All language subtitles for Get Smart S05E15 House of Max - Part 1.DVDRip.NonHI.cc.en.HBO

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:37,204 --> 00:00:39,482 HELLO, SCOTLAND YARD. 2 00:00:39,506 --> 00:00:41,551 CHIEF INSPECTOR SPARROW SPEAKING. 3 00:00:41,575 --> 00:00:45,221 I'VE HAD NO SIGN OF THE AMERICAN CONTROL AGENT 4 00:00:45,245 --> 00:00:48,758 I WAS SUPPOSED TO MEET. ARE YOU SURE HE WAS GIVEN THE CORRECT DIRECTIONS? 5 00:00:51,485 --> 00:00:54,445 HOLD ON A MINUTE, THERE'S SOMEBODY COMING. IT MAY BE HE. 6 00:01:12,239 --> 00:01:16,853 THERE'LL BE BLUEBIRDS OVER THE WHITE CLIFFS OF DOVER. 7 00:01:16,877 --> 00:01:19,844 THAT'S NOT UNCOMMON FOR THIS TIME OF THE YEAR. 8 00:01:21,782 --> 00:01:25,562 A NIGHTINGALE SANG IN BERKLEY SQUARE. 9 00:01:25,586 --> 00:01:27,697 YOU DON'T FIND TOO MANY OF THEM ANYMORE 10 00:01:27,721 --> 00:01:29,866 SINCE THEY REMOVED THE STATUES. 11 00:01:29,890 --> 00:01:31,802 OH. 12 00:01:31,826 --> 00:01:35,038 JOHNNY DOUGHBOY FOUND A ROSE IN IRELAND. 13 00:01:35,062 --> 00:01:39,208 - TO EACH HIS OWN. - NOW WE'RE GETTING SOMEPLACE. 14 00:01:39,232 --> 00:01:41,110 YOU MUST BE INSPECTOR SPARROW, SCOTLAND YARD. 15 00:01:41,134 --> 00:01:43,980 DON'T TELL ME YOU'RE MAXWELL SMART OF CONTROL. 16 00:01:44,004 --> 00:01:45,682 OF COURSE I'M MAXWELL SMART. 17 00:01:45,706 --> 00:01:47,884 WHY DO YOU THINK I'VE BEEN GIVING YOU ALL THOSE PASSWORDS? 18 00:01:47,908 --> 00:01:49,519 HOW COME YOU DIDN'T ACKNOWLEDGE THEM? 19 00:01:49,543 --> 00:01:52,155 WE DON'T USE OLD SONG TITLES AS PASSWORDS ANYMORE. 20 00:01:52,179 --> 00:01:54,190 YOU DON'T? WHAT DO YOU USE? 21 00:01:54,214 --> 00:01:56,793 LYRICS FROM BEATLES TUNES. 22 00:01:56,817 --> 00:01:59,128 YES. WELL, INSPECTOR, 23 00:01:59,152 --> 00:02:01,163 I UNDERSTAND THAT YOU'RE HAVING A LITTLE TROUBLE OVER HERE. 24 00:02:01,187 --> 00:02:03,399 THAT'S PUTTING IT MILDLY. 25 00:02:03,423 --> 00:02:08,037 MR. SMART, 12 PEOPLE HAVE BEEN BRUTALLY MURDERED HERE IN LONDON. 26 00:02:08,061 --> 00:02:10,606 THAT'S WHY WE ASKED YOUR GOVERNMENT TO SEND SOMEONE TO HELP US. 27 00:02:10,630 --> 00:02:12,942 WELL, YOU CAN PUT YOUR MIND AT EASE, INSPECTOR. 28 00:02:12,966 --> 00:02:15,745 THEY'VE SENT YOU THEIR BEST MAN. 29 00:02:15,769 --> 00:02:18,948 BY THE WAY, INSPECTOR, HAVE YOU ANY CLUES AS TO THE IDENTITY OF THE KILLER? 30 00:02:18,972 --> 00:02:21,150 OH, WE KNOW WHO THE KILLER IS, MR. SMART. 31 00:02:21,174 --> 00:02:24,587 - IT'S JACK THE RIPPER. - JACK THE RIPPER? 32 00:02:24,611 --> 00:02:27,356 OF COURSE. 33 00:02:27,380 --> 00:02:29,092 JACK'S LITTLE BOY. 34 00:02:29,116 --> 00:02:31,794 JACK THE RIPPER JR., THE SON OF JACK THE RIPPER. 35 00:02:31,818 --> 00:02:35,998 NO, MR. SMART. JACK THE RIPPER SR., THE ORIGINAL JACK THE RIPPER. 36 00:02:36,022 --> 00:02:38,367 INSPECTOR, ARE WE TALKING ABOUT THE SAME MAN? 37 00:02:38,391 --> 00:02:41,204 THE MAN WHO TERRORIZED LONDON AT THE TURN OF THE CENTURY? 38 00:02:41,228 --> 00:02:43,139 I KNOW WHAT YOU'RE THINKING. 39 00:02:43,163 --> 00:02:45,408 "HOW COULD HE POSSIBLY BE RUNNING AROUND TODAY?" 