All language subtitles for Love and Pain and the Whole Damn Thing (1973)

Well, Walter,
here it is almost supper again.

I was saying to your mother
the other day...

...hardly seems that winter's over with,
let alone spring.

-Busy day?
-Well, you know.

I spoke with Dean Fawcett.

He can't do a thing
about your College Board exams.

You'll have to take them over
sometime around the end of the year.

Are you listening to me?

I don't understand how you could fall
asleep in the middle of your exams.

Have you made any plans
for summer?

Well....

Have you made just any plans?

No.

Look at your sister.

According to Mayherhoff, she could
become quite an oceanographer.

Have you had asthma all day?

It's the cat.

You're not on drugs, are you?

It's the cat.

-What's in your hand?
-Turtle and a Almond Joy bar.

Walter, I just don't understand you.

You carry around
all these strange pieces...

...and yet you read
FORTUNE magazine.

You know, I used to read
FORTUNE magazine.

Thoroughly enjoyed it.

I couldn't tell you now
why I canceled the subscript--

What about...?

What about going back
to Dr. Rossen?

Your mother spoke with him,
you know?

It's been agreed, you won't have
to lie on a couch this time.

I'd rather not.

Well, you're not spending
your summer in movie houses.

I won't, okay? I won't.

Excuse me.

Yes?

Yes, this is Lionel Elbertson.

Oh, good. I'll hold on.

Oh, by the way, Walter,
did you see The Times today?

They called The Identity of Man
a triumphant achievement.

And referred to me as
"our great historian."

Hello, Lyle.

Thank you. It was a fair review.

No, not at all.
I was just chatting with brother.

Oh, he's perfect, just perfect.

Well, he's been planning
his summer.

What?

No, no, he hasn't decided.

Why? What's going on in Spain?

Oh, to learn Spanish.
Is your boy going?

Lyle, for God's sakes, save a place on
that tour for brother, do you hear me?

Yes, he'd love touring Spain.

Elbertson!

Elbertson!

Elbertson.

Elbertson.

Elbertson.

-Nine twenty-six.
-Nine twenty-six.

In Espafiol, Elbertson.

You've got to try harder, Elbertson.

Yeah, I know.

No, you say:

I know it can't be far.

Elbertson.

-Apple orchard.
-Yeah, apple orchard.

Yeah.

It's 3:00 sharp. Now we are all going
to leave this lovely town...

...and take the scenic ride...

...though the historical landscape
of Castilla la Vieja.

I'm sure you will all enjoy
this romantic trip.

Everybody is ready?

Please go back to the seat
on the coach.

-1 know wonderful.
-Elbertson? Elbertson?

Elbertson!

Elbertson, what are you doing?

-Don't worry, Carl.
-Wait.

I just can't--
I just can't ride anymore, Carl.

Wait! Wait a minute, Elbertson!

Hey, wait!

Wait a minute! Come back!

You can't-- Hey, wait!

Hey, what about your bicycle?

Oh, good.

All right, please, this way.

Mr. and Mrs. Clark.

Colonel Duncan
and Mrs. Duncan, please.

Your key.

Mr. Elbertson.

You're lucky,
you have a room for tonight.

Miss Fisher.

Your key.

Miss Fisher. You have a letter.

Mr. and Mrs. Flood.

Starling. You like it?

I'm not too familiar with birds.

I have a fish.

Fish are good. But they are so quiet.

1 will do you one of my favorite.
A very difficult bird.

Frightfully good.

You would like,
perhaps for yourself, a bird?

No, thank you.

Now I really ought
to be getting back.

You make me to think so much
of my Maria.

I'm awfully sorry.

Hello?

Oh, who is that?

Oh, Mr. Taylor, this is Miss Fisher.

Yes, I'm calling you
all the way from Spain.

Would you ask Auntie Vi
to come to the phone, please?

I'm sorry, I didn't hear.
What did you find?

Oh, your teeth.

No, no.

No, I would never have thought
of looking in there.

Could you get Auntie Vi for--?

She's not?

Oh, well, could you get
Auntie Gladys for me?

Oh, would--?
Ask her to leave Mr. Phillips.

No, Mr. Phillips can sit up
beautifully on his own in the bath.

No. No, not as well as you can,
but he can sit up.

Well-- Yes, well, will you go up
and hold on to him...

...and ask Auntie Gladys
to come down, please?

Thank you.

Hello?

