All language subtitles for Rings.2017.720p.BluRay.x264-GECKOS.HI

PILOT OVER PA: Good evening,
ladies and gentlemen.

We are on our final approach
for Seattle.

The weather is fair,
with winds out of the east.

The temperature on the ground,
68 degrees.

On behalf of our cabin crew,
and us here on the flight deck,

we'd like to thank you
for flying with us tonight.

(RUMBLING)

(INDISTINCT MURMURS)

(SIGHS)

Life sucks
when you can't sleep.

(EXHALES)

Yeah, tell me about it.

Sometimes it's good to talk.

Okay.

This is gonna sound crazy,

but you ever hear about
the videotape that kills you

after you watch it?

- (RUMBLING)
- (PASSENGERS GASP)

Well, I'm at this party,

and I meet this girl
from Seattle.

We totally hit it off.

The next day she sends me this
video that says, "Watch me."

So, I find a VCR,

watch it,

but the images on it...

The second it was over,
my phone rings.

And this girl says
I'm gonna die in seven days.

That was a week ago tonight.

Ever since,
everything's been strange.

All I got to do is make it
through the next five minutes.

(RUMBLING)

(INDISTINCT MURMURS)

WOMAN ON PA:
As a reminder...

God. I'm sorry.

FLIGHT ATTENDANT: Sir! Sir,
please stay in your seat.

Please remain in your seats
with your seat belts fastened.

Sir!

(SIGHS)

What was that about?

That cute guy
sitting right next to us...

It turns out
he's a total head case.

And he was telling me about a
movie that's supposed to kill you.

What movie?

Some video.

A chick calls you
on the phone after you watch it

and says, "Seven days,"

which was, like, right now.

(BREATHING DEEPLY)

KELLY: Open up!

Did you make a copy of it?

Did you make
a copy of the tape?

No! I... (STAMMERS)

Miss,
the seat belt light is on.

KELLY: Oh, Jesus.

What is going on with you?
It's just a story.

I've seen it!

Traffic control,
this is Flight 77.

We have some
signal interference.

(INDISTINCT CHATTERING)

- (LOUD RUMBLING)
- (PASSENGERS SCREAM)

(PLANE CONTROLS BEEPING)

(PASSENGERS SCREAMING)

(FLIES BUZZING)

(STATIC)

(UPBEAT MUSIC
PLAYING ON SPEAKERS)

If you're not interested in
buying, I'd love to take a look.

Sure. I mean,
who would want an old VCR?

Well, once upon a time, this
was a technological revolution.

Okay.

Just talking to the guy.

It turns out that
he got all this stuff from

a family whose son died
in a plane crash a couple of years back.

And now it's just a bunch
of outdated junk.

I prefer "vintage."

(THUNDER RUMBLING)

Come on, old man.

You still got
some life in you.

- (CLATTERS)
- (WINCES)

Hey, Skye?

Guess what.

What?

Had a tape in it.
(SOFT CHUCKLE)

Care to see
what's down the rabbit hole?

I'm gonna be late
for class.

But then, maybe
you can tell me about it later.

Have fun, Professor.

(WHIRRING)

Come on, work.

(STATIC)

(RAIN PATTERING)

(CELL PHONE RINGING)

Hello?

SAMARA: Seven days.

What? Who is this?

(BLOWS)

(THUNDER RUMBLING)

(FLY BUZZING)

(BUZZING)

HOLT: Julia.

I keep thinking
about this story.

It's, like, the most romantic
story in the history of stories.

Well, it's not how we met.

HOLT: No.
It's about this guy, Orpheus.

His girlfriend dies
and he has to literally go down into Hell

to rescue her.

How come it's always the guy
rescuing the girl?

Just... (GROANS)

He tracks her down.
All right? He finds her.

And the Devil's gonna
let her go on one condition.

He has to start first,
without her.

He has to walk away
without looking back at her.

- But...
- He looks back to glimpse her

and loses her forever.
Ninth grade.

- English Lit. (LAUGHS)
- Okay. You know it.

