All language subtitles for The Painted Smile 1962 Liz Fraser, Kenneth Griffith, Peter Reynolds (anglais_ASR)

[music]

[music]

[music]

[music]

Beneath the fainted [music] smile, I

Found a frightened child. Tears. Yes,

tears. She doesn't want me to say.

[music]

Beneath the painted smile and the latest

crazy style, there's a girl [music]

so warm who's waiting for me. I only

know I want to hold her, kiss her, and

tell her that I care. [music]

And when she feels that she's lonely,

I'll be [music and singing]

always there. So in a little while,

there'll be no frightened [music] child,

no more [singing] tears. She does want

me to say [music]

her painted smiles just for me.

Her painted smiles just for me. [music]

Hey,

>> Mark.

>> Mark.

Mark.

>> What?

>> I'm not going. Nothing.

>> Mark, did you hear?

[music]

>> Mark, will you please listen?

>> I'm not going tonight.

>> Not going tonight

>> to the club. Tonight or any other night.

I'm finished.

Now, what's got into you? Huh?

>> Cliny. That's what's got into me. Oh,

>> look, Joe. We've been very careful. Now,

Kly isn't going to find out anything

about us whatsoever.

>> Careful. Lucky. And we're pushing it.

>> And so what? The police have no proof

against us.

>> The police?

Don't you listen. Don't you ever listen.

It's Kleiny, Mark. Kliny, can't you get

it through that thick skull of yours?

And I'm getting out

while I still can.

>> All right, my love.

We move on. I mean it. Well, there are

plenty of places we can go. Manchester

or Brighton, perhaps.

That's so true.

>> Laded,

>> not your night, is it?

>> No,

it's just I' I've got a feeling.

>> Oh, I don't know.

>> Now, look, we'll be out of here

tomorrow. I promise you. Okay,

I'll get you a drink.

Need the help?

>> Well, that depends.

Now, am I going to the club

or am I not?

[music]

[music]

>> [music]

>> Hey boys, look at this. [music] Hey,

just the place to uh lose a few

innovations. I like the deco. So do I.

Come on, let's get started. Started.

Come on, Tom. What are you waiting for?

Well, look, this is your celebration.

Come on, Roy. Give me a hand. Okay. Live

dangerously. No rules. Forget your

spoken word. Just for me. [music]

>> What about Mary?

>> Oh, Mary won't do anything about it. I

give you my word.

>> Your word?

>> Yes. Good night.

>> Oh, Tom. Come on.

>> I'd rather go to another night of fun.

Something to remember. The night we

live. [music]

Come on.

Now, pick an easy one. One that'll fall

quickly for my injured husband act.

>> I'll do that. Now, don't forget

tomorrow.

>> I promise. Bye now.

I've walked alone where flying fishes

play.

I've seen the dawn on San Francisco Bay.

[music]

I've known the thrill

where stars stood still.

[music and singing]

But where is there another you?

I've sailed a dream boat down the river

Nile.

I've lost my heart to lonely a smile.

I've dined with [music] kings,

but all these things

could not replace another you.

Strange how simple magic [music] things

can be.

There you were. And life began for me.

Wondously I've searched the world

[music] to find my perfect place.

[singing]

At last I found it in your warm [music]

embrace.

My restless [music] heart

knew from the start

there could not be another you.

There could not be [music]

another you.

[applause]

I I I here they come. Right, [music]

boys. From now on, you're on your own.

Good evening, ladies. Uh, won't you join

us? Get some chairs. Right. Now, what's

it going to be? Champagne? Well, I wait.

Champagne. He's got pain. Now, Tom, as

the hero of the hour, you shall have

first choice. Only uh don't choose this

one.

>> What do you mean?

>> Well, they're also attractive.

>> Oh, the perfect gentleman. You would

take him anywhere, but I can find to me.

Any more chairs, man?

>> Let me do the introducing. [music] I'm

Lucy. That's Gloria. And that's Dawn.

>> Oh, come on then. Gloria, darling, you

can come and sit on me. Introduction to

ourselves would be superfluous. For in a

few weeks time, we shall all be

unrecognizable.

>> Because, my sweet, by then, we shall

have ceased to exist as individuals.

Society will have put us to the test and

found us wanting to revision.

>> Oh, be quiet. Look, any reference to

studying tonight is a dirty word. Right

now, where was I? Oh, yes. She will

reach out and give us respectable

haircuts, dress us in nice gray suits,

white shirts, and striped ties, [music]

of conventional design, of course. And

having turned us into pillars of

society, she will start us on the slow

but comfortable walk to the grave.

