All language subtitles for Trust.S01E09.HDTV.x264-KILLERS

(wind gusting)

♪ ♪

♪ ♪

CHACE: It'll ring.

You don't know that.

How could you possibly know that?

You don't know anything.

- Sorry.
- Eh...

(sighs)

I've got a son.

You've got a son?

Jesus, Chace.

All this time?

How old is he?

About 12.

You've got a 12-year-old son, and you...

Why didn't you tell me?

This is about your son, not mine.

Bullshit,

Fletcher, that's bullshit.

All this time,
you've known the pain in here?

- And you've said nothing?
- I was ashamed.

- Of your son?
- No.

Of me.

Synced & corrected by kinglouisxx
www.addic7ed.com

("Oh Nero Nero"
by Cosimo Monteleone playing)

(man singing in Italian)

(grunts)

(engine running)

(heart beating)

(quietly): Hey.

Yeah.

(horn honking)

(shouting)

(screams)

♪ ♪

(gasps)

NEWSCASTER (over radio):
...President Nixon has ordered

the attorney general, Elliot Richardson,

to fire special Watergate
prosecutor Archibald Cox,

after Cox announced that
he'll continue his court battle

to hear the presidential tapes
in the Watergate case.

- President Nixon's attorney...
- (doorbell buzzes)

(bowl clatters)

NEWSCASTER: ...arguing
that the Constitution...

Chace?

What?

It's not the worst,

but it's not good.

GIORDANO: We have no proof
this is Paul's ear.

These are Paul's freckles.

Lots of people have freckles.

I washed his hair as a baby,

kissed him
when he went to sleep at night,

kissed him in the morning,

tucked his hair behind his ears
every... when he went to school.

This is my son's.

Then I suggest you pay the ransom.

Can I keep these?

GIORDANO: Yes.

PAUL: Strange decision,

removing an ear.

It's not definitive.

A finger comes with a print.

Better.

Perhaps they'll send a finger next time.

Maybe it's a metaphor, Paul.

Maybe they're trying
to get someone to listen.

- I don't follow.
- No.

No, you really don't, do you?

- ROBINA: Paul.
- Hmm?

Gail's been waiting quite some time now.

(groans) All right.

Very impressive picture, Gail.

I'm more of
a Renaissance era man, myself.

Well, there were certainly
many instances of mutilation

in those pictures,
now that I think about it.

Hello, Paul.

Hello, Gail.

Are you sure that the ear
belongs to Paul?

I couldn't be more certain.

Whatever the rights and wrongs

of his behavior, sir,

he's your grandson.

They're sending him back in pieces.

I implore you.

Please.

Help him.

I have attempted
to resolve this situation

on a number of instances.

I went to Italy, and put myself
at considerable risk,

so that I could negotiate
a very fair deal

that the boy's father refused to accept.

There's really nothing else
that I can do.

The key to resolving this situation

lies with your ex-husband.

And you tell him

that he should come to his senses.

♪ ♪

Where's the head gardener?

That's me, mate.

As of today.

The other bloke did a moonlight flit.

Gail's waiting downstairs.

It-it doesn't even look
like a human ear.

Gail wouldn't know an ear
from a piece of prosciutto.

Honestly, Paul,
that's a vile thing to say.

Well, she wouldn't.

Remember when he dressed up as Jesus?

One of the photos they took
was a close-up of his face.

We matched the ear to that.

It's not a piece of prosciutto.

VICTORIA: Well, I'll leave you to it.

He made a beautiful Jesus, didn't he?

Yeah.

(Gail laughs softly)

Huh.

You look, uh...

(laughs softly)

It's, uh, it's good to see you.

It's good to see you, too.

(exhales)

It's been a long time.

Yeah.

(exhales)

Please, accept your father's loan.

See, that's-that's the problem
exactly, it's a loan.

Now, he's offering to lend me
my money from the trust

at-at four percent above the base.
My own money.

He stands to make a profit...
the bastard stands to profit

off the kidnapping of our son.

I know.

But how much more of him
do you want to see hacked off

and put in the post?

(sighs)

Please.

Put your name on a piece of paper...

No! No, no, no. I can't.

- Sign the damn thing.
- No, no, no, no, no, no.

- Please.
- I can't.

You don't understand.
If I sign, then he has got me.

I mean, don't you remember
the phone calls day and night?

The visits, the-the repayment schedule,

the bullying that slowly, slowly
sucks the life out of you

until you are in a garage
at a party, stabbing yourself

to death in the chest
with a barbecue fork.

It killed George. It-It killed him.

And I-I can't do it, it'll kill me.

It's our son who will be killed, Paul.

I can't... I can't do it.

ANNENBERG: Of course any
assistance that I can give,

but I'm sure you've seen the news.

President Nixon has a lot
on his plate right now.

GAIL: I can appreciate that.

Do you have children,
Ambassador Annenberg?

ANNENBERG: A daughter.

Forgive me...

you had a son.

I did. Yes.

He died.

Around the time that
I first met your father.

And is that why you came to me?

Because you thought you had an angle.

Yes.

I've run out of options, sir.

You know what it's like to lose a son.

I'm losing mine.

Every day, he's slipping away from me.

I feel it, sir. I feel it in my bones.

ANNENBERG: All right.

Mr. President, as a mother,

I am begging you to...

(shivering, coughs)

GAIL: I am appealing to you

with all my heart.

My son is in great danger...

(scratching out sentence)

You are my last hope.

Please help me.

GAIL: Please, God,
let these be the right words.

Thank you.

NIXON (on TV):
Because people have got to know

whether or not
their President's a crook.

Well, I'm not a crook.

I've earned everything I've got.

(sighs)

A fax for you, Mr. President.

What are they throwing at me now?

GAIL: I'm appealing to you as
a citizen of the United States.

NIXON: When do they not?

GAIL: I have no more options.

As a citizen, one is supposed to be able

to appeal to their president.

As a friend of my father-in-law,

Mr. John Paul Getty,

and as a human being, please help.

I don't know what else to do.

What's wrong with the man?

I don't know. Something's very wrong.

And at what point does one say
"That's enough"?

- Patrick, don't.
- Just a question.

If an ear turned up in my post,
I'd bloody well pay up.

I know you would.

Look, I'm no billionaire.

The only things I own in the world are

a biplane with an oil leak

and a house with dicky plumbing.

I can't even guarantee you a hot bath.

- Patrick, please don't.
- But I love you.

Only you. And the dog.

With all my heart, Penelope.

Come and live with me. Please.

Please.

(door opens)

PAUL: This had better be good.

I regret I am unable to say, sir.

I've about had it with
your regrets, Bullimore.

Who the fuck is it?

The President of the United
States of America, sir.

Oh.

Mr. President.

NIXON: I hear you have a problem in...

- Wyoming.
- Indians.

Of the red variety, sir.

Getting in the way of my drilling.

NIXON: Expensive?

(scoffs) It's costing me millions.

Well, the cavalry just arrived.

Is this an offer of help, Mr. President?

NIXON: Maybe.

Let's just talk about this
grandson of yours first.

(Dante whistles)

Ho.

Ho! (whistles)

Ho.

(shivering)

I believe an apology is in order.

Well, I don't think that I have
anything to apologize for.

Not from you.

From me.

I was wrong.

You were wrong?

It does happen.

I propose a compromise.

Wha... A compromise?

Paul! You continue

to repeat everything that I say.

(sighs)

Yes. I will pay

half the ransom personally.

Personally?

I'm sorry.

My own money.

And... the other half?

A loan from the trust.

Oh, well, we have been here before.

Interest-free.

PAUL JR.: Well...

(strained chuckle)

(Paul Jr. sighs)

I see.

We have a deal?

Yes, yes, I, uh... I-I think we do.

Penelope.

(sighs)

Be anything else, or...?

Let Gail know.

How many millions will you make
from your Nixon deal?

Considerably more than I loaned my son.

Extraordinary.

He made no attempt to negotiate at all.

The boy has learned nothing.

But I have. Finally.

I couldn't leave until I knew
Little Paul was

going to be all right.

But now he is. I can say good-bye.

Good-bye, Paul. And good luck.

Tell Fifty the money's coming.
It'll be here in two days.

Do you understand?

At least do me the courtesy
of a yes or a no.

Yes.

And tell the mutilating bastard
to leave my son alone.

It's not too late.
You could still get rid.

If I have to choose between
my baby and him,

- it's not much of a contest.
- But it's not just him, is it, darling?

It's all this, it's us.

We have fun, don't we?

We did.

Thank you, Bullimore.

BELINDA: Kensington, please.

PAUL: There goes another one, Bullimore.

Indeed, sir.

PAUL: Breach of contract.

You see?

Will there be anything else, sir?

No, nothing.

(hits random keys)

("Chissà Chi Sei"
by Raffaella Carrà playing)

♪ ♪

(woman singing in Italian)

(sniffs)

(sniffing)

(speaks Italian)

- (speaks Italian)
- Hmm?

(sniffs)

- (sniffs)
- FIFTY: A pen?

♪ ♪

The money goes in white suitcases.

(woman singing in Italian)

FIFTY: Wear white clothes.

FIFTY: You have to drive a white car.

That's a white car.

No marked bills and no invisible ink.

♪ ♪

♪ ♪

(song ends, applause)

Hey.

♪ ♪

Five minutes. Five minutes is all.

Sure, five minutes.

I just want to see the sun, that's all.

- Hey.
- Yeah?

I'm sorry.

- Your ear.
- What? No need to apologize.

No, no. My son...

- It was a bad thing.
- Francesco?

- He's your son?
- Yes.

(softly): Oh, shit.

I asked him to do that.

To cut your ear?

Yeah, I begged him, man.

I-I thought it was, you know,

it's-it's the only way
to make my family pay attention.

It's all good, really.

Don't blame him.

They said to keep going
until stones hit the car.

What if they miss us?

Then they miss out on $5 million,

and that ain't gonna happen, trust me.

How are we for gas?

GAIL: Not so good.

We'll stop at the next place.

GAIL: Shit.

CHACE: Just go to the next town.

They're bound to have gas
around here somewhere.

Gas, gas, right there.

(tires screech)

(brakes squeal)

Ah, damn it.

Ciao.

(speaking broken Italian)

Petrol. Uh... petrolina.

Um... fuel.

We can pay well.

(door opens)

Allora, benzina?

(dog barking in distance)

♪ ♪

♪ ♪

White suitcases on a white car
in a snowstorm.

Reckon only the Lord can see us now.

(stones hit car)

Thank you, Lord.

(animal hooting in distance)

(dog barking in distance)

DANTE: Money.

- Evening.
- Money.

Hey, whoa, whoa.

Easy, easy, easy. Cut the shit.

- Give me the money.
- Where's the kid?

Where's the Getty boy?

Let me explain to you
how this is gonna work.

No kid, no money.

Where's my son?

Where's Paul?

FIFTY: We will tell you where
he is when we have the money.

Fifty?

We will not release the boy
without the money, understand?

That's not what we agreed!

You know that!

But this is what is happening.

Paul is not here, okay?

How do I know you won't
cut his other ear off?

Or slit his throat?

Or set him on fire?

If I give you the money,
what keeps you from doing that?

This is me. My face.

You don't get the boy alive,

you go to the police and say my name.

Stefano Nizzuto.

- Take it.
- (speaks Italian)

DANTE: Huh?

(speaks Italian)

You will continue the road to...
towards Reggio Calabria.

After a ruined church,
there is a pay phone.

We will call the pay phone
and tell you where the boy is.

DANTE: Hey!

Hey!

Allora...

(speaking Italian)

(laughing)

(overlapping chatter)

(speaking Italian, laughter)

They always pay in the end.

("Nessun Dorma"
from Puccini's Turandot playing)

(choir singing in Italian)

(wind whistling)

GAIL: My great-grandmother started

a delivery business in San Francisco

just after the earthquake.

She sat her office right down
in the middle of Chinatown.

Off-limits to white people at the time.

Hmm.

Got her the concession
to deliver all the Chinese mail

- just off the boats.
- Nice.

Yeah.

She was scared of nobody.

Answered to nobody.

Did things her own damn way.

She'd disown me.

(sighs)

- Hey.
- Hey.

Allora...

CHACE: It'll ring.

GAIL: What if it doesn't?

What then?

CHACE: "He shall cover thee
with his feathers

"and under his wings shalt thou trust.

His truth shall be
thy shield and buckler."

Faith.

According to the Psalms.

A great bird.

"Under his wings shalt thou trust."

(chuckles) Isn't that something?

Gail, no matter what the rights
and wrongs of the past...

you're the only one who has had faith.

You stood by your boy
in beating heat, freezing snow.

Everyone else has been frail

and selfish with their children.

And I count myself to be among them.

God forgive me.

Look, Gail, if I am wrong
and that phone don't ring,

you still will have proven
yourself to be a woman

of courage, faith and love.

But it's gonna ring.

No disrespect...

but you're kind of strange, Chace.

I've been called worse.

But you're the kindest man
I've ever met.

Hmm.

See?

(chuckles, sniffles)

(cowbells clanging)

- I fell asleep.
- CHACE: It's okay.

I didn't.

It's not gonna ring.

It'll ring.

(phone ringing)

Pronto?

You talk, we find you.

- We kill you.
- I understand.

♪ ♪

Time to get out.

Come on, out.

LEONARDO: What about your girlfriend?

Hey. I'm freezing here.

Your mother, she's waiting.

Near... that gas station.

- Back there.
- (speaks Italian)

(groans)

Uh, hello?

Wait.

Help! Hey, don't...

don't do that.

Help!

Please, come on. Don't do that, please.

(crying): Please.

(brakes squeal)

Paul? Paul!

- He's not here.
- We'll find him.

He's not here!

Paul?

♪ ♪

(sniffles)

GAIL: Paul!

Paul!

(quietly): Mama.

(Gail crying)

Oh, my baby.

(crying): Oh, my boy.

Oh, my boy.

My boy.

(sobs)

Oh, my God.

Come on.

♪ ♪

Synced & corrected by kinglouisxx
www.addic7ed.com