?
284
00:10:29,579 --> 00:10:31,479
I WANNA TALK ABOUT RORY'S DANCE.
285
00:10:31,548 --> 00:10:33,509
IT'S JUST KILLING ME
THAT SHE'S NOT GOING.
286
00:10:33,533 --> 00:10:34,743
UH-HUH.
287
00:10:34,767 --> 00:10:36,767
THIS MAY SEEM FRIVOLOUS
AND SILLY TO HER NOW,
288
00:10:36,837 --> 00:10:39,270
BUT BELIEVE ME, THESE ARE
THE KIND OF EXPERIENCES
289
00:10:39,339 --> 00:10:40,771
YOU REGRET MISSING LATER.
290
00:10:40,841 --> 00:10:41,989
OK.
291
00:10:42,058 --> 00:10:43,386
AND REGRET CAN MAKE YOU BITTER.
292
00:10:43,410 --> 00:10:44,687
DO YOU WANT RORY TO BE BITTER?
293
00:10:44,711 --> 00:10:45,777
WELL, SORT OF.
294
00:10:45,846 --> 00:10:46,944
LORELAI!
295
00:10:47,013 --> 00:10:48,657
SHE COULD MAKE
SOME CASH OFF OF IT.
296
00:10:48,681 --> 00:10:51,082
BECOME A CRAZY OSCAR
LEVANT KIND OF CELEBRITY,
297
00:10:51,151 --> 00:10:52,795
GO ON TALK SHOWS, HECKLE REGIS.
298
00:10:52,819 --> 00:10:54,852
I WISH YOU WOULD
TAKE THIS SERIOUSLY.
299
00:10:54,921 --> 00:10:56,881
MOM, RORY IS GOING TO THE DANCE.
300
00:10:57,824 --> 00:10:58,856
SHE IS?
301
00:10:58,925 --> 00:11:00,103
UH-HUH.
302
00:11:00,127 --> 00:11:03,094
OH, THAT'S WONDERFUL!
I'M THRILLED.
303
00:11:03,163 --> 00:11:06,013
I'M, UH, I'M MAKING
HER DRESS RIGHT NOW.
304
00:11:06,082 --> 00:11:07,549
YOU'RE MAKING HER DRESS?
305
00:11:07,617 --> 00:11:08,661
YEP.
306
00:11:08,685 --> 00:11:09,834
BUT WHY?
307
00:11:09,902 --> 00:11:11,542
WELL, SO SHE'LL LOOK REALLY UGLY
308
00:11:11,604 --> 00:11:13,404
AND PEOPLE WILL POINT
AND THROW ROCKS.
309
00:11:13,473 --> 00:11:15,101
WHY DON'T YOU LET
ME BUY HER A DRESS?
310
00:11:15,125 --> 00:11:17,441
MOM, YOU WERE THRILLED 5
SECONDS AGO, REMEMBER?
311
00:11:17,510 --> 00:11:19,177
YOU'RE NOT USING THE
CURTAINS, ARE YOU?
312
00:11:19,245 --> 00:11:20,444
MOM, I GOTTA GO.
313
00:11:20,513 --> 00:11:22,197
UH, JUST... JUST ONE MORE THING.
314
00:11:22,265 --> 00:11:24,115
TAKE A PICTURE OF
RORY FOR ME, PLEASE?
315
00:11:24,184 --> 00:11:25,849
I WILL. ON THE STAIRS.
316
00:11:25,918 --> 00:11:28,102
AND... AND ONE BY
THE FRONT DOOR.
317
00:11:28,170 --> 00:11:29,815
AND ONE AS SHE'S GETTING READY.
318
00:11:29,839 --> 00:11:31,999
YOU KNOW, PUTTING HER HAIR
UP, PUTTING HER MAKEUP ON.
319
00:11:32,025 --> 00:11:35,226
OK, DO YOU WANT ONE WHEN
SHE'S SHAVING HER LEGS?
320
00:11:35,295 --> 00:11:36,744
YOU KNOW, ONE LEG UP,
321
00:11:36,813 --> 00:11:37,878
IN THE TUB,
322
00:11:37,948 --> 00:11:39,442
WAVING THE DISPOSABLE
RAZOR IN THE AIR?
323
00:11:39,466 --> 00:11:41,800
THIS IS A
ONCE-IN-A-LIFETIME EVENT.
324
00:11:41,868 --> 00:11:43,484
YOU GET TO BE THERE AND I DON'T.
325
00:11:43,553 --> 00:11:45,136
OH, BOY!
326
00:11:45,205 --> 00:11:47,238
IF I GOT ENOUGH
PICTURES, I COULD AT LEAST
327
00:11:47,307 --> 00:11:49,034
LINE THEM UP IN
CHRONOLOGICAL ORDER
328
00:11:49,058 --> 00:11:50,102
AND PRETEND I WAS THERE.
329
00:11:50,126 --> 00:11:51,575
MOM.
330
00:11:51,644 --> 00:11:53,690
MAYBE BIND THEM TOGETHER,
MAKE A FLIPBOOK OUT OF THEM.
331
00:11:53,714 --> 00:11:56,314
MOM, WOULD YOU LIKE TO
COME OVER ON SATURDAY
332
00:11:56,382 --> 00:11:58,132
AND SEE RORY GO TO THE DANCE?
333
00:11:58,201 --> 00:12:00,051
WHY, WHAT A NICE IDEA.
334
00:12:00,119 --> 00:12:01,318
I'D LOVE THAT.
335
00:12:01,387 --> 00:12:03,688
THANK YOU. I'LL SEE YOU AT 7:00.
336
00:12:12,665 --> 00:12:14,343
HI, TRISTIN. PARIS.
337
00:12:14,367 --> 00:12:15,934
TWO, I ASSUME?
338
00:12:16,002 --> 00:12:17,418
YOU ASSUME RIGHT.
339
00:12:17,487 --> 00:12:19,254
SO, WHO ARE YOU TAKING?
340
00:12:19,322 --> 00:12:20,555
WHY, ARE YOU FREE?
341
00:12:21,057 --> 00:12:22,256
I'M, UH...
342
00:12:22,325 --> 00:12:23,741
NO, WHAT AM I THINKING?
343
00:12:23,810 --> 00:12:26,130
YOU WOULDN'T BE FREE
THIS CLOSE TO THE DANCE.
344
00:12:28,632 --> 00:12:30,181
HERE'S YOUR CHANGE.
345
00:12:30,233 --> 00:12:31,749
HEY, IS YOUR HAIR SHORTER?
346
00:12:31,818 --> 00:12:33,717
YEAH. QUARTER OF AN INCH.
347
00:12:33,787 --> 00:12:35,853
REALLY? I GOT IT TRIMMED.
348
00:12:35,922 --> 00:12:37,188
IT LOOKS GOOD.
349
00:12:37,256 --> 00:12:38,473
THANKS.
350
00:12:41,160 --> 00:12:43,294
AND SHE'S READING
AGAIN. HOW NOVEL.
351
00:12:43,363 --> 00:12:44,863
GOODBYE, TRISTIN.
352
00:12:44,931 --> 00:12:47,009
WELL, DID YOU GET THE
"NOVEL" THING? BECAUSE...
353
00:12:47,033 --> 00:12:48,600
I SAID GOODBYE.
354
00:12:49,603 --> 00:12:50,780
WHAT ARE YOU DOING HERE?
355
00:12:50,804 --> 00:12:51,836
I LIKE LINES.
356
00:12:51,904 --> 00:12:53,549
THE GUY'S SUPPOSED
TO BUY THE TICKETS.
357
00:12:53,573 --> 00:12:54,656
REALLY?
358
00:12:54,724 --> 00:12:56,407
DOES SUSAN FALUDI
KNOW ABOUT THIS?
359
00:12:56,476 --> 00:12:58,137
NO, UNLESS, OF
COURSE, THERE IS NO GUY.
360
00:12:58,161 --> 00:12:59,327
NO, THERE IS A GUY.
361
00:12:59,395 --> 00:13:00,523
A CHEAP GUY.
362
00:13:00,547 --> 00:13:02,530
WELL, WHAT CAN I
SAY? I LIKE 'EM CHEAP.
363
00:13:02,598 --> 00:13:05,166
SLOPPY, TOO. BALD
SPOT, BEER GUT,
364
00:13:05,234 --> 00:13:07,301
AND THE PANTS THAT
SLIP DOWN IN THE BACK,
365
00:13:07,370 --> 00:13:09,236
GIVING YOU THAT
GOOD PLUMBER SHOT.
366
00:13:09,305 --> 00:13:11,773
THAT SENDS ME THROUGH THE ROOF.
367
00:13:11,841 --> 00:13:13,407
SO, WHO IS HE?
368
00:13:13,476 --> 00:13:15,121
HOW MANY LANGUAGES CAN YOU SAY
369
00:13:15,145 --> 00:13:16,361
"NONE OF YOUR BUSINESS" IN?
370
00:13:16,429 --> 00:13:17,840
DOES HE GO TO THIS SCHOOL?
371
00:13:17,864 --> 00:13:19,264
NO, HE DOESN'T.
372
00:13:19,332 --> 00:13:21,065
UH-HUH.
373
00:13:21,134 --> 00:13:23,434
LOOK, OK, I'LL CONFESS
SOMETHING TO YOU.
374
00:13:23,503 --> 00:13:24,736
I DON'T HAVE A DATE.
375
00:13:24,804 --> 00:13:26,871
WELL, I HEAR SQUEAKY
FROMME'S UP FOR PAROLE SOON.
376
00:13:26,940 --> 00:13:28,522
YOU SHOULD KEEP A GOOD THOUGHT.
377
00:13:28,591 --> 00:13:30,569
I ACTUALLY THOUGHT
YOU'D LIKE TO GO WITH ME.
378
00:13:30,593 --> 00:13:32,393
YOU DID NOT. WELL, I DID, TOO.
379
00:13:32,461 --> 00:13:34,362
YOU DID NOT, BECAUSE
YOU ARE NOT STUPID.
380
00:13:34,431 --> 00:13:35,541
WHY, THANK YOU.
381
00:13:35,565 --> 00:13:37,615
SLIMY AND WEASELLY,
YES. BUT STUPID, NO.
382
00:13:37,684 --> 00:13:39,194
YOU'D HAVE TO BE STUPID TO THINK
383
00:13:39,218 --> 00:13:41,152
THAT, GIVEN OUR
HISTORY, I WOULD EVER,
384
00:13:41,221 --> 00:13:44,054
BARRING A PIANO OR A
SAFE FALLING ON MY HEAD,
385
00:13:44,123 --> 00:13:47,008
WANNA GO ANYWHERE
WITH YOU. EVER.
386
00:13:47,076 --> 00:13:49,743
OK, FINE. I'LL TAKE CISSY.
387
00:13:49,813 --> 00:13:52,546
I'LL SEND HER A CONDOLENCE CARD.
388
00:13:52,615 --> 00:13:55,495
YEAH. WELL, AT LEAST SHE
WON'T BE BUYING HER OWN TICKET.
389
00:13:58,421 --> 00:13:59,599
TWO, PLEASE.
390
00:13:59,623 --> 00:14:01,322
IDIOT. EXCUSE ME?
391
00:14:01,390 --> 00:14:03,824
HE WAS TOTALLY NICE TO
YOU AND YOU WERE A BIG JERK.