>> Any chance of you stopping talking long

enough to give us a cigarette?

>> Why'd you call him a hero? What's he

done?

>> Nothing. You can't believe a word he

says. [music] He's a Welshman, you know.

Indeed, you would less you never guess,

would you? It's enough of you.

>> [music]

[music]

>> Well, what have you done?

>> Well, I won a prize.

>> How nice. What is it?

>> What was it? What was it? Only £100,

that's all.

>> £100?

>> Oh, well, it's only money.

Filthy capitalist.

>> What about you?

>> Me? I don't need money to make me

attractive.

Empty pockets always make the most

noise.

>> Well, well, well. We've got a right one

here. It's vessels, dear, not pockets.

It's more apt her way.

>> She like,

>> lady, as far as I'm concerned, you can

ooze. [laughter]

>> What are you celebrating?

>> What? Oh. Oh, I won a prize for design.

I'm studying

where studying industrial design.

>> You're a student. How fascinating. You

must be very clever. Clever. He's a

genius. Pride of the poly techch. You'll

be working on the bomb next. You just

wait till the finals next month. Finals

cakewalk deal, mate. When poor old Roy

and I are still struggling with the

first question, you'll be finished.

>> Well, let's drink to that, shall we?

>> Right. A toast. The bomb. Bomb [music]

>> and absent [music] friends.

Heat.

[music]

Heat. [music]

>> [music]

>> Hey, come on. [music] Come on.

[music]

Here we go.

[music]

Bye.

[music]

[music]

[music]

>> [music]

[music]

[music]

[music]

>> There she is.

Come on.

>> I'll give you all the money I've got.

I'm going to trespass in Mark. Tell me I

do. I'll do anything. [music] It's a

matter of principle. You trespass. You

hear me? Are you going to Mark? You're

going to do something for me. Something

very useful for once in your life.

Just for once.

Usual. [music]

Yes, ma'am.

You're going to be a good example

to other trespassers.

>> [music]

>> Where's Lyn? Where's he gone?

We're starting a dog good as much

they'll leave me alone much down with

the pious.

[screaming]

Riny,

have a drink. Have a drink.

Have a drink.

Heat.

[music]

[music]

Heat.

>> [laughter]

>> Come on up. Want any help?

>> No.

>> [music]

[music]

>> Very nice.

>> Glad you like it. Come on in. Make

yourself comfortable. [music]

Here,

let me loosen that for you.

[music]

>> You know, you're beautiful.

>> Thanks. Drink. [music]

[music]

You remind me of Mary. Your

>> girlfriend.

>> Beyonce.

We just got engaged. [music]

She's a secretary.

>> Why do you work there?

>> At [music] the club.

It pays the rent. Just

[music]

>> you know you're quite handsome yourself.

>> Where's that noise coming from? [music]

How the hell do you turn this damn thing

off?

>> Well,

no.

What was all this jazz about defying

convention?

You defy. Don't make me laugh while you

still got the marks of the cradle on

your fat little

[bell]

>> Hello.

Have you looked in the bedroom yet, Joe?

>> In the bedroom? Yes, in the bedroom,

Joe.

There's some rubbish there for you to

dispose of. See you dispose of it well,

Joe. And uh don't leave any mess.

>> Dispose of I I don't understand.

>> And if by any unlucky chance the u

rubbish is found um by the authorities,

I'm sure you know better than to mention

my name.

You you can say that one of your

visitors left it. H

[music]

>> [snorts]

>> Watch that.

Police.

>> No. You must call the police.

>> You gave it to me.

>> Sure. You must call the police.

>> They'll blame you.

A knife. You're holding a knife.

I'll tell him you did it. I'll tell him

you did. Mark

knew from the start.

>> [music]

>> There could not be another you.

[music]

Look at you. You drunken fool. [music]

I see you did it. I see you murdered

him. Murdered him here. Murder. [music]

You drunken fool.

>> [music]

>> Now,

we're in this together. Do you

understand?

If the police come, we're in trouble.

Pull yourself together now that there

isn't much time.

We've got to get Mark out of here.

Understand?

Away from here.

Anywhere. Away from here.

Now you get your car. You get your car

and bring it here. Then we think what to

do. The

>> police.

>> Police mustn't find him. Police mustn't

find him.

It's wrong. It's wrong.

>> We haven't any choice. I can't explain

now. There isn't time.

>> I can't. I can't.