So, what's your point?

(SIGHS)

I don't know. I just...

I relate to the guy.

I mean, I can't imagine
not looking back at you.

(EXHALES DEEPLY)

(ALARM BUZZING)

Actually, you got to go.

Because my boyfriend's
leaving for college,

and I promised
I'd help him pack.

- No!
- Come on, get up.

Baby, baby,
baby, he's a loser. Come back to bed.

- (LAUGHING)
- Come back to bed, now.

You really need all this?

Yeah.

(LAUGHS)

Let's go.
Come on, come on.

Come on, Holt!

Supposed to be on the road
an hour ago.

Just give us
a second, Dad.

(EXHALES DEEPLY)

You're doing
the right thing.

Your mom, she really
needs you right now.

I'm gonna miss your smell.

Really?

Yeah.

HOLT: Okay.

(LAUGHS)

I'll see you
Columbus Day weekend.

And tell Tommy Lombardi
that I'm on to him.

(CHUCKLES)
What do you mean?

He gets a job where you work
the day I leave?

(LAUGHS) You're crazy!

Don't look back!

(CHUCKLES)

- 9:30, Skype, tonight!
- (CAR ENGINE STARTS)

Where the hell
is your shirt?

Tonight!

JULIA: And every night!

And every single night!

Unless I'm with
Tommy Lombardi!

HOLT: You did not
just say that!

HOLT: Oh, baby,
it's been six weeks. I can't take it.

(CHUCKLES)
Why are you so much nicer now

that we don't live
in the same town?

Sorry, what's your name again?

- Shut up.
- That's a weird name.

(LAUGHS) How are your classes?

Kind of uninspiring.

There's this
one Experimental Biology class, though.

The teacher's kind of a badass.

That sounds cool.

Yeah.

Not everything's cool, though.

It's still, like,
a whole week until I get to see you.

Well, you're seeing me now.

Yeah, I guess.

What about I start
by taking off my hairclip?

- (CHUCKLES)
- Oh!

Yeah. Uh, okay.

What's next?

(GRUNT AND LAUGH)

BLUE: "Oh, take me, take me.
I can't stand it!"

HOLT: How did you even
get in here?

These idiots just
broke into my room.

Come on, Vision Quest.
Gabriel says you're up.

Let's go to the 7s.

- Shit. Tonight?
- Tonight.

Sorry, little lady,
but boyfriend's got plans tonight.

You know,
but we could talk.

I think I'm good.

HOLT: I'll make it up to you.
I promise.

(SPEAKING SPANISH)

- I'll talk to you tomorrow.
- He'll talk to you...

Yeah, sure.

(WHISPERS) I told you
I'd make it up to you.

(FAINT WHISPERS)

HOLT: Julia...

(SCREAMS)

(GASPING)

(COMPUTER CHIMING)

You owe me a good dream.

- SKYE: Where is he?
- Who are you?

Where's Holt?

I don't know.
I haven't spoken to him in days.

Don't lie to me!

I'm not lying to you!

What are you
doing on his computer?

Tell him there's no hiding.
Tell the dead man he can't hide.

What... What are you talking
about? What's wrong with you?

She's coming.

There's no stopping her.

Tell Holt that...

(CELL PHONE UNLOCKS)

(LINE RINGING)

Please pick up the phone.

(VOICEMAIL) This is Holt.
You know what to...

(CELL PHONE THUDS)

(CAR BEEPING)

- (KEYS JINGLE)
- (ENGINE STARTS)

(VOICEMAIL) This is Holt.
You know what to do.

- (VOICEMAIL BEEPS)
- Holt, what's going on?

I just had the strangest
conversation in my life

with that weird girl.

This is Holt.
You know what to do.

(BEEPS)

(INDISTINCT CHATTER)

Hello?

(CELL PHONE CHIMES)

(BEEPS)

(SIGHS)

GABRIEL: Science has told us
that we are merely

the primal stirrings of
some carbon, some proteins.

