All language subtitles for The.Forest.2016.720p.BluRay.x264-GECKOS.HI

(WOMAN PANTING)

Oh, God! Help me!
Somebody! Help!

Help me!

(GASPS)

(BREATHING HEAVILY)

(WOMAN SPEAKING
JAPANESE ON PA)

(INDISTINCT CHATTER)

WOMAN ON PA: Attention, please.
Japan Airlines

Flight 3400 from Honolulu...

(LINE RINGING)

JESS: (ON VOICEMAIL) Konnichiwa,
it's Jess, leave a message.

(VOICEMAIL BEEPS)

VOICEMAIL: The mailbox is full and
cannot accept any messages at this time.

Goodbye.

(PHONE RINGING)

SARA: (ON PHONE) Hello?

DETECTIVE: (ON PHONE)
Is this Sara Price?

I am with
the Yamanashi Police.

The school where
your sister teaches,

they've filed a missing
persons report with us.

ROB: Look, Jess has done this before,
I'm sure she's okay.

The last time I talked
to her, she sounded...

Off.

Hey, you know Jess.

Everything's great,
and it's terrible.

No, it wasn't just a bad mood.

Okay, look. (SIGHS)

Let's forget about dinner.

I'll take them to a restaurant.
No.

It's your boss,
we're going to impress her.

I'll be fine, I promise.

(ALL LAUGHING)

VALERIE: Sara, it is nice
to finally meet you.

Rob has told us
so much about you.

Baby, are you okay?

(PHONE RINGING)

SARA: I don't understand.
If you know she went there,

why aren't you
already looking for her?

DETECTIVE: Your sister was last
seen in Aokigahara forest.

I'm sorry to say this,

but it is a place where
some people commit suicide.

What?

DETECTIVE: She was seen
leaving the path

to go into the forest alone.

When we see this,

it means the person
does not want to be found.

Miss? Are you there?

SARA: I'm here.

DETECTIVE: After 48 hours,

we have to assume a person
has gone through

with their suicide plan.

No, she's alive.

ROB: What's going on?

I'm going to Japan,
the police think Jess is dead.

ROB: What?

Apparently they
have a forest in Japan

where people go
to kill themselves.

And Jess went into it.

Sounds like exactly
the kind of place

your sister would
go hiking for fun.

Rob, she's my twin,

she's in trouble,
and she needs me.

She always needs you.

She makes a bad decision,
and you clean up her mess.

SARA: I don't know, Rob.
It feels different this time.

ROB: It's your call.

Why don't you just
sleep on it, okay?

If she doesn't call
you by morning, reassess.

And if you still want
to go, you can go. Okay?

Okay.
Okay. All right.

I love you.
Yeah. I love you, too.

Okay.
It's going to be all right.

Everything's
going to be fine.

(SLAMS)

(LAUGHING)

(SIGHS)

(POP MUSIC PLAYING)

(WOMAN SPEAKING INDISTINCTLY)

(INDISTINCT CHATTER)

(PEOPLE TALKING INDISTINCTLY
IN JAPANESE)

(SPEAKING JAPANESE)

You wouldn't happen to have
a dead one, would you?

(SPEAKING JAPANESE)
Okay.

(WOMEN GIGGLING)

SARA: (ON VIDEO)
Happy birthday to us!

Stop. Stop messing around.

Smile.

Happy birthday to us!

(BLOWS)

(SIGHS)

(RATTLING)

(DOOR CREAKING)

WOMAN:
(IN SING-SONG TONE) Sara.

(SARA GASPS)

(SCREECHING)

(ALARM RINGING)

(TEACHER
SPEAKING INDISTINCTLY)

(STUDENTS
REPEATING INDISTINCTLY)

TEACHER: He went to London.

STUDENTS: (REPEATING)
He went to London.

TEACHER:
He is going to London.

STUDENTS:
He is going to London.

(STUDENTS GASPING)

(ALL WHIMPERING)
(SCREAMING)

(SPEAKING JAPANESE)

(SPEAKING JAPANESE)

She thought
you were Miss Jess.

She's ashamed.

We're twins.

I am sorry.
It's okay.