>> You've got to. I'll tell them you had a

fight. You and Mark. I'll say you killed

him. They'll believe it. Look at you.

You touched him. The mess

and the knife.

Please. You're too drunk to realize.

Fetch the car. Please fetch the car.

Please

now. Come straight back. If you don't,

I'll call the police.

They'll find you.

[music]

Heat.

[music]

Heat. [music]

Did you park the car right outside?

Good.

Now, let's get it done

here.

We need a drink.

Drink it.

Drink it.

>> [snorts]

>> Come on, let's get it over with.

Oh yeah.

We got a lot of history.

Let me tell you,

take him out into the country. Bury him

anywhere. Just bury him.

>> You You drive. I can't.

>> I'm not coming.

>> You're not coming.

>> I can't.

I've got to clear up here.

I've got to clear up the mess.

Wash the knife.

The fingerprints.

Remember the fingerprints?

Heat.

Heat.

Look at you. You drunk fool.

I see you. I see you. M

you.

[music]

I walked alone where flying fishes.

He's a genius. Try to the poly techch.

You'll be working on the bomb next.

Strange how simple magic things can be.

[music]

There you were. And life began [music]

for me.

The ball.

Heat.

Heat.

Heat. Heat.

Heat.

[bell]

Hey, heat. Hey, heat. [bell]

[music]

Heat. Heat.

>> [music]

[music]

>> In the pain smile, I found a frightened

Tears

[music]

smile

crazy

girl.

I know I want her.

Yeah.

Heat.

Oh,

[music]

heat

Heat up

here.

Heat.

Heat.

body found in his car wanted for

questioning.

>> I don't know. I I just don't understand.

I mean, Tom, he couldn't have anything

to do with it. Well, you don't believe

it? Of course, not Mary. No. No. I'm as

much in the dark as you are.

>> Well, then where is he? Why doesn't he

telephone?

>> Well, I'm sure he'll come here.

>> Oh, but that won't be safe. You see, if

the police have questioned Tom's land

lady, they'll be here any minute.

>> I doubt it. I think she knows your

address.

>> Oh, and they'll go straight to the

college.

>> And the office doesn't open till 10:00.

>> Roy, you all went to this nightclub

together.

>> Mhm.

>> Well, then how did Tom Well, I mean, why

wasn't he with you?

We separated. But

>> why? Why did you separate?

>> Glenn and I, we saw these two girls

home.

Two of the hostesses

>> and Tom.

Tom took one home, too.

Mary,

Tom, what's happened? Look, you seen

this? What's it all about?

>> Does Mary?

>> Yes. So, I tried to explain about the

nightclub and the rest, but she didn't

understand. It was useless.

>> What happened after you left us?

Did you enjoy yourself with your

hostess?

>> Mary, I

>> What was she? Blonde or brunette?

Probably redhead. That's traditional,

isn't it?

>> I don't remember what color. Hell, what

does it matter?

>> Oh, but it does matter. It matters to me

very much.

If

>> you just give me a chance to explain me.

>> Oh, yes. Explain. That's what I want you

to do. I want you to explain.

>> It isn't easy, Mary. You're so

different. different from her. I dare

say I am. I dare say I'm very different.

But you prefer her to me.

>> No.

>> You went to her home, didn't you? You

went back to her room. There could only

be one reason.

>> No, I didn't. It wasn't like that. I

didn't know she was a

Glenn and Roy. We were tired of having

to conform. We wanted to break loose

before society swallowed us up and

started us on a slow walk to the grave.

I don't know. I can't explain.

It's just [laughter] that something

inside wanted to revolt against

conformity to spit in its eye. That's

all.

Can't you understand?

Maybe try to understand.

>> What if it were me?

>> You?

>> Yes, me.

Or do I have to stick to the rules?

Conform.

I want to understand.

I really do want to understand.

Any

news? Has he run? Tom,

he's here.

>> Oh, thank God for that. What happened,

Tom? For God's sake.

>> I don't know. I can't remember.

>> You can't remember. Well, you'll have to

remember.

>> Don't you think I've tried?

>> Look, what happened last night after you

left with

Mary knows? Oh, it's all so vague. I

don't seem to be able to remember. It's

all so jumbled. Look, the body, Tom.

>> The body was in the bedroom. It was

covered in blood. I cut my hand. Look at

your seat.

>> The body. Where was it? You shut up. I

want him to remember.

>> The body was in the bedroom.

I remember a knife.

>> Go on.

>> Yes. I pulled it out. You touched it?

