Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:29,429 --> 00:00:32,197
{\an8}OKAY, SO, THIS IS
TRAVEL LOG NUMBER 30
2
00:00:32,198 --> 00:00:35,000
{\an8}IN MY ONGOING TOUR
OF AZTEC RUINS IN MEXICO.
3
00:00:35,001 --> 00:00:39,271
{\an8}I'M JUST WAITING TO CHECK OUT
THE PYRAMIDS HERE AT, UM...
4
00:00:39,272 --> 00:00:40,639
EXCUSE ME.
5
00:00:40,640 --> 00:00:42,207
HOW DO YOU SAY THE NAME
OF THIS PLACE?
6
00:00:42,208 --> 00:00:43,575
TEOTIHUACAN.
7
00:00:43,576 --> 00:00:46,745
TEOTIHUACAN?
GRACIAS, GRACIAS.
8
00:00:46,746 --> 00:00:51,483
AH, IT'S JUST INCREDIBLE HERE.
9
00:00:51,484 --> 00:00:54,086
MOVING ON TO THE NEXT.
10
00:00:54,087 --> 00:00:56,855
{\an8}OKAY, HOLD ON.
11
00:00:56,856 --> 00:01:00,125
{\an8}UH, I'M IN A LITTLE VILLAGE--
LOS PORTALES.
12
00:01:00,126 --> 00:01:01,460
I'M STILL IN CENTRAL MEXICO.
13
00:01:01,461 --> 00:01:03,929
I'M ABOUT 40 MILES SOUTH
OF WHERE MY LAST VIDEO WAS.
14
00:01:03,930 --> 00:01:06,698
ACCORDING TO MY MAP,
THIS IS THE SITE OF MORE RUINS,
15
00:01:06,699 --> 00:01:08,167
BUT AS YOU CAN SEE,
16
00:01:08,168 --> 00:01:11,303
IT'S LIKE AN OLD TRAIN DEPOT
OR SOMETHING.
17
00:01:11,304 --> 00:01:13,972
IT'S PRETTY COOL, THOUGH.
I'LL CHECK IT OUT.
18
00:01:13,973 --> 00:01:16,042
WHAT THE HELL WAS THAT?
19
00:01:24,451 --> 00:01:27,120
IT LOOKS LIKE
THERE'S ANOTHER LEVEL UP THERE.
20
00:01:33,193 --> 00:01:35,360
WHAT IS THIS?
21
00:01:35,361 --> 00:01:38,630
IT'S LIKE SOME KIND OF N-NEST.
22
00:01:38,631 --> 00:01:39,799
CRAZY UP HERE.
23
00:01:42,735 --> 00:01:45,705
I DON'T KNOW WHAT
THE HELL'S GOING ON IN HERE.
24
00:01:49,275 --> 00:01:51,944
WHOA!
25
00:01:51,945 --> 00:01:54,947
WHAT THE HELL?
26
00:01:54,948 --> 00:01:57,584
AAH!
27
00:01:59,385 --> 00:02:03,622
THERE ARE CREATURES
SCIENCE REFUSES TO RECOGNIZE.
28
00:02:03,623 --> 00:02:05,825
THERE'S SOMETHING
DOWN THERE!
29
00:02:11,331 --> 00:02:12,565
WHAT IS THAT?
30
00:02:14,634 --> 00:02:15,968
THEM-- THEY'RE MONSTERS!
31
00:02:28,882 --> 00:02:31,683
IN THE SPRING OF 2008,
32
00:02:31,684 --> 00:02:36,155
MEXICO CITY EXPERIENCED
A WAVE OF RITUALISTIC MURDERS.
33
00:02:36,156 --> 00:02:37,689
BECAUSE THE MEXICAN POLICE
34
00:02:37,690 --> 00:02:40,259
DID NOT POSSESS
A RITUALISTIC-CRIMES UNIT,
35
00:02:40,260 --> 00:02:43,162
THEY ENLISTED THE HELP
OF THE ENIGMA CORPORATION,
36
00:02:43,163 --> 00:02:47,332
{\an8}A PRIVATE SECURITY FIRM
SPECIALIZING IN UNUSUAL CASES.
37
00:02:47,333 --> 00:02:51,303
{\an8}TEAM LEADER NOEL CONNER
AND SPECIALIST ELISE MOONEY
38
00:02:51,304 --> 00:02:54,439
{\an8}WERE JOINED IN THE INVESTIGATION
BY A CULT EXPERT--
39
00:02:54,440 --> 00:02:57,242
{\an8}DR. NADJA SANTO.