40 00:02:45,432 --> 00:02:47,877 OBVIOUSLY ON VERY OLD LEGS. 41 00:02:47,901 --> 00:02:51,881 THE RIPPER USUALLY STRIKES WHEN THE CITY IS HEAVY WITH FOG. 42 00:02:51,905 --> 00:02:54,385 THEREFORE I DON'T THINK HE'LL STRIKE TONIGHT. 43 00:02:55,843 --> 00:03:00,089 BUT THEN AGAIN, ONE CAN NEVER BE TOO SURE WHEN DEALING WITH A DERANGED KILLER. 44 00:03:00,113 --> 00:03:03,426 YES, WELL, INSPECTOR, I SUGGEST THAT WE START AND COMB THE CITY. 45 00:03:03,450 --> 00:03:05,895 SPLENDID. WE'LL START WITH HYDE PARK. 46 00:03:05,919 --> 00:03:08,598 OH GOOD, THAT'LL GIVE YOU A CHANCE TO MEET MY WIFE. 47 00:03:08,622 --> 00:03:10,800 - MEET YOUR WIFE? - YES, THAT'S WHERE SHE IS. 48 00:03:10,824 --> 00:03:13,837 - IN HYDE PARK? - YES. SHE WANTED TO TAKE A LITTLE STROLL IN HYDE PARK. 49 00:03:13,861 --> 00:03:16,238 AND I THOUGHT THAT WOULD BE A GOOD IDEA BECAUSE I DIDN'T WANT 50 00:03:16,262 --> 00:03:18,307 HER TO COME WITH ME. I THOUGHT IT MIGHT BE DANGEROUS. 51 00:03:18,331 --> 00:03:21,478 MR. SMART, YOU'VE PLACED HER IN THE GRAVEST POSSIBLE DANGER. 52 00:03:21,502 --> 00:03:24,614 EIGHT WOMEN WERE MURDERED WHILE STROLLING IN HYDE PARK. 53 00:03:24,638 --> 00:03:27,350 WELL, DON'T WORRY, INSPECTOR. SHE HAS A GUN. 54 00:03:27,374 --> 00:03:29,886 - THANK HEAVENS FOR THAT. - YES, AS A MATTER OF FACT, 55 00:03:29,910 --> 00:03:33,378 I JUST HAD IT FIXED FOR HER. YOU SEE, THE FIRING PIN WAS A LITTLE LOO... 56 00:04:38,178 --> 00:04:40,723 - MAX! - 99, ARE YOU ALL RIGHT? 57 00:04:40,747 --> 00:04:43,092 I GUESS SO. WHO IS HE? 58 00:04:43,116 --> 00:04:46,363 YOU'LL NEVER BELIEVE ME WHEN I TELL YOU WHO THAT IS, 99. 59 00:04:46,387 --> 00:04:49,299 YOU'LL THINK I'M CRAZY, THAT I'M STARK RAVING MAD. 60 00:04:49,323 --> 00:04:51,700 IN A MILLION YEARS YOU'LL NEVER BELIEVE WHO THAT IS. 61 00:04:51,724 --> 00:04:54,037 THAT'S JACK THE RIPPER. 62 00:04:54,061 --> 00:04:56,995 OH. SO THAT'S JACK THE RIPPER. 63 00:05:03,570 --> 00:05:06,649 INSPECTOR SPARROW, I'D LIKE YOU TO MEET MY WIFE, MRS. MAXWELL SMART. 64 00:05:06,673 --> 00:05:10,453 HOW DO YOU DO, MA'AM? I WISH WE COULD'VE MET UNDER MORE PLEASANT CIRCUMSTANCES. 65 00:05:10,477 --> 00:05:12,722 YES, IT IS RATHER FOGGY TONIGHT. 66 00:05:12,746 --> 00:05:14,457 IS THIS MAN REALLY JACK THE RIPPER? 67 00:05:14,481 --> 00:05:16,526 MRS. SMART, THIS IS NOT A MAN. 68 00:05:16,550 --> 00:05:18,727 YOU MEAN THIS IS JACQUELINE THE RIPPER? 69 00:05:18,751 --> 00:05:20,863 IT'S NEITHER A MAN NOR A WOMAN. 70 00:05:20,887 --> 00:05:22,965 IT'S NOT EVEN A HUMAN BEING. 71 00:05:22,989 --> 00:05:25,624 - WHAT IS IT THEN? - A WAX DUMMY. 72 00:07:07,060 --> 00:07:09,138 THESE MEN WERE PICKED UP IN THE HYDE PARK AREA. 73 00:07:09,162 --> 00:07:11,407 ALL OF THEM HAVE RECORDS. 74 00:07:11,431 --> 00:07:13,943 - WHAT DO YOU THINK, MR. SMART? - THE MAN ON THE END WITH THE MUSTACHE. 75 00:07:13,967 --> 00:07:17,513 ANYONE WITH A FACE AS EVIL AS THAT HAD TO HAVE SOMETHING TO DO WITH JACK THE RIPPER. 76 00:07:17,537 --> 00:07:19,482 - THE CHAP ON THE END YOU SAY? - YES, DEFINITE CRIMINAL TYPE. 77 00:07:19,506 --> 00:07:21,284 THAT'S MY ASSISTANT, SERGEANT POOLE. 