Original subtitles

♪ When the healing has begun

♪ l want you to put on your pretty summer dress, yeah

♪ You can wear your Easter clothes, Sunday bonnet and all the rest

♪ But I wanna make love to you , yes, yes

♪ Yes, yes

♪ When the healing has begun

Fucking deadly you are, mate.

- Aright, bud. - Outstanding.

Don't fucking...

I'm just tying my Iace, man. You know what I mean?

I swear, you fucking go near that, I'm after you. Fuck oft.

I'm just tying me fucking Iace. Fuck's sake!

Look here. Here. PIay us Aslan, wiII you?

- AIright. You're fucking rapid, you. - Thanks.

♪ Oh, yeah

Here, hoId that, wiII you? Thanks.

Come here, you...

(he pants)

I'm fucked!

Anton, fucking heII, man !

Come on. Give me that. Give me the case.

What are you fucking at, man?

Ah, fuck's sake!

- What are you at, man? - Sorry. I'm just fucking dying sick.

Here, Iook, I'II heIp you.

There's aII your money. I'm just dying sick.

There's 20 cents, Iook. Here.

Don't fucking rob me. I'm trying to make a Iiving Iike anyone eIse.

I know. We're on the same team. I'm sorry, aIright?

But you're right. You're rapid.

You want money, ask me. Don't have me chase you aII the way up the street.

You wanna give us that fiver, then?

Fuck's sake! Here.

- How's your ma? - She's dead, man.

WeII, how's your oId feIIa?

- Fair pIay to you. - I'II see you Iater.

Look. There's two euros. Look. Fair pIay to you.

- See you. Good Iuck. - N ice one.

♪ Scratching at the surface now

♪ And I'm trying hard to work it out

♪ And so much has gone misunderstood

♪ And this mystery only leads to doubt

♪ And I didn't understand

♪ When you reached down to take my hand

♪ And if you have something to say

♪ You'd better say it now

♪ Cos this is what you've waited for

♪ Your chance to even up the score

♪ And as these shadows fall

♪ On me now, I'll win somehow

♪ Yeah!

♪ Cos I'm picking up a message, Lord

♪ That I'm closer than I've ever been before

♪ So if you have something to say

♪ Say it to me now

♪ Just say it to me now

♪ Oh!

♪ Oh

Thanks.

Ten cents. BriIIiant. Thanks.

- (foreign accent) Excuse me? - Sorry.

- Big Issue? - I can't afford it.

- This song you pIay, you write it? - I'm working on it.

- It's not an estabIished song? - No, it's not an estabIished song.

Why don't you pIay it during daytime? I see you every day.

During the day, peopIe want songs that they recognise,

otherwise I wouIdn't make any money.

I pIay these songs at night. They wouIdn't Iisten.

- I Iisten. - Yeah, but you gave me... ten cents.

You do it for money, then?

- Why don't you get a job in a shop? - I have a job in a shop.

Listen, I'm gonna get back to this. N ice to meet you.

Who did you write this song for?

No one.

BuIIshit? Where is she?

She's gone.

- She's dead? - No, she's not dead. She's gone.

- You Iove her stiII? - Jesus, man !

You're over her? Rubbish.

No one who wouId write this song is over her.

I teII you, you pIay this marVeIIous song to her, you get her back.

I don't want her back.

I see.

- What shop you work in? - I work in a hoover repair shop.

- A hoover? - You know, Iike a vacuum cIeaner.

- You fix vacuum cIeaners? - I do.

I have a broken vacuum cIeaner!

- You fix it for me? - Yeah.

- I bring it tomorrow, then? - OK.

This is great. Tomorrow?

- Right. - OK. Bye.

Good Iuck.

♪ You have broken me

♪ All the way down

♪ Down upon my knees

♪ And you have broken me

♪ All the way now

♪ You'll be the last, you'll see

♪ And it's some fight you gave

(woman) This is Catherine. Leave a message and I'll get back to you .

♪ When I pushed you

♪ Away from me

♪ And every morning

♪ When you're turning

♪ I'll be far to sea

♪ And you have broken me

♪ All the way down

- That job's ready now, Dad. - OK, son.

I'm gonna head into town.

ShaII I turn this round?

- What'II I get for dinner? - Bit of fish maybe.

♪ And what chance had we got

♪ When we missed every shot

♪ For me?

♪ And in the morning

- HeIIo. - How are you? How's it going?

I bring you my hoover.

Oh, right. Er... what's wrong with it?

It is fucked. It doesn't suck up the dirt.

There's nothing I can do. I don't have my tooIs with me.

I'm going on me break. Can you bring it in tomorrow?

Er, no. I bring it today. You...

There's nothing I can do. I don't have my tooIs. I'd have to bring it home.

If I come on break, you have a Iook at it, at Ieast?

- Yeah, but you don't understand. - I come with you, then?

- For Iunch? - Yeah. AIright.

- Yes? We go together? - Yeah.

OK. Thank you.

- (guy) Are you hungry? - (girl) I'm aIways hungry.

(chatter)

So,... you know a bit about music then?

My father used to pIay in the orchestra back at home.

He pIayed vioIin.

But he got arthritis then and he kiIIed himseIf.

ReaIIy?

But before he go, he teach me how to pIay piano.

It's not so hard on the fingers, he said.

- Do you get to pIay much? - No, I don't have a piano at home.

I can't get one in IreIand.

It's so much money. I can't afford it.

Yeah, it's expensive aIright.

I pIay the piano, so this man Iets me pIay one hour per day at Iunch.

- Somewhere around here? - Do you want to hear me pIay?

- Yeah. - Now?

- Yeah. - OK.

(classical music)

Can we come in?

(buzzer)

This is the man I toId you about. He's a reaI gentIeman.

- Hi. - OK for me to pIay today?

- Yeah, that's fine. - Thanks.

- Not the baby Yamaha, she's soId. - Okey-dokey.

U h-huh.

Now, which one today?

(plays)

- That kind of thing. - (exhales)

It's amazing. Did you write that?

No, no. MendeIssohn did.

- It's good. - (laughs) It's good, yes.

- PIay me another of your songs. - No.

- PIease. - Not here.

Why? BiII doesn't mind.

- Do you think it wouId be aIright? - Yes.

- OK. I'II put that there, yeah? - U h-huh.

- This is in C, yeah? - Yeah, I can see that.

(laughs) OK.

So it goes...

It goes... (hums tune)

Yeah? And then there's a bit in it... Can you do that?

(hums tune)

BriIIiant. And then there's another part that goes...

(hums tune)

Yeah? And then the chorus... So you have those two bits?

- U h-huh. - And the chorus goes... (hums tune)

That's it. Perfect. BriIIiant.

- So do you wanna give it a spin? - Yes.

OK. (clears throat)

Two, three, four.

♪ I don't know you

♪ But I want you

♪ All the more for that

(both) ♪ And words fall through me

♪ And always fool me

♪ And I can't react

We change here.

♪ And games that never amount to more than they're meant

♪ Will play themselves out

HoId it. And the chorus.

(both) ♪ Take this sinking boat

♪ And point it home

♪ We've still got time

♪ Raise your hopeful voice

♪ You had the choice

♪ You've made it now

♪ Falling slowly

♪ Eyes that know me

♪ And I can't go back

♪ The moods that take me

♪ And erase me

♪ And I'm painted black

♪ Well, you have suffered enough

♪ And warred with yourself

♪ It's time that you won

Again.

(both) ♪ Take this sinking boat

♪ And point it home

♪ We've still got time

♪ Raise your hopeful voice

♪ You had the choice

♪ You've made it now

(hums)

Yeah !

♪ Take this sinking boat

♪ And point it home

♪ We've still got time

♪ Raise your hopeful voice

♪ You had the choice

♪ You've made it now

♪ Falling slowly

♪ Sing your melody

♪ I'll sing along

♪ Along

♪ Call, and I'll sing along

I moved back in about a year ago after me ma died,

just to help me dad out, you know.

Hmm. So teII me about her.

- Who, me ma? - No, the girI.

The speciaI girI you write these songs for.

No.

Come on. What did she do to you?

WeII...

♪ Ten years ago

♪ I fell in love with an Irish girl

♪ She took my heart

♪ But she went and screwed some guy that she knew

♪ And now I'm in Dublin with a broken heart

♪ Oh, broken-hearted, hoover-fixer, sucker guy

♪ Oh, broken-hearted, hoover-fixer, sucker... sucker guy

♪ One day I'll go there and win her once again

♪ But until then I'm just a sucker... of a guy

(both laugh)

(sighs)

So she's with him now?

- No. - No. Where is she?

♪ She's in old London Town

♪ Living somewhere round Chiswick

(both laugh)

I miss her, it's just it's, you know,...

You're not gonna go get her?

- No. - No. Fuck her.

♪ Fuck her! Fuck her!

♪ Fuck her! She's gone! Fuck her! She's gone forever!

♪ She fucking fucked it up!

Sorry. Sorry. (softer) ♪ She fucking fucked it up

♪ She fucking fucked it up

♪ And now she's gonna die

(plays discordant riff)

(radio plays softly)

Give us the Sharp 8 there, son.

And the PhiIIips. Come on !

Your son is a very taIented man, sir.

WeII, he shouId be, I trained him myseIf.

- Oh, no. I meant the songs. - Oh, right. Is he?

- Very. - OK, that's done.

It was just the beIt. So it shouId be aIright now.

- Thank you. How much do I owe you? - Ah, you're grand. It's free.

- Nothing's for free. How much? - Say four euro, Iove.

OK, We're gonna head upstairs, Dad. Is there anything eIse you need?

- No, I'm grand. - OK.

- A pIeasure to meet you, sir. - And you.

- Take care. - AIright.

(door opens)

Come on in.

There we go.

(recording of him playing and singing)

(tape stops)

Wow! Can you transfer this stuff onto disc for me so I can Iisten?

- Yeah. - I have to go now.

- Do you wanna stay? - What do you mean?

- Stay the night. - What?

Fuck this. Thanks for the hoover.

- See you. - See you around.

(door opens and closes)

Fuck!

FIowers? FIowers?

- Hey. - Hey.

How's it going?

Where you going? I wanted to give you the CDs that I made for you.

I'm just reaIIy IoneIy and you're gorgeous. I fucked up. I'm sorry.

I don't know what to say. It won't happen again.

- Do you have a CD pIayer? - Yeah.

Here you go.

The batteries are pretty Iow, but it shouId work.

- I give it back. - No probIem. Keep it.

(sighs) I have to go now.

- I'II taIk to you Iater. - Do you not wanna get a cup of tea?

- I'd Iove to just taIk to you more. - I have responsibiIities.

- I have to go home. - Is it OK if I waIk aIong with you?

- Yeah. - Yeah? CooI. CooI.

- So how was it today? - SeIIing good.

Today is a reaIIy good day for me. I got a job in a big house, cIeaning.

This Iady's gonna pay me some money, so I'm very happy.

(guy) That's briIIiant. I'm deIighted for you.

- This is where I Iive. - Oh, yeah? CooI.

- Right, then. - Do you wanna come in?

Can I? Yeah. CooI.

- (girl) Hi, guys. - (man) HeIIo.

- (girl) How are you today? - (man) Not bad.

- (girl) How was work? - (man) It was great.

(girl) See you Iater.

(speaks Czech)

(they kiss)

(speaks Czech)

(woman yawns / speaks Czech)

This is my friend. This is my mother.

- How are you? - Hi.

- N ice to meet you. How's it going? - (mother speaks Czech)

This is my daughter, Ivonka.

- Come on. - Hey, Ivonka. HeIIo.

(both speak Czech)

- (speaks Czech) - Sorry?

Dinner. Do you want to stay for dinner?

- Yes. Thank you. - Yes? OK.

(little girl babbles)

- (girl) You wanna sit down? - (guy) Cheers.

(girl speaks Czech)

(both speak Czech)

(she laughs)

- What did she say? - She says you're handsome.

- She what? - She says you're handsome.

- How do I say thanks? - (speaks Czech)

- (speaks Czech) - (laughs / speaks Czech)

- She says you're weIcome. - CooI. Thanks.

- Try to speak EngIish, Mama. - No, thank you.

CarefuI. CarefuI, Ivonka, don't do that.

She's grand. She's grand.

- Where's her dad? - He doesn't Iive here.

Why not?

He's at home.

(guy) OK.

(speaks Czech)

They're from next door. They come in to watch teIIy.

- Hi, guys. - Hi.

There's onIy one TV here. We watch Fair City together.

- Fair City we love. - We Iearn EngIish from Fair City

- Are you not pregnant? - (all laugh)

How are you, man? What is the hurry?

- (laughs) - (music plays on TV)

- Just put her in there. - OK.

There we go, dearie.

Oh, yeah.

- Thank you. - OK.

- She Iikes you. - (laughs)

(music plays through headphones)

(loudly) You have no Iyrics for this one?

It's reaIIy good. I Iike it.

I've got a few, but they're not right.

- Huh? - (laughs)

I've got a few, but they're not right.

- What, do you Iike it? - It's great.

WouId you be into trying to write Iyrics for it?

- ReaIIy? I couId? - Yeah. Do you Iike the idea?

- Yeah. - CooI. CooI.

- That'd be good. - I keep the machine and write it?

Yeah, do. I was having a bit of troubIe with it.

It's too romantic for me.

It is romantic. You have a romantic streak.

(laughs) I used to have a romantic streak.

When?

When I was your age, I suppose.

- Yeah, I see. You're an oId man now. - Yep. Dying.

(laughs)

CynicaI.

You have to go now. Thanks for the hoover and food and songs.

No probIem.

Thanks for the company.

- I needed it. - Me, too.

Right. You don't wanna go for a Iate coffee or a waIk or something? No.

- I can't. See you. - Bye. See you.

(clears her throat)

(music plays through headphones)

(hums)

(beeping)

(tuts)

Fuck you, batteries! (sighs)

(sighs) Jesus!

(coins rattle)

I'II pay you back.

(coins rattle)

One.

(radio plays)

(music plays through headphones)

♪ Are you really here

♪ Or am I dreaming?

♪ I can't tell dream from truth

♪ It's been so long since I have seen you

♪ I can hardly remember your face any more

♪ When I get pretty lonely

♪ And the distance causes only silence

♪ I think of you smiling

♪ With pride in your eyes

♪ Lover that sighs

♪ If you want me

♪ Satisfy me

♪ If you want me

♪ Satisfy me

♪ Are you really sure that you believe me

♪ When others say I lie?

♪ I wonder if you could ever despise me

♪ When you know I really tried

♪ To be a better one

♪ To satisfy you

♪ For you're everything to me

♪ And I'll do what you ask me

♪ If you'll let me be free

♪ If you want me

♪ Satisfy me

♪ If you want me

♪ Satisfy me

♪ If you want me

♪ Satisfy me

♪ If you want me

♪ Satisfy me

♪ If you want me

♪ Satisfy me

♪ Escalated

♪ And the little cracks, they escalated

♪ From back inside

♪ Comes lies, lies

♪ Breaking

♪ When will...

When wiII you Iearn? When wiII you Iearn?

♪ I think it's time we give it up

♪ And figure out what's stopping us

♪ From breathing easy

♪ And talking straight

♪ The way is clear

♪ If you're ready now

♪ The volunteer is slowing down

♪ And taking time to

♪ Save himself

♪ The little cracks, they escalated

♪ And before we knew, it was too late

♪ For making circles

♪ And telling lies

♪ You're moving too fast for me

♪ And I can't keep up with you

♪ Maybe if you slow down for me

♪ I could see you're only telling lies

♪ Lies, lies

♪ Breaking us down with your lies

♪ Lies, lies

♪ When will you learn?

♪ The little cracks, they escalated

♪ Before we knew, it was too late

♪ For making circles

♪ And telling lies

♪ You're moving too fast for me

♪ And I can't keep up with you

♪ Maybe if you slowed down for me

♪ I could see you're only telling lies

♪ Lies, lies

♪ Breaking us down with your lies

♪ Lies, lies

♪ When will you learn?

♪ So plant the thought and watch it grow

♪ Wind it up and let it go

WouId you Iike to buy a fIower?

- How's it going? - How are you?

- Pretty good. - Good to see you.

I'm gonna go to London, I've decided.

- Good. That's great. - Yeah, it makes sense.

WeII done. When are you going?

- I'm gonna go Monday. - Wow! That's soon.

But you'II get your girIfriend back and you'II get your record deaI.

- Yeah, right. - And become famous.

- Good. - But I was thinking, before I go,

I wanna make a recording of a coupIe of the songs I pIayed you.

I Iiked the way you pIayed and your singing.

WouId you be into coming and pIaying?

- I wouId sing and pIay? - Yeah.

- I'd Iove that. - ReaIIy? CooI.

- You'II be in my band for a few days? - Yeah.

WeII, that's the first thing I've got sorted out.

Now I need to sort everything eIse out.

AIright, guys. WeIcome.

So Iet me give you the tour.

That is your Iive rooms in there. This is a new desk.

You've got your hard drive and you've got your outboard gear.

We're taking about three grand for a weekend.

- Three? - Yeah. That's pretty good.

You must be crazy! Three thousand!

WeII, have a Iook around. You've everything you need.

- What do you think? Is it good? - It's pretty good.

- We'II give you one. - (laughs)

- I'm sorry. - Have you heard this guy's songs?

- I haven't yet, no. - He's great.

OK, but Iisten, I can fiII this pIace in an hour. I...

One and a haIf, then. That's my Iimit.

- We can taIk about two. - We don't taIk, we shake.

We shake on two, yeah? Shake now?

- AIright. - Two thousand.

- She drives a hard bargain. - She's a tough cookie.

So you Iike this shop? I buy aII my cIothes here.

It's good for me, you know? Cheap. N ice fashions.

(sighs) OK, you ready?

Yeah, I'm ready.

That's good. That wiII do.

- Do you Iike it? - You're gorgeous.

Right, can we go?

OK.

(music)

♪ When you reached down to take my hand

♪ And if you have something to say

The quaIity is poor, but if we can get a professionaI tape,

I'm satisfied that he can secure a Iucrative deaI.

You take it home, Iisten to it, pIay it to your boss.

I'm sure you can get him to approve.

Can I show you something?

♪ I wanna be free

♪ I wanna be me

♪ I want you to be you

♪ Do you want me to be me too?

♪ I think you do

Nice one, Iads. How's it going?

- How's it going? - Is it sIow today?

- Have a Iook there yourseIf. - Is that it?

That's it. That's aII that's going at the moment.

I wanted to ask you. MeseIf and herseIf are making a tape

of a few songs down in Samson Studios.

And I was wondering if you wouId be interested in doing it.

- A bit of recording? - A bit of recording, yeah.

- Doing Lizzy stuff? - No, it's me own songs.

We onIy do Lizzy, reaIIy.

Is it sort of rocky Lizzy stuff?

No. No, it's not.

- Singer-songwriter stuff? - Singer-songwriter, yeah.

- Is it any good? - It's great.

Is it?

I don't reaIIy know about them, but they seem Iike nice peopIe.

- Yeah. I have to caII my mother. - Great.

(speaks Czech)

- OK. Come on, we can go. - CooI.

(chatter)

Food's ready, everybody. Get your pIates ready.

(chatter)

- Hey, Iads. - Come on in, kids. Take a seat.

(chatter)

- Is everything aIright here, foIks? - Yeah, briIIiant.

- Enjoying the party? - Yeah. Great to see you here.

Can you sing? If you can't sing, you're out.

♪ There's one request I'll ask of you

♪ When your liberty you gave

♪ Remember Mitchel far away

♪ A convict bound in chains

(cheering / applause)

♪ Mine, that once held this heart of mine

(cheering / applause)

♪ And I love her so

♪ I wouldn't trade her for gold

♪ I'm walking on moonbeams

♪ I was born with a silver spoon

♪ Hell, I'm gonna be me

♪ I'm gonna be free

♪ I'm walking on moonbeams

♪ Staring out to sea

♪ And if the door be closed

♪ Then a row of homes start building

♪ And tear your curtains down

♪ For sunlight is like gold

♪ Hell, you better be you

- ♪ And do what you can do - (horn beeps)

- How are you? - What are you doing here?

I just came by. Do you wanna go for a spin?

- Is this your bike? - It's my dad's.

He Ioves it. I robbed him of it for the day.

- If he knew, he'd kiIIed me. - WouId he?

(laughs) So you fancy a spin, no?

I'd Iove to, but I have to go to work.

That's cooI. Another time, yeah?

I thought whiIe I had it, I'd drop by to see if you were into going out.

CouId you have me back by Iunch?

Yeah. TotaIIy.

- OK? - Yeah. Fancy it? Great. BriIIiant.

♪ And I love her so

♪ I wouldn't trade her for gold

- You're what? You're married? - Does that surprise you?

(laughs) Fuck's sake!

Yeah. When?

Two years ago, when I find out I'm pregnant with Ivonka.

(sighs)

So where is he?

He's back in Czech RepubIic. It's over now and I come here on my own.

(sighs) Man!

Are you aIright?

(sighs)

What's the Czech for ocean?

(both speak Czech)

- Pretty much the same. - (repeats Czech)

So what are you gonna do?

I don't know.

(sighs) There's such distance between me and him.

He's so much different to me and so much oIder.

It doesn't reaIIy work.

I'm fine on my own, you know.

It's just I don't want Ivonka to grow up without a father.

What's the Czech for,... "Do you Iove him"?

(speaks Czech)

(repeats Czech)

So... (repeats Czech)?

(speaks Czech)

- What? - Come on, Iet's go.

What did you say? TeII me.

- Teach me how to ride the bike. - No way.

- Yes. - No.

- Come on, can I have a go? - No.

- PIease? - No. Leave it aIone, wiII you?

But teach me how to drive it. Come on, just once.

No. Me dad'II go fucking crazy.

- But he's not here now. - Be carefuI! For fuck's sake!

- He's not here. Just teach me. - Me dad... No, no!

- No. - PIease?

No.

Me dad'II go bIeeding mentaI. He Ioves this thing.

- But you drive it. - He doesn't know I have it.

- He doesn't? - No.

- Then he won't know I had it, too. - (laughs)

- No, you can't have a go on it. - Just once?

- No. - Turn it on for me.

No.

- No. - Come on, give me the keys.

- I'II do it myseIf. - (laughs) The key's in it.

Thank you. See you tomorrow for rehearsaIs?

- Yes. - (both) Thank you.

(horn beeps)

♪ Trying to pull myself away

♪ I'm caught in a pattern and I can't escape

♪ Just trying to pull myself away

♪ Lately, when I get lost, there's a thing I know

♪ Everything comes to you , way to go

♪ Even the heart has something to learn

Thanks, Dad.

AIright, guys, this is Eamon. He's gonna take care of you.

Eamon, this is everyone. Kit's set up.

Piano's waiting for you in the Iive room.

Tea and coffee in the kitchen as you came in. HeIp yourseIves.

There's a nice burrito pIace around the corner if you want a snack.

- AIright? - Great.

OK, Eamon, Ieave it to you. Good Iuck everyone. Enjoy.

- I might pop in Iater, aIright? - (all) Cheers.

OK, guys, good to meet you.

We've a few bits to set up. I wanna check the drums inside.

- No, we've aIready set up the kit. - I want to check them for sound.

No, I checked them. Fine.

OK. We need to set up mics on them for recording.

- Right. - Have you done much recording?

(all) No.

- Right, Iet's get cracking. - Yeah.

(piano plays)

(chaotic drumming)

I can't. I'm stuck in the studio with this bunch of fucking oddbaIIs.

Just hang on a second. Just one second.

OK. Are you ready to rock? Everybody ready?

- Yeah. Tuning's good. - CooI.

AI and Timmy, on the second verse,

there's this simpIe enough thing. It's in 5/4.

I'II give you a nod to come in there. Yeah? Is that aIright?

- You're in from the top with me. - OK.

And you know what you're doing.

AIright, then. So, er...

- Whenever you're ready, yeah? - AIright.

AIright. Later.

- OK, we're ready for one. - Are you sure you're ready?

Listen out for the cIick track, everybody. And away we go.

This is... track one, take one. Yeah.

AIright, Iads, here we go. This is it, yeah?

(sighs)

♪ So...

♪ If you ever want something

♪ And you call, call

♪ Then I'll come running

♪ To fight

♪ And I'll be at your door

♪ When there's nothing worth running for

♪ When your mind's made up

♪ There's no point trying to change it

♪ When your mind's made up

♪ There's no point trying to stop it

♪ You see

♪ You're just like everyone

♪ When the shit falls

♪ All you wanna do is run away

♪ And hide all by yourself

♪ And you're so far, far

♪ There's nothing else

♪ When your mind's made up

♪ There's no point trying to change it

♪ When your mind's made up

♪ There's no point even talking

♪ When your mind's made up

♪ There's no point trying to fight it

♪ When your mind

♪ Your mind

♪ There's no point trying to change it

♪ When your...

♪ So...

♪ If you ever want something

♪ And you call, call

♪ Then I'll come running

(sighs)

OK.

Wow! That was nice.

- Did you write that? - Yeah.

(electronic beat)

♪ You must have fallen from the sky

♪ You must have shattered in your own way

♪ You brought so many to the light

♪ And now you're by yourself

♪ There's a point in every fight

♪ When giving up is only OK

♪ You never wanna see a fight

♪ And now you've caught yourself

♪ You need somewhere to fall apart

♪ Somewhere to fall apart

♪ And the cruels of man, the blackened rack

♪ Neither fooled the bull, the powdered hag

♪ The lives that make the rattle rag

♪ The wolves that follow the ousted man

♪ The falling star, the way we are

♪ Divided

♪ The fools that ever, ever multiply

♪ You must have fallen from the sky

- (all laugh) - OK.

What do you think?

It's fucking briIIiant!

(all laugh)

A coupIe of IittIe tech bits we can fix up,

but it's four in the morning, so it's up to you guys.

You wanna push through or go for another one?

I'd Iove to keep going. Are you into it?

- Get a cup of tea first. - Aye.

- You wanna take 1 0 or 1 5, yeah? - Sure.

Right, I'II tweak what I can. You guys take ten.

Lads, why do you think there are no bIonde priests?

- Ever thought about that? - No.

This is great.

Hey.

How's it going?

Good. I don't think we're supposed to be here though.

Ah, it's aIright. It's beautifuI, isn't it?

Yeah, it's a beautifuI piano. A BaIdwin. It's a perfect piano.

- Yeah? - U h-huh.

- PIay some of your songs. - No.

Go on.

Look, they're aII haIf-written and more ideas.

Go on. I'd Iove to hear one.

OK, I have one, but it's not finished and I don't reaIIy...

- Just pIay it - OK, but the Iyrics are very rough.

- It'II be great. - OK.

♪ Walking up the hill tonight

♪ When you have closed your eyes

♪ I wish I didn't have to make

♪ All those mistakes and be wise

♪ But please try to be patient

♪ And know that I'm still learning

♪ I'm sorry that you have to see

♪ The strength inside me burning

♪ And where are you , my angel, now?

♪ Don't you see me crying?

♪ I know that you can't do it all

♪ But you can't say I'm not trying

♪ And I'm letting myself down

(voice cracks) ♪ By satisfying you

♪ I wish that you could see

♪ I...

Are you aIright? Did you write that for your husband?

- Yes, I did. And he didn't Iike it. - (laughs)

- He's an idiot. - Yeah, he's an idiot.

(she sighs)

(he sighs)

Come on, away to London with me.

We'II write Ioads of songs and Iive in a nice fIat.

You can bring Ivonka over. It'II be briIIiant. Come on.

Yeah, we'II go to London and no one wiII ever find us again.

No one. We'II have a briIIiant band.

We'II seII out pIaces. It'II be great.

- And we'II make an aIbum together. - I'd Iove that. Come on.

Yeah. I'II do the backing vocaIs on it.

- Yeah. And pIay the piano. - (laughs)

- Come on. I'm serious. - Can I bring my mother?

(laughs)

Come on. We shouId go back to work.

- Yeah. - OK.

♪ When will you learn?

(sighs)

- What day is it today? - (all laugh)

Monday.

I think it's time we did the car test.

What's the car test, Eamon?

We've been Iistening back on these big studio speakers,

so I think it's time we had a go on some shitty speakers.

Let's go for a spin and have a Iisten in me car.

- Great, man. - AIright?

- Yeah. - Let's go.

We'II cIear this up Iater.

(mimics "South Park" character) Timmy!

- Timmy! - Come on.

Beauty. AIright.

(music plays)

♪ So...

♪ If you ever want something

♪ And you call, call

♪ Then I'll come running

♪ To fight

♪ And I'll be at your door

♪ When there's nothing worth running for

♪ When your mind's made up

♪ There's no point trying to change it

♪ When your mind's made up

♪ There's no point trying to stop it

♪ You see

♪ You're just like everyone

♪ When the shit falls

♪ All you wanna do is run away

♪ And hide all by yourself

♪ And you're so far, far

♪ There's nothing else

♪ When your mind's made up

♪ There's no point trying to change it

♪ When your mind's made up

♪ There's no point even talking

♪ When your mind's made up

There they are.

- (sighs) - Listen, fucking weII done.

- It sounds fucking briIIiant. - Best of Iuck.

- N ice one. - I just push buttons.

- It was great. I enjoyed it. - Thank you. CooI.

- Go and get some sIeep. - N ice one. Thanks very much.

See you.

- WeII, this is it. - Yeah.

- We did it. - It sounds great.

- It does, doesn't it? - CouId I have one?

- Yeah, totaIIy. - Thank you.

- I've gotta go this way. - ReaIIy?

- Where are you going? - Home.

(laughs) You don't wanna come back? I'II make you breakfast.

No, I have to go see Ivonka and organise things.

- So do you. - Yeah.

- You're Ieaving. - London.

- What do you have to organise? - I spoke to my husband Iast night.

- He's coming over. - BriIIiant. That's great.

- Yeah. - I'm reaIIy happy for you.

We'II try to make it work. It's for the best.

Yeah. Come back and have a cup of tea.

It's the Iast day. We'II hang out. Breakfast, whatever.

Listen to the tunes. Or you can come over Iater.

- For what? - What do you mean?

Just come and hang out.

We've done our work, why wouId I come over?

- We just hanky-panky if I come now. - (laughs)

- (laughs) What? - Hanky-panky?

- U h-huh. - It won't be for hanky-panky.

You know it wouId.

And that wouId be nice.

- WouId it? - It'd be interesting.

- WouId it? - (laughs)

Be worthIess, though.

Come back Iater.

Hmm.

- OK, I'II come. - Yeah?

- I'II come Iater, yeah? - BriIIiant.

You're sure? BriIIiant. AIright, then.

- CooI. See you after. WeII done. - You, too.

(laughs)

♪ When will you learn?

♪ So plant the thought

♪ And watch it grow

♪ Wind it up

♪ And let it go

(tape stops)

What do you think?

Do you Iike it?

- It's just a demo, you know. - It's fucking briIIiant!

- ReaIIy? - Fantastic stuff!

That'II be a hit, no question.

When are you oft?

What?

I have a few hundred quid for you for a deposit on a pIace.

I'II come over and see you when you're settIed in.

When do you think you'II be abIe to go?

- I'm going tomorrow, Dad. - Good man !

- About time. - (both laugh)

- WiII you be aIright? - What do you mean?

I was aIright for years before you came aIong, wasn't I?

I don't have to go now. I can put it off.

Go! And the best of Iuck, son.

- Thanks, Dad. - Make your ma proud.

- Now, pIay it again. - (laughs) OK.

- (woman) Good. - Yeah. I recorded a few songs.

Oh, yeah. What are they like?

- They're good. I'm happy with them. - Great.

- I've missed you . - Yeah, me, too.

Do you want me to meet you at the airport?

No. I'II come find you.

I'm glad you've decided to come.

I'm gonna get cut out here. This money's running out.

- Hurry up. - (beeping)

(buzzer)

- How are you? - HeIIo, handsome.

- Is herseIf in? - No, no.

- Oh. Right. - (speaks Czech)

You don't know where she is?

She's working. She's coming back evening.

Oh. OK.

WiII you teII her I'm going away?

- WiII you teII her I'II caII her? - Sorry. No teIephone here.

- You don't have a teIephone? - No teIephone.

Damn ! I'II write to her, yeah?

- You write a Ietter? - Yeah, I'II write a Ietter.

- (Ivonka wails) - You go?

- Yeah. - Yeah. OK.

- OK. See you, Ivonka. - Bye.

- Oh. Ciao. - Sorry.

(Ivonka wails)

- Hey. - How's it going?

CouId I have a word with you about something?

Yeah, sure.

♪ I don't know you

♪ But I want you

♪ All the more for that

♪ And words fall through me

♪ And always fool me

♪ And I can't react

♪ And games that never amount to more than they're meant

♪ Will play themselves out

♪ Take this sinking boat

♪ And point it home

♪ We've still got time

♪ Raise your hopeful voice

♪ You had the choice

♪ You've made it now

♪ Falling slowly

♪ Eyes that know me

♪ And I can't go back

♪ And moods that take me

♪ And erase me

♪ And I'm painted black

♪ Well, you have suffered enough

♪ And warred with yourself

♪ It's time that you won

♪ Take this sinking boat

♪ And point it home

♪ We've still got time

♪ Raise your hopeful voice

♪ You had the choice

♪ You've made it now

♪ Falling slowly

♪ Sing your melody

♪ I'll sing along

♪ Along

♪ Call, and I'll sing along

♪ Sing along

One, two, three.

♪ Part of me has died

♪ And won't return

♪ And part of me wants to hide

♪ The part that's burned

♪ Once

♪ I knew where to look for you

♪ Once

♪ But not any more