40
00:02:57,243 --> 00:03:00,045
{\an8}
THE PAST TWO MONTHS,
41
00:03:00,046 --> 00:03:03,081
{\an8}MEXICO CITY'S BEEN HIT
WITH A RASH OF MURDERS
42
00:03:03,082 --> 00:03:05,617
{\an8}WHERE THE VICTIMS' HEARTS
HAVE BEEN CUT FROM THEIR BODIES.
43
00:03:05,618 --> 00:03:08,954
THE LOCAL AUTHORITIES
THINK THAT IT'S RITUALISTIC.
44
00:03:08,955 --> 00:03:10,489
LOOK AT THE PICTURES.
45
00:03:10,490 --> 00:03:12,824
THE BODIES LOOKED STAGED.
46
00:03:12,825 --> 00:03:14,660
I'M NOT SEEING ANY BLOOD
AROUND THE BODIES.
47
00:03:14,661 --> 00:03:16,795
THEY MUST HAVE BEEN MOVED
FROM THE ORIGINAL MURDER SITE.
48
00:03:16,796 --> 00:03:18,430
YEAH, THAT'S WHAT
THE LOCAL POLICE THINK.
49
00:03:18,431 --> 00:03:21,300
SOMEBODY'S TRYING
TO HIDE THE MURDER SITE.
50
00:03:21,301 --> 00:03:23,869
HEY, SANTO,
WHAT DO YOU MAKE OF THAT?
51
00:03:23,870 --> 00:03:27,406
IT LOOKS LIKE
THE AZTEC NUMERAL 52.
52
00:03:27,407 --> 00:03:29,074
WHAT DOES THAT MEAN?
53
00:03:29,075 --> 00:03:31,443
WELL, THERE'S 52 YEARS
IN AN AZTEC CYCLE.
54
00:03:31,444 --> 00:03:32,578
THEY BELIEVE THE UNIVERSE
55
00:03:32,579 --> 00:03:34,379
WOULD COLLAPSE
AT THE END OF EACH CYCLE
56
00:03:34,380 --> 00:03:35,814
IF THE GODS
WEREN'T STRONG ENOUGH.
57
00:03:35,815 --> 00:03:37,616
SO EVERY 52 YEARS,
58
00:03:37,617 --> 00:03:40,886
A BLOOD CEREMONY MUST BE HELD
TO USHER IN A NEW ERA.
59
00:03:40,887 --> 00:03:43,622
I THINK EITHER SOMEBODY'S TRYING
TO REPEAT THE PAST
60
00:03:43,623 --> 00:03:46,391
OR START
SOME SORT OF NEW CULT.
61
00:03:46,392 --> 00:03:49,027
WE NEED TO FIND OUT MORE
ABOUT THESE CEREMONIES
62
00:03:49,028 --> 00:03:50,263
AND PUT A STOP TO IT.
63
00:03:51,464 --> 00:03:53,298
THE TEAM WAS ALSO PROVIDED
64
00:03:53,299 --> 00:03:56,535
THE ASSISTANCE OF POLICE
INFORMANT SANTIAGO VARGAS,
65
00:03:56,536 --> 00:04:00,138
A PETTY THIEF WITH TIES
TO SUSPECTED CULT MEMBERS.
66
00:04:00,139 --> 00:04:02,841
BUT AS
THE INVESTIGATION UNFOLDED,
67
00:04:02,842 --> 00:04:06,178
IT BECAME APPARENT THAT
THIS CASE WOULD TAKE THEM BEYOND
68
00:04:06,179 --> 00:04:08,880
RITUAL MURDER IN MEXICO'S
OCCULT UNDERGROUND
69
00:04:08,881 --> 00:04:12,719
AND INTO THE REALM
OF GODS AND MONSTERS.
70
00:04:14,420 --> 00:04:17,490
THESE ARE THEIR TAPES.
71
00:04:26,366 --> 00:04:28,867
WHERE ARE THESE GUYS?
72
00:04:28,868 --> 00:04:31,770
MARZO WILL BE HERE.
73
00:04:31,771 --> 00:04:34,706
HIS WIRE'S READY.
74
00:04:34,707 --> 00:04:38,277
HOW DO YOU KNOW
THESE GUYS, ANYWAY?
75
00:04:38,278 --> 00:04:39,678
EVERYBODY KNOWS MARZO.
76
00:04:39,679 --> 00:04:41,813
HE'S A POWERFUL MAN HERE.
