All language subtitles for The.98th.Annual.Academy.Awards.2026.720p.WEB.h264-EDITH_track3_[eng]

>>> ALL RIGHT.

CONAN, YOU LOOK GREAT, AND THE

SHOW'S ABOUT TO START, SO TIME

TO HIT THE STAGE.

>> I FEEL LIKE SOMETHING'S A

LITTLE OFF.

>> REALLY?

>> YEAH.

DON'T YOU THINK IT'S A BIT MUCH?

>> NO.

I DON'T THINK SO.

YOU LOOK FINE.

SO, BREAK A LEG.

>> NO, NO.

I THINK YOU USED WAY TOO MUCH

WHITE.

>> OH.

SWEETIE, I DIDN'T USE ANY WHITE.

THAT'S JUST YOU.

>> OKAY.

YOU'VE GOT TO WASH THIS OFF.

WE START AGAIN.

>> CONAN, THAT WOULD TAKE, LIKE,

TWO HOURS.

DELL ROY LINDO IS SEATED.

>> DELL ROY LINDO CAN WAIT.

I CAN'T LOOK LIKE THIS.

>> YOU LOOK FINE.

GO.

>> I LOOK LIKE BETTY DAVIS WITH

LUPUS.

>> CONAN, GO.

>> I WON'T DO IT.

>> I SAID, GO.

>> OH, NO.

♪

♪

>> NO!

♪

>> WHAT THE HELL IS THAT?

♪

>> SORRY.

♪

>> YES!

HA HA!

>> BUT TWO MONTHS DEAD, NAY, NOT

SO MUCH.

NOT TWO.

SO --

>> THANKS FOR THE LIFT.

I CAN'T SEEM TO SHAKE THESE

KIDS.

DAMN!

THEY'RE GAINING ON US.

WHAT'S THE PLAN?

>> I'M GOING TO TURN AT THIS GAS

STATION, I'M GOING TO SLOW DOWN,

AND YOU TUCK AND ROLL.

>> WHAT ARE YOU TALKING ABOUT?

I'VE HAD BOTH HIPS REPLACED.

>> NO FEAR.

>> OKAY.

NO FEAR.

>> HERE WE GO.

OKAY.

JUMP ON FOUR.

>> WOO.

WE CAN GET BACK TO THE IMPORTANT

STUFF, LIKE THE FANS.

>> BE COOL.

♪

>> WOW!

HEY.

I'M GOING TO THE OSCARS, AND

I'VE GOT THESE KIDS CHASING ME.

CAN I JUST COME IN AND HIDE?

>> I BELIEVE YOU, BUT THIS HERE

A JUKE JOINT, BLUES MUSIC.

>> JUKE JOINT?

I'M GREAT AT MUSIC.

♪ OH DANNY BOY

♪ THE PIPES THE PIPES ARE

FALLING ♪

YEAH.

THIS GUY LIKES IT.

♪

♪

>> PLEASE WELCOME YOUR HOST,

CONAN O'BRIEN.

[ CHEERS AND APPLAUSE ]

♪

>> THANK YOU.

THANK YOU.

THANK YOU.

HEY.

THANK YOU VERY MUCH.

BIG THANKS TO AMY MADIGAN FOR

THE WIG.

THANK YOU SO MUCH, AMY.

THANK YOU FOR THAT.

HEY.

I AM CONAN O'BRIEN, AND I AM

HONORED TO BE THE LAST HUMAN

HOST OF THE ACADEMY AWARDS.

YES.

YEAH.

NEXT YEAR IT'S GOING TO BE A

WAYMO IN A TUX.

SO, CHECK THAT OUT.

NO.

IT'S GREAT TO BE BACK HOSTING

THE OSCARS.

LAST YEAR WHEN I HOSTED, LOS

ANGELES WAS ON FIRE.

BUT THIS YEAR, EVERYTHING'S

GOING GREAT.

OH.

YOU APPLAUD THAT?

THAT'S WEIRD.

THAT'S WEIRD.

SECURITY IS EXTREMELY TIGHT

TONIGHT.

JUST GOING TO MENTION THAT.

YEAH.

I'M TOLD THERE'S CONCERNS ABOUT

A TAX FROM BOTH THE OPERA AND

BALLET COMMUNITIES.

THEY'RE JUST MAD YOU LEFT OUT

JAZZ.

I SHOULD WARN YOU, TONIGHT COULD

GET POLITICAL, OKAY?

AND IF THAT MAKES YOU

UNCOMFORTABLE, THERE'S AN

ALTERNATE OSCARS BEING HOSTED BY

KID ROCK -- YEAH.

IT'S AT THE DAVE AND BUSTERS

DOWN THE STREET.

A LOT OF TICKETS FOR THAT.

NETFLIX -- THIS IS EXCITING.

A LOT OF COOL PEOPLE ARE HERE,

AND SOME OF THEM BEHIND THE

SCENES, NETFLIX CEO TED SARANDOS

IS HERE.

AND THIS IS EXCITING.

IT'S HIS FIRST TIME IN A

THEATER.

THIS IS WHAT THEY'RE TALKING

ABOUT.

WHY ARE THEY ALL TOGETHER

ENJOYING THEMSELVES?

THEY SHOULD BE HOME ALONE WHERE

I CAN MONETIZE IT!

YEAH.

I CAN DO --

SO MANY, SO MANY GREAT FILMS

THIS YEAR.

WHAT AN INCREDIBLE YEAR FOR

FILM, WASN'T IT?

ABSOLUTELY STUNNING.

YEAH.

I SAID THAT LAST YEAR, BUT I WAS

LYING.

HA HA.

NO.

THIS YEAR IS STUNNING.

I LOVED "HAMNET."

I LOVED "BUGONIA."

YEAH, WEREN'T THEY AMAZING.

IT'S BEEN A BIG YEAR FOR MOVIES

THAT SOUND LIKE OFF BRAND LUNCH

MEAT.

HAD A LITTLE BUGONIA AROUND

10:00.

IT'S NOT SITTING WELL.

ON THE RIDE HOME, YOU'LL

APPRECIATE IT.

AT THE -- AT THE BEGINNING OF

"HAMNET," A MESSAGE COMES ON THE

SCREEN EXPLAINING THAT THE NAMES

HAMNET AND HAMLET WERE USED

INTERCHANGEABLY.

YEAH.

THAT'S WHEN I KNEW I'D BETTER

BUCKLE UP.

ROLLERCOASTER.

IN "HAMNET," WILLIAM

SHAKESPEARE'S WIFE, AGNES, GIVES

BIRTH BY HERSELF IN THE WOODS.

OR AS WE CALL THAT HERE IN

AMERICA, AFFORDABLE HEALTH CARE.

YEAH.

TOO REAL FOR YOU, HUH?

ALL RIGHT.

"F1."

I LOVED "F1."

IT WAS GREAT.

"F1" IS UP FOR BEST PICTURE.

IT'S THE STORY OF A RACECAR

DRIVER WHO FINALLY WINS AFTER

DECIDES TO GO FASTER.

YEAH.

YEAH.

"F1" RECEIVED FOUR NOMINATIONS.

"F1" DID SO WELL, THEY'RE MAKING

A SEQUEL, "CAPS LOCK."

SOME OF THESE I DO FOR MYSELF.

AND LADIES AND GENTLEMEN, LET'S

HEAR IT FOR "SINNERS."

LET'S HEAR IT FOR "SINNERS."

YEAH.

[ CHEERS AND APPLAUSE ]

YEAH.

"SINNERS" DIRECTOR RYAN COOGLER

SAID HE DECLINED TO BECOME A

VOTING MEMBER OF THE ACADEMY

BECAUSE HE DOESN'T LIKE JUDGING

HIS FELLOW ARTISTS' WORK.

YEAH.

YEAH.

BUT THE REST OF YOU SEEM TO LOVE

IT.

"ONE BATTLE AFTER ANOTHER."

I LOVE THAT FILM.

WHAT A GREAT FILM.

AMAZING FILM.

LOTS OF MEMORABLE SCENES FROM

"ONE BATTLE AFTER ANOTHER."

BEST SUPPORTING ACTOR NOMINEE,

SEAN PENN, OF COURSE GOT AN

ERECTION AT GUN POINT.

YEAH.

AND THEN PAUL THOMAS HENDERSON

SAID, HEY, LET'S PUT THAT IN THE

FILM, HUH?

I WAS IN A MOVIE THIS YEAR.

YEAH.

I WAS IN A MOVIE WITH THE LOVELY

ROSE BYRNE.

MY COSTAR ROSE BYRNE IS

NOMINATED FOR BEST ACTRESS IN

"IF I HAD LEGS, I'D KICK YOU."

YEAH.

YEAH.

IT'S HARD TO ACT IN A SCENE WITH

SOMEONE YOU'VE ALWAYS HAD A

MASSIVE CRUSH ON.

BUT ROSE, YOU DID A FANTASTIC

JOB.

ADMIRABLE RESTRAINT.

THIS YEAR, WE'VE ADDED A NEW

CATEGORY TO THE OSCARS, BEST

CASTING.

YEAH.

YEAH.

WHICH MEANS TONIGHT ONE CASTING

DIRECTOR WILL WIN AN OSCAR, AND

FOR THE REST OF YOU, WE DECIDED

TO GO IN ANOTHER DIRECTION.

THEY'RE DREAM KILLERS.

THEY ARE.

A LOT OF LESSER KNOWN CATEGORIES

TONIGHT OF COURSE WILL BE

HONORING THE BEST DOCUMENTARY

SHORT FILMS OR -- YEAH.

BEST DOCUMENTARY SHORT FILMS.

OR, AS I LIKE TO CALL THEM --

[ CHEERS AND APPLAUSE ]

WHAT THE HELL IS THAT ALL ABOUT?

BEST DOCUMENTARY SHORT FILM LS,

OR AS I LIKE TO CALL THEM,

LITTLE SADS.

DID YOU WATCH IT?

I DID.

DID IT MAKE YOU SAD?

A LITTLE BIT.

AMAZON STUDIOS DIDN'T RECEIVE

ANY NOMINATIONS THIS YEAR.

YEAH.

ALSO SHUT OUT, WALMART, ALIBABA,

AND CHEWY.

WHY ISN'T THE WEBSITE I ORDER

TOILET PAPER FROM WINNING MORE

OSCARS?

IT'S THE FIRST TIME SINCE

2012 -- FIRST TIME SINCE 2012 --

THAT THERE ARE NO BRITISH ACTORS

NOMINATED FOR BEST ACTOR OR BEST

ACTRESS.

YEAH.

BRITISH SPOKESPERSON SAID, YEAH,

WELL, AT LEAST WE ARREST OUR

PEDOPHILES.

SO, WE GOT THAT GOING FOR US.

[ CHEERS AND APPLAUSE ]

BY THE WAY, I HAVE TO SAY AGAIN,

MICHAEL B. JORDAN, YOU ARE

INCREDIBLE.

INCREDIBLE PLAYING IDENTICAL

TWIN BROTHERS SMOKE AND STACK IN

"SINNERS," JUST AMAZING.

I CANNOT GET ENOUGH OF THIS MAN.

SO, AS A SPECIAL TREAT, EVERY

SEAT FILLER AT TONIGHT'S OSCARS

WILL BE MICHAEL B. JORDAN.

CHECK IT OUT.

BY THE WAY, HOW AM I LOOKING

TONIGHT, MICHAEL B. JORDANS?

OKAY.

LEONARDO DiCAPRIO.

SIR, GOOD TO SEE YOU.

I BOW TO YOU.

HE'S THE STAR OF SO MANY MOVIES

AND THE KING OF MEMES.

HE'S THE KING OF MEMES, THIS

GUY.

LET'S MAKE A NEW MEME WITH LEO

RIGHT NOW.

THAT FEELING WHEN YOU DIDN'T

AGREE TO THIS.

THEY'LL PULL THAT UP IN EDITING.

LIVE.

OKAY.

WE'LL TALK LATER.

TONIGHT'S OSCARS ARE BEING

WATCHED BY MORE THAN A BILLION

PEOPLE AROUND THE WORLD.

YEAH.

LET'S -- LET'S SAY HI TO SOME OF

THEM.

IF YOU'RE WATCHING FROM SPAIN --

IF YOU'RE SEEING US IN

ARGENTINA --

AND TO OUR FRIENDS IN LOS

ANGELES --

[ CHEERS AND APPLAUSE ]

YES.

TONIGHT IS AN INTERNATIONAL

EVENT.

IF I CAN BE SERIOUS FOR JUST A

MOMENT, EVERYONE WATCHING RIGHT

NOW AROUND THE WORLD IS ALL TOO

AWARE THAT THESE ARE VERY

CHAOTIC, FRIGHTENING TIMES,

OKAY?

IT'S AT MOMENTS LIKE THESE THAT

I BELIEVE THAT THE OSCARS ARE

PARTICULARLY RESONANT.

CHECK IT OUT.

31 COUNTRIES ACROSS SIX

CONTINENTS ARE REPRESENTED THIS

EVENING.

AND EVERY FILM -- EVERY FILM --

YEAH.

EVERY FILM WE SALUTE IS THE

PRODUCT OF THOUSANDS OF PEOPLE

SPEAKING DIFFERENT LANGUAGES,

WORKING HARD TO MAKE SOMETHING

OF BEAUTY.

WE PAY TRIBUTE TONIGHT NOT JUST

TO FILM BUT TO THE IDEALS OF

GLOBAL ARTISTRY, COLLABORATION,

PATIENCE, RESILIENCE, AND THAT

RAREST OF QUALITIES TODAY,

OPTIMISM.

SO, LET US PLEASE CELEBRATE.

LET US CELEBRATE.

LET US CELEBRATE NOT BECAUSE WE

THINK ALL IS WELL BUT BECAUSE WE

WORK AND HOPE FOR BETTER IN THE

DAYS AHEAD.

NOW, WE'RE ABOUT TO START

HANDING OUT AWARDS.

I JUST WANT TO SAY THIS IN THE

SPIRIT OF OPTIMISM, OKAY?

ENJOY.

I'VE SEEN A LOT OF THESE

CEREMONIES.

I AM ALWAYS SO IMPRESSED BY HOW

GRACIOUS THE WINNERS ARE.

REALLY.

WHEN YOU GUYS WIN, YOU SHARE

YOUR GLORY WITH YOUR

CO-NOMINEES, WITH YOUR TEAM,

WITH YOUR SPOUSE.

IT'S REFRESHING TO SEE ALL THIS

MODESTY AND GENUINE HUMILITY.

BUT HONESTLY, I DON'T KNOW IF I

COULD DO THAT.

IF IT WERE ME AND I WAS UP FOR

AN OSCAR --

>> THE NOMINEES FOR BEST

ACHIEVEMENT ARE ANTONIO

BANDERAS, RENEE ZELLWEGER,

DENZEL WASHINGTON, GLENN CLOSE,

AND CONAN O'BRIEN.

AND THE WINNER IS --

CONAN O'BRIEN.

♪

♪

>> CICERO, MY OSCAR!

COME TO ME, CICERO!

COME!

COME TO ME!

YES!

♪

>> THIS IS HOW ALL OSCARS WILL

BE HANDED OUT TONIGHT.

JOSH ROGEN, EVERYBODY.

GIVE IT UP FOR HIM.

HERE TO PRESENT OUR FIRST AWARD,

FELLOW OSCAR WINNER, ZOE

SALDANA.

♪

>> LADIES, LADIES, LADIES, WHAT

I LOVED ABOUT EVERY SINGLE

PERFORMANCE NOMINATED FOR

SUPPORTING ACTRESS WAS THE SHEER

SCOPE OF CONTRAST CONTAINED IN

EACH ONE.

THERE WAS VULNERABILITY AND

FEARLESSNESS, FIERCE

PHYSICALITY, AND QUIET EMOTION,

BOTH SUBTLETY AND A BALLS TO THE

WALL COMMITMENT TO WHAT EACH ONE

OF YOU PUT ON SCREEN.

YOU ALL ALLOWED WHAT MAKES THE

ART OF ACTING SO EXHILARATING.

>> ELLE FANNING, "SENTIMENTAL

VALUE."

>> I CAN'T DO IT ANYMORE.

I WANT A HOME.

I WANT A HOME.

>> INGA IBSDOTTER LILLEAAS,

"SENTIMENTAL VALUE."

>> AMY MADIGAN, "WEAPONS."

>> I REALIZED FAR TOO LATE THAT

I WAS STANDING ON THE WRONG

CORNER.

AND BY THE TIME I PUT THAT

TOGETHER, OH, I'D MISSED IT

ENTIRELY.

SO, I HAD TO WALK ALL THE WAY

ACROSS TOWN TO GET HERE.

>> WUNMI MOSAKU, "SINNERS."

>> YOU AND THAT CRAZY BROTHER OF

YOURS SAFE EVERY DAY SINCE

YOU'VE BEEN GONE.

>> TEYANA TAYLOR, "ONE BATTLE

AFTER ANOTHER."

>> -- THE SAME REASON YOU

WERE -- THE WORLD.

YOU AND YOUR CRUMBLING EGO WILL

NEVER DO THIS REVOLUTION LIKE

ME.

>> AND THE OSCAR GOES TO --

AMY MADIGAN.

>> THIS IS THE SECOND NOMINATION

FOR AMY MADIGAN.

>> HA, HA, HA, HA, HA, HA.

[ LAUGHTER ]

THIS IS GREAT!

I MEAN, EVERYBODY'S ASKING ME IN

THE PRESS AND ALL THIS, WELL,

IT'S BEEN 40 YEARS.

AND, YOU KNOW, WHAT'S DIFFERENT

ABOUT THIS TIME?

WHAT'S DIFFERENT IS I HAVE THIS

LITTLE GOLD GUY!

SO, I MEAN, I WAS IN THE SHOWER

LAST NIGHT TRYING TO THINK OF

SOMETHING TO SAY AS I WAS

SHAVING MY LEGS, AND I THOUGHT,

I'VE GOT PANTS ON.

I DON'T HAVE TO WORRY ABOUT

THAT.

AND, YOU KNOW, WE WERE KIND OF

ADVISED THAT, YOU KNOW, DON'T

SAY ALL THESE NAMES BECAUSE

NOBODY KNOWS WHO THE HELL THESE

PEOPLE ARE.

BUT YOU'RE NOT RATTLING THEM

OFF.

THEY'RE PEOPLE THAT MEAN

SOMETHING TO YOU, THAT YOU

COULDN'T BE HERE WITHOUT THEM.

FIRST AND FOREMOST, I JUST HAVE

TO THANK ZACK CRAIG, OUR WRITER

AND DIRECTOR.

HE JUST WROTE -- HE JUST WROTE A

DREAM PART, AND HE JUST LET ME

GRAB IT BY THE THROAT AND BALL.

I WANT TO THANK MARY, YOU KNOW,

WHO WAS ON SET ALL THE TIME, OUR

PRODUCER, AND OF COURSE, YOU

KNOW, WARNER BROTHERS AND PAM

AND MIKE.

BUT, YOU KNOW, IT'S ALL THE

PEOPLE WHO HAVE HELPED ME GET

HERE.

YOU KNOW, YOU'RE JUST -- AS YOU

CAN TELL, I'M A LITTLE

FLUMMOXED.

YOU KNOW WHAT I MEAN?

I ALSO WANT TO GIVE TRIBUTE TO

ELLE AND INGA AND WUNMI AND

TEYANA.

I -- OH, MY LEGS ARE SHAKING.

BECAUSE WHEN I WAS DOING ALL THE

"WEAPONS" STUFF, I WAS, KIND OF,

TRAVELING ON MY OWN AND PEOPLE

FROM "ONE BATTLE" AND PEOPLE

FROM "SINNERS" AND ALL THE

FILMS, THEY JUST, KIND OF, GAVE

ME A HUG AND SAID, YEAH, COME ON

IN AND LET US KNOW YOU AND YOU

CAN KNOW US.

SO, I THINK THAT -- BUT MOST OF

ALL I WANT TO THANK MY BEAUTIFUL

DAUGHTER, LILLY, HER HUSBAND,

SHAWN, AND OF COURSE ALL THE

DOGS.

BUT THE MOST IMPORTANT IS MY

BELOVED ED.

WHO'S BEEN WITH ME FOREVER.

AND THAT'S A LONG TIME.

AND NONE OF THIS WOULD MEAN

ANYTHING IF HE WASN'T BY MY

SIDE.

SO, THANK YOU VERY MUCH.

I'M VERY OVERWHELMED.

♪

>> Announcer: COMING UP NEXT,

WILL ARNETT AND CHANNING TATUM.

PLUS WE CELEBRATE MUSIC FROM

"SINNERS."

HERE ON "THE OSCARS" FROM THE

DOLE BY THEATRE AT OVATION

HOLLYWOOD.

>> Conan: I'M VIBING WITH

TIMOTHEE RIGHT NOW.

HE DOESN'T THINK SO.

ALL RIGHT.

WELCOME BACK.

WE'RE COMING TO YOU LIVE FROM

THE HAS A SMALL PENIS THEATER.

LET'S SEE HIM PUT HIS NAME IN

FRONT OF THAT.

[ LAUGHTER ]

STARTING IN 2029 -- DID YOU KNOW

THIS -- INSTEAD OF ABC, THE

OSCARS ARE GOING TO AIR SOLELY

ON YOUTUBE.

YEAH.

IT'S THE FUTURE.

YES.

IT'S A BIG CHANGE.

SOME PEOPLE ARE WORRIED THIS

WILL CHANGE HOW THE OSCARS ARE

VIEWED, BUT I'VE BEEN ASSURED

THAT --

>> BACK TO THE FLASHLIGHT.

UP TO LUMENS OF BRIGHTNESS IN A

HAND HELD FLASHLIGHT.

THE SAME FLASHLIGHT THAT KILLED

BIN LADEN.

>> Conan: I'M SORRY ABOUT THAT,

BUT, LIKE I SAID, I DON'T THINK

THIS WILL CHANGE THE OSCARS AT

ALL.

I THINK --

>> HAVE YOU BEEN INJURED IN A

TACTICAL FLASHLIGHT-RELATED

INCIDENT?

YOU MAY BE ELIGIBLE FOR

COMPENSATION.

DON'T LET IT GET THE BETTER OF

YOU.

>> Conan: POOR JANE LYNCH.

OUR NEXT PRESENTERS ARE THE

TWO MOST AGGRESSIVE ALPHA MALES

IN MY BOOK CLUB, PLEASE WELCOME

WILL ARNETT AND CHANNING TATUM.

♪

>> TONIGHT WE ARE HERE TO

CELEBRATE EXCELLENCE IN

ANIMATION.

>> THAT IS RIGHT.

>> THAT'S RIGHT, THAT'S RIGHT.

AND, WILL, MIGHT I ADD, I'M SUCH

A BIG FAN OF YOUR WORK IN

ANIMATION --

"BOJACK HORSEMAN,"

"LEGO BATMAN" --

MAYBE MY FAVORITE OF ALL.

>> YOU WERE ALSO IN THAT!

>> I WAS!

MAN, YOU'RE SO GOOD.

HAVE YOU EVER CONSIDERED TRYING

TO ACT IN FRONT OF THE CAMERA?

>> UM, YEAH, I'VE DONE THAT.

IN FACT, THIS YEAR I MADE A

MOVIE WITH BRADLEY COOPER.

>> WHAT?

REALLY?

I LOVE THAT GUY.

HE'S SO GOOD.

HE JUST TAKES SO MANY RISKS ON

NON-ACTORS.

HE PULLS, LIKE, REALLY AMAZING

PERFORMANCES OUT OF THEM.

LADY GAGA -- YOU, I'M ASSUMING.

HE'S A REAL MIRACLE WORKER.

HAS A MAGIC WAND.

I'M SURE YOU GOT NOMINATED.

>> I DID NOT GET NOMINATED.

>> THAT'S OKAY.

ME NEITHER.

I GUESS WE'RE BOTH AVAILABLE FOR

VOICE-OVER WORK.

>> YOUR NOMINEES FOR BEST

ANIMATED FEATURE ARE --

>> "ARCO."

UGO BIENVENU, FELIX DE GIVRY,

SOPHIE MAS AND NATALIE PORTMAN.

"ELIO."

MADELINE SHARAFIAN, DOMEE SHI,

ADRIAN MOLINA AND

MARY ALICE DRUMM.

"KPOP DEMON HUNTERS."

MAGGIE KANG, CHRIS APPELHANS AND

MICHELLE L.M. WONG.

"LITTLE AMELIE OR THE CHARACTER

OF RAIN."

MAILYS VALLADE, LIANE-CHO HAN,

NIDIA SANTIAGO AND

HENRI MAGALON.

"ZOOTOPIA 2."

JARED BUSH, BYRON HOWARD AND

YVETT MERINO.

>> AND THE OSCAR GOES TO --

KPOP DEMON HUNTERS.

[ APPLAUSE ]

>> Announcer: THIS IS THE FIRST

OSCAR WIN FOR MAGGIE KANG, CHRIS

APPELHANS AND MICHELLE L.M.

WONG.

♪

[ APPLAUSE ]

[ APPLAUSE ]

>> THANK YOU.

THANK YOU TO THE ACADEMY AND TO

ALL THE FANS WHO GOT US HERE,

AND FOR THOSE OF YOU WHO LOOK

LIKE ME, I AM SO SORRY THAT IT

TOOK US SO LONG TO SEE US IN A

MOVIE LIKE THIS.

[ APPLAUSE ]

BUT IT IS HERE.

AND THAT MEANS THAT THE NEXT

GENERATIONS DON'T HAVE TO GO

LONGING.

THIS IS FOR KOREA AND FOR

KOREANS EVERYWHERE.

[ APPLAUSE ]

>> MUSIC AND STORIES HAVE THIS

POWER TO CONNECT US AS HUMANS

ACROSS CULTURES AND BORDERS, SO

I JUST WANT TO TAKE A MOMENT TO

SAY TO ALL THE YOUNG FILMMAKERS,

ARTISTS, MUSICIANS IN ALL

CORNERS OF THE GLOBE, TELL YOUR

STORY, SING IN YOUR VOICE.

I PROMISE YOU THE WORLD IS

WAITING.

[ APPLAUSE ]

>> THANK YOU TO OUR PARTNERS AT

NETFLIX.

♪

OH, OKAY.

THANK YOU TO OUR PARTNERS AT

NETFLIX WHO MADE ALL OF THIS

POSSIBLE AND, OF COURSE, TO OUR

CREWS AT SONY PICTURES AND SONY

PICTURES MUSIC FOR YOUR

EXCELLENCE IN MAKING FILMS AND

LOVE TO OUR SPOUSES, ERIC, RAD

AND MAUREEN FOR ALL OF YOUR

SUPPORT.

MOM, THIS IS FOR YOU.

♪

>> AND NOW THE AWARD FOR BEST

ANIMATED SHORT AND THE CREATIVE

PEOPLE WHO BRING THESE ANIMATED

STORIES TO LIFE.

>> THAT'S RIGHT.

TONIGHT WE ARE CELEBRATING

PEOPLE NOT A.I. BECAUSE

ANIMATION -- YEAH -- IT'S MORE

THAN A PROP, IT'S AN ART FORM

AND NEEDS TO BE PROTECTED.

AM I RIGHT?

[ APPLAUSE ]

AM I RIGHT?

[ APPLAUSE ]

>> YEAH.

I FEEL THAT WAY, TOO.

>> TOO LATE.

I ALREADY WON THE PRESENTING

SEGMENT.

>> I DIDN'T REALIZE IT WAS A

COMPETITION.

>> THAT'S WHY YOU CAME IN

SECOND.

ALL RIGHT, THE NOMINEES ARE --

"BUTTERFLY."

FLORENCE MIAILHE AND RON DYENS.

"FOREVERGREEN."

NATHAN ENGELHARDT AND

JEREMY SPEARS.

"THE GIRL WHO CRIED PEARLS."

CHRIS LAVIS AND

MACIEK SZCZERBOWSKI.

"RETIREMENT PLAN."

JOHN KELLY AND ANDREW FREEDMAN.

"THE THREE SISTERS."

KONSTANTIN BRONZIT.

>> AND THE OSCAR GOES TO --

>> "THE GIRL WHO CRIED PEARLS."

>> Announcer: THIS IS THE SECOND

NOMINATION FOR CHRIS LAVIS AND

MACIEK SZCZERBOWSKI.

THEY WERE PREVIOUSLY NOMINATED.

>> OH, BOY.

WE REALLY ARE THAT NERVOUS.

I GUESS PEOPLE THINK IT TAKES

PATIENCE TO TAKE FIVE YEARS TO

MAKE A PUPPET FILM.

IT TAKES PATIENCE TO LIVE WITH

SOMEONE WHO TAKES FIVE YEARS TO

MAKE A PUPPET FILM.

I WOULD LIKE TO THANK MY WIFE

MAYA, MY DAUGHTER.

>> STEPHANIE AND OUR BEAUTIFUL

NOLA.

WE'D LIKE TO THANK THE NATIONAL

FILM BOARD, OUR AMAZING

PRODUCERS, JULIE, MARK AND

CHRISTIE.

>> OUR WONDERFUL COLLABORATORS

BRIDGETTE HENRY, PATRICK WATSON,

JAMES HEINEMAN.

>> AND TO GET OFF QUICK, WE

REALLY WANT TO THANK OUR AMAZING

NEIGHBORHOOD AND THE AMAZINGLY

TALENTED COMMUNITY OF ARTISTS

THAT WE'VE HAD THE SUPERB LUCK

TO WORK WITH.

THANK YOU THE FANTASTIC CITY OF

MONTREAL.

THANK YOU, CANADA.

>> CAP DA!

CANADA!

♪

>>> THERE ARE LEGENDS OF PEOPLE,

BETWEEN LIFE AND DEATH.

>> THE DELTA BLUES IS A FORM OF

HEALING AND AFFIRMATION OF THE

EXISTENCE OF A PEOPLE WHO DREAM,

WHO BUILT, WHO FOUGHT, WHO LOVE.

IT IS BOTH SACRED AND PROFANE.

SIMPLE YET COMPLEX.

BOTH HUMAN AND DIVINE.

IT'S POWERFUL GLOBAL CULTURE IN

HIS IMAGE.

IT WAS ABOUT THAT POWER AND THE

SONG ABOUT THOSE PEOPLE.

>> YOU KEEP DANCING WITH THE

DEVIL, ONE DAY HE'S GOING TO

FOLLOW YOU HOME.

>> PREACH ON.

SPEAK YOUR WORDS.

I KNOW THE TRUTH HURTS.

SO I LIED TO YOU.

♪ SOMETHIN I BEEN

WANTIN' TO TELL YA

FOR A LONG TIME ♪

♪ IT MIGHT HURT YA

HOPE YOU DON'T

LOSE YOUR MIND ♪

♪ WELL I WAS JUST A BOY

'BOUT 8 YEARS OLD ♪

♪ YOU THREW ME A BIBLE

ON THAT MISSISSIPPI ROAD ♪

♪ SEE I LOVE YA PAPA

YOU DID ALL YOU COULD DO ♪

♪ THEY SAY THE TRUTH HURTS

SO I LIED TO YOU

YES I LIED TO YOU ♪

♪ I LOVE THE BLUES

♪

♪

♪ SOMEBODY TAKE ME

IN YOUR ARMS TONIGHT ♪

♪ SOMEBODY TAKE ME

IN YOUR ARMS TONIGHT ♪

♪ SOMEBODY TAKE ME

IN YOUR ARMS TONIGHT ♪

♪ SOMEBODY TAKE ME

I HOPE YOU CAN STAND IT

STAND IT ALL ♪

♪ 'CAUSE WHAT I'M OUT HERE

DOIN YOU DIDN'T PREACH

AT ALL ♪

♪ SEE I'M FULL OF THE BLUES

HOLY WATER TOO ♪

♪ I KNOW THE TRUTH HURTS

SO I LIED TO YOU ♪

♪ SO PREACH ON

SPEAK YOUR WORDS ♪

♪ I KNOW THE TRUTH HURTS

YES I LIED TO YOU ♪

♪ I LOVE THE BLUES

I LOVE THE BLUES ♪

♪ YEAH YEAH YEAH

AYY-AYY-AYY ♪

♪ KNOW THE TRUTH HURTS

AYY-AYY-AYY

♪ I KNOW THE TRUTH HURTS

SO I LIED TO YOU ♪

♪ WELL SOMEBODY TAKE ME

IN YOUR ARMS ♪

♪ TONIGHT

♪ AYY-AYY-AYY

OHH

AYY-AYY-AYY ♪

♪ IN YOUR ARMS

MM-HM-MM ♪

♪

[ APPLAUSE ]

♪

[ APPLAUSE ]

♪ I'M ON A NEW LEVEL

>> I HAVE A PURPOSE.

IF YOU THINK THAT'S SOME SORT OF

BLESSING, IT'S NOT.

IT PUTS ME AT A HUGE LIFE

DISADVANTAGE.

IT MEANS I HAVE AN OBLIGATION TO

SEE A VERY SPECIFIC THING

THROUGH.

♪ I'M ON A NEW LEVEL

>> AND WITH THAT OBLIGATION

COMES SACRIFICE.

>> WHAT DO YOU PLAN TO DO IF

THIS WHOLE DREAM OF YOURS

DOESN'T WORK OUT?

>> THAT DOESN'T EVEN ENTER MY

CONS

CONSCIOUSNESS.

♪ I'M ON A NEW LEVEL

>>> BEFORE WE GO ANY FURTHER,

HOW ABOUT A HAND FOR OUR

BRILLIANT CONDUCTOR, MICHAEL

BEARDEN AND THE INCREDIBLE

ACADEMY ORCHESTRA.

MAESTRO.

[ APPLAUSE ].

>> AND CONCERT MASTER, CHARLIE

BICHEROT.

SIR, WE SALUTE YOU.

AND FOR THOSE OF YOU WHO ARE

FANS OF "MARTY SUPREME," YOU'LL

LOVE THE ORCHESTRA'S NEWEST

INSTRUMENT, THE TIMOTHEE

CHALAMET BUM DRUM.

[ APPLAUSE ].

>> TONIGHT WE'RE HERE TO

CELEBRATE THIS YEAR'S FILMS, BUT

I NEED TO STRESS THIS, WE ALSO

CARE DEEPLY ABOUT PRESERVING

FILM HISTORY.

IT MUST BE PRESERVED.

I WANTED TO HIGHLIGHT ONE STUDIO

COMMITTED TO DOING JUST THAT FOR

THE SMART PHONE GENERATION.

>> VENTURA CROSS ROADS LABS A A

GROUP OF FILM PRESERVATIONIST

COMMITTED TO ONE SIMPLE GOAL,

MAKING MOVIES VERY TALL AND VERY

SKINNY.

AS MORE PEOPLE DEPEND ON THEIR

PERSONAL DEVICES FOR

ENTERTAINMENT, VENTURA CROSS

ROADS IS MEETING THIS NEED BY

UPDATING YESTERDAY'S CLASSICS

FOR TODAY'S MOVIE AUDIENCES.

USING SOPHISTICATED A.I.

SOFTWARE, VENTURA CROSS ROADS

PRESERVES ONLY THE MOST VISUALLY

INTERESTING PARTS OF THE FRAME.

>> YES, YES, YES!

>> SO NOW FUTURE AUDIENCES CAN

ENJOY REIMAGED CLASSICS, LIKE

"TWO ANGRY MEN" AND "ODD FAT II"

HOLLYWOOD'S BIGGEST MOVIES, MADE

SMALLER AND TALLER, ALL THANKS

TO VENTURA CROSS ROADS.

OH, ONE MORE THING.

>> TELL THEM MARTY SENT YOU.

[ APPLAUSE ].

>> IMPORTANT WORK.

IMPORTANT WORK.

IT'S TIME TO INTRODUCE THE NEXT

PRESENTER, BUT LET'S MAKE THIS

SPECIAL.

CAN WE HAVE A BUM DRUM ROLL,

PLEASE.

WHY, CONAN, WHY.

AT ONE POINT IN MY LIFE I HAD

BOTH OF THEIR HAIRCUTS.

PLEASE WELCOME OSCAR WINNER ANN

HATHAWAY AND DAME ANNA WINTOUR.

♪

>> WHETHER IT'S TWO DISTINCT

JEWEL-TONED HATS, METICULOUSLY

CRAFTED HEAD DRESS, A SIMPLE

PAIR OF SEMIRIMLESS EYEGLASSES,

COMPLEX AND DRAMATIC PIECES THAT

BRING TO LIFE A GOTHIC CLASSIC,

OR WATCHING RED TURN RUST IN

16th CENTURY ENGLAND.

A CHARACTER'S COSTUME IS KEY TO

TELLING A STORY.

ONE COULD ARGUE THAT ONE'S

WARDROBE IN REAL LIFE IS ALSO

KEY.

DOES IT MAKE ONE APPEAR ELEGANT

AND ATTRACTIVE ON SAY THE MOST

IMPORTANT NIGHT IN HOLLYWOOD AND

SAY THE MOST IMPORTANT PEOPLE IN

FASHION WILL BE JUDGING HOW ONE

LOOKS.

ANNA, JUST CURIOUS, WHAT DO YOU

THINK OF MY DRESS TONIGHT?

>> AND THE NOMINEES ARE --

[LAUGHTER].

♪

>>> "AVATAR: FIRE AND ASH,"

COSTUME DESIGN BY DEBORAH L.

SCOTT.

"FRANKENSTEIN" COSTUME DESIGN BY

KATE HOLLY.

"HAMNET," COSTUME DESIGN BY --

>> "MARTY SUPREME," COSTUME

DESIGN BY MIAKO BELITZI.

"SINNERS," COSTUME DESIGN BY

RUTH E.-COTTA.

>> AND THE OSCAR FOR BEST

COSTUME DESIGN GOES TO --

"FRANKENSTEIN" KATE HOLLY.

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR KATE HOLLY.

SHE'S AN ACCLAIMED NEW ZEALAND

BORN COSTUME DESIGNER, RENOWN

FOR HER WORK IN FANTASY AND SCI

FI FILMS.

[ APPLAUSE ].

♪

>> ON BEHALF OF MYSELF AND THE

AMAZING TEAM THAT I WORK WITH,

THE ARTISANS, THE AL CHEEMISTS,

THE DREAM WEAVERS, WE'RE SO

THANKFUL TO THE ACADEMY FOR

RECOGNIZING OUR CRAFT.

IT'S BEEN SUCH A PRIVILEGE TO

STAND ALONGSIDE RUTH, MIAGA, AND

SCOTT.

IT'S BEEN AMAZING KNOWING YOU

ALL.

AND GUILLERMO, I'M NOT GOING TO

CRY.

THANK YOU FOR THE VISION AND FOR

TAKING US ON YOUR JOURNEY.

IT'S BEEN A GREAT PRIVILEGE TO

BE PART OF IT.

ALL OUR NOMINATIONS ARE YOUR

NOMINATIONS.

WE SHARE WITH YOU.

A BIG SHOUTOUT TO OUR FANTASTIC

CAST AND EXTRA ONE TO DENNIS AND

MY FAMILY WHO PUT UP WITH A LOT

OF

[ MUTED ]

OVER THE YEARS.

MY DARLING DAUGHTER WHO IS

LITTLE EDDIE TO BY BIG EDDI-E

AND EVERYBODY WHO SUPPORTED US

ALONG THE WAY.

THE NETFLIX FAMILY, SCOTT,

MILES.

I DON'T KNOW ANYMORE.

I'VE LOST IT.

BUT I'M SO, SO GRATEFUL.

THANK YOU VERY MUCH FOR

RECOGNIZING OUR CRAFT.

[ APPLAUSE ].

♪

>> HAIR AND MAKEUP CHOICES CAN

MAKE A PERFORMANCE COME ALIVE.

THESE ARTISTS DELICATELY BALANCE

BEING BOLD YET TRANSPARENT,

CONSTANTLY ASKING THEMSELVES DO

I PULL BACK OR DO I GO FOR

BROKE.

THESE FIVE NOMINATED FILMS ARE

STUNNING EXAMPLES OF VISION,

ART, AND CRAFT.

ANNA, WOULD YOU LIKE TO READ THE

NOMINEES?

>> THANK YOU, EMILY.

AND THE NOMINEES ARE --

>> "FRANKENSTEIN" MIKE HILL,

JORDAN SAMUEL.

KAKUHO.

"SINNERS" -- "THE SMASHING

MACHINE -- "THE UGLY

STEPSISTER" --

>> AND THE OSCAR GOES TO -- MIKE

HILL, JORDAN SAMUEL AND FIONA

FOR "FRANKENSTEIN".

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR MIKE HILL,

JORDAN SAMUEL.

THE PREACHER TRANSFORMATION TOOK

11 HOURS EACH DAY, 42 INDIVIDUAL

PROSTHETIC PIECES.

>> FANTASTIC.

OLD SCHOOL.

>> OKAY.

THANK YOU SO MUCH.

WHILE WE'RE MAKING THIS FILM.

WE HAVE THE THOUGHT WE ARE A

PART OF SPECIAL.

THANK YOU.

THANKS TO OUR FELLOW NOM INOMIN.

THANK YOU TO MILES AND SCOTT.

THANK YOU TO NETFLIX.

AND OF COURSE, MY NATE JACOB

ELORDI WHO SAT FOR 400 HOURS IN

THE MAKEUP CHAIR DURING FILMING.

A PERSONAL THANK YOU TO MY DEAR

MEG AND TO OUR FRIEND GUILLERMO

DEL TORO, YOU DID IT, MATE.

YOU BROUGHT OUR BELOVED

"FRANKENSTEIN" BACK AND WE WANT

TO THANK YOU FOR ALLOWING US TO

MAKE YOUR DREAM PROJECT BECOME

OUR DREAM PROJECT.

THANK YOU, SIR.

[ APPLAUSE ].

>> WE WANT TO THANK ALL THE

PROSTHETIC, MAKEUP AND HAIR

PEOPLE FOR ALL THE HARD WORK

THEY DID.

IT SHOWED ON THE SCREEN AND

WE'RE INDEBTED TO YOU, FOREVER.

THANK YOU.

♪

>> Announcer: COMING UP, AN

ALL-STAR PRESENTATION FOR THE

FIRST EVER OSCAR FOR CASTING.

ONLY AT "THE OSCARS," HERE ON

ABC.

♪

>>> WHEN YOU TOUCHED ME, WHAT

DID YOU SEE?

>> I SAW A LANDSCAPE.

PLACES, UNDISCOVERED COUNTRIES.

>> THE FILM IS ABOUT HOPE.

EMPATHY.

GRIEF.

AND LOVE.

WE HAVE THE POWER OF

TRANSFORMING THESE FEELINGS INTO

ART.

>> WHAT DO YOU SEE?

>> LOVE DOESN'T DIE, JUST

TRANSFORMS.

[ APPLAUSE ]

>> Announcer: PLEASE WELCOME

PAUL MESCAL, GWYNETH PALTROW,

CHASE INFINITI, WAGNER MOURA AND

DELROY LINDO.

♪

[ APPLAUSE ].

>> THE FIVE OF US ON THIS STAGE

ARE TRULY HONORED TO BE

PRESENTING THE FIRST EVER OSCAR

FOR ACHIEVEMENT IN CASTING.

[ APPLAUSE ].

A GREAT CASTING DIRECTOR

IDENTIFIES THE SOUL OF A STORY.

AND NINA, YOU FOUND THE SOUL OF

"HAMNET" IN WILLIAM AND AGNES'

FAMILY.

THEY WERE THE HEART OF THE FILM,

AND SEEING YOU WORK WITH

CHLOE ZHAO TO BRING TOGETHER THE

PERFECT EMOTIONAL CONNECTION

BETWEEN THE CHILDREN AND JESSIE

AND I WAS INCREDIBLE TO WATCH.

SO THANK YOU.

[ APPLAUSE ].

>> BEING A PART OF "MARTY

SUPREME" MEANT STEPPING INTO A

CAST THAT FELT INCREDIBLY ALIVE

FROM THE FIRST DAY.

AND THAT COMES FROM THE

BRILLIANCE OF JENNIFER VENDITTI.

JENNIFER, YOU HAVE THIS RARE

ABILITY TO SEE PEOPLE AS THEY

TRULY ARE AND UNDERSTAND EXACTLY

HOW THEY BELONG INSIDE A STORY.

WITH YOUR BACKGROUND IN

DOCUMENTARIES, YOU KNOW THE TRUE

VALUE OF LIVED EXPERIENCE.

IT CAN'T BE FAKED.

IN YOUR EYES, EVERYONE IS A

CHARACTER WITH A STORY TO TELL.

AND AS SOMEONE LUCKY ENOUGH TO

BE AMONG THEM, I FELT THAT CARE

EVERYDAY ON SET.

TONIGHT WE'RE CELEBRATING THE

INVISIBLE, EXQUISITE

ARCHITECTURE YOU BUILT BENEATH

EVERY MOMENT OF "MARTY SUPREM."

>>> I'M STANDING HERE TONIGHT

BECAUSE OF A CASTING DIRECT OR

CASSANDRA KULUKUNDIS.

SHE SPENT YEARS SEARCHING FOR

WILLA.

AND SHE SAW SOMETHING IN ME THAT

EVEN I DIDN'T EVEN KNOW WAS

THERE.

HER BELIEF IN ME HELPED ME

BELIEVE IN MYSELF.

AND THANKS TO HER DETERMINATION,

IMAGINATION AND INSTINCTS I WAS

CAST IN MY FIRST FEATURE FILM,

"ONE BATTLE AFTER ANOTHER,"

WHICH HAS 13 OSCAR NOMINATIONS

TONIGHT.

[ APPLAUSE ].

GREAT CASTING DIRECTORS LIKE

CASSANDRA KNOW HOW TO BRING

TOGETHER ACTORS WE LOVE WITH NEW

FACES AND MAKE A FILM FEEL

UNEXPECTED AND COMPLETELY

ORIGINAL.

[ APPLAUSE ].

>> "THE SECRET AGENT" --

[ APPLAUSE ].

"THE SECRET AGENT" IS SET IN

BRAZIL IN THE LATE 1970S.

GABRIEL DOMINGUES HAD TO

POPULATE THE FILM WITH PEOPLE

WHO HAVE FACES THAT LOOKED LIKE

THEY BELONG IN THAT TIME.

GABRIEL, YOU ACHIEVED THAT GOAL.

[ APPLAUSE ].

YOU FOUND THOSE FACES.

AND YOU DID IT BY TAKING AS MUCH

CARE AND ATTENTION WITH THE

SMALLEST PARTS AS YOU DID WITH

THE BIGGEST PARTS, AND THE LIFE

IT GAVE TO OUR FILM IS

IMMEASURABLE.

GABRIEL, YOU USED YOUR TECHNIQUE

TO SHAPE AN ENTIRE WORLD IN "THE

SECRET AGENT."

[ APPLAUSE ].

AND FOR THAT I SAY --

>> FRANCINE MAISLER.

[ APPLAUSE ].

WE LOOK BACK AT THE CAST OF

"SINNERS," IT'S APPARENT TO

EVERYONE YOU KNOW HOW TO

DISCOVER NEW TALENT.

I'M VERY GRATEFUL PERSONALLY TO

YOU THAT YOU MADE ROOM FOR ONE

WHO'S BEEN DOING THIS A LITTLE

WHILE.

IN "SINNERS," EVERY CHARACTER

FEELS SINGULAR.

DISTINCT.

FULLY LIVED IN.

FRANCINE, AND YET TOGETHER THEY

FORMED SOMETHING MUCH LARGER, A

LIVING, BREATHING WORLD.

THAT DIDN'T HAPPEN BY ACCIDENT.

THAT HAPPENED BECAUSE, FRANCINE,

YOU UNDERSTOOD THAT IDENTITY IS

CULTURAL.

IT'S GENERATIONAL.

IT'S COMMUNAL.

[ APPLAUSE ].

>> AND THE VERY FIRST OSCAR FOR

CASTING GOES TO --

CASSANDRA KULUKUNDIS.

"ONE BATTLE AFTER ANOTHER."

THE BEST CASTING OSCAR FOR FIRST

NEW COMPETITIVE ACADEMY AWARD IN

24 YEARS.

[ APPLAUSE ].

>> YEAH, I SAID THAT.

OKAY.

WOW, WOW, WOW, WOW.

OKAY.

I HAVE TO OBVIOUSLY THANK THE

ACADEMY FOR EVEN ADDING THIS

CATEGORY AND FOR THE CASTING

DIRECTORS THAT FOUGHT TIRELESSLY

TO MAKE IT HAPPEN DESPITE

EVERYTHING IN THEIR WAY.

I DEDICATE THIS TO YOU.

AND TO THE CASTING DIRECTORS WHO

NEVER GOT A CHANCE TO GET UP

HERE, WHO DIDN'T EVEN GET A

CHANCE TO GET THEIR NAME ON THE

MOVIE, SO THAT'S FOR YOU GUYS.

WHEN PAUL THOMAS ANDERSON CALLS

YOU, YOU ENTER THE PTA WITNESS

PROTECTION PROGRAM AND YOU

LITERALLY DON'T TALK TO YOUR

FRIENDS AND YOUR FAMILY UNLESS

THEY HAVE SOMEBODY THAT'S RIGHT

FOR THE MOVIE.

AND I PUT THEM ALL TO WORK AND I

GET MAD AT THEM WHEN THEY

HAVEN'T PROVIDED.

AND I HAVE TO THANK ALL THE CREW

WHO I AM IN ALL YOUR DEPARTMENTS

WHETHER YOU LIKE ME OR NOT,

WHETHER IT'S LOCATIONS, WHO

REALLY HATES ME.

STUNTS.

PRODUCTION DESIGN, YEAH,

EVERYONE AND EDITORS OBVIOUSLY,

THANK YOU.

BUT LIKE THIS IS A THING.

AND I JUST THANK YOU FOR -- I

MEAN, TEN MOVIES.

WE'VE DONE THIS FOR OVER PO 30

YEARS.

HI.

YEAH, I HOPE YOU GET ONE

TONIGHT.

THANK YOU VERY MUCH, EVERYBODY.

THANK YOU.

[ APPLAUSE ].

♪

>> Announcer: TONIGHT, WE HONOR

GREATNESS.

LEGENDS.

ICONS.

THE VERY BEST.

AND NOW, MEET THE ONE THAT RULES

THEM ALL --

THE BEST WHOPPER YOU'VE EVER

TASTED.

♪

>>> WHY DIDN'T YOU WANT TO DO

THE ROLE?

>> HE WANTED YOU TO DO IT.

>> I CAN'T WORK WITH HIM.

WE CAN'T REALLY TALK.

>> I TRY TO UNDERSTAND PEOPLE IN

THE MOVIES I MAKE.

CINEMATIC LANGUAGE SOMEHOW GETS

US CLOSER TO PEOPLE THAN WE CAN

IN OUR EVERYDAY LIFE.

WE'RE ALLOWED TO REALLY LOOK AT

OTHERS.

[ APPLAUSE ].

[LAUGHTER].

>>> THE OF THE CARS ARE AN

INTERNATIONAL EVENT.

IN THAT SPIRIT, PLEASE WELCOME

LIVE FROM LONDON OUR ANNOUNCER,

MATT BARRY.

>> THANK YOU, CONAN.

IT'S A HUGE HONOR AND A THRILL

TO BE HERE TONIGHT.

>> WELL, WE'RE THRILLED TO HAVE

YOU, MATT.

WHO ARE YOU EXCITED TO SEE

TONIGHT?

>> WELL, I'VE ALWAYS BEEN A FAN

OF BENE ICIO DEL TORO, SIGOURNE

WEAVER --

>> HE DIED ALMOST 60 YEARS AGO?

>> IS THAT RIGHT?

WELL, THAT'S LIVE TV FOR YOU.

>> NO, IT'S NOT.

ANY WAY, MATT BARRY, I SALUTE

YOU.

THANK YOU VERY MUCH FOR DOING

THIS TONIGHT.

>> THANK YOU.

>> YEAH.

>> BLESS YOU.

>> HERE TO PRESENT OUR NEXT

AWARD, IS A MAN WHO HAS THE BODY

OF A MARVEL COMICS HERO AND THE

VOICE OF A MARVEL COMICS

COLLECTOR, OSCAR NOMINEE, KUMAIL

NANJIANI.

♪

>> IT HURTS BECAUSE IT'S TRUE.

I'VE GOT NO WARNING THAT WAS

GOING TO HAPPEN.

I AM HERE TO PRESENT THE

OSCAR FOR BEST LIVE ACTION SHORT

FILM.

THERE IS A REAL ART TO MAKING A

SHORT FILM.

TO TELL A STORY THAT EFFICIENTLY

TAKES VISION AND UNBELIEVABLE

CREATIVITY AND A LOT OF

DISCIPLINE AND, I'LL SAY IT, I

THINK MANY FULL-LENGTH MOVIES

WOULD ACTUALLY WORK JUST AS

WELL, IF NOT BETTER, AS SHORT

FILMS.

YOU KNOW WHAT, WE SHOULD TAKE

SOME OF THESE FEATURE FILMS,

REMAKE THEM AS SHORTS.

SAVE US SOME TIME.

WE HAVE SO MUCH GOING ON.

INSTEAD OF "IT'S A WONDERFUL

LIFE."

HOW ABOUT --

"IT'S A WONDERFUL MONTH."

"WEST SIDE ANECDOTE," "THE

KING'S TWEET."

"SOME OF THAT JAZZ," "CALL ME BY

YOUR NICKNAME," "NO COUNTY FOR

OLD MAN," "ONE BATTLE --" THAT'S

IT.

YOU GET ONE.

CHOOSE WISELY, PAUL.

"SCHINDLER'S POST-IT."

THE NOMINEES ARE --

"BUTCHER'S STAIN."

MEYER LEVINSON-BLOUNT AND

ORON CASPI.

"A FRIEND OF DOROTHY."

LEE KNIGHT AND JAMES DEAN "JANE

AUSTEN'S PERIOD DRAMA."

JULIA AKS AND STEVE PINDER.

"THE SINGERS."

SAM A. DAVIS AND JACK PIATT.

"TWO PEOPLE EXCHANGING SALIVA."

ALEXANDRE SINGH AND

NATALIE MUSTEATA.

>> AND THE OSCAR GOES TO --

IT'S A TIE.

I'M NOT JOKING.

IT'S ACTUALLY A TIE.

EVERYONE CALM DOWN.

WE'RE GOING TO GET THROUGH THIS.

FOCUS UP.

REMAIN CALM.

I'M GOING TO NAME ONE WINNER,

THEY'LL COME UP, ACCEPT THEIR

AWARD AND COME BACK AND NAME

ANOTHER WINNER AND THEN THEY'LL

ACCEPT THEIR AWARD.

OKAY.

HERE WE GO.

ONE OSCAR GOES TO "THE SINGERS."

[ APPLAUSE ].

>> THIS IS THE FIRST NOMINATION

FOR JACK HIDE.

FIRST WIN AND SECOND NOMINATION

FOR SAM A. DAVIS.

>> IT'S A TIE, WOW.

I DIDN'T KNOW THAT -- I DIDN'T

KNOW THAT WAS A THING, A TIE.

BUT WE'RE HAPPY TO BE UP HERE.

FIRST I WANT TO THANK MY PARENTS

WHO CONVINCED A KID FROM

POTTERVILLE, MICHIGAN, THAT THIS

WAS A VIABLE CAREER AVENUE.

THANK YOU, MOM AND DAD.

TO OUR ENTIRE CREW, BUT

ESPECIALLY TO THESE GUYS

STANDING BEHIND ME, DAVID AND

JACK.

MY PRODUCERS.

WHO WILLED THIS THING INTO

EXISTENCE.

TO OUR INCREDIBLE CAST OF FIRST

TIMERS, PEOPLE WHO NEVER ACTED

BEFORE AND NEVER REALLY IMAGINED

THEMSELVES ON THE BIG SCREEN.

MIKE YOUNG IS HERE.

NEW YORK CITY SUBWAY BUSKER, YOU

MAY HAVE SEEN HIM.

THANK YOU TO NETFLIX TO MY

GIRLFRIEND PARIS, TO LAHABR

MOUSE LODGE.

AND FINALLY "THE SINGERS" IS A

SIMPLE STORY ABOUT THE POWER OF

MUSIC AND ART TO BRING US

TOGETHER IN A MOMENT WHEN WE

LIVE IN AN INCREASINGLY ISOLATED

WORLD.

MAY WE KEEP LOOKING FOR BEAUTY

AND UNEXPECTED PLACES.

AND MAY WE ALL BE BRAVE ENOUGH

TO KEEP ON SINGING.

THANK YOU.

[ APPLAUSE ].

>> IRONIC THAT THE SHORT FILM

OSCAR IS GOING TO TAKE TWICE AS

LONG.

[LAUGHTER].

>> AND THE SECOND OSCAR GOES

TO -- "TWO PEOPLE EXCHANGING

SALIVA."

[ APPLAUSE ].

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR ALEXANDRA

SINGH AND NATALIE MUSTIAT.

>> I BELIEVE THIS HAS ONLY

HAPPENED THREE TIMES IN HISTORY

BEFORE, AND WE ARE SO HAPPY TO

BE SHARING THIS OSCAR WITH "THE

SINGERS" WE LOVE ALL OF OUR

FELLOW NOMINEES AND WE'RE SO, SO

GRATEFUL FOR EVERYONE WHO HAS

SUPPORTED OUR FILM AND WHO MADE

OUR FILM OUR CREW.

OUR EPs, JULIAN MOORE AND

ISABEL, OUR FAMILY, OUR FRIENDS,

SOUVENIR SHOP AND OUR LITTLE

GIRL SOFIA SINGH AND THANK YOU

TO THE ACADEMY FOR SUPPORTING A

FILM THAT IS WEIRD AND THAT IS

QUEER AND THAT IS MADE BY A

MAJORITY OF WOMEN!

>> WOMEN!

>> WOMEN!

[ APPLAUSE ].

>> AND THANK YOU --.

[LAUGHTER].

>> AND FOR HAVING REWARDED A

FRENCH FILM MADE BY A FRANCO

INDIAN BRIT, A ROMANIAN

AMERICAN, ARGENTINIAN AND

ITALIAN.

LUXEMBOURG, KOSOVO AND IRAN WHO

CANNOT BE HERE TONIGHT.

>> SHE JUST HAD A BABY GIRL.

>> TWO DAYS AGO.

NILO.

>> JANE.

>> YOU ARE THE HOPE IN A WORLD

THAT IS DARK AND ABSURD AND

RIDICULOUS AND HORRIFYING, BUT

THAT IS WHY WE MAKE FILMS, ISN'T

IT?

BECAUSE WE BELIEVE THAT ART CAN

CHANGE PEOPLE'S SOULS.

MAKE MAYBE IT TAKES TEN YEARS

TIME BUT WE CAN CHANGE SOCIETY

THROUGH THEATER AND BALLET, AND

ALSO CINEMA.

THANK YOU SO MUCH.

>> THANK YOU.

[ APPLAUSE ].

>> I JUST WANT TO SAY

CONGRATULATIONS TO BOTH WINNERS.

YOU JUST RUINED 22 MILLION OSCAR

POOLS.

AND I KNOW WE'RE TIGHT, BUT TO

RETRACT A MICROPHONE ON A MAN AS

HE'S SPEAKING IS HILARIOUS.

>>> NEXT UP -- NEXT UP IS A

REALLY, REALLY FINE FELLOW AND

OSCAR WINNER FOR BEST SUPPORTING

ACTOR.

PLEASE WELCOME -- I LOVE THIS

GUY -- KIERAN CULKIN.

♪

[ APPLAUSE ].

>> I HAVE THE HONOR OF SHINING

NOMINEES FOR ACTOR IN A

SUPPORTING ROLE.

GENTLEMEN, YOU GAVE US

PERFORMANCES WE WILL ALWAYS

REMEMBER AND NOW IT IS MY

GENUINE PLEASURE TO GIVE ONE OF

YOU A MOMENT I HOPE YOU WILL

NEVER FORGET.

BENICIO DEL TORO, "ONE BATTLE

AFTER ANOTHER."

>> YOU SURE ABOUT THAT?

>> YES, MA'AM.

>> YOU'VE BEEN DRINKING TODAY?

>> I'VE HAD A FEW.

>> A FEW WHAT?

>> FEW SMALL BEERS.

JACOB ELORDI, "FRANKENSTEIN."

>> I AM THE CHILD OF A TROUBLED

HOUSE, A WRECKAGE, A REFUSE IN

THE DISCARDED DEBT.

DELROY LINDO, "SINNERS."

>> BLUES, TOO.

>> WHITE FOLKS SAY THE BLUES ARE

FINE, THEY JUST DON'T LIKE THE

PEOPLE WHO MAKE IT.

SEAN PENN, "ONE BATTLE AFTER

ANOTHER."

>> THIS DOESN'T LIGHTEN UP,

YOU'LL GO FREE.

BUT IF IT DOES LINE UP, IF IT'S

A STRAIGHT LINE, YOU GOT A

PROBLEM.

STELLAN SKARSGARD, "SENTIMENTAL

VALUE."

>> KILL THE BEST DOCTORS OF A

GENERATION, YOU'RE LUCKY THAT

SHE'S HERE.

YOU SHOULD BE GRATEFUL.

>> AND THE OSCAR GOES TO -- SEAN

PENN, ""ONE BATTLE AFTER

ANOTHER."

[ APPLAUSE ].

SEAN PENN COULDN'T BE HERE THIS

EVENING OR DIDN'T WANT TO, SO

I'LL BE ACCEPTING THE AWARD ON

HIS BEHALF.

[ APPLAUSE ].

>> Announcer: STILL TO COME, THE

AWARDS FOR ADAPTED AND ORIGINAL

SCREENPLAY AS WE CELEBRATE MORE

MOVIES WE LOVE.

HERE ON "THE OSCARS" FROM THE

DOLBY THEATER AT OVATION

HOLLYWOOD.

♪

>>> I KNOW WHO YOU ARE.

I KNOW WHAT YOU ARE.

>> YOU KNOW I'M NOT AN ALIEN.

>> WISE.

>> WHAT'S THE DIFFERENCE?

>> I FIND FASCINATING THAT

PEOPLE ARE WILLING TO QUESTION

WHAT REALITY IS AND TRY AND FIND

THEIR OWN TRUTH.

IT ALL STARTS WITH SOMETHING

MAGNIFICENT.

[ APPLAUSE ]

>> Conan: WE'RE BARELY INTO THIS

SHOW, WE ALREADY HAVE A TIE,

RIGHT, AND A NO-SHOW IN SEAN

PENN.

THIS THING IS A HUMDINGER.

YOU'VE GOT TO STAY TUNED!

IT'S BEEN WIDELY REPORTED THAT

SOME STUDIOS ARE NOW INSISTING

FILMMAKERS REPEAT INFORMATION

AND RESTATE THE PLOT SEVERAL

TIMES IN THEIR MOVIES IN ORDER

TO ACCOMMODATE THE MODERN MOVIE

VIEWER WHO IS HALF WATCHING

BECAUSE THEY'RE DISTRACTED BY

THEIR PHONES.

SOME PEOPLE ARE UPSET ABOUT

THIS.

I DON'T THINK IT'S A BIG DEAL.

PLEASE ENJOY THIS SCENE FROM AN

UPDATED HOLLYWOOD CLASSIC.

[ PIANO PLAYING "AS TIME GOES

BY"]

>> Announcer: "CASABLANCA" WITH

CONAN O'BRIEN AND

STERLING K. BROWN.

>> OF ALL THE GYN JOINTS, SHE

WALKS INTO MINE.

>> SHE WOULD BE AN ILSA, RIGHT?

>> YEAH, THAT'S HER NAME.

>> THAT'S GOT TO BE TOUGH

BECAUSE SHE GHOSTED YOU AT THAT

TRAIN STATION IN PARIS.

>> IT DEFINITELY CONTRIBUTED TO

MY OVERALL CYNICISM WHAT WITH

THIS BEING WORLD WAR II AND ALL.

>> WORLD WAR II -- THAT'S THE

HITLER ONE, RIGHT?

>> SURE IS, SAM.

MM-MM-MM.

AND, RICK, TO REITERATE, YOU'RE

JUST NOW REALIZING THAT YOU'RE

STILL IN LOVE WITH ILSA EVEN

THOUGH SHE'S MARRIED?

>> THAT'S RIGHT, SAM.

I'M IN LOVE.

>> DURING WORLD WAR II.

IT'S CRAZY.

>> THANK YOU VERY MUCH, STERLING

K. BROWN, EVERYBODY.

AND NOW, TO PRESENT THE AWARDS

FOR SCREENWRITING --

>> AND, TO BE CLEAR, THE AWARD

WE'RE TALKING ABOUT IS THE

OSCAR.

>> Conan: THAT'S CORRECT.

PLEASE WELCOME CHRIS EVANS AND

OSCAR WINNER ROBERT DOWNEY JR.

[ APPLAUSE ]

♪

>> WOW.

THE SCRIPT, RIGHT, IS THE

DRIVING FORCE OF ANY FILM AND

THIS HAS TRULY BEEN A BANNER

YEAR FOR SCREENWRITING TO SAY --

>> DOWNEY?

>> YEAH?

>> WHAT DID YOU GET ME FOR OUR

ANNIVERSARY?

>> DUDE, HOLD ON, I'M --

>> IT'S THE 14th ANNIVERSARY OF

THE FIRST "AVENGERS" FILM.

I GOT YOU A SIGNED COPY OF THE

SCRIPT, IT'S BACKSTAGE, FROM THE

FIRST TABLE READ.

THE WHOLE CAST SIGNED IT.

I REALLY THOUGHT THIS THROUGH.

>> SORRY, BUDDY.

UM, AND THIS IS FOR YOU.

I GOT IT ON ME.

LOOK, THAT'S FOR YOU.

>> IS THIS YOUR VALET PARKING

TICKET?

YOU SELF DROVE?

>> I DID.

I'M A MAN OF THE PEOPLE.

I DIDN'T REALLY THINK IT

THROUGH.

I'M GONNA NEED THAT BACK.

SORRY.

>> THE NOMINEES FOR BEST ADAPTED

SCREENPLAY ARE --

>> "BUGONIA."

SCREENPLAY BY WILL TRACY.

>> I'M SUPPOSED TO BELIEVE

YOU'RE A 45-YEAR-OLD WOMAN,

HUMAN WOMAN?

>> I FOLLOW A VERY STRICT

REVERSE AGING DIET AND THERAPY

PROGRAM.

"FRANKENSTEIN."

WRITTEN FOR THE SCREEN BY

GUILLERMO DEL TORO.

>> CONSIDER THIS MY SON,

WHEREVER YOU ARRIVE OR RECOURSE

YOU HAVE.

"HAMNET."

SCREENPLAY BY CHLOE ZHAO AND

MAGGIE O'FARRELL.

>> NO ONE ELSE WILL DO.

I WILL SPEAK WITH YOUR

STEPMOTHER AND YOUR BROTHER AND,

OF COURSE, THEY WILL NOT AGREE,

BUT I DON'T CARE BECAUSE I HAVE

NO TALENT FOR WAITING.

>> "ONE BATTLE AFTER ANOTHER"

WRITTEN BY PAUL THOMAS ANDERSON.

>> A BUNCH, 10 OR 20.

>> WEAPONS?

>> I THINK THEY'RE VEGETARIAN.

>> "TRAIN DREAMS."

SCREENPLAY BY CLINT BENTLEY AND

GREG KWEDAR.

>> YOU WORRY MORE AND MORE

SOMETHING TERRIBLE WAS FOLLOWING

HIM.

THE DEATH WOULD FIND HIM OUT

HERE.

FAR AWAY FROM THE ONLY PLACE HE

REALLY WANTED TO BE.

>> AND THE OSCAR GOES TO --

>> "ONE BATTLE AFTER ANOTHER,"

PAUL THOMAS ANDERSON.

>> Announcer: THIS IS THE FIRST

OSCAR WIN AND 14th NOMINATION

FOR PAUL THOMAS ANDERSON

INCLUDING HIS NOMINATION THIS IS

YEAR FOR DIRECTING AND BEST

PICTURE.

[ APPLAUSE ]

>> THANK YOU.

THANK YOU VERY, VERY MUCH.

I'M INCREDIBLY HONORED TO BE

PART OF THIS HISTORY.

THIS IS AN ADAPTION SO I OWE A

HUGE DEBT OF ADMIRATION AND LOVE

TO THOMAS PINCHON.

ANY WRITER KNOWS THAT YOU EITHER

BEG FOR FORGIVENESS OR YOUR

SPECIAL THANKS IS TO YOUR FAMILY

AND THE PEOPLE YOU SHARE A ROOF

WITH, WHO PUT UP WITH WHAT IT

MEANS TO LIVE WITH A WRITER.

TO MAYA --

[ APPLAUSE ]

YEAH, UNCLE PAUL, JOJO.

I WROTE THIS MOVIE FOR MY KIDS

TO SAY SORRY FOR THE

HOUSEKEEPING MESS THAT WE LEFT

IN THIS WORLD WE'RE HANDING OFF

TO THEM BUT, ALSO, WITH THE

ENCOURAGEMENT THAT THEY WILL BE

THE GENERATION THAT HOPEFULLY

BRINGS US SOME COMMON SENSE AND

DECENCY.

LUCY, JACK AND IDA, I LOVE YOU.

THANK YOU VERY MUCH.

THANK YOU.

[ APPLAUSE ]

♪

>> NO, DOWNEY.

OKAY, SPEAKING OF ANNIVERSARIES,

IT WAS 50 YEARS AGO THAT

FRANK PIERSON WON BEST ORIGINAL

SCREENPLAY FOR "DOG DAY

AFTERNOON."

>> EVANS, I WAS JUST JOSHING, I

GOT YOU COVERED.

I GOT YOU THE OFFICIAL

CHANNING TATUM THONG FROM "MAGIC

MIKE."

SEQUINED!

MIRROR BALL EFFECT.

LIGHT USAGE.

>> I HAVE NO WORDS.

>> I'M GONNA NEED THAT BACK FOR

--

>> FOR WHAT?

>> I HAVE TO WORK LATER.

>> WHAT ARE YOU TALKING ABOUT?

>> THE NOMINEES FOR BEST

ORIGINAL SCREENPLAY ARE --

"BLUE MOON."

WRITTEN BY ROBERT KAPLOW.

>> THE WHISKEY THAT MADE

LAUREN'S HEART.

>> "IT WAS JUST AN ACCIDENT"

WRITTEN BY JAFAR PANAHI.

SCRIPT COLLABORATORS

NADER SAIVAR, SHADMEHR RASTIN,

MEHDI MAHMOUDIAN.

>> "MARTY SUPREME"

WRITTEN BY RONALD BRONSTEIN AND

JOSH SAFDIE.

>> DO THE JOB?

>> NO.

I MEAN IT'S MY JOB.

>> HOW DO YOU LIVE?

>> I LIVE WITH I BELIEVE IN

MYSELF, THE MONEY WILL FOLLOW.

MY STRUGGLE ISN'T EVEN ABOUT

MONEY.

>> HOW DO YOU PAY RENT?

>> I DON'T.

"SENTIMENTAL VALUE."

WRITTEN BY ESKIL VOGT,

JOACHIM TRIER.

>> "SINNERS"

WRITTEN BY RYAN COOGLER.

>> OPEN UP NEXT WEEKEND.

>> NO, IT'S GOT TO BE TONIGHT.

GRAND OPENING STARTS WITH A

BANG.

>> OR WE START WITH A MISFIRE.

>> THAT'S A MIGHTY FINE DAY TO

BE FREE, AIN'T IT?

[ APPLAUSE ]

>> AND THE OSCAR GOES TO --

"SINNERS," RYAN COOGLER.

[ APPLAUSE ]

>> Announcer: RYAN COOGLER HAS

THREE NOMINATIONS THIS YEAR, AND

THIS IS HIS FIRST OSCAR WIN WITH

FIVE NOMINATIONS OVERALL.

♪

[ APPLAUSE ]

>> PLEASE, PLEASE, PLEASE --

PLEASE SIT DOWN BECAUSE I'M VERY

NERVOUS AND THEY'RE GOING TO

PLAY ME OFF.

I GREW UP IN OAKLAND,

ORIGINALLY, CALIFORNIA.

WE CAN TALK A LOT.

SO I WANT TO THANK THE ACADEMY

FOR THINKING OF OUR MOVIE THAT

CAME OUT ALMOST A YEAR AGO.

THIS IS AN INCREDIBLE HONOR.

I WANT TO THANK MY FELLOW

NOMINEES.

I WANT TO THANK YOU FOR THE

GIFTS, FOR YOUR FRIENDSHIP OVER

THE PAST YEARS AND MONTHS,

WARNER BROS., EVERYBODY, ALL MY

CAST AND CREW, PLEASE STAND UP.

YOU GUYS ARE AMAZING.

YOU GUYS ARE AMAZING.

[ APPLAUSE ]

YOU GUYS -- OH, MY GOD -- YOU

GUYS ARE ALL -- YOU ALL ARE

WINNERS IN MY BOOK.

YOU ALL ARE WINNERS IN MY BOOK.

YOU ARE THE BEST PRODUCERS IN

THE WORLD, THE BEST WIFE AND MOM

IN THE WORLD.

EVERY DAY I GET TO SPEND WITH

YOU IS BETTER THAN THE DAY THAT

CAME BEFORE IT.

TO MY PARENTS HERE, THANK YOU

FOR ALL THE MEMORIES, THANK YOU

FOR MAKING ME BELIEVE IN MYSELF.

AND TO MY BABIES AT HOME

WATCHING, I APOLOGIZE NOR ALL

THE TIME AWAY.

DAD LOVES YOU.

I HOPE I'VE GIVEN UP GREAT

MEMORIES AND YOU ARE BLESSED TO

LIVE A LONG LIFE AND I WANT YOU

TO REMEMBER THIS ONE THING, I

LOVE YOU MORE THAN ANYTHING.

THANK YOU.

[ APPLAUSE ]

♪

>> Announcer: STILL TO COME,

MORE STARS, MORE ENVELOPES, MORE

EXCITEMENT.

THEN LATER, A CELEBRATION OF THE

GLOBAL SENSATION "KPOP DEMON

HUNTERS."

HERE ON "THE OSCARS."

♪

[ APPLAUSE ].

>>> EVERY YEAR -- THANK YOU.

EVERY YEAR WE ACKNOWLEDGE THE

LOSS OF GREAT ARTISTS IN OUR

INDUSTRY.

AND SADLY TONIGHT, WE ARE FACED

WITH THE PASSING OF SOME

EXTRAORDINARY GIANTS IN FILM.

HERE TO SPEAK ABOUT A GOOD

FRIEND, AN AMAZING TALENT IS MR.

BILLY CRYSTAL.

[ APPLAUSE ].

>> THANK YOU SO MUCH.

I FIRST MET ROB REINER IN 1975

WHEN I WAS CAST AS HIS BEST

FRIEND IN AN EPISODE OF "ALL IN

THE FAMILY."

AND IT WENT SO WELL ROB SAID,

YOU KNOW, IT WAS FUN PLAYING

YOUR BEST FRIEND, WHY DON'T WE

KEEP IT GOING.

AND IT WAS A THRILL TO SEE HIM

EVOLVE FROM A GREAT COMIC ACTOR

TO A MASTER STORY TELLER.

HIS FIRST FILM IS "THIS IS

SPINAL TAP."

YES.

[ APPLAUSE ].

YOU CAN STOP RIGHT THERE.

THE HILARIOUS AND BRILLIANT WITH

THE COMEDY WAS TURNED UP TO 11.

THEN JOHN CUE SACK AND THE

PURSUIT OF LOVE IN "THE SURE

THING."

AND THEN HE BEAUTIFULLY PORTRAYS

THE PAINT OF BOYS ABOUT TO

BECOME MEN IN "STAND BY ME."

[ APPLAUSE ].

NEXT, THE INCONCEIVABLE TALE OF

TRUE LOVE AND RODENTS OF UNUSUAL

SIZE, REVENREVENGE, A GENTLE GI

SWORD FIGHTS AND HIS WIFE IN

"THE PRINCESS BRIDE."

THEN WITH BRUNO, MEG RYAN AND

MYSELF, THEN IT WAS NEW YORK IN

THE FALL, KATZ'S DELI, PECAN PIE

AND WHEN YOU REALIZE YOU WANT TO

SPEND THE REST OF YOUR LIFE WITH

SOMEBODY, YOU WANT THE REST OF

YOUR LIFE TO START AS SOON AS

POSSIBLE.

AUDIENCES THEN LINED UP TO SEE

HIS FUNNY, CHARMING FILMS.

SO, HE GAVE THEM MISERY.

A PSYCHO DRAMA AND AN OSCAR FOR

KATHY BAITS PLAYS THE PSYCHO IN

THAT DRAMA.

BEST PICTURE NOMINEE WITH DEMI

MOORE, KEVIN POLLACK AND TOM

CRUISE AND JACK NICHOLSON WHO

WARNED US, YOU CAN'T HANDLE THE

TRUTH.

WHICH IS SIMPLY WHAT WE ALL WANT

TODAY.

THEN INTO THE OVAL OFFICE AT AN

AMERICAN PRESIDENT WRESTLING

WITH A NEW LOVE AND HIS OWN

MOR

MORALITY.

MY FRIENDS, ROB'S MOVIES WILL

LAST FOR LIFE TIMES BECAUSE THEY

WERE ABOUT WHAT MAKES US LAUGH

AND CRY AND WHAT WE ASPIRE TO BE

FAR BETTER IN HIS EYES, FAR

KINDER, FAR FUNNIER, BUT FAR

MORE HUMAN.

AND WHEN MICHELLE SINGER ENTERED

HIS LIFE, THEY WERE UNSTOPPABLE.

A GIFTED PHOTOGRAPHER, SHE NOT

ONLY PRODUCED FILMS WITH ROB,

BUT HE WAS ENERGY THAT HAD THEM

WORKING TIRELESSLY TO FIGHT

SOCIAL INJUSTICE IN THE COUNTRY

THAT THEY BOTH LOVED.

NOW ROB AND MICHELE -- ROB AND

MICHELE REINER WERE THE DRIVING

FORCE IN THE LANDMARK DECISION

FOR MARRIAGE EQUALITY ACROSS THE

UNITED STATES.

[ APPLAUSE ].

AND THEIR LOSS IS IMMEASURABLE.

AND TO THE MILLIONS WHO HAVE

ENJOYED HIS FILMS ALL LEISLEISU

I WANT YOU TO KNOW HERE AND

AROUND THE WORLD HOW MANY TIMES

ROB TOLD ME THAT IT MEANT

EVERYTHING TO HIM THAT HIS WORK

MEANT SOMETHING TO YOU.

AND FOR US, WHO HAD THE

PRIVILEGE OF WORKING WITH AND

KNOWING HIM, AND LOVING HIM, ALL

WE CAN SAY IS, BUDDY, WHAT FUN

WE HAD STORMING THE CASTLE.

[ APPLAUSE ].

♪

♪

♪

♪

[ APPLAUSE ].

♪

>> I HAVEN'T BEEN ABLE TO STOP

THINKING ABOUT YOU SINCE I FIRST

MET YOU.

♪

♪

>> I HOPE YOU'LL COME BACK SOME

DAY.

♪

♪

♪

♪

>> MEN HAVE THINGS.

WOMEN HAVE THINGS.

WHAT IS THE GREATERS FORCE

BEHIND THE UNIVERSE CARE ABOUT

SUCH FOOLISHNESS.

>> THIS PAST YEAR WE LOST SO

MANY ARTISTS, INCLUDING

ACTRESSES WHOSE TALENT AND

ORIGINALITY WIDENED THE WORLD

FOR ALL OF US.

WOMEN LIKE CLAUDIA, WHOSE

SIX-DECADE CAREER HELPED BRING

EUROPEAN CINEMA TO AMERICA.

THREE-TIME OSCAR NOMINEE DIANE

LADD WHO BROUGHT FIERCE HUMANITY

AND WHIT TO EVERY ROLE.

COMEDIC GENIUS AND SCENE

STEALER, OUR MIGHTY WIND.

[ APPLAUSE ].

AND MY FELLOW CANADIAN,

CATHERINE O'HARA.

SHE MADE US LAUGH UNTIL WE

CRIED.

AND THE ICON, DIANE KEATON.

[ APPLAUSE ].

ANNIE HALL, THE GOD FATHER, AND

THAT'S JUST HER FIRST DECADE.

FOR OVER 50 YEARS, LUMINOUS ON

SCREEN AND INDELIBLE IN LIFE,

BELIEVE ME WHEN I SAY THERE

ISN'T AN ACTRESS OF MY

GENERATION WHO IS NOT INSPIRED

BY AND ENTHRALLED WITH HER

ABSOLUTE SINGULARITY.

SHE WORE SO MANY HATS, LITERALLY

AND FIGURATIVELY.

ACTRESS, ARTIST, AUTHOR,

ACTIVIST, BUT NO HAT MORE

IMPORTANT TO HER THAN BEING

MOTHER TO HER TWO CHILDREN.

SHE MEANT SO MUCH TO SO MANY OF

US.

I REMEMBER SHE USED TO SING THIS

OLD GIRL SCOUT SONG ON SET,

WHICH IS JUST SO HER.

MAKE NEW FRIENDS BUT KEEP THE

OLD.

ONE IS SILVER, AND THE OTHER IS

GOLD.

A CIRCLE IS ROUND, IT HAS NO

END.

THAT'S HOW LONG I'LL BE YOUR

FRIEND.

AND SO TO OUR FRIEND, DIANE

KEATON, CELEBRATING A LIFE IN

SILVER AND GOLD, A LEGEND WITH

NO END.

[ APPLAUSE ].

>> SUCH, SUCH LOVE.

>> THE AUDIENCE WAS THERE

WAITING FOR IT, AND YOU GET

CAUGHT UP IN THE HEAT OF THE

MOMENT AND YOU JUST, YOU KNOW,

YOU WANT TO GIVE THEM ANYTHING

THEY WANT.

AND --.

♪

♪

♪

♪

♪

>> THAT HE MIGHT GET TO GO BACK

TO THE TIME THAT WAS HAPPIEST

FOR HIM.

♪

>> GET ON WITH IT.

>> SOMETIMES THINGS MAY OR MAY

NOT BE TRUE, THINGS A MAN NEEDS

TO BELIEVE IN THE MOST, BUT

PEOPLE ARE BASICALLY GOOD IN

HONOR, COURAGE AND VIRTUE IN

EVERYTHING.

>> I JUST THINK ABOUT THAT

LITTLE KID, WOULD HE BE PROUD OF

ME?

THE ANSWER IS YES, THEN I KNOW

I'M EXACTLY WHERE I'M SUPPOSED

TO BE.

♪

♪

>> AFTER I READ THE FIRST

SCRIPT, I COULD ONLY IMAGINE ONE

MAN IN THE ROLE OF HUBLE, AND

THAT WAS ROBERT REDFORD, BUT HE

TURNED IT DOWN BECAUSE HE SAID

THE CHARACTER HAD NO BACKBONE.

HE DOESN'T STAND FOR ANYTHING.

AND HE WAS RIGHT.

SO MANY DRAFTS LATER BOB FINALLY

AGREED TO DO IT.

HE WAS A BRILLIANT, SUBTLE

ACTOR.

AND WE HAD A WONDERFUL TIME

PLAYING OFF EACH OTHER BECAUSE

WE NEVER QUITE KNEW WHAT THE

OTHER ONE WAS GOING TO DO OR

SEE.

AND I'M THRILLED THAT THE WAY WE

WERE IS NOW CONSIDERED A CLASSIC

LOVE STORY, BUT IT'S ALSO ABOUT

A DARK TIME IN OUR HISTORY.

THE LATE 40s AND EARLY 50s WHEN

PEOPLE WERE INFORMING ON EACH

OTHER AND SUBJECT TO LOYALTY

OATHS.

NOW, BOB HAD REAL BACKBONE ON

AND OFF THE SCREEN.

HE SPOKE UP TO DEFEND FREEDOM OF

THE PRESS, PROTECT THE

ENVIRONMENT AND ENCOURAGE NEW

VOICES AT HIS SUNDANCE

INSTITUTE, AND SOME OF WHOM --

[ APPLAUSE ].

SOME OF WHOM ARE UP FOR OSCARS

TONIGHT, WHICH IS SO GREAT.

HE WAS THOUGHTFUL AND BOLD.

I CALLED HIM AN INTELLECTUAL

COWBOY WHO BLAZED HIS OWN TRAIL

AND WON THE ACADEMY AWARD FOR

BEST DIRECTOR.

AND I MISS HIM NOW MORE THAN

EVER EVEN THOUGH HE LOVED

TEASING ME.

HE WOULD CALL ME -- HE WOULD

CALL ME BABS.

AND I WOULD SAY -- BOB, DO I

LOOK LIKE A BABS?

I'M NOT A BABS, YOU KNOW.

BUT THE WAY HE SAID IT MADE ME

LAUGH.

AND MANY YEARS LATER WE WERE --

WE WERE CHATTING ON THE PHONE

ABOUT THE USUAL POLITICS, ART,

OUR FAVORITE.

AND AS WE WERE HANGING UP HE

SAID, BABS, I LOVE YOU DEARLY.

AND I ALWAYS WILL.

AND IN THE LAST NOTE, I EVER

WROTE TO BOB, I ENDED IT WITH --

I LOVE YOU, TOO.

AND I SIGNED IT, BABS.

♪

♪ SO IT'S THE LAUGHTER

THE LAUGHTER WILL REMEMBER ♪

♪ WHEN EVER WE REMEMBER THE WAY

WE WERE ♪

OH, YES.

♪ THE WAY WE WERE

♪ OH

[ APPLAUSE ].

>> THANK YOU.

THANK YOU SO MUCH.

>>> FORGIVE ME, MY SON.

>> MY MAKER TOLD HIS TALE, AND I

WILL TELL YOU MINE.

>> THE BACKBONE IS THE IDEA OF

LOVING A GUY THAT ISN'T PERFECT

AND FORGIVING THOSE

IMPERFECTIONS.

>> I CANNOT DIE AND I CANNOT

LIVE.

ALONE.

[ APPLAUSE ]

>> Conan: WELCOME BACK.

OF COURSE WE HERE AT THE OSCARS

ARE ALWAYS TRYING TO FIGURE OUT

WAYS TO REACH A YOUNG ER

DEMOGRAPHIC.

I'VE BEEN ASSURED THIS NEXT

SEGMENT WILL DO JUST THAT.

WHEN YOUR HOST TRIES TO RIZ UP

THE YOUNGER DEMOGRAPHICS BY

GOING BRAIN ROT MODE AND EVEN

THOUGH YOU HAVE ARE 6-7, WELL,

THAT'S A MESSAGE THAT THE YOUNG

PEOPLE WILL DEFINITELY SEE

WATCHING BROADCAST TELEVISION.

SHE'S APPEARED IN 74 MOVIES AND

HE APPEARED IN 74 MOVIES LAST

YEAR.

PLEASE WELCOME OSCAR NOMINEE

SIGOURNEY WEAVER AND PEDRO

PASCAL.

♪

>> PRODUCTION DESIGNERS POSSESS

A SPECIAL KIND OF MOVIE MAGIC

THAT HAPPENS LONG BEFORE THE

CAMERAS ROLL.

IT BEGINS WITH A SKETCH, A

TEXTURE, A DOORWAY.

AND SUDDENLY, AN ENTIRE WORLD

EXISTS.

>> CITIES, PALACES, ENTIRE

GALAXIES.

>> SOMETIMES EVEN ALIEN WORLDS

THAT OUR CHARACTERS LIVE IN.

>> YOU'VE HAD SOME EXPERIENCE

WITH THOSE.

>> A LITTLE.

THE GOOD, THE BAD, AND SOME

DOWNRIGHT ADORABLE.

[ LAUGHTER ]

GET AWAY FROM HIM YOU BITCH!

>> WOW, GOOD CHARACTER RECALL.

I PEED MYSELF A LITTLE.

>> IT'S MY SOFT MATERNAL

INSTINCT.

>> I'M SORRY, CATE.

>> I STAND BY IT.

AND NOW, THE ARTISTS AND WORLD

BUILDERS WHO ARE NOMINATED

TONIGHT FOR ACHIEVEMENT IN

PRODUCTION DESIGN ARE --

♪

>> "FRANKENSTEIN."

PRODUCTION DESIGN BY

TAMARA DEVERELL.

SET DECORATION BY SHANE VIEAU.

"HAMNET."

PRODUCTION DESIGN BY

FIONA CROMBIE.

SET DECORATION BY ALICE FELTON.

"MARTY SUPREME."

PRODUCTION DESIGN BY JACK FISK.

SET DECORATION BY ADAM WILLIS.

"ONE BATTLE AFTER ANOTHER."

PRODUCTION DESIGN BY

FLORENCIA MARTIN.

SET DECORATION BY

ANTHONY CARLINO.

"SINNERS."

PRODUCTION DESIGN BY

HANNAH BEACHLER.

SET DECORATION BY

MONIQUE CHAMPAGNE.

>> AND THE OSCAR GOES TO --

TAMARA DEVERELL AND SHANE VIEAU

FOR "FRANKENSTEIN."

>> THIS IS THE FIRST WIN FOR

TAMARA DEVERELL AND THE FIRST

WIN AND FOURTH NOMINATION FOR

SHANE VIEAU.

[ APPLAUSE ]

>> THANK YOU TO THE ACADEMY AND

TO ALL THE OTHER NOMINEES FOR

YOUR INSPIRED WORK.

WOW.

GUILLERMO, THANK YOU FOR YOUR

HUMANITY AND ARTISTRY.

YOU ARE A MASTER STORYTELLER.

IT WAS AN HONOR FOR US TO HELP

STEER YOUR FANTASTIC SHIP.

HUGE THANKS TO MILES DALE, TO

SCOTT AND THE ENTIRE NETFLIX

TEAM FOR SUPPORTING AND

UPLIFTING THIS CREATIVE JOURNEY.

WE SHARE THIS WITH AN AMAZING

CREW IN TORONTO AND THE UK,

SCENIC, PAINT AND CONSTRUCTION,

SO MANY TALENTED HANDS.

A SHOUTOUT TO GUY DAVIS, OUR

CONCEPT ARTIST AND OUR SUPERB

DIRECTOR GORDON WHO IS HERE

TONIGHT.

PERSONAL THANKS TO OUR FAMILY

AND FRIENDS, OUR MOMS AND DADS,

MY HUSBAND, KENNY, OUR KIDS,

RACHEL AND DAVID, FOR THEIR LOVE

AND SUPPORT AND, FINALLY, THANK

YOU, MARY SHELLY, FOR THE STORY.

[ APPLAUSE ]

>> AND NOW, IT'S TIME TO PAY

TRIBUTE TO THOSE WHO PUSH THE

BOUNDARIES OF WHAT WE EVER

THOUGHT POSSIBLE IN CINEMA.

>> THE ARTISTS WHO BLEND THE

VIRTUAL WITH THE REAL THAT

CREATE CINEMATIC EFFECTS THAT

INSPIRE AWE, WONDER, AND

EXCITEMENT.

HERE ARE THIS YEAR'S NOMINEES

FOR ACHIEVEMENT IN VISUAL

EFFECTS.

♪

>> "AVATAR: FIRE AND ASH."

JOE LETTERI, RICHARD BANEHAM,

ERIC SAINDON AND DANIEL BARRETT.

"F1."

RYAN TUDHOPE,

NICOLAS CHEVALLIER,

ROBERT HARRINGTON AND

KEITH DAWSON.

"JURASSIC WORLD REBIRTH."

DAVID VICKERY, STEPHEN APLIN,

CHARMAINE CHAN AND

NEIL CORBOULD.

"THE LOST BUS."

CHARLIE NOBLE, DAVID ZARETTI,

RUSSELL BOWEN AND

BRANDON K. McLAUGHLIN.

"SINNERS."

MICHAEL RALLA, ESPEN NORDAHL,

GUIDO WOLTER AND DONNIE DEAN.

>> AND THE WINNER AND THE OSCAR

GOES TO "AVATAR: FIRE AND ASH."

>> Announcer: THIS IS THE SIXTH

OSCAR WIN AND 12th NOMINATION

FOR JOE LETTERI, THE THIRD WIN

AND THIRD NOMINATION FOR RICHARD

BANEHAM, FOURTH-TIME NOMINEE FOR

ERIC SAINDON, FIVE-TIME NOMINEE

DANIEL BARRETT.

[ APPLAUSE ]

>> FIRST AND FOREMOST, THANK YOU

TO OUR FAMILIES.

THE LOVE, SUPPORT, OUR WIVES,

OUR PARTNERS, THERE'S 2,200

ARTISTS.

THIS IS A MASSIVE, MASSIVE

COLLABORATION ON THE EFFECTS

SIDE, EVERYBODY ON THE MOVIE, SO

TO ALL OUR FAMILIES, IT'S LIKE

THIS IS EVERYTHING.

AGAIN, TRULY, TRULY EVERYTHING.

JIM CAMERON, HE LITERALLY

INFORMS EVERY FRAME OF THE MOVIE

AND HAS A BIG PART OF THE

EFFECTS TO RAY SANCINNI,

INDUSTRIAL LIGHT AND MAGIC,

THANK YOU.

>> AND TO THE ONE WE'RE MISSING

UP HERE TONIGHT, JOHN LANDAU, WE

MISS YOU.

YOU'RE STILL THE HEART AND SOUL

OF THIS MOVIE.

THANK YOU.

>> THANK YOU.

[ APPLAUSE ]

>> OUR CAST --

♪

>> Conan: OKAY, I'M SORRY.

I WAS JUST BACKSTAGE AND NOTICED

SOMETHING, THEY CUT TO THE

AUDIENCE AND I REALIZED GROGU

CAN'T CLAP.

TRY TO CLAP.

TRY.

TRY TO CLAP.

NO!

NO!

WHAT A CRUEL THING TO DO TO

BRING A CREATURE WHO CAN'T CLAP

TO AN AWARDS SHOW.

IS THERE NO BOTTOM TO THESE

PEOPLE?

WE'LL BE RIGHT BACK WITH MORE

OSCARS.

CLAP!

CLAP!

CLAP!

♪

>>> THIS WORLD IS INTRICATELY

STITCHED TOGETHER.

EVERY THREAD WE PULL, WE KNOW

NOT HOW IT AFFECTS THE DESIGN OF

THINGS.

>> THE STORY REALLY EXPLORES HOW

WE NAVIGATE LOVE.

AND LOSS.

AS THE WORLD TRANSFORMS AROUND

US.

>> BEAUTIFUL, AIN'T IT?

>> WHAT IS?

>> ALL OF IT.

EVERY BIT OF IT.

♪

>> Announcer: PLEASE WELCOME

JIMMY KIMMEL.

♪

>> I'M JIMMY KIMMEL AND WELCOME

TO THE 98th ANNUAL ACADEMY

AWARDS.

WAIT, AM I NOT HOSTING THE SHOW?

OH, WELL, THIS IS EMBARRASSING.

ACTUALLY, CONAN WENT OUTSIDE TO

GET SOME AIR AND INADVERTENTLY

EXPOSED HIS FACE TO THE SUN AND

WAS INCINERATED.

SO I WILL BE FINISHING OUT THE

REST OF THE PROGRAM.

I AM HERE TO PRESENT THE OSCAR

FOR DOCUMENTARY FILMS AND WE

HEAR A LOT ABOUT --

[ APPLAUSE ]

WE HEAR A GREAT DEAL --

[ APPLAUSE ]

THEY'RE GOING TO CUT DOWN ON

YOUR TICKETS FOR NEXT YEAR.

WE HEAR A LOT ABOUT COURAGE AT

SHOWS LIKE THIS BUT TELLING A

STORY THAT COULD GET YOU KILLED

FOR TELLING IT IS REAL COURAGE.

AS YOU KNOW THERE ARE SOME

COUNTRIES WHOSE LEADERS DON'T

SUPPORT FREE SPEECH.

I'M NOT AT LIBERTY TO SAY WHICH.

[ LAUGHTER ]

LET'S JUST LEAVE IT AT NORTH

KOREA AND CBS.

FORTUNATELY --

[ APPLAUSE ]

FORTUNATELY FOR ALL OF US

THERE'S AN INTERNATIONAL

COMMUNITY OF FILMMAKERS

DEDICATED TO TELLING THE TRUTH,

OFTENTIMES AT GREAT RISK TO MAKE

FILMS THAT TEACH US, THAT CALL

OUT INJUSTICE, THAT INSPIRE US

TO TAKE ACTION, AND THERE ARE

ALSO DOCUMENTARIES WHERE YOU

WALK AROUND THE WHITE HOUSE

TRYING ON SHOES.

HERE ARE THE NOMINEES FOR

DOCUMENTARY SHORT FILM.

>> "ALL THE EMPTY ROOMS."

JOSHUA SEFTEL AND AND

CONALL JONES.

"ARMED ONLY WITH A CAMERA: THE

LIFE AND DEATH OF BRENT RENAUD."

CRAIG RENAUD AND JUAN ARREDONDO.

"CHILDREN NO MORE: "WERE AND ARE

GONE."

HILLA MEDALIA AND SHEILA NEVINS.

"THE DEVIL IS BUSY."

CHRISTALYN HAMPTON AND

GEETA GANDBHIR.

"PERFECTLY A STRANGENESS."

ALISON McALPINE.

>> ALL RIGHT.

AND THE OSCAR FOR DOCUMENTARY

SHORT FILM GOES TO "ALL THE

EMPTY ROOMS."

JOSHUA SEFTEL AND AND

CONALL JONES.

>> Announcer: THIS IS THE FIRST

WIN FOR JOSHUA SEFTEL AND CONALL

JONES.

♪

>> THANK YOU TO THE ACADEMY.

TO THE AMAZING STEVE HARTMAN --

[ APPLAUSE ]

TO LOU, TO NETFLIX, TED, ADAM

AND CHLOE AND TO OUR INCREDIBLY

COMPASSIONATE FILM MAKING TEAM.

THE EMPTY ROOMS IN OUR FILM

BELONG TO FOUR YOUNG CHILDREN

WHO WERE ALL KILLED IN SCHOOL

SHOOTINGS, HALLE, GRACIE,

DOMINICK AND JACKIE.

>> MY DAUGHTER JACKIE WAS 9

YEARS OLD WHEN SHE WAS KILLED IN

UVALDE.

SINCE THAT DAY HER BEDROOM HAS

BEEN FROZEN IN TIME.

JACKIE IS MORE THAN JUST A

HEADLINE.

SHE IS OUR LIGHT AND OUR LIFE.

GUN VIOLENCE IS NOW THE NUMBER

ONE CAUSE OF DEATH IN KIDS AND

TEENS.

WE BELIEVE THAT IF THE WORLD

COULD SEE THEIR EMPTY BEDROOMS

WE WOULD BE A DIFFERENT AMERICA.

THANK YOU.

[ APPLAUSE ]

♪

>> THE NEXT OSCAR IS FOR

DOCUMENTARY FEATURE FILM, WHICH

IS LIKE A DOCUMENTARY SHORT FILM

BUT LONGER.

HERE ARE THE NOMINEES.

♪

"THE ALABAMA SOLUTION."

ANDREW JARECKI AND

CHARLOTTE KAUFMAN.

"COME SEE ME IN THE GOOD LIGHT."

RYAN WHITE, JESSICA HARGRAVE,

TIG NOTARO AND STEF WILLEN.

"CUTTING THROUGH ROCKS."

SARA KHAKI AND

MOHAMMADREZA EYNI.

"MR. NOBODY AGAINST PUTIN."

DAVID BORENSTEIN,

PAVEL TALANKIN, HELLE FABER AND

ALZBETA KARASKOVA.

"THE PERFECT NEIGHBOR."

GEETA GANDBHIR, ALISA PAYNE,

NIKON KWANTU AND SAM BISBEE.

>> OH, MAN, IS HE GOING TO BE

MAD HIS WIFE WASN'T NOMINATED

FOR THIS.

AND THE OSCAR FOR DOCUMENTARY

FEATURE FILM GOES TO --

"MR. NOBODY AGAINST PUTIN" DAVID

BORENSTEIN, PAVEL TALANKIN,

HELLE FABER AND ALZBETA

KARASKOVA.

>> Announcer: THIS IS THE FIRST

W

WIN.

♪

>> THANK YOU TO THE ACADEMY.

THANK YOU TO OUR FAMILY, THANK

YOU TO OUR FRIENDS AND THANK YOU

TO THE OTHER DOCUMENTARY

NOMINEES WHO HAVE BECOME SUCH

GOOD FRIENDS OF OURS.

"MR. NOBODY AGAINST PUTIN" IS

ABOUT HOW YOU LOSE YOUR COUNTRY.

AND WHAT WE SAW WHEN WORKING

WITH THIS FOOTAGE IS THAT YOU

LOSE IT THROUGH COUNTLESS SMALL

LITTLE ACTS OF COMPLICITY.

WHEN WE ACT COMPLICIT, WHEN A

GOVERNMENT MURDERS PEOPLE ON THE

STREETS OF OUR MAJOR CITIES.

WHEN WE DON'T SAY ANYTHING, WHEN

OLIGARCHS TAKE OVER THE MEDIA

AND CONTROL HOW WE CAN PRODUCE

IT AND CONSUME IT.

[ APPLAUSE ]

WE ALL FACE A MORAL CHOICE, BUT,

LUCKILY, EVEN A NOBODY IS MORE

POWERFUL THAN YOU THINK.

AND HERE'S PAVEL TALANKIN, THE

MAIN CHARACTER IN OUR FILM.

[ SPEAKING IN A NON-ENGLISH

LANGUAGE ].

>> FOR FOUR YEARS WE LOOK AT THE

SKY FOR SHOOTING STARS TO MAKE A

VERY IMPORTANT WISH.

>> Translator: BUT THERE ARE

COUNTRIES WHERE INSTEAD OF

SHOOTING STARS THEY HAVE

SHOOTING BOMBS AND SHOOTING

DRONES.

IN THE NAME OF OUR FUTURE, IN

THE NAME OF ALL OF OUR CHILDREN,

STOP ALL OF THESE WARS NOW.

[ APPLAUSE ]

♪

>>> THERE'S THIS MOMENT IN THE

CAR WHERE EVERYTHING GOES QUIET.

MY HEARTBEAT SLOWS, AND I CAN

SEE EVERYTHING.

>> HE'S FLYING.

>> THE LAST THING I DO IS DRIVE

THAT CAR.

I WILL TAKE THAT LIFE.

>> IF YOU WIN, YOU ARE THE

ABSOLUTE BEST IN THE WORLD.

♪

[ APPLAUSE ]

>> Conan: SUCH A FUN MOVIE.

HEY, ANOTHER QUICK, FUN FACT,

BRAD PITT AND I ARE THE EXACT

SAME PAGE.

TRUE.

I WAS TOLD THIS BY MY WIFE WITH

TEARS STREAMING DOWN HER FACE!

THESE NEXT PRESENTERS

ARE THE ONLY REASON THE PHRASE

"WEDDING DRESS STREET DIARRHEA"

IS IN MY SEARCH HISTORY.

THE ONLY REASON!

HERE TO CELEBRATE THE 15th

ANNIVERSARY OF "BRIDESMAIDS"

PLEASE WELCOME MAYA RUDOLPH,

KRISTEN WIIG, ROSE BYRNE,

MELISSA McCARTHY, AND

ELLIE KEMPER.

[ APPLAUSE ]

♪

[ APPLAUSE ]

>> THANK YOU.

>> WE ARE SO HAPPY TO ALL BE

HERE TOGETHER TONIGHT.

I CANNOT BELIEVE THAT IT'S BEEN

15 YEARS.

NOW WE ARE NOT GOOD WITH

NUMBERS, BUT WE FIGURED OUT

BACKSTAGE THAT MEANS WE SHOT

THIS MOVIE IN 1883.

>> AND WE ARE SO HAPPY TO BE

BACK HERE TO PRESENT THE OSCAR

FOR BEST SCORE.

NOW, A FILM'S SCORE HELPS US

FEEL, IT INVITES US INTO A WORLD

OF -- OH!

SORRY.

WHAT'S HAPPENING?

OH, WHAT, ARE THESE NOTES?

>> ARE THESE FROM PEOPLE IN THE

AUDIENCE?

>> THAT'S WEIRD.

>> THIS IS STRANGE.

WELL, MINE SAYS "FIRST OF ALL,

YOU LADIES LOOK EXTREMELY

BEAUTIFUL TONIGHT."

OH, THAT'S NICE.

AW, THANK YOU!

"YOU'RE ALL AGING WELL.

SIGNED, STELLAN SKARSGARD."

[ APPLAUSE ]

>> OH, THIS ONE'S FOR ME, "ROSE,

CAN YOU PLEASE STOP LOOKING AT

ME?

THE EYE CONTACT IS TOO MUCH.

I'M THINKING OF LEAVING.

I'M SO UNCOMFORTABLE.

SINCERELY, LEONARDO DiCAPRIO."

I APOLOGIZE, I HAVE BEEN STARING

AT YOU.

I THOUGHT YOU WERE SOMEBODY

ELSE.

>> IT HAPPENS TO HIM A LOT.

OH, THIS IS -- OKAY, LET'S SEE.

I HAVE TO SAY MINE IS ALMOST

IMPOSSIBLE TO READ.

THE HANDWRITING IS REALLY PRETTY

TERRIBLE.

IT SAYS, "HI, I'M WITH STELLAN

SKARSGARD WRITING MY OWN

SEPARATE NOTE.

I ALSO AGREE YOU LADIES LOOK

RADIANT.

ALL THE THINGS YOU'VE DONE TO

YOUR FACES ARE VERY TASTEFUL.

YOURS TRULY ELLE FANNING."

>> OKAY, WAIT, THERE'S MORE.

IT SAYS, JUST KIDDING, IT'S ME

AGAIN, STELLAN SKARSGARD.

COME ON!

COME ON!

>> OKAY, MINE'S SHORT.

"YOU GUYS HAVE BEEN TALKING FOR

A LONG TIME.

THIS BIT COULD HAVE BEEN A LOT

SHORTER.

THIS IS REALLY GOING ON AND ON.

YOU AREN'T EVEN TALKING ABOUT

SCORE.

THAT'S ALL.

LOVE YOU LOTS!

BENICIO del TORO.

OR FOR THOSE OF YOU WHO REFUSE

TO LEARN SPANISH, IT'S BENEDICT

OF THE BULL."

IS THAT RIGHT?

>> WRAP IT UP.

>> WELL, THIS LAST ONE IS QUICK.

IT JUST SAYS, "I'M TIRED AND I

WANT TO GO HOME.

THIS SHOW IS VERY LONG AND

THERE'S NO PIZZA.

SIGNED, THE KID FROM "HAMNET."

HE'S RIGHT.

OKAY, WE'LL GET TO IT.

THE NOMINEES FOR BEST SCORE

ARE --

♪

"FRANKENSTEIN" BY

ALEXANDRE DESPLAT.

"ONE BATTLE AFTER ANOTHER" BY

JONNY GREENWOOD.

♪

"BUGONIA" BY JERSKIN FENDRIX.

♪

"HAMNET" BY MAX RICHTER.

♪

"SINNERS" BY LUDWIG GORANSSON.

♪

>> AND THE OSCAR GOES TO --

"SINNERS" LUDWIG GORANSSON.

>> Announcer: THIS IS THE THIRD

OSCAR WIN FOR LUDWIG GORANSSON

WHO WON FOR "BLACK PANTHER" AND

"OPPENHEIM."

[ APPLAUSE ]

>> MY DAD BOUGHT HIS FIRST BLUES

ALBUM IN SWEDEN 1964.

IT WAS A JOHNNY HOOKER ALBUM AND

EVEN THOUGH IT WAS ON THE OTHER

SIDE OF THE WORLD IN A PLACE MY

DAD HAD NEVER BEEN AND A PLACE

HE COULD NOT RELATE TO, THE

MUSIC WAS SO POWERFUL THAT IT

CHANGED MY DAD'S LIFE AND HE

DEVOTED HIS WHOLE LIFE TO MUSIC.

AND WHEN I WAS ABOUT 7 YEARS

OLD, A LITTLE BOY, HE PUT A

GUITAR IN MY ARMS AND I LOVED

THE GUITAR AND IT BECAME

EVERYTHING TO ME.

IT WAS THE GUITAR THAT OPENED UP

A LOT OF DOORS FOR ME AND IT WAS

THE GUITAR THAT BROUGHT ME OVER

TO THE STATES AND IT WAS THE

GUITAR THAT EVENTUALLY LED ME TO

ONE OF THE GREATEST STORY

TELLERS OF OUR TIME, RYAN

COOGLER.

[ APPLAUSE ]

RYAN, THANK YOU FOR YOUR VISION

AND MAKING A MOVIE THAT

RESONATED WITH THE WHOLE WORLD.

THANK YOU.

♪

>> WE ARE ALSO HERE TO PRESENT

THE OSCAR FOR ACHIEVEMENT IN

SOUND.

>> YOU KNOW EARLIER TODAY, WHEN

I WAS COUNTING MY MONEY, I ASKED

MYSELF, "WHAT IS SOUND?

REALLY."

AM I RIGHT?

>> IT'S A MYSTERY, MAYA.

THEY'VE ASKED SCIENTISTS AND

STEVEN SPIELBERG.

HE DOESN'T KNOW.

I FIND MYSELF DISAPPOINTED WITH

YOU, STEVEN.

>> I ACTUALLY THINK I CAN HELP

OUT HERE.

I WAS JUST TALKING ABOUT THIS

WITH A WOMAN

I MET ON A ROLLERCOASTER.

SHE SAID WITHOUT SOUND --

WE WOULDN'T HEAR ANYTHING.

>> WHAT?

>> THAT'S RIGHT, KRISTEN, AND

IT'S ESPECIALLY IMPORTANT IN

FILM.

I TRIED WATCHING "MARTY SUPREME"

WITHOUT THE SOUND.

>> IT'S HOW DIRECTORS HAVE

CREATED THE CLASSICS, THEIR OWN

STYLE.

WHEN WE THINK OF MARTIN SCORCESE

WE THINK OF HIS FAVORITE.

[ BOING ]

>> AND THE ACHIEVEMENTS IN SOUND

ARE --

>> "F1," GARETH JOHN,AL NELSON,

GWENDOLYN YATES WHITTLE.

"FRANKENSTEIN."

GREG CHAPMAN, NATHAN ROBITAILLE,

NELSON FERREIRA,

CHRISTIAN COOKE, AND BRAD ZOERN.

"ONE BATTLE AFTER ANOTHER."

JOSE ANTONIO GARCIA,

CHRISTOPHER SCARABOSIO, AND

TONY VILLAFLOR.

"SINNERS."

CHRIS WELCKER,

BENJAMIN A. BURTT,

FELIPE PACHECO, BRANDON PROCTOR,

AND STEVE BOEDDEKER.

"SIRAT."

AMANDA VILLAVIEJA,

LAIA CASANOVAS, AND

YASMINA PRADERAS.

♪

>> AND THE OSCAR GOES TO "F1."

>> Announcer: THIS IS THE FIRST

OSCAR WIN AND FOUR-TIME NOMINEE

GWENDOLYN YATES WHITTLE AND JUAN

PERALTA, THE SECOND NOMINATION

FOR GARETH JOHN AND AL NELSON

AND EIGHTH NOMINATION FOR GARY

A.RIZZO.

[ APPLAUSE ]

>> THANK YOU TO THE ACADEMY.

I WANT TO THANK JOE KAKACZYNSKI

BRAD PITT, PLAN B, LEWIS

HAMILTON, FORMULA ONE, AND

EVERYONE AT APPLE FOR SUPPORTING

SUCH A FUN CINEMATIC EXPERIENCE.

>> THIS IS FOR THE WHOLE

PRODUCTION SOUND TEAM, SKYWALKER

SOUND, A BIG SHOUT TO OUR

AMAZING TOBY.

>> TO OUR PARTNERS, OUR PARENTS,

OUR CHILDREN --

I'M SORRY.

SORRY, SORRY, SORRY.

OUR GRATITUDE GOES TO OUR

PARTNERS, OUR PARENTS, OUR

CHILDREN, GRANDCHILDREN, MOVIES

ARE MADE FOR YOU.

GO SEE THE BLOCKBUSTERS, GO SEE

THE INDEPENDENTS, BE INSPIRED,

GO WITH A FRIEND, GET A FRESH

POINT OF VIEW.

THANK YOU.

[ APPLAUSE ]

♪

>> Announcer: PLEASE WELCOME THE

PRESIDENT OF THE ACADEMY OF

MOTION PICTURE ARTS AND

SCIENCES, LYNETTE HOWELL TAYLOR.

>> FOR 98 YEARS, YOU HAVE HEARD

THE WORDS "THANK YOU TO THE

ACADEMY."

BUT HAVE YOU EVER WONDERED WHO

IS THE ACADEMY?

THE ACADEMY OF MOTION PICTURE

ARTS AND SCIENCES IS OVER

11,000 STORY TELLERS FROM ALL

OVER THE WORLD AND, YES, WE ARE

MOST KNOWN FOR

GIVING OUT AWARDS ON THIS NIGHT,

BUT THE ACADEMY'S WORK EXTENDS

FAR BEYOND THIS STAGE.

LAST YEAR AT THE SCIENTIFIC AND

TECHNICAL AWARDS, WE HONORED

14 INNOVATIONS THAT PUSHED

FILMMAKING FORWARD, AND WE

AWARDED AN OSCAR TO THE

COMMUNITY THAT CREATED AND

SUPPORTS CAPTIONING TECHNOLOGY,

ACCEPTED BY THE TRAILBLAZING

MARLEE MATLIN.

[ APPLAUSE ]

AT THE STUDENT ACADEMY AWARDS,

WE CHAMPION THE NEXT GENERATION

OF FILMMAKERS, AND WE CELEBRATE

EXTRAORDINARY LIFETIME

CONTRIBUTIONS TO CINEMA AT THE

ANNUAL GOVERNORS AWARDS, WHERE

LAST YEAR, TOM CRUISE,

DEBBIE ALLEN, WYNN THOMAS, AND

DOLLY PARTON WERE HONORED.

[ APPLAUSE ]

WE ALSO PRESERVE, CURATE AND

PROGRAM OUR GLOBAL FILM HISTORY

THROUGH THE 52 MILLION ITEMS IN

OUR ACADEMY COLLECTION AND OUR

SPECTACULAR ACADEMY MUSEUM OF

MOTION PICTURES.

[ APPLAUSE ]

GROWING UP IN LIVERPOOL,

ENGLAND, IT WAS THE MOVIES THAT

CONNECTED ME TO THE REST OF THE

WORLD.

WE ALL NEED THE JOY AND

ENTERTAINMENT OF CINEMA AND

FILMS THAT SHINE A LIGHT ON

TRUTH, ILLUME NIGHT OUR

COMPLICATED HISTORY AND CONNECT

US THROUGH OUR DIVERSE

EXPERIENCES.

MOVIES CAN CHANGE PERSPECTIVES

SO TONIGHT I WOULD LIKE TO SAY

THANK YOU TO THE ACADEMY,

BECAUSE I DON'T KNOW WHERE ANY

OF US WOULD BE WITHOUT OUR

STORYTELLERS.

[ APPLAUSE ]

>> Announcer: SHE WASN'T JUST A

MOVIE STAR.

SHE WAS ICONIC.

MARILYN MONROE: HOLLYWOOD ICON,

THE NEW EXHIBITION OPENING

MAY 31st AT THE ACADEMY MUSEUM

OF MOTION PICTURES IN

LOS ANGELES.

FEATURING A STUNNING ARRAY OF

ORIGINAL OBJECTS AND AN

EXTENSIVE SHOWCASE OF MARILYN'S

MOVIE COSTUMES.

TICKETS ARE ON SALE NOW AT

ACADEMYMUSEUM.ORG.

♪

>> I DIDN'T REALLY WANT TO MAKE

A FILM ABOUT THE DICTATORSHIP.

I WANTED TO REBUILD A SENSE OF

TIME IN VERY DIFFICULT

SITUATIONS, PEOPLE GET TOGETHER

AND THEY PROTECT EACH OTHER.

♪

>> Announcer: PLEASE WELCOME

BILL PULLMAN AND LEWIS PULLMAN.

>> FILM EDITING, IT'S SOMETIMES

CAN SEEM ALMOST LIKE IT'S AN

INVISIBLE ART FORM, YOU KNOW.

>> THAT'S RIGHT, YEAH.

THE BETTER THE EDITING, THE LESS

IT STANDS OUT.

>> BUT BEHIND THE SCENES, THE

EDITORS ARE ALWAYS SHAPING THE

STORY.

>> YEAH.

KIND OF LIKE GROWING UP WITH A

FAMOUS DAD.

>> YEAH.

YEAH.

>> LITTLE BIT.

>> THAT'S RIGHT.

BUT I DIDN'T REALLY SHAPE

ANYTHING.

YOU KNOW, I STAYED BEHIND THE

SCENES.

I DID THINK THAT THERE WOULD BE

A PLACE FOR YOU IN LIVESTOCK

MANAGEMENT.

>> THAT'S RIGHT, YEAH.

>> THAT DIDN'T REALLY WORK OUT.

>> BIG DISAPPOINTMENT THERE.

>> YEAH.

BUT.

ALL ON YOUR OWN, YOU DID JUST

FINE.

>> THANK YOU FOR SAYING THAT.

WE'RE LUCKY.

TURNS OUT AUDIENCES DON'T

ALWAYS, YOU KNOW, MIND THE

SEQUEL.

>> I HOPE THAT THEY LIKE THE

SEQUEL EVEN MORE THAN THE

ORIGINAL.

BUT A LITTLE MORE.

>> WELL, JURY IS STILL OUT,

YEAH.

>> BUT TONIGHT WE'RE LUCKY

BECAUSE WE GET TO CELEBRATE THE

ARTISTS WHO MAKE THE FINAL CUT.

THE EDITORS.

>> HERE ARE THE NOMINEES --

>> "F1," STEVEN MIRIONI.

>> I HEAR YOU.

LETTING HIM THROUGH.

OOPS, MY BAD.

"MARTY SUPREME".

RONALD BRONSTEIN AND

JOSH SAFDIE.

"ONE BATTLE AFTER ANOTHER."

ANDY JURGENSEN.

"SENTIMENTAL VALUE."

OLIVIER BUGGE COUTTE.

>> I HAVE YOUR PHONE.

OH MY GOD.

"SINNERS."

MICHAEL P. SHAWVER.

>> AND THE WINNER IS --

>> "ONE BATTLE AFTER ANOTHER,"

ANDY JURGENSEN.

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR ANDY

JURGENSEN.

♪

[ APPLAUSE ].

>> WOW.

THANK YOU VERY MUCH.

FIRST OFF I WANT TO GIVE A

SHOUTOUT TO ALL MY FRIENDS WHO

ARE AT A BAR RIGHT NOW WATCHING

ME.

YOU CAN ORDER SOME SHOTS NOW.

I WANT TO GIVE A SPECIAL THANK

YOU TO MY EDITORIAL CREW WHO

WORKED THEIR BUTTS OFF BEHIND

THE SCENES.

YOU GUYS ARE AMAZING.

THANK YOU TO PAUL.

THANK YOU FOR TAKING ME ON THIS

JOURNEY AND OUR COLLABORATION.

THANK YOU TO THE WONDERFUL

CASTING CREW.

LOVE TO MY PARENTS AND MY

SISTERS WHO ARE UP IN THE

BALCONY SOMEWHERE.

AND TO MY PARTNER BILL WHO

BRINGS SO MUCH JOY TO MY LIFE

EVERYDAY.

AND LASTLY, I WOULD LIKE TO

DEDICATE THIS TO MY AUNT,

BARBARA HALL, WHO WAS A FILM

ARCHIVIST FOR THE ACADEMY FOR

OVER 25 YEARS.

SHE LOVED HER JOB.

AND SHE LOVED SHOWING THE OLD

MOVIES AND TEACHING ME ABOUT

FILM HISTORY.

AND I MISS HER EVERYDAY.

AND I WOULD NOT BE UP HERE IF IT

WASN'T FOR HER AND MY UNCLE VAL.

SO THANK YOU VERY MUCH.

THANK YOU.

[ APPLAUSE ].

♪

>> Announcer: PLEASE WELCOME,

OSCAR NOMINEE DEMI MOORE.

>> CINEMATOGRAPHY IS THE

LANGUAGE OF LIGHT AND MOVEMENT.

IT'S HOW A FILM BREATHES.

HOW A MOMENT BECOMES

UNFORGETTABLE.

MAKES US FEEL MOVEMENT INTO A

MOTION AND MOMENT INTO A MEMORY.

WE HONOR MEMORY TELLERS WHO

SHAPE THE WAY WE SEE FILM.

HERE ARE THE NOMINEES FOR

ACHIEVEMENT AND CINEMATOGRAPHY.

"FRANKENSTEIN."

DAN LAUSTSEN.

"MARTY SUPREME."

DARIUS KHONDJI.

"ONE BATTLE AFTER ANOTHER."

MICHAEL BAUMAN.

"SINNERS."

AUTUMN DURALD ARKAPAW.

"TRAIN DREAMS"

ADOLPHO VELOSO.

AND THE OSCAR GOES TO --

"SINNERS."

AUTUMN DURALD ARKAPAW.

[ APPLAUSE ].

♪

>> THIS IS THE FIRST OSCAR WIN

AND NOMINATION FOR AUTUMN DURALD

ARKAPAW.

♪

[ APPLAUSE ].

[ CHEERS AND APPLAUSE ].

[ CHEERS AND APPLAUSE ].

>> AIDAN, WHERE ARE YOU AT?

WHEN EVER I SAY THANK YOU TO

RYAN, HE REPLIES AND SAYS, NO,

THANK YOU.

THANK YOU FOR BELIEVING IN ME,

AND THANK YOU FOR TRUSTING ME.

AND THAT'S THE KIND OF GUY THAT

I GET TO MAKE FILMS WITH.

SO VERY, VERY HONORABLE PERSON.

AND HE MEANS IT.

AND HE REALLY, TRULY MEANS IT.

AND I FEEL LIKE I HAD TO MEET

HIM, LIKE THIS LITTLE GIRL THAT

THEIR MOTHER WHO IS OVER THERE

TOLD THEM THEY COULD DO ANYTHING

HAD TO MEET RYAN.

THAT GIRL ALSO HAD TO LOOK UP

ELLEN CROSS'S NAME WHO IS ALSO

IN THIS ROOM TODAY.

AND THAT GIRL ALSO HAD TO MEET

RACHEL MORRISON.

I'M SO HONORED TO BE HERE.

AND I REALLY WANT ALL THE WOMEN

IN THE ROOM TO STAND UP.

BECAUSE I FEEL LIKE I DON'T GET

HERE WITHOUT YOU GUYS.

[ CHEERS AND APPLAUSE ].

I REALLY, REALLY, TRULY MEAN

THAT.

I HAVE FELT SO MUCH LOVE FROM

ALL THE WOMEN ON THIS WHOLE

CAMPAIGN.

AND GOTTEN TO MEET SO ME PEOPLE,

AND I FEEL LIKE MOMENTS LIKE

THIS HAPPEN BECAUSE OF YOU GUYS.

I WANT TO THANK YOU FOR THAT.

I WANT TO THANK WARNER BROTHERS,

MY WHOLE CREW, ETHAN, BRIAN,

MIGUEL, DRAY, JOSH, ALL THESE

PEOPLE THAT WORK THEIR HEARTS

OUT AND MY CAST, MICHAEL,

DELROY, WUNMI, OMAR, LILI, JACK,

HAILEY.

THESE ARE SO BEAUTIFUL -- THESE

PEOPLE ARE SO BEAUTIFUL, AND I'M

HONORED TO BE THERE

PHOTOGRAPHING THEM.

MY HUSBAND, SON AIDAN, PARENTS

BACK THERE.

THANK YOU SO MUCH.

THIS IS AN HONOR.

THANK YOU.

[ CHEERS AND APPLAUSE ].

♪

♪

>> DEMONS HAVE ALWAYS HAUNTED

OUR WORLD, STEALING OUR SOULS

AND CHANNELING STRENGTH BACK TO

THEIR KIN, UNTIL HEROES AROSE TO

DEFEND US.

BORN WITH VOICES THAT CAN DRIVE

BACK THE DARKNESS, OUR MUSIC

IGNITES THE SOUL AND BRINGS

PEOPLE TOGETHER.

♪

WITH THIS CONNECTION, THE FIRST

HUNTERS CREATED A SHIELD TO

PROTECT OUR WORLD, AND NOW THAT

DUTY FALLS TO YOU.

THE WORLD WILL KNOW YOU AS POP

STARS, BUT YOU WILL BE MUCH MORE

THAN THAT.

YOU WILL BE HUNTERS.

♪

♪ I WAS A GHOST

I WAS ALONE ♪

[ SINGING IN KOREAN ]

♪ GIVEN THE THRONE

I DIDN'T KNOW HOW

TO BELIEVE ♪

♪ I WAS THE QUEEN THAT I'M

MEANT TO BE ♪

♪ I LIVED TWO LIVES

TRIED TO PLAY BOTH SIDES ♪

♪ BUT I COULDN'T FIND

MY OWN PLACE ♪

♪ CALLED A PROBLEM CHILD

'CAUSE I GOT TOO WILD ♪

♪ BUT NOW THAT'S HOW I'M

GETTING PAID ♪

[ SINGING IN KOREAN ]

♪ ON STAGE

I'M DONE HIDIN' ♪

♪ NOW I'M SHININ

LIKE I'M BORN TO BE ♪

♪ WE DREAMIN' HARD

WE CAME SO FAR ♪

♪ NOW I BELIEVE

WE'RE GOIN' UP UP UP

IT'S OUR MOMENT ♪

♪ YOU KNOW TOGETHER

WE'RE GLOWING ♪

♪ GONNA BE

GONNA BE GOLDEN ♪

♪ OH UP UP UP

WITH OUR VOICES ♪

[ SINGING IN KOREAN ]

♪ GONNA BE

GONNA BE GOLDEN ♪

♪ OH I'M DONE HIDIN'

NOW I'M SHININ'

LIKE I'M BORN TO BE ♪

♪ OH OUR TIME

NO FEARS NO LIES ♪

♪ THAT'S WHO WE'RE BORN

TO BE ♪

♪ YOU KNOW WE'RE GONNA, GONNA,

GONNA BE GOLDEN ♪

♪ WANNA, WANNA BE GOLDEN

♪ OH OUR TIME

NO FEARS NO LIES ♪

♪ THAT'S WHO WE'RE BORN

TO BE ♪

[ CHEERS AND APPLAUSE ].

♪

>> Announcer: COMING UP,

THE AWARD FOR BEST ORIGINAL

SONG.

TO HEAR ALL OF TONIGHT'S

ORIGINAL SONG NOMINEES, SCAN THE

QR CODE ON YOUR SCREEN NOW.

♪

♪

>>> THIS IS THE END OF THE LINE,

HUH?

>> NOT FOR YOU.

>> EVERY EVOLUTION BEGINS BY

FIGHTING DEMONS.

>> I NEED TO FIND MY DAUGHTER.

>> I'VE BEEN HOLDING ON TO

SOMETHING FOR A WHILE NOW.

I WANTED TO PROTECT YOU.

>> I CANNOT REMEMBER THE ANSWER

TO YOUR QUESTION.

>> I UNDERSTAND AND THE QUESTION

IS --

[ SCREAMING ]

♪

[ APPLAUSE ]

>> Conan: THIS IS A HISTORIC

NIGHT.

I BELIEVE AUTUMN ARKEPAW WAS THE

FIRST WOMAN TO WIN

CINEMATOGRAPHY.

AMAZING, INCREDIBLE.

REALLY.

I LOVE THAT.

ONE OF OUR NEXT PRESENTERS IS

MARRIED TO ONE OF THE JONAS

BROTHERS.

THE OTHER PRONOUNCES THEM

"HO-NUS BROTHERS."

PLEASE WELCOME

PRIYANKA CHOPRA JONAS AND OSCAR

WINNER JAVIER BARDEM.

♪

>> NO TO WAR AND FREE PALESTINE.

[ APPLAUSE ]

MY LOVE FOR CINEMA COMES FROM

ITS UNIQUE ABILITY TO CONNECT

THE HUMAN EXPERIENCE ACROSS

CULTURES.

THE NOMINEES FOR INTERNATIONAL

FEATURE FILM BRING US STORIES

FROM AROUND THE WORLD, EACH

ROOTED IN FORCES THAT ARE DEEPLY

FAMILIAR TO US ALL.

>> VISCERAL AND ENGROSSING, THEY

REMIND US THAT INTERNATIONAL IS

NEVER TRULY FAR AWAY.

BECAUSE EVERY STORY SENDS A

RIPPLE FAR BEYOND WHERE IT

BEGINS.

>> HERE ARE THE NOMINEES FOR

BEST INTERNATIONAL FEATURE FILM.

FROM BRAZIL, "THE SECRET AGENT."

DIRECTED BY

KLEBER MENDONCA FILHO.

FROM FRANCE, "IT WAS JUST AN

ACCIDENT."

DIRECTED BY JAFAR PANAHI.

FROM NORWAY, "SENTIMENTAL

VALUE."

DIRECTED BY JOACHIM TRIER.

FROM SPAIN, "SIRAT."

DIRECTED BY OLIVER LAXE.

FROM TUNISIA, "THE VOICE OF HIND

RAJAB."

DIRECTED BY KAOUTHER BEN HANIA.

>> OKAY.

AND THE OSCAR GOES TO --

"SENTIMENTAL VALUE" NORWAY,

JOACHIM TRIER.

[ APPLAUSE ].

>> Announcer: THIS IS THE FIRST

OSCAR WIN AND SEVENTH NOMINATION

FOR NORWAY.

"SENTIMENTAL VALUE" HAS NINE

NOMINATIONS INCLUDING BEST

PICTURE.

[ APPLAUSE ]

♪

[ APPLAUSE ]

>> THANK YOU.

OH, MY GOODNESS.

THANK YOU SO MUCH.

I'M JUST A FILM NERD FROM

NORWAY.

THANK YOU SO MUCH.

HONESTLY, THIS MEANS THE WORLD

TO ME.

THANKS TO THE ACADEMY AND THANKS

TO NEON WHO BROUGHT OUR FILM

OVER HERE AND HELPED US.

THIS FILM IS ABOUT A VERY

DYSFUNCTIONAL FAMILY AND IT'S

THE OPPOSITE OF WHAT I FELT WITH

THIS BEAUTIFUL GROUP BEHIND ME.

I THINK I MAKE FILMS TO FEEL AT

HOME WITH PEOPLE, AND I REALLY

FELT AT HOME WITH THE CREW.

1,072 PEOPLE IN THESE CREDITS

AND I LOVE THEM ALL AND I SHARE

THIS WITH THEM.

THE CAST BEHIND ME, I'VE NEVER

BEEN SO PROUD.

THANK YOU FOR WANTING TO WORK

WITH ME.

MY REAL FAMILY, MY MOM AND DAD,

FOR SHOWING ME MOVIES, MY WIFE,

FOR, YOU KNOW -- IT'S NOT SO

EASY TO BE WITH FILMMAKERS.

I LOVE YOU.

MY KIDS AND I WANT TO -- BECAUSE

I'M IN THIS CATEGORY AND I FEEL

I REPRESENT GLOBAL FILM MAKING,

IT'S BEEN A MOMENT LIKE THIS,

I WANT TO RECOGNIZE THE

WONDERFUL FILMS WE WERE

NOMINATED TOGETHER WITH,

IMPORTANT, BEAUTIFUL FILM THAT

REFLECT OUR PRESENT CRISIS AND

THE CRISIS OF THE PAST, AND I

WANT TO END BY QUOTING -- NOT

ACTUALLY QUOTING BUT PARA

PHRASING THE WONDERFUL AMERICAN

WRITER JAMES BALDWIN WHO MAKES

US REMEMBER THAT ALL ADULTS ARE

RESPONSIBLE FOR ALL CHILDREN,

AND LET'S NOT VOTE FOR

POLITICIANS WHO DON'T TAKE THIS

SERIOUSLY INTO ACCOUNT.

OKAY.

THANK YOU.

[ APPLAUSE ]

♪

♪

♪

>> Announcer: PLEASE WELCOME

OSCAR WINNER, LIONEL RICHIE.

[ APPLAUSE ]

♪

[ APPLAUSE ]

>> ALL RIGHT, ALL RIGHT.

OKAY.

ALL RIGHT.

ALL RIGHT.

I'M BACK.

I'M BACK.

I'M BACK.

WOW.

LET ME JUST TELL YOU ALL, 40

YEARS AGO I WAS LUCKY ENOUGH TO

STAND ON THIS STAGE AND WIN AN

OSCAR FOR "SAY YOU SAY ME" FROM

THE MOVIE "WHITE NIGHTS."

DID I SAY 40 YEARS AGO?

THAT'S RIDICULOUS.

AND NOW I'M TORTURED WITH THE

IDEA MY BIRTHDAY COMES EVERY

THURSDAY.

IT'S GETTING WORSE BY THE

MINUTE.

STORIES CANNOT BE TOLD WITHOUT

MUSIC.

LET ME TELL YOU, WRITING A SONG

FOR A MOVIE IS NOT AS EASY AS

YOU MAY THINK.

YOU'RE ASKED TO CAPTURE THE

HEART AND SOUL OF A STORY IN

JUST A FEW MINUTES.

TONIGHT WE'RE GOING TO CELEBRATE

THESE WRITERS.

HERE ARE THE NOMINEES FOR BEST

ORIGINAL SONG.

"DEAR ME" FROM "DIANE WARREN:

RELENTLESS."

MUSIC AND LYRICS BY

DIANE WARREN.

♪ DEAR ME IT'S GOING TO BE ALL

RIGHT ALL RIGHT ♪

♪ TRUST ME ALL OF THE PAIN IS

GOING TO FADE ♪

>> "TRAIN DREAMS" FROM "TRAIN

DREAMS."

MUSIC BY NICK CAVE AND

BRYCE DESSNER.

LYRICS BY NICK CAVE.

♪ LATELY I'VE BEEN HAVING DREAMS

CRAZY DREAMS I CAN'T EXPLAIN ♪

♪ A WOMAN STANDING IN A FIELD OF

FLOWERS ♪

♪ SCREAMING LOCOMOTIVE TRAIN

CRAZY DREAMS GO ON FOR HOURS ♪

>> "SWEET DREAMS OF JOY" FROM

"VIVA VERDI."

MUSIC AND LYRICS BY

NICHOLAS PIKE.

♪

>> "I LIED TO YOU" FROM

"SINNERS."

MUSIC AND LYRICS BY

RAPHAEL SAADIQ AND

LUDWIG GORANSSON.

"GOLDEN" FROM "KPOP DEMON

HUNTERS."

MUSIC AND LYRICS BY EJAE,

MARK SONNENBLICK,

JOONG GYU KWAK, YU HAN LEE,

HEE DONG NAM, JEONG HOON SEO AND

TEDDY PARK.

♪

>> AND THE OSCAR GOES TO --

"GOLDEN."

>> Announcer: "GOLDEN" FROM KPOP

DEMON HUNTERS MADE ACADEMY

AWARDS HISTORY, THE FIRST KPOP

SONG TO WIN BEST ORIGINAL SONG.

THIS IS THE FIRST OSCAR WIN AND

NOMINATION FOR EACH OF THE

SONGWRITING TEAM.

♪

[ APPLAUSE ].

>> THANK YOU.

THANK YOU SO MUCH TO THE ACADEMY

FOR THIS AWARD.

MY GOD.

SORRY.

GROWING UP, YOU KNOW, PEOPLE

MADE FUN OF ME LIKING KPOP, BUT

NOW EVERYONE IS SINGING OUR SONG

AND ALL OF THE KOREAN LYRICS.

I'M SO PROUD.

AND I REALIZE, LIKE, THE SONG,

THIS AWARD IS NOT ABOUT SUCCESS.

IT'S ABOUT RESILIENCE AND I'M

JUST SO GRATEFUL TO OUR TEAM AND

I JUST WANT TO THANK MY MOM, MY

DAD, MY BROTHER, MY FIANCE, MY

MANAGER FOR ALWAYS STAYING WITH

ME.

I WANT TO THANK THE RESILIENT

CAST OF "DEMON HUNTERS."

OUR PRODUCER, MICHELLE WONG.

THANK YOU FOR THIS FILM.

THANK YOU TO NETFLIX.

THANK YOU FOR SONY ANIMATION.

AND IS THERE ANYONE ELSE?

♪

>> Announcer: STILL TO COME, THE

AWARDS FOR BEST DIRECTING AND

BEST ACTOR.

HERE ON "THE OSCARS" FROM THE

DOLBY THEATRE AT OVATION

HOLLYWOOD.

♪

♪

>> Announcer: WE'RE BACK AT THE

OSCARS.

PLEASE WELCOME ZENDAYA AND

ROBERT PATTINSON.

♪

>> DIRECTING IS A RARE KIND OF

VISION, IT'S THE ABILITY TO SEE

A WHOLE WORLD BEFORE ANYONE ELSE

CAN.

>> AND THEN INVITE HUNDREDS OF

PEOPLE TO HELP BRING IT TO LIFE,

ACTORS, DESIGNERS,

CINEMATOGRAPHERS, EDITORS, ALL

GUIDED BY THEIR VOICE.

>> FIVE FILMMAKERS WE CELEBRATE

TONIGHT, EACH CREATED SOMETHING

UNFORGETTABLE STORIES THAT MOVED

US.

SURPRISED US.

>> AND REMINDED US WHY WE LOVE

TO GO TO THE MOVIES.

>> HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN DIRECTING.

♪

CHLOE ZHAO, "HAMNET."

JOSH SAFDIE, "MARTY SUPREME."

PAUL THOMAS ANDERSON, "ONE

BATTLE AFTER ANOTHER."

JOACHIM TRIER, "SENTIMENTAL

VALUE."

RYAN COOGLER, "SINNERS."

♪

>> AND THE OSCAR GOES TO --

"ONE BATTLE AFTER ANOTHER," PAUL

THOMAS ANDERSON.

[ APPLAUSE ]

♪

>> Announcer: THIS IS THE SECOND

OSCAR WIN TONIGHT AND 14th

NOMINATION FOR PAUL THOMAS

ANDERSON.

♪

[ APPLAUSE ]

>> THANK YOU VERY MUCH.

THANK YOU VERY, VERY MUCH.

YOU MAKE A GUY WORK HARD FOR ONE

OF THESE.

I REALLY APPRECIATE IT.

I SHARE THIS WITH A FRIEND OF

MINE ON THE OTHER SIDE OF THE

SHADOWS.

HER NAME ADAM AND HE IS HAVING A

GYN AND TONIC AND IS SO HAPPY

FOR ME AND OUR CREW.

I WANT TO THANK THE ACADEMY FOR

FINDING MY WORK WORTHY OF THIS

HIGHEST HONOR.

AND MY CLASSMATES, CHLOE, RYAN,

JOACHIM AND JOSH, I COULDN'T ASK

FOR A BETTER CLASS.

IT'S AN HONOR TO BE COUNTED

AMONGST YOU GUYS.

THERE WILL ALWAYS BE SOME DOUBT

IN YOUR HEART THAT YOU DESERVE

IT, BUT THERE IS NO QUESTION AT

THE PLEASURE HAVING IT FOR

MYSELF.

[ LAUGHTER ]

I'M HERE BECAUSE OF PEOPLE'S

FAITH IN ME THAT GIVE ME THEIR

FAITH AND THEIR TIME, AND THAT'S

THE BEST PART ABOUT BEING ON A

FILM CREW IS BEING WITH PEOPLE.

WE NEED EACH OTHER.

THIS IS A WONDERFUL GIFT AND I'M

SO HAPPY TO CALL THE MOVIES

HOME.

THIS IS REALLY TERRIFIC.

THANK YOU FROM THE BOTTOM OF MY

HEART.

I LOVE IT.

THANK YOU, GUYS.

THANK YOU VERY MUCH.

[ APPLAUSE ]

♪

>> Conan: OUR NEXT PRESENTER

HEROICALLY SAVED LAST YEAR'S

OSCARS FROM RUNNING SHORT.

PLEASE WELCOME OSCAR WINNER

ADRIEN BRODY.

♪

>> GOOD EVENING.

I'LL EAT IT.

I KNOW THIS HAS BEEN A LONG

NIGHT, BUT -- BUT I -- JUST ONE

THING HERE --

♪

ALL RIGHT, STOP, STOP.

HOLD ON.

HOLD THE MUSIC, PLEASE.

I DO HAVE SOMETHING VERY

IMPORTANT TO SAY.

AND THE NOMINEES FOR LEAD ACTOR

ARE --

♪

ETHAN HAWKE, "BLUE MOON."

>> THE BEAUTY AND THE WORD

TRUNK.

WAGNER MOURA, "THE SECRET

AGENT."

MICHAEL B. JORDAN, "SINNERS."

>> HE'S NEVER GOING TO FIND

UNTIL THIS.

>> TIMOTHEE CHALAMET, "MARTY

SUPREME"."

>> IT GOES WITHOUT SAYING, GET

THAT OUT OF YOUR MIND.

I WILL NOT SETTLE DOWN RIGHT

NOW, OKAY?

>> LEONARDO DiCAPRIO, "ONE

BATTLE AFTER ANOTHER."

>> YEAH, THANK YOU.

HEY, THANK YOU, SENSAI.

THANK YOU.

THANK YOU!

VIVA REVOLUTION!

>> AND THE OSCAR GOES TO --

MICHAEL B. JORDAN.

>> Announcer: THIS IS THE FIRST

OSCAR WIN AND NOMINATION FOR

MICHAEL B. JORDAN.

♪

[ APPLAUSE ]

[ CHEERS AND APPLAUSE ].

>> MAN, GOD IS GOOD.

GOD IS GOOD.

AND, MOMMA, WHAT'S UP?

YOU KNOW HOW I FEEL ABOUT MY

MOTHER AND MY FATHER IS HERE.

POPS, WHERE YOU AT?

MY DAD CAME HERE FROM GHANA TO

BE HERE.

MY BROTHER AND MY SISTER IS

HERE, MY FAMILY.

I WANT TO THANK -- I WANT TO

THANK -- I WANT TO THANK WARNER

BROS., AND FOR BELIEVING IN THIS

DREAM, THIS VISION OF RYAN

COOGLER AND BETTING ON A CULTURE

AND BETTING ON ORIGINAL IDEAS

AND ORIGINAL ARTISTRY.

YOU'RE AN AMAZING, AMAZING

PERSON.

I'M SO HONORED TO CALL YOU A

COLLABORATOR AND A FRIEND, AND

YOU GAVE ME THE OPPORTUNITY AND

SPACE FOR ME TO BE SEEN, AND I

LOVE YOU, TOO, BRO, LOVE YOU TO

DEATH.

I WOULD LOVE TO THANK MY

INCREDIBLE CAST, WUNMI, THANK

YOU FOR GIVING SMOKE OPPORTUNITY

TO BE HIM.

HALEY AT HOME, SHE'S GETTING

READY TO HAVE A BABY RIGHT NOW.

THANK YOU FOR BEING THE OTHER

HALF OF STACK.

MILES, DELROY, JAMIE, EVERYBODY,

OMAR, THE ENTIRE CAST, THANK YOU

FOR SUPPORTING ME THROUGH THIS.

MY TEAM, PHIL SUTTON, GREG,

LINDSAY -- UH -- UH -- OH, MAN,

Y'ALL.

[ APPLAUSE ]

I STAND HERE BECAUSE OF THE

PEOPLE THAT CAME BEFORE ME,

SYDNEY POITIER, DENZEL

WASHINGTON, HALLE BERRY, JAMIE

FOXX, FOREST WHITAKER, WILL

SMITH.

AND TO BE AMONGST THOSE GIANTS,

THOSE GREATS, AMONGST MY

ANCESTORS, AMONGST MY GUYS,

THANK YOU EVERYBODY AT HOME, IN

THIS ROOM AND FOR SUPPORTING ME

OVER MY CAREER.

I FEEL IT.

I KNOW YOU GUYS WANT ME TO DO

WELL, AND I WANT TO DO THAT

BECAUSE YOU GUYS BET ON ME, SO

THANK YOU FOR KEEPING BETTING ON

ME.

AND I'M GOING TO KEEP STEPPING

UP AND I'M GOING TO KEEP BEING

THE BEST VERSION OF MYSELF I CAN

BE.

I WANT TO SAY THANK YOU FOR

EVERYONE IN THIS ROOM THAT HAD

SOMETHING TO MY SUCCESS AND

EVERYBODY AT HOME WHO SUPPORTED

"SINNERS" AND WENT TO SEE THE

MOVIE ONCE, TWICE, THREE, FOUR

FIVE TIMES, THANK YOU.

YOU MADE THIS MOVIE WHAT IT IS.

I LOVE YOU, I LOVE YOU.

[ APPLAUSE ]

♪

>> Announcer: STILL TO COME, THE

AWARDS FOR BEST ACTRESS AND BEST

PICTURE.

ONLY AT "THE OSCARS," HERE ON

ABC.

♪

♪

>> Conan: I DON'T KNOW WHAT THAT

WAS ABOUT.

WE'RE ALMOST THERE.

WE'RE ALMOST THERE.

WE'RE ALMOST THERE.

[ APPLAUSE ]

ARE WE ON?

YOU NEVER KNOW.

THIS NEXT PRESENTER

MAY BRING BACK PAINFUL MEMORIES

OF ACCIDENTALLY WATCHING "ANORA"

WITH YOUR PARENTS.

PLEASE WELCOME OSCAR WINNER

MIKEY MADISON.

♪

>> AS ARTISTS WE'RE ALWAYS

LEARNING HOW TO LISTEN --

TO OUR INSTINCTS, TO ONE

ANOTHER, AND TO THE FUNDAMENTAL

TRUTHS INSIDE A STORY.

JESSIE, ROSE, KATE, EMMA AND

RENATE, YOU LEFT US ALL IN AWE

OF YOUR PERFORMANCES.

JESSIE BUCKLEY, "HAMNET."

>> I WOULD CUT MY HAIR.

>> I KNOW.

>> YOU DON'T KNOW.

ROSE BYRNE, "IF I HAD LEGS I'D

KICK YOU."

>> I'M NOT.

THIS ISN'T WHAT IT'S SUPPOSED TO

BE LIKE.

THIS CAN'T BE IT.

KATE HUDSON, "SONG SUNG BLUE."

>> BAD THINGS HAPPEN OVER AND

OVER, AND I JUST WANT TO SING

AND I WANT TO SHINE.

EMMA STONE, "BUGONIA."

>> YOU KILLED HER.

I FIGURED YOU'D BE APPREHENDED

FEEDING ANTIFREEZE TO A PATIENT

AND I WOULD BE FREED AND RETURN

TO WORK.

YOU GOT AWAY WITH IT, YOU SICK

APE.

>> AND THE OSCAR GOES TO --

JESSIE BUCKLEY.

>> Announcer: THIS IS THE FIRST

OSCAR WIN AND SECOND NOMINATION

FOR JESSIE BUCKLEY.

PREVIOUSLY SHE WAS NOMINATED FOR

SUPPORTING ROLE IN "THE LOST

DAUGHTER."

[ APPLAUSE ]

♪

[ APPLAUSE ]

>> WOW.

THANK YOU SO MUCH.

THIS IS --

THIS IS REALLY SOMETHING.

THANK YOU TO THE INCREDIBLE

WOMEN THAT I STAND BESIDE.

I AM INSPIRED BY YOUR ART AND

YOUR HEART, AND I WANT TO WORK

WITH EVERY SINGLE ONE OF YOU.

TO THE PRODUCERS WHO CREATED

THIS FOR US TO STAND IN AND MY

SHIPMATES FOR LIFE, HILDA,

JESSICA, LINDSEY, NONE OF THIS

IS POSSIBLE WITHOUT YOU.

MY FAMILY, MY IRISH FAMILY,

THEY'RE ALL HERE.

IRELAND GOT THEM FLIGHTS.

MOM, DAD, THANK YOU FOR TEACHING

US TO DREAM AND TO NEVER BE

DEFINED BY EXPECTATION BUT TO

CARE FROM YOUR OWN PASSION.

YOU, I LOVE YOU, MAN.

I LOVE YOU.

YOU'RE THE MOST INCREDIBLE DAD.

YOU'RE MY BEST FRIEND AND I WANT

TO HAVE 20,000 MORE BABIES WITH

YOU.

I DO.

I DO.

AND MY LITTLE GIRL WHO IS 8

MONTHS, WHO HAS NO IDEA WHAT'S

GOING ON AND IS PROBABLY

DREAMING OF MILK, THIS IS KIND

OF A BIG DEAL AND I LOVE YOU AND

I LOVE BEING YOUR MOM AND I

CAN'T WAIT TO DISCOVER LIFE

BESIDE YOU.

CHLOE AND MAGGIE, YOU -- TO GET

TO KNOW THIS INCANDESCENT WOMAN

AND JOURNEY TO UNDERSTAND THE

CAPACITY OF A MOTHER'S LOVE IS

THE GREATEST COLLISION OF MY

LIFE.

IT'S MOTHER'S DAY IN THE U.K.

TODAY.

[ APPLAUSE ]

SO I WOULD LIKE TO DEDICATE THIS

TO THE BEAUTIFUL CHAOS OF A

MOTHER'S HEART.

[ APPLAUSE ]

WE ALL COME FROM A LINEAGE OF

WOMEN WHO CONTINUE TO CREATE

AGAINST ALL ODDS.

THANK YOU FOR RECOGNIZING ME IN

THIS ROLE, THIS IS THE GREATEST

HONOR.

I CAN'T EVEN BELIEVE IT.

♪

>> Announcer: PLEASE WELCOME

EWAN McGREGOR AND OSCAR WINNER,

NICOLE KIDMAN.

♪

>> SO I HAVE TO SAY I ADORED ALL

OF THE FILMS THIS YEAR.

>> ADORED?

WOULD YOU SAY YOU LOVED THEM?

>> WHAT?

>> LOVE, YOU KNOW, LIKE LOVE IS

LIKE OXYGEN.

>> OH, LOVE IS A MANY SPLENDID

THING.

>> LOVE LIFTS US UP WHERE WE

BELONG.

[ LAUGHTER ]

BUT I HAVE TO SAY, NICOLE, EVEN

THOUGH IT'S BEEN 25 YEARS, EVERY

TIME I HEAR THE WORD LOVE, I

STILL IMAGINE SOMEONE IS GOING

TO LOWER A CHANDELIER AND CUE

THE ORCHESTRA.

>> DON'T TEMPT ME.

>> I HAVE TO SAY THESE NOMINEES

REMIND US WHY WE FELL IN LOVE

WITH THE MOVIES IN THE FIRST

PLACE.

♪ BECAUSE ALL YOU NEED IS LOVE

♪ ALL YOU NEED IS LOVE

♪ LOVE IS ALL YOU NEED

AND HERE ARE THE NOMINATIONS FOR

BEST PICTURE.

♪

>> "BUGONIA."

ED GUINEY AND ANDREW LOWE,

YORGOS LANTHIMOS, EMMA STONE,

AND LARS KNUDSEN.

"F1."

CHAD OMAN, BRAD PITT,

DEDE GARDNER, JEREMY KLEINER,

JOSEPH KOSINSKI, AND

JERRY BRUCKHEIMER.

"FRANKENSTEIN."

GUILLERMO DEL TORO,

J. MILES DALE, AND SCOTT STUBER.

"HAMNET."

LIZA MARSHALL, PIPPA HARRIS,

NICOLAS GONDA, STEVEN SPIELBERG,

AND SAM MENDES.

"MARTY SUPREME."

ELI BUSH, RONALD BRONSTEIN,

JOSH SAFDIE, ANTHONY KATAGAS,

AND TIMOTHEE CHALAMET.

"ONE BATTLE AFTER ANOTHER."

ADAM SOMNER, SARA MURPHY, AND

PAUL THOMAS ANDERSON.

"THE SECRET AGENT."

EMILIE LESCLAUX.

"SENTIMENTAL VALUE."

MARIA EKERHOVD AND

ANDREA BERENTSEN OTTMAR.

"SINNERS."

ZINZI COOGLER, SEV OHANIAN, AND

RYAN COOGLER.

"TRAIN DREAMS."

MARISSA McMAHON,

TEDDY SCHWARZMAN, WILL JANOWITZ,

ASHLEY SCHLAIFER, AND

MICHAEL HEIMLER.

>> THE OSCAR GOES TO "ONE BATTLE

AFTER ANOTHER."

[ APPLAUSE ]

ADAM SOMNER --

>> Announcer: NOMINATED FOR 13

ACADEMY AWARDS "ONE BATTLE AFTER

ANOTHER" WON SIX OSCARS FOR

CASTING, ADAPTED SCREENPLAY,

FILM EDITING, DIRECTING AND BEST

PICTURE.

[ APPLAUSE ]

>> THANK YOU.

GETTING TO MAKE THIS FILM WITH

THIS CAST AND THIS CREW AND PAUL

HAS ALREADY BEEN THE GREATEST

FILM MAKING EXPERIENCE I CAN

FATHOM SO RECEIVING THIS AWARD

IS JUST BEYOND -- MY HEART IS

EXPLODING WITH GRATITUDE.

THANK YOU TO MIKE AND PAMMY AT

WARNER BROS.

THANK YOU TO BRIAN LOREN, THANK

YOU TO ADAM SUMNER, ERICA.

I SHARE THIS WITH YOU.

THANK YOU TO MY FAMILY, ALL FOUR

OF MY PARENTS, MY BEAUTIFUL

BROTHERS, FANNY, JOSH, RYAN, I

LOVE YOU.

I'M GRATEFUL FOR YOU.

PAUL!

>> IN 1975 THE OSCAR NOMINEES

FOR BEST PICTURE WERE DOG DAY

AFTERNOON, ONE FLEW OVER THE

CUCKOO'S NEST, JAWS, NASHVILLE

AND THERE IS NO BEST AMONG THEM.

IT IS JUST WHAT THE MOOD MIGHT

BE THAT DAY, BUT WE'RE HAPPY TO

BE PART OF THIS, A WONDERFUL,

WONDERFUL JOURNEY WITH OUR

FELLOW NOMINEES, OUR FELLOW

FILMMAKERS THAT EVEN WEREN'T

RECOGNIZED BY THE ACADEMY.

SO MANY GREAT FILMS THIS YEAR

AND I BLEW IT WHEN I WON A BEST

DIRECTOR AWARD AND I FORGOT TO

THANK MY CAST.

WITH LEO, TEYANA, SHAWN, REGINA

AND ESPECIALLY CHASE, MY

AMERICAN GIRL CHASE.

YOU ARE THE HEART OF THIS MOVIE.

THIS ENTIRE TEAM, WHAT A NIGHT,

YOU GUYS, LET'S HAVE A MARTINI.

THIS IS AMAZING.

CHEERS.

THANK YOU VERY MUCH.

THANK YOU.

THANK YOU.

THANK YOU.

THANK YOU.

♪

>> Conan: THAT IS OUR SHOW.

IT'S BEEN AN HONOR AND A JOY.

WE LOVE YOU.

GOOD NIGHT.

>> GREAT SHOW, CONAN.

JUST TERRIFIC.

>> Conan: GEE, THANKS.

>> IN FACT, WE LIKED IT SO MUCH,

WE'VE DECIDED TO MAKE YOU OSCARS

HOST FOR LIFE.

>> Conan: HOST FOR LIFE?

>> THAT'S RIGHT.

>> Conan: I DON'T KNOW WHAT TO

SAY.

>> LET'S GO SEE YOUR NEW OFFICE.

>> Conan: I'D LIKE THAT VERY

MUCH.

>> YOUR EFFORTS HAVE PLEASED THE

ACADEMY GREATLY.

>> Conan: WOW.

>> PEOPLE HAVE NOT STOPPED

TALKING ABOUT YOUR PERFORMANCE.

IT WAS REALLY SOMETHING.

>> Conan: COMING FROM THE

ACADEMY, THAT'S A REAL HONOR,

SIR.

>> AN HONOR YOU'VE EARNED.

AND HERE WE ARE, SUITE 55.

>> ALL THIS FOR ME?

>> THAT'S YOUR NAME, ISN'T IT?

GO IN.

GET SETTLED.

>> Conan: THIS VIEW IS

INCREDIBLE.

>> DAMN IT, I FORGOT YOUR KEYS.

I'LL BE RIGHT BACK.

>> Conan: HOST FOR LIFE.

>> Announcer: THE ACADEMY IS

THRILLED TO ACKNOWLEDGE DELTA

AIR LINES FOR PROVIDING AIR

TRANSPORTATION FOR SOME OF

TONIGHT'S PRESENTERS,

PERFORMERS, AND NOMINEES.

TOGETHER, WE CAN KEEP CLIMBING.

>> Announcer: LED AND PROJECTION

PROVIDED IN PART BY SENOVVA.

>> Announcer: ALL ELIGIBLE

ACADEMY MEMBERS PARTICIPATE IN

OSCARS VOTING.

BEST PICTURE NOMINATIONS ARE

DETERMINED BY ALL ELIGIBLE

MEMBERS.

IN OTHER CATEGORIES, THE

NOMINATIONS ARE DETERMINED BY

MEMBERS OF A SPECIFIC BRANCH OR

VOTERS WHO MEET THE CATEGORIES

ELIGIBILITY REQUIREMENTS.

ALL ROUNDS OF OSCARS VOTING ARE

DONE BY SECRET BALLOT THAT IS

TABULATED BY THE INDEPENDENT

ACCOUNTING FIRM OF

PRICEWATERHOUSECOOPERS.

THE RESULTS OF THE FINAL ROUND

OF SECRET VOTING ARE KNOWN ONLY

TO PWC UNTIL THE SEALED

ENVELOPES ARE OPENED ON THE AIR.