78 00:07:21,308 --> 00:07:24,887 OH. HE DIDN'T HAPPEN TO BE A CRIMINAL BEFORE HE BECAME A SERGEANT, DID HE? 79 00:07:24,911 --> 00:07:28,624 I'M SORRY, I DON'T REMEMBER SEEING ANY OF THESE MEN IN HYDE PARK TONIGHT. 80 00:07:28,648 --> 00:07:30,859 WE MUST BE POSITIVE, MRS. SMART. 81 00:07:30,883 --> 00:07:33,084 NOW TAKE A LONG, HARD LOOK. 82 00:07:42,262 --> 00:07:45,241 NOPE, THEIR FACES ARE ABSOLUTELY UNFAMILIAR. 83 00:07:45,265 --> 00:07:46,743 OF COURSE IT WAS VERY FOGGY. 84 00:07:46,767 --> 00:07:49,044 WELL, WE MAY NOT HAVE CAUGHT THE PROPER FISH IN OUR NET, 85 00:07:49,068 --> 00:07:51,147 - BUT WE DID COME UP WITH SOMETHING. - A CANDLE? 86 00:07:51,171 --> 00:07:53,516 YES, THE CHAP AT THE END, THE ONE WITH THE SCAR, HAD IT ON HIM. 87 00:07:53,540 --> 00:07:56,740 SERGEANT POOLE, DISMISS THE OTHERS. HOLD THE MAN WHO HAD THE CANDLE. 88 00:08:04,651 --> 00:08:07,630 WELL, AT LEAST WE KNOW ONE THING. 89 00:08:07,654 --> 00:08:10,232 - IT'S PRETTY OBVIOUS. - WHAT'S THAT, MAX? 90 00:08:10,256 --> 00:08:13,703 WELL, THE MAN WITH THE SCAR IS DEFINITELY A CANDLEMAKER. 91 00:08:13,727 --> 00:08:16,305 - NO, HE'S A PICKPOCKET. - OH. 92 00:08:16,329 --> 00:08:19,008 A PICKPOCKET WHO'S A CANDLEMAKER ON THE SIDE? 93 00:08:19,032 --> 00:08:22,311 A PICKPOCKET WHO DOESN'T BELIEVE IN ELECTRICITY? 94 00:08:22,335 --> 00:08:24,848 I CAN TELL YOU ONE THING HE DOES BELIEVE IN: 95 00:08:24,872 --> 00:08:27,884 THAT PREPOSTEROUS CODE ALL CRIMINALS HAVE OF REFUSING TO TALK. 96 00:08:27,908 --> 00:08:30,586 GETTING INFORMATION OUT OF THESE DEVILS 97 00:08:30,610 --> 00:08:33,489 - IS LIKE PULLING TEETH. - I WISH HAROLD FEINBERG WERE HERE. 98 00:08:33,513 --> 00:08:35,580 - WHO'S HAROLD FEINBERG? - MY DENTIST. 99 00:08:37,083 --> 00:08:38,861 IT'D TAKE MORE THAN A DENTIST 100 00:08:38,885 --> 00:08:41,464 TO GET INFORMATION OUT OF HIM, MR. SMART. 101 00:08:41,488 --> 00:08:45,201 I WONDER IF THE METHODS WE USE AT CONTROL WOULD WORK HERE. 102 00:08:45,225 --> 00:08:47,170 I'D LIKE TO GIVE IT A CRACK, INSPECTOR. 103 00:08:47,194 --> 00:08:49,938 I THINK YOU'RE WASTING YOUR TIME, BUT GO AHEAD. 104 00:08:49,962 --> 00:08:53,509 - WILL YOU BE ALL RIGHT, 99? - OH, I'LL BE FINE, MAX. 105 00:08:53,533 --> 00:08:57,501 - WE'RE IN SCOTLAND YARD. - OH, GOOD. 106 00:09:22,228 --> 00:09:24,006 LONG JOHN SILVER. 107 00:09:24,030 --> 00:09:26,397 - WHAT? - HE DOES GREAT IMPRESSIONS. 108 00:09:29,035 --> 00:09:31,014 NAME? 109 00:09:31,038 --> 00:09:33,038 I ASKED YOU YOUR NAME, FELLA. 110 00:09:34,908 --> 00:09:37,175 I SAID WHAT IS YOUR NAME? 111 00:09:39,646 --> 00:09:41,691 MY NAME IS MAXWELL SMART. 112 00:09:41,715 --> 00:09:43,581 MR. SMART. 113 00:09:53,626 --> 00:09:56,039 - HIS NAME IS WIGGS. - HUH? 114 00:09:56,063 --> 00:09:59,197 - WIGGS. - WIGGS. YES, I SUSPECTED AS MUCH. 115 00:10:16,416 --> 00:10:18,694 ALL RIGHT, BIGGS, START TALKING. 116 00:10:18,718 --> 00:10:21,164 YOU SAW HOW EASILY I WAS ABLE TO OBTAIN YOUR NAME. 117 00:10:21,188 --> 00:10:23,932 NOW I CAN JUST AS EASILY GO BACK OVER THERE 118 00:10:23,956 --> 00:10:25,934 AND GET YOUR ADDRESS AND YOUR PHONE NUMBER. 