Well, it was in my hand.

She told me to fetch the car. I did.

>> But why? Why did you?

>> She said she'd say I did it.

That's right.

>> She said she'd blame me.

>> I mean, how could she?

>> He'd picked up the knife. His

fingerprints were there. Yes, my

fingerprints.

And the room. The room was I was drunk.

I must have knocked into something. The

place was a shambles. Oh god, what a

mess. Did you discover the body? No, she

saw it first.

She went to

the phone.

She answered it. That's it. She answered

the telephone.

Then she went straight to the body.

There must be some connection. Who

phones?

>> I think you should go to the police.

>> Go to the police? How can he? Look at

the evidence against him. Wait a minute.

On the way in, there was someone

limpy. No, limey.

No, that's right. He w he walked with a

limp.

You could hear his walk in the street.

She was frightened.

I've got to go back. I've got to make

her tell the truth. I'll get it out of

every

>> No, you mustn't. You might be walking

straight into a trap. I've

>> got to I've got to go back. I can't just

stay here.

>> No. Let Glenn and Roy go. After all,

we're all in this together,

>> right? We'll telephone you if anything

comes up. Wait a minute. Offer her this.

Tell her she can have more if this is

not enough. Anything. So long as she'll

go to the police.

Mr. Maca.

So be it. You want to buy a book?

>> Not just now, sir. The flat upstairs, it

belongs to you.

>> Yes, but I don't live in it. Look, as

much as you like, the price is inside

the cover. I rent it out. It helps to

pay for the shop. It's a fallacy.

There's no profit in Norwich.

>> Doesn't Mr. Mark Davis live there?

>> No. Well, at least he didn't pay the

rent. Miss Joe, she paid the rent. I

left the flat to her, but he stayed

there most of the time. My wife says it

isn't right. I said, "What am I? The

landlord of the keeper?" And so, I

should keep consciences. So long she

paid the rent. Don't matter to me who

is.

>> Josephine Lake.

>> Yes. So, you don't find what you want,

go inside. I have plenty more inside.

And do you happen to know where I might

find her now?

>> No. No idea. I saw going out a short

while ago. I don't know where. She was

carrying a suitcase. Where, too? Who

knows?

>> A suitcase? Have you any idea at all

where she might be going?

>> Me? No, officer. She paid her in. That's

all I ask. Now, gentlemen, what kind of

book?

>> Trouble. That's all they ever bring.

Trouble. Those two now. They might have

bought three, four, five books. Who

knows?

Well,

Hey, you remember us? We were sitting

over there last night.

>> No,

>> but you must have done.

>> But we were busy.

>> Look, we were sitting with three girls,

Lucy, Gloria, and Joe. Now, we want to

find Joe.

>> Look, we're closed.

>> We don't give girls addresses here.

>> Look, it's not like that. This is

important. Well, do you know a man with

a limp? Then a man called Limey or

Limpy?

I said we're closed.

>> Were they here last night?

>> I don't remember.

Were they here last night?

>> Yes.

>> Did one of them go with Joe?

>> No,

they're paralded.

>> [bell]

>> Yes.

>> Oh, two boys have just been here looking

for Joe.

>> So,

>> their friend left with her last night.

They also asked about a man with a

>> about a man called Limpy. All limey. I

showed them the door.

>> By the way, they have company. A plain

clothesman is on their tail.

Hello.

Come in, lads.

those two last night. Um Joe and the boy

find them

Heat. Heat.

Well, keep your fingers crossed, Roy.

This is our last chance. Wish me luck.

Heat.

Heat.

Hey, what's the idea? I

>> I want to talk to you, Lucy. Can I come

in?

>> Help yourself.

>> It's about Joel.

>> Oh, look. What is this? Waking me up at

this time in the morning to ask me about

another girl. Well, if that's all you've

come for, you can guess.

>> No. Look, it isn't for me. It's for my

friend. You know, the one who won the

prize.

>> Oh, [clears throat] him. £100, wasn't

it? Why'd you have to stop him choosing

me? Look, he wants to find Joel.

>> Well, he knows where she lives, doesn't

he? Went back there.

>> Yeah, she's not there. She left this

morning

>> on her own.

>> I think so. Why?

>> Funny. Mark and I must have quarreled or

something.

>> Look, have you got any idea where she's

gone?

>> No. Why?

>> I told you. Because my friend wants to

know.

>> Is it the grateful sort?

>> Grateful?

>> Yes, grateful. You know,

>> that won't buy much.