We live a while, eat,

have sex, when we can.

(STUDENTS LAUGH)

And that's it,
then we die.

Lewin, there's no need
to take notes on that part.

(STUDENTS LAUGH)

(STAMMERING)
But wait, hold on,

because no one is denying
that we have consciousness.

Some inner life
that's not quite accounted for here.

Let's remember the infamous
double-slit experiment.

(GRUNTS)

When no one is watching,

the particles just pass
through both slits at the same time.

But with an observer,
they behave like bullets,

passing through
one slit or the other.

This is big, guys.

The immaterial
human consciousness

has reached out
and touched the material.

There is a calculable
transformation in the real world,

and solely because

someone was there
to watch it.

Which may account
for the fact

that I have become
significantly sweatier once I've noticed

the mysterious stranger watching
me from the back of the room.

(STUDENTS LAUGHING)

All right, that's it.
Go get drunk.

(STUDENTS CHEERING)

Hey, I remember
you guys from...

- Why'd you come here?
- Come on, dude.

Move it along. There you go.
There you go.

How can I help you?

I'm looking for my boyfriend.

He's supposed to
be in your class.

Okay.
What's this guy's name?

Holt Anthony.

Yeah.

Not sure.

It always takes me
until Thanksgiving

to start putting
names to faces.

Really? 'Cause

he was supposed to do some sort
of extra credit thing for you.

Did he?

Maybe. I don't know.

I do know that
I have 25 essays to grade.

Listen. Okay.

It's not uncommon for a new
student to find something or someone

that's more interesting
to them than class.

My advice to you?
Move on.

(INDISTINCT CHATTER)

(ELEVATOR DINGS)

(ELEVATOR DINGS)

(ELEVATOR DINGS)

(MUSIC PLAYING ON SPEAKERS)

(INDISTINCT CHATTER)

GABRIEL: Calm down.

SKYE: I'm telling you,
it's different.

GABRIEL: Everyone says that.
It's okay. Where's your tail?

SKYE: I don't have
one anymore.

GABRIEL: I told you
not to call him.

SKYE: That asshole
hung up on me!

GABRIEL: I wonder why.

Okay. We'll switch tails.
You talk to Holt?

SKYE: No! I tried.
He isn't answering his phone.

- Come on.
- Holt has his own problems.

You have to help me, Gabriel.

It's your fault!
You started this!

Calm down.

SKYE: Listen to me, Gabe!

The videos,
the tails, all these people.

- It's wrong and she's pissed!
- You're being ridiculous.

SKYE: I can feel her.
It's all changing.

You don't have much time.
You need to trust me.

SKYE: How could I
ever trust you?

GABRIEL: Get to your studio.
Don't talk to anyone along the way.

Make a copy of
the video and wait.

I'm gonna send
someone right now. Hey, hey, hey!

Everything's gonna
be fine, darling. You understand?

Yes! I understand!

But you don't.

I honestly didn't find the
tape to be that scary, but...

Oh. Hey, you're not
supposed to be here!

Hey!

You called me
the other night.

Hey! Look at me.

(PANTING)

You're the girlfriend.

Where's Holt?

(STAMMERING)
I... I can help you.

But I need to show you
something first.

You live here?

SKYE: Yeah. Fine Arts.
Grad program.

I need a clear head
to do my work, and I like my privacy.

Is Holt even here?

SKYE: Did I say he would be?

(TYPING CONTINUES)

Be careful where you step.
I just painted the ceiling.

(TYPING)

(CELL PHONE VIBRATING)

Nothing's wrong.
He's not avoiding you.

He's just on a journey.

I want you to watch something
and then you'll understand.

- Is that my phone?
- You're lying!

(BOTH GRUNTING)

I need you to do this for me.

It's just a two-minute video.
It won't hurt you.

(CELL PHONE RINGING)

(GRUNTS)

(YELLS)

Open the door!

(BANGING ON DOOR)

Julia! I need you to help me.

Holt watched it.
We've all watched it.

(BANGING)

Open the door!

(LOCK CLATTERING)

(STATIC)

(SIGNAL SCRAMBLING ON TV)

You're not real.

You're not real!

(SCREAMS)

(PANTING)

(ALARM BEEPING)

7:10.

I win, bitch.

(STATIC)

(ELECTRICITY CRACKLES)

(BREATHING HEAVILY)

- (THUDDING)
- (GRUNTING)

(GRUNTING)

(SCREAMS)

(TV THUDS)

(PANTING)

(SOBBING)

(CONTINUES SOBBING)

(GASPING)

(STATIC ON TV)

(WATER FLOWING)

(WHIMPERING)

(GASPS)

(WHIMPERING)

(GASPS)

- (SCREAMING)
- (LOUD THUD)

- (SHRIEKS)
- (GASPS)

(FAINT WHISPERING)

(LOCK CLATTERING)

(DOOR THUDS)

(PANTING)

(PANTING)

(KEYS JINGLING)

- (BONES CRACKING)
- (SCREAMS)

- (GASPING)
- Jules!

What happened?
What happened?

Tell me you didn't watch it.
Tell me!

She's dead.
She's dead. She's dead.

MALE STUDENT: Hello?

Uh... Gabriel sent me.

I'm supposed to watch a video.

(LINE RINGING)

GABRIEL: Hello.

Gabriel. Gabriel.

Do you know about Skye?

I know.
Someone put a picture of her online.

Everyone's dropping out.

HOLT: Wait.

Wait.
Do I still have a tail?

Gabriel?

Is someone still
watching for me?

I'm gonna find you someone,
I promise you that.

Just stay where you are.

(CELL PHONE THUDS)

(DOOR LOCKS)

Who was that?

(STAMMERS)
It was Gabriel.

Everything's gonna
be fine.

That's what
he told Skye.

Listen, Julia.

I'm really sorry that
you had to see that.

But I can't let you
get caught up in this.

I think it's a little
too late for that.

I watched it.

Twelve hours
after Skye.

We were supposed to
help each other through it.

"Help each other"?

Yeah.

- So were you and her...
- No.

Gabriel said a few of us were gonna be
chosen for this experiment.

If you just heard
the way he described it.

That we could prove
the existence of a soul.

Of life after death.

(SCOFFS)

I know.
I know. It sounds crazy,

but I'm just...

The tape is the doorway
to the other side.

Then why did she die?

(STAMMERS)

You have seven days
before you die.

You just have
to watch the tape and make a copy,

and show it
to someone else.

And then you're fine.

Gabriel calls it a "tail."

Her tail just didn't show.

So were you
supposed to pass on a death sentence

to someone else?

How could you get
involved in this?

Please.

(DOG BARKING IN DISTANCE)

(BREATHING SHAKILY)

JULIA: Whatever you are,

leave him alone.

(STATIC)

(STATIC)

(TELEPHONE RINGING)

(CONTINUES RINGING)

SAMARA: Seven days.

(BREATH TREMBLING)

(BANGING ON DOOR)

(BANGING CONTINUES)

(SCREAMS)

Jules. What did you do?

JULIA: I saw something.

There was a room. A door.

(CELL PHONE VIBRATING)

Yeah.

GABRIEL: It's Gabriel.

Holt, listen.
I've got a tail for you.

It's not for me anymore.

You know why I wasn't
answering your calls, right?

It was to
protect you from this.

Gabriel had a solution
for me.

It would have been fine.
I would have been fine.

Then I'll be fine, too.

- (SMASHING)
- (SCREAMS)

Jules!

(TIRES SCREECHING)

What happened?

A bird.

There was a bird.

Julia!

(WINGS FLUTTERING)

See? I told you
there was a bird.

- (HORN BLARING)
- Julia!

But I saw it.

GABRIEL:
So you watched the tape.

And I had
dismissed self-sacrifice as popular myth.

JULIA: Holt was running out
of time.

It was the only way
to save him.