Um, but why were you scared?

(SPEAKING JAPANESE)

(SPEAKING JAPANESE)

She knows your sister
went into Aokigahara.

She thought you were a yurei.

A ghost.

Aokigahara,
the suicide forest?

In old times,
it was a place for ubasute.

When there was
not enough food,

families would
bring elderly women,

the blind or
sick to the forest

and leave them to die.

That's awful.

I don't understand. Why would the
school take a class trip there?

Mount Fuji is very beautiful
and important to history.

Aokigahara is simply
part of the mountain.

(SPEAKING JAPANESE)

People say spirits
cannot rest there.

They come back.

(SPEAKING JAPANESE)

Angry.

They come back angry.

(BOTH SPEAKING JAPANESE)

Can I see Jess' room
before I go?

(AGREES IN JAPANESE)

(DOOR KNOB CLICKS)

Normally,
I would respect privacy,

but because you're family...

SARA: Thank you.

(DOOR OPENS)

Jess, do you have
the packing tape? Hey.

Those could be
worth something.

They're from the Stone Age.

Didn't Grandma say
they were collector's items?

She also said Rob was gay

'cause he parted
his hair to the right.

Point taken.

Be careful with that jar.

Why, she keep her
stash in it?

She kept Grandpa in it.

(CHUCKLES)

(BOTH LAUGHING)

SARA: You're terrible.

JESS: So, when was the
last time you saw Grandma?

Six months ago.

I feel bad.

We just abandoned her,
went off to do our own thing.

She understood.
We needed to start our lives.

I'm about to start
mine all over again.

I'm sure it'll be great, Jess.
I'm proud of you.

Tokyo isn't exactly
the next town over.

SARA: It'll be good for you.

Plus, it'll give me
an excuse to

get on a plane
every once in a while.

You better.

(MAN SPEAKING JAPANESE ON PA)

(BELL DINGING)

(BIRDS CHIRPING)

(GREETING IN JAPANESE)

Hi. I'm, uh...

I'm looking for my sister.

She came here on a trip with
her school and disappeared.

Have you seen her?

Yes. We find.

You... You found Jess?

(STUTTERING) Oh, my...
Where is she?

She here.

I take you.

Sakura!

(SPEAKING JAPANESE)

(SAKURA GRUMBLING IN JAPANESE)

I...

What is this?

Basement.

You come?

Keep the bodies here
when we find.

Keep them cold.

The bodies?

Someone stay with
them at all time.

If body is alone,

the spirit
scream all night.

(DOOR OPENS)

(EXHALES)

(EXHALES DEEPLY)

(WOMAN SHOUTING IN JAPANESE)

(SIGHS)

Sorry. Two second.
You wait.

(MUSIC PLAYING ON HEADPHONES)

(BODY INHALES)

(BODY INHALES)

(BOTH SPEAKING JAPANESE)

It's not her.

No?
It's not her.

Good. Good news.

Is there someone who could
help me search the forest?

The forest
is very dangerous.

Do not leave the path.

Can get lost.
I understand.

What if I want to hire a guide?
No guide.

Come back.
Maybe more bodies.

No. She's lost.
She's not dead.

Ah. Do not leave the path.

Shit.

SAKURA: Hey.
It's a mountain.

Lots of metal.
Cell phone do not work up here.

Do you know the forest?

Could you take me in?
I'd pay you.

The forest has yurei.
Everybody know that.

Yurei. You mean ghosts?

Yurei, different from ghost.

The forest use them
to trick you.

Do you know why,

"Do not leave the path"?

Because if you get lost,

and you have
sadness in your heart,

they will use it against you.

Yurei come find you.

They make you see things.

They make you want to die.

And you do it yourself.

Okay.

Thanks for that.

If the yurei are looking for me,
I'll be at my hotel.

(LEAVES RUSTLING)

(GIRLS GIGGLING)

(MUSIC PLAYING)
(INDISTINCT CHATTER)

(MAN SPEAKING JAPANESE)

Thanks.

You look familiar,
have we met?

Here? Four days ago?

Uh...

Sorry, I don't know you.

It was just a line
to start a chat.

You know,
have you ever been to Greece?