119 00:10:25,958 --> 00:10:27,598 I CAN KEEP THIS UP FOR AS LONG AS YOU CAN. 120 00:10:29,162 --> 00:10:30,940 LOOK HERE, WIGGS, 121 00:10:30,964 --> 00:10:34,010 REFUSING TO COOPERATE WITH US WOULD SEEM FOOLHARDY AT BEST. 122 00:10:34,034 --> 00:10:37,914 YOU KNOW AS WELL AS I DO THERE ARE A NUMBER OF PETTY CRIMES 123 00:10:37,938 --> 00:10:41,017 WE CAN ATTRIBUTE TO YOUR SOMEWHAT DUBIOUS TALENTS. 124 00:10:41,041 --> 00:10:44,053 THEREFORE, COOPERATING WITH US WOULD SEEM MOST WISE. 125 00:10:44,077 --> 00:10:45,955 THE INSPECTOR'S RIGHT, WIGGS. 126 00:10:45,979 --> 00:10:48,090 IF YOU DON'T TALK NOW, IT'LL BE MUCH WORSE FOR YOU LATER ON. 127 00:10:48,114 --> 00:10:51,227 ALL RIGHT. WHAT DO YOU WANT TO KNOW? 128 00:10:51,251 --> 00:10:54,130 THAT'S BETTER. ALL RIGHT, SMIGGS, 129 00:10:54,154 --> 00:10:58,200 THIS CANDLE WHICH WAS FOUND IN YOUR POSSESSION 130 00:10:58,224 --> 00:11:01,838 WHEN YOU WERE TAKEN INTO CUSTODY IS MADE OF WAX. 131 00:11:01,862 --> 00:11:05,008 - NOW DON'T DENY THAT. - DENY WHAT? 132 00:11:05,032 --> 00:11:07,176 THAT THE RUDDY THING'S MADE OF WAX? 133 00:11:07,200 --> 00:11:10,046 IT'D BETTER BE. THAT'S WHY I PINCHED IT. 134 00:11:10,070 --> 00:11:13,916 - I SEE. - SO I PINCHED ME A CANDLE. 135 00:11:13,940 --> 00:11:16,319 YES, BUT WHY DID YOU PINCH IT? 136 00:11:16,343 --> 00:11:18,688 WHY DID I PINCH IT? 137 00:11:18,712 --> 00:11:21,858 BECAUSE THEY TURNED THE BLEEDIN' LIGHTS OUT 138 00:11:21,882 --> 00:11:23,759 IN ME DIGS. THAT'S WHY. 139 00:11:23,783 --> 00:11:27,263 DIGS, MR. SMART, IS THE FLAT WHERE WIGGS RESIDES. 140 00:11:27,287 --> 00:11:31,033 HUH! YOU CAN CALL IT A FLAT. THAT AIN'T WHAT I CALL IT. 141 00:11:31,057 --> 00:11:33,769 ALL RIGHT, DIGGS, LET'S GET ON WITH IT. 142 00:11:33,793 --> 00:11:36,772 I SUBMIT THAT YOUR WHOLE STORY 143 00:11:36,796 --> 00:11:39,475 IS A CONCOCTION OF FABRICATIONS, 144 00:11:39,499 --> 00:11:41,410 OUT-AND-OUT LIES, 145 00:11:41,434 --> 00:11:44,847 HALF-TRUTHS AND FIBS! 146 00:11:44,871 --> 00:11:48,550 I ALSO SUBMIT THAT THIS CANDLE 147 00:11:48,574 --> 00:11:51,153 WAS NOT ONLY TAKEN FROM JACK THE RIPPER, 148 00:11:51,177 --> 00:11:54,156 BUT THAT THIS CANDLE AND JACK THE RIPPER 149 00:11:54,180 --> 00:11:57,960 ARE BOTH MADE OF WAX. 150 00:11:57,984 --> 00:11:59,495 - I DID IT. - DID WHAT? 151 00:11:59,519 --> 00:12:01,964 YOU NAME IT, I DID IT. 152 00:12:01,988 --> 00:12:03,966 I'LL CONFESS TO ANYTHING 153 00:12:03,990 --> 00:12:06,357 SO LONG AS I DON'T HAVE TO LISTEN TO HIM. 154 00:12:36,189 --> 00:12:38,334 AH, CHIEF INSPECTOR SPARROW. COME IN, COME IN. 155 00:12:38,358 --> 00:12:40,570 GOOD MORNING, MR. SMART. 156 00:12:40,594 --> 00:12:42,972 I DON'T SUPPOSE YOU AND MRS. SMART GOT MUCH SLEEP 157 00:12:42,996 --> 00:12:45,675 AFTER LAST NIGHT'S HARROWING EXPERIENCE. 158 00:12:45,699 --> 00:12:48,043 OH, TERRIBLE. TERRIBLE. 159 00:12:48,067 --> 00:12:50,780 ONE OF THE WORST NIGHTS... TOSSING, TURNING, 160 00:12:50,804 --> 00:12:52,882 SQUIRMING, SCREAMING FOR HELP. 161 00:12:52,906 --> 00:12:53,834 POOR MRS. SMART. 162 00:12:53,858 --> 00:12:56,185 NO, THAT WAS ME. MY WIFE SLEPT LIKE A LOG. 163 00:12:56,209 --> 00:12:58,387 GOOD MORNING, INSPECTOR. 