- Anyone would have done it.
- (GABRIEL CHUCKLES)

You know,
I could show you some research

that would
suggest the opposite.

She's marked already.

On day one.

And it's... It's different.

I wasn't marked
until day five.

Gabriel,
this has to mean something.

It's happening faster.

GABRIEL:
Maybe it is all changing.

(WHIRRING)

I wanted to believe that tape
meant a lot of things.

That our souls are eternal,

and when we die,

the spirit strives
to find a new home.

Then I saw the picture.

I saw Skye's face.

You saw it, too.

You want to survive, you make a
copy and you show someone.

No one is dying
because of me.

I'll tell them how it works.

And so what?
The cycle just continues?

(SCOFFS) What do you think
survival is?

Just make a copy.

We'll decide what
to do with it later.

Please.

GABRIEL: Whoa, whoa, whoa.

What did you do here?

Uh, her version won't copy.

What do you mean
"it won't copy"?

Your file size is
larger than the original.

How can that be?

Scrub through her copy.

Ooh, what is that?
Go back.

Right there!

JULIA: The bird.

I told you in the car
I saw that bird.

What?

It shouldn't be there.

I need my equipment.

GABRIEL: Okay. See, there's these
weird gaps in the digital code.

Glitches where we get
these ghost images, like your bird.

I mean, we're talking
one or two frame still images,

but there's more.

There's video data condensed
in the still frames.

A video within the video?

Well, there is now.

I don't want you
to watch it.

Jules, there's no way.

We're watching this together.
End of discussion.

Holt, whatever it is,
I think it's intended for Julia alone.

Look at me.

I know you're upset
that I watched it.

But we can't let it be
for nothing.

So don't look back, okay?

Put it on.

HOLT: Jules?

Baby, tell us
what you see.

JULIA: A clock.

A cross in a flood.

A girl.

HOLT: Jules.

Jules?

I don't know.

A burning body.

(STATIC)

HOLT: Jules!

(FAINTLY) Sorry. I, um...

What was it?

Only images,
but I can't explain how it felt.

GABRIEL: Flood.
Fire. Cremation.

Those are images
that have never been on the tape before.

You know,
primitive cultures believed

that the only way
to free a soul

is to burn the body.

That is,
if you can find it.

Wait.

I saw this.

GABRIEL: That's where
they buried her.

I traced it to a town
called Sacrament Valley,

about four hours from here.

JULIA: That's where
we need to go.

(TELEPHONE RINGING)

GABRIEL: Hello.

Ah. Thank you, Jamal.

The police are
on their way here.

And you're not
even coming with us!

The police want to
ask me questions, Holt.

They think
you killed Skye.

But you didn't.

I hope if you learn
anything from an education,

it's that more than
one theory can be true.

I didn't kill Skye.

And I did.

But the cops don't deal
in such ambiguities.

My research.

Everything that's known
about the tape is in there.

It'll be more of a help to you
than I can be.

A man never quite
measures up to his work.

(ENGINE STARTS)

The images on the tape,
they were her story.

She wanted it to be heard.

"Samara was found abandoned
as a young child.

"No one knew where she came
from or who her parents were.

"She was adopted,
and they realized

"that something was unnatural
about this girl.

"Something evil.

"They tried to kill her,

"but Samara survived for seven
days at the bottom of the well.

"They found her body
years later."

And they brought her
all the way to this town?

Why?

I don't know.

JULIA: That girl.

What girl?

(R&B MUSIC PLAYING OVER RADIO)

(BELL JINGLES)

(GROWLING SOFTLY)

Hello?

(CAT MEOWS)

Hello?

(BELL DINGS)

(DOOR OPENS AND CLOSES)

WOMAN: Can I help you?

Hey, uh...

There was no light outside.
Do you have any vacancies?

Two rooms?

One.

Cash only.
Checkout's at noon.

It's an old house.

Walls are thin.

Hope you don't mind the cats.

I'm just down the hall.

JULIA: Excuse me.
Who's the girl in this photo?

The one
in the middle there?

Why, that's my niece.