392
00:14:03,910 --> 00:14:06,144
IF YOU LIKE TRISTIN SO
MUCH, YOU GO OUT WITH HIM.
393
00:14:06,213 --> 00:14:08,324
I DON'T HAVE ENOUGH
CHANGE. PAY ME LATER.
394
00:14:08,348 --> 00:14:09,713
WHAT AM I, YOUR VERSATELLER?
395
00:14:09,782 --> 00:14:11,415
WAIT FOR CHANGE.
396
00:14:11,484 --> 00:14:14,702
I NEED CHANGE! NOW!
397
00:14:14,771 --> 00:14:16,891
YOU CAN'T BE GOING WITH
SOMEONE BETTER THAN TRISTIN.
398
00:14:16,956 --> 00:14:18,050
WHATEVER.
399
00:14:18,074 --> 00:14:19,673
YOU PROBABLY DON'T
EVEN HAVE A DATE.
400
00:14:19,742 --> 00:14:21,175
YOU'RE PROBABLY
GOING TO COME DOWN
401
00:14:21,244 --> 00:14:22,710
WITH SOME RARE FORM OF FLU
402
00:14:22,778 --> 00:14:24,895
THAT ONLY HITS
LOSERS ON DANCE NIGHT.
403
00:14:24,964 --> 00:14:27,365
YOU KNOW WHAT? I
DON'T WANT MY CHANGE.
404
00:14:27,434 --> 00:14:28,933
MONEY MAKES PEOPLE SHALLOW.
405
00:14:30,236 --> 00:14:32,069
I'VE GOT YOUR CHANGE!
406
00:14:32,138 --> 00:14:35,406
HEY! HEY, IF YOU THINK
I'M KEEPING THIS DOLLAR,
407
00:14:35,475 --> 00:14:36,708
I'M NOT!
408
00:14:36,776 --> 00:14:38,576
I'LL TAKE IT. SHUT UP.
409
00:14:39,746 --> 00:14:41,562
COME ON, ALREADY!
410
00:14:41,631 --> 00:14:43,409
I'M PRIMPING.
411
00:14:43,433 --> 00:14:46,033
YOU'RE 16, YOU HAVE
SKIN LIKE A BABY'S ASS.
412
00:14:46,101 --> 00:14:47,401
THERE'S NOTHING TO PRIMP.
413
00:14:47,470 --> 00:14:49,169
OK, OK, HERE I COME.
414
00:14:51,758 --> 00:14:54,558
WOW. SOMEONE HIT
YOU WITH A PRETTY STICK.
415
00:14:54,627 --> 00:14:57,161
THIS DRESS IS AMAZING.
YOU OUTDID YOURSELF.
416
00:14:57,229 --> 00:14:59,597
IT'S BEAUTIFUL. BABY,
YOU LOOK BEAUTIFUL.
417
00:14:59,665 --> 00:15:00,960
COME HERE. WHAT?
418
00:15:00,984 --> 00:15:02,028
STRAY HAIR.
419
00:15:02,052 --> 00:15:03,451
FIX, PLEASE.
420
00:15:06,723 --> 00:15:09,123
HMM, I THINK MY FAVORITE
PART IS THE SHOES.
421
00:15:09,191 --> 00:15:10,986
THE HEELS HURT.
WELL, BEAUTY IS PAIN.
422
00:15:11,010 --> 00:15:12,693
I'LL JUST THROW 'EM
ON ON MY WAY OUT.
423
00:15:12,762 --> 00:15:15,358
YOU SHOULD PUT THEM ON NOW
AND LET YOUR FEET GET REALLY NUMB.
424
00:15:15,382 --> 00:15:16,480
THAT'S SICK.
425
00:15:16,549 --> 00:15:17,959
GO GET ME THE HAIR SPRAY. OK.
426
00:15:19,202 --> 00:15:20,312
IT'S OPEN!
427
00:15:20,336 --> 00:15:21,903
IT'S ME!
428
00:15:22,605 --> 00:15:23,704
I GOT TACOS.
429
00:15:23,773 --> 00:15:25,506
YAY!
430
00:15:25,574 --> 00:15:26,874
I GOT EXTRA HOT SAUCE
431
00:15:26,943 --> 00:15:28,220
AND A COUPLE OF EXTRA BURRITOS
432
00:15:28,244 --> 00:15:30,294
TO PUT IN THE FRIDGE IN
CASE YOU GET HUNGRY LATER.
433
00:15:30,363 --> 00:15:31,674
YOU TAKE SUCH GOOD CARE OF ME.
434
00:15:31,698 --> 00:15:33,013
SOOKIE, LOOK.
435
00:15:34,150 --> 00:15:37,318
OH, MY GOD! YOU'RE A MOVIE STAR!
436
00:15:37,387 --> 00:15:38,653
I'M SERIOUS.
437
00:15:38,721 --> 00:15:41,489
AT SOME POINT TONIGHT,
WALK DOWN A FLIGHT OF STAIRS.
438
00:15:41,557 --> 00:15:43,324
MOVIE STARS ALWAYS
WALK DOWN STAIRCASES.
439
00:15:43,393 --> 00:15:45,805
LET ME SPRAY WHILE YOU TRY
TO FIGURE OUT WHAT SHE SAID.
440
00:15:45,829 --> 00:15:48,062
YOU DON'T MOVE. I GOT IT.
441
00:15:48,131 --> 00:15:49,497
OK, HERE.
442
00:15:49,565 --> 00:15:50,775
OH! SOOKIE.
443
00:15:50,799 --> 00:15:52,200
WRONG WAY. I GOT IT.
444
00:15:52,268 --> 00:15:53,379
ARE YOU OK?
445
00:15:53,403 --> 00:15:55,870
YEAH, SWEETIE. HAND
THAT TO YOUR MOTHER.
446
00:15:55,938 --> 00:15:58,022
AND MY EYELASHES ARE
ALL STUCK TOGETHER.
447
00:15:58,091 --> 00:15:59,468
ARE YOU SURE YOU'RE ALL RIGHT?
448
00:15:59,492 --> 00:16:00,558
I'M FINE.
449
00:16:00,626 --> 00:16:02,260
SHIELD THE TACOS.
450
00:16:03,747 --> 00:16:05,079
OK, READY?
451
00:16:07,183 --> 00:16:08,316
GOD!
452
00:16:08,385 --> 00:16:09,517
OK.
453
00:16:09,585 --> 00:16:11,097
THAT'LL BE GOOD
FOR 6 SLOW DANCES,
454
00:16:11,121 --> 00:16:13,132
4 MEDIUM ONES, ONE LAMBADA,
455
00:16:13,156 --> 00:16:15,734
BUT IF YOU WANNA DO ANY
MOSHING, I SUGGEST ANOTHER COAT.
456
00:16:15,758 --> 00:16:17,425
NO, I THINK I'M GOOD.
457
00:16:17,494 --> 00:16:19,861
RORY, SWEETIE, IS THIS SOAP
458
00:16:19,929 --> 00:16:21,796
BY THE SINK IN
THE SILVER BOTTLE?
459
00:16:21,865 --> 00:16:23,297
NO. OOPS.
460
00:16:23,366 --> 00:16:24,749
GO IN THERE, QUICK.
461
00:16:25,868 --> 00:16:27,335
WE'RE IN HERE!
462
00:16:30,106 --> 00:16:31,372
"WE'RE IN HERE"?
463
00:16:31,441 --> 00:16:33,024
THAT'S HOW YOU ANSWER THE DOOR?
464
00:16:33,093 --> 00:16:35,070
WELL, I WAS ALL
OUT OF SARAN WRAP.
465
00:16:35,094 --> 00:16:36,994
I DON'T EVEN WANT TO
FIGURE THAT ONE OUT.
466
00:16:37,063 --> 00:16:38,429
WHERE IS MY GRANDDAUGHTER?
467
00:16:38,497 --> 00:16:39,508
KITCHEN.
468
00:16:39,532 --> 00:16:40,631
OH, PERFECT.
469
00:16:40,700 --> 00:16:43,067
I WANNA BE ALL READY
FOR THE BIG ENTRANCE.
470
00:16:43,136 --> 00:16:44,985
HOW'S THE LIGHT IN
HERE? NEVER MIND.
471
00:16:45,054 --> 00:16:46,420
I'LL TAKE ONE WITH THE FLASH
472
00:16:46,488 --> 00:16:48,790
AND ONE WITHOUT TO MAKE
SURE WE'VE GOT IT RIGHT.
473
00:16:48,858 --> 00:16:50,291
WOW, MOM, LOOK AT YOU.
474
00:16:50,359 --> 00:16:53,544
YOU'D THINK ANNE TAYLOR WAS
HAVING A SALE OR SOMETHING.
475
00:16:53,613 --> 00:16:55,846
OK, RORY, COME IN HERE, PLEASE.
476
00:16:58,351 --> 00:16:59,816
HEY, GRANDMA.
477
00:17:01,053 --> 00:17:02,797
SHE HAS LIVED WITH YOU TOO LONG.
478
00:17:02,821 --> 00:17:04,383
HONEY, LOSE THE
BIB AND THE TACO,
479
00:17:04,407 --> 00:17:06,001
PUT YOUR SHOES ON
AND COME BACK OUT.
480
00:17:06,025 --> 00:17:07,803
LET GRANDMA TAKE
THE PRETTY PICTURE.
481
00:17:07,827 --> 00:17:08,827
OK.
482
00:17:12,198 --> 00:17:13,397
I'M GONNA GET GOING.
483
00:17:13,465 --> 00:17:14,615
YOU ARE NOT DRIVING.
484
00:17:14,684 --> 00:17:16,150
I WALKED.
485
00:17:16,219 --> 00:17:18,619
IT'S NICE TO SEE YOU
AGAIN, MRS. GILMORE,
486
00:17:18,688 --> 00:17:20,337
OR AT LEAST MAKE OUT YOUR SHAPE.
487
00:17:20,406 --> 00:17:22,618
CALL ME IN 15 MINUTES, OR
I'LL SEND OUT A SEARCH PARTY.
488
00:17:22,642 --> 00:17:24,541
WELL, AND YOU CALL ME
IF I NEED TO COME OVER
489
00:17:24,611 --> 00:17:26,344
AND HELP YOU UP THE
STAIRS OR SOMETHING.
490
00:17:26,413 --> 00:17:27,828
NO, I'LL BE FINE.
491
00:17:27,897 --> 00:17:29,196
BYE.
492
00:17:29,264 --> 00:17:30,865
WHY WOULD YOU NEED
HELP UP THE STAIRS?
493
00:17:30,933 --> 00:17:31,882
NO REASON.
494
00:17:31,951 --> 00:17:33,895
RORY, LET'S GO.
YOUR PUBLIC AWAITS!
495
00:17:33,919 --> 00:17:35,102
WHY AREN'T YOU MOVING?
496
00:17:35,171 --> 00:17:36,411
I'M COMFORTABLE, THAT'S ALL.
497
00:17:36,438 --> 00:17:37,488
ARE YOU HURT?
498
00:17:37,557 --> 00:17:39,389
I HAVE A LITTLE BACK
SPASM. THAT'S IT.
499
00:17:39,458 --> 00:17:40,698
IT'S NO BIG DEAL.
500
00:17:40,760 --> 00:17:41,993
WHAT SORT OF BACK SPASM?
501
00:17:42,061 --> 00:17:44,239
I DON'T KNOW, MOM.
JUST A NORMAL ONE.
502
00:17:44,263 --> 00:17:46,330
THERE IS NOTHING NORMAL
ABOUT A BACK SPASM.
503
00:17:46,399 --> 00:17:49,466
THE FACT THAT IT HAS THE WORD
"SPASM" IN IT MEANS IT'S NOT NORMAL.
504
00:17:49,536 --> 00:17:51,113
HERE SHE IS. GET
YOUR CAMERA MOVING.
505
00:17:51,137 --> 00:17:52,169
WHAT?
506
00:17:52,238 --> 00:17:54,371
OH, MY! YOU'RE GORGEOUS.
507
00:17:54,440 --> 00:17:55,572
OH! SMILE!
508
00:17:57,443 --> 00:17:59,526
I'M SO GLAD YOU DECIDED
TO BUY HER A DRESS.
509
00:18:00,696 --> 00:18:01,696
THAT'S DEAN.
510
00:18:01,764 --> 00:18:03,004
HEY, COME HERE.
511
00:18:04,551 --> 00:18:06,183
HAVE AN AMAZING TIME.
512
00:18:06,252 --> 00:18:08,446
I'LL CHRONICLE THE WHOLE
EVENING FOR YOU, I PROMISE.
513
00:18:08,470 --> 00:18:10,070
BYE, GRANDMA.
514
00:18:10,139 --> 00:18:11,338
WHERE ARE YOU GOING?
515
00:18:11,407 --> 00:18:12,806
TO THE DANCE.
516
00:18:12,875 --> 00:18:15,187
YOU DO NOT GO RUNNING OUT
THE DOOR WHEN A BOY HONKS.
517
00:18:15,211 --> 00:18:16,377
MOM, IT'S FINE.
518
00:18:16,462 --> 00:18:18,062
IT CERTAINLY IS NOT FINE.
519
00:18:18,131 --> 00:18:20,865
THIS IS NOT A DRIVE-THROUGH.
SHE'S NOT FRIED CHICKEN.
520
00:18:20,934 --> 00:18:23,784
BUT I TOLD HIM TO HONK AND I'D
MEET HIM OUT THERE. WE AGREED.
521
00:18:23,853 --> 00:18:25,498
I DON'T CARE WHAT YOU TOLD HIM.
522
00:18:25,522 --> 00:18:28,289
IF HE WANTS TO TAKE YOU OUT,
HE WILL WALK UP TO THIS DOOR
523
00:18:28,358 --> 00:18:30,324
AND KNOCK, AND
SAY, "GOOD EVENING,"
524
00:18:30,393 --> 00:18:31,970
AND COME INSIDE FOR A MOMENT
525
00:18:31,994 --> 00:18:33,822
LIKE ANY CIVILIZED HUMAN
BEING WOULD KNOW TO DO.
526
00:18:33,846 --> 00:18:36,041
NOW, MOM, THIS IS SILLY.
I HAVE MET HIM ALREADY.
527
00:18:36,065 --> 00:18:37,065
WELL, I HAVEN'T.
528
00:18:37,133 --> 00:18:38,213
YEAH, BUT...
529
00:18:38,268 --> 00:18:41,235
WE WILL WAIT UNTIL
HE COMES TO THE DOOR.
530
00:18:41,304 --> 00:18:42,797
HE DOESN'T KNOW
HE'S SUPPOSED TO.
531
00:18:42,821 --> 00:18:44,154
HE'LL FIGURE IT OUT.
532
00:19:05,261 --> 00:19:06,827
HE'S NOT A VERY
BRIGHT BOY, IS HE?
533
00:19:06,896 --> 00:19:08,178
MOM, PLEASE.
534
00:19:12,718 --> 00:19:13,718
DON'T RUSH.
535
00:19:13,753 --> 00:19:14,993
A LADY NEVER RUSHES.
536
00:19:20,093 --> 00:19:21,170
HEY. HEY.
537
00:19:21,194 --> 00:19:22,855
UH, I THOUGHT I WAS
SUPPOSED TO HONK.
538
00:19:22,879 --> 00:19:24,345
I KNOW. I'M SORRY.
539
00:19:24,413 --> 00:19:26,848
YOUNG MAN, COME IN HERE, PLEASE.
540
00:19:32,421 --> 00:19:35,439
HEY, DEAN. MEET MY
MOTHER, EMILY POST.
541
00:19:36,776 --> 00:19:38,876
EMILY GILMORE. HI.
542
00:19:38,945 --> 00:19:40,556
HELLO. GREAT RAP SESSION.
543
00:19:40,580 --> 00:19:43,247
YOU GUYS ARE OUT OF HERE.
HAVE FUN. BE HOME BY 11:00.
544
00:19:43,716 --> 00:19:45,399
12:00.
545
00:19:45,468 --> 00:19:46,600
BYE, GRANDMA. BYE, MOM.
546
00:19:46,669 --> 00:19:47,684
BYE.
547
00:19:50,189 --> 00:19:51,683
WHAT DO YOU KNOW ABOUT THIS BOY?
548
00:19:51,707 --> 00:19:53,908
I KNOW THAT RORY LIKES HIM,
549
00:19:53,977 --> 00:19:57,527
AND THAT HIS PAROLE OFFICER HAS
HIGH HOPES FOR HIS REHABILITATION.
550
00:19:57,596 --> 00:19:59,396
DOES HE DRINK? LIKE A FISH.
551
00:19:59,465 --> 00:20:00,998
THAT'S NOT A CRAZY QUESTION.
552
00:20:01,066 --> 00:20:02,533
IT IS A CRAZY QUESTION, MOM,
553
00:20:02,602 --> 00:20:04,880
BECAUSE IF I HAD KNOWLEDGE
OF HIM BEING A DRINKER,
554
00:20:04,904 --> 00:20:06,381
HE WOULD NOT BE WITH RORY NOW.
555
00:20:06,405 --> 00:20:07,521
YES, BUT...
556
00:20:07,590 --> 00:20:08,789
MOM, PLEASE RELAX.
557
00:20:08,858 --> 00:20:10,140
DEAN IS A GOOD KID.
558
00:20:10,210 --> 00:20:12,059
RORY'S GONNA HAVE A GREAT TIME.
559
00:20:12,127 --> 00:20:13,577
YOU GOT YOUR PICTURES.
560
00:20:13,646 --> 00:20:15,924
TOMORROW I WILL CALL YOU
AND GIVE YOU ALL THE DETAILS.
561
00:20:15,948 --> 00:20:16,988
WHAT ARE YOU GOING TO DO?
562
00:20:17,050 --> 00:20:18,050
WHAT DO YOU MEAN?
563
00:20:18,084 --> 00:20:19,428
YOU CERTAINLY
CAN'T BE LEFT ALONE.
564
00:20:19,452 --> 00:20:21,051
YES, I CAN.
565
00:20:21,120 --> 00:20:23,098
YOU CAN BARELY MOVE. YOU'VE
BEEN SITTING THERE SINCE I GOT HERE.
566
00:20:23,122 --> 00:20:25,589
THAT'S BECAUSE THIS IS
A RIGHT COMFY COUCH.
567
00:20:25,657 --> 00:20:27,002
MAYBE I SHOULD
STAY. NO, NO, MOM.
568
00:20:27,026 --> 00:20:28,670
YOU REALLY DON'T
HAVE TO DO THAT.
569
00:20:28,694 --> 00:20:31,295
I'M NOT LEAVING MY DAUGHTER
STRANDED ON THE COUCH.
570
00:20:31,364 --> 00:20:32,941
WHAT IF YOU NEED TO
GET TO THE BATHROOM?
571
00:20:32,965 --> 00:20:34,231
I DON'T GO ANYMORE, MOM.
572
00:20:34,299 --> 00:20:35,632
I GAVE IT UP COLD TURKEY.
573
00:20:35,701 --> 00:20:36,701
I'M STAYING.
574
00:20:36,769 --> 00:20:38,168
NO, MOM.
575
00:20:38,237 --> 00:20:41,289
LOOK, I CAN STAND, OK?
576
00:20:43,376 --> 00:20:45,509
SEE?
577
00:20:45,578 --> 00:20:48,896
I'M UP. OK, SEE?
I'M... I'M FINE.
578
00:20:49,865 --> 00:20:52,449
MOVE. WHAT?
579
00:20:52,518 --> 00:20:54,985
MOVE. IF YOU'RE FINE, THEN MOVE.
580
00:20:55,587 --> 00:20:57,004
I CAN MOVE.
581
00:20:59,025 --> 00:21:01,525
THIS IS ME MOVING.
582
00:21:01,594 --> 00:21:04,495
ANY SECOND NOW,
THE MOVING WILL BEGIN.
583
00:21:04,563 --> 00:21:06,364
RATS.
584
00:21:06,432 --> 00:21:08,165
I'LL GO START SOME TEA.
585
00:21:08,234 --> 00:21:12,102
PLEASE TELL ME YOU HAVE
SOMETHING BESIDES LIPTON.
586
00:21:12,171 --> 00:21:14,972
A STROKE WOULD BE SO
GOOD RIGHT ABOUT NOW.
587
00:21:21,480 --> 00:21:23,980
MAYBE WE SHOULD
JUST FORGET ABOUT THIS.
588
00:21:24,049 --> 00:21:25,416
OK.
589
00:21:25,484 --> 00:21:26,817
I MEAN, IT'S JUST A DANCE.
590
00:21:26,886 --> 00:21:27,984
WHAT'S THE BIG DEAL?
591
00:21:28,053 --> 00:21:29,130
BEATS ME.
592
00:21:29,154 --> 00:21:31,588
AND THESE KIDS AT
MY SCHOOL... AWFUL.
593
00:21:31,657 --> 00:21:33,089
HAVE YOU SEEN THE OUTSIDERS?
594
00:21:33,158 --> 00:21:34,341
YEAH, I HAVE.
595
00:21:34,410 --> 00:21:35,609
JUST CALL ME PONYBOY.
596
00:21:37,113 --> 00:21:38,946
I HEARD THIS PLACE
IS BEAUTIFUL, THOUGH.
597
00:21:39,015 --> 00:21:40,447
OLD AND HISTORIC.
598
00:21:40,516 --> 00:21:41,626
OH.
599
00:21:41,650 --> 00:21:43,284
MAYBE WE COULD JUST
GO IN FOR A MINUTE.
600
00:21:43,352 --> 00:21:44,396
FINE.
601
00:21:44,420 --> 00:21:45,452
OR NOT.
602
00:21:45,521 --> 00:21:46,787
FINE, TOO.
603
00:21:46,855 --> 00:21:49,590
I DON'T KNOW.
WHY CAN'T I DECIDE?
604
00:21:49,659 --> 00:21:52,426
THIS IS STUPID.
WHAT DO YOU THINK?
605
00:21:52,495 --> 00:21:55,129
I THINK THAT YOU
LOOK AMAZING TONIGHT.
606
00:21:57,566 --> 00:22:00,267
MAYBE JUST A COUPLE
OF MINUTES WON'T HURT.
607
00:22:02,371 --> 00:22:03,821
YES, MARTA.
608
00:22:03,889 --> 00:22:07,491
JUST MAKE SURE EVERYTHING'S
LOCKED UP BEFORE YOU LEAVE.
609
00:22:07,560 --> 00:22:09,159
NO, I WON'T BE HOME TONIGHT.
610
00:22:09,228 --> 00:22:10,611
OH!
611
00:22:10,680 --> 00:22:11,946
WAS THAT A PAIN?
612
00:22:12,014 --> 00:22:13,413
YES, A BIG ONE.
613
00:22:14,617 --> 00:22:17,350
ALL RIGHT, THAT'S IT. BYE.
614
00:22:17,419 --> 00:22:21,372
SO, MOM, YOU REALLY,
REALLY DON'T HAVE TO DO THIS.
615
00:22:21,441 --> 00:22:24,107
DON'T BE SILLY. I COULDN'T
POSSIBLY LEAVE YOU ALONE LIKE THIS.
616
00:22:25,311 --> 00:22:26,551
WHAT ARE YOU DOING, MOM?
617
00:22:26,578 --> 00:22:29,213
I'M TRYING TO FIND THE
CANDLESTICKS I BOUGHT YOU.
618
00:22:29,281 --> 00:22:31,048
WHAT CANDLESTICKS?
619
00:22:31,116 --> 00:22:34,818
THE BACCARAT CANDLESTICKS I
BOUGHT YOU LAST YEAR FOR CHRISTMAS.
620
00:22:34,887 --> 00:22:37,788
I ASSUME THAT YOU STUFFED THEM IN
THE BACK OF THE CLOSET SOMEWHERE.
621
00:22:37,857 --> 00:22:41,191
UH, NO, I DID NOT STUFF THEM
IN THE BACK OF THE CLOSET.
622
00:22:41,260 --> 00:22:43,894
WELL, THEN, WHERE ARE
THEY? I DON'T SEE THEM OUT.
623
00:22:43,963 --> 00:22:46,363
WELL, SEE, WE DIDN'T ACTUALLY
624
00:22:46,431 --> 00:22:49,967
HAVE A BIG USE FOR THE
CRYSTAL CANDLESTICKS.
625
00:22:50,036 --> 00:22:51,818
SO I KIND OF...
626
00:22:54,357 --> 00:22:55,856
EXCHANGED THEM.
627
00:22:55,925 --> 00:22:56,940
FOR WHAT?
628
00:22:57,009 --> 00:22:58,141
A MONKEY LAMP.
629
00:22:58,210 --> 00:22:59,427
PARDON ME?
630
00:22:59,495 --> 00:23:02,313
IT'S A LAMP WITH A
BUNCH OF MONKEYS ON IT.
631
00:23:02,381 --> 00:23:04,915
BACCARAT CRYSTAL
CANDLESTICKS FOR A MONKEY LAMP?
632
00:23:04,983 --> 00:23:07,229
THEY'RE REALLY, REALLY
HAPPY MONKEYS, MOM.
633
00:23:07,253 --> 00:23:09,253
WHERE IS THIS LAMP?
I WANT TO SEE IT.
634
00:23:09,321 --> 00:23:11,504
IT'S RIGHT THERE ON THE DESK.
635
00:23:15,010 --> 00:23:16,043
OH, MY GOD!
636
00:23:16,112 --> 00:23:17,745
THEY'RE HOLDING
COCONUTS AND LEERING.
637
00:23:17,813 --> 00:23:18,813
IT'S FUNNY.
638
00:23:18,881 --> 00:23:20,380
YOU TRADED MY LOVELY GIFT
639
00:23:20,449 --> 00:23:24,117
FOR A SEMI-PORNOGRAPHIC, LEERING
MONKEY LAMP? HOW COULD YOU?
640
00:23:24,186 --> 00:23:26,887
THIS IS NOT JUST ABOUT THE BAD
BREEDING OF RETURNING A GIFT.
641
00:23:26,956 --> 00:23:29,356
THIS GOES TO THE VERY HEART
OF THE QUESTION OF TASTE.
642
00:23:29,424 --> 00:23:31,342
YOU WERE GIVEN
SOMETHING OF SUBSTANCE,
643
00:23:31,410 --> 00:23:32,876
AND YOU CAST IT OFF
644
00:23:32,945 --> 00:23:36,614
FOR A RIDICULOUS, SLIGHTLY
SINISTER BARROOM DECORATION?
645
00:23:36,682 --> 00:23:38,515
EXPLAIN THIS TO ME, LORELAI.
646
00:23:39,418 --> 00:23:40,918
MY BACK HURTS.
647
00:23:44,039 --> 00:23:45,517
♪
648
00:23:45,541 --> 00:23:48,709
♪ AND I WON'T TAKE FROM YOU ♪
649
00:23:50,446 --> 00:23:55,482
♪ DON'T YOU KNOW 'BOUT
A ZILLION YEARS AGO ♪
650
00:23:55,551 --> 00:23:57,250
♪ SOME STAR SNEEZED ♪
651
00:23:57,319 --> 00:23:58,886
WELL, IT'S A VERY GOOD ROOM.
652
00:23:58,954 --> 00:24:00,253
LOOKS HISTORICAL.
653
00:24:00,322 --> 00:24:02,856
I COMMEND THE PERSON WHO
SUGGESTED THIS LOCATION.
654
00:24:02,925 --> 00:24:06,326
SO, WE COULD JUST GET OUR
PICTURE TAKEN AND LEAVE.
655
00:24:06,395 --> 00:24:07,494
WE COULD.
656
00:24:07,563 --> 00:24:09,730
OR WE COULD
DANCE A LITTLE FIRST.
657
00:24:09,799 --> 00:24:10,898
YEAH?
658
00:24:10,966 --> 00:24:12,176
I STRESSED "A LITTLE."
659
00:24:12,200 --> 00:24:13,333
SOMETHING SLOW.
660
00:24:13,402 --> 00:24:15,035
THAT SOUNDS GOOD.
661
00:24:16,939 --> 00:24:18,179
CAN WE GO YET?
662
00:24:18,240 --> 00:24:19,317
WE HAVEN'T EVEN EATEN DINNER.
663
00:24:19,341 --> 00:24:20,581
I'M BORED.
664
00:24:20,643 --> 00:24:21,753
WE HAVE TO WAIT
FOR PARIS ANYWAY.
665
00:24:21,777 --> 00:24:23,811
FINE. GIVE ME YOUR ROLL.
666
00:24:25,981 --> 00:24:27,358
WOW. WHAT?
667
00:24:27,382 --> 00:24:28,415
RORY GILMORE.
668
00:24:28,484 --> 00:24:30,216
GOD, SHE'S GOT GOOD HAIR.
669
00:24:30,285 --> 00:24:32,052
WHO'S THE DISH? BEATS ME.
670
00:24:32,120 --> 00:24:34,822
HE'S NOT FROM THE MANOR
BORN, THAT'S FOR SURE.
671
00:24:34,890 --> 00:24:36,122
LET'S GO.
672
00:24:39,528 --> 00:24:42,012
SO, SHOULD WE DANCE
OR SHOULD WE SIT FIRST?
673
00:24:42,081 --> 00:24:43,797
RORY, YOU CAME.
674
00:24:43,866 --> 00:24:45,715
GREAT DRESS. WHO'S IT BY?
675
00:24:45,785 --> 00:24:46,928
LORELAI GILMORE.
676
00:24:46,952 --> 00:24:48,018
YOU MADE IT YOURSELF?
677
00:24:48,087 --> 00:24:49,131
NO, MY MOM MADE IT FOR ME.
678
00:24:49,155 --> 00:24:50,254
SHE DID, REALLY?
679
00:24:50,322 --> 00:24:51,538
YEAH.
680
00:24:51,607 --> 00:24:53,335
SO, YOU'RE TRAVELING
WITH A BODYGUARD NOW?
681
00:24:53,359 --> 00:24:56,443
OH, NO, THIS IS
MY... THIS IS DEAN.
682
00:24:56,512 --> 00:24:58,540
DEAN, THIS IS LOUISE
AND MADELINE.
683
00:24:58,564 --> 00:25:00,775
HI. MY MOM CAN'T MAKE ANYTHING.
684
00:25:00,799 --> 00:25:02,949
HOW TALL ARE YOU?
685
00:25:03,018 --> 00:25:04,318
SOUP, SHE CAN MAKE SOUP.
686
00:25:04,386 --> 00:25:06,381
YOU KNOW, MY WHOLE
FAMILY IS REALLY TALL.
687
00:25:06,405 --> 00:25:07,805
I MEAN, THE MEN MOSTLY.
688
00:25:07,873 --> 00:25:10,007
WHAT ARE YOU, 6'1 ", 6'2"?
689
00:25:10,076 --> 00:25:12,087
DOES HE GET, LIKE, A
PRIZE IF HE GUESSES?
690
00:25:12,111 --> 00:25:13,677
ONE KIND OF SOUP, ACTUALLY.
691
00:25:13,745 --> 00:25:14,878
IT'S GREEN, LUMPY.
692
00:25:14,947 --> 00:25:16,113
I'M 6'2".
693
00:25:16,182 --> 00:25:17,776
ACTUALLY, SHE CAN'T
MAKE SOUP EITHER.
694
00:25:17,800 --> 00:25:18,944
6'2" IS A GOOD HEIGHT.
695
00:25:18,968 --> 00:25:20,017
YOU THINK?
696
00:25:20,085 --> 00:25:21,317
I THINK.
697
00:25:22,404 --> 00:25:23,537
HUH.
698
00:25:24,540 --> 00:25:26,084
WHAT DO YOU THINK? TOO TALL?
699
00:25:26,108 --> 00:25:27,686
NOT IN HEELS. GOOD.
700
00:25:27,710 --> 00:25:29,554
ALTHOUGH, THE SADDLE SHOES
MAKE IT KIND OF DIFFICULT.
701
00:25:29,578 --> 00:25:30,989
OH, I'LL JUST HAVE
TO STOOP THEN.
702
00:25:31,013 --> 00:25:32,079
I GUESS SO.
703
00:25:32,148 --> 00:25:34,181
OK, I'M BORED.
704
00:25:36,518 --> 00:25:37,617
I LIKE YOUR DRESS.
705
00:25:37,686 --> 00:25:38,919
THANKS.
706
00:25:42,024 --> 00:25:43,656
HEY, YOU'RE NICE.
707
00:25:45,895 --> 00:25:46,960
SLOW SONG.
708
00:25:47,029 --> 00:25:48,269
LET'S GO.
709
00:25:52,101 --> 00:25:53,666
RORY. PARIS.
710
00:25:53,735 --> 00:25:54,968
I SEE YOU CAME.
711
00:25:55,037 --> 00:25:56,236
YOU SOLD ME THE TICKET.
712
00:25:56,305 --> 00:25:57,637
I'M JACOB.
713
00:25:57,706 --> 00:25:59,406
HI, I'M RORY. THIS IS DEAN.
714
00:25:59,474 --> 00:26:00,818
HI. HI.
715
00:26:00,842 --> 00:26:02,175
EXCUSE US.
716
00:26:03,012 --> 00:26:05,078
THOSE ARE NOT FRIENDS.
717
00:26:05,147 --> 00:26:06,546
I WAS BEING POLITE.
718
00:26:06,615 --> 00:26:07,747
WELL, DON'T.
719
00:26:09,418 --> 00:26:10,884
SO, THAT'S PARIS?
720
00:26:10,953 --> 00:26:12,193
YES, IT IS.
721
00:26:12,254 --> 00:26:13,353
SHE SEEMS FUN.
722
00:26:13,422 --> 00:26:15,088
OH, YEAH, SHE IS.
723
00:26:15,157 --> 00:26:18,458
OK, SO THIS DANCING THING IS NOT
SOMETHING I WANT YOU TO GET USED TO
724
00:26:18,527 --> 00:26:19,859
OR COMMENT ON.
725
00:26:19,929 --> 00:26:21,494
NOW, THAT GOES BOTH WAYS.
726
00:26:21,563 --> 00:26:23,403
♪
727
00:26:23,465 --> 00:26:25,665
♪ I LOOK TO YOU
AND I SEE NOTHING ♪
728
00:26:25,734 --> 00:26:29,903
HEY, IF I KISS YOU, IS A NUN GONNA
COME OUT AND BOOT ME OUT OF HERE?
729
00:26:29,972 --> 00:26:31,638
IT'S NOT A CATHOLIC SCHOOL.
730
00:26:31,706 --> 00:26:33,106
SO I CAN KISS YOU?
731
00:26:33,175 --> 00:26:34,541
YEAH, YOU CAN KISS ME.
732
00:26:39,815 --> 00:26:44,451
♪ YOU LIVE YOUR LIFE
YOU GO IN SHADOWS ♪
733
00:26:44,519 --> 00:26:45,986
OK, I'M PERFECT NOW.
734
00:26:46,055 --> 00:26:47,087
GREAT.
735
00:26:47,156 --> 00:26:48,221
YOU WANT TO DANCE?
736
00:26:48,290 --> 00:26:49,323
NOPE.
737
00:26:49,391 --> 00:26:51,002
YOU WANT TO EAT? NOPE.
738
00:26:51,026 --> 00:26:52,993
YOU WANT TO GO MAKE OUT?
739
00:26:54,430 --> 00:26:56,630
YEAH, ALL RIGHT, LET'S GO.
740
00:26:57,799 --> 00:27:00,467
♪ SOME KIND OF NIGHT ♪
741
00:27:00,535 --> 00:27:02,936
SO, PONYBOY, YOU HAPPY?
742
00:27:03,772 --> 00:27:05,372
YEAH, I'M HAPPY.
743
00:27:06,208 --> 00:27:07,941
♪ COLORS YOUR EYES ♪
744
00:27:09,111 --> 00:27:10,577
THERE YOU GO.
745
00:27:10,645 --> 00:27:12,946
MOM, I THINK SOMEBODY
ALREADY ATE THAT.
746
00:27:13,015 --> 00:27:14,375
THAT IS A MASHED
BANANA ON TOAST.
747
00:27:14,416 --> 00:27:15,899
OK.
748
00:27:15,968 --> 00:27:17,929
I USED TO MAKE THIS FOR YOU
WHEN YOU WERE A LITTLE GIRL.
749
00:27:17,953 --> 00:27:19,030
YOU DID?
750
00:27:19,054 --> 00:27:20,654
WHENEVER YOU
GOT SICK, I MADE THIS.
751
00:27:20,723 --> 00:27:22,483
YOU SURE IT WASN'T
THE OTHER WAY AROUND?
752
00:27:22,507 --> 00:27:24,591
YOU DON'T WANT
IT? NO, NO, I WANT IT.
753
00:27:24,659 --> 00:27:25,742
I'LL JUST TAKE IT BACK.
754
00:27:25,811 --> 00:27:27,177
MOM, I SAID I WANT IT.
755
00:27:27,246 --> 00:27:28,278
ARE YOU SURE?
756
00:27:28,347 --> 00:27:29,524
BECAUSE I COULD THROW IT AWAY.
757
00:27:29,548 --> 00:27:31,981
RELINQUISH THE BANANA, PLEASE.
758
00:27:32,050 --> 00:27:33,950
MMM.
759
00:27:34,019 --> 00:27:36,486
YOU CAN'T POSSIBLY BE
COMFORTABLE LIKE THAT.
760
00:27:36,555 --> 00:27:39,256
MOTHER, PLEASE, THIS IS THE
FIRST POSITION IN 24 HOURS
761
00:27:39,325 --> 00:27:40,990
THAT HAS NOT MADE ME CRAZY.
762
00:27:41,059 --> 00:27:42,359
ALL RIGHT.
763
00:27:43,061 --> 00:27:44,711
YOU'RE NOT EATING.
764
00:27:48,551 --> 00:27:51,151
MOM, PLEASE DON'T
MAKE ME EAT THIS.
765
00:27:51,220 --> 00:27:53,153
WELL, YOU HAVE TO EAT SOMETHING.
766
00:27:53,221 --> 00:27:55,722
WELL, SOOKIE LEFT ME A
BURRITO IN THE FRIDGE.
767
00:27:55,791 --> 00:27:56,901
I'LL GO WARM IT UP FOR YOU.
768
00:27:56,925 --> 00:27:58,475
I CAN EAT IT COLD.
769
00:27:58,543 --> 00:27:59,809
OH.
770
00:27:59,878 --> 00:28:02,062
FINE, I'LL JUST GO GET IT THEN.
771
00:28:02,131 --> 00:28:04,331
HOT'S BETTER, THOUGH.
772
00:28:04,400 --> 00:28:06,132
I'LL BE RIGHT BACK.
773
00:28:19,348 --> 00:28:21,515
OK, UH, I NEED
SOMETHING TO DRINK.
774
00:28:21,583 --> 00:28:22,693
YOU WANT SOME PUNCH?
775
00:28:22,717 --> 00:28:24,017
SURE.
776
00:28:24,085 --> 00:28:25,730
♪
777
00:28:25,754 --> 00:28:27,487
HI. RORY, RIGHT?
778
00:28:27,556 --> 00:28:29,088
YES.
779
00:28:29,158 --> 00:28:30,990
JACOB. WE MET
EARLIER WITH PARIS.
780
00:28:31,059 --> 00:28:33,026
YES, I REMEMBER.
781
00:28:33,094 --> 00:28:34,361
ARE YOU HAVING A GOOD TIME?
782
00:28:34,429 --> 00:28:36,663
ACTUALLY, I AM. YOU?
783
00:28:36,731 --> 00:28:38,097
IT'S OK.
784
00:28:39,134 --> 00:28:41,501
SO, WAS THAT YOUR BOYFRIEND?
785
00:28:41,570 --> 00:28:44,371
OH, I DON'T KNOW. I'M NOT SURE.
786
00:28:44,439 --> 00:28:45,738
YOU'RE NOT SURE?
787
00:28:45,807 --> 00:28:47,519
WE'VE ONLY BEEN GOING
OUT FOR A LITTLE WHILE...
788
00:28:47,543 --> 00:28:49,926
SO THERE'S STILL A
LITTLE ROOM TO PLAY?
789
00:28:49,995 --> 00:28:51,028
WHAT?
790
00:28:51,096 --> 00:28:53,113
WOULD YOU LIKE TO DANCE?
791
00:28:53,181 --> 00:28:54,631
OH, NO, THANKS.
792
00:28:54,700 --> 00:28:56,700
MAYBE I COULD GET YOUR NUMBER?
793
00:28:56,768 --> 00:28:57,812
WHAT FOR?
794
00:28:57,836 --> 00:29:00,036
TO CALL YOU.
795
00:29:00,106 --> 00:29:02,539
I-I-I'M SORRY, AREN'T
YOU HERE WITH PARIS?
796
00:29:02,591 --> 00:29:04,290
YEAH.
797
00:29:04,359 --> 00:29:06,203
SO MAYBE YOU
SHOULDN'T BE OVER HERE
798
00:29:06,227 --> 00:29:08,729
ASKING ME FOR MY NUMBER THEN.
799
00:29:08,797 --> 00:29:11,231
WHY? PARIS IS MY COUSIN.
800
00:29:11,299 --> 00:29:12,516
YOUR COUSIN?
801
00:29:12,584 --> 00:29:14,017
YEAH.
802
00:29:14,085 --> 00:29:16,030
PARIS IS YOUR COUSIN?
YOU'RE RELATED?
803
00:29:16,054 --> 00:29:18,055
YEAH.
804
00:29:18,123 --> 00:29:20,590
JACOB, IT'S BEEN VERY
NICE TO MEET YOU.
805
00:29:20,659 --> 00:29:23,793
I HOPE YOU HAVE
A LOVELY EVENING.
806
00:29:23,862 --> 00:29:25,946
YOU'RE A SMART INSURANCE MAN...
807
00:29:26,014 --> 00:29:27,830
OH, LOOK. BARBARA STANWYCK.
808
00:29:27,899 --> 00:29:29,549
I JUST LOVE BARBARA STANWYCK.
809
00:29:29,618 --> 00:29:31,451
YEAH, SHE'S GOOD.
810
00:29:31,520 --> 00:29:34,754
SHE HAD THAT WONDERFUL
VOICE, THAT HUSKY, DEEP VOICE.
811
00:29:34,823 --> 00:29:36,689
I JUST LOVE THAT VOICE.
812
00:29:36,758 --> 00:29:38,225
HMM.
813
00:29:38,294 --> 00:29:41,895
YOU KNOW, MOM, YOU HAVE KIND
OF A BARBARA STANWYCKY VOICE.
814
00:29:41,964 --> 00:29:43,130
I DO NOT.
815
00:29:43,198 --> 00:29:44,498
I MEAN IT.
816
00:29:44,566 --> 00:29:46,678
YOU COULD'VE GOTTEN
FRED MacMURRAY TO OFF DAD
817
00:29:46,702 --> 00:29:48,396
IF YOU'D REALLY WANTED TO.
818
00:29:48,420 --> 00:29:51,087
YOU DO ENJOY
TEASING ME, DON'T YOU?
819
00:29:51,156 --> 00:29:53,023
YOU KNOW, I REALLY DO.
820
00:29:54,459 --> 00:29:56,526
YOU KNOW, RORY LOOKED
SO LOVELY TONIGHT.
821
00:29:56,594 --> 00:29:57,834
SHE DID, DIDN'T SHE?
822
00:29:57,862 --> 00:29:59,695
I CAN'T GET OVER HOW
SHE'S GROWN UP INTO
823
00:29:59,764 --> 00:30:01,464
THAT LITTLE WOMAN
WHO WALKED OUT OF HERE.
824
00:30:01,533 --> 00:30:02,698
I KNOW.
825
00:30:04,002 --> 00:30:05,113
YOU KNOW WHAT, MOM?
826
00:30:05,137 --> 00:30:06,536
MMM?
827
00:30:06,604 --> 00:30:08,238
I MADE THE DRESS.
828
00:30:09,658 --> 00:30:10,924
YOU DID A LOVELY JOB.
829
00:30:10,992 --> 00:30:12,659
THANK YOU.
830
00:30:13,862 --> 00:30:15,629
WITH RORY AND THE DRESS.
831
00:30:16,632 --> 00:30:17,997
THANK YOU.
832
00:30:21,069 --> 00:30:22,101
WELL,
833
00:30:22,188 --> 00:30:24,555
LET ME GET THIS OUT OF YOUR WAY.
834
00:30:24,623 --> 00:30:27,424
YOU REALLY DON'T REMEMBER ME
MAKING THIS FOR YOU WHEN YOU WERE SICK?
835
00:30:27,493 --> 00:30:28,892
I DON'T, I'M SORRY.
836
00:30:28,960 --> 00:30:31,361
WELL, I DID, AND YOU LOVED IT.
837
00:30:31,430 --> 00:30:33,575
YOU KNOW WHAT?
LET ME GIVE IT A TRY.
838
00:30:33,599 --> 00:30:35,332
ALL RIGHT.
839
00:30:35,400 --> 00:30:36,633
AHEM.
840
00:30:42,141 --> 00:30:43,240
MMM.
841
00:30:43,308 --> 00:30:44,974
YES?
842
00:30:45,043 --> 00:30:47,555
IT'S EVEN MORE DISGUSTING
THAN I THOUGHT IT WAS GONNA BE.
843
00:30:47,579 --> 00:30:48,911
OH, IT IS NOT.
844
00:30:53,519 --> 00:30:55,719
OH, MY GOD, IT'S HORRIBLE!
845
00:30:55,788 --> 00:30:57,621
WHAT ON EARTH WAS I THINKING?
846
00:30:59,692 --> 00:31:02,576
SO, UH, YOU WANNA MAYBE GO?
847
00:31:02,644 --> 00:31:04,044
YOU'RE BORED? I'M SORRY.
848
00:31:04,112 --> 00:31:05,289
LET'S GO, RIGHT AWAY.
849
00:31:05,313 --> 00:31:06,512
I-I'M NOT BORED.
850
00:31:06,582 --> 00:31:08,026
I THOUGHT THERE'S
STILL A LITTLE TIME LEFT.
851
00:31:08,050 --> 00:31:10,817
MAYBE WE COULD GET A
CUP OF COFFEE SOMEWHERE
852
00:31:10,886 --> 00:31:12,385
HANG OUT A LITTLE, TAKE A WALK.
853
00:31:12,454 --> 00:31:13,887
YOU KNOW, JUST US.
854
00:31:13,956 --> 00:31:15,421
THAT'D BE NICE.
855
00:31:15,490 --> 00:31:17,891
NO, YOU STAY. I'LL
GET THE COATS.
856
00:31:19,628 --> 00:31:21,728
SO HOW MANY PEOPLE
HAVE YOU TOLD?
857
00:31:21,797 --> 00:31:23,597
4? 5? EVERYBODY?
858
00:31:23,665 --> 00:31:25,014
WHAT ARE YOU TALKING ABOUT?
859
00:31:25,084 --> 00:31:26,533
YOU KNOW THAT
JACOB IS MY COUSIN.
860
00:31:26,602 --> 00:31:28,401
NOW YOU HAVE ALL THE AMMUNITION
861
00:31:28,470 --> 00:31:30,170
YOU EVER NEEDED TO
PAY ME BACK, RIGHT?
862
00:31:30,238 --> 00:31:32,299
I DON'T WANNA PAY YOU BACK,
I WANNA GET AWAY FROM YOU.
863
00:31:32,323 --> 00:31:34,641
NOW YOU CAN GO ALL OVER
SCHOOL TELLING EVERYONE
864
00:31:34,710 --> 00:31:36,788
THAT PARIS GELLER COULDN'T
GET A DATE TO THE DANCE.
865
00:31:36,812 --> 00:31:38,111
THAT SHE HAD NO ONE.
866
00:31:38,180 --> 00:31:39,540
SINCE SHE COULDN'T
JUST NOT COME,
867
00:31:39,581 --> 00:31:41,862
SHE HAD TO GET HER MOTHER
TO ASK HER COUSIN TO TAKE HER.
868
00:31:41,917 --> 00:31:44,017
SHE HAD TO GIVE HIM GAS
MONEY TO MAKE HIM DO IT.
869
00:31:44,086 --> 00:31:46,069
GO AHEAD, TELL THEM!
870
00:31:46,138 --> 00:31:48,349
I DON'T HAVE TO. YOU JUST DID.
871
00:31:48,373 --> 00:31:50,840
♪
872
00:31:50,909 --> 00:31:53,243
♪ YOU WENT AWAY
YOU CAN'T COME BACK ♪
873
00:32:01,687 --> 00:32:02,897
YOU KNOW, WE HAVEN'T MET.
874
00:32:02,921 --> 00:32:04,154
NO, WE HAVEN'T.
875
00:32:04,222 --> 00:32:05,266
I'M TRISTIN.
876
00:32:05,290 --> 00:32:06,890
AH, YES, WE HAVE.
877
00:32:06,959 --> 00:32:08,169
WHAT ARE YOU TALKING ABOUT?
878
00:32:08,193 --> 00:32:09,325
RORY'S MENTIONED YOU.
879
00:32:09,394 --> 00:32:10,577
OH, YEAH?
880
00:32:10,645 --> 00:32:12,324
I WOULDN'T GET QUITE
SO EXCITED ABOUT IT.
881
00:32:12,348 --> 00:32:14,091
OH, WHY, DID SHE
SAY SOMETHING MEAN?
882
00:32:14,115 --> 00:32:15,565
SHE SAID YOU'RE A JACKASS.
883
00:32:15,633 --> 00:32:17,295
REALLY? ACTUALLY, NO.
884
00:32:17,319 --> 00:32:18,763
RORY DOESN'T USE
WORDS LIKE THAT.
885
00:32:18,787 --> 00:32:20,086
I EMBELLISHED A LITTLE.
886
00:32:20,155 --> 00:32:22,400
SO YOU'RE THE BIG,
STRONG PROTECTOR?
887
00:32:22,424 --> 00:32:24,219
LITTLE PRINCESS
NEEDS A PROTECTOR.
888
00:32:24,243 --> 00:32:26,070
WHAT'S YOUR
PROBLEM, MAN? NOTHING.
889
00:32:26,094 --> 00:32:28,189
I JUST DON'T LIKE YOUR
GIRLFRIEND. REALLY?
890
00:32:28,213 --> 00:32:29,590
IT DOESN'T LOOK THAT WAY TO ME.
891
00:32:29,614 --> 00:32:31,526
I DON'T REALLY CARE
HOW IT LOOKS TO YOU.
892
00:32:31,550 --> 00:32:34,167
HEY, YOU GOT IN MY PATH,
NOT THE OTHER WAY AROUND.
893
00:32:35,237 --> 00:32:36,502
YOU'RE KIDDING, RIGHT?
894
00:32:36,571 --> 00:32:37,815
WHY, ARE YOU GOING SOMEWHERE?
895
00:32:37,839 --> 00:32:39,322
GET OUT OF MY WAY, "DRISTAN."
896
00:32:39,391 --> 00:32:40,573
AREN'T YOU CLEVER?
897
00:32:40,642 --> 00:32:42,309
HEY, WHAT'S GOING ON?
898
00:32:42,378 --> 00:32:44,655
NOTHING. JUST GETTING
TO KNOW YOUR BOYFRIEND.
899
00:32:44,679 --> 00:32:47,008
IT'S GOING REAL WELL,
DON'T YOU THINK? YEAH.
900
00:32:47,032 --> 00:32:48,943
WE'RE JUST ABOUT
TO BUILD A CLUBHOUSE.
901
00:32:48,967 --> 00:32:51,734
WELL, I HATE TO BREAK UP
THE PARTY, BUT WE SHOULD GO.
902
00:32:51,804 --> 00:32:53,397
WHY? LITTLE GIRL'S
GOT TO BE HOME?
903
00:32:53,421 --> 00:32:54,821
STOP!
904
00:32:54,889 --> 00:32:56,634
NO, I THINK YOU TWO
MAKE A VERY CUTE COUPLE.
905
00:32:56,658 --> 00:32:58,336
IS YOUR HORSE AND
BUGGY PARKED OUTSIDE?
906
00:32:58,360 --> 00:33:00,605
GOTTA GET HOME
FOR THE BARN RAISING?
907
00:33:00,629 --> 00:33:01,911
LET'S GO.
908
00:33:03,048 --> 00:33:04,764
WHAT THE HELL DO YOU
THINK YOU'RE DOING?
909
00:33:04,833 --> 00:33:06,577
YOU WILL NOT PUSH ME AGAIN!
910
00:33:06,601 --> 00:33:08,434
ARE YOU SERIOUSLY
TRYING TO ACT TOUGH?
911
00:33:08,503 --> 00:33:10,248
YOU'RE WEARING A
TIE, FOR GOD'S SAKE!
912
00:33:10,272 --> 00:33:11,838
OUTSIDE, NOW.
913
00:33:11,906 --> 00:33:14,102
NO, I'M NOT FIGHTING YOU. IT'D
BE LIKE FIGHTING AN ACCOUNTANT.
914
00:33:14,126 --> 00:33:16,059
I'LL CALL YOU WHEN I
NEED MY TAXES DONE.
915
00:33:19,597 --> 00:33:21,097
YOU DON'T WANT
TO FIGHT ME, TRISTIN!
916
00:33:21,166 --> 00:33:22,198
WHY NOT?
917
00:33:22,267 --> 00:33:24,184
'CAUSE I'LL KILL YOU, IDIOT!
918
00:33:25,087 --> 00:33:26,620
COME ON, RORY.
919
00:33:29,641 --> 00:33:32,859
YOU WILL NOT COME
NEAR HER EVER AGAIN.
920
00:33:36,848 --> 00:33:38,514
WOW, THAT WAS GOOD.
921
00:33:38,583 --> 00:33:39,816
WHATEVER.
922
00:33:41,353 --> 00:33:42,819
ARE YOU OK?
923
00:33:45,490 --> 00:33:47,890
DID YOU REALLY
BRING YOUR COUSIN?
924
00:34:05,294 --> 00:34:06,534
WHAT ARE YOU DOING?
925
00:34:06,561 --> 00:34:07,761
GO TO SLEEP.
926
00:34:07,829 --> 00:34:09,429
THE MOVIE'S NOT OVER.
927
00:34:09,498 --> 00:34:11,030
I'LL TELL YOU HOW IT ENDS.
928
00:34:28,033 --> 00:34:29,033
THANK YOU, MOMMY.
929
00:34:39,044 --> 00:34:40,444
THAT WAS QUITE A DANCE.
930
00:34:40,512 --> 00:34:42,791
I SERIOUSLY DON'T
KNOW WHAT GOT INTO HIM.
931
00:34:42,815 --> 00:34:44,648
I DO. WHAT?
932
00:34:44,716 --> 00:34:46,082
HE HAS A THING FOR YOU.
933
00:34:46,151 --> 00:34:47,417
NO, HE DOESN'T.
934
00:34:47,486 --> 00:34:48,996
IT'S JUST A GAME TO
HIM OR SOMETHING.
935
00:34:49,020 --> 00:34:50,720
HE HAS A THING FOR YOU.
936
00:34:50,789 --> 00:34:54,190
HE DOES NOTHING BUT INSULT
ME AND MAKE ME MISERABLE.
937
00:34:54,259 --> 00:34:56,159
HE HAS A THING FOR YOU.
938
00:34:57,830 --> 00:35:00,007
I DON'T KNOW HOW I FEEL
ABOUT THIS WHOLE SITUATION.
939
00:35:00,031 --> 00:35:01,164
WHAT DO YOU MEAN?
940
00:35:01,232 --> 00:35:02,310
I DON'T KNOW.
941
00:35:02,334 --> 00:35:04,701
HAVING MY BOYFRIEND
DEFEND MY HONOR.
942
00:35:04,770 --> 00:35:05,936
IT'S WEIRD.
943
00:35:06,004 --> 00:35:07,671
UH, BOYFRIEND?
944
00:35:07,739 --> 00:35:08,805
WHAT?
945
00:35:08,874 --> 00:35:10,206
YOU SAID "BOYFRIEND."
946
00:35:10,275 --> 00:35:12,375
NO, I JUST MEANT BOYFRIEND
947
00:35:12,444 --> 00:35:15,857
IN THE SENSE THAT THE DEFENDING-ME
THING WAS VERY BOYFRIENDY,
948
00:35:15,881 --> 00:35:17,926
BUT ONLY IN THE BROADEST
SENSE OF THE WORD
949
00:35:17,950 --> 00:35:20,784
WHICH DOESN'T EVEN
APPLY AT ALL HERE.
950
00:35:20,853 --> 00:35:22,919
YOU ARE SERIOUSLY BABBLING.
951
00:35:22,988 --> 00:35:24,699
I DIDN'T MEAN THAT YOU
WERE MY BOYFRIEND.
952
00:35:24,723 --> 00:35:26,055
OK.
953
00:35:26,124 --> 00:35:28,324
I DON'T THINK YOU'RE
MY BOYFRIEND.
954
00:35:28,594 --> 00:35:29,893
OK.
955
00:35:31,497 --> 00:35:32,762
DEAN.
956
00:35:33,499 --> 00:35:34,564
WHAT?
957
00:35:34,633 --> 00:35:36,199
ARE YOU MY BOYFRIEND?
958
00:35:36,267 --> 00:35:39,335
IN THE "BROADEST
SENSE OF THE WORD" WAY?
959
00:35:39,404 --> 00:35:40,704
NO, IN THE REAL
960
00:35:40,772 --> 00:35:43,707
"HI, THIS IS DEAN, MY
BOYFRIEND," KIND OF WAY.
961
00:35:43,775 --> 00:35:46,376
WELL, I AM IF YOU WANT ME TO BE.
962
00:35:46,444 --> 00:35:47,564
I DO.
963
00:35:49,548 --> 00:35:50,680
OK.
964
00:35:50,749 --> 00:35:52,360
SO IT'S SETTLED. YES, IT IS.
965
00:35:52,384 --> 00:35:53,594
YOU'RE MY BOYFRIEND.
966
00:35:53,618 --> 00:35:54,900
THAT'S THE CONSENSUS.
967
00:35:59,157 --> 00:36:02,124
I'M FEELING PRETTY GOOD
ABOUT THIS DECISION.
968
00:36:02,194 --> 00:36:04,461
WELL, I'M VERY GLAD TO HEAR IT.
969
00:36:05,864 --> 00:36:07,980
I GUESS MISS PATTY
FORGOT TO LOCK UP.
970
00:36:08,049 --> 00:36:11,751
I'VE NEVER REALLY
SEEN IN HERE BEFORE.
971
00:36:11,819 --> 00:36:13,619
ARE ALL THESE WOMEN
REALLY MISS PATTY?
972
00:36:13,688 --> 00:36:15,154
YEAH.
973
00:36:15,223 --> 00:36:17,790
SHE SAID SHE'S DONE EVERYTHING
THERE'S TO DO IN SHOW BUSINESS
974
00:36:17,859 --> 00:36:20,360
EXCEPT SET FIRE TO THE
HOOP THE DOG JUMPS THROUGH.
975
00:36:20,428 --> 00:36:21,827
I'LL GET IT.
976
00:36:24,599 --> 00:36:25,965
GOD, THIS WEIGHS A TON.
977
00:36:26,034 --> 00:36:27,500
WHAT DO YOU HAVE IN HERE?
978
00:36:27,568 --> 00:36:28,701
I DON'T KNOW.
979
00:36:28,770 --> 00:36:32,071
A LIPSTICK, $5 BILL,
GUM, HAIR SPRAY, A BOOK.
980
00:36:32,140 --> 00:36:33,273
A BOOK?
981
00:36:33,341 --> 00:36:34,707
YEAH.
982
00:36:34,776 --> 00:36:36,287
YOU BROUGHT A BOOK
TO THE DANCE? YEAH.
983
00:36:36,311 --> 00:36:38,744
YOU THOUGHT THERE'D
BE A LOT OF DOWNTIME?
984
00:36:38,813 --> 00:36:41,580
NO. I JUST TAKE A BOOK
WITH ME EVERYWHERE.
985
00:36:41,649 --> 00:36:43,216
IT'S JUST HABIT.
986
00:36:43,285 --> 00:36:44,917
SO, WHAT ARE YOU READING?
987
00:36:44,986 --> 00:36:46,602
THE PORTABLE DOROTHY PARKER.
988
00:36:50,759 --> 00:36:52,804
"THERE'S LITTLE IN
TAKING OR GIVING
989
00:36:52,828 --> 00:36:54,839
"THERE'S LITTLE IN WATER OR WINE
990
00:36:54,863 --> 00:36:59,032
THIS LIVING, THIS LIVING, THIS LIVING
WAS NEVER A PROJECT OF MINE."
991
00:37:02,704 --> 00:37:03,870
CHEERY.
992
00:37:03,939 --> 00:37:05,204
FUNNY, THOUGH.
993
00:37:06,642 --> 00:37:08,574
HEY. WHAT?
994
00:37:08,644 --> 00:37:11,210
THANK YOU FOR
TONIGHT. IT WAS PERFECT.
995
00:37:11,279 --> 00:37:12,979
YOU'RE WELCOME.
996
00:37:38,673 --> 00:37:41,207
OK, LADIES, GRAB YOUR YOGA MATS.
997
00:37:45,913 --> 00:37:48,881
OH, MY GOODNESS,
IT'S LORELAI'S GIRL!
998
00:37:48,950 --> 00:37:51,117
PATTY, RORY GILMORE IS HERE.
999
00:37:51,186 --> 00:37:52,669
WHAT?
1000
00:37:52,737 --> 00:37:55,538
SHE'S OVER HERE, ASLEEP WITH
THE BAG BOY FROM THE MARKET.
1001
00:37:55,607 --> 00:37:57,490
WHAT ARE WE SUPPOSED TO DO?
1002
00:37:57,559 --> 00:38:00,509
RORY, HONEY, IT'S MISS PATTY.
1003
00:38:01,613 --> 00:38:05,114
RORY? RORY? WHAT
ARE YOU DOING HERE?
1004
00:38:05,183 --> 00:38:06,482
MISS PATTY?
1005
00:38:06,551 --> 00:38:08,651
YES. HAVE YOU BEEN
HERE ALL NIGHT?
1006
00:38:08,720 --> 00:38:10,920
OH, NO. DEAN, WAKE UP.
1007
00:38:10,988 --> 00:38:12,032
WHAT TIME IS IT?
1008
00:38:12,056 --> 00:38:14,023
IT'S 5:30 IN THE MORNING.
1009
00:38:14,092 --> 00:38:15,570
OH, MY GOD, WE FELL ASLEEP.
1010
00:38:15,594 --> 00:38:17,171
HOW COULD WE HAVE FALLEN ASLEEP?
1011
00:38:17,195 --> 00:38:19,373
CALM DOWN, I'LL... I'LL
EXPLAIN IT TO YOUR MOM.
1012
00:38:19,397 --> 00:38:20,975
WHERE'S MY PURSE?
WHERE'S MY PURSE?
1013
00:38:20,999 --> 00:38:22,198
I GOT IT. RELAX.
1014
00:38:22,266 --> 00:38:23,750
I HAVE TO GO.
1015
00:38:24,336 --> 00:38:25,568
RORY.
1016
00:38:26,971 --> 00:38:27,971
WAIT UP!
1017
00:38:28,006 --> 00:38:29,338
I HAVE TO GO!
1018
00:38:29,407 --> 00:38:31,518
I'M GOING WITH YOU.
WE'LL EXPLAIN. IT'LL BE OK.
1019
00:38:31,542 --> 00:38:32,853
NO, YOU CAN'T COME WITH ME.
1020
00:38:32,877 --> 00:38:34,643
YOU SHOULDN'T BE NEAR
MY HOUSE RIGHT NOW.
1021
00:38:34,713 --> 00:38:35,790
IT'S NOT OUR FAULT.
1022
00:38:35,814 --> 00:38:37,091
I KNOW. I JUST HAVE TO GET HOME.
1023
00:38:37,115 --> 00:38:38,292
PLEASE LET ME COME WITH YOU.
1024
00:38:38,316 --> 00:38:39,426
NO! RORY.
1025
00:38:39,450 --> 00:38:40,649
I HAVE TO GO HOME.
1026
00:38:47,242 --> 00:38:49,453
LORELAI, GET UP. RIGHT NOW!
1027
00:38:49,477 --> 00:38:50,577
WHAT?
1028
00:38:50,645 --> 00:38:52,245
RORY'S NOT HOME.
1029
00:38:53,348 --> 00:38:54,714
RORY'S WHAT?
1030
00:38:54,782 --> 00:38:57,217
I SAT IN THAT CHAIR ALL NIGHT.
I DOZED OFF FOR ONE SECOND.
1031
00:38:57,285 --> 00:39:00,253
THE NEXT THING I KNOW,
IT'S 5:30 AND SHE'S NOT HERE.
1032
00:39:00,322 --> 00:39:01,754
RORY.
1033
00:39:01,823 --> 00:39:04,924
SHE'S NOT THERE.
AREN'T YOU LISTENING?
1034
00:39:04,992 --> 00:39:08,160
RORY. RORY.
1035
00:39:08,230 --> 00:39:11,698
WHERE'S THE PHONE?
CALL THE POLICE.
1036
00:39:11,766 --> 00:39:13,811
WHAT ARE YOU DOING?
CALL THE POLICE!
1037
00:39:13,835 --> 00:39:15,401
MOM, STOP IT!
1038
00:39:15,470 --> 00:39:16,647
WHAT ARE YOU DOING?
1039
00:39:16,671 --> 00:39:18,182
I'M LOOKING FOR THE
PHONE! WHAT DO YOU THINK?
1040
00:39:18,206 --> 00:39:20,106
WHY DON'T YOU EVER
CLEAN UP AROUND HERE?
1041
00:39:20,174 --> 00:39:23,354
YOU CAN'T FIND THE PHONE IN AN
EMERGENCY. WHAT IF THERE WAS A FIRE?
1042
00:39:23,378 --> 00:39:25,022
W-W-WHAT IF RORY WAS CHOKING?
1043
00:39:25,046 --> 00:39:26,446
MOM, STOP YELLING.
1044
00:39:26,514 --> 00:39:27,813
RORY IS MISSING!
1045
00:39:27,882 --> 00:39:30,850
I KNOW THAT, AND YOUR
YELLING IS NOT HELPING ME.
1046
00:39:39,127 --> 00:39:41,594
RORY. OH, PATTY.
1047
00:39:43,365 --> 00:39:44,530
WHAT?
1048
00:39:47,435 --> 00:39:48,534
OK.
1049
00:39:50,472 --> 00:39:52,272
THANKS.
1050
00:39:52,340 --> 00:39:56,276
NO, THANK YOU SO
MUCH. OK, BYE-BYE.
1051
00:39:57,479 --> 00:39:58,694
RORY'S OK.
1052
00:39:58,763 --> 00:40:00,041
WHERE IS SHE? WHAT HAPPENED?
1053
00:40:00,065 --> 00:40:02,498
SHE AND DEAN WERE
AT MISS PATTY'S.
1054
00:40:03,301 --> 00:40:04,541
WHAT IS THAT, A MOTEL?
1055
00:40:04,602 --> 00:40:07,971
IT'S A DANCE STUDIO.
THAT WAS PATTY.
1056
00:40:08,039 --> 00:40:10,539
SHE SAID THAT SHE FOUND
THEM ASLEEP AND WOKE THEM UP,
1057
00:40:10,609 --> 00:40:12,108
AND RORY'S ON HER WAY HOME.
1058
00:40:12,176 --> 00:40:13,688
AND WHAT STATE
WERE THEY FOUND IN?
1059
00:40:13,712 --> 00:40:15,060
SHE DIDN'T SAY, OK?
1060
00:40:15,129 --> 00:40:17,329
LET'S TRY BE CALM UNTIL
WE KNOW WHAT HAPPENED.
1061
00:40:17,398 --> 00:40:19,766
WHAT DO YOU MEAN? WE
KNOW WHAT HAPPENED.
1062
00:40:19,834 --> 00:40:20,834
NO, WE DON'T.
1063
00:40:20,902 --> 00:40:22,485
THEY WERE OUT ALL NIGHT!
1064
00:40:22,554 --> 00:40:25,538
I'M GONNA MAKE SOME COFFEE.
1065
00:40:25,607 --> 00:40:28,841
LORELAI, I'VE WATCHED YOU DO A
LOT OF STUPID THINGS IN YOUR LIFE
1066
00:40:28,909 --> 00:40:30,149
AND I HAVE HELD MY TONGUE.
1067
00:40:30,178 --> 00:40:31,677
HUH, YOU'VE WHAT?
1068
00:40:31,746 --> 00:40:35,047
BUT I WILL NOT STAND BY AND LET
YOU ALLOW THAT GIRL TO RUIN HER LIFE.
1069
00:40:35,116 --> 00:40:36,449
MOM.
1070
00:40:36,518 --> 00:40:37,767
BACK OFF.
1071
00:40:37,836 --> 00:40:39,680
SHE SPENT THE NIGHT
OUT WITH THAT BOY,
1072
00:40:39,704 --> 00:40:41,849
THE ONE YOU LET HER RUN
OFF TO THAT DANCE WITH.
1073
00:40:41,873 --> 00:40:44,284
SO HELP ME GOD, I WILL
NOT GET INTO THIS WITH YOU.
1074
00:40:44,308 --> 00:40:46,520
SHE'S DOING THE SAME
THING YOU DID. NO, SHE'S NOT.
1075
00:40:46,544 --> 00:40:47,722
SHE'LL GET PREGNANT.
1076
00:40:47,746 --> 00:40:49,178
NO, SHE'S NOT.
1077
00:40:49,246 --> 00:40:50,991
SHE'S GONNA RUIN
EVERYTHING, JUST LIKE YOU DID.
1078
00:40:51,015 --> 00:40:54,349
NO, SHE'S NOT! NO,
SHE'S NOT! NO, SHE'S NOT!
1079
00:40:54,418 --> 00:40:56,953
RORY IS A GOOD KID,
MOM! SHE'S NOT ME!
1080
00:40:57,021 --> 00:40:59,033
WHAT KIND OF MOTHER
ARE YOU TO ALLOW THIS?
1081
00:40:59,057 --> 00:41:00,156
I DON'T KNOW, MOM.
1082
00:41:00,225 --> 00:41:01,491
WHAT KIND OF MOTHER WERE YOU?
1083
00:41:01,559 --> 00:41:04,427
YOU'RE GONNA LOSE
HER JUST LIKE I LOST YOU.
1084
00:41:04,495 --> 00:41:06,478
I AM NOT GONNA LOSE
HER. DO YOU HEAR ME?
1085
00:41:06,547 --> 00:41:09,282
EVEN IF I HADN'T GOTTEN
PREGNANT, YOU'D STILL HAVE LOST ME.
1086
00:41:09,350 --> 00:41:10,833
I HAD NOTHING IN THAT HOUSE.
1087
00:41:10,902 --> 00:41:12,602
I HAD NO LIFE, I HAD NO AIR.
1088
00:41:12,670 --> 00:41:15,821
YOU STRANGLED ME. I
DO NOT STRANGLE RORY.
1089
00:41:15,890 --> 00:41:18,874
OH, YOU'RE SO PERFECT,
AND I WAS SO HORRIBLE.
1090
00:41:18,944 --> 00:41:20,876
I PUT YOU IN GOOD SCHOOLS.
1091
00:41:20,946 --> 00:41:22,645
I GAVE YOU THE
BEST OF EVERYTHING.
1092
00:41:22,713 --> 00:41:24,858
I MADE SURE YOU HAD
THE FINEST OPPORTUNITIES.
1093
00:41:24,882 --> 00:41:26,760
AND I AM SO TIRED
OF HEARING ABOUT
1094
00:41:26,784 --> 00:41:29,718
HOW YOU WERE SUFFOCATED
AND I WAS SO CONTROLLING.
1095
00:41:29,787 --> 00:41:31,332
WELL, IF I WAS SO CONTROLLING
1096
00:41:31,356 --> 00:41:33,367
WHY COULDN'T I CONTROL
YOU GETTING PREGNANT
1097
00:41:33,391 --> 00:41:34,791
AND THROWING YOUR LIFE AWAY?
1098
00:41:34,859 --> 00:41:36,420
GET OUT. WHAT?
1099
00:41:36,444 --> 00:41:38,204
YOU WILL NOT COME INTO MY HOUSE
1100
00:41:38,229 --> 00:41:40,462
AND TELL ME I
THREW MY LIFE AWAY.
1101
00:41:40,531 --> 00:41:42,632
LOOK AROUND,
MOM. THIS IS A LIFE.
1102
00:41:42,700 --> 00:41:45,251
IT HAS A LITTLE COLOR IN IT, SO
IT MAY LOOK UNFAMILIAR TO YOU.
1103
00:41:45,320 --> 00:41:46,702
BUT IT'S A LIFE.
1104
00:41:46,771 --> 00:41:49,205
IF I HADN'T GOTTEN PREGNANT,
I WOULDN'T HAVE RORY.
1105
00:41:49,273 --> 00:41:50,834
YOU KNOW THAT'S
NOT WHAT I MEANT.
1106
00:41:50,858 --> 00:41:54,076
MAYBE I WAS SOME HORRIBLE,
UNCONTROLLABLE CHILD LIKE YOU SAY,
1107
00:41:54,145 --> 00:41:55,478
BUT RORY ISN'T.
1108
00:41:55,546 --> 00:41:57,246
SHE'S SMART AND CAREFUL,
1109
00:41:57,315 --> 00:41:59,026
AND I TRUST HER.
SHE'S GONNA BE FINE.
1110
00:41:59,050 --> 00:42:00,966
IF YOU CAN'T ACCEPT
THAT OR BELIEVE IT,
1111
00:42:01,036 --> 00:42:03,168
THEN I DON'T WANT
YOU IN THIS HOUSE!
1112
00:42:18,669 --> 00:42:20,603
MOM, THANK YOU FOR
SAYING ALL THOSE...
1113
00:42:20,671 --> 00:42:24,017
WHAT WERE YOU THINKING, STAYING
OUT ALL NIGHT? ARE YOU INSANE?
1114
00:42:24,041 --> 00:42:26,158
I'M SORRY. IT WAS AN ACCIDENT.
1115
00:42:26,227 --> 00:42:28,422
YOU'RE TALKING TO THE QUEEN
OF STAYING OUT ALL NIGHT.
1116
00:42:28,446 --> 00:42:30,791
I INVENTED THE CONCEPT.
THIS IS NO ACCIDENT!
1117
00:42:30,815 --> 00:42:32,448
YOU CAN'T DO THIS. PERIOD!
1118
00:42:32,517 --> 00:42:33,749
NOTHING HAPPENED.
1119
00:42:33,818 --> 00:42:35,429
DO YOU HAVE ANY
IDEA WHAT IT'S LIKE
1120
00:42:35,453 --> 00:42:37,130
TO WAKE UP WITH MY MOTHER HERE
1121
00:42:37,154 --> 00:42:39,233
AND FIND OUT THAT
YOU NEVER CAME HOME?
1122
00:42:39,257 --> 00:42:41,124
SO ALL THIS IS ABOUT
GRANDMA BEING HERE?
1123
00:42:41,192 --> 00:42:43,270
NO, IT'S ABOUT THE FEELING
OF COMPLETE TERROR
1124
00:42:43,294 --> 00:42:45,305
WHEN YOUR KID ISN'T IN
HER BED IN THE MORNING.
1125
00:42:45,329 --> 00:42:46,428
I'M SORRY.
1126
00:42:46,497 --> 00:42:48,442
IT'S A DIFFERENT KIND OF
TERROR WHEN YOU FIND OUT
1127
00:42:48,466 --> 00:42:50,043
THAT SHE SPENT THE
NIGHT WITH SOME GUY!
1128
00:42:50,067 --> 00:42:52,301
I DIDN'T SPEND THE
NIGHT. WE FELL ASLEEP.
1129
00:42:52,370 --> 00:42:53,702
YOU ARE GOING ON THE PILL.
1130
00:42:53,772 --> 00:42:55,216
WHAT? YOU ARE NOT
GETTING PREGNANT!
1131
00:42:55,240 --> 00:42:57,351
I'M NOT SLEEPING
WITH DEAN! DAMN IT!
1132
00:42:57,375 --> 00:42:59,486
WHAT HAPPENED TO ALL THAT
STUFF YOU SAID TO GRANDMA?
1133
00:42:59,510 --> 00:43:01,277
WHAT HAPPENED TO TRUSTING ME?
1134
00:43:01,345 --> 00:43:02,645
WHERE DID ALL THAT GO?
1135
00:43:02,714 --> 00:43:04,808
I THINK IT'S BACK ON
PATTY'S YOGA MATS.
1136
00:43:04,832 --> 00:43:06,332
THIS IS CRAP!
1137
00:43:06,401 --> 00:43:08,084
YOU KNOW I DIDN'T DO ANYTHING.
1138
00:43:08,153 --> 00:43:09,768
YOU KNOW THIS WAS AN ACCIDENT.
1139
00:43:09,837 --> 00:43:11,637
YOU'RE JUST MAD
BECAUSE I SCREWED UP
1140
00:43:11,705 --> 00:43:14,273
AND I DID IT IN FRONT OF GRANDMA,
AND SHE NAILED YOU FOR IT.
1141
00:43:14,342 --> 00:43:15,941
WELL, I'M SORRY.
1142
00:43:16,011 --> 00:43:18,677
I'M SORRY THAT I SCREWED UP, AND
I'M SORRY THAT YOU GOT YELLED AT
1143
00:43:18,746 --> 00:43:21,514
BUT I DIDN'T DO ANYTHING,
AND YOU KNOW IT!
74035
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof