All language subtitles for Mozart.in.the.Jungle.S04E02.WEBRip-NONHI

♪ ♪

(playing gentle melody)

Hey, listen.

-(melody plays in distance)
-I've been out there watching,

and none of them
have anything on you,

either in technique
or interpretation.

-(playing stops) -So go
out there, show the judges

-your best thing you got.
-(applause)

62? You're up.
You have your music?

You're gonna do great.

I've already seen
the future, okay?

WOMAN:
Number 62, Hailey Rutledge.

(up-tempo melody playing)

(music continuing)

(Hailey stops playing)

♪ ♪

-Hailey? Geez!
-(honks)

Jesus, Hailey,
what is wrong with you?

What are you thinking?

♪ ♪

♪ To the heart ♪

♪ Of youth ♪

♪ The world ♪

♪ Is a ♪

♪ Highway side ♪

♪ Passing ♪

♪ Forever ♪

♪ He fares... ♪

How can you recognize
your street?

What do you mean?

(speaks Spanish)
It's the same?

Not to me.

-Not to you? -No,
they all look different to me.

What are you reading about?

-Black holes.
-Hmm.

How should I ask her?

Just let her come to you
a little bit.

You always push her.

I don't push her, she...

she's never around to push.

Huh.
There's a man in the tree.

What?

There's a-a man

climbing the Japanese maple.

Should we call someone?

Hey, hang on.

-Rodrigo DeSousa?
-Yes, hello.

It's Hailey's conductor.
What an honor.

-Hi.
-Hi.

How come you're in our tree?

It's pretty incredible,
this tree.

So I just went up.

Are you here to teach the
master class with Hailey, or...

'Cause I'm sure
the school would be overjoyed.

No, no, no. No,
she's the master this weekend.

I'm just the boyfriend.

-Wow.
-Hey, guys.

(gasps)
Oh, my God!

-Hi.
-Your hair!

-RODRIGO: I did it. I cut
the hair. -Oh, yeah. Hi, Mom.

(laughs)

-Hi. Hi, Dad.
-You're finally home.

I hope you like it.
Yeah.

Hey, can you do me a favor,

uh, about my parents, please?

I already love your parents.

Uh, you won't. But that's
not what I'm worried about.

Can you, um, not mention
the audition?

Which audition?

The one where I didn't
get into the orchestra.

Also, can you not mention
that I'm conducting,

and just say that I'm still
subbing with the orchestra

and everything's on track.

Oh, yeah, you should
do more subbing, you know?

Because the orchestra
really misses you.

Yeah, but that wouldn't
be good for me or for you.

You know, we don't have to leave
each other's orbit, you know?

We could orbit
each other's orbit.

Mmm, someday, yes.

But right now people see you
as, like, a star,

and me as a piece
of space debris.

That's what stars are made of.

-(oboe plays on tape) -KEITH:
It sometimes takes kids a bit

to produce a constant tone,

but she did it
in her first lesson.

All-State is usually 12 and up.

When she was ten
they requested that she join.

When she was 11,
her, uh, teacher, Ms. Kolb,

told me that she has what the
greats have-- she has a sound.

Yes. Yes, you know,

when I heard her play
for the first time,

I felt birds in my stomach.

Butterflies, you mean.

-No, birds.
-Ah.

I used to play a little, too.

Oh, really?

Well, we got to have
a father and daughter concerto.

In college I realized
that there was engineering

and there was music,
and I could not

-be the best at both.
-(playing a soft melody)

You do engineering?
What-what engineering do you do?

My company sends satellites
into deep space,

-monitor electronic signals
and waves. -Ah.

Wow. So is it true that
dark matter is superfluid--

-that it changes form all
the time? -That would explain

how galaxies keep
from spinning apart.

-Oh.
-Hey.

-Are you ready
for that class tomorrow? -Yup.

-Me, too.
-Hey.

-He gets to come, but I don't?
-Yup. -(playing stops)

(clears throat)
So, um...

how long have you two
been together?

-Like a few months.
-A few years.

(short chuckle) So, uh, Rodrigo,
where in New York do you live?

I live in Hai Lai.

-Huh?
-No.

He doesn't live in me.

He has his own apartment

that's, like, a place where
he keeps all his stuff, but then

-sometimes he'll just stay
with me. -I don't have a place.

-Neither I have stuff.
-We're not together

-in, like, a normal way.
-What does that mean?

-Yeah. -Well, we're not together
like you guys are.

Actually, despite being
unspeakably normal...

-(chuckles)
-we do have a little news.