Did you go to Camp Minnehaha
in the Rocky Mountains?

That kind of thing.
Right.

I thought you might
have met my sister, Jess.

She came here
and disappeared.

Do you know
about the forest?

Yeah.

Is that a possibility
with your sister?

We're identical twins.

If she were dead,
I would just know.

What do you think
she's up to, then?

If she's out there?

I think she's struggling
with her demons.

Yeah, it happens.

Some people go in,
they do sort of a...

Walkabout. Think it over.

Sometimes they
come back out again.

I'm Aiden, by the way.

Oh. Sara.

Sara. Pleasure to meet you.

You, too.

That's her,
a couple of years ago.

Same, right?
Identical.

AIDEN: Uh...

(SPEAKING JAPANESE)

Sisters.

(SPEAKING JAPANESE)

No?

No, he's never seen her.

Are you fluent?

Yeah, I live in Tokyo.

I write for a travel
magazine out of Australia.

So, did you?

Huh?

Go to Camp Minnehaha
in the Rocky Mountains?

(LAUGHS) No.
No, I was lucky.

I...

I went to Space Camp.

Oh, Space Camp.
Yeah. Lots of fun.

(BOTH LAUGHING)

AIDEN: All alone?

Yeah.

What?
(LAUGHS) No.

What?
No, you'll get lost.

(SCOFFING)
Oh, don't, stop.

Trust me.
Trust me, you will.

I've been in the forest
a hundred times.

I don't go in alone.
I can't let you do that.

Well, good thing I don't need
your permission, guy I just met.

Listen, I have clearance to go with
the park nature guard tomorrow,

for my article.

He goes on rounds every few days,
kind of like a suicide watch.

He knows the park
better than anyone.

I could ask if you could come.
That would be great!

One thing, though.
A favor, if you wouldn't mind.

Yeah?

Your search for your sister,
it's gripping.

It's human.

I mean, it's an article.
Ah...

I'd like your permission
to write about it.

Right.

Will I be a celebrity
in Australia?

Do you want to be
a celebrity in Australia?

Nope.
Are you sure?

(LAUGHS)

You might like it,
you never know.

Is it all right if I
record you for the story?

Just for my own notes,
for accuracy.

Uh-huh.

You have to say
"yes" out loud.

"Yes" out loud.

AIDEN: Thank you.

So you and Jess were raised
by your grandmother.

And you believe she's okay,
because you have this kind of

mystical twin connection.

It's not mystical,

it's just when something
happens to one of us,

the other one can tell.

I mean, usually it's
something happening to her

and me coming
to bail her out, but...

Yeah. I've got a little brother myself,
he's a good kid, just...

You know, he can't seem
to stay out of trouble.

Jess is the same.
She never learns.

When we were little,
no one could tell us apart.

It was like

we were the same person.

Do you mind if I ask what
happened to your parents?

No, it's totally fine.

It was a car accident,
we were six.

They had gone to a movie.

Grandma was over,
she was watching us.

WOMAN: Put that down!

You're scaring me!
(CLICKS)

They were supposed
to be back any minute.

We...
We heard this crash outside.

(GUNSHOT)

(BODY THUDS)

(GUN COCKS)

(GUNSHOT)

Grandma rushed outside,
we followed her.

It was a drunk driver.

He'd been doing 60 in a
residential neighborhood.

Hit them right as they
turned into the driveway.

Jess was in front of me.
She saw it first.

(INDISTINCT SCREAMING)

Jess told me later their bodies
were right there on the lawn.

Girls! Close your eyes!
Don't look!

Don't look!

(INAUDIBLE)

I kept my eyes closed,
but she saw it all.

Jesus.

Did they ever catch the guy?

What guy?

The drunk driver?

Oh, no. No.

Hey.

I'm sorry. I didn't mean to
dredge all that stuff up.

Oh, it's fine.
Long time ago.

Mmm. Cheers.
Cheers.

VOICEMAIL: Hi, this is Rob.

Sorry I can't get to the phone.
Please leave a message.

(VOICEMAIL BEEPS)

Fine.

(SCRATCHING)

(SCRATCHING CONTINUES)

(SCREECHING)
(SARA GASPS)

(SARA WHIMPERS)

(WOMAN SPEAKING JAPANESE)

WOMAN: Sorry.

She's elderly.

(SPEAKING JAPANESE)

(SARA BREATHING HEAVILY)

(CELL PHONE BUZZING)

(EXHALES)

(SNIFFLES)

(LINE RINGING)

ROB: (ON PHONE)
Hey, babe, I got your message.

It's nice to finally
hear your voice. I miss you.

But you going into this forest alone,
it sounds really dangerous.

Look, if I don't hear back from you soon,
I am hopping on a plane.

So just come home, please.

(SIZZLING)

(BOTH SPEAKING JAPANESE)

Morning.
AIDEN: Morning.

Michi, this is Sara.

Hello.

Thanks for this.

Michi does these suicide
watch hikes off the books.

SARA: That's very good of you.

What?

You must understand,

after this long,

most people who
go into the forest

to die are already dead.

She's not dead.

Do you have family?

I have children.
Okay.

If this was your child,

if you knew
she was lost and in pain,

you'd do anything to help,
wouldn't you?

I can't prove to
you that I'm right.

All I can do is ask you to
understand where I'm coming from.

I still think you should not go.
Why?

Because you're sad.

(BIRDS CHIRPING)

(INDISTINCT CHATTER)

Hey.
Let's go.

Jukai means
"sea of trees."

If you look down
from Mount Fuji,

the forest looks
like an ocean.

There's ice caves
beneath the forest.

There's whole sections
that have never been explored.

Some people believe it's a
gateway to the other side.

(WIND WHISTLING)

AIDEN: Sara.

Take a look at this.

SARA: Okay, that's weird.
Why is that happening?

Iron deposits in the mountain.
It's crazy, huh?

SARA: Yeah.

Look.

People sometimes see
things in the forest.

Important to remember.

If you see anything bad,

anything strange,

it is not real.

Okay? It's not there.

It's here.

Watch out.
I got it.

(FROG CROAKING)

MICHI: Let's head this way.

(BIRDS CHIRPING)

What's that?

MICHI: If you bring a tent,
you're not sure.

Stay here.

(MICHI SPEAKING JAPANESE)

What will you do if we don't
find your sister today?

Try again tomorrow.

What if we don't
find her tomorrow?

(INDISTINCT CONVERSATION)

AIDEN: How does it feel to be in
the forest where she disappeared?

It feels...

Necessary.

(PHONE CLICKS)

Jess ever tried
suicide before?

She was living in
Florida a few years ago,

and one night, she wasn't
picking up the phone.

I just knew
something was wrong.

I got 911 to check on her.

They found her unconscious.
She'd taken some sleeping pills.

That was the second time,
first time was back in college.

Pills then, too?
Mmm-hmm.

I mean, knowing Jess,
she probably just thought it was romantic.

Following in the footsteps
of her favorite poet.

"Not one would mind,
neither bird nor tree,

"if mankind perished utterly.

"And spring herself..."

AIDEN:
"...when she woke at dawn,

"would scarcely know
that we were gone."

Now, what's a guy like you
memorize Sara Teasdale for?

(CHUCKLES)

You meet a lot of girls
on their junior year abroad?

Whatever works.

Hey, Michi, what happened?

He will be okay,
I think.

Let's go.

What's that?

AIDEN: People use tape
or rope like this

if they think they might want
to find their way back out.

Or they hope somebody
will follow the rope

to remove their body
from the forest one day.

This one looks recent.

AIDEN: Doesn't look
like anyone's here.

Maybe they changed their mind.

(GASPS) Oh!

(BREATHING HEAVILY)

I must cut him down.

I'll make a note
of where he is.

AIDEN: Why?
MICHI: So the rangers can retrieve the body.

(MICHI SPEAKING JAPANESE)

(AIDEN GRUNTS)

(INDISTINCT HOWLING)

(CRICKETS CHIRPING)

Michi.

(SPEAKING JAPANESE)

(MICHI SPEAKING JAPANESE)

Take a break.