77
00:04:41,814 --> 00:04:46,051
LUCAS MARZO,
AKA "EL MARZO"--
78
00:04:46,052 --> 00:04:49,788
WEALTHY BUSINESSMAN
WHO HAS TIES TO CULT ACTIVITY,
79
00:04:49,789 --> 00:04:52,257
SPECIFICALLY
THE SANTA MUERTE CULT
80
00:04:52,258 --> 00:04:54,826
WHICH IS SOME SORT
OF QUASI-RELIGION
81
00:04:54,827 --> 00:04:58,330
PRACTICED BY THE DRUG
TRAFFICKERS IN THIS AREA.
82
00:04:58,331 --> 00:04:59,665
THERE HE IS.
83
00:04:59,666 --> 00:05:01,133
THAT IS MARZO.
84
00:05:01,134 --> 00:05:03,402
WHO'S THE OTHER GUY?
85
00:05:03,403 --> 00:05:05,137
I-I DON'T KNOW.
86
00:05:05,138 --> 00:05:06,773
I WAS HIRED TO DO A JOB.
THAT IS IT.
87
00:05:08,074 --> 00:05:10,475
BE CAREFUL.
IT'S VERY VALUABLE.
88
00:05:10,476 --> 00:05:12,711
IT WAS USED
BY AZTEC PRIESTS
89
00:05:12,712 --> 00:05:14,313
TO CUT THE HEARTS
FROM HUMAN SACRIFICES.
90
00:05:14,314 --> 00:05:17,549
WHY DO THESE GUYS NEED
THIS PARTICULAR DAGGER?
91
00:05:17,550 --> 00:05:19,451
THEY MUST HAVE PLENTY
OF THESE THINGS.
92
00:05:19,452 --> 00:05:23,222
THEY DON'T NEED THIS.
THEY WANT IT.
93
00:05:25,625 --> 00:05:28,160
LOOKS LIKE YOU'RE ON,
BUDDY.
94
00:05:28,161 --> 00:05:29,461
I NEED THE DAGGER.
95
00:05:29,462 --> 00:05:30,529
NO, YOU DON'T.
96
00:05:30,530 --> 00:05:32,864
NO, YOU TELL THEM
YOU DON'T HAVE IT YET
97
00:05:32,865 --> 00:05:35,068
AND YOU'LL MEET THEM
TOMORROW.
98
00:05:49,382 --> 00:05:53,085
I DON'T KNOW ABOUT THIS,
CONNER.
99
00:05:53,086 --> 00:05:54,986
IT'S A NECESSARY EVIL.
100
00:05:54,987 --> 00:05:58,857
WE NEED TO FIND OUT WHERE THESE
CEREMONIES ARE TAKING PLACE.
101
00:06:07,800 --> 00:06:09,936
{\an8}I-I JUST NEED MORE TIME.
THAT'S ALL I ASK.
102
00:06:18,878 --> 00:06:20,112
{\an8}IT IS SAFE.
103
00:06:20,113 --> 00:06:21,513
I WILL GIVE IT TO YOU
TOMORROW NIGHT.
104
00:06:21,514 --> 00:06:22,814
I PROMISE.
105
00:06:22,815 --> 00:06:25,083
THERE IS NO TOMORROW!
106
00:06:25,084 --> 00:06:28,286
ALL RIGHT, CONNER.
I THINK HE'S HAD ENOUGH.
107
00:06:28,287 --> 00:06:30,356
HOLD ON JUST A SECOND.
108
00:06:32,759 --> 00:06:34,426
11:00 TONIGHT.
109
00:06:34,427 --> 00:06:36,963
DON'T SCREW UP THIS TIME.
110
00:06:39,165 --> 00:06:41,167
HE GAVE HIM SOMETHING.
111
00:06:48,641 --> 00:06:50,375
HEY, MAN, YOU ALL RIGHT?
112
00:06:50,376 --> 00:06:53,478
YOU ALL RIGHT?
113
00:06:56,082 --> 00:06:59,584
WELL, LOOKS LIKE
WE GOT OUR LOCATION.
114
00:06:59,585 --> 00:07:01,853
LOS PORTALES--
WHERE IS THIS?
115
00:07:01,854 --> 00:07:04,189
IT'S A SMALL TOWN
SOUTH OF THE CITY.
116
00:07:04,190 --> 00:07:05,557
THERE'S NOTHING THERE.
117
00:07:05,558 --> 00:07:08,360
IT'S ABANDONED.
IT'S A-- IT'S A TRAIN DEPOT.