>> Well, there's more if you know where

she's gone. It's pity I don't then.

>> You don't?

>> No. She come from Bradford. Perhaps

she's decided to go back there. Why

don't you try St. Pancress

now? What is it?

Some pancress. What a one we've got so

far.

>> She doesn't know she's going to be

there. She only threw it in as a little

look. What else is there? Have we got

any other lead? I guess you've got some

brilliant suggestions to make. It's

worth a try anyway.

Hello.

Hello, Tom. Listen.

St. Pancress. Well, it's better than

stewing here. I'm coming now.

Heat. Heat.

Heat. Heat.

Heat. Heat.

>> [music]

>> Heat. Heat.

All right.

Thank you.

Heat.

Heat.

going on holidays, Joe?

>> Why? What's it to deal?

>> Not a thing. Once you've come with me to

a police station,

>> why don't you know the way?

>> You're going to tell them the truth,

Joe.

>> Truth about what?

>> About last night.

>> Last night?

>> Yes. Last night when I came home with

you.

>> When you came home with me?

>> Oh, she's just playing for time. Tom,

who phoned you last night?

>> Phoned? Did somebody phone? I don't

remember. I wasn't there.

>> What do you mean you weren't there?

>> You'll have to watch him. You know, he

gets very violent when he's jealous.

>> What the hell are you talking about?

>> Last night.

>> God knows what you've been up to. When I

came back, the place

>> back from where? A walk? Don't you

remember? I went for a walk. I left you

to it.

>> Left me to what? The body?

>> What body? I don't remember a body. You

were alone as far as I know.

Although, from the state the place was

in when I came back, you could have been

fighting.

>> What's she talking about? Bluff. It's

all bluff. Tell the truth. Just tell the

truth.

>> I've told you the truth. If you don't

like it, that's too bad.

>> Then why are you running away? Huh? If

there's nothing, then why are you

running away?

>> Running away?

I'm not running away. I'm going home.

The girl's entitled to go home if she

wants to.

>> Look, Joe, don't you realize what you're

doing? Don't you realize the mess Tom's

in?

>> Well, what's he done?

>> Can't you read?

>> What's the use, Tom? You're wasting your

time. She won't budge. She's got to

Joe, please listen to me.

>> The police think I killed him. The body

was in my car and they think I killed

him.

All I'm asking you to do is tell the

truth.

>> Look, Joe, you can have this

more if you want. Anything.

>> You only tell them I didn't do it.

>> Didn't do what? God, I come.

>> I won't help. I won't do anything.

>> Tom, why don't you and Roy see if you

can find this man, this this limey?

>> While Glenn and I hand her over to the

police.

>> The police? H Oh, you won't be so

this way.

over there.

>> Oh, no. No. You two. Oh, no. You not

okay. Do this.

Who are you? What the devil's going on?

>> Kly, let me go. Please let me go.

>> Where is he? Where's he gone?

You young fools. You don't know what

you're mixed up in. His life may be in

danger.

>> He didn't do it. He really didn't do it.

>> I've got to find him quickly before

someone else does. A man with a limp.

>> They were picked up in a car.

>> Describe it.

>> Well, it was a black saloon. The number

was MSS 465.

>> Sergeant, the general alert. Third

flight.

>> Is there anything we can do to help?

>> Yes. Pray. He'll need your prayers now

as never before.

>> There's nothing to worry about, Tom.

We're going to look after you,

Tom and John.

We're going to see you safe from the

police.

>> Let me go. I won't say anything. I

promise I won't say anything.

Kiny,

I'll do anything you say.

I'll do anything you say. Anything.

>> Don't get emotional, Joe.

I want you to enjoy your ride.

You're an educated lad, Tom. Uh, do you

happen to know a poem called um The Last

Ride together?

I beg you.

>> You got out of your depth, Joe. You and

poor old Mark.

And now you've you've just got to

disappear.

very unwise,

but um Tom will be there. He'll keep

your company

romantic, don't you think?

Killing the boyfriend and um fleeing

with a girl should make quite a story. A

Joe,

>> they'll never believe it. No, no,

they're uh you're quite right. They're

um very incredulous, aren't they?

But then on the other hand, they'll have

no choice, will they?

Heat.

Heat.

Stay where you are.

Heat.

Heat.

Heat.

Heat.

Heat.

Heat.

Oh,

So, In a little while, there'll be no

fighting child. No need for tears. You

got the one you see.

I smile for me.

I smile for me.

[music]

Heat.

[music]

[music]

Heat.