Beautiful, isn't she?
People say we look just...

No, I'm sorry.
I meant the girl with the violin.

Oh. That's Evelyn.

I think I saw her.

Earlier today.

That's not possible.

She disappeared 30 years ago.

Does anyone know why?

No.

And I'd rather
not talk about it.

Ma'am,
where's the church?

Well,
it's not a church anymore.

(THUNDER RUMBLING)

WOMAN: That's when
I hit rock bottom.

I guess the worst part of it
for me was that I let down my kids,

I let down my husband.

MAN: Raise your hand
if life ever let you down.

Go ahead now, raise your hand.

And then you found the drug
that you thought unlocked a secret.

(MAN CONTINUES
SPEAKING INDISTINCTLY)

One day at a time.

Thank you all for coming.

I'll see you next week.

Jules. We better go.

So, what do we do now?

Awful young to be here.
Don't let it kill you.

Excuse me, sir!

Could you tell me
a little bit more about the church?

When did it close?

Been 13 years.

- (STARLINGS CHIRPING)
- After the flood.

Town used to have five times
this many people.

Ever since,

there's more dead
than alive around here.

HOLT: Thank you.

He said the church was...

That's where
they brought her.

The cemetery.

Look for her name.

- Come on, pick up.
- (LINE RINGING)

(VOICEMAIL) This is Holt.
You know what to do.

GABRIEL: Holt, it's Gabriel.

I don't know if you're getting
these messages,

but I figured out
the mark on Julia's hand.

It's braille.
I'm gonna come find you guys.

(ENGINE STARTS)

HOLT: "The waters rose to carry them
and brought them back safely to God."

(THUNDER RUMBLING)

Holt!

Holt!

(INDISTINCT WHISPERING)

(GASPS)

- Hey, hey, hey.
- (SIGHS)

She's in there.

Someone moved her.

HOLT: Jules?

What are you doing?

There's writing.

Holt.

(JULIA SCREAMS)

(PANTING)

Holt!

- (BANGING)
- (GASPS)

(PANTING)

(SCREAMING)

(GASPING)

- HOLT: Julia!
- (SCREAMING)

(PANTING)

Hey, what happened?
What happened?

What happened?

JULIA: I saw something.

The well.

- (BARKING)
- (JULIA GASPS)

Whoa, whoa, whoa.

We were just looking...

I know
who you're looking for.

Let's go.

- What did you find?
- CHRIS: Two kids.

Caught them
breaking into 294.

Breaking in? (CHUCKLES)

Well, that's new.

You want me to
take them down to the Sheriff's Office?

No, no, no, no, no,
don't bother the Sheriff.

I can take care of this.

I'm Galen Burke.

I watch over things here.

So to speak.

Please. Come in.

It's not much.

But I wasn't
expecting company.

- HOLT: I can... I can take...
- No, no. I'm fine, son.

I know every corner
of this house.

So,

you're looking
for the girl.

I find it interesting

that you managed
to find her grave

even after
the marker was removed.

JULIA: I had a vision.

An image of that grave
that led me here.

And inside the grave,

I saw a vision
of a well.

A vision.

So, you want to know
about Samara Morgan.

Our priest was very active
with the community back then.

He heard that after
all the little girl had been through

that she was being denied
a resting place.

Well, who's to say that charity isn't
meant for the dead? (CHUCKLES)

So why isn't she
there now?

Well, because we paid
mightily for this act of charity.

It was as if God and nature
itself wanted us to be rid of her.

The flood.

Yes.

But I had
let myself believe,

like you,

that she was trying
to tell me something.

I was pulled
to that grave.

She showed me things.

Things that no one
should have to imagine.

And then I went blind.

I'm so sorry.

No, don't be.

It brought me peace.

The priest requested
that her body be moved.

He left Sacrament Valley.

She was buried in
a potter's field just north of town,

to be forgotten by all.

I think we should
get out of here.

Listen to me.

There is nothing
about that girl

that's worth
being curious about.

I need to see this through.

Why?

Because you think
you were chosen for something?

Having a vision

doesn't mean you know
what that vision means.

Thank you.

(BURKE GASPS)

What's this on your hand?

Why did you put this mark
on your hand?

What do you mean?

Be careful.

You hear me?

So, what now?

We gotta find the body.

(THUNDER RUMBLING)

What?

Hey, stay right there.

This road's closed.
There's been an accident.

- Need you to turn it around.
- Okay, sir.

- Julia!
- It's that girl.

From the picture.

Hey! Whoa, whoa, whoa.
Where do you think you're going, sir?

Excuse me. Turn around.

Stop!

Evelyn!

Stop!

Gabriel?

Oh, Gabriel.

(COUGHING AND GASPING)

Over here!

- He needs help!
- OFFICER: Hey!

(GROANS)

Gabriel.

What is it?

(GABRIEL GASPING)

OFFICER: Hey, sir! Please!

Gabriel, tell me.

You can't be down there!

- HOLT: Julia!
- (ELECTRICITY CRACKLING)

(SCREAMING)

(SCREAMS)

(ELECTRICITY CRACKLING)

(JULIA SOBBING)

(INDISTINCT RADIO CHATTER)

He was coming
for a reason.

He wanted to
tell us something.

No, she wanted to
tell us something.

This girl has something
to do with Samara.

We need to go back.

JULIA: I can feel her pain,
her suffering.

I'm sick with it
and it's getting worse.

I'm so tired.

Then you sleep.

I'm gonna get us
something to eat.

Okay.

Look.

We'll figure this out.

(BELL JINGLES)

(DISTORTED SOUNDS PLAYING
OVER CELL PHONE SPEAKER)

I was right there.

(BELL JINGLES)

There you go,
Karen.

Chicken fried
steak and coffee.

Hey. Menu?

Yeah. Sure.

So, what is that?
Chicken or steak?

You're funny.

Look, I...

I don't mean to
be rude, but, uh...

The girl who's friends with your
niece, the one who disappeared...

Can you tell me
a little bit more about what happened?

(GLASS SHATTERING)

(WATER DRIPPING)

(HOLLOW TAPPING)

(TAPPING)

(CREAKS)

KAREN: My niece and she

knew each other through
the church music program.

But she was the most gifted.

People used to kid her,
"You're too good for this place.

"We're gonna wake up one day
and you'll be gone, and that'll be that."

I guess there's certain jokes
you shouldn't make

because it happened.

She disappeared.

No clothes gone. No note.

Just vanished.

(BREATHING HEAVILY)

Ah!

The priest.

He kept you down here.

(DISH CLATTERING)

(JULIA PANTING)

- (LOUD BANG)
- (GASPS)

(BANGING)

(BANGING)

(CONTINUES BANGING)

(BREATHING HEAVILY)

- The child!
- (SCREAMS)

(PANTING)

Thirty-four weeks.

Eight and a half months.

You were pregnant.

You were Samara's mother.

The police investigated
for six months,

and then we stopped
hearing from them.

Town never felt
quite the same after that.

The priest.

Do you know
what happened to him?

He still lives in town.

Although he isn't
a priest anymore.

Not since
he went blind.

I have to go.
Uh, excuse me.

Mr. Burke!

It's Julia!
I have to talk to you!

The boy's not with you.

What's wrong?

I think I understand
my visions.

The things
she's been showing me.

I need to know
about the priest.

BURKE: I guess, just like
most people in the town,

the event sort of
took it out of him.

I just don't see
why it matters.

There was a girl
here 30 years ago who disappeared.

I've seen her.

Evelyn Borden.

You knew her?

Everyone knew Evelyn.

She was kept
under the church.

I found a room.
It was like a prison.

There were days
marked off on the walls.

Nine months.

She's Samara's mother.

She suffered from
the day she was born.

And she's still
suffering now.

I think I understand it.

This curse. This.

It will never stop
until she's free.

(INSECTS CHIRPING)

What's that sound?

Cicadas.

(BELL JINGLES)

HOLT: Burke.

Jules?

Jules!

Julia...

I know what it's like
to be guided by visions.

To be certain.

(CHUCKLES SARCASTICALLY)

I was certain
that I would father

a child that
was gonna change the world.

And I was right.

(CLATTERS)

You see, Julia,

she didn't take my sight.

I did.

Good girl.

You're very brave.

You're Samara's father.

You kidnapped Evelyn.

The night that
I laid with her,

I heard them.

The cicadas.

You moved her bones
and she's still your prisoner.

As are you.

(YELLS)

(PANTS)

(PANTS)

Ah! (GROANS)

(PANTING)

(GRUNTS)

(CICADAS CHIRPING)

You think that
you're the first Good Samaritan

that she cried
out to, to free her?

You're the 12th, Julia.

Though none of
the others got this far.

You think that
you're so close to bringing her peace.

But you have no idea the hell that you
would unleash on the world.

Julia?

Samara can't hurt me,
because I can't see her.

But you, Julia,

I can hear your every breath!

(SCREAMS)

(PANTING)

(YELLS)

(GRUNTING)

(GRUNTS)

(CICADAS CHIRPING)

(CANE THUDDING)

You will

not set her free!

(LOUD CHIRPING)

Julia,

you remind me of Evelyn.

I chained Evelyn's hands

because she was
trying to kill our child.

I should have let her!

- (GRUNTS)
- (BURKE GASPING)

(GROANING)

She was your daughter!

(PANTING)

(DOOR CREAKING)

(ELECTRICITY BUZZES)

(BREATH TREMBLING)

(DOOR CREAKS)

(RUSTLING)

(LOUD RUSTLING)

(CICADAS BUZZING)

(PANTING)

What are you
trying to show me?

(GASPING)

No.

Samara.

You're here.

- (GRUNTS)
- (GLASS SHATTERS)

(GRUNTING)

(DISTANT THUDDING)

Julia?

(GRUNTING AND PANTING)

(GRUNTS)

(GASPING)

- (GRUNTS)
- (SCREAMS)

(SHRIEKS)

(CLOTH TEARS)

Here she is, Samara!

(GAGGING AND GRUNTING)

This is what
becomes of your savior!

(CHITTERING)

With the grace of
the Holy Spirit,

may the Lord who
freed you from sin

save you,

and raise you up!

(GASPING)

- (GASPS)
- (BURKE GRUNTS)

SAMARA: (WHISPERING) Julia...

Don't leave me.

BURKE:...from sin!

(BUZZING)

- (BURKE GRUNTING)
- (GAGGING)

May the Lord save you!

Through this holy anointing...

Who's there?

Samara.

(BURKE SCREAMING)

(THUDS)

(JULIA GASPING)

Hey. It's okay.

It's over.

It's over.

Not yet.

What could that
have felt like?

To be feared by everyone
who's supposed to love you.

Not everyone.

You were never
afraid of her.

JULIA: You're free, Samara.

(BREATHES DEEPLY)

GABRIEL: (OVER RECORDING)
Holt. It's Gabriel.

I don't know if you're getting
these messages,

but I figured out the mark
on Julia's hand.

It's braille.
I'm gonna come find you guys.

(COUGHING)

(RETCHING AND COUGHING)

(CONTINUES RETCHING)

GABRIEL: Our souls
are eternal,

and when we die,

the spirit strives
to find a new home.

SKYE: I'm telling you,
she's coming back.

This time for real.

You were never
afraid of her.

BURKE: Just because
you had a vision

doesn't mean you know
what that vision means.

(JULIA GASPING)

BURKE: You have no idea

the hell that you would
unleash on the world.

And I'm sorry.

It won't stop.

HOLT: No, no.

- (KEYBOARD CLACKING)
- What?

(HOLT BREATHES HEAVILY)

No, no, no!

Stop!

Come on!

(SIGHS)

(BREATHING HEAVILY)

HOLT: Julia!

(GLASS SHATTERING)