118
00:07:08,361 --> 00:07:09,961
SO, YOU'LL BE ABLE
TO TAKE US THERE, RIGHT?
119
00:07:09,962 --> 00:07:11,096
NO, OUR AGREEMENT
120
00:07:11,097 --> 00:07:13,498
WAS FOR ME TO BRING YOU
TO MARZO, AND THAT'S IT.
121
00:07:13,499 --> 00:07:15,600
YOU DIDN'T READ
THE FINE PRINT.
122
00:07:15,601 --> 00:07:18,003
WHAT DID EL MARZO MEAN
WHEN HE SAID,
123
00:07:18,004 --> 00:07:19,738
"THERE'S NO TOMORROW NIGHT"?
124
00:07:19,739 --> 00:07:23,675
WITH EACH SACRIFICE THEY MAKE,
THEIR POWER BECOMES GREATER.
125
00:07:23,676 --> 00:07:27,412
WITH THE FINAL CEREMONY
AT THE END OF THE CYCLE TONIGHT,
126
00:07:27,413 --> 00:07:29,381
THEY WILL BE UNSTOPPABLE.
127
00:07:29,382 --> 00:07:31,316
TONIGHT'S
THE FINAL SACRIFICE.
128
00:07:31,317 --> 00:07:33,018
IF WE DON'T GET TO THIS TOWN
AND FAST,
129
00:07:33,019 --> 00:07:34,186
SOMEONE'S GONNA DIE TONIGHT.
130
00:07:34,187 --> 00:07:35,988
LET'S MOVE.
131
00:07:38,491 --> 00:07:42,427
QUETZALCOATL IS THE
NAME OF A MYTHOLOGICAL BEING,
132
00:07:42,428 --> 00:07:46,798
{\an8}A DEITY OF THE ANCIENT AZTECS.
133
00:07:46,799 --> 00:07:49,434
{\an8}WE KNOW THAT QUETZALCOATL
WAS WORSHIPPED
134
00:07:49,435 --> 00:07:52,838
{\an8}ALL AROUND CENTRAL MEXICO
AND NORTHERN CENTRAL AMERICA
135
00:07:52,839 --> 00:07:56,041
BECAUSE IN SO MANY
OF THE TEMPLE RUINS,
136
00:07:56,042 --> 00:08:00,011
WE FIND CARVINGS AND PAINTINGS
AND OTHER DEPICTIONS
137
00:08:00,012 --> 00:08:03,248
OF THE FEATHERED
OR PLUMED SERPENT.
138
00:08:03,249 --> 00:08:07,018
QUETZALCOATL WAS THE SNAKE GOD
OF THE AZTECS.
139
00:08:07,019 --> 00:08:10,522
A SCALED SERPENT
WITH A LONG AND TWISTING BODY;
140
00:08:10,523 --> 00:08:14,025
BIG, FLASHING EYES;
BIRD WINGS WITH FEATHERS--
141
00:08:14,026 --> 00:08:17,028
IT WAS ALMOST DRAGON-LIKE
IN APPEARANCE.
142
00:08:17,029 --> 00:08:21,466
{\an8}CERTAINLY BECAUSE IT WAS
A PINNACLE GOD, IT WAS FEARED.
143
00:08:21,467 --> 00:08:23,735
AND THEN TO HAVE THOSE
ATTRIBUTES OF ANIMALS
144
00:08:23,736 --> 00:08:26,771
THAT ARE NOT EXACTLY CALM
145
00:08:26,772 --> 00:08:29,040
IN THEIR PRESENTATION
TO HUMAN BEINGS--
146
00:08:29,041 --> 00:08:31,142
CERTAINLY,
THE AZTECS WERE WELL AWARE
147
00:08:31,143 --> 00:08:34,380
THAT THIS WAS A GOD
THEY DID NOT MESS WITH.
148
00:08:42,989 --> 00:08:45,591
QUIET NIGHT
IN LOS PORTALES.
149
00:08:47,026 --> 00:08:49,361
THIS PLACE IS EVIL.
150
00:08:49,362 --> 00:08:51,863
YOU DON'T UNDERSTAND.
151
00:08:51,864 --> 00:08:54,799
THIS TOWN WAS BUILT ON TOP
OF AZTEC RUINS.
152
00:08:54,800 --> 00:08:55,867
ANYBODY WHO COMES HERE
153
00:08:55,868 --> 00:08:57,669
IS PUTTING HIS LIFE
IN GREAT DANGER.
154
00:08:57,670 --> 00:08:59,304
RELAX, VARGAS.