164 00:12:58,411 --> 00:13:00,289 WE WERE JUST GOING TO HAVE SOME TEA. WON'T YOU JOIN US? 165 00:13:00,313 --> 00:13:01,724 OH, THAT'S VERY KIND OF YOU. 166 00:13:01,748 --> 00:13:04,694 IT'S OKAY, IT CAME WITH THE ROOM. 167 00:13:04,718 --> 00:13:07,463 I THOUGHT THIS MIGHT INTEREST YOU BOTH. 168 00:13:07,487 --> 00:13:11,867 IT'S THE MEDICAL OFFICER'S REPORT ON OUR FRIEND FROM LAST NIGHT. 169 00:13:11,891 --> 00:13:15,037 OF COURSE IT'S TOO EARLY YET FOR A COMPLETE AUTOPSY, BUT... 170 00:13:15,061 --> 00:13:17,406 MR. SMART, I THINK YOU'LL FIND 171 00:13:17,430 --> 00:13:20,075 YOU CAN'T GET MORE THAN A CUP OF TEA INTO A CUP OF TEA. 172 00:13:20,099 --> 00:13:22,612 YES, WELL, WE HAVE PLENTY. 173 00:13:22,636 --> 00:13:24,380 I'LL TAKE CARE OF IT, LOVE. 174 00:13:24,404 --> 00:13:26,916 THIS REPORT SUBSTANTIATES THE FACT 175 00:13:26,940 --> 00:13:29,151 THAT JACK THE RIPPER WAS MADE OF WAX. 176 00:13:29,175 --> 00:13:31,319 THAT SOUNDS SO INCREDIBLE. 177 00:13:31,343 --> 00:13:34,123 ESPECIALLY WHEN YOU CONSIDER THAT A WAX FIGURE 178 00:13:34,147 --> 00:13:38,060 - COMMITTED 12 MURDERS. - ESPECIALLY WHEN YOU CONSIDER THAT. 179 00:13:38,084 --> 00:13:39,595 WHAT DO YOU THINK, MR. SMART? 180 00:13:39,619 --> 00:13:41,097 WELL, INSPECTOR, 181 00:13:41,121 --> 00:13:43,465 I HAVE TWO QUESTIONS: 182 00:13:43,489 --> 00:13:46,936 ONE, HOW DO YOU EXPLAIN THE FACT 183 00:13:46,960 --> 00:13:50,372 THAT A MAN MADE OF WAX COULD COMMIT 12 MURDERS? 184 00:13:50,396 --> 00:13:52,441 AND TWO, WOULD YOU LIKE A COOKIE? 185 00:13:52,465 --> 00:13:54,243 - NO. - NO TO WHAT? 186 00:13:54,267 --> 00:13:58,414 THAT YOU CAN'T EXPLAIN HOW A MAN MADE OF WAX COULD COMMIT 12 MURDERS 187 00:13:58,438 --> 00:14:01,317 - OR THAT YOU DON'T WANT A COOKIE? - NO TO BOTH. 188 00:14:01,341 --> 00:14:04,241 GOOD, BECAUSE WE DON'T HAVE ANY COOKIES. 189 00:14:07,613 --> 00:14:09,625 HOWEVER, WE DID FIND OUT ONE THING. 190 00:14:09,649 --> 00:14:12,528 WE RAN A CHECK ON THE THREE WAX MUSEUMS HERE IN LONDON 191 00:14:12,552 --> 00:14:14,430 AND CAME UP WITH A SINGULAR DISCOVERY... 192 00:14:14,454 --> 00:14:17,566 TWO OF THE MUSEUMS HAVE A JACK THE RIPPER IN THEIR COLLECTION, 193 00:14:17,590 --> 00:14:19,835 THE THIRD ONE DOES NOT. 194 00:14:19,859 --> 00:14:22,838 NOW I'D LIKE YOU BOTH TO POSE AS AMERICAN TOURISTS 195 00:14:22,862 --> 00:14:24,840 AND PAY A VISIT TO THAT THIRD MUSEUM, 196 00:14:24,864 --> 00:14:26,308 FIND OUT WHAT YOU CAN LEARN. 197 00:14:26,332 --> 00:14:27,943 WHAT'S THE NAME OF THE MUSEUM? 198 00:14:27,967 --> 00:14:30,968 DUVAL'S CAVE OF WAX. 199 00:14:38,811 --> 00:14:41,390 IT'S A SOMEWHAT UNORTHODOX ESTABLISHMENT 200 00:14:41,414 --> 00:14:43,480 SPECIALIZING IN THE GROTESQUE. 201 00:14:51,023 --> 00:14:55,204 WHY RAOUL DUVAL GAVE UP A BRILLIANT CAREER 202 00:14:55,228 --> 00:14:57,373 AS A SCIENTIST TO TURN TO THIS LINE OF WORK 203 00:14:57,397 --> 00:14:59,264 REMAINS A MYSTERY. 204 00:15:04,671 --> 00:15:07,216 BE THAT AS IT MAY, HIS CONTEMPORARIES AGREE 205 00:15:07,240 --> 00:15:10,374 THAT HE POSSESSES A GENIUS FOR WAX RECREATIONS. 206 00:15:12,879 --> 00:15:15,591 UNFORTUNATELY, FOR SOME TIME NOW 207 00:15:15,615 --> 00:15:18,349 HE'S HAD AN INFATUATION FOR THE MACABRE. 208 00:15:26,759 --> 00:15:28,704 AND MORE THAN ONE ONLOOKER 209 00:15:28,728 --> 00:15:31,795 HAS BEEN SHOCKED OUT OF HIS OR HER WITS. 210 00:15:43,743 --> 00:15:45,888 FORGIVE ME, MADAME. FORGIVE ME, MONSIEUR. 211 00:15:45,912 --> 00:15:47,556 I DIDN'T MEAN TO FRIGHTEN YOU, 212 00:15:47,580 --> 00:15:49,391 BUT EVERY DAY I MUST HAVE MY LITTLE JEST 213 00:15:49,415 --> 00:15:50,960 WITH THE PEOPLE WHO ARE KIND ENOUGH 214 00:15:50,984 --> 00:15:52,828 TO VISIT MY CAVERN OF THE LIVING DEAD. 215 00:15:52,852 --> 00:15:55,798 WELL, THEN YOU MUST BE RAVEL ROUAL... 216 00:15:55,822 --> 00:15:58,333 ROUAL... RAL... RAVOLO... 217 00:15:58,357 --> 00:16:01,103 YOU MUST BE THE GENIUS RESPONSIBLE FOR ALL THIS. 218 00:16:01,127 --> 00:16:04,473 I AM THE GENIUS, YES. BUT MY NAME IS RAOUL DUVAL. 219 00:16:04,497 --> 00:16:07,442 - WHAT DID I SAY? - I DO NOT DARE ATTEMPT IT, MONSIEUR. 220 00:16:07,466 --> 00:16:10,879 IT COULD DESTROY MY SPEECH PATTERN FOR MONTHS. 221 00:16:10,903 --> 00:16:12,936 ALLOW ME TO BE YOUR GUIDE. 222 00:16:17,243 --> 00:16:19,921 THIS IS ONE OF MY PRIDE AND JOYS. 223 00:16:19,945 --> 00:16:22,391 IT'S AMAZING HOW LIFELIKE THEY LOOK. 224 00:16:22,415 --> 00:16:24,893 - HITLER AND TOJO, EH? - OUI, MONSIEUR. 225 00:16:24,917 --> 00:16:28,164 THERE ARE THOSE WHO SAY THE HITLER FIGURE IS MY BEST WORK. 226 00:16:28,188 --> 00:16:32,168 SOME TIME AGO IT DISAPPEARED AND WAS MISSING FOR A YEAR. 227 00:16:32,192 --> 00:16:34,369 IT FINALLY TURNED UP IN ANOTHER WAX MUSEUM. 228 00:16:34,393 --> 00:16:37,094 - HERE IN LONDON? - NO, IN ARGENTINA. 229 00:16:39,065 --> 00:16:40,764 AND NOW, HERE. 230 00:16:42,101 --> 00:16:45,080 OH, THEY MUST BE A BIG FAVORITE. 231 00:16:45,104 --> 00:16:47,883 YES, THEY NEVER FAIL 232 00:16:47,907 --> 00:16:49,918 TO ELICIT OOHS AND AHS. 233 00:16:49,942 --> 00:16:52,176 PARDON ME. 234 00:16:53,913 --> 00:16:55,423 Max: THIS ONE LOOKS SO DARN REAL 235 00:16:55,447 --> 00:16:57,693 YOU ALMOST EXPECT HIM TO REACH OUT AND TOUCH YOU. 236 00:16:57,717 --> 00:17:00,029 IT WAS RUMORED HE DID. 237 00:17:00,053 --> 00:17:04,499 A LITTLE BOY WAS MAKING A RATHER LARGE NUISANCE OF HIMSELF 238 00:17:04,523 --> 00:17:08,204 AND HE SUPPOSEDLY BOOTED HIM IN THE DERRIERE. 239 00:17:08,228 --> 00:17:10,573 YOU'RE A VERY TALENTED MAN, MONSIEUR DUVAL. 240 00:17:10,597 --> 00:17:14,109 MERCI BEAUCOUP, MADAME. I HAVE A THOUGHT. 241 00:17:14,133 --> 00:17:17,946 PERHAPS YOU WOULD BE INTERESTED IN SEEING MY WAXWORKS 242 00:17:17,970 --> 00:17:21,049 WHERE I CREATE THE FIGURES YOU SEE AROUND YOU. 243 00:17:21,073 --> 00:17:24,520 - OH, MAY WE? - I DO NOT USUALLY EXTEND 244 00:17:24,544 --> 00:17:26,589 THIS INVITATION TO MY CUSTOMERS, 245 00:17:26,613 --> 00:17:29,859 BUT BECAUSE I FEEL YOU... YOU UNDERSTAND 246 00:17:29,883 --> 00:17:31,927 AND APPRECIATE MY WORK! 247 00:17:39,091 --> 00:17:42,092 I THINK YOU'LL FIND THIS VERY INTERESTING. 248 00:17:54,373 --> 00:17:56,540 HOW DO YOU LIKE IT? 249 00:18:03,116 --> 00:18:05,127 VERY IMPRESSIVE. 250 00:18:05,151 --> 00:18:07,630 SO THIS IS WHERE YOU MAKE YOUR WAX? 251 00:18:07,654 --> 00:18:11,600 I WOULD NOT LEAN TOO FAR OVER THE RAILING, MONSIEUR. 252 00:18:11,624 --> 00:18:16,171 THE BOILING WAX IS WELL OVER 400°. 253 00:18:16,195 --> 00:18:18,473 400°? 254 00:18:18,497 --> 00:18:20,342 I HAD AN APPRENTICE ONCE. 255 00:18:20,366 --> 00:18:24,312 HE LEANED OVER TOO FAR AND FELL INTO THE VAT. 256 00:18:24,336 --> 00:18:28,517 IN SECONDS HE WAS ENCASED IN WAX. 257 00:18:30,276 --> 00:18:33,288 - HOW TERRIBLE. - DID YOU CALL A DOCTOR? 258 00:18:33,312 --> 00:18:37,092 - OH, IT WAS TOO LATE FOR A DOCTOR. - WELL, WHAT DID YOU DO? 259 00:18:37,116 --> 00:18:39,484 WE SOLD HIM TO A DEPARTMENT STORE. 260 00:18:45,157 --> 00:18:47,136 THERE! YOU SEE? 261 00:18:59,839 --> 00:19:02,384 WELL, THANK YOU VERY MUCH, MONSIEUR DUVAL. 262 00:19:02,408 --> 00:19:05,087 THAT WAS A VERY ENLIGHTENING EXPERIENCE. DIDN'T YOU THINK SO, MAX? 263 00:19:05,111 --> 00:19:08,624 HUH? YES, I LOVED EVERY MOMENT OF IT. 264 00:19:08,648 --> 00:19:10,626 WELL, I HOPE THIS IS NOT THE LAST TIME 265 00:19:10,650 --> 00:19:12,616 YOU WILL HONOR ME WITH YOUR PRESENCE. 266 00:19:14,587 --> 00:19:17,399 - SOMETHING WRONG? - THAT TABLEAU THAT YOU WERE STANDING IN 267 00:19:17,423 --> 00:19:19,168 WHEN YOU PLAYED YOUR LITTLE TRICK ON US, 268 00:19:19,192 --> 00:19:21,270 WHERE'S THE FIGURE THAT WAS SUPPOSED TO BE IN THERE? 269 00:19:21,294 --> 00:19:23,639 YOU ARE MOST OBSERVANT, MADAME. 270 00:19:23,663 --> 00:19:26,475 THE KEY CHARACTER IN THIS PARTICULAR TABLEAU 271 00:19:26,499 --> 00:19:29,177 REQUIRED EXTENSIVE RENOVATION. 272 00:19:29,201 --> 00:19:31,646 YES, WELL, UNLESS I MISS MY GUESS, 273 00:19:31,670 --> 00:19:33,816 THAT FIGURE WOULD'VE BEEN... 274 00:19:33,840 --> 00:19:36,751 - JACK THE RIPPER? - WHY DO YOU SAY THAT? 275 00:19:36,775 --> 00:19:39,021 WELL, A SOLITARY WOMAN IN THE DEAD OF NIGHT 276 00:19:39,045 --> 00:19:40,722 WITH A LOOK OF HORROR ON HER FACE... 277 00:19:40,746 --> 00:19:43,391 WHO ELSE COULD'VE CAUSED THAT REACTION EXCEPT JACK THE RIPPER? 278 00:19:43,415 --> 00:19:47,162 THE WEREWOLF OF LONDON, COUNT DRACULA, 279 00:19:47,186 --> 00:19:49,698 BLUEBEARD, FRANKENSTEIN'S MONSTER. 280 00:19:49,722 --> 00:19:51,767 I MEAN BESIDES THEM. 281 00:19:51,791 --> 00:19:54,136 BUT YOU HAPPEN TO BE CORRECT. 282 00:19:54,160 --> 00:19:56,771 THIS PLACE OF HONOR WAS OCCUPIED 283 00:19:56,795 --> 00:19:59,741 BY THE INFAMOUS JACK THE RIPPER. 284 00:19:59,765 --> 00:20:01,710 WELL, THANK YOU VERY MUCH AGAIN. 285 00:20:01,734 --> 00:20:03,678 THE PLEASURE WAS ALL MINE, MADAME... 286 00:20:03,702 --> 00:20:06,648 OH, I DON'T BELIEVE YOU TOLD ME YOUR NAME. 287 00:20:06,672 --> 00:20:10,619 I'M MAXWELL SMART AND THIS IS MY WIFE, MRS. MAXWELL SMART. 288 00:20:10,643 --> 00:20:13,655 AND WHERE ARE YOU STAYING WHILE IN LONDON, MR. SMART? 289 00:20:13,679 --> 00:20:16,391 - AT THE ROYAL, UH... - AT THE ROYAL PARK HOTEL. 290 00:20:16,415 --> 00:20:19,228 - THE ROYAL PARK HOTEL. - OH YES, I KNOW IT WELL. 291 00:20:19,252 --> 00:20:21,963 - WELL, BONJOUR, MONSIEUR ET MADAME. - BONJOUR. 292 00:20:21,987 --> 00:20:23,565 BONJOUR, AND A GOOD DAY TO YOU, SIR. 293 00:20:23,589 --> 00:20:25,356 COME ON, 99. 294 00:20:36,936 --> 00:20:39,281 - WHO WAS THAT? - I'M NOT SURE, 295 00:20:39,305 --> 00:20:41,950 BUT THEY WERE A LITTLE TOO OBSERVANT AND NOSY TO SUIT ME. 296 00:20:41,974 --> 00:20:45,487 SEEMS TO ME I'VE SEEN THEM SOMEWHERE BEFORE. 297 00:20:45,511 --> 00:20:47,044 OH? 298 00:20:48,514 --> 00:20:51,493 DOES THE NAME MAXWELL SMART MEAN ANYTHING TO YOU? 299 00:20:51,517 --> 00:20:54,163 SMART, SMART. 300 00:20:54,187 --> 00:20:56,198 BUT OF COURSE. 301 00:20:56,222 --> 00:20:59,734 THEY'RE CONTROL AGENTS. I HAVE THEIR PICTURES IN MY FILE AT KAOS. 302 00:20:59,758 --> 00:21:03,439 AND THEIR PRESENCE HERE CAN ONLY MEAN THEY ARE ONTO US. 303 00:21:03,463 --> 00:21:06,342 NOT NECESSARILY, MONSIEUR AUERBACH. 304 00:21:06,366 --> 00:21:09,111 SUSPICIOUS THEY ARE, I GRANT YOU. 305 00:21:09,135 --> 00:21:11,246 BUT AWARE OF WHAT WE ARE DOING? I THINK NOT. 306 00:21:11,270 --> 00:21:12,914 WHO DO YOU GIVE LIFE TO THIS TIME? 307 00:21:12,938 --> 00:21:16,298 ANOTHER OCCUPANT IN THE CHAMBER OF HORRORS. LOCK THE DOORS. 308 00:21:26,352 --> 00:21:29,231 - IT IS DONE. - GOOD. EXCELLENT. 309 00:21:29,255 --> 00:21:32,067 TELL ME, DUVAL. WHAT WOULD HAPPEN 310 00:21:32,091 --> 00:21:34,703 IF YOU INJECTED A HUMAN WITH THAT SERUM? 311 00:21:34,727 --> 00:21:37,539 INSTANT DEATH. STRANGE, IS IT NOT? 312 00:21:37,563 --> 00:21:39,508 TO A HUMAN BEING IT BRINGS DEATH, 313 00:21:39,532 --> 00:21:42,144 TO A WAX FIGURE IT GIVES LIFE. 314 00:21:42,168 --> 00:21:46,048 FOR 12 HOURS, THIS LOATHSOME CREATURE WILL ROAM LONDON, 315 00:21:46,072 --> 00:21:48,384 HIS WAX BODY BREATHING LIFE, 316 00:21:48,408 --> 00:21:51,152 HIS MIND OBEYING MY EVERY COMMAND. 317 00:21:51,176 --> 00:21:52,888 LISTEN CLOSELY, MY FRIEND. 318 00:21:52,912 --> 00:21:56,058 YOU WILL IMMEDIATELY PROCEED TO THE ROYAL PARK HOTEL 319 00:21:56,082 --> 00:21:59,260 TO LOCATE MR. AND MRS. MAXWELL SMART. 320 00:21:59,284 --> 00:22:02,030 THEN YOU WILL KILL THEM. NOW GO. 321 00:22:06,826 --> 00:22:08,391 GO AND KILL. 322 00:22:09,695 --> 00:22:13,097 AND DON'T COME HOME LATE! YOU KNOW HOW I WORRY. 323 00:22:35,387 --> 00:22:37,199 THERE'S NO DOUBT ABOUT IT, 99, 324 00:22:37,223 --> 00:22:38,633 PROFESSOR DUVAL IS OUR MAN. 325 00:22:38,657 --> 00:22:40,469 BUT HOW CAN YOU BE SO SURE, MAX? 326 00:22:40,493 --> 00:22:42,471 WELL, IT'S REALLY QUITE SIMPLE... 327 00:22:42,495 --> 00:22:46,241 INSTINCT, LOGIC AND A LACK OF SUSPECTS. 328 00:22:46,265 --> 00:22:48,876 - MAX, AREN'T YOU AWFULLY WARM? - HMM? 329 00:22:48,900 --> 00:22:52,369 UH, YES. WELL, I'LL JUST OPEN THE FRENCH WINDOWS. 330 00:22:54,173 --> 00:22:57,920 DUVAL DID ADMIT THAT A JACK THE RIPPER WAS MISSING FROM HIS WAX MUSEUM, 331 00:22:57,944 --> 00:23:00,121 BUT WE CAN'T PROVE ANYTHING UNTIL WE FIGURE OUT 332 00:23:00,145 --> 00:23:02,124 HOW HE CAN BRING A WAX FIGURE TO LIFE. 333 00:23:02,148 --> 00:23:04,593 YES, WELL, IF PROFESSOR DUVAL COULD DO THAT, 334 00:23:04,617 --> 00:23:06,328 HE'LL GO DOWN IN HISTORY. 335 00:23:06,352 --> 00:23:08,363 OR AT LEAST IN THE WAX FRUIT BUSINESS. 336 00:23:08,387 --> 00:23:11,321 I'LL GET IT. 337 00:23:19,632 --> 00:23:22,944 - GOOD EVENING, MRS. SMART. - GOOD EVENING, INSPECTOR. 338 00:23:22,968 --> 00:23:25,280 MAX, THE INSPECTOR'S... 27209

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