(GRUNTS)

WOMAN: Sara.
(DISTANT HOWLING)

(INDISTINCT SCREECHING)

(WIND BLOWING)

Can we go this way?

I mean, if we're just
picking a direction.

(MICHI SIGHS)

Come.

SARA: Jess!

(SHOUTING) Jess!

We must turn back soon.

What? Already?

We're several hours
from the trail.

We do not stay in
the forest after dark.

In the day,
easy to get lost,

at night, you're blind
and temperature drops...

Quickly.

(ECHOES) Jess!

You see something?

Oh, my God,
that's her tent.

Jess!

Jess!

I knew it! Jess!

It's her!

It is, it's her!

Oh, my God! Michi!

Michi, you said if they bring a tent,
it means they're not sure.

Oh, my God, she's close.
She's so close.

Jess!
AIDEN: Jess!

SARA: Jess!

Jess!

Jess! Hello!

Hello?

Since she's not here,
we'll come back tomorrow morning.

We must go now.

We got to stay.

We must go now.

You can leave a note for her.
Leave a note?

Are you crazy? I'm staying.
I'm staying till she comes back.

Aiden, tell him.

Nah, he's right.

We can come back tomorrow.
Tomorrow?

No, tomorrow is
going to be too late.

She left the tent,
she's going to come back to sleep.

Her clothes are hanging
on the line. (LAUGHS)

Sleeping here is foolish.

We'll not stop looking
for Jess in the daytime.

Now, we must go.

I understand.

(SIGHS)

You two, go. Go.

It's all right.

I understand, you go.
You cannot stay!

At night,

in the jukai,
people see bad things.

Sometimes do bad things,

very bad things.

That forest draws out
your fear, your sadness.

Don't tell me you
believe in yurei, Michi.

You sound like the girl
from the visitor center.

I came 6,000 miles
to find my sister.

She's here, in these woods.

I'm not leaving without her.

Thanks for your help.

I'm so grateful, really.

But I'm staying.

Sara, you're making
a big mistake.

(SIGHS)

SARA: What are you doing?

I'm going to
stay here with you.

Don't be foolish, Aiden.
It's fine.

Okay, we'll stay here.
We'll stay the night.

We'll watch after each other.

(SPEAKING JAPANESE)

(RESPONDING IN JAPANESE)

We'll be fine.
I'll come back tomorrow.

Do not move from here, okay?

SARA: You don't
have to do this.

It's my sister, not yours.

Yeah, well, if it was my brother,
I'd stick around, too.

(AIDEN SIGHS)

Thanks.

I changed my mind.

Let's come back
in the morning.

Yeah. Very funny.

(GRUNTS) Here, give me
a hand with this fire.

No, not like that.
Here, like this.

Yeah, like you're the expert.
You went to Space Camp.

Yeah, well...

I know you're not supposed
to pile it up like that.

You gotta let it breathe.

Okay. You mean,
up like this?

Yeah.

Okay.
There you go.

I salute your caveman skills.

(LAUGHS)

Want one?

SARA: What's this?
AIDEN: PowerBar.

Japanese version.

(EXHALES)
They're pretty good.

It's not bad.

You take the tent
when you get tired.

I'll stay out here
by the fire.

Avoid any awkwardness.

A caveman and a gentleman.

(CREATURE HOWLING)

What's that?

AIDEN: I don't know.

But I promise you,
they have centipedes in Australia

more dangerous than
anything out here.

Jess must be lost.

She's close.

And alive.

Explain that to me.

It's like a sound.

It's too low to hear.
But I can just...

Feel it

running through me.

And that night I was telling you
about when she almost died,

the sound dropped away.

Where Jess had been,
there was just...

Silence.

You know, when we were kids,
my brother would start fights.

And I never stepped in.

Figured he needed to learn not to
start them in the first place.

(CHUCKLES)

One day, he got beat up so bad that
it left him deaf in his left ear.

And I remember seeing him,
and that feeling of just guilt.

So now, whenever he's in trouble,
I come running.

I feel guilty, too.

What do you mean?

SARA: My parents' bodies.

I closed my eyes,
but she looked.

It's always been
the difference between us.

She looks at the dark stuff,
and I turn away.