155
00:08:59,305 --> 00:09:01,306
GIVE HIM THE KNIFE, SANTO.
156
00:09:01,307 --> 00:09:04,076
YOU KNOW WHAT TO SAY
AT THE DOOR, RIGHT?
157
00:09:08,080 --> 00:09:09,080
AAH!
158
00:09:09,081 --> 00:09:10,081
WHOA!
159
00:09:10,082 --> 00:09:12,017
DROP THE KNIFE,
VARGAS.
160
00:09:12,018 --> 00:09:14,287
WHOA, WHOA, WHOA,
WHOA, WHOA.
161
00:09:29,502 --> 00:09:32,271
YOU KNOW WHAT TO SAY
AT THE DOOR, RIGHT?
162
00:09:35,441 --> 00:09:36,441
AAH!
163
00:09:36,442 --> 00:09:37,442
WHOA!
164
00:09:37,443 --> 00:09:38,443
DROP THE KNIFE,
VARGAS.
165
00:09:38,444 --> 00:09:40,712
WHOA, WHOA, WHOA,
WHOA, WHOA.
166
00:09:40,713 --> 00:09:44,783
I AM DONE COOPERATING.
167
00:09:44,784 --> 00:09:47,218
YOU PEOPLE DON'T UNDERSTAND.
168
00:09:47,219 --> 00:09:50,622
THIS EVIL IS-- IS BIGGER
AND MORE POWERFUL
169
00:09:50,623 --> 00:09:51,823
THAN YOU CAN EVEN IMAGINE.
170
00:09:51,824 --> 00:09:53,458
VARGAS, I WILL BLOW
YOUR HEAD OFF
171
00:09:53,459 --> 00:09:55,427
IF YOU DO NOT DROP
THAT KNIFE.
172
00:09:55,428 --> 00:09:57,095
I WILL NOT DIE HERE.
173
00:09:57,096 --> 00:09:58,763
FORGET IT, MOONEY.
174
00:09:58,764 --> 00:09:59,898
WHAT?
175
00:09:59,899 --> 00:10:02,767
HE'S NO GOOD TO US
IF HE DOESN'T COOPERATE.
176
00:10:02,768 --> 00:10:05,270
VARGAS,
GIVE ME THE KNIFE.
177
00:10:05,271 --> 00:10:06,806
WE'LL LET YOU GO.
178
00:10:12,378 --> 00:10:14,245
YOU ALL RIGHT?
179
00:10:14,246 --> 00:10:15,513
I'M FINE.
180
00:10:15,514 --> 00:10:17,716
GREAT.
THERE GOES OUR WAY IN.
181
00:10:17,717 --> 00:10:20,051
WE HAVE THE LOCATION.
WE'LL FIND ANOTHER WAY.
182
00:10:20,052 --> 00:10:22,020
I GOT THE DAGGER.
183
00:10:22,021 --> 00:10:23,689
LET'S MOVE.
184
00:10:32,264 --> 00:10:33,765
ALL RIGHT, HERE'S THE DEAL.
185
00:10:33,766 --> 00:10:35,266
WE'RE LOOKING FOR SOMETHING
186
00:10:35,267 --> 00:10:37,135
THAT WILL STICK
WITH THE MEXICAN GOVERNMENT.
187
00:10:37,136 --> 00:10:39,471
ANYBODY ON AN ALTAR--
ATTEMPTED MURDER.
188
00:10:39,472 --> 00:10:41,673
ANYBODY HELD AGAINST
THEIR WILL-- KIDNAPPING.
189
00:10:41,674 --> 00:10:43,675
ANYTHING LESS,
IT'S YOUR JUDGMENT CALL.
190
00:10:43,676 --> 00:10:46,311
ANYTHING MORE, WE'RE GONNA NEED
TO CALL IN FOR BACKUP.
191
00:10:46,312 --> 00:10:48,346
GOOD TO GO?
GOOD TO GO.
192
00:10:48,347 --> 00:10:50,115
WE'LL TAKE THE GROUND FLOOR.
193
00:10:50,116 --> 00:10:51,850
SANTO, YOU TAKE THE TOPSIDE.
194
00:10:51,851 --> 00:10:53,586
LET'S MOVE.
195
00:10:57,056 --> 00:11:00,091
QUETZALCOATL
HAD SEVERAL DIFFERENT LEGENDS
196
00:11:00,092 --> 00:11:02,627
BY WHICH HE DISAPPEARED
FROM THE AZTECS.