Oh, hello, Captain Bill.

Yes. Yes, he told me he found them.

Yes, in the piano.

Very careless.

No, Captain Bill,
you are not going to die.

I promise you.

I can't call you every day
and promise you.

I'm in Spain, you see.

Spain.

Yes, I know you have a pain.

We all have a little pain
now and then.

I bought you a lovely bottle
of brandy.

Yes. Is Auntie Gladys there?

Auntie Gladys.

Oh, hello. Auntie Gladys, this is Lila.

Yes, how are you?

Well, I--

I couldn't ring you yesterday.

I just wanted to know
if everything is going smoothly.

Oh, nonsense. Things won't
be falling to pieces just....

I said....

I said things can't be falling
to pieces just....

Well, it's.... It's a bad line.

It's just a very....

Avery.... It's just a very....

How

Beautifully blue the sky
The glass is rising very high

Continue fine I hope it may
And yet it rained but yesterday

Tomorrow it may rain again
I hear the farmers need some rain

Yet people say, I know not why

That we shall have

A warm July

Wait a moment.

Life, it comes like a bird.

And life is good.
And then the bird flies off.

With all my best compliments,
senorita.

But I already told you,
I don't want a bird.

In my heart, it was so much light.
So much espera with Maria.

Really?

And then, it comes to me,
the sadness.

Maria Rojas Oliveria
has been wrong to me.

But I still love her, no?

And so I go to the soldiers
who takes her from me.

And Maria come between us
and with a piece of glass...

...she cuts my heart in two.

No, no, no.

Don't cry for me, senorita.

And now, sefiorita,
you are a new sparrow...

...who fly into my life from London.

-No, Bournemouth, actually.
-Bournemouth?

Bournemouth.

A new sparrow from Bournemouth
who comes and glow on me.

I insist that you leave this room
at once.

But I have only begun.
I didn't say nothing yet.

I can do the
Yellow-headed Blackbird.

Who was that one on the balcony?

Will you please take your bird
and go?

-You don't want me?
-1 don't.

But I'm sure somebody does.

Oh, what--?

Ladies and gentlemen, I hope
you enjoyed your little cup of tea.

And now we are leaving
the Valley of the Olives.

Please, follow me. This way.

Olives, you know, means aceitunas.

By the way, Jesus Christ came here
with his disciples.

And here he spent the night
of the Agony.

In Nicholas Ray's super production,
King of Kings, starring Jeffrey Hunter.

Excuse me.

-Yes?
-Hey.

There's-- Somebody's missing.

Miss Fisher?

-Yes, I seem to be locked in.
-The bus is....

Yeah.

Thank you.

-Do you speak any Spanish?
-No. Absolutely no Spanish.

I'm trying to learn.

I tried, and I'm still trying.

-Is "hello."
-Hello. Hello.

Yes, hello.

Do you understand:

No. No.

It's:

"What is your name?"

Elbertson, Wal-- Walter Elbertson.

I really think we should try
to learn some Spanish, don't you?

Can you say that phrase?

That means, "It's terrib--"

That means, "It's terribly funny."

"It is getting light."

Or if it is getting dark, it is:

Can you do that one?

That's very good.

We can move on to--

Lunch.

Lunch.

"Almuerzo, masculine.
Merienda, feminine."

A masculine lunch
and a feminine lunch.

But to eat lunch is "almorzar."

It is also "merendar."

There's so many choices.
Well, let's try "merendar."

Say "merendar."

Oh, Miss Fisher,
I don't wanna say merendar.

I beg your pardon.

I don't wanna merendar
and I don't wanna a/morzar and I--

I don't wanna.

I don't wanna do it anymore.

I really don't wanna do--
I don't wanna do it anymore.

Very well.

I didn't mean to hurt your feelings.

You didn't.

Look, I--

I seem to make it very uncomfortable
for you, Miss Fisher. So I think...

...I could talk to the driver
and he could maybe change my seat.

As you wish.

I mean, I know I make it uncomfortable
for you sometimes...

...and, well, you're sort of down.

And I don't mean
to make it uncomfortable--

Down? In what way am I down?

Well....

Do I act down?

Not exactly. It's just that,
well, you're nervous sometimes...

...and, well,
I think I make it worse for you.

Worse for me? What do you mean?
How am I nervous?

Look, I just wanted to say
I was sorry...

...if I made you uncomfortable.

You hear me whistle, don't you?