But what she saw,

she carried that
all by herself.

I should have
shared it with her.

That's why I come running.

I'm gonna try
and get some sleep.

Yeah.

(CHUCKLES)

(LEAVES RUSTLING)

(FOOTSTEPS)

Aiden?

Aiden, say something.

(RUSTLING CONTINUES)

(FOOTSTEPS APPROACHING)

(GASPS)

(SCREAMS)

(GASPING)

(INDISTINCT HOWL
IN THE DISTANCE)

(PANTING)

(SCREAMS)

(TWIGS CRACKING)

(DISTANT HOWLING)

(INDISTINCT VOICE)

Hello?

(WHISPERS) Jess, is that you?

SARA: (ECHOING) Hey, wait!

(PANTING)

Wait!

Please!

(CONTINUES PANTING)

(GASPS)

Hi.

Do you speak English?

(IN JAPANESE ACCENT) Little.

Hoshiko.

Hoshiko, are you alone?

You're cold,
let me help you.

You Sara?

Yeah, how do you
know my name?

(WHISPERING) No trust him.

Who?

Miss Jess know him.

Jess? Is Jess your teacher?

I find her here.

She say, "Need your help."

Where is she?

No trust him.

AIDEN: (IN THE DISTANCE) Sara!

(GASPS)

No, no, no, no! No, wait!

(SHOUTS)

(PANTING) God damn it!

(GROANS)

I lost her. I lost her...

AIDEN: Jesus,
look at your hand.

Oh, God.
Who?

Who'd you lose? Jess?

No, it was...

(STUTTERING)
It was a teenage girl.

She said...

She said what?

Something in Japanese.

Oh, man.

Well, we're not
going to find her

if she doesn't
want to be found.

We'll tell Michi.

Okay? Let's get back
before we get turned around.

Come on.

(GROANING)
Come on.

SARA: Oh.
AIDEN: Come on.

(THUNDER RUMBLING)

All right, kiddo.
There's enough light for us now.

Let's get you
out of here.

But Michi said noon.

(CLOSING ZIPPER)
Seven hours from now?

No. Look at your hand.
You need stitches.

Let me worry about my hand.

Jess might still come back.

Sara.

You just saw
a child out in the woods,

presumably
contemplating suicide,

considering that
she ran from you.

We tell them that,
they'll send a search party quick.

Maybe that search
party finds your sister.

Make sense?

In the meantime,

in case your sister does
come back while we're gone,

you do what you
should have done yesterday.

Leave a note.

AIDEN: This is
the way we came.

We keep walking
in this direction,

we'll come to the path
before too long.

We didn't pass
the river coming in.

Yeah, I know.

But at least we
can follow it down.

It may take
a little longer,

but it'll lead us back
to civilization just the same.

Sara, hey! Careful, hey.

Hey, get back from there.
Come on.

SARA: Do you see that?

AIDEN: Jesus.

Hey, come on.
Get away from there, come on.

What are you doing?

What do you mean?

We were walking that way.

No, we weren't.
Yes, we were.

Two minutes ago,
we were walking that way,

and now you're leading me
back the way we came.

No, Sara.

We're following
the river down. Remember?

We're not climbing the mountain.

Down.

Water flows down.

See?

(BIRDS CHIRPING)

SARA: (ON TAPE)
I feel guilty, too.

AIDEN: (ON TAPE)
What do you mean?

SARA: My parents' bodies.
I closed my eyes, but she looked.

Hello!

SARA: It's always been
the difference between us.

She looks at the dark stuff,
and I turn away.

Oh, shit.

SARA: But what she saw...

You recorded that?

You gave me permission,
the other day.

That's why you questioned me
so much last night.

Yeah, I'm doing a story.

That's why you stayed at the campsite,
for your story?

In part.

Also, because I was
concerned about you.

And your sister.

And I liked you.

Do you even have a brother?

Of course I do.
What's his name?

Mikey.

Which ear is he deaf in?

His... His...

Okay, yes, I wanted to get closer
to you for the story.

Yes, but also mainly to get closer
to a pretty girl in the bar.

Who are you?

Everything else
I told you is true.

When did you meet Jess?