Yes. We are going to
renew our vows on Sunday.

-30 years. (chuckles)
-Great!

Oh, that's excellent,
congratulations.

-Really?
-It's a small ceremony,

-down by the dock.
-(Rodrigo chuckles)

I was hoping
you could play something.

Uh... I-I would love to do that,

but I have to get home...
that day.

You can stay
a couple extra hours.

RODRIGO:
Yeah. Come on, let's stay.

-Uh, no. -Yeah,
we get the next bus, yeah.

I-I... No, because I have this
rehearsal that I have to do,

and it just wouldn't
really work out.

I can't.
Sorry.

How is your practice?

It's good.

Are you subbing in a lot?

Yeah, she's subbing
all the time.

Whenever we need a sub,
she comes in for the oboe,

of course. She's like
a family for the orchestra.

Well, that sounds
like an endorsement.

So, are there any slots
opening up soon?

-Uh, it's...
not that predictable. -Yeah.

No, they have to die.

But you think she has a shot?

She has a shot,
a very good shot.

If she wants that,
yeah, she can, yeah.

It would be great, you know,
because, you know,

the orchestra would love
to have her back

-as-as a... as-as more...
-Thank you so much.

-More.
-Well, good.

-Yeah.
-Cheers. -Oh.

-(laughing)
-Ah.

It means a lot to us
to hear you say that.

-Yeah?
-Thank you. Cheers. Cheers.

You know,
now I know where the,

"You're the best or you
fucking suck" thing comes from.

(Hailey inhales
and exhales deeply)

Are you sure you don't want
to go to the ceremony?

-(strange moaning)
-Yeah.

I don't want to support
their weird relationship.

He's not nice to her.

It's uncomfortable.

(strange moaning)

Is that an animal?

Yeah.

It's an animal that is very sad
and lonely.

(rhythmic thumping,
man and woman moaning)

Oh, my God.
Okay, come on.

-Come on, let's go right now.
-(moaning and thumping continue)

-Come on, come on.
-Is that your mom?

-(door creaks open)
-(crickets chirping)

(whispering):
Is it over?

(loud thumping)

No, they're still going
really hard at it.

Ew. (laughs)

Yeah, I think they're living
their second spring.

-Or their first one.
-No, their second.

-(boat horn blows) -Yeah.
It's what they call it in Japan,

you know,
when you're a bit older

and you feel foolish
and childish again.

They call it the second spring.

(crickets chirping)

(whispering):
Listen to the quiet.

You know, it'd be really funny
if you and I end up living here.

Right? With kids.

I don't think
that's gonna happen.

No, just imagine.
I mean, just, uh, no?

I mean, anything can happen.

Yeah, but I just don't think
that's gonna happen.

Besides, in two months,

you're gonna meet
some super famous opera singer

or some, like, bipolar painter.

And then a year from now,

we'll end up making out
in a closet somewhere,

and that will be that,
'cause that's just what we do.

I'm not like that right now.

Yeah, right now, but
you're not like a normal person.

You're like a...

musical, magical... elf.

If I was an elf,
I would tell you.

Are you sure?

I'm a person, Hai Lai.
I'm a human.

-I know you're a person.
-Yeah?

You're the best person.

I'm glad you're here.

(laughing)

Yeah. Me, too.

Elf.

(Hailey giggles,
Rodrigo laughs)

GLORIA:
Yes! Yes! Yes!

Yes! Yes!

Oh. Well, who's giving you
such a great time?

The Pope! We got the Pope!

(Gloria yells)

He'll bring all
of his followers.

Catholics?

Instagram.

He wants to hear
Verdi's Force of Destiny.

Couldn't I step in
for that piece?

Oh, my God. Rodrigo?

He'll send the poor man
to sleep!

Well, The New York Times
doesn't agree with you,

-so stop being so nasty.
-I'm just saying.

And you're prancing around

because the Pope is coming
for dinner,

and, you know,
the cook is in the kitchen

preparing a shit pot pie!

WOMAN:
Hey, Gloria!

-I saw the great reviews!
-Thank you!

(blows raspberry)

-What about...?
-Taxi!

(whistles)
What about the evening I want

to put together?
I have all of these ideas

in my head.
I need somewhere to put them.

Oh, if it's that important
to you,

we'll find you an opening
next year. Mmm.

Read the papers!
We'll all be dead by then.

You know how the schedule works.

-All right. Oh.
-Yes, the Pope...

-Shit. Bye.
-I love you.

-That's interesting.
-Thank you.

You sure you don't want
to let your dad come today?

It'd mean a lot to him.

What's up with you and dad?

What do you mean?

I don't know. Like the...

acknowledging
each other's existence

and... renewing your vows.

(laughs)
Marriages change.

We're good.

That haircut is growing on me.

Mm-hmm.

-(The Nutcracker Op. 71 plays)
-Do you miss...

do you miss growing up here?

-No, I don't.
-Don't miss here? No?

-Mm-mm.
-(whistles)

♪ Chippy chippy chip. ♪

I can't believe
this thing still works, though.

You know, I can't decide
if it's creepier here

than it was
when I was younger.

-Hmm.
-Or if it's less creepy now.

I understand why you say
it's creepy, yeah.

But why do you...
but why do you say it?

Because, I don't know,
everything's very, uh...

Like, it looks like a...
like a storybook or something.

-And I don't know if that
storybook... -Is a horror story?

-Yeah. Yeah.
-Ah.

♪ ♪

(doorbell tinkles)

Wow!

They used
to let me practice in here

when I had to get out
of the house.

Wow.

Hai Lai?

Yes?

Howdy. Howdy. Mighty...
(speaking gibberish)

Little, little ditty.
Little ditty.

Okay.

(playing Bach's
Cello Suite No. 1)

Have you ever even played
the banjo before?

No.

Elf.

Human.

(coughing in the distance)

(raspy coughing)

(coughing continues)

-Hey, Wolfgang.
-(coughing)

Man, that cough
is terrible, man.

(Mozart sighs)

Essa Pekka is wonderful.

Michael Tilson Thomas--
his work is always so physical.

Muti has the charisma.

-(coughing)
-Yeah, they're great conductors.

Yeah. Yeah, yeah.

I could have appeared
to any of them,

but I chose you.

And you fail me over and over.

-What?
-What are you doing?

Because of...
No, I-- come...

I'm just being a boyfriend
and a girlfriend.

-That's, uh, uh,
you know, normal. -Traitor!

(coughing)

Why are you wasting time?

Wasting time. Don't-don't tell
me about wasting time, because

I've been doing this since
I was a little kid, you know?

I'm done, Mozart.
Just leave me alone for a while.

Okay. (speaking Spanish)

Rodrigo, are you ready for
Music Lost to Time and Space?

Yeah, yeah, I am. I am.

Are you okay?

Yes, I am. Yes.
How-how do you say...

call this thing that, uh...
for the throat?

Like, for a cough? Like...

-Like Robitussin?
-Robitussin?

-Okay.
-Yeah.

Robitussin.

Ro-bi-tuss-in.

Come.

(instruments warming up)

KOLB:
I have never seen

anyone practice so hard.

When she was 12,
I literally had to bribe her

to take a day off
and learn to ride a bike.

She promised me extra lessons.

Taught a billion of you.
I'm just gonna say right now,

-she's my favorite.
-(chuckles softly)

And I am just so proud of all
that she's accomplished.

You all are lucky.

You get to play for her, and you
get to ask her questions.

So who's gonna go first?

(oboe solo plays)

♪ ♪

(quietly):
Wow.

(laughing):
I love the way

that you used your breath
to whisper that "C."

-I think I'm gonna steal that.
-GIRL: Thanks.

So, I've been
Google-stalking you.

Oh. (laughs)
Okay.

And I found out that you have
an ensemble now,

and you premiered a piece
by Thomas Pembridge.

Wait. Really?

When did you do that?

Uh, recently.

-GIRL: Why did you change focus?
-HAILEY: Um,

I think I began to see things,
uh, I didn't really like

about orchestras and,
uh, in particular,

about some of the men involved.

Well, really one guy
in particular

who was kind of a jerk.

Like him?

-Um...
-(audience murmuring)

I-I have a question
for Miss Rutledge.

How did you first pick up
your oboe?

Or did the oboe pick you up?

Um, well, my dad actually
picked it for me.

He actually even tested it
on someone

with similar-sized hands.

And he gave it to me
for my birthday,

even though I'd asked
for a puppy,

because I didn't think
that we'd ever be able

to afford
a professional instrument.

And then I cried
for my entire birthday party,

but I really fell in love
with it.

All right, who's next?

CYNTHIA:
Thanks.

Thanks for meeting me.

GLORIA: Of course. It's been
a while. How have you been?

I'm ready to come back, and
I'd like to play for the Pope.

Oh, that's wonderful.

So the wrist is better?

It's been a few months.
I'm ready.

-And your doctor?
-He's supportive.

Great.
Have him send me a waiver

and I'll cancel the sub.

Okay.

What?

My doctor's not
entirely supportive.

He told me the tendons
aren't growing back

in the way he hoped,
and I should rest

for another three months.

He's not supportive at all then.

Gloria, I'm losing my mind

working with the kids.

I need to be playing.

And I can't bring you back
without a waiver.

I mean, if you hurt yourself
again, the liability would be...

I will sign anything you want.

Cynthia, you know the rules.

In fact, you negotiated
for them last year.

When I get the waiver
from your doctor,

we'd be delighted
to have you back.

Until then, you're on payroll.

You should be where your musical
director tells you to be.

Well, the doctor also told me

that even when I can play again,

I might only have
a couple years.

Have a good one, Gloria.

Maybe it was
the sleep deprivation,

or maybe the LSD.

Or perhaps it was
the whispering siren

that we call inspiration,

but I carefully folded
my kimono,

and followed Yoko

up the craggy path
to the crest of the volcano.

Maestro?

What? (scoffs)

Wh-what is it?
Who are you?

I'm Alan Lawford.

(gasps)
Wow.

I can't believe I'm even
talking to you.

You know those moments
where you feel

like you're outside your body?

-Mm-hmm.
-Is it okay if I sit down?

I-I don't think so.
Wh-what the fuck do you want?

-My name is Alan Lawford.
-You said, yes.

I know you're Alan Lawford, yes.

I went to the symphony
and they told me to come here,

so... now I'm here.

-Is this a bad time?
-It is.

I'm just working very hard

on my unauthorized
autobiography.

Of course. I'll go.

-Yeah.
-I can't wait to read the book.

Oh, thank you.

No disrespect
to Maestro DeSousa,

but you're my favorite
living conductor.

Oh.

Uh, well, um... let's see.

Yeah, okay. Come on in.

-I don't want to...
-Please. No, no, no.

It's all right.
Sit down a minute.

-Okay.
-I've got a few minutes.

-Oh, great.
-Won't take long, right?

-No, no. Just-just a minute.
-Good, good.

I've recently taken over
the Queens Philharmonic.

-You mean the Royal
Philharmonic, right? -No.

I mean, Queens.

It's right above Brooklyn.

-Queens, yes. The area.
I-I've heard of it. -Yeah.

I don't think I've ever been.

-We've been part-time for
a number of years. -Mm-hmm.

But I've raised a little money,

and I'm trying to bring it
back to life.

And I was thinking
you might be able

to point me towards
a music director.

We can offer complete
creative control.

(scoffs) Yeah, well,
we all know how long

the air will stay in
that balloon, don't we?

I'm absolutely serious.

-Ah.
-We don't have a,

an audience or capital,

or talent.

So we need someone
with a vision.

Have you come across anyone
who might... fit the bill?

Maybe I should go.

Sit.

I know someone.

Yeah, five, five.

Five times I've been married...

to the same person.

-No.
-Yeah. No kids, no pets.

It was, you know,
just faithful stuff. Yeah.

-(Amy laughs)
-Yeah.

And she's a nun now.

-A nun? (laughs)
-Yeah.

Oh, my word.
(chuckles)

Your life's like
a nonfiction novel.

I will play for the ceremony
if you want me to, Dad.

So you're not practicing?

Uh, no. I am practicing,
just not as much.

What does that mean,
"not as much"?

It just means that I'm also
practicing something else.

How much does she practice?

Talk to me, Dad.

You always do this.

You get right up

to the finish line,
and then you fall apart.

-I don't fall apart.
-When she was 13,

she entered all these
competitions, bigger and bigger,

and then she just ran
off the stage and didn't play

-for another six months.
-I needed to find a reason

to play that wasn't about you.

-Dad.
-Let's just all take a breath...

Hey, I'm talking right now.

It is a little bit about us,
Hailey,

because we sold the van
so you could have the oboe.

-(sighs) -We moved here, so we
could be close to the school.

-I didn't ask you to do that.
-KEITH: You didn't have to

because we wanted to provide
whatever was necessary

to realize your potential.

Now, you're right on the cusp

of getting into one of the best
orchestras in the world,

and you can't follow through.

I auditioned
for the symphony, Dad.

A spot opened up.

I tried out.

I didn't get in.

(chair scrapes)

What happened?

Why don't you ask him?

RODRIGO:
Are you feeling better, Hai Lai?

I'm feeling drunker.

You know, I'm a big fan, the way
you make your reeds, you know?

-It's perfect. -Yeah, well,
they have to be perfect.

Because if they're not perfect,
then you blow

the entire performance,
like I did

with you the first time
I ever played for you.

Don't you think
I threw you in too fast?

-(blows note)
-No, you didn't.

Will you sit with me?

Mm-hmm.

You know, when I was a kid,

he'd stand outside my door
and listen

so that I wouldn't stop
practicing

until the fifth hour was up.

The thing is
that I still love it so much.

Mm.

I love the music so much.

I just choke.

He's right.

I just choke.

I understand the choking thing.

-I feel like I'm choking also.
-You never choke.

No, no, really,
I've been choking recently.

I don't know why
I feel that, but...

Asphyxiating, you know?

Like I want to run away
or something.

I mean, it's too much.
I-I don't know.

-Is it really boring, being here
with my parents? -Oh, no, no.

Nothing to do with your parents.
No. No, on the contrary.

No, it's quite fascinating
to be with them.

Your father, your mother,
the way that they...

You know? And the dinner table,
they-they say these things

that are... nice,
but a bit poisonous.

They lift you and they trap you.

(chuckles)
Yeah. They trap you.

I have other traps.

Many, actually.

But I-I don't have that one.

I'm curious to see when you--

I don't know--
when you break away from it,

what's underneath.

Human.

Me? Hmm?

Both.

I'm telling you.

(sighs)

Did I scare you?
Is everything okay?

Yeah. I'm just gonna
go find my dad.

What are you looking at?

Shoemaker-Levy 5.

It's a comet.

Is it rare?

No.

HAILEY:
Wow.

(chuckles)

I think the reason that
I didn't get into the orchestra

is because I have to try this.

Why does everybody
have to become the boss?

Isn't it enough just to be
a great instrumentalist?

You always said
that the difference

between the best
and the second best

is how bad you want it.

Right now, this is the thing
that I could kill myself for.

You're not following through.

I am.

It's just not
in a straight line.

It should be.

It's easier.

And there's
so few female conductors.

Yeah, well, that's a problem.

You don't understand
what it's gonna be like for me

if I have to watch you fail.

Well, hopefully,
you won't have to.

Things don't...

always work out.

You've got a big chance now.

You might not get another one.

I know.

(sniffles)

(exhales)

Well, thanks
for getting me here.

-Listen, Squirrel...
-(chuckles)

Good night.

Hailey.

♪ ♪

RODRIGO:
What are you thinking?

I want to play for something.

And right now I don't know
what I'm playing for.

Well, why don't you play
for the-the way

that parents raise their kids
into crazy people.

-That's a little dark, isn't it?
-It is, but...

-(grunts)
-(rock splashes)

I was thinking that, maybe,

if it wasn't
for those type of parents,

then there would be no artists.

You know? Nothing to oppose.

(seabirds squawking)

-I don't know.
-(rock splashes)

Okay. Let's go.

-How did... how did you get
a violin? -I borrowed it.

-(giggles)
-'Cause I'm gonna play with you.

I can't believe
that you're here.

OFFICIANT: Keith, do you take
Amy for your wife

yesterday,

-today, and tomorrow?
-I do.

OFFICIANT: And, Amy, do you
take Keith for your husband

yesterday, today, and tomorrow?

I do.

OFFICIANT:
You may kiss the bride.

(soft classical music playing)

♪ ♪

I think you need
to start paying rent.

But I thought I wasn't allowed
to pay the rent.

No, I mean, like,
I think that you should move in.

Like, bring your stuff,

if you even have any stuff.

Yeah, it would be nice
to be in a place that's...

is not someone else's place.

Okay, then it's our place.

And Sebastian and Shawn.

-And Fred, the guy who sleeps
on the couch... -Fred?

-...on Tuesdays,
sometimes Thursdays. -Ah, yeah.

Mm.

So let's go have sex
in our place.

-(laughs)
-Yeah?

Ay, Hai Lai.

-It's too heavy?
-Yeah, but it's okay, it's okay.

("Songs of Travel 4"
by Bryn Terfel playing)

♪ To the heart ♪

♪ Of youth ♪

♪ The world ♪

♪ Is a highwayside ♪

♪ Passing ♪

♪ For ever ♪

♪ He fares ♪

♪ And on either ♪

♪ Hand ♪

♪ Deep in the gardens ♪

♪ Golden pavilions hide ♪

♪ Nestle in orchard bloom ♪

♪ And far ♪

♪ On the level ♪

♪ Land ♪

♪ Call him ♪

♪ With lighted lamp ♪

♪ In the ♪

♪ Eventide. ♪