Whistle?
No, I don't hear you whistle.

I know I whistle. I am aware of that.

Oh, well, we all have our tics.

Like my father sucks on his pipe
all the time, and you whistle.

And you wheeze.

A little asthma.

You're very observant, aren't you?

-1 don't mean to pry.
-Well, I too am observant.

What I have observed about you,
Mr. Elbertson...

...is one of your major tics,
which is running away.

Since you've been to Spain,
you've run away from a bicycle tour.

-Now you're going to run away again.
-I was just changing my seat.

I don't think that is necessary.

As far as I'm concerned,
we are still amigos.

Miss Fisher,
I'd like to be an amigo, but I....

Amigo.

Amigo.

You are amigo. I am "amiga."

"Amiga" is feminine.

You are masculine.

It's Walter Elbertson.
Are you all right?

Yes. I just knocked over a lamp.

Sorry.

Thank you.

That's all right.
I just thought I heard something.

And, you know,
being in a strange country and all....

And all, I thought I'd check.

Well, I seem to be locked out.

I've locked the door.

You'll have to ask the concierge
to let you in.

-Yeah.
-You'll have to say:

Yeah, if I can.

This beautiful castle,
ladies and gentlemen...

...started to be built
in the 13th century...

...by the Duke of Infantado,
as a present to his wife.

Unhappily, they never lived
to see it completed.

Please, follow me. Thank you.

Please, this way.

This place is 1055 meters high.

Therefore, geographically speaking,
it is very well situated, you see.

You have the mountains.
You have the valley.

You have the river.

I wonder if you could get to the top.

I shouldn't think so.

Wanna try?

No.

I'm gonna try.

Wait.

Here, let me-- Let me just--
I'll just check.

Okay.

Miss Fisher!

Yes?

Hey, there's a really great view
up here.

Where are you?

Come on. The whole thing goes
all the way up to the top.

-1 would really like to fly.
-Oh, don't.

What are you doing?

Oh, I'm playing a game.
Children play it at home.

It's called Fivestones.
Don't you play it in America?

I never heard of it.

You have to throw up five stones and
catch them on the back of your hand.

Then you pick them up
one at a time.

I'm not very good at it.

Sometimes it's rather difficult.

You're pretty coordinated.

I'm having a good day.

I'm having a good day.

I'm having a really good day.

See? You pick it up.

Walter, stop, you're hurting me.

-Walter, please, stop.
-No, no, I can't stop.

-Oh, Walter.
-No, I can't stop.

Would you--?

Walter, please.

Stop.

Walter, don't.

Sit down.

Now, please.

-1 didn't mean to grab you.
-No, I....

I know you didn't.

- Mean, I meant to grab you, but I--
-Please.

Don't let's talk about it.

Will you give me your hand?

Walter.

I don't want you to think
I go around grabbing people...

...because I don't go around
grabbing people.

I know you don't.

Does it hurt?

Walter.

You'll have a bruise.

I just thought
you were very beautiful.

That's all.

And I think
you're a very fine young person.

It's just that....

You and I, Walter, it's all so rather...

...inappropriate.

There's a generation gap.

Walter.

I do understand.

I----

I----

I think we should go half and half
in paying for the wall.

Gently.

Gently.

What?

Hey.

I think we better stop.

Yes, I....

I think you're quite right.

Can you help me?

I wanted to know if you have
a bus tour which is leaving Segovia.

-Yes. Yes.
-A bus tour of Spain.

Yes. Where to, madam?

I don't really mind.
Do you have any brochures?

Yes. We have this one
that goes to Montoro.

And we have another one
that goes to Sorta.

What time does it leave tomorrow?

What--? Wha--?

-1 don't understand you.
-Do you have one that's leaving...?

No...?

-No, no, not important.
-Ma'am--?

We are leaving now.

Mr. Elbertson.

How beautifully blue the sky
The glass is rising

Very high

Continue fine

I hope it may
And yet it rained but yesterday

Tomorrow it may rain again

I hear the farmers

Need some rain

People say

I know not why

We shall have a warm

July

Hello?

Hello, Miss Fisher?

This is Walter Elbertson,
and I'd like to talk to you for a moment.

Would you wait just a moment?

I was reading
about the Spanish Revolution.

-1 don't mean to interrupt you--
-Revolutions always make me cry.

I came back because I want you
to know I don't think you're cheap.

I definitely don't think you're cheap.
If I made you feel cheap, I'm sorry.

I understand how you must feel.

And I want you to know I have
a very deep basic respect for you...

...and for the dignified...

...kind of woman that I know you are.

Miss Fisher?

-It's all right.
-What's all right?

-Everything.
-What's all right?

You're all right.
You're gonna be all right.

Of course I'm all right.

-It's all right. Don't worry, it's all right.
-Stop saying that.

All right. I mean, okay.

What are you doing here?

-I came back.
-But how did you get in?

Well, you let me in, but it's all ri--
I mean, it's okay.

What's okay?

I don't know. You passed out.

Well, I-- I passed out?

Wait, you mustn't get
the wrong idea.

Oh, no, I won't.
I don't have any idea at all.

We all have our highs and our lows.

Miss Fisher, I understand that...

...and Miss Fisher....

Miss Fisher, I came back,
because I want you to know that...

... do not think you're cheap.
I definitely don't think you're cheap.

And if I made you feel cheap,
well, I'm very sorry.

I understand how you must feel...

...and I want you to know I have
a very deep basic respect for you...

...and for the dignified kind of person
I know you are.

You came back to tell me that?

To tell you the truth,
I was worried about you.

I sat in the bus and I had to come back
because I was worried, and I....

I had to know if you were all right.
I mean, okay.

You were worried about me?

Well, no,
I thought of you being alone...

...and, well,
it was really boring in the bus.

To tell you the truth, some of those
people drive me up the wall.

Are you crying?

I'm sorry, I can't help it.

Oh, listen, Miss Fisher,
I understand.

I mean, I don't understand exactly...

...but I understand
about highs and lows.

Honest to God, I've been through it.

Listen, my sister built her own cello.

Her own cello?

Yeah. One time in the locker room
somebody wrote on the wall:

"Walter Elbertson
was a child molester."

Well, I'm not a child molester.
Honest to God, I'm not.

But I didn't know what to do about it.

See, I understand these things.

I've been to a psychiatrist,
Miss Fisher.

And I have asthma.
And my father won the Pulitzer prize.

But sooner or later the sun comes up,
and the day comes up, Miss Fisher.

Look. You see?

Take a look. See?

You see, there's really--
There's joy in the world.

I don't know how to say it exactly,
but, you know...

...being alive is miraculous.

And I'm not a religious person,
but sometimes I wish I were.

Are you a religious person,
Miss Fisher?

Yes.

At Easter and Christmas.

Miss Fisher. Oh, Miss Fisher,
life can be our friend.

It doesn't have to be our enemy.

Oh, I mean, things are good,
and some are not so good, right?

And some are better,
and others are worse.

And then some are just so-so...

...and none are perfectly good,
and none are absolutely bad either.

But there is life.

And love and the pursuit of....

And we have to go out
into the world and find it.

I mean, we cannot have it perfect,
so we have to take the bitter with us.

We have to smile in the rain and
be cheerful losers because it's there.

It's there to be lived,
and I think we have to grab it.

We have to grab it, Miss Fisher.

Walter, please.

Stop talking.

You're making my headache
much worse.

-Hi.
-Hello.

-Hungry?
-A bit.

Thank you.

I think that you should know that...

...whatever you saw last night...

...has nothing to do with you.

Soup's not very good, is it?

I think the soup's very good.

Where's the bus?

Well, there isn't any bus.

Well, what do you mean,
there isn't any bus?

That is our bus.

What do you mean,
there is our bus?

I rented that.
It's our own private touring bus.

-You rented it? Why?
-Well, for us.

It's the perfect size.
You can take that thing anywhere.

Walter.

There's a sense of propriety involved
in certain relationships.

And while I always assumed we were
acting in an appropriate manner...

...at appropriate times,
I wonder now if....

Well, if we were to travel about
together in that thing...

...well, if we wouldn't look
a bit obvious.

Who's going to care?

Well, I suppose I care, Walter.

Therefore, I think that, well,
we can go on being amigos, but we...

...we must stop being...

...amores.

Why do you always have
to make everything so impossible?

You're making a scene.

Why do you have to take off on a tour
when we could take off in this?

-1 shall call the police--
-Haven't you gotten the message?

We'll make our own tours.

We'll go anywhere we wanna go.
We'll see anything we wanna see.

We're free, we're coming alive,
we're talking to each other.

For the first time in my life,
I am able to talk to somebody.

You haven't got any right
to go back to some tour...

...that makes you sit around all day
and go into some dark hotel all night.

My God, what do you wanna go back
to being alone in the dark for?

You're a lady that cries at revolutions,
not the dark.

So why don't you revolt?
I mean, look what I've got for you.

I've got for you
an entire revolutionary war machine.

Look at it, it's beautiful.
It has everything.

It has a place to sleep, it has stoves.
It has a toilet.

You are a very determined
young man.

Yeah.

Yeah, I am, aren't I?

Guess I'll have to fix this window
in the morning.

Magic.

-There you go.
-Open the door.

Yeah, it's locked here.

Get it open, Walter, please.

There.

It's not bad really, you know.
It's just....

A little imagination. Fix it up.

I mean, look, you know,
we can even see the stars.

You know,
we can see the stars at night.

Walter, I think it's best
if we close it now.

It's locked here.

Broke it. I guess.

Thank goodness for the umbrella.

I'll go get the bags, all right?

Can you open the door?

-The door is jammed.
-What? What's wrong with the door?

It's jammed.
Is there a window open?

-They're all open.
-It's locked.

Oh, great.

Here. Here you go.

Here, you gotta move over.

-Are you all right?
-Yeah, I'm fine.

-The lights.
- I just gotta clean it up a little bit.

Now here, I got a poncho.

Why don't you put this on
while I fix it up?

Thank you.
You better put something--

The lights are going.

-Well, yeah, it's--
-Can we fix them?

I'll start unpacking.

-Where did you get this thing?
-What?

Oh, I got this from a marine.

-Where?
-A marine.

Why don't we just fix
this bed up here.

Put the bed down between the seats,
and you can use the cushions for a....

This is just really neat. Come on.

-Fine. Well, put it everything on--
-Yes.

What's wrong? You hit your--?

-That's all right.
-1 hit my head.

We can just stay here
and listen to the rain.

-Walter, I think--
-This is really perfect.

-No, do not-- Walter, please.
-What?

I'm not in the mood, Walter.

We have to mend the place.
Look at it, it's soaking wet.

Yeah, but this--
We don't have to until the morning.

There's a time and place
for everything.

Will you please mend the door, mend
the lights and let's try and get dry.

All right, just one more kiss.

-Now, go mend the door, please.
-All right, all right.

I'll do it. Where's the towel?
Give me the towel.

I need some clothes or things.

I'll go put this on-- I'll put this--
I'll put this on the roof.

No, that won't do.
Put the suitcase on the roof.

Just put the suitcase--

Walter?

Walt--

What on Earth are you doing
down there?

Do you know what you are?

You are a big pain in the ass.

Now is no time to be funny.

Isn't that the most--?
Look at that embroidery. Lovely.

-No, Walter, it's much too expensive.
- I know it costs too much,

I just wanna see it.
She doesn't mind.

-No, I wanted to get some trousers.
-1 know, okay, we won't buy it.

-1 think there's--
-Where's the pants?

Pants, pants.

-We need some pants.
-No, Walter, put this back.

-1 bought it.
-What?

I bought it.

I bought it. Come on.

Hola, echo!

Hola, echo!

And we're on our way to La Mancha!

And we might go all the way
to China!

Lila, are you hurt?

Are you hurt? Are you all right?
Does it--? Does anything hurt?

I'm perfect.

Lila?

I will help you.

I'm Don Jaime de Mora Y Aragén.
You needn't worry.

She will be safe in my house,
at the Castle of Aragén.

No bones are broken.

He gave her something,
she'll be sleeping till morning.

She's a little stunned only.

-What did he give her?
-Sleep. He gave her sleep.

What a very special beauty she has,
this woman. What is her grace?

-What's her what?
-I'm sorry, what is her name?

-Fisher. Lila Fisher.
-Lila Fisher.

Well, we will go, you and I.
We will go and let her sleep.

You needn't worry,
I will take great care of her.

Lila.

-It's all so strange.
-What is strange?

Well, being here and falling down,
and you carrying me.

-You did carry me, didn't you?
-Yes.

-On a horse.
-Yes.

-It's so embarrassing.
-You must not be embarrassed.

The flowers should be embarrassed.
You look so beautiful.

The robe, does it fit?

Beautifully, thank you.

Your mother has exquisite taste.

My mother has no taste.
I picked it for her.

I love to show my gold,
like old French prostitutes.

I love to show my gold.

That's Spanish for,
"Bring me the basket of fruit, please.”

"Would you bring me the basket,"
is podria traerme.

-But your Spanish is very good.
-Oh, my Spanish is terrible.

It is absolutely charming.

It is only terrible that you have waited
so long to come to Spain.

It is not fair that you have kept us
waiting so much.

The boy. Will you please join us?

Hello.

Oh, Walter. Walter, how are you?

Fine. Fine.

I had a fall.

Are you all right?

Yes, I'm all right.
I hope you weren't too worried.

You will have a good,
good breakfast.

No, I'm not going to stay.

Please stay.
Why do you have to go?

-Here's your shoe.
-Thank you.

I know it is important to eat
for growing boys.

No, really, it's all right.
Are you sure you're okay?

Yes, yes. I'm all right.
Please stay. Sit down.

Why do you have to go?
What do you have to do?

I have some work to do.

I have to fix the window in the trailer.

Well, please, wait for me,
I won't be long.

They're only washing your--

My clothes.

It won't take long really,
we can go together.

Really, you stay here,
have your breakfast...

...and I'll see you later, okay?

Really. Walter.

No, it's all right. I'll see you later.

See you.

Are you sure you're okay?

I'm perfectly all right, thank you.

What are you to each other?
Family?

-Friends.
-Oh, I see.

So we too are friends
and now we shall have breakfast.

And perhaps then,
we will have dinner together.

When the window is fixed,
you can come with Walter.

Are you ready?

Would you mind if I didn't go?

I just don't feel like going.

I mean, you can talk to him
better than I can...

...and you'll have a good time
and I don't mind.

I mean, you can go.
You can have a good time.

I just don't wanna go.

I intend to have a very good time.

Where do you live? What is it like?

It's very simple.

-Do you live alone?
-No, I live with my aunts.

I live with my mother.

Thank you.

Would you cut my hair?

-1 beg your pardon?
-Would you cut my hair?

I'm awfully sorry.
I'm afraid I don't cut hair.

Would you like a balloon?

Thank you.

You must blow hard. Just blow hard.

It's very hard.

God bless you.

Of course, nothing in this room
is more recent than the 16th century.

Beauty is ageless.

Do you appreciate carpets?

Oh, I'm so happy you enjoyed
all my goodies.

And now I will show you something
that might interest you.

This is my
great-great-great-grandfather.

Do you see the resemblance?

This is my mother's bedroom.

When she's here.

Oh, I see you like lace.

-Lace?
-And you are lace and I love lace.

-Oh, please, I'd rather you didn't.
-You're divine.

-It's kind of you to say so--
-1 will say it again, you are divine.

-No, I forbid you.
-Please forbid me, darling, please.

-You mustn't.
- I must.

-You mustn't. You must not.
-I must. I must.

I have a fatal disease.

Hello.

What did you have for dinner?

Chicken.

I was taking a walk
and I suddenly realized...

...that we've been traveling around
a long time, you know.

And I was thinking
maybe we should sort of...

...reorganize the plans a little...

...and start heading back
in the direction of Madrid.

I mean, we're likely to keep on going
and end up in the Alps or something.

Miss all our plane connections
and everything.

We can still see a little bit of Spain,
but I think we ought to just sort of...

...just head the old caravan
back towards Madrid, okay?

We certainly don't wanna
find ourselves in the Alps, do we?

Why have you stopped the car?

What do you mean by that?

If you think I intend to sit here--

Just wait a minute, will you, please?

If you think I intend
to remain here while you--

Will you just wait a minute?

Exactly what am I waiting for?

I'm thinking.

You can think in the car.

I don't wanna think in the car.

If you plan to stop and scream
in a field every time you want to think...

...take me to the next town where I can
make arrangements to get a bus?

Arrangements.
You are always making arrangements.

Don't worry about arrangements
so much.

In case you have forgotten...

...it was your arrangement
that we go to Madrid.

You took a long walk last night and
you thought things out quite clearly.

What were you doing last night?

What I was doing last night
is totally irrelevant.

He tried to get you into bed,
didn't he?

It was his mother's bed, actually.

I was not having sexual intercourse
with the duke...

...if that's what you're thinking.

I agree, he did try. Now,
may we please get back into the car?

-No.
-Walter, I do not find this amusing.

-Listen--
-1 do not want to listen.

I know a lot about you...

...and I've learned a little more
about you since yesterday.

And what have you learned
about me?

That you can hurt me.

Because I hated yesterday,
I never felt anything like it.

I thought my insides had been
taken out and I was shaking.

To tell you the truth, I thought--

I thought I lost you, and it hurt.

And that's what you learned
about me?

That, and maybe I can hurt you too.

-Look, I know you're uptight.
- I am not uptight.

I love you, Lila.

I really love you.
You're a pain in the ass but I love you.

I love you.

I got this pain
and I figured it's time to go home...

...but I love you
and you're worth the pain.

Anyway, I do love you...

...and I got that pain.

And I need you,
and that's why I stopped the car.

Walter.

I love you.

I love you.

I love you!
I love you and I wanna marry you!

Yeah, I mean it.

Yeah, I could live with you.

I mean, who can live together
better than you and I have?

And now we know
all about love and pain...

...and the whole damn thing,
so we'll live together.

You know what I'm saying?
We'll live together.

We can even go on
after La Mancha.

I'm asking you to be my wife, okay?

What's the matter?

I'm going to die.

Elbertson.

I thought you'd be with your folks
in Aspen by now.

No, I thought I'd stick around Spain
for awhile.

-How are you, Carl?
-I'm fine. I'm fine, Elbertson.

Oh, Carl, I would like you to meet
a friend of mine, Miss Lila Fisher.

Lila, this is Carl Stowkowski.

Pleased to meet you, Miss Fisher.

How do you do?

I had a lot of trouble with your bike.
It was a big mess.

-Sorry about that, Carl.
-Well, it's okay, I guess.

Tell me, are you still on schedule?

Actually, we're running late.

Nelson had a toothache
back in Los Molinos.

Anyhow, we're flying to New York
next week in case you're interested.

Not just yet. Thanks, anyway, Carl.

Okay.

Well....
Well, I guess we'd better be going.

Nice to have met you, ma'am.

Nice to meet you.

All right.

We could have gone to the dentist
is San Lorenzo.

You should have taken that ticket.

We haven't gotten to La Mancha yet.

All right.

I'll go to La Mancha.

Thank you.

Had enough?

Here you go.

Did you hurt yourself?

Oh, no. No, no.

Are you all right?

Are you all right?

Yes, I'm fine.

I broke a plate.

You don't worry about it,
it's just an old plate.

Thank you.

You wanna lie down for awhile?

Yes.

What did you do?

Oh, I'm afraid to look.

The whole place is a mess.

We'll have to sleep upside down.

My dear Walter...

... know this is cruel.

I haven't the courage
to do it any other way.

But I must go home,
and on with my work, and my life...

...as you must go on with yours.

I will always adore you.

I think we've had the best of it.

Lila.

The fate of any of us, you,
Mrs. Elbertson...

...Melanie, me or Walter
is unimportant.

What counts is not what happens
to our lives but what we do with them.

-It's the essence of all my works.
-Yes.

So all of the Christian hope
is well-founded.

What about God?

Then that's the future, isn't it?
That's what God's accomplished.

She's right.

Throughout history, man has looked up
to the heavens in his search for God.

But leave it to my Melanie
to search the bottom of the seas.

I've got permission to take Daddy
down in the bathysphere next month.

Oh, really? I half expected
you were going to build your own.

They teach God at oceanography?

I wish I could start
a life of exploration.

Perhaps you'll find the God we lost
among the fish.

At the bottom of the sea.

Dear Lila...

...how did we come together?

Why did it have to end?

Just because your life's gonna end
sooner than it should...

...why do we have to end sooner
than we should?

We never seemed to have anything
to do with things ending.

Things were always beginning
with us.

You see, when I really think about it,
you're wrong.

We haven't had the best of it.
We're not going to have the best of it...

...until we've had as much of it
as there is.

I love you.

I mean, we know how to live and love,
fight and make up...

...so what's the difference if
it's six years, six months or six days...

...at least, we'll have the time.

And, all right, I know it's not going
to be easy for me to watch you die...

...but that's what a husband has to do
sometimes, isn't it?

I mean, if an old husband
can give his wife a hand...

...why can't a young husband?

-...for my students.
-What's so crazy about that?

What, darling?

What's so crazy about what?

Would you excuse me
for a minute, please?

I have to make a telephone call.

Walt, I want you
to tell me about Spain.

Spain?

Spain is terrific, doctor.

The doctor wants
your specific impressions, darling.

Well, specifically...

...it's the women.

It's the women!