197
00:11:02,628 --> 00:11:06,631
{\an8}FROM THAT TIME, HE WAS SUPPOSED
TO RETURN IN 52 YEARS.
198
00:11:06,632 --> 00:11:09,100
{\an8}THE AZTECS THOUGHT OF CALENDARS
199
00:11:09,101 --> 00:11:12,137
{\an8}AS A CIRCULAR THING
THAT WENT IN CYCLES.
200
00:11:12,138 --> 00:11:14,806
{\an8}THEY BELIEVED
THAT EVERY 52 YEARS,
201
00:11:14,807 --> 00:11:17,075
{\an8}EVERYTHING HUNG IN THE BALANCE,
202
00:11:17,076 --> 00:11:20,478
{\an8}AND CERTAIN, SPECIAL SACRIFICES
HAD TO BE MADE
203
00:11:20,479 --> 00:11:23,048
{\an8}OR THE WORLD
WOULD BE PLUNGED INTO CHAOS.
204
00:11:23,049 --> 00:11:27,652
{\an8}TO THIS AZTECS,
LIFE FLOWED FROM DEATH,
205
00:11:27,653 --> 00:11:32,190
{\an8}AND THIS CONCEPT LED
TO INCREASING HUMAN SACRIFICE
206
00:11:32,191 --> 00:11:36,094
{\an8}TO APPEASE THE DEITIES,
AMONG THEM QUETZALCOATL.
207
00:11:36,095 --> 00:11:38,596
{\an8}THE BEATING HEART
WAS GENERALLY CUT OUT
208
00:11:38,597 --> 00:11:42,333
{\an8}BY A DAGGER THAT WAS
EITHER OBSIDIAN OR FLINT.
209
00:11:42,334 --> 00:11:44,803
{\an8}THEY WOULD TAKE THE BEATING
HEART OUT OF THE BODY
210
00:11:44,804 --> 00:11:46,271
{\an8}AND USE THE BLOOD TO CHRISTEN
211
00:11:46,272 --> 00:11:48,207
{\an8}BOTH THE ALTAR
AND THE TEMPLE STEPS.
212
00:11:52,378 --> 00:11:53,946
{\an8}READY?
213
00:12:07,126 --> 00:12:08,593
YOU HEAR THAT?
214
00:12:08,594 --> 00:12:11,730
IT SOUNDS LIKE THE RITUAL
HAS ALREADY BEGUN.
215
00:12:11,731 --> 00:12:14,799
SANTO, WE'RE IN.
216
00:12:14,800 --> 00:12:17,669
{\an8}
LOOKS LIKE IT'S CLEAR UP HERE.
217
00:12:17,670 --> 00:12:19,571
{\an8}I'M HEADED DOWN.
218
00:12:19,572 --> 00:12:21,941
Copy.
219
00:12:33,486 --> 00:12:36,788
OH, MY GOD!
220
00:12:39,258 --> 00:12:41,159
WHO'S THERE?
221
00:12:53,172 --> 00:12:55,340
A GIGANTIC, FLYING REPTILE
222
00:12:55,341 --> 00:12:59,744
ARMED WITH SHARP CLAWS AND A
WINGSPAN NEARLY 40 FEET LONG--
223
00:12:59,745 --> 00:13:02,714
ITS NAME IS QUETZALCOATLUS,
224
00:13:02,715 --> 00:13:05,483
BUT ITS ORIGIN
IS NOT IN MYTHOLOGY.
225
00:13:05,484 --> 00:13:07,919
IT'S IN THE CONFIRMED
FOSSIL RECORD.
226
00:13:07,920 --> 00:13:11,222
ENCOUNTER ONE OF
THE LARGEST FLYING ANIMALS EVER
227
00:13:11,223 --> 00:13:13,292
WHEN "LOST TAPES" CONTINUES.
228
00:13:15,928 --> 00:13:17,996
{\an8}TEXAS, 1971.
229
00:13:17,997 --> 00:13:21,566
{\an8}A GEOLOGY GRAD STUDENT WORKING
AT BIG BEND NATIONAL PARK
230
00:13:21,567 --> 00:13:23,735
{\an8}MAKES AN INCREDIBLE FIND.
231
00:13:23,736 --> 00:13:25,370
A PARTIAL WING IS UNEARTHED
232
00:13:25,371 --> 00:13:28,706
AND DETERMINED TO BE EVIDENCE
OF AN ENTIRELY NEW SPECIES
233
00:13:28,707 --> 00:13:31,910
FROM THE LATE CRETACEOUS PERIOD
OF NORTH AMERICA.