I've never met her.
Yes, you did.

Why do you keep saying that?
Why do you think that?

I told you before,
it was just a line in a bar.

Give me your phone.
Why?

Why not?

Because it's my phone,
what do you want with it...

You hiding something?

You know what, you're getting
just a little too agitated.

It's making me uncomfortable.

I'm lost in the woods with a strange
man who's been lying to me,

and I do not give a shit if it
makes you feel uncomfortable!

Now, give me your phone!

All right, calm down.

I'll give you the phone.

Don't mess with it first!

I'm unlocking it!

What are you doing?

I'm deleting all
the recordings.

If you even are a journalist,
then permission is revoked.

You cannot use my story.

How do you...

How do you what?

(SOFTLY) Oh, my God.

What?

You met me on purpose,
didn't you?

I don't know what you think,
or what you're talking about.

What did you do to her?
Who, Jess?

Yeah.
I've never met her.

There are photos
right here on this phone!

Give me the phone.
Stay back...

Give me the damn phone!

No!
Give me it!

(STRUGGLING)

(PANTING)

(GRUNTS)

AIDEN: Sara!
(PANTING)

Hey, you're gonna get lost!
Come back!

Sara!

(PANTING)

No. No, no...

AIDEN: Sara!

(BREATHING HEAVILY)

(LEAVES RUSTLE)

Aiden!

Sara!

WOMAN: (WHISPERING)
Turn around, Sara.

No. No. (SNIFFLES)

WOMAN: (WHISPERING)
Turn around, Sara.

Turn around, Sara.

Turn around, Sara.

(SOBBING)

Turn around, Sara.

(ECHOING) You're not real!

WOMAN: Turn around, Sara.

(FOOTSTEPS APPROACHING)

WOMAN: (IN HUSKY VOICE)
Turn around, Sara.

(GASPS)

(SCREAMS)

(SPEAKING JAPANESE)

Michi?
MICHI: Ah, Rob.

Yeah, hey.
Hey.

MICHI: We'll find her,
don't worry.

(SPEAKING JAPANESE)

(GROANING)

(COUGHING)

(SCREAMING)

(BREATHING HEAVILY)

(GRUNTS)

(BREATHING HEAVILY)

(WATER DRIPPING)

(EXHALES SHAKILY)

(SIGHS)

(INDISTINCT HOWL
IN THE DISTANCE)

(HOWLING INCREASES)

(THUDS)
(GROANS)

WOMAN:
(IN SING-SONG TONE) Sara.

Sara.

HOSHIKO: (WHISPERS) Sara!

It's me, Hoshiko.

What are you doing down here?
Come.

Come where?
HOSHIKO: You come.

Miss Jess want to see you.

Jess?

HOSHIKO: I take you.

Down here?

(DISTANT SHRIEK)

What's making that noise?

Animal.

SARA: That doesn't
sound like an animal.

Why is Jess down here?

Tell me!

(GROWLS)

(SCREECHING)

(SARA PANTING)

Help!

(SOBBING) Help me... Help!

Help!

AIDEN: Sara?

Aiden?

Sara!
Aiden!

You gotta get me out of here!

All right, hold on.
I'm going to find

something to
throw down for you.

(CRYING) No, no,
don't leave me, please! No!

(BREATHING HEAVILY)

No. No.

If you see something bad,
it's not real, it's just in your head.

If you see something bad,
it's not real, it's in your head.

If you see something bad,
it's not real, it's in your head.

It's in your head.
It's in your head.

It's in your head.

(FLY BUZZING)

(GASPS)

(CLICKING)

No.

(SHRIEKING)

(CRYING)

AIDEN: Sara!

Aiden!

(GRUNTS)

Sara, hang on.

(CRYING) Aiden,
get me out of here!

All right, grab that!
I gotcha.

Thank God. (PANTING)

Okay. Pull!
(AIDEN GRUNTING)

(SARA GASPING)
(CONTINUES GRUNTING)

(BOTH GRUNTING)

Hey...

Sara, are you okay?

Michi was right. The forest
does make you see things.

Look,

I found a place.

They might have a radio.
It's a ranger station, it's not that far.

You just stumbled
across it right now?

Here.

Take the knife.

Why am I taking the knife?

AIDEN: So you trust me more.

We're in this together, right?

Right.

(SIGHS)
Just let me wash off first.

AIDEN: Sara?

You all right?

SARA: (EXHALES) I'm fine.

(SNIFFLES)

(CROW CAWING)

Well...

If there's no radio,
at least we got a place to sleep.

Hello?

(DOOR CREAKING)

AIDEN: Come on, baby, come on, work.
(RADIO KNOBS CLICKING)

Hey, Sara, give me the knife.

What?

The knife, let me have it.

Why?

So I can open this thing up.

Or I could smash it
on the damn table!

Just give me the knife!

(SQUEAKS)

Why do you think they
locked the basement?

What makes you
think it's a basement?

What else would it be?

I don't know. A closet?

(THUMPING)

JESS: Sara?

Jess?

Jess?

(JESS SHUSHING)
(RADIO KNOB CLICKING)

(GASPS)

(WHISPERS) Okay.

Okay.
JESS: (WHISPERS) Oh, God, please be real.

(CLICKING)

AIDEN: Hey, do you
want to chow down

before it gets
too dark to see?

Huh?

Sara, what are you doing?

Here, it's the last one.
You can have it.

Come on, take it.

(GROANS)

I don't know if
the forest made you a psycho

or if you were crazy anyways,

but if you don't let my
sister out of that basement,

I will kill you.

Sara,

wake up!

Your sister is dead!

She's been in here
for five days!

Give me the key!

Okay.

All right. All right...
I'll let her out, okay?

Just let me get the key.
Where is it?

It's in my boot.

Let me get it.

Yeah.

(BOTH GRUNTING)

(GROANS)

(GASPS)

(GROANING)

(COUGHS)

(CONTINUES GROANING)

(RETCHES)

(DOOR CREAKING)

Jess?
(GROANS)

AIDEN: She...

She's not here.

(CHOKING)

Jess?

Jess?

Jess, no, stop.

Don't look.
Don't look! Don't look.

(WHISPERS) Don't look.

(GASPS)

Oh, God.

Daddy, why?

(CRYING) Oh, Daddy...

(GASPING)

Oh, God.
(SCREECHING)

(PANTING)

Go!

Go! Go! Go!

(GROWLING)

Daddy, Daddy, no! Let me go!

Let me go!

(WOMAN SCREAMS)

(SPIRITS SCREECHING)

(PANTING)

(SPIRITS CONTINUE SCREECHING)

(MAN SHOUTS INDISTINCTLY)

We should go.

(SPEAKING JAPANESE)

(CONTINUES PANTING)

(SCREAMING)

(BREATHING HEAVILY)

(RUSTLING NOISE)

(WOOD CREAKING)

(SPIRIT GROWLS)
(JESS PANTING)

JESS: Oh, God, help me!
Somebody! Help!

Help me!
Jess? Oh, God, Jess!

SARA: Jess!

SARA: (ECHOING) Jess!

Jess!

Jess!

Jess!

Jess!

Wait!

(PANTING)

JESS: Help me...

Sara?

Sara, hey! Hey!

(SCREAMS) Oh, God! Oh, God...

Don't touch me!

Jess!
Jess... It's me, it's Rob.

Rob? Is that you?

Yeah, yeah.

Oh, God! (CRYING)

I've been lost for days.
I didn't think I'd make it.

(GASPS)

Hey, hey.

Have you seen Sara?
What?

Have you seen Sara?

She's not with you?

No.

No.

Please, let me go!

Let me go!

(FAINT VOICES)

(THUDS)
(GASPS)

(WHIMPERS)

No! God, no! (CRYING)

(GASPS) No...

No!

(SCREAMING)

She came for me.
She came for me.

She knew you were still alive.

We go back in
first thing, all right?

No, we have to go
back right now.

ROB: No, no, no.
Jess. Hey, hey...

Right now!

ROB: What?

Nothing.

That's the...

It's silent.

(WHISPERS) Okay.

Oh, Sara.

(ENGINE STARTS)

(WOOD CREAKING)