234
00:13:31,911 --> 00:13:35,580
WEIGHING OVER 200 POUNDS
AND BOASTING A 40-FOOT WINGSPAN,
235
00:13:35,581 --> 00:13:38,016
THE NEWLY DISCOVERED
QUETZALCOATLUS
236
00:13:38,017 --> 00:13:41,052
SHATTERED ALL PREVIOUSLY
EXISTING SIZE RECORDS
237
00:13:41,053 --> 00:13:42,821
FOR PTEROSAURS.
238
00:13:42,822 --> 00:13:45,523
BECAUSE OF ITS MASSIVE SIZE
AND SIMILARITIES,
239
00:13:45,524 --> 00:13:47,225
SCIENTISTS NAMED THE CREATURE
240
00:13:47,226 --> 00:13:51,730
AFTER THE LEGENDARY AZTEC
FLYING SERPENT QUETZALCOATL.
241
00:14:07,479 --> 00:14:10,215
OH, MY GOD!
242
00:14:12,885 --> 00:14:15,386
WHO'S THERE?
243
00:14:36,408 --> 00:14:40,412
WELL, HE LOOKS FRIENDLY.
244
00:14:42,181 --> 00:14:44,116
LET'S FIND
ANOTHER WAY AROUND.
245
00:14:59,698 --> 00:15:01,967
SANTO,
YOU SEE ANYTHING?
246
00:15:04,470 --> 00:15:06,504
SANTO, COME IN.
OVER.
247
00:15:06,505 --> 00:15:08,439
I'M NOT GETTING ANYTHING.
248
00:15:27,259 --> 00:15:28,927
OH, MY GOD.
249
00:15:28,928 --> 00:15:31,195
CONNER,
THEY'VE GOT SANTO.
250
00:15:31,196 --> 00:15:32,196
NO, NO!
251
00:15:32,197 --> 00:15:34,332
NO, PLEASE, NO.
252
00:15:34,333 --> 00:15:36,367
NO! NO!
253
00:15:40,005 --> 00:15:41,439
WHAT DO WE DO?
254
00:15:41,440 --> 00:15:44,509
Let's go.
255
00:15:49,315 --> 00:15:51,417
LOOK OUT!
256
00:16:01,393 --> 00:16:04,796
MY GOD.
257
00:16:04,797 --> 00:16:06,798
WHAT HAPPENED?
258
00:16:06,799 --> 00:16:09,200
I DON'T KNOW,
259
00:16:09,201 --> 00:16:11,670
BUT IT DOESN'T LOOK LIKE
ANYONE SURVIVED.
260
00:16:21,714 --> 00:16:23,749
IT'S MARZO.
261
00:16:25,985 --> 00:16:28,386
I THINK
WHATEVER HAPPENED HERE
262
00:16:28,387 --> 00:16:31,556
WAS WAY MORE THAN THESE GUYS
BARGAINED FOR.
263
00:16:31,557 --> 00:16:33,492
WHERE'S SANTO?
264
00:16:42,234 --> 00:16:44,970
OH, GOD.
SANTO.
265
00:16:46,305 --> 00:16:49,207
OH, GOD.
266
00:16:49,208 --> 00:16:51,509
OH.
267
00:16:51,510 --> 00:16:53,045
OH, GOD!
268
00:16:58,283 --> 00:16:59,550
WHAT THE HELL?
269
00:17:02,921 --> 00:17:04,655
WHAT IS THAT?
270
00:17:04,656 --> 00:17:07,892
I CAN'T SEE
ANYTHING IN HERE.
271
00:17:07,893 --> 00:17:10,261
WHERE'S IT COMING FROM?
272
00:17:27,446 --> 00:17:28,981
OH, GOD!
273
00:17:34,219 --> 00:17:35,486
WHAT THE HELL?
274
00:17:38,857 --> 00:17:40,591
WHAT IS THAT?
275
00:17:40,592 --> 00:17:43,828
I CAN'T SEE
ANYTHING IN HERE.
276
00:17:43,829 --> 00:17:46,197
WHERE'S IT COMING FROM?
277
00:17:49,268 --> 00:17:51,135
CONNER?
278
00:17:51,136 --> 00:17:52,537
MOONEY,
WE NEED TO FIND COVER NOW.
279
00:17:52,538 --> 00:17:53,939
FOLLOW ME.
MOVE!
280
00:18:06,118 --> 00:18:08,686
HAVE YOU EVER
SEEN ANYTHING LIKE THAT BEFORE?
281
00:18:08,687 --> 00:18:09,987
NO.
282
00:18:09,988 --> 00:18:11,790
TRY THE NIGHT VISION.
283
00:18:17,930 --> 00:18:19,797
ANYTHING?
284
00:18:19,798 --> 00:18:22,166
NOTHING.
285
00:18:22,167 --> 00:18:23,334
OH, MY GOD.
286
00:18:23,335 --> 00:18:26,270
I DON'T KNOW WHAT THAT THING IS,
BUT IT'S HUGE.
287
00:18:26,271 --> 00:18:28,673
WHERE?
12:00.
288
00:18:28,674 --> 00:18:29,875
HEADS UP!
289
00:18:42,621 --> 00:18:44,822
WHERE IS IT?
290
00:18:44,823 --> 00:18:46,358
I DON'T KNOW.
291
00:18:47,659 --> 00:18:50,228
ALL RIGHT, WE NEED TO GET DOWN
TO THAT ALTAR.
292
00:18:50,229 --> 00:18:51,729
I NEED TO GET MY HANDS
ON THAT DAGGER.
293
00:18:51,730 --> 00:18:53,097
WHAT THE HELL FOR?
294
00:18:53,098 --> 00:18:55,266
THAT DAGGER HAD SOMETHING TO DO
WITH GETTING THIS THING HERE,
295
00:18:55,267 --> 00:18:57,135
SO HOPEFULLY,
IT'LL HAVE SOMETHING TO DO
296
00:18:57,136 --> 00:18:59,003
WITH GETTING RID OF IT.
ELISE, I DON'T THINK--
297
00:18:59,004 --> 00:19:01,573
DO YOU WANT TO ARGUE
WITH ME, OR DO YOU WANT
TO GET OUT OF HERE?
298
00:19:30,335 --> 00:19:33,004
COME ON!
299
00:19:36,074 --> 00:19:37,575
WHATEVER THIS THING IS,
300
00:19:37,576 --> 00:19:39,745
IT'S PLAYING A GOOD GAME
OF HIDE-AND-SEEK.
301
00:19:46,585 --> 00:19:50,054
RIGHT HERE
WAITING FOR YOU.
302
00:19:50,055 --> 00:19:51,556
BEHIND YOU!
303
00:19:54,960 --> 00:19:57,295
NOW!
DO IT NOW!
304
00:20:10,042 --> 00:20:12,443
THE EXACT NATURE
AND FATE OF THE CREATURE
305
00:20:12,444 --> 00:20:16,047
ENCOUNTERED BY THE ENIGMA TEAM
REMAINS UNKNOWN.
306
00:20:16,048 --> 00:20:17,782
THE TRAIN DEPOT IN LOS PORTALES
307
00:20:17,783 --> 00:20:20,685
WAS BURNED TO THE GROUND
BY THE MEXICAN GOVERNMENT,
308
00:20:20,686 --> 00:20:24,956
AND NO EVIDENCE OUTSIDE
OF HUMAN REMAINS WAS RECOVERED.
309
00:20:24,957 --> 00:20:27,491
{\an8}LUCAS MARZO
WAS POSTHUMOUSLY CONVICTED
310
00:20:27,492 --> 00:20:30,461
{\an8}FOR ALL CRIMES RELATED
TO THE CULT'S ACTIVITY,
311
00:20:30,462 --> 00:20:33,698
{\an8}INCLUDING THE DEATH
OF DR. NADJA SANTO.
312
00:20:33,699 --> 00:20:36,667
{\an8}AGENTS NOEL CONNER
AND ELISE MOONEY
313
00:20:36,668 --> 00:20:39,937
{\an8}BOTH MANAGED TO ESCAPE
WITH MINIMAL INJURIES.
314
00:20:39,938 --> 00:20:42,473
{\an8}THERE IS NO QUESTION
THAT QUETZALCOATL
315
00:20:42,474 --> 00:20:45,376
{\an8}AND THE MANY OTHER DEITIES
OF AZTEC MYTHOLOGY
316
00:20:45,377 --> 00:20:48,813
{\an8}WILL LIVE ON IN THE CULTURAL
FABRIC OF NORTH AMERICA.
317
00:20:48,814 --> 00:20:53,150
{\an8}THE REAL QUESTION IS--
DO THEY LIVE AMONG US?
318
00:20:56,521 --> 00:20:59,523
{\an8}- Captions by VITAC--
www.vitac.com
319
00:20:59,524 --> 00:21:02,561
{\an